US Hip Hop 252 Items

Jay Worthy & King Most's "Westside Party" EP on limited edition vinyl. Fully produced by King Most and includes exclusive remix by Big Jacks & Kutcorners. Also includes all instrumentals exclusive to vinyl.

Limited edition of 300 copies on 3LP in gatefold sleeve with printed innersleeves. Only 2 per customer!

Hailing from Los Angeles, CA, Circle Of Power debuted with their self-titled album in 1993 via Rumble Records. The duo comprised of Mone and Wiz1 premiered with a conscious and authentic delivery on Jazz-infected beats, contrary to the massive Gangsta Rap that was growing big at the time in the west. The album includes 6 bonus tracks and an alternate version of the "Intro".

Available in a limited run on 3LP, 2CD in jewel case, cassette and digitally on all major platforms.

Limited edition of 300 copies on 3LP in gatefold sleeve with printed innersleeves. Only 2 per customer!

Following the release of their self-titled debut "Circle Of Power", the duo consisting of Mone & Wiz1 established the underground super group Blak Forest in 1997. "You Are Now Entering The ..." unites several like-minded artists such as LMNO of The Visionaries, Hakim Tha Wize, the Urbanites or Sleeze 1 to drop deep lyrics on the productions of Circle Of Power and DJ ICD.

Available in a limited run on 3LP, 2CD in jewel case, 2MC and digitally on all major platforms.

Limited edition of 500 copies on 2LP in gatefold sleeve incl. inlay card and bonus 7" ("85 South (Scanda Remix)" b/w "Van Full Of Pakistans (Skeff Uncensored Remix)").

Yall So Stupid came from Atlanta's underground and gave their listeners the low down on their town on their debut album "Van Full Of Pakistans", originally released on Rowdy Records in 1993. MC's Unkle Buk, H2O, and Logic, with DJ Sha Boogie on the turns, stuck to what they knew and did best: busting straight up hardcore tracks for macks, honeys and tricks. Entirely produced by Spearhead X eccept a few productions by label mates Da King & I and Sylvan Sargeant.

Available in a limited run on 2LP+7", extra 7" of the title track "Van Full Of Pakistans" ("Album Version" b/w "Spearhead X Remix"), CD in jewel case, cassette and digitally on all major platforms.

Last August marked the 50th anniversary of the birth of Hip-Hop and we continue to honor the artists and albums that had a significant impact on the culture. In partnership with Sony's Certified, we are following up on our RSD reissue of BDP's Edutainment and KRS-One's Return of the Boom Bap with a long overdue reissue of KRS-One's 1995 self-titled album, KRS-One. Two years after the release of Return of the Boom Bap, KRS-One got back in the studio and behind the boards and enlisted for additional production DJ Premier, Showbiz, Diamond D, Norty Cotto, and Big French Production. In August of '95 KRS-One dropped the Preemo-produced lead single "MC's Act Like They Don't Know" with "Represent The Real Hip-Hop" featuring Das EFX on the B-side of the 12-inch, boasting KRS-One's lyrical skills and backing up his status as one of the best live performers in the game. KRS-One knocked it out of the park on his second solo effort with another Premier single about the current state of Hip-Hop on "Rappers R, N. Dainja" and straight-up Boom Bap rap on the Fat Joe assisted track "De Automatic." He offers political and social commentary on "R.E.A.L.I.TY.", "Hold", and "Free Mumia" with Channel Live and continues to diss sucker MCs on "Wannabemceez" with Mad Lion. Get On Down is proud to present this deluxe reissue packaged in a gatefold jacket with a new interview by Check The Technique author Brian Coleman, complete with a foldout lyrics sheet.

"Cappadonna is one of the original members of Wu-Tang Clan absent from their debut album Enter The Wu-Tang
(36 Chambers) due to being locked up at the time of recording. Three years later he would get his chance to shine
on Ghostface's debut Ironman. In 1997 Cappadonna was prominently featured on Wu-Tang's second album
Wu-Tang Forever. The following year the spotlight was on Cappadonna for the release of his debut album The
Pillage. With production overseen by the RZA and Wu producers True Mathematics, True Master and Goldfinghaz,
The Pillage dropped on March 24th, 1998 and was certified Gold one month later. From the classic opening
track ""Slang Editorial"" reporting on the streets to the closing track ""Black Boy"" where Cappadonna spits lyrics
about being a free man and rejoining the Wu, The Pillage is another classic Wu solo debut.
To commemorate the 25th Anniversary of The Pillage, Get On Down is proud to present, for the first time on vinyl
since it was originally released in 1998, a limited edition pressing on double clear with black swirl colored vinyl in
printed inner sleeves with a 25th Anniversary commemorative OBI limited to 2000 numbered copies."

Robert Glasper is a premiere example of musical aptitude and a proven champion of Black music - boasting nine Grammy nominations and four wins for Best R&B Album, Best R&B Song, Best Traditional R&B Performance, and Best Compilation Soundtrack for Visual Media, and an Emmy Award for his song for Ava Duvernay’s critically hailed documentary “13th” with Common and Karriem Riggins. The 43-year old Houston native has a rich history contributing his artistry across both music and film, all the while carrying a consistent cultural message. In 2012, Glasper delivered his album Black Radio that hit the scene as the first album in history to debut in the top 10 of 4 different genre charts simultaneously: Hip Hop R&B, Urban Contemporary, Jazz and Contemporary Jazz. The feat was then repeated by Black Radio 2. The ongoing Black Radio series has since become Glasper’s calling card, upholding a place at the heart of a trailblazing community: from long-time sonic brothers Mos Def and Bilal, to legends including Ledisi, Lupe Fiasco, Kanye West, Jill Scott, and Erykah Badu.



"Robert Glasper has established himself as a master of the territory where jazz, hip-hop and R&B overlap" – Rolling Stone



“No one has shaped the resurgence of jazz in black music more than Robert Glasper in the 2000s” – Nate Chinen (NPR)



Black Radio and Black Radio II are landmark albums that have shaped the genres of jazz, hip hop and r&b for the past decade. Direct lines can be drawn to Kamasi Washington, Thundercat, Kendrick Lamar, and black music writ large.

For Black Radio III, 4-time grammy® winner Robert Glasper cements his legacy as producer, curator and cultural icon. These collaborations range from the most powerful voices in contemporary black music (Killer Mike, ty dolla $ign, D Smoke, PJ Morton) to the most important lyricists and performers of the past 30 years (Jennifer Hudson, Ledisi, Common, Gregory Porter, Musiq Soulchild, India.Arie)

Black Radio III is also a statement for these times. It is Glasper’s most direct statement of the frustration and opportunity of a world disrupted by social change.

It is at once beautiful, powerful and innovative.

"Party people hold onto your hats!" Ugly Duckling presents their fifth full-length album Moving at Breakneck Speed. After more than a decade in the music business, Young Einstein, Andy Cooper and Dizzy Dustin are well accustomed to the recording process. For their latest LP, the boys dug deep into their bag of tricks to create what they feel is their most dynamic and complete release to date. Moving at Breakneck Speed is an exciting and musically exotic adventure story that has our desperate heroes circling the globe to outrun an evil gang of super-criminals determined to put an end to UD once and for all. The record is made up of 14 power packed tracks that showcase Ugly Duckling's classic production sound as well as the flavorful and humorously soulful vocal styles of Dizzy and Andy. "By the time you work on your fifth record, you ought to know how to do it, right?" asks Andy, "I think we put all of the pieces together to make a really, really good album".

Ghostface Killah released his debut solo album 25 years ago on October 29, 1996. Produced by fellow Wu-Tang Clan member RZA, Ironman found inspiration in sources ranging from blaxploitation films to classic soul and charted a whole new direction for hip-hop in the process. The album features classic bangers like Daytona 500 featuring Raekwon and Cappadonna to soulful emotionally moving cuts like All That I Got Is You with Mary J Blige.

To commemorate the 25 year anniversary Get On Down is proud to present Ironman in a 2xLP set available on both ‘Blue & Cream’ and ‘Chicken & Broccoli’ half-n-half colored vinyl, each version housed in a deluxe gatefold jacket, packed inside a ‘shoebox’-style 2nd outer jacket embossed with the year 1996.

Word...Life is the debut studio album by O.C., released on October 18, 1994, through Wild Pitch Records. O.C. (Omar Credle), a member of the Diggin' in the Crates Crew (D.I.T.C.), was highly regarded for his thoughtful and intricate lyricism. Word...Life is considered a classic East Coast hip-hop album, reflecting the 90s boom-bap sound with its jazzy, soul-infused beats and introspective lyrics.

The production on Word...Life was handled by prominent figures in the New York hip-hop scene, including Buckwild and Lord Finesse, both members of the D.I.T.C. collective. The beats feature a mix of jazz samples, soulful loops, and hard-hitting drums, typical of the 90s East Coast sound.
O.C.’s delivery on the album is laid-back yet razor-sharp, and his rhymes are filled with vivid imagery, social commentary, and personal reflections. The album is celebrated for its lyrical depth, with O.C. blending storytelling and wordplay seamlessly throughout.

"Time's Up" – This is O.C.’s most famous track and a standout from the album. The song addresses the fakeness in the rap industry, calling out rappers who portray false images of success and street life. The production, courtesy of Buckwild, is minimal yet powerful, with its heavy bassline and sparse drums giving space for O.C.’s sharp lyrics.
"Born 2 Live" – A reflective and nostalgic track where O.C. looks back on his youth, reminiscing about childhood experiences and the loss of friends. The beat, produced by Buckwild, is soulful and smooth, underscoring the bittersweet tone of the lyrics.
"Word...Life" – The title track is a declaration of O.C.’s philosophy and approach to hip-hop. His rhymes are thoughtful and reflective, addressing real-life struggles, growth, and staying true to one’s self. The beat features a jazzy piano loop, characteristic of the album’s overall production style.
"O-Zone" – A track that showcases O.C.’s lyrical prowess, where he delivers intricate wordplay and multisyllabic rhymes. The beat is more aggressive, with a harder bassline and sharp drum patterns, complementing the confident tone of O.C.’s verses.
"Ga Head" – This track has a more laid-back vibe, with O.C. discussing the realities of life in the streets, success, and staying grounded. The production is smooth, and the track has a reflective quality similar to “Born 2 Live.”

Authenticity in Hip-Hop: A major theme on the album, especially on tracks like "Time's Up", where O.C. critiques rappers who fabricate stories about their street credibility or success.
Reflection and Growth: O.C. often reflects on his life, past experiences, and the journey of growing up in a tough environment. "Born 2 Live" is one of the best examples of this theme, where he revisits childhood memories and the impact of losing friends.
Intellectual and Philosophical Insights: O.C.’s lyrics often touch on deeper, more philosophical ideas about life, the challenges of success, and the importance of staying true to oneself.

Buckwild, Lord Finesse, and O.C. himself contributed to the production on Word...Life. The beats are built around soulful and jazz-infused samples, and the production maintains a gritty, underground feel. The album’s production fits well within the aesthetic of 90s boom-bap hip-hop but is elevated by the thoughtfulness and precision of the samples and drum programming.

Word...Life was praised for its lyrical depth and intellectual approach to hip-hop, standing out in a year when many classic albums were released. Critics and fans alike admired O.C.’s smooth flow and ability to tackle both personal and broader social issues in his rhymes.
The album did not achieve massive commercial success upon release, but it has since been recognized as a cult classic and a staple of 90s underground hip-hop.
"Time’s Up" in particular became a defining moment in O.C.’s career and has been used in various hip-hop compilations and media over the years.

Word...Life has influenced many artists, particularly in the underground and conscious hip-hop scenes, where lyricism and authenticity are highly valued.
O.C. has continued to be an important figure in hip-hop, and his work on Word...Life is seen as a critical contribution to the legacy of East Coast rap, alongside artists like Nas, Big L, and other members of the D.I.T.C. collective.

Word...Life is a cornerstone of 90s underground hip-hop, showcasing O.C.’s lyrical prowess and commitment to authenticity. The album's introspective themes, sophisticated wordplay, and soulful production make it a classic that continues to resonate with fans of conscious and lyrical rap.

Limited to 3000 copies, the VMP exclusive version of Busta Rhymes' The Coming is pressed on Cloudy Red vinyl at GZ Vinyl as part of our year-long celebration of Hip Hop with Warner Music Group and Hip Hop at 50. The 2LPs will arrive in a double gatefold, tip-on, foil-stamped and numbered jacket. It was mastered by Cicely Balston at Alchemy Mastering at AIR.

The Coming is the debut studio album by American rapper Busta Rhymes, released on March 26, 1996, by Elektra Records. The album marked the beginning of Busta Rhymes’ solo career after his time with the hip-hop group Leaders of the New School and introduced his distinct animated style, explosive energy, and versatile flow to a wider audience. The Coming also helped establish Busta Rhymes as one of the most charismatic figures in hip-hop.

The Coming is a fusion of East Coast hip-hop, featuring a mix of hardcore beats, funk samples, and jazz-influenced production. Busta Rhymes’ distinctive delivery and larger-than-life persona shine throughout the album, with tracks that range from introspective moments to wild, party anthems.
The production was handled by several notable producers, including DJ Scratch, Easy Mo Bee, and Busta Rhymes himself, creating a diverse yet cohesive sound. The beats are aggressive, with deep basslines and heavy drums, reflecting the East Coast sound of the mid-90s.

"Woo Hah!! Got You All in Check" – The album’s lead single, and one of Busta Rhymes’ most iconic songs, "Woo Hah!! Got You All in Check" became a massive hit due to its high-energy performance and infectious hook. The track features Busta’s eccentric personality and rapid-fire delivery over a bouncing, funky beat. It reached #8 on the Billboard Hot 100 and helped propel Busta Rhymes into the mainstream.
"Everything Remains Raw" – A more hardcore track with aggressive production and Busta Rhymes showcasing his lyrical dexterity. The track is a perfect example of Busta’s ability to balance complex wordplay with his trademark animated flow.
"It's a Party" (featuring Zhane) – A smoother, more laid-back track compared to the album’s more aggressive moments, this song features Zhane on the hook and is a party anthem, highlighting Busta Rhymes' versatility as both a lyricist and entertainer.
"Ill Vibe" (featuring Q-Tip) – This track features Q-Tip from A Tribe Called Quest, and the two rappers deliver jazzy, smooth verses over a laid-back, boom-bap beat. Their chemistry on this track is undeniable, with Q-Tip’s cool delivery perfectly balancing Busta’s more animated style.
"Flipmode Squad Meets Def Squad" (featuring Jamal, Redman, Lord Have Mercy, and Rampage) – A standout posse cut featuring members of Busta Rhymes' Flipmode Squad and the Def Squad. The track is an aggressive, competitive showcase of lyricism, with each MC bringing their best.

Eccentricity and Braggadocio: Busta Rhymes brings his larger-than-life personality to the forefront, mixing humor, confidence, and intense energy. Tracks like “Woo Hah!! Got You All in Check” feature Busta flexing his skills, while maintaining an entertaining and wild demeanor.
Street Life and Survival: While much of the album is fun and animated, Busta Rhymes also addresses more serious themes, such as growing up in the streets and overcoming adversity.
Party and Celebration: The Coming is also packed with party anthems, which became a staple of Busta Rhymes’ career. Tracks like “It’s a Party” emphasize having a good time, with infectious beats and smooth hooks.

The production on The Coming is diverse but maintains a cohesive sound. DJ Scratch, Easy Mo Bee, The Ummah, and Busta Rhymes himself contributed to the album’s sound, combining elements of funk, jazz, and hardcore hip-hop. The beats are aggressive, with hard drums and funky basslines, complementing Busta Rhymes’ wild vocal delivery.

The Coming received positive reviews from critics, who praised Busta Rhymes for his unique style and infectious energy. It was seen as a strong debut, and Busta’s lyrical prowess and dynamic flow were highly praised.
The album debuted at #6 on the Billboard 200 and was certified platinum by the RIAA, establishing Busta Rhymes as a force in the rap industry.
The Coming helped pave the way for Busta Rhymes’ successful solo career and positioned him as one of the most creative and charismatic figures in hip-hop. His animated delivery and ability to seamlessly blend humor, intensity, and skill became his trademark.

The Coming is a powerful debut that showcases Busta Rhymes’ talent and unmatched energy. The album’s mix of party anthems, aggressive lyrics, and eclectic beats provided the blueprint for Busta’s long and successful career. With standout tracks like “Woo Hah!! Got You All in Check” and collaborations with Q-Tip and Redman, The Coming remains a classic in 90s hip-hop, highlighting Busta Rhymes’ ability to merge eccentricity with lyrical skill.

Why you'll love it...
Released in December 2007, The Big Doe Rehab was a technical commercial success at the time, but it endures spiritually as an essential title in [Ghostface Killah's] own expansive, 13-album discography, let alone his larger body of work with other artists. While every Wu member’s solo project inevitably serves as a stage for the Clan, with The Big Doe Rehab, the spotlight never leaves Ghostface Killah in the dark, even with so many other big-name players entering and exiting — a level of artistry that could only be achieved by one of hip-hop’s top dart spitters.

Why you'll love it...
The Love Movement is the unfairly overlooked Tribe record; their fifth–and at the time final–LP, released after the group broke up, and after almost a decade as the leading lights of Native Tongues. But because it came so close to the group’s dissolution, and because it’s concept album trappings of love as the leading light for human existence were far removed from The Shiny Suit era that was starting in earnest, it’s rarely been reconsidered in their oeuvre. No longer, we say: Ride in the immaculate auras presented on this album; hear the Tribe vibe and glide across lush beats and laid back bars. Our edition is the deluxe 25th anniversary edition, on exclusive “Cobweb” vinyl, remastered by Ryan Smith, and with a deluxe heavyweight tri-fold jacket.

Why you'll love it...
Uncontrolled Substance, the acclaimed 1999 solo debut from Wu-Tang Clan's Inspectah Deck, is the VMP Hip-Hop Record of the Month for January 2023. The first-ever reissue of the record, our edition is here on exclusive 2LP "Cop Car Blue" colored...

Why you'll love it...
There was no other rapper like Lupe Fiasco making this much of a splash in the mainstream in 2006. Here was this bookish kid from the ’hood who could rap circles around Jay-Z and had the gall to pose with trinkets — a Wee Ninja doll, a Nintendo DS, a copy of the Quran, a copy of his first Fahrenheit 1/15 mixtape, a toy robot — on the cover for his debut. He may have been an anachronism in his time, but looking back, it’s easy to see how he laid the groundwork for other high-minded emcees with crossover potential.

There’s moments of brilliance packed into every Lupe Fiasco album, but the equilibrium of Lupe Fiasco’s Food & Liquor has been difficult for him to recreate. To this day, it remains the most potent and well-balanced of Lupe’s work, a case of the corner boy and the scholar living in an otherworldly talented rapper’s brain working in perfect harmony.

Why you'll love it...
The beats on Capital Punishment, from RZA, Rockwilder, Domingo, and other A-list maestros, are grimy, radio- friendly, yet low-ley cutting-edge, affirming its status as an undisputed classic. Big Pun was as much a visionary — conceptualizing every song — as a consummate pro in the booth. Citing Picasso and Baby Jesus while purporting to “twist your temples into pretzels,” Pun made Minute Rice out of multi-syllables. There’s no way to describe Pun’s febrile liberties with the king’s English. He doesn’t really breathe; when he does, it’s a sharp gasp for air that almost mimics his Ginsu-like wordplay. Pun’s habit of sucking wind before spitting an ill verse mimics the effect of a lit grenade about to land and decimate entire sections of the population. If Pun’s dense rhymes invoke mixed metaphors, that’s likely because he’s an impossible amalgam of wanton wooer and lyrical hitman, an overweight lover with a murderous mouthpiece.

Why you'll love it...
While fighting through label limbo and placing his budding film career on freeze, Antwan “Big Boi” Patton spent a couple years readying the artillery for his solo close-up. Sir Lucious Left Foot: The Son of Chico Dusty is both a testament to the maturation of Big Boi and a tribute to his late father; underneath, it’s a speakeasy at breakneck speed, sittin’ on 32s. Where many other formidable MCs would be eaten alive, Big Boi shapeshifts across every mood and landscape with his trademark tenacity. He’s an effortless showboat who can portray sleaze with ease, but he’s a true class act who’s got nothing left to prove, yet will never let it show. Flanked by his known co-conspirators and many more, Big Boi blesses the senses the way only an East Point playboy can; it’s an intergenerational time warp, and another funky ride in HD. The final product is a natural progression of his Organized Noize lineage, sent across dimensions to return with an assemblage of time-tested potent Black grooves, then pressure-cooked in the kitchen of thefinest booty club in Georgia.

Why you'll love it...
Big Sleepover, the reissue of 2021 collab album by Big Boi and Sleepy Brown, features CeeLo Green, Killer Mike, Backbone, Big Rube, and RENEGADE EL REY and is available for the first time on vinyl. Lauded for its humor and dynamics, the pair lets you know from the very beginning that they "have nothing else to prove."

Limited to 2000 copies, the VMP exclusive version of Big Boi and Sleepy Brown's Big Sleepover is pressed on Cloudy Green vinyl at GZ Vinyl. The 2LPs will arrive in a double gatefold, rainbow foil board, foil-stamped and numbered jacket.

11 tracks feat. Bilal, Kanye West, Last Poets ...

Why you'll love it...
Centered on the different paths people choose in life or how they survive their different struggles, Atmosphere’s When Life Gives You Lemons, You Paint That Shit Gold is a very heavy series of short stories that share the voice of one author and the timbre of one composer. Lyrically and sonically, it’s clear that the words and rhythms were built together, instead of some Frankenstein piecemeal fashion like many other rap songs.

For those reasons, the tracks fit near-seamlessly together. But they also stand alone as episodes worthy of solo dissection.

No matter how you consume them, some of the songs will undoubtedly bite back, making you angry for or at the characters, their circumstances and the substances that push and pull them in different directions. And that emotion is the telltale sign of this album’s impact on those who hear it.

Why you'll love it...
‘’In spite of systemic challenges, there is some glory in Nappy Roots’ humble lot—at least, as they depict it. Anthems like ‘’Country Boyz,'' the down and dirty ‘’Slums,'' and ‘’Kentucky Mud'' show a kind of refreshing solidarity with people who might not have ever heard themselves in hip-hop before. That was the Nappy movement, as its creators saw it: finding the joy and beauty, where one could, in an unfair system instead of trying to cover it up. Taking qualities and status perceived as undesirable—''nappiness,'' rural living, being part of the working poor—and finding within them a sense of community and appeal without masking all the things that make them so awful.

As a new recession hit and the U.S. slid into yet another war, ‘’Po’ Folks'' reached #21 on the Hot 100; their message of humble resilience rang out everywhere. A new dimension of hip-hop had cut into the mainstream, one that was neither preachy nor apocalyptic but simply made in solidarity. As Deville put it, by way of explaining the album’s title, it’s ‘’the refreshment, the soul food—the shit that’s going to stick to you.''''

Why you'll love it...
By 2007, Aesop Rock was a decade into a career that had firmly established him as one of rap’s unreplicable auteurs, an artist who could be bitten only insofar as he could be understood. And still, when he sat down to write hisfifth full-length album, None Shall Pass, relics of his earliest work kept popping back up: the sorrow and salvation that can each be found in rigid structures, the horror of the ordinary, the tyranny of routine. Over a series of beats constructed in near-total by himself and Blockhead (El-P furnishes one track and co-produces another; Aes’ friend Rob Sonic handles the digital-gothic “Dark Heart News”), None Shall Pass argues for Aes as the chief correspondent of an American decline so smooth that it often felt comfortable.

One of those albums everybody is refering to! Classic beats by the one and only DJ Shadow!

Why you'll love it...
“The concept of Few Good Things is the realization of self after a search for exterior fulfillment,” shared Saba on the inspiration behind the album’s title. “It is the satisfaction and completeness you gain by simply living a life that is yours. Few is a small number, but few is not lonely. In the face of all adversity, a few good things is recognizing and accepting blessings. Few is to count them, one by one – an empty glass is full of air, an empty bank is full of lessons, and an empty heart is full of memories. Few good things is to grow comfortable with the empty, and despite that, finding your fullness.”

Limited to 2000 copies, the VMP exclusive version of Saba's Few Good Things is pressed on Tan vinyl at Precision Record Pressing (PRP). The 2 LPs will arrive in a gatefold, direct-to-board, foil-stamped and numbered jacket.

Limited Edition 2LP reissue of 2Pac's first record, which is also the first hip hop record released on Interscope. The package features a reimagined cover variant and picture disc.

In celebration of hip-hop’s 50th anniversary, the iconic Def Jam Recordings brings us some of its classic repertoire on vinyl in a spectacular “fruit punch” variant – a color emblematic of its longstanding association with Def Jam. Some titles include Public Enemy’s Yo! Bum Rush the Show, Ludacris’ Word of Mouf, Method Man’s Tical, and Slick Rick’s The Great Adventures of Slick Rick.

Limited edition of 500 copies, featuring a black vinyl, a printed inner sleeve, and a sticker.

Another classic Jay-Z joint with certified hits all over!

Burning Desire, MIKE's ninth studio album, is released on his 10k label with features from Earl Sweatshirt, Larry June, Liv.e, Venna, Lila Ramani (of Crumb), El Cousteau, Niontay, Mark William Lewis, Klein and Taka. A darkly romantic horror with comedic twists, it tells the story of a fire deeply rooted in revenge and devastation that hides behind a complicated beauty. Almost entirely self-produced under MIKE's dj blackpower alias, it follows Faith Is A Rock, the collaborative album with The Alchemist and Wiki. For the first time, live instruments add depth and rich musicality to MIKE's universe. The album has been aptly described by Pitchfork as 'confident and clear-eyed, heralding an ambitious new era for the hometown hero of his'.

Originally released in 2012 following unprecedented changes in the music industry, Mourning in America and Dreaming in Color found Brother Ali reborn and rejuvenated. Teaming up with famed platinum-selling producer Jake One (Drake, J. Cole, Wiz Khalifa, MF Doom), Brother Ali was prepared to tell the American story from a very different viewpoint. Inspired by his first trip to Mecca, the 2011 uprisings in the Middle East, and the Occupy movements that were building steam worldwide, Ali linked with Jake One during a two-month sabbatical in Seattle to create this brave new phase in his remarkable discography. The album presented a scathingly honest critique of America and its many flaws while simultaneously presenting a hopeful outlook for the future and its possibilities. At a time when many felt powerless against an overreaching government with all its militarist and corporate interests, Mourning In America and Dreaming In Color provided the voice of a critical American consciousness, as well as a beacon of hope for those that hold fast to its ideals and potential. In honor of its 10th anniversary, we've pressed this limited edition 2xLP vinyl offering with redesigned packaging and layout that features a custom-built slash case with an illustrated flag, a full-color jacket housing tri-color red/white/blue galaxy effect vinyl, printed record sleeves and a 4-panel lyric booklet.

Brand new project from Buffalo’s Elcamino with production from Trust Music Group’s TrickyTrippz (produced for Prodigy, 38 Spesh, Fred The Godson, Conway The Machine, Benny The Butcher & More). Preorders for copies are available now.

All bars written by Elcamino except “No Smoke” written by Elcamino & Benny The Butcher, Black Gestapos” written by Elcamino & Rome Streetz, “Coke Brothers” written by Elcamino & Flee Lord

All beats and cuts by Bozack Morris, Mixed and mastered by Bozack Morris & Futurewave, Saint Muerte painting cover art by Adrian Hayles