US Hip Hop 252 Items

Classic black LP! While Edan's critically acclaimed debut, 'Primitive Plus', was a celebration of hip-hop's golden age and a true throwback, his sophomore album, 'Beauty And The Beat', is a vast musical collage that contains many different influences; hip-hop, rock, pop, dusty breaks, hazy loops, luxurious off-kilter samples and curveball tempo changes that are all crafted into one cohesive piece of art. In 2015, FACT placed it at number 30 on the "100 Best Indie Hip-Hop Records of All Time" list. In 2013 NME placed it at number 392 on the "500 Greatest Albums of All Time" list. // "A Psychedelic gem. It's like 'The Grey Album' in technicolour" - Vice // "This is a record that exults in the joy of musical creation. It should prove impossible not to love" - The Times // "Perhaps one of the greatest US hip-hop album you'll hear" - DJ // NME 8/10 // Pitchfork 8.8/10 // MOJO **** // Uncut **** // Stylus A- // HipHopDX 4.5/5 // Entertainment Weekly A- //

Repress 2023.
Following the release of MF DOOM and Madlib’s Madvillainy in 2004, electronic producer Four Tet remixed several tracks from the album. These were released on limited vinyl run in a plain black sleeve in 2005, but have been out of print for many years.
Production note: When MF DOOM was presented with the Four Tet remixes, he sampled an interlude from the set, creating a new beat, and recorded a new rap track of “Rhinestone Cowboy,” effectively remixing the remix.

In recent years, SadhuGold has emerged as one of hip-hop’s most exciting new sonic architects. Specializing in raw, dusty vibes with an otherworldly feel, the Philadelphia native has crafted tracks for acclaimed artists like Mach-Hommy, Westside Gunn, Your Old Droog, Rome Streetz, Tha God Fahim, and more. Originally released on cassette tape in extremely limited quantities, the "Golden Joe" trilogy helped establish SadhuGold's signature sound and fuel the growing mystique surrounding his unique artistry. With those cassettes now rare collectibles, the enigmatic producer is unveiling an official pressing of "Golden Joe Vol. 3", concluding the first ever vinyl release of his acclaimed instrumental series. Fully remastered, the collection is a journey through the imagination of the alchemically psychedelic mind that is SadhuGold.

In recent years, SadhuGold has emerged as one of hip-hop’s most exciting new sonic architects. Specializing in raw, dusty vibes with an otherworldly feel, the Philadelphia native has crafted tracks for acclaimed artists like Mach-Hommy, Westside Gunn, Your Old Droog, Rome Streetz, Tha God Fahim, and more. Originally released on cassette tape in extremely limited quantities, the "Golden Joe" trilogy helped establish SadhuGold's signature sound and fuel the growing mystique surrounding his unique artistry. With those cassettes now rare collectibles, the enigmatic producer is unveiling an official pressing of "Golden Joe Vol. 2", continuing the first ever vinyl release of his acclaimed instrumental series. Fully remastered, the collection is a journey through the imagination of the alchemically psychedelic mind that is SadhuGold.

Af Ter Being Out Of Print For Years, Atmosphere's Fif Th Studioalbum, You Can't Imagine How Much Fun We're Having, Returns On Vinyl. Following The Breakthrough Success Of Their Fourth Album, Seven's Travels, The Group Returned In 2005, Showing Impressive Growth And Inventiveness In Their New Compositions. Citing Inspirations From A List Of Less-Than Expected Sources, Including Tom Waits, Mark Lanegan, Shawn Phillips, Spoon, The Mars Volta, Alopecia, Public Enemy, Boogie Down Productions, The Beauty Pill, Infected Wisdom Teeth, Craig Finn, Tv On The Radio, Australia And I-94 East, Among Others, The Album Pushed Boundaries Without Overreaching. "[Atmosphere] Has Never Sounded As Pointed And Focused As It Does Here On Its Fifth Album." -Billboard [8 Oct 2005]"Both A Return To Form And A Major Step Forward." -Urb Magazine[Dec 2005, P.94]"Ant Has Never Captured Slug`S Pen Strokes Quite Like This, And As An Emcee And A Songwriter, Slug Has Never Sounded This Good Over The Course Of An Lp. [You Can't Imagine How Much Fun We're Having] Is Absolutely Their Zenith, In Every Sense." -Hiphopdx [4 Oct 2005]

The sophomore album from Marlon Craft, How We Intended takes the listener on a journey with Craft through the tumultuous year of 2020. Over a combination of live musicality and contemporary hip-hop influence, Craft documents his personal path in tandem with the drama in the world outside as he explores what it means to have true intent, and who in this life he intends to be. This production and songmaking reach new heights for Craft on this album as he narrates the uncomfortable road to finding comfort and peace in his intentions as an artist and man.

HHE is back with a real treasure! This time it's the previously unreleased debut album from Baltimore rapper Pat Leach entirely recorded in 1997-1998! Pat Leach started rapping back in elementary school and his love for the music was shaped by his older brother who at that time was also a rapper.



During the 90's Pat became involved in the street hustle and it began having an impact on his music. Hip-Hop was everywhere back then and crews like the B-Boyz, Annexx Click and Ghetto Connect were all busy creating their own movement. In 1997 Pat began recording his debut album with Jay Funk and dropped his debut single Is U Wit' It? / Blue Prints on vinyl and cassette.



The A-Side was produced by Jay Funk and the B-Side by Annexx Click’s own DJ Concrete. “The lyrics from that time tell the tale of money, mischief and murder but tracks like Betta Way give a feel of what life was really like during those times.” The album has a definite hardcore edge with its hard hitting beats, and aggressive flow. “The aggressive nature comes from my life in Edmondson Village in West Baltimore.”



All tracks were produced by Jay Funk except for "Blue Prints" which was done by DJ Concrete.



The album will be limited to only 300 copies on vinyl, 150 copies on Clear Vinyl with a beautiful Red Marble effect and all copies will include an insert with additional pics and info. The CD headz will be taken care of as usual and that press will be limited to 300 copies as well, including 2 bonus instrumentals.

With transcendent lyrical skills, an impossibly perfect rap voice, and a uniquely cool, calm, and collected flow, Brooklyn rapper Your Old Droog is one of the brightest young stars in hip-hop today. His latest offering is "Looseys", a collection of tracks that lit up blogs but never made it onto any of Droog’s acclaimed projects. The 6-track EP features collaborations with Joey Bada$$, Styles P, and Rast RFC, plus stellar production from famed producers like Alchemist, Oh No, Black Milk, and Statik Selektah.

Back in.
Custom printed gatefold jacket with spot gloss finish, double transparent clear vinyl, 2-panel insert containing full album lyrics, custom printed labels and free digital download card, yeah! New Dilated Peoples album feat. Aloe Blacc & Vince Staples!

Their classic debut. Absolutely essential for all hip hop fans. Includes "PASS THE POPCORN", "GOOD MUSIC", "THE SESSION" and more. With THE ROOTS on JIMMY FALLON every weeknight all stores should have this in stock!

Dead Serious is the debut studio album of American hip hop duo Das EFX, originally released in 1992. Recording sessions for the album took place at Firehouse Studios in Brooklyn, New York and at Charlie Marotta's North Shore Soundworks studio in Long Island, New York.

Lifting hip-hop up to a psychedelic realm, Rejjie Snow raps in technicolor, painting in broad strokes with hypnotic hooks, artfully crafted bars, and otherworldly production. Igniting his career, he supported Madonna on tour and broke all the rules with his 2017 project, The Moon & You. A year later, his full-length debut, Dear Annie, yielded genre-disruptive fan favorites such as "Egyptian Luvr," "23," "The Rain," and more. Along the way, he also collaborated with everyone from Clairo to Kaytranada. After receiving acclaim from tastemaking publications worldwide, the Ireland-born artist opens up this world on his second full-length offering, Baw Baw Black Sheep, boasting the singles "Cookie Chips" [feat. MF Doom & Cam O'bi] and "Mirrors" [feat. Snoh Aalegra & Cam'Obi].

Born in Oakland, California, the American underground hip hop MC Del tha Funkee Homosapien is the cousin of seminal west coast rapper Ice Cube, and began his career writing lyrics for Ice Cube's group, Da Lench Mob. In 1991, with the help of Ice Cube (also as executive producer) , Del released his debut solo album, I Wish My Brother George Was Here, at the age of 18. The album was a commercial success largely due to the popularity of the hit single, "Mistadobalina".

When Ruff Draft saw its initial release in 2003, J Dilla possessed production skills on par with anyone in hip-hop - technically and creatively. “At the top of his game,” says longtime friend and collaborator, Karriem Riggins. After years of building while modestly deferring to others of both greater and lesser notoriety, Dilla finally completed the first solo endeavor on his own label, entirely on his own terms. The significance of such an autonomous success often gets overlooked, and partly accounts for why Ruff Draft is one of the lesser-referenced entries in Dilla’s oeuvre. “It’s a mysterious little project,” says his mother, Maureen Yancey. “But out of his entire career, that was the happiest time.” Prior to recording the EP, Dilla found himself at a crossroads. Estranged from his label, MCA, and separated from the mother of his youngest daughter, frustration abounded both personally and professionally. Dilla spent parts of 2002 and 2003 working on an album for MCA that featured his rapping over contributions from other producers with whom he had connected and whose music he respected. At the time, he was known primarily for his beats, yet reviled for his MCing by most anyone not from his hometown of Detroit. The project was to be an intentional freak of the industry. The project would go on to spur his collaborative album with Madlib, Jaylib, and would first showcase the template that he would take to his greatest heights with 2006’s Donuts. The Stones Throw reissue of Ruff Draft from 2008 featured remixes of the songs from the album, done without Dillaís involvement. This version of the album takes Dillaís mixes of the album and restores his vision for the project. “Straight from the mothafuckin’ cassette,” as he phrased the sound he was going for on the EP’s intro.

Cypress Hill was the first Latino American hip hop recording group to have platinum and multi-platinum albums, selling over 18 million albums worldwide.

They are considered to be among the main progenitors of West Coast Rap and Hip Hop in the early 90s, being critically acclaimed for their first four albums.

The band has also been important for the advocacy of medical and recreational use of cannabis in the United States.

Los Grandes Éxitos en Español is a greatest-hits album in Spanish by Cypress Hill. It was certified Platinum by the RIAA.

With exception of the last track, which was previously unreleased, together with "Latin Lingo," and "Tres Equis" which appeared on Cypress Hill, the album features old songs with new Spanish lyrics.

Limited edition of 500 copies on black vinyl.

"The Produce Aisle" marked the full-length debut of Burnt Batch in 1999 and is one of those nuggets from the flourishing Westcoast underground scene around that time. The trio from Stockton, CA, was formed by Rukus, Pause and Pismo who mostly handled the production as well as the writing & raps. 15 tracks with that special blend of laid-back rhymes and Jazz-infected beats.

Available in a limited run on black vinyl 2LP, CD in digipak as well as jewel case and cassette plus digitally on all major platforms.

Summertime G-Funk brought to you by Big G-Mo from West Covina, California. Collector's Edition including the Original Mix of the Hit Single 'It's An Everyday Thing To Roll' and 4 additional Bonus Tracks on Double Vinyl.

Available for the first time since originally released in 2006 via Stones Throw, Dudley Perkins & Madlib are pleased for the reissue of their sophomore collaborative LP, Expressions (2012 A.U.), their acclaimed follow-up to their 2003 debut effort, A Lil’ Light. And albeit the former can be accused of being excessively avant-garde, it’s Expressions where both Perkins and the Beat Konducta find a more fluid symmetry. In everything from his collaborations with MF Doom and the late Jay Dee to his more recent pairing with Freddie Gibbs, Madlib is easily one of hip-hop's golden revolutionaries. At times his production has been accused of being sparse, but that's not the case with Expressions. This time around, Madlib's production is hitting all the funky corners with layered grooves that evoke the attitudes and emotions of A Tribe Called Quest's The Low End Theory. Perkins's objective to keep the grooves flowing on Expressions is laid down with first lines of opener "Funky Dudley": "A little bit of funk and a dash of soul/ A little bit of George borrowed from my Ol' gran' pappy's stack of old school/ One nation under a groove." From there on the funk samples dance famously with Dudley's vocal style, which cross-pollinates the worlds of D'Angelo and Ol' Dirty Bastard. From "Get on Up" to the James Brown vocal sample in "Dolla Bill," Expressions uses Perkins's voice as if it were a sample itself, incorporating it in the production and the rhythms. Madlib's production works flawlessly, his semi-psychedelic influence on R&B, soul and hip-hop keeping Perkins's style fresh and original. All the parts seem to be in place on Expressions as producer and emcee work side-by-side to create a cohesive sound that not only represents the creativity of the underground but could also awaken the tired ears of the mainstream.

Dza pulls together a star studded group of hip-hops best mcs for a true underground classic album.

Rome Streetz drops "Buck 50", his fi rst o ff ering for 2024, a 6 tracks EP entirely produced by mastermind Wavy Da Ghawd, unleash the raw essence of his lyricism. Carving once again its place in the game just like a buck 50, Rome Streetz delivers his gut-punch of gritty underworld narratives. Pressed on a single sided 12" pressed on 180g vinyl, w/ screen-printed art on the B-side, courtesy of Ral Duke.

Smoke On Records presents exclusiv unreleased material from Mop Top - The Greatest Story Never Told. (year 1995)

The contributions of the late Detroit producer James DeWitt Yancey -better
known to the world as J Dilla- to the world of hip-hop can't be overstated, and
nowhere is his legacy more apparent than his work as a member of Slum Village.
A founding member of the trio, (Alongside rappers T3 and Baatin) Dilla provided
the group's distinctly esoteric, free-wheeling sound, built around winding
basslines, quirky drumbeats, subtle low-end frequencies, and classic jazz & soul
samples. Against the backdrop of Dilla's rich production, T3 and Baatin's
free-flowing style of rhyming would also earn wide critical praise, leading to
comparisons as the successors to A Tribe Called Quest. (A label they themselves
have rejected.)
It's on Slum Village's 1997 studio debut, Fan-Tas-Tic Vol. 1, that all these
elements come together in the most proficient manner. An instant hit among
Detroit's underground hip-hop scene, the album seemed to combine all the best
elements of the reigning alternative and gangsta styles of hip-hop into one
cohesive style that was a hit among critics. Fan-Tas-Tic's influence extended far
beyond Detroit, as its sound heavily influenced the sounds of D'Angelo, Erykah
Badu, and The Roots just to name a few. (Roots drummer ?uestlove has even
declared that: "Hands down this album birthed the neo-soul movement.")
Ne'Astra Media Group now presents the album reissued on vinyl, for the first
time in several years. Every wobbling bass note of J Dilla's production has been
preserved and every freestyle line of T3 and Baatin has been re-created, to
maintain the legacy of a late-90s rap classic, and the legend of one of hip-hop's
greatest beatsmiths.

Czarface, Wu-Tang founding MC Inspectah Deck and veteran Boston duo 7L & Esoteric, isn’t concerned with the glitz and the B.S. that modern consumer culture is pushing. And neither are the group’s fans.

In 2013, the trio appeared relatively unassumingly with their self-titled debut, which was chiefly produced by DJ 7L and included guests ranging from Ghostface Killah and Cappadonna to Vinnie Paz, Action Bronson and Roc Marciano. The soon-to-be acclaimed group found out quickly that there was a groundswell of hip-hop fanatics thirsting for the lunchpail, lyrics-above-all-else rap they fell in love with in the ‘90s. Several pressings of the album on CD, 2-LP and even cassette later, they are back and ready to up the ante.

This time around the group is the same, but it’s fair to say that all three men have stepped up their game. “We knew how we felt about the last album, but weren’t sure how it would be received by listeners,” explains MC Esoteric. “But people really responded to it, even more than we had hoped. That gave us the confidence to really spread our wings and let loose on this one. The chemistry is even tighter this time around. We know exactly what lanes we are cruising in and what weight class we are fighting in for Round 2.”

Inspectah Deck adds, “Czarface is like the Danger Room for the X-Men, I can use all my weapons on there. When I’m in Wu-Tang, I have to come a certain way because we have a certain style of fan, when I’m here doing the Czarface projects, it allows me to actually be an MC, it allows me to actually just spit…I love that. I love when i can just spit freely and just be an MC.”

The fighting analogy – whether drawn from pugilism or ‘80s wrestling, both which figure into Every Hero Needs A Villain – is an apt one, considering the unrelenting lyrical attacks that Deck and Esoteric unleash on track after track, each trying to one-up the previous verse. Best of all, it is friendly camaraderie, based around a loose theme of renegade mutant MC talents running wild. DJ 7L explains, “All three of us are influenced by comics, sci-fi movies, TV, wrestling. Czarface encompasses all of that, and it helps with the visuals as well.”

On the production side, 7L shows yet again – as he did with the group’s debut – that he remains a formidable yet underappreciated musical force, constantly providing hard, funky and alternatingly ominous backdrops for the assembled MCs to use as lyrical luge paths.

Guest appearances from Talib Kweli, Krizz Kaliko, Masta Ace, Brother Ali, Tech N9ne, Hopsin, Vinnie Paz, Eamon, Sadat X and others … whoo!

For the first time officially on vinyl.

Before the acclaimed albums "Legends Never Die" and "All My Heroes Are Dead" brought his career to new heights, R.A. The Rugged Man spent years as an underrated rap enigma, with a slew of storied records to his name that had never received a proper release. With the 2009 compilation "Legendary Classics Vol. 1, R.A. finally unleashed many of the lost gems that earned him a reputation as one of hip-hop's most feared lyricists, showcasing his undeniable history. An essential collection from a true hip-hop original, the album features appearances by The Notorious B.I.G., Havoc of Mobb Deep, Jedi Mind Tricks, Kool G Rap, J-Live, Hell Razah, Tragedy Khadafi, Akinyele, and Sadat X, along with track-by-track commentary from the Rugged Man himself. This "Legendary Classics Vol. 1" reissue also includes the new bonus track “The Greatest” featuring famed Italian singer Marcella Puppini, which has never before been available on vinyl.

Over the past few years, Houston emcee Anti Lilly has experienced a lot of hardships. Stretches of serious depression combined with the monotony of a 9-to-5 lifestyle, temptations from the streets and betrayal from a close friend forced him into isolation. Using Phoniks jazzy soundscapes as a coping mechanism, Anti paints a vivid picture of the struggles he’s endured since we last heard from the duo on 2014’s “Stories From The Brass Section”. The album’s 17 tracks are stitched together with voicemail’s the young Houston rhyme-spitter received from friends and family trying to reach him while he was shut out from the world. Through it all, Anti emerges from his experiences with a renewed optimism, letting the world know “It’s Nice Outside” despite all the pain and suffering he’s withstood.

The Need to Know is Queens-based rapper Duncecap’s most refined project to date. steel tipped dove (Armand Hammer, Fatboi Sharif) crafts the new album with a cinematic touch, soundtracking the worlds Dunce builds with dusty kicks and bespoke samples.

Art-rap legends doseone and Skech185 lend verses to the project, and stalwart collaborator Samurai Banana lends his cutting hand for frenzied scratching over Dove’s plucky thumps and sprawling loops.

With a triumphant pessimism, The Need to Know examines the human condition through big-box store nostalgia and city parking; trans-humanism, and anxiety. steel tipped dove accentuates the levity and tension of Duncecap’s writing with nuanced expertise, bringing out funky colors from the bouncy darkness.

A real NY classic from Skyzoo & Pete Rock featuring Pete Rock, Styles, P, Raheem DeVaughn, Westside Gunn, Conway, Benny The Butcher, Elzhi. Mixed by Jamey Staub. Mastered by Dave Kutch. A Mello Music Release.

A collection of early beat creations from Detroit's J Dilla aka JAY DEE (circa 95-98). Originally recorded to cassette now remastered for a special vinyl release. The 928 LP includes 14 raw tracks in a magnificent jacket of artwork perfect for any collection.