Search "Brenk Sinatra Morlock Dilemma" 1423 Items

Release: 1993 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Goalie For The Other Team

Meow

CD | 1995 | DE | Original (Brake Out)

1,59 €* 3,99 € -60%

Release: 1995 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

CD | 1993 | DE | Original (Brake Out)

Undernation

Anger

1,59 €* 3,99 € -60%

Release: 1993 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Helen Schneider With The Kick

Schneider With The Kick

LP | 1981 | DE | Original (WEA)

Release: 1981 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Do You Really Want To Hurt Me ...

Gerty Molzen

12" | 1985 | DE | Original (Soundware)

Release: 1985 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1979 | DE | Original (20th Century Fox)

Rick Moses

Face The Music

Release: 1979 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

The End Of The Century Party

7" | 1995 | US | Reissue (Valrico Records)

Release: 1995 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1987 | UK | Original (Legend)

Elkie Brooks

Break The Chain

Release: 1987 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Far Beyond These Castle Walls

Chris de Burgh

LP | EU | Reissue (A&M)

Járóka Sándor És Zenekara

Release: EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Includes original inner sleeve.

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Hungarian Souvenirs

LP | HU | Original (Qualiton)

4,89 €* 6,99 € -30%

Release: HU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Completely Fucked! / Chainsaw

Little Gold

7" | 2010 | US | Original (Heart Break Beat)

4,99 €*

7" | 2013 | US | Original (Tour Van Records)

Release: 2010 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Orange vinyl

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Old Flings / Break-Ups

Split

4,99 €*

Release: 2013 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Prong

Prove You Wrong

CD | EU | Reissue (Epic)

5,99 €*

Release: EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

The Greenwich Folk Messengers

Golden Folk Guitars

LP | JP | Original (20th Century Fox)

6,99 €*

Release: JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

7" | 2014 | EU | Original (Crucificados Pelo Sistema)

Prag

Demo

6,99 €*

CD | 2000 | EU | Original (Elektra)

Release: 2014 / EU – Original

Genre: Rock & Indie

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1st press

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Billy Bragg & Wilco

Mermaid Avenue Vol. II

6,99 €*

LP | 1977 | JP | Original (CBS/Sony)

Release: 2000 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

CD comes in a soft case, instead of the original crystal case. All booklets included.

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The Surf Break Band

Surf Break From Jamaica

7,99 €*

The Day's Refrain / A.M. Thawn

Release: 1977 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing without OBI!

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A.M. Thawn / The Day's Refrain

7" | 2000 | DE | Original (Park Bench)

7,99 €*

7" | 2023 | US | Original (Alternative Tentacles)

Release: 2000 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Picture disc. Plastic cover with seam split

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Kultur Shock

King / Country Mohammed

7" | 2021 | US | Original (Dead Broke)

Release: 2023 / US – Original

Genre: Rock & Indie

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Yet another rockin’ new direction from the label that can’t stop expanding its….well,…Tentacles! Meet Kultur Shock—multinational ‘Gypsy Punk’ pioneers, led by irrepressible ball of energy and good cheer, Gino Yevdjevich. Gino was quite the mainstream pop star in his native Bosnia (and the Balkans), when the shelling of Sarajevo began, trapping him in his family’s apartment for two years. He was finally able to flee, first to New York, then on to Seattle. Instead of reviving his pop career, Gino chose (a full plunge) to reinvent himself, reaching deeper into his heart and Balkan roots, and Kultur Shock was born! They began playing slightly electrified Traditional Folk, to a growing refugee audience, including many a dancing Serb. The fan base quickly widened to Krist Novaselic and Vic Bondi, among others, who then drew in Jello Biafra. - Then something happened - A year or two later, they debuted in San Francisco to a sold-out audience at the Bottom of the Hill, packed with almost all refugees and migrants - and a much louder, heavier Kultur Shock. Lineups hail from all over Eastern Europe, Seattle, and even Japan; with a much wilder, more theatrical Gino as ringmaster of all he surveys. A more punked-out, direct version of their close friends and cousin, Gogol Bordello, Kultur Shock mixes Balkan folk melodies and bizarre meters with face-melting metal and blood-pumping punk rock in a pagan cauldron of lyrical, obnoxious, and politically irreverent music stew since 1996. The band released its first three studio records produced by FNM’s Bill Gould on his KoolArrow Records – Fucc the INS (2001 and 20th-anniversary re-master in 2022), Kultura- Diktatura (2003), and We Came To Take Your Jobs Away (2006). Since 2007, Kultur Shock is self-produced and self-released on its own label, Kultur Shock Records. It released Live in Europe (2007), Integration (2009), Ministry Of Kultur ( 2011), Tales Of Grandpa Guru, vol. 1 EP (2012), IX (2014), Live At Home ( 2016), and D.R.E.A.M. (2019). So here to start is Kultur Shock’s Alternative Tentacles 7” debut. To break the ice and dangle the carrot for our eclectic Tentacle fan base, and reintroduce the now post-Covid Kultur Shock, as they head back across the Atlantic, for their main audience and festival dates, and Stateside down the road. “King” and “Country Mohammed” have been live show favorites for some time, and Alternative Tentacles is pleased to showcase them to our audience. With an all-new album is in the works, with hopefully more vinyl reissues of their past CD-only albums to follow, Kultur Shock is here to stay. We love them so much, it’s the Second band with this name on Alternative Tentacles: Dick Lucas’ Culture Shock is the first!

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Adult Magic

8,99 €* 9,99 € -10%

12" | 1985 | EU | Original (Paisley Park)

Release: 2021 / US – Original

Genre: Rock & Indie

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Debut 4-song EP of alt-rock punk from members of Iron Chic, Broadcaster, Crow Bait, Sister Kisser. Cassette & vinyl version. Lyrics included. (Comes w/download)

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Sheila E.

A Love Bizarre

Chuck Berry / RC Succession / Sam Moore & His Sam & Dave Revue

Release: 1985 / EU – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Tiny cut out, otherwise solid VG+ copy!

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The Day Of R&B

LP | 1982 | JP | Original (Barca)

Environmental Youth Crunch

Release: 1982 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Includes booklet!

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Let's Ride

LP | 2007 | US | Original (Bring Back The Magic)

Release: 2007 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

12" | 1986 | DE | Original (Line)

Billy Bragg

Levi Stubbs' Tears

Release: 1986 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Fantasy Curacao Color Vinyl Edition

7" | 2023 | UK | Original (Upset The Rhythm)

Tape | 2022 | EU | Original (Knife Hits)

Release: 2023 / UK – Original

Genre: Rock & Indie

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If Es’ debut album for Upset the Rhythm explored the “tension between intent and interpretation”, the London group’s 2023 EP, ‘Fantasy’, constructs a coda for resistance against the distorted gaze. A four-track contact-high anxiety amid fact and facsimile, the new release attempts to define a sound that still resonates in an increasingly confused public theatre, where cerebral dreams manifest in corrupt fascination. Echoing the legendary Pylon or the later, disco-inspired releases from PIL, tracks like ‘Emergency’ and ‘Unreal’ blend the band’s established disjunctive style of gothic restlessness with brighter, poppy, and danceable tones. These stylistically unwind in transition with the increasingly claustrophobic pieces like ‘Too Late’ and ‘Swallowed Whole’, syncopating a parallel design of the frantic and the fashionable. Paired with a lyrical intricacy which emits a desire to break the fetish of false representation, ‘Fantasy’ reminds us that worthy punk records, like any manifesto of neurotic suspicion, balance testimonial, speculative-fiction, and social critique. Indebted to the past but pointed sharply to the future, Es deconstruct our modern wreckage of personhood and self-deceit, granting a sense of solidarity inside alienation. Inside ‘Fantasy’ we visualize our own estrangement, and it is only when this mirror fades that we find the tools to fight back.

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Bring Her

Comfort In The Shame

9,34 €* 16,99 € -45%

Outtakes From "Bad Summer"

Release: 2022 / EU – Original

Genre: Rock & Indie

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Sorrow Wave duo BRING HER return with their second LP and first album since 2019, Comfort In The Shame. Based out of Pittsburgh, BRING HER play a distinctive brand of somber darkwave, defined by haunting and magnetic vocals over pounding and obsessive drum machines, penetrating guitar chords, and eerie and harrowing synths. Using DIY recording methods coupled with sound shaping, heavy layering, and meticulous editing the new album sees the two-piece at a new height, adding to the urgency and crushing weight of their already brooding sound. Elements almost industrial in nature shine through these 10 new tracks, yet the duo stays as gloomy and dismal as the self-described Sorrow Wave moniker implies.

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Cool Original

Tape | 2022 | US | Original (Topshelf)

9,74 €* 12,99 € -25%

12" | 1983 | EU | Reissue (Miss You)

Release: 2022 / US – Original

Genre: Rock & Indie

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Owing to a focused period of growth as a home recordist and producer, there is a distinct, refreshing current that charges outtakes from “bad summer”, the latest full-length album from Philly-via-Portland’s cool original (fka cool american). What under other circumstances might have been a string of homespun indie rock songs is instead an energized pop-focused collection of tracks born from what Nathan Tucker describes as “the contrast between total formlessness and rigid claustrophobia”. As heard almost immediately on album opener “monad, no windows”, an electric atmosphere envelops outtakes from “bad summer”. Pitch-shifted vocal samples and previously-scrapped drum recordings fill out the overture, setting the table for a patchwork of repurposed, resampled ideas shaped into songs that rarely end up in the same place they started. The unhurried and sentimental “i just need a second” boasts the full spectrum of cool original’s songwriting prowess: foregrounded, infectious melody over subtly chopped and screwed drums comprise the foundation for Tucker’s own take on a classic road song—a marked contrast to “breaking my own rules”, an experimental pop number unlike any previous cool original work. Similar contrasts abound throughout outtakes, making for a listening experience that’s equal parts rejuvenating and unpredictable.

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The Redhots

Redhot

9,74 €* 14,99 € -35%

7" | 2019 | EU | Original (Pirates Press)

Release: 1983 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Powerful downtempo ballad with heavy emotions from Louisiana based guitarist Chris McCaa. Originally released as a 7” promo oriented record in 1983, the band had hopes of it leading to bigger projects but most of the pressing probably ended up in someone's basement with very few copies available online. 40 years later, “If I Had To Say Goodbye” is back again to bless your ears at the ending sets of special dancefloors. Featuring a sound that is highly reminiscent Chris Rea's aesthetic, both in terms of vocal and guitar use, yet still breaking new ground in the power ballad department. Now in 12” 45rpm format with an extended edit by Castro on the B-side, remastered at Berlin's finest manmade mastering.

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Ramoms

Teacher's Pet

7" | 2024 | US | Original (Vague Absolutes)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Following up their incredible Pirates debut in the springtime, these badass Philly ladies are coming at ya with three more!! This is the second of three planned 7” releases, with a lot more in the ol’ purse yet to come. Whether it‘s playing for kids in a group of library, herds of families at a backyard barbecue, or being the soundtrack to drunken mayhem at a late night bar show, these girls know how to rock! This stuff is primed and ready for anyone with a soft spot for the Ramones, and an appreciation for wit. Lace up your chucks, break out your leather, and drop this one down on the ol’ turntable!

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Teini-Paa

Mietin Minne Meet

12" | 2011 | US | Reissue (Animal Style)

Release: 2024 / US – Original

Genre: Rock & Indie

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Just in time to kick off summer, Helsinki, Finland's daydreaming pop tunesmiths, Teini-pää, return with a four-track EP that's on assignment to swallow your insecurities and your anxieties, and spit them back to the world in bubbles of carefree elation and effervescent romantic charm. At the end of the day, the reason we are drawn to the music that sticks with us, is because it moves us and strikes an emotional response that tickles our chemicals in a way that we want to keep coming back over, and over, and over, chasing the initial high. The way that "Mietin Minne Meet" washes along the break between tight and clean, upbeat indiepop melancholia and a nostalgic power-pop-punk sound—that is specifically Scandinavian in its nuance here—brings me back to that heart-in-throat wonderment I felt the first time I heard (and fell in love with) Teini-pää's tunes. Lyrically the record spends most of its time in its own head, trying to work through some shit—which makes a whole lot of sense when you learn that the band name translates to "Teen Head"—and Renata Rojo's artwork reflects this theme flawlessly.

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Washington Square Park

7" | 2021 | US | Original (Dead Broke)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Clear green vinyl close to NM. Cover with light ring wear on the back

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Eight

7" | 2021 | US | Original (Dead Broke)

Release: 2021 / US – Original

Genre: Rock & Indie

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Three piece indie band from Philadelphia, PA. consisting of Mimi Gallagher (nona & Year of Glad), Cat Park (Amanda X) & Pat Brier (Queen Jesus, Three Man Cannon). Dreamy, melodic and grungey indie pop-punk. Your new favorite band. They sure are ours. (Comes with download) *Digital download includes bonus track! Limited to 300 on Teal Color vinyl.

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Young Ladies

7" | 2016 | US | Reissue (Dead Broke)

Release: 2021 / US – Original

Genre: Rock & Indie

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Four songs from Brooklyn's pop-punk super?group. Ex-members of Monikers, Discount, Latterman & more. Swingin' & melodic pop-punk with a classic old-school rock and roll vibe. Poppy and good as hell. Artwork by 'superjail' on adult swim creator, Christy Karacas. (Comes with download card)

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Deep Pockets

Nice Life

In The Stone / Where Is Living?

Release: 2016 / US – Reissue

Genre: Rock & Indie

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Brooklyn, NY indie punk from members of Everything Sucks, Brain Slug, Bearchild & more. Follow up EP to their debut full-length, "You Feel Shame". (Comes w/download) *Digital includes bonus track. Limited to 300 on Blue vinyl.

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Normil Hawaiians

7" | 2020 | EU | Original (Upset The Rhythm)

Fred Schneider & The Superions

Release: 2020 / EU – Original

Genre: Rock & Indie

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When Upset The Rhythm released Normil Hawaiians’ lost album ‘Return Of The Ranters’ back in 2015, the band members got back in touch with each other after a 30 year break and starting playing music together again. Out of this the group played a launch show for the album and followed that up with more concerts, including an appearance at Supernormal, a residency at the Edinburgh Festival, gigs at Cafe OTO and supporting Richard Dawson in London too. They even recently toured Greece in support of having all three of their renowned exploratory post-punk albums finally back in print.

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Bat Baby

7" | 2019 | EU | Original (Happy Happy Birthday To Me)

7" | 2019 | US | Original (Digital Regress)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Fred Schneider & the Superions get spooky for Halloween with a seasonal 7" single "Bat Baby" on limited color vinyl. Only 750 copies pressed and sure to sell out in no time flat. Fred Schneider is also one of the vocalists in the band the B-52's. Enjoy this camp holiday season treat and get the dance floor pumpin' at your Halloween party. BOO Y'ALL.

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R. Clown

The Big Break

Release: 2019 / US – Original

Genre: Rock & Indie

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7" | 2016 | US | Original (Dead Broke)

Rats Rest

On The Eastside

Dan Padilla / Prince Of Austin

Release: 2016 / US – Original

Genre: Rock & Indie

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Kansas City melodic "region rock" punk from DIY punk veterans, featuring members of HARD FEELINGS, CONSTANT INSULT, HELLO SHITTY PEOPLE, ALLERGIC TO BULLSHIT & more. For fans of Future Virgins, Basement Benders, Hidden Spots, Jack Palance Band, The Thumbs, Frozen Teens

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Split EP

7" | 2016 | US | Original (Dead Broke)

7" | 2009 | Reissue (Damaged Goods)

Release: 2016 / US – Original

Genre: Rock & Indie

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Split EP from Dan Padilla (including members of legendary CA melodic punk kings TITLWheel) & Prince (of Austin), whose members include members of Dude Jams!, Huff Stuff Magazine, Punkin Pie, The Capitalist Kids & more. Swan song release for Dan Padilla. 2 tracks from Dan Padilla, 1 ultra-cut from Prince (of Austin).

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Louis & The Bombs Lingg

Hates Your Laws E.P.

7" | 2008 | Reissue (Damaged Goods)

Release: 2009 / Reissue

Genre: Rock & Indie

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LOUIS LINGG AND THE BOMBS are goddamn punk-rock-garage-pop-anarcho saviours of the 2 and half minute pop song. They come from Paris where they regularly blow up little bars with explosions of snot and beer fuelled punk rock energy. The group is named after Louis Lingg, the famous Chicago anarchist who committed suicide on death row in 1887. Some of their songs are ultra-political anarchist punk rock and some of their songs are like children's nursery rhymes. ALL of their song's are full of interesting pop hooks and melodies and they are sung with energy and commitment.Their influences are punk bands like The Briefs, The Epoxies, Antiflag, Pansy Division and The Dickies. They have a strong love of '77 style punk like The Buzzcocks, The Clash, The Adverts and The Undertones. Never forgetting that they are children of the 90s having grown up with bands such as Nirvana, Bikini Kill, Sleater Kinney and The Butthole Surfers. In their song-writing however, their admiration of classic children's songs is clearly visible, as is their 60s influences; Shirley Ellis,...

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Penetration

Our World / Sea Song

Bend And Flush (Pic.-Disc)

Release: 2008 / Reissue

Genre: Rock & Indie

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LEGENDARY 70'S BAND PENETRATION'S FIRST SINGLE SINCE 1979! Two brand new tracks recorded earlier this year, plus a live version of old favourite 'Movement' on the download. They reformed in 2001 after a 22 year break and have done select gigs over the last few years, this is from their first recording sessions since reforming, it's a 7" featuring two new tracks 'Our World' and 'Sea Song'. They are currently working on their new album which will be out sometime in early 2009. The first 500 copies are on RED VINYL

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The Pork Dukes

7" | 2007 | Reissue (Damaged Goods)

12" | 2013 | US | Original (Constellation)

Release: 2007 / Reissue

Genre: Rock & Indie

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THE PORK DUKES are one of the original 1977 London punk bands and this is a limited edition picture disc re-issue of their debut 7" "Bend & Flush". They released three singles, "Bend & Flush", "Making Bacon" and "Telephone Masturbator" and an album "Pink Pork" in '77/'78 on their own Wood Records. THE PORK DUKES split up in 1979. The original single sold in excess of 20,000 copies in 1977. This reissue is limited to 1000 copies.

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Sandro Perri

Spaced Out

Release: 2013 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

The Tape / Face The Blood

Sondre Lerche

7" | UK | Original (Grönland)

Release: UK – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: Generic

Teenage Jesus & The Jerks

Tape | 2023 | EU (Radiation Reissues)

Just The Way She Goes / 1979 Trans Am Colored Vinyl Edition

Release: 2023 / EU

Genre: Rock & Indie

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During the late 1970s, after No Wave pioneer Lydia Lunch met saxophonist James Chance, she began setting her angry and disjointed poetry to anti-music, founding her ground-breaking band Teenage Jesus and The Jerks with Lunch’s shouted lyrics matched by her non-conventional use of electric guitar. The group’s self-titled debut EP is a fast and furious affair, produced by Robert Quine of the Voidoids/Lou Reed, with future Nick Cave drummer Jim Sclavunos on bass and Bradley Field on minimalist percussion; steeped in aggression and audacity, it’s an awesome disc that rebuffs punk’s easy cliches and refuses to be categorized. This reissue also includes the ‘Pre’ EP and the tracks from the legendary No New York compilation. Essential!

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The Drowns

7" | 2023 | US | Original (Pirates Press)

泣かせないでね (日本語) = Don't Break The Heart That Loves You

Release: 2023 / US – Original

Genre: Rock & Indie

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With rabid audiences worldwide clamoring for a taste of Seattle rockers The Drowns’ latest album Blacked Out, a 7” single release was inevitable! This presented the band and Pirates Press Records with a unique conundrum, however: how do you pick a single with an entire album chock full of wall-to-wall rock ’n roll anthems and no “B-sides”? The only possible answer is this: the double A-side single “Just the Way She Goes” / “1979 Trans Am.” On an album of swaggering, glam-in- fused rock with punk heart, these two standout singles are bound to get fans’ motors revving and hips swaying, all the while building even greater anticipation for the forthcoming album! Both of these singles pay tribute to very different vehicles and the lifestyles that go with them. “Just the Way She Goes” examines the life of a rock band’s relationship with their cantankerous tour van, as a metaphor for perseverance and optimism in the face of life’s adversity. “We all break down from time to time,” relates singer & bassist Andy Wylie, while the music propels the listener forward with enough spirit and energy to overcome any setback. “1979 Trans Am” on the other hand, fronted by singer-guitarist Aaron Rev Peters, is The Drowns’ take on the classic rock ’n roll story of “boy-meets-girl, boy & girl go for a joyride in a classic muscle car,” with a steady backbeat that will get any listener moving!

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Connie Francis

7" | 1962 | JP | Original (MGM)

Raw Liquid Power Transparent Red Vinyl Edition

Release: 1962 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing.

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Water Machine

7" | 2023 | UK | Original (Upset The Rhythm)

12" | 2020 | EU | Original (Wotnot)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Water Machine is an office romance between Hando Morice (they/them), Flore de Hoog (she/her), Jimmy Gage (he/him) and Goda Ilgauskaitė (she/her). An unassuming supergroup formed out of Glasgow institutions including Goth GF, Passion Pusher, Brenda and Soursob, their sound careens between punk, country and alt-rock underpinned by the unique quality they call “Raw Liquid Power”.

Following last year’s self-titled demo tape on Gold Mold Records, and fresh off of shows with the likes of Holiday Ghosts, The Cool Greenhouse and The Orielles, as well as a rollicking Viagra Boys afterparty, the four-piece will release their highly-anticipated first studio effort ‘Raw Liquid Power’ on Upset The Rhythm on August 4th.

The EP opens with a menacing, modulating synth melody. Gage’s guitar enters with a mighty bend before breaking into the chugging rhythm of ‘Water Machine Pt. 2’. This timely reminder to refill your water bottle - “don’t be late, hydrate!” less a wellness mantra than a threat - builds to a spacey outro with flashes of the art-punk weirdness of Suburban Lawns. ‘Stilettos’ marches on indignantly with a spiky riff punctuated by Ilgauskaitė’s cowbells. Staccato talk-singing tells a playful tale of stray cats following you home, but belies a darker subtext as the breakdown gives way to paranoid duelling guitars evoking The Fire Engines.

The anti-anthem ‘At the Drive In’ skewers joyless DIY crowds, reminiscent of much-missed Glasgow punks Breakfast Muff. Water Machine’s irrepressible sincerity can’t help but shine through in the final moments though, as jibes about “late night trade potential” give way to plaintive vocal harmonies. Morice tears public transport a new one on closer ‘Bussy’, a First Bus diss track bemoaning precarious employment amidst crumbling infrastructure. “That’s why I’m not on time!” they roar over de Hoog’s frantic, pounding bass, bringing the record to a skidding, screeching halt.

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Isayahh Wuddha

Urban Brew

10,49 €* 13,99 € -25%

7" | 1990 | US | Reissue (Dischord)

Release: 2020 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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For Fans Of: Arthur Russell, Cody Chesnutt, Music From Memory, Can, Damo Suzuki
Cody Chesnutt’s Headphone Masterpiece is a core work in the WotNot inspiration book. Put that release through Google Deep Dream and Isayahh Wuddha’s Urban Brew is what you end up with. Recorded in Kyoto to multitrack tape recorder with vintage drum machines, guitars and Casio keyboard, the result is an eddying blend of lo-fi soulful indie, funk, rock and psychedelia.
The release is led by Wuddha’s strange but alluring vocal delivery, moving between tender-to-the-point-of-breaking any-second, almost-apathetic-semi-rapping and friendly conversational with the occasional James Brown scream dotted around.
While the music ranges from lively to ballad-esque, there is a sense of fun and playfulness throughout, enhanced by the raw, slapped-together production style.
With roots in Taiwan and Japan, Kyoto’s Isayahh Wuddha counts avant garde saxophonists Albert Ayler and Kaoru Abe among his early influences, but attributes his decision to make and release music to reading Michael Jackson’s biography!

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Fugazi

3 Songs

Keep Dancing / Boom Boom Boom

Release: 1990 / US – Reissue

Genre: Rock & Indie

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Three classic Fugazi songs—”Song # 1,” “Joe # 1,” and “Break In”—recorded at Inner Ear Studio in July 1988

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The Courettes

7" | 2024 | Original (Damaged Goods)

Start Walkin' 1965-1976 Tape Edition

Release: 2024 / Original

Genre: Rock & Indie

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Two brand new tracks by The Courettes on PINK Colored Vinyl. Both tracks will also feature on the band's next album, The Soul Of... The Fabulous Courettes, in slightly different form! "We worked with Richard Gottehrer, who for us is like a songwriter god!" says Flavia. "He worked at the Brill Building and co-wrote 'I Want Candy'. A mutual friend played him 'Keep Dancing' and he left a message on my phone saying, 'I love your track and I really dig the lyrics'. He ended up mixing 'Keep Dancing' and 'Boom Boom Boom'." "Because I'm the one most responsible for the lyrics, I actually allowed myself to open up to some personal things," admits Flavia. "We lost both of our fathers. My father died of COVID. But my relationship with my father was non-existent. He abandoned me and my sister. It was a very difficult relationship and it's not so easy for me to talk about it. 'Keep Dancing' is about his death and how he still has a power over me and bringing me down and what it's like to break free from that. You know, some parents are cruel." "It's a special subject to sing about and to make pop music out of," says Martin. "It's actually celebrating moving on and I think that's really fantastic. 'Keep Dancing' is absolutely smashing." "Life is so fragile," smiles Flavia. "But what are you supposed to do? I'd rather dance."

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Nancy Sinatra

Tape | 2020 | US | Reissue (Light In The Attic)

Release: 2020 / US – Reissue

Genre: Rock & Indie

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Nancy Sinatra & Lee Hazlewood

Nancy & Lee

Tape | 1968 | US | Reissue (Light In The Attic)

7" | 2021 | US | Original (Third Man)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

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Gina Birch

Feminist Song

Shomer Salaam B/W My Mouth Is ...

Release: 2021 / US – Original

Genre: Rock & Indie

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Debut solo release from Gina Birch, founding member of Dorothy, The Hangovers and The (hugely influential) Raincoats. "Feminist Song" made it’s way into recent Raincoats gigs and Gina’s longtime collaborator and fellow Raincoat Ana da Silva contributes monotron on this recording. Mixed by Youth.

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Eprhyme

7" | 2009 | US | Reissue (K)

Tape | US | Reissue (Light In The Attic)

Release: 2009 / US – Reissue

Genre: Rock & Indie

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"Shomer Salaam" is a creative approach to conflict resolution.Politics don't work. Religion got us into this mess. The military is powerless. Economic sanctions only deepen the divide. It seems like it is up to the arts and culture to bring people from different backgrounds together as one. Interweaving Jewish and Muslim religious references with humanitarian pleas to our sense of collective conscience, Eprhyme wages a form ofpeaceful warfare on the battlefield of the listener'sconsciousness. With a chorus lifted straight out of the Torah,this song reminds us of the absurdity of trying to achievepeace through violent means. Moving effortlessly from Middle Eastern melodies to dance-hall and deep-house rhythms, "Shomer Salaam" is multi-cultural and poly-rhythmic. Combining a re-mixed live recording of a classical Middle Eastern ensemble, with precision production by Smoke of Oldominion, "Shomer Salaam" is a perfect blend of both substance and style.On the B-side, "My Mouth is a House of Prayer" represents soulmusic in its purest form. And it bumps. Combining a classicmarching band drum break with an Arabic pop vocal chorus,"My Mouth is a House of Prayer" takes you back to the futureof a global-local village. Eprhyme's fluctuating cadence andstyles float...

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Nancy Sinatra

Boots Tape Edition

Release: US – Reissue

Genre: Rock & Indie

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7" | 1990 | US | Reissue (Sub Pop)

Nirvana

Sliver / Dive

Tape | 2022 | US | Original (That What Of Whom)

Release: 1990 / US – Reissue

Genre: Rock & Indie

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BACK IN PRINT! NIRVANA members Kurt Cobain and Krist Novoselic wrote the music to "Sliver" with temporary drummer Dan Peters of Mudhoney during a practice session. Jonathan Poneman of Sub Pop had requested that Nirvana release another single. While the band selected the previously recorded "Dive" as the b-side, Cobain wanted to take advantage of a studio break by the group TAD in July 1990 to record the a-side. TAD frontman Tad Doyle disliked the idea, but producer Jack Endino talked him into it. During a one hour period, NIRVANA recorded the basic tracks for "Sliver" using TAD's equipment. Cobain completed writing the song's lyrics just before it was recorded. "Sure, the vocals are lazily throat splitting, the guitars belligerently grungy, the bass up and out of place . . . but check the melodies, damn fools, check the melodies." - Everett True, MELODY MAKER 1990

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Thelma & The Sleaze

Fuck Marry Kill

11,04 €* 12,99 € -15%

Release: 2022 / US – Original

Genre: Rock & Indie

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Tape | 2022 | US | Original (Tapeheadcity)

Thelma & The Sleaze

Heart Like A Fist

11,04 €* 12,99 € -15%

Release: 2022 / US – Original

Genre: Rock & Indie

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Vampire Empire / Born For Loving You

Big Thief

7" | 2023 | UK | Original (4AD)

7" | 2024 | US | Original (Dead Broke Rekerds)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Big Thief present their highly-anticipated new single, "Vampire Empire", off their forthcoming "Vampire Empire" / "Born For Loving You" 7". "Vampire Empire" is Big Thief"s most eagerly awaited song ever, with the non-album single taking on a life of its own as it became a live fan favourite. Coming off the back of a Grammy-nominated album and debuting on The Late Show with Stephen Colbert, it"s already a viral anthem. The television performance and hundreds of live performances of "Vampire Empire" took TikTok by storm. Recorded and produced by Dom Monks at Guissona, Spain"s Teatre de cal Eril Studio during a recent tour, "Vampire Empire" speaks to the beautiful complexity of gender identity and breaking destructive internal cycles. Of the song, Adrianne Lenker adds, "For me, it"s about getting out of toxic internal patterns - leaving the empire of energy drains that obscure pure essence, learning about what healthy boundaries are, and finding the power to implement them for the possibility of giving and receiving (both inwardly and outwardly) unbroken and infinite Love."

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Cigarette Camp

Chalk

LP | FR | Original (Speed-Records)

Release: 2024 / US – Original

Genre: Rock & Indie

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Jeff Poot (witches With Dicks, Awful MAN, a hundred more) is back in action with an Uncontrollable Frank on bass and our fave art guy Henderson (shorebirds) on drums for another Boston pop-punx packed EP chock full of 10 songs! That's right, 10 songs, 45 rpm, punk shit! Just get it cus it's sick.

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Bernard Deloumeaux

Zone Erogène

Helge Schneider & Hardcore

Release: FR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl with a couple of light scuffs

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Jazz

CD | 2001 | DE | Reissue (Kopf)

Release: 2001 / DE – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

7" | 2021 | US | Original (Wax Thematique)

Grandbaby

Congo Solar

11,99 €* 15,99 € -25%

7" | 2022 | US | Original (Dead Broke)

Release: 2021 / US – Original

Genre: Organic Grooves, Rock & Indie

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Written, performed, produced and recorded in an underground Wwii bunker ("The Crunch") in the English countryside, Jason Baldock’s “Grandbaby” project isn’t as cuddly as it’s cheeky name would suggest. In fact, it’s a take no prisoners, uncompromising approach to mostly-instrumental songcraft. Grandbaby's debut 7" bursts with feverish energy, formidable synth lines, crunchy/catchy guitars and an unearthly brilliance for drum break expertise most session musicians would kill for. There’s a deep history to Grandbaby, and trust, we’ll present it to you in due time. But first the story must begin the best way we know how - a tangible artifact of beautiful black wax.

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Anxioushum

Scratching On The 8 EP

Release: 2022 / US – Original

Genre: Rock & Indie

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Fat Pop Limited Standard CD

Paul Weller

CD | 2021 | EU | Original (Polydor)

12,09 €* 21,99 € -45%

Tape | 2022 | Original (Warp)

Release: 2021 / EU – Original

Genre: Rock & Indie

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We may be cursed to be in the midst a global pandemic, buffeted by all of its stresses and pain. But everyone knows that art provides succour, that music is the most reliable balm. And for many there is further significant comfort to be drawn from the knowledge that Paul Weller is in the midst of an unbelievably prolific purple patch. Paul Weller will not let us down when we need him most.

On May 14th, Paul Weller releases his 16th solo album since his self-titled debut in 1992, his fourth in as many years and his second in just under twelve months following June 2020’s magnificent, chart-topping On Sunset. It’s not hyperbole to state that this new album, titled Fat Pop (Volume 1), is among his most compelling collections, bar none, including all of his era-defining work in the 1970s and ‘80s with The Jam and The Style Council. It’s an absolute scorcher.

When lockdown was declared in March 2020, Paul Weller decided immediately that he wanted something to focus on, since it seemed unlikely he’d be able to tour On Sunset as planned that summer.

“I had lots of ideas stored up on my phone,” he explains down that same handset, speaking from outside his London home, “and at least this gave me an opportunity to develop them.” So he started to record songs on his own, doing just vocals, piano and guitar, then sending those sound files to his core band members such as drummer Ben Gordelier, Steve Cradock on guitar and various other instruments, and bassist Andy Crofts for them to add their parts. “It was a bit weird not being together, but at least it kept the wheels rolling. I’d have gone potty otherwise.”

The band reconvened at Weller’s Black Barn studio in Surrey during the summer when restrictions were lifted to finish the work, with several of the songs being cut live. By this stage, the shape of the album was clear to all. Weller wanted to deliver an album of singles, twelve short, distinct blasts, each strong enough that they could stand alone if so desired.

“That was a conscious decision,” he confirms. “I even thought about putting every song out as a single first then gathering them all on an album, but that wasn’t practical at the moment. They all have that strength and immediacy, I think, and they’re all short, three minutes or so maximum.”

Producer Jan ‘Stan’ Kybert was so taken with the concept that he half-jokingly suggested that the album be called Greatest Hits. “I quite liked the idea and every song does stand up as a single, I think,” chuckles Weller, “but no, we couldn’t do that really.”

Instead, he plumped for Fat Pop (Volume 1). “I thought we’d add Volume 1 to it just to keep my options open in the future for a second volume!” The title track, a tight, heavy blast of ultra-modern funk, is itself the conceptual key to the whole album. “It’s a celebration of music and what it’s given us all. No matter what situation you are in, and we’re in one now, music doesn’t let you down, does it?”

As ever, Weller’s sonic masterplan was to avoid whatever had recently preceded it. “After [2018’s] True Meanings I thought I wouldn’t have any acoustic guitars for a little while, so I’ve largely avoided those with On Sunset and with Fat Pop,” he says. “But more than anything I wanted something vibey, something we could play live.” He laughs ruefully at the irony of that. “God knows when that will be, bearing in mind where we are with the virus. But in the imaginary gig in my mind I can see us playing all of the songs on Fat Pop live, along with the songs from On Sunset, blending them with some of the old favourites too. What a great set that would be.”

Live is where he imagines On Sunset and Fat Pop (Volume 1) working in tandem, because they don’t act as companion piece albums otherwise. “On Sunset was quite lavish in places, whereas with this one I wanted to limit it in some ways, make the production less expansive.”

Beyond that desire to keep it frill-free and tight, sonically Fat Pop (Volume 1) is a diverse selection of sounds. No one style dominates. There’s the synth-heavy, future-wave strut of Cosmic Fringes, the stately balladeering of Still Glides The Stream, Testify’s moving-on-up soul, and the kind of dramatic three minute pop symphonies on Failed, True and Shades of Blue with which Paul Weller has hooked in generation after generation of devotee.

More than sonic plans, though, Weller set himself the same task as he does before any recording. “Whenever I make an album I’m always just trying to at least match what’s gone before because each time I think the bar’s been raised. If all goes to plan, sometimes I manage to go over that bar too.”

Sometimes he does, sometimes he really does.

Fat Pop (Volume 1), the story behind each song:

Cosmic Fringes

A dramatic entrance to Fat Pop (Volume 1). Cosmic Fringes pairs a minimal, pumping electro swing with a deadpan vocal that detonates an unspecified poseur and blowhard. “I’m a sleeping giant, waiting to awake/I stumble to the fridge/then back to bed”.

“It’s not about anyone in particular,” suggests Weller, “but I suppose it could be about a keyboard warrior, someone who is constantly brainstorming ideas but never gets around to doing them. Someone talking the talk, but never doing anything.”

“When I first did the demo it was quite punky, a bit like The Stooges. It doesn’t sound anything like that now because then I had the idea of stripping it all back to just the drums and bass, putting those synths on it. It’s got a bit of motoric feel to it and a little bit glam rock too, I think.”

True

A song with all the attributes of the greatest Paul Weller numbers: fire in its belly, questing lyrics, boss horns, flashes of guitar fury and a yearning melody you awake humming daily. It’s also a tremendous vocal, shared between Paul and Lia Metcalfe, the young Liverpudlian singer with The Mysterines.

“I really like her band and I really like her singing,” he says. “It makes a massive difference that we sang it live, in the same room. She’s got a really powerful voice and I wanted to write something for us to sing together, so I did. Then I just sent the phone demo to Lia and two weeks later we cut it. That was one of the last things we did for the album, in around September”.

Fat Pop

That brilliant, heavy bassline? “I did that. When we recorded it I was actually thinking about Cypress Hill, doing something that sounds like a DJ Muggs production. It’s got a bit of that. It’s my favourite song on the album, I think, about all the times music’s been there for me.”

Shades of Blue

A classic three-minute English pop kitchen sink drama, written by Paul Weller and his daughter Leah, who joins him on vocals. “Leah wrote the chorus for it and helped me finish it up. I wrote the verses. Reminds me of a suburban drama, a play.”

Glad Times

Sweeping, wistful, sparkling in shades of blue, Glad Times’ winning melancholia has been in the back of Weller’s mind for a while. “I wrote this with Tom (Doyle) and Ant (Brown). They usually send me a backing track and we work on it from there. It’s been around for a while, nearly made it onto On Sunset but didn’t quite fit. I really liked it, though, so I’m really glad it made it on to this album instead.”

Cobweb / Connections

Pastoral introspections, featuring a lovely acoustic solo by PW and a string score by Hannah Peel. “I think the song is saying that the more you can be yourself and be happy with yourself, the more you change into something better. It’s not just good for you, it’s good for everyone else as well. ‘Save yourself and save everyone around you too.’ It’s from observation but I suppose it’s about me too.”

Testify

Superfly strutting, cut live in the studio with Andy Fairweather Low adding distinctive vocals and Jacko Peake on fine flute and saxophone. When allowed out of the house, it’ll be a future live favourite.

“We had actually done it live two or three years ago,” says Weller, “but while I loved the groove I never really got a grip on the song. Then I did this charity gig in Guildford, one of the last things I’ve done probably, some Stax songs with Andy Fairweather Low. Our voices sound so good together and he’s such a lovely fellow, so I sent him the backing track. As soon as lockdown was lifted he came down to the studio for the afternoon. We cut it live and that was it.”

That Pleasure

In amongst those soulful strings there is some barely contained rage in Weller’s voice as he sings ‘Lose your hypocrisy.’ “I suppose it’s my reaction to the whole Black Lives Matter movement,” he explains. “You’re always on tender ground writing about that, but, regardless of my colour, any human being should be disturbed. You should be appalled and disgusted and shocked by those images of George Floyd being killed in the street. It has to stop. It’s a question for everyone.”

Failed

‘All the things I never get/and all the things I never meant/and all the things that make no fucking sense…I’ve failed.’

“Yes, I’m asking myself the question,” admits Weller, a man who has never been afraid of self-reflection in his songwriting. “It’s an angry song because I wrote it right after a massive row with my wife. But I like it. It’s honest. It’s not how I feel all the time, but it is how I feel some of the time. I’m just talking about me as a man. We all measure success in different ways.”

It’s also one of his favourite songs on the album, a stand-out.

Moving Canvas

A chunky, percussive groove, with the feel of Traffic but updated for the here-and-now.

“It’s going to be great live that one. I wrote it about Iggy Pop. I hope he likes it if he ever gets to hear it. It’s my tribute to him, even though it doesn’t sound anything like him. Aside from all the great records he’s made, as a performer he’s high art. It’s all about the Igster.”

In Better Times

A plaintive plea with some beautiful sax and guitar breaks. “Cold in your eyes, don’t you know you break my heart in two”.

“It’s me talking to a young person who is going through something, addiction or mental health pressure, or whatever, and just saying it’ll be alright. Just get through this bit and there’ll be better times to come, you’ll look back and you’ll see it differently.”

Still Glides The Stream

A stately collaboration between Weller and long-time guitar foil Steve Cradock.

“I had the chords and possibly the melody, which I sent to Cradock. And he sent me back a poem and I edited that, then we sent it back and forth by phone. Lockdown songwriting. I just liked the poem. In my mind, I was thinking about our road sweeper who’s a lovely fellow. I started thinking that there’s so many people in this country who form the infrastructure of it and without whom we’d be fucked. But they’re looked down upon, not really noticed. So I was imagining their story. I did find out that there’s a book of the same name (by Flora Thompson) and Cradock said he had seen it in a shop, so that’s where the title comes from. I just liked the poetry of it. Steve’s a very soulful fella.”

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Wu-Lu

Loggerhead

12,59 €* 17,99 € -30%

Baby Driver (Music From The Motion Picture)

Release: 2022 / Original

Genre: Rock & Indie

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Leader of the punk-rap awakening, Wu-Lu pulls inspiration from personal hardship and the underrepresented on his latest for Warp entitled 'loggerhead'. Miles Romans-Hopcraft based his artistic moniker on the Amharic word for water, “wu-ha”. True to his fluid sound and nature, he decided to change it to something that felt more liquid. He ended up with Wu-Lu, a name he has been using since 2015. His first record Ginga opened the floodgates to a career that would take him to various places, people, and genres. From breaking bones at skateparks as a teenager, to DJing as one of the original members of Touching Bass, and eventually getting signed to Warp in 2021.

As an artist, Wu-Lu seems concerned with feeling and communicating the full spectrum of human emotion. Throughout his varied discography, he touches on disparate themes and sounds, straddling a divide between blissed-out beats and grungy guitar dirges, and often mixing both into one amorphous, unclassifiable sound of his own.

On ‘'loggerhead'’, Wu-Lu hones his unique sound. On ‘Take Stage’, a despondent spoken word intro opens with sombre strings and underlying bows dragged delicately across them. Then the lights flicker to life on ‘Night Pill’, and the mosh pit with them - the bassline approaches like a hungry shark and the guitars snarl with a homemade 90s grunge energy. This grunge drawl and punk spirit is peppered with dry old-school drum sounds of classic hip-hop, with laid-back beat-oriented tracks are spread amongst those with intermittent growls, scratches, and shrieks. Sonic elements are constantly rearranged and juxtaposed throughout the album, like on ‘South’ where the fluctuating pitch of squealing guitars and screaming vocals is contrasted with the steady flow of Lex Amor.

Listening through the album you are constantly greeted with about-turns, and through the element of surprise and deft use of contrast 'loggerhead' sits at an exciting point in Wu-Lu’s genre-defying artistry.

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V.A.

2CD | 2017 | US | Original (30th Century)

12,59 €* 17,99 € -30%

Release: 2017 / US – Original

Genre: Hip Hop, Organic Grooves, Rock & Indie, Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: VG+

Suitcase Junket

Pile Driver

LP (Signature Sounds)

12,64 €* 22,99 € -45%

Genre: Rock & Indie

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Tape | 2024 | US | Original (The Flenser)

Scarcity

The Promise Of Rain

12,74 €* 14,99 € -15%

Jan Whitefield & Igor Zhukovsky

Release: 2024 / US – Original

Genre: Rock & Indie

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The Promise Of Rain, the sophomore album of the experimental black metal band Scarcity, is an embodiment of the hard-to-believe truth that burdens are easier to bear when distributed, a realization Brendon Randall-Myers (conductor of the Glenn Branca Ensemble) grappled with extensively while writing this record. This is a sweat-drenched album about dispersion, about spreading, about the collective relieving of burdens through shared experience: one doesn’t have to go through everything alone.

When Scarcity’s debut album Aveilut was written in early 2020, Randall-Myers and vocalist Doug Moore (Pyrrhon, Weeping Sores, Glorious Depravity, and Seputus) never expected to be able to play their songs live. The cathartic experience of playing something that came from a place of isolation out to people in a live setting is the root of the intensity in The Promise Of Rain. The Promise Of Rain begins where the craziest climaxes of Aveilut end, and is the first Scarcity record to include Tristan Kasten-Krause (Sigur Ros, Steve Reich, Leya) on bass, Dylan Dilella (Pyrrhon) on guitar and Lev Weinstein (Krallice) on drums. Rather than building density with the quasi-orchestral layering on Aveilut, Scarcity challenged themselves to document what five people in a room could do, recording most of The Promise Of Rain in one or two takes, capturing the physical effort and urgency of a live performance.

Scarcity forges a completely fresh sound in The Promise Of Rain with their alarming guitar work and melodic arpeggiating, shedding dead skin and breaking ground with sheer vulnerability. The lyrics for The Promise Of Rain were inspired by a trip Moore took to the high deserts of southern Utah in 2023. “To thrive in the desert is an act of abnegation—” he observes, “you do right by the land and receive its gifts, or it does away with you.” The necessity of adaptation is as evident in the desert as it is to the landscape of the human experience. The transformation of ideas and beliefs, the grief of losing relationships that had to end, and the fear involved in forming new ones under the grip of mental illness is conjured over and over again on this panoramic album.

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Two Tales For The Mind

7" | 2023 | FR | Original (Broc Recordz)

Good Times Ahead / No Pressure

Release: 2023 / FR – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Limited Edition.

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Faux Ferocious

7" | 2019 | EU | Original (30th Century)

Release: 2019 / EU – Original

Genre: Rock & Indie

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7" | 2022 | US | Original (Park The Van)

Nile Marr

How We Drift

7" | 2021 | US | Original (Wax Trax!)

Release: 2022 / US – Original

Genre: Rock & Indie

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Nile Marr is the son of former Smiths guitarist and current solo artist Johnny Marr and his wife Angela. He was named for one of his father's musical heroes, Chic's Nile Rodgers.

Marr started out as a solo artist, then as a duo with American singer-songwriter Meredith Sheldon, and then in the trio Man Made, alongside drummer Scott Griffiths and bassist Callum Rogers, with future tour manager for Blossoms, Dan Woolfie, as their sound engineer. They released their debut album TV Broke My Brain in 2016, although its constituent songs were written over a period of eight years.

Marr released a debut solo album in 2020, titled Are You Happy Now? 'Part Time Girl' was released as its first single in 2019. 'Are You Happy Now?' followed in June 2020.

An EP, Still Hearts, was released on 24 April, 2020. 'Still Hearts' was its first single. Aside from the title track, there are two other tracks: 'Hush' and 'The Pusher'.

Marr added acoustic guitar and backing vocals on 7 Worlds Collide's 2009 album The Sun Came Out. He has also appeared on two of his father's albums: on 2013"s The Messenger he plays as a soloist, while on 2014"s Playland he adds backing vocals.

Marr has toured extensively with German film score composer and record producer Hans Zimmer.

His influences include John Martyn, Fugazi and Elliott Smith.

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Strike Under

One Eye / Damaged

Lure, Burke, Stinson & Kramer

Release: 2021 / US – Original

Genre: Rock & Indie

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Previously unreleased - Recorded live in 1980 for Strike Under's first show on Wzrd. Strike Under of course became the first official Wax Trax! Records release with the Immediate Action EP.

Members went on to play in Naked Raygun, Effigies, Breaking Circus and Pegboy.

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L.A.M.F. Live At The Bowery Electric

LP | 2017 | EU | Reissue (Jungle)

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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(What's The Story) Morning Glory? Remastered Edition

Oasis

CD | 1996 | UK | Reissue (Big Brother)

Dream Hunting In The Valley Of The In-Between

Release: 1996 / UK – Reissue

Genre: Rock & Indie

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Released on October 2nd 1995, (What’s The Story) Morning Glory is the band’s most commercially successful album selling a record breaking 347,00 copies in its first week and has sold 22 million copies worldwide. The iconic album cover includes producer Owen Morris and DJ Sean Rowley walking down Berwick Street in London. Produced by: Owen Morris and Noel Gallagher

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Man Man

Tape | 2020 | US | Original (Sub Pop)

Bob B. Soxx & The Blue Jeans

Release: 2020 / US – Original

Genre: Rock & Indie

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Honus Honus (aka Ryan Kattner) has devoted his career to exploring the uncertainty between life's extremes, beauty, and ugliness, order and chaos. The songs on Dream Hunting in the Valley of the In-Between, Man Man's first album in over six years and their Sub Pop debut, are as intimate, soulful, and timeless as they are audaciously inventive and daring, resulting in his best Man Man album to date. The 17-track effort, featuring "Cloud Nein," "Future Peg," "On the Mend" "Sheela," and "Animal Attraction," was produced by Cyrus Ghahremani, mixed by S. Husky Höskulds (Norah Jones, Tom Waits, Mike Patton, Solomon Burke, Bettye LaVette, Allen Toussaint), and mastered by Dave Cooley (Blood Orange, M83, DIIV, Paramore, Snail Mail, clipping). Dream Hunting...also includes guest vocals from Steady Holiday's Dre Babinski on "Future Peg" and "If Only," and Rebecca Black (singer of the viral pop hit, "Friday") on "On The Mend" and "Lonely Beuys." The album follows the release of "Beached" and "Witch," Man Man's contributions to Vol. 4 of the Sub Pop Singles Club in 2019. At the end of 2015, Man Man went on an unexpected hiatus, and thus began a period of creative reinvention for Honus Honus. He worked in music supervision and on scores (The Exorcist, Superdeluxe, Do You Want to See a Dead Body?). He acted in the indie film Woe ("I played a park ranger, a nice guy in a sad movie."), So It Goes, a short musical film with Mary Elizabeth Winstead, and starred in the award-winning tour documentary Use Your Delusion. He also developed an animated series, wrote film scripts, a graphic novel, a neo-noir TV pilot, and briefly penned a music column for The Talkhouse all while continuing to work on new music, such as an unreleased kids' record, another Mister Heavenly album, a self-released Honus Honus record, and a conceptual art/noise project Mega Naturals. In the midst of this surreal exile from Man Man, Honus began piecing together what would become Dream Hunting in the Valley of the In-Between. He recruited longtime-collaborator Cyrus Ghahremani to help him produce. Written in a friend's LA guesthouse that had "an old upright piano, a thrift store lamp, and nothing else," it was an arduous, three-and-a-half-year process, "I had chord progressions that looked like chicken scratch and lyrics on pieces of paper stuck all over the walls. It looked like I was about to break the big case, catch the killer," he says, laughing. "There was a lot of self-doubt, fighting the urge to throw in the towel. It wasn't fun but it definitely forced the best album of my career out of me. Sometimes you just gotta tear it all down to rebuild things the right way. Trust the process."

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Zip-A-Dee Doo Dah

LP | 1963 | EU | Reissue (Cornbread)

Kurt Vile / Courtney Barnett

Release: 1963 / EU – Reissue

Genre: Rock & Indie

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Bob B. Soxx & The Blue Jeans’ star burned hot and fast, they were together only two short years, and recorded just this lone LP, but the group of Bobby Sheen, Darlene Love (of The Crystals fame), and Fanita James, are responsible for one of the most immortal hits of Phil Spector’s career, the teen anthem “Why Do Lovers Break Each Other’s Heart”. Rounded out with 11 more tracks that feature the unbelievably talented team of Phil Spector production, Jack Nitzsche arrangements, and Billy Strange and Glen Campbell on guitar. A Spector classic reissued by Cornbread on 180 gram vinyl with download code.

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This Time Of Night / Different Now Colored Vinyl Edition

7" | 2023 | US | Original (Suicide Squeeze)

LP | 2023 | US | Original (Dark Entries)

Release: 2023 / US – Original

Genre: Rock & Indie

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Suicide Squeeze celebrates Chastity Belt with the latest in its split 7" single series-a pair of covers by Friends of the Band and tourmates Kurt Vile and Courtney Barnett. For this release, Kurt and Courtney each recorded a song from the band's third album, 2017's I Used to Spend So Much Time Alone, in their signature styles. Side K is Kurt's version of "This Time of Night," on which he lovingly recreates the anxious interplay of Julia Shapiro and Lydia Lund's guitars, stretching each note of the song's fraught vocal melody to its breaking point. Flip the record to Side C for Courtney's take on "Different Now," where she pulls the song from its Pacific Northwest haze, leaves it out to dry in the middle of the desert, and wrings something almost joyous from the original's ambiguity. "This Time of Night" / "Different Now" will be available on vinyl and digital platforms, with a one-time retail vinyl pressing limited to 1000 copies on heavyweight aqua blue vinyl.

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Brontez Purnell

No Jack Swing

13,19 €* 23,99 € -45%

Magic Of Christmas Day Black Friday Record Store Day 2022 Colored Edition

Release: 2023 / US – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Dark Entries and Papi Juice Records team up for No Jack Swing, the solo electronic debut of multi-hype man Brontez Purnell. The Southern-raised, Oakland-based musician and writer has centered his queerness and Blackness in projects Gravy Train and Younger Lovers as well as in his award-winning books 100 Boyfriends and Since I Laid My Burden Down. On No Jack Swing, Purnell gives us a love letter to the most beloved (and secularized) of drum patterns - that is, the electronic 808 “Amen Break”. Beginning recording in 2020, Purnell conceived of No Jack Swing as an audio zine of found sound materials: chain letters of instrumentals recorded in bedrooms, poems from boys in France, found gospel tapes from his childhood family Baptist Choir, and the sound of records skipping on his bedroom turntable. No Jack Swing is as much a homage to No Wave and New Jack Swing as it is an answering to the gods of Indie, Electroclash, Disco, and Gospel. Amidst all this background noise, the unexpected occurs: all the niche pretensions collapse to a singularity - the sound of High Pop! No Jack Swing was produced by Nightfeelings. Each copy of includes a lyric sheet with a photo of Brontez.

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Dee Snider

12" | 2022 | EU | Original (BFD)

13,64 €* 20,99 € -35%

LP | 2022 | EU | Original (Via Parigi)

Release: 2022 / EU – Original

Genre: Rock & Indie, Christmas

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Black Friday Record Store Day 2022 Reissue. Color: unknown. Limitation: 1500.

Iconic Twisted Sister vocalist Dee Snider and Grammy winner Lizzy Hale collaborate on this brand new Christmas song, written by Santa Dee himself! Pressed on a red vinyl 10” single for RSD Black Friday.

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Catalina Matorral

13,74 €* 24,99 € -45%

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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LP | 2020 | US | Original (Park The Van)

Okey Dokey

Once Upon One Time

13,74 €* 24,99 € -45%

The Storm Opaque Red Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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The new album finds Johny Fisher and Aaron Martin expanding their swinging rock music to encapsulate cosmic orchestral pop, squishy funk, swelling folk rock, and everything in between--shattering any boundaries they'd previously set for themselves. Once Upon One Time is the latest evolution in a creative partnership that dates back to 2016, when Fisher--who'd previously been in a carousel of bands with Martin--grew tired of work as a hired-gun touring musician and made the latter an artistic offer he couldn't refuse: "I went back to Aaron and said, 'Please, start a band with me, I'm dying to,'" he recalls with a laugh. Since then, the duo's released two full-lengths--2017's Love You, Mean It and last year's Tell All Your Friend--that attracted an increasingly rabid fan base and eventually caused the group to be a regular touring act as well.

"Okey Dokey has never just been Johny, Jeremy, and I," Martin states. "It takes far more than the three of us to make our records--it takes our family and friends, our team, our video directors, photographers, press agents, our beautiful audience, and our love. We're done just being a band. We're a community now

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Judge

7" | 1991 | US | Reissue (Revelation)

10" | 2018 | EU | Reissue (Phantom)

Release: 1991 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-11-22

In 1990, Judge had a new song entitled “Forget This Time” and there was a desire to record it and get it out into the wild. Additionally, the band had been touring and made some improvements to some of their existing songs; one standout was “The Storm,” which now had a breakdown in the middle that didn’t exist in the previous versions. Mike was excited about covering “When The Levee Breaks” (which was a bonus track on the Cdep, now a streaming bonus track) and the idea of his local buddy Todd Schwartz doing the harmonica solo. With these three songs the guys headed to Don Fury’s studio on Spring Street to record what became “The Storm” EP. One day Mike showed up on his Harley and the idea came about to run a microphone cable out into the street to record it rev, which you can hear on this version of “The Storm.”

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Pisse / Perky Tits

Split Red Vinyl

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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12" | 2024 | EU | Original (Griffe)

Five Ten

Surveillance EP

The Lost Duets Colored Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Griffé is back and starts 2024 on a high note with Five Ten, Lausanne based producer & dj, co-founder of Flight Mode. His Surveillance EP highlights his love for acid, breaks & electro while delivering a gloomy and anguish atmosphere. Four powerful tracks for the darker hours of the night.

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The Delines

7" | 2022 | EU | Original (Decor)

2LP | 2022 | EU | Original (Butler)

Release: 2022 / EU – Original

Genre: Rock & Indie

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New 7" single of songs not found elsewhere and exclusive to this release. Amy Boone and Willy Vlautin both love duets. Over the years Willy has written a few but so far they haven"t fit on any of the Delines album. The wrong place at the wrong time sorta thing. The Golden State leans on the bands cowpunk roots dating back to Richmond Fontaine (Portland) and The Damnations(Austin). Willy brought it in to the band right just as they were drifting away from that sound. My Blood Bleeds The Darkest Blue was inspired by those great Nancy Sinatra & Lee Hazelwood duets. It has a real desert feel to it but at the time the Delines were working on The Sea Drift which was set on the Gulf Coast. So both are songs that the band loved but songs that were left orphaned and they thought they better give them a proper home before they got lost along the way.

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Chris de Burgh

Legend Of Robin Hood

Release: 2022 / EU – Original

Genre: Rock & Indie

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The Storm Opaque Brown Vinyl Edition

Judge

7" | 1991 | US | Reissue (Revelation)

Tape | 2023 | US | Original (Sub Pop)

Release: 1991 / US – Reissue

Genre: Rock & Indie

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Lael Neale

Star Eaters Delight

An Abundance Of Strawberries

Release: 2023 / US – Original

Genre: Rock & Indie

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Lael Neale still has a flip phone and there were no screens involved in the creation of her new record Star Eaters Delight. The album is her second for Sub Pop and reveals an expansion of her sonic collaboration with producer and accompanist Guy Blakeslee. In April of 2020, in the wake of transformations both personal and global, Lael moved from Los Angeles back to her family's farm in rural Virginia. Looking at the world from a distance and getting in tune with her own rhythms, she wrote and recorded steadily for two dreamlike years, driven by a need to make order out of chaos. Forged in isolation, Star Eaters Delight is a vehicle for returning, not just to civilization, but to celebration. She says, "Acquainted with Night (recorded in 2019, and released in 2021), was focused inward, amidst the loud and bright Los Angeles surrounding me. It was an attempt to create spaciousness and quiet reverie within. When I moved back to the farm, I found that the unbroken silences compelled me to break them with sound. This album is more external. It is me reaching back out to the world, wanting to feel connected, to wake up, to come together again." Album opener and lead single "I Am The River" melts the ice with a dynamic explosion of minimalist transcendental pop clearly descended from the Velvet Underground's branch of modern music's family tree. Blakeslee's spare yet cinematic arrangements create an ambient space in which Neale's clear and unaffected voice can explore familiar themes in an unexpected way. Subtle but potent references to Shakespeare, Emerson and the Bible (which she hasn't read) swirl together with deeply personal musings and touches of wry humor, always more optimistic than cynical. While this is a record about polarities- country vs. city, humanity vs. technology, solitude vs. relationship - the deeper intention is to heal; to come to terms with our differences and put the broken pieces back together again. Lael's affinity with the Transcendentalists has to do with her quest to hold onto sovereignty over her own mind. In a time when our devices are constantly flooding us with information, opinions and propaganda, Lael is intentional about what she takes in - hence the flip phone and the cassette recorder. Neale identifies as a minimalist "not because I don't like things, but because I value freedom more."

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Julia Brown

Tape | 2022 | EU | Original (Joy Void)

Build And Break Clear Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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In every way, Julia Brown's only full-length record An Abundance of Strawberries defies expectations. Their final release, Strawberries was recorded largely after the band had broken up. Rather than scrap a large amount of material, songwriter Sam Ray and violist and singer Caroline White decided to finish the record with a rotating cast of musicians, including the original band members Alec Simke and John Toohey, as well as Sean Mercer, Warren Hildebrand, Alex Giannascoli, Abby Trunfio, and others. Largely eschewing traditional band arrangements, they worked heavily with samples - drum machines, breaks, and bird calls in lieu of traditional percussion, 808s in place of basslines - before layering arrangements of strings, pianos, horns, and omnichord on top alongside lush harmonies and oft-affected vocals. The result is a meticulous record that sounds like nothing and everything at once. Both celebratory and melancholy, it nods toward a lineage of pop and indie-pop artists from Ellie Greenwich to Heavenly and more experimental acts like Fog, Cotton Candy Collective, Spiritualized and Duster.

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Torsö

7" | 2021 | US | Original (Revelation)

Home Wrecked Brown Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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The story of Tørsö starts on the Punch tour with Italy’s Holy in 2013. Punch guitarist Keith and Holy drummer Giacomo put together a transcontinental powerhouse adding bassist Jasmine of NEO Cons and Everybody ROW (among many others) and vocalist Ethan of Ritual Control. After three releases that were both self-released and on renowned punk labels like Sorry State Records, Agipunk and Adagio830, Giacomo moved to the United States and Tørsö hit some crucial hardcore festivals like Sound And Fury in Los Angeles, Damaged City Fest in D.C. and Not Dead Yet in Toronto as well as tours of the coasts with American Nightmare and Fireburn. Tørsö is armed with a powerful punk and hardcore sound with influences as geographically diverse as its members. One can hear the D-beating drums of Discharge, the all-out speed attack of Swedish crust legends Totalitär, and the stomping breaks of late-’80s N.Y.H.C. Lyrically, Tørsö does not rely on any of the hardcore clichés or spew overly simplistic lyrics that carry no real meaning. Instead, the band tackles issues of veganism, politics, mental health, displacement, and feminism at a time when the world needs it the most.

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Torsö

7" | 2021 | US | Original (Revelation)

LP | 2015 | US | Original (Angry Voice)

Release: 2021 / US – Original

Genre: Rock & Indie

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Recorded in the same session as the four songs that came out as the Build And Break 7” on Revelation Records, these three tracks were intended for an ill-fated split but are now being released on their own. Two of the tracks are Tørsö originals, delivered in the same mean, d-beating dirty hardcore-punk style as Build And Break and their classic Sono Prona A Morire LP on Sorry State Records.

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Bruch

Unverkäuflich

Release: 2015 / US – Original

Genre: Rock & Indie

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7" | 2018 | US | Original (GBV Inc.)

Guided By Voices

Winecork Stonehenge

Something Old, Something New, Something Borrowed, Something Blew

Release: 2018 / US – Original

Genre: Rock & Indie

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After 2018’s critically acclaimed Space Gun LP and a string of jaw-dropping, sold-out shows, Guided By Voices has announced a sprawling double-album, Zeppelin Over China. to be released on February 1. But before this one has even made it to the warehouse, Robert Pollard has written and recorded another full-length in record-breaking time. It’s Warp and Woof (April 2019), exuberantly barreling through 24 songs in just 37 minutes with a brevity similar to mid-90s GBV albums Alien Lanes and Vampire On Titus. GBV kicked this one out in a flash, recorded in studios, club soundchecks, hotel rooms and even in the tour van.

And because you can never have too much GBV, the album is being teased on four vinyl-only (1000 copies) limited edition 7-inch EPs: Winecork Stonehenge and 100 Dougs will be released in November. Umlaut Over The Özone and 1901 Acid Rock in March.

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Doc Hopper

Tape | 2024 | US | Original (Dead Broke Rekerds)