Search "Brenk Sinatra Morlock Dilemma" 1424 Items

Release: 2004 / Reissue

Genre: Hip Hop, Rock & Indie

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Collision Course is a collaborative EP by Jay-Z and Linkin Park, released on November 30, 2004. The project was an experimental mash-up album that combined elements of hip-hop and nu-metal, blending Jay-Z's raps with Linkin Park's rock sound. Produced by Mike Shinoda (of Linkin Park) and Jay-Z, Collision Course merges some of the biggest hits from both artists into new, hybrid tracks that fuse their distinct genres.

Collision Course was the result of MTV’s "Mash-Up" series, where artists from different genres collaborated to create new music by combining their songs. The project quickly gained attention because it featured two hugely popular artists from vastly different musical backgrounds.
The EP features six tracks, each a combination of Jay-Z’s iconic verses and Linkin Park’s hard-hitting rock instrumentals and vocals. It brings together Jay-Z's hip-hop classics with Linkin Park’s emotionally charged, alternative rock anthems.
The release was accompanied by a DVD, which included behind-the-scenes footage of the making of the album and a live performance of the mash-up tracks.

The mash-ups blend hip-hop beats with rock instrumentation, creating a genre-bending sound. Jay-Z’s verses, which are typically supported by hip-hop production, are now backed by guitar riffs, drums, and electronic elements from Linkin Park’s catalog.
Linkin Park’s co-lead vocalists, Chester Bennington and Mike Shinoda, intertwine their vocals with Jay-Z’s raps, adding a dynamic contrast between Chester’s melodic hooks and Mike's rap-style verses.

Key Tracks and Highlights:
"Numb/Encore" – This is arguably the most well-known track from the EP and became a major hit. It combines Jay-Z’s "Encore" from The Black Album with Linkin Park’s "Numb" from Meteora. The song blends Jay-Z's braggadocious lyrics about legacy and success with the emotional weight of "Numb," creating a powerful contrast. The track won a Grammy Award for Best Rap/Sung Collaboration in 2006.
"Dirt Off Your Shoulder/Lying from You" – This track combines Jay-Z’s "Dirt Off Your Shoulder" from The Black Album with Linkin Park’s "Lying from You" from Meteora. The mix of Jay-Z’s swaggering, confident lyrics with the angsty tone of "Lying from You" creates an intense, high-energy track.
"Big Pimpin'/Papercut" – In this mash-up, Jay-Z’s party anthem "Big Pimpin’" from Vol. 3... Life and Times of S. Carter is combined with "Papercut", one of Linkin Park’s hard-hitting tracks from Hybrid Theory. The contrast between Jay-Z’s carefree lyrics and the darker themes of "Papercut" makes for a unique and striking combination.
"Jigga What/Faint" – This high-energy mash-up blends Jay-Z’s "Jigga What" from Vol. 2... Hard Knock Life with Linkin Park’s "Faint" from Meteora. The aggressive guitar riffs and fast-paced production of "Faint" complement Jay-Z’s rapid-fire rhyming, making this one of the more intense tracks on the album.
"Izzo/In the End" – This track mashes up Jay-Z’s hit "Izzo (H.O.V.A.)" from The Blueprint with Linkin Park’s massive hit "In the End" from Hybrid Theory. The combination of Jay-Z’s celebratory lyrics with the reflective, melancholic tone of "In the End" creates a unique emotional balance.
"Points of Authority/99 Problems/One Step Closer" – This mash-up brings together Jay-Z’s "99 Problems" from The Black Album with Linkin Park’s "Points of Authority" and "One Step Closer" from Hybrid Theory. It’s one of the hardest-hitting tracks on the EP, with aggressive beats and heavy guitars, paired with Jay-Z’s defiant lyrics.

Contrast between genres: One of the major themes in Collision Course is the juxtaposition of hip-hop bravado and rock’s emotional intensity. Jay-Z’s confident, self-assured lyrics are often paired with Linkin Park’s more vulnerable and introspective lyrics, creating a dramatic tension in the songs.

Jay-Z’s lyrics in tracks like "Encore" and "Big Pimpin’" focus on his rise to fame, success, and the challenges he’s overcome, while Linkin Park’s contributions often explore themes of alienation, frustration, and personal struggle.
Critical Reception:
Collision Course received mixed reviews from critics but was praised for its creativity and for bridging the gap between two different musical genres. While some critics felt that the mash-ups were too formulaic, others admired the seamless blending of two very different musical styles.
The EP performed well commercially, debuting at #1 on the Billboard 200 chart. "Numb/Encore" was particularly successful, becoming a mainstream hit and one of the most recognizable tracks from the project.

Collision Course is seen as a significant experiment in genre fusion, helping to bridge the gap between hip-hop and rock audiences. It contributed to the growing trend of genre-blending that would become more prominent in the 2000s.
The success of the EP demonstrated that collaborations across genres could be commercially viable, paving the way for future projects that mixed hip-hop with rock, pop, and other genres.
The live performance of the EP’s tracks, particularly the "Numb/Encore" mash-up at events like the Grammys and MTV Music Awards, helped to cement its place in pop culture, with fans of both Jay-Z and Linkin Park embracing the crossover.

Collision Course stands as a unique collaboration in music history, bringing together two icons from different genres and creating a blend that resonated with both rock and hip-hop fans. Though brief, the EP’s six tracks showcased the possibilities of genre fusion and delivered some of the most memorable mash-ups of the 2000s. The project continues to be celebrated for its innovation and the seamless combination of Jay-Z’s iconic flows with Linkin Park’s powerful instrumentals and emotive vocals.

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From Zero Magenta Vinyl Edition

LP | 2024 | EU | Original (Warner)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LINKIN PARK—Mike Shinoda, Brad Delson, Phoenix, Joe Hahn, alongside new members Emily Armstrong [of critically acclaimed band Dead Sara] as co-vocalist and Colin Brittain [songwriter/producer for G Flip, Illenium, One OK Rock] as drummer—share their first brand new music in seven years.

The iconic band shared a new single “The Emptiness Machine,” which is also the herald for the arrival of LINKIN PARK’s first album since 2017, FROM ZERO, on November 15.
About the new era, Shinoda stated, “Before LINKIN PARK, our first band name was Xero. This album title refers to both this humble beginning and the journey we’re currently undertaking. Sonically and emotionally, it is about past, present, and future—embracing our signature sound, but new and full of life. It was made with a deep appreciation for our new and longtime bandmates, our friends, our family, and our fans. We are proud of what LINKIN PARK has become over the years, and excited about the journey ahead.”
Right out of the gate, “The Emptiness Machine” channels the DNA of LINKIN PARK, harnessing the band’s explosive energy and retaining the hallmarks of their instantly identifiable and inimitable sound. A chameleonic and catchy anthem, Shinoda’s hypnotic melodies hand off to Armstrong’s blistering chorus, over distorted riffs and head-nodding drums.
Ultimately, with FROM ZERO, the band is looking to harness the purest energy of their past, present, and future. The new era has officially begun.

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Post Human: Nex Gen Recycled Cream White Vinyl Edition

LP | 2024 | EU | Original (RCA International)

28,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Everything Is Alive HHV Exclusive Transculent Tan Vinyl Edition

Slowdive

LP | 2024 | US | Reissue (Dead Oceans)

Merciless HHV Exclusive Neutral White Vinyl Edition

Release: 2024 / US – Reissue

Genre: Rock & Indie

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Colorway exclusive to HHV and limited to 500 copies.

Everything is alive, slowdive's 5th record, is exactly what the title suggests: an exploration into the shimmering nature of life and the universal touch points within it. While there are parts of this record that could sit neatly next to the atmospheric quality of 1995's Pygmalion; everything is alive also manages to break down the boundaries of what's come before it. Spanning psychedelic soundscapes, pulsating 80's electronic elements and John Cale inspired journeys, the album lands immediately as something made for 2023 and beyond. For a genre that is often thought of as divisive, and often warrants introspection, here slowdive show their craft as the masters of it by pushing it outwards, beyond the singular; the end result being a record which feels as emotional and cathartic as it is hopeful.

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Body Count

Release: 2024 / EU – Original

Genre: Rock & Indie

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Limited edition of 300 copies, only available at HHV!

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Meteora Translucent Gold And Red Splatter Vinyl Edition

LP | 2003 | US | Reissue (Warner)

40,99 €*

Release: 2003 / US – Reissue

Genre: Rock & Indie

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From Zero Blue Vinyl Edition

LP | 2024 | EU | Original (Warner)

Cigarettes After Sex Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Cigarettes After Sex

LP | 2017 | UK | Original (Partisan)

Release: 2017 / UK – Original

Genre: Rock & Indie

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Cigarettes After Sex frontman Greg Gonzalez had a clear vision for his band’s gorgeously cinematic debut album. After the phenomenal online break-out success of “Nothing’s Gonna Hurt You Baby”, from the band’s debut EP 1, the Brooklyn transplant (originally from El Paso) wanted to project his worldview on to a bigger screen, a broader canvas. As Greg explains, “This is like the novel or feature-length version of Cigarettes. I wanted it to feel like a complete work, where some of the imagery repeats – like it’s all in the same world. It’s very much a fulfilment of the feelings in the short works.”

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996

2LP | 2024 | US | Original (Light In The Attic)

55,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”

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Absolute Elsewhere Transaprent Turquoise Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2000 | EU | Reissue (WEA)

Hybrid Theory

Release: 2000 / EU – Reissue

Genre: Rock & Indie

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition

2LP | 2024 | US | Original (Light In The Attic)

58,99 €*

Now I See The Light Pink & Tan AB Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Toe

LP | 2024 | US | Original (Topshelf)

Release: 2024 / US – Original

Genre: Rock & Indie

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Since forming in 2000, toe have synthesized everything from pop, post- and math-rock, jazz, R&B, and electronic into one of the most distinct sounds in rock music. Their debut LP the book about my idle plot on a vague anxiety (2005) left an unmistakable imprint across the splintered worlds of instrumental and experimental music, exploding the tenets of post-rock with writing and performances that channel the intensity of hardcore.

NOW I SEE THE LIGHT (2024), toe’s fourth full-length album, is a bridge between the experimental restraint of their later work and the explosive abandon of their earlier output. From the opening tracks, toe balance serpentine passages against meditative repetition. On “LONELINESS WILL SHINE,” “サニーボーイ・ラプソディ,” and “NOW I SEE THE LIGHT,” Hirokazu reprises his role as part-time vocalist, breaking the band yet further from the instrumental work that formerly defined them. As a whole, NOW I SEE THE LIGHT closes the loop between early and late toe, giving them a clean slate for their new outlook.

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2LP | 2010 | DE | Original (Warner)

A Thousand Suns

42,99 €*

Release: 2010 / DE – Original

Genre: Rock & Indie

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Maggot Mass Transparent Seaweed Green Vinyl Editoin

Pharmakon

LP | 2024 | US | Original (Sacred Bones)

Release: 2024 / US – Original

Genre: Rock & Indie

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Maggot Mass, the fifth full-length album by Pharmakon on Sacred Bones Records, marks the project's return after a five-year hiatus. This album signifies a departure from the original rules and structures established by Margaret Chardiet for Pharmakon, evolving into a new form. It retains the project's experimental roots in power electronics and noise while incorporating industrial and punk influences.The album stems from a profound disgust with humanity's dysfunctional relationship with the environment and other life forms. It explores the loneliness resulting from this broken bond and challenges us to acknowledge our personal and systemic responsibility.What peace can we make with privilege when the true cost of our comfort is not measured in dollars but in death? How can we reconcile with death when we impose the same hierarchical structures on it that we do in life? Is life worth living in the isolation of this self-imposed species loneliness?Humans often measure worth by accumulation _ money, assets, objects _ mistaking this for power and influence. Western heritage dictates a hierarchy, placing humans at the top, separate from the natural world. This delusion turns bodies into objects, land into property, and people into expendable tools.If our value were instead determined by our contribution to the ecosystem, who could claim that a human is more valuable than a maggot? Maggots recycle death into life, breaking down matter and nourishing new growth. They transform into flies, pollinating plants and sustaining the Earth's flora. In contrast, humans pollute rather than pollinate, with a select few profiting from exploitation at the expense of biodiversity and the well-being of many.In grappling with grief and loss on both personal and global scales, Margaret sought solace in the idea of rebirth through death, celebrating the beauty of regeneration through decay. However, she had to confront the stark reality of the disconnection from the earth under oppressive systems. Pharmakon is here imagining...

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Absolute Elsewhere Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Live At Racket, Nyc Record Store Day 2024 Black W/ Blue Swirl Vinyl Edition

The Rolling Stones

LP | 1964 | Reissue (ABKCO)

29,44 €* 30,99 € -5%

Release: 1964 / Reissue

Genre: Rock & Indie

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To celebrate 60 years since its original release, The Rolling Stones, ‘uk’ edition, is being released in a special bespoke package for RSD 2024.The band’s debut studio album, was released in the UK on 16 April 1964. The American edition of the LP, with a slightly different track list, came out on London Records on 30 May 1964, subtitled England’s Newest Hit Makers, which later became its official title. The remarkable, ground-breaking album arrives like a jet-fueled rush of white hot R&B. Pressed on stunning 180gm blue + black swirl vinyl / includes lithograph print with images by renowned photographer Terry O’Neill / limited edition stamp-numbering on outer sleeves

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Hyrid Theory Yellow Vinyl Edition

LP | 2000 | WW | Reissue (Warner)

33,24 €* 34,99 € -5%

Release: 2000 / WW – Reissue

Genre: Rock & Indie

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LP | 1976 | AU | Reissue (Left Ear)

Leong Lau

Dragon Man

Release: 1976 / AU – Reissue

Genre: Rock & Indie

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Only a decade ago Leong Lau remained a well-hidden Malaysian-Australian treasure, known only to small circles of Australian record collectors. In 2013 we met Leong in person at the Brisbane state library, where after a long and somewhat transcendental ‘conversation’, received his blessings to re-release his music.

In 2014, we reissued his sophomore album ‘That Rongeng Sound’ and later in 2021, his sole single ‘late Night Flyer. In 2024, we are going back to finish the triangle of Leong releases, with a repress of his debut 1976 album ‘Dragon Man’. A raw and electrifying album that continues to stand the test of time.

Dragon Man might best be described musically as psyc/rock, however the significant use of soul/funk and jazz melodies adds a unique musical depth that makes it hard to categorise. However, what truly sets Leong apart is his distinct vocal style, delivering half sung/half spoken lyrics in a stereotypical Aussie accent that comes across more like a sermon than what might be conceived as ‘traditional’ songs.

Moreover, in a time where the Australian music industry and its performers’ musical styles were dictated by major labels, Leong began to break down those barriers by self-releasing his music. This rewarded Leong creative control, where he was able to dictate the musical and cultural themes, with songs like ‘Dragon Man’ and ‘Deep In The Jungle’ that both pay homage to his unique Chinese/Malay heritage. That said, Dragon Man is both a significant musical and cultural statement that’s just as poignant today as it was then.

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LP | 2013 | EU | Original (RCA)

Sempiternal

Release: 2013 / EU – Original

Genre: Rock & Indie

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LP | 2007 | EU | Reissue (Warner)

Minutes To Midnight

Release: 2007 / EU – Reissue

Genre: Rock & Indie

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Merciless Blue Vinyl Edition

Body Count

Release: 2024 / EU – Original

Genre: Rock & Indie

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Shotters Nation Clear Vinyl Edition

Babyshambles

LP | 2007 | UK | Reissue (Parlophone Records / Rhino Records)

2LP | 1994 | US | Reissue (Fire)

Release: 2007 / UK – Reissue

Genre: Rock & Indie

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The acclaimed 2007 album reissued on 1LP clear vinyl. Taken from the original 2007 masters when Pete Doherty was at the pinnacle of his creative powers, ‘Shotter’s Nation’ followed in the footsteps 'Down In Albion’, the band’s debut album, and Doherty’s first album outside of his first band - the era-defining Libertines. Both were met with commercial and critical acclaim, breaking into the top 10 of the album charts. ‘Shotter’s Nation’ is unmistakably Doherty. Melodic, stark, catchy, raw, brilliantly unique - his music has always created an unflappable loyalty from his many fans, remaining timeless, yet still sending a nostalgic excitement through its listeners. The album also features four songs co-written by Doherty’s then-girlfriend Kate Moss who also regularly performed live with them.

The approach to the recording and release of the album was an escape from Doherty’s previous methods. Stephen Street (The Smiths, Blur, Morrissey, The Cranberries) took over producer duties from The Clash's Mick Jones, and it was and his first album released by a major label, Parlophone. Limited to 2500 copies for National Album Day UK.

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Bark Psychosis

Hex

42,99 €*

Release: 1994 / US – Reissue

Genre: Rock & Indie

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Buffalo Springfield Again Atlantic 75 Series

Buffalo Springfield

2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

86,99 €*

Nancy Sinatra & Lee Hazlewood

Release: 2023 / US – Reissue

Genre: Rock & Indie

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Analogue Productions (Atlantic 75 Series)

Celebrating the 75th Anniversary of Atlantic Records!

Buffalo Springfield's second album

Featuring "Bluebird," "Rock & Roll Woman" and "Expecting to Fly"

180-gram 45 RPM double LP

Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering

Pressed at Quality Record Pressings

Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing

Due in part to personnel problems which saw Bruce Palmer and Neil Young in and out of the group, Buffalo Springfield's second album did not have as unified an approach as their debut, writes AllMusic.

Still, the group continued to make major strides in both their songwriting and arranging, and this record stands as the band's greatest triumph, peaking at No. 44 on the Billboard Top LPs chart. As of 2012 the album was No. 188 on Rolling Stone's list of the 500 Greatest Albums of All Time.

Stephen Stills' "Bluebird" and "Rock & Roll Woman" were masterful folk-rockers that should have been big hits (although they did manage to become small ones); his lesser-known contributions "Hung Upside Down" and the jazz-flavored "Everydays" were also first-rate. Young contributed the Rolling Stones-derived "Mr. Soul," as well as the brilliant "Expecting to Fly" and "Broken Arrow," both of which employed lush psychedelic textures and brooding, surrealistic lyrics that stretched rock conventions to their breaking point.

Richie Furay (who had not written any of the songs on the debut) takes tentative songwriting steps with three compositions, although only "A Child's Claim to Fame," with its memorable dobro hooks by James Burton, meets the standards of the material by Stills and Young; the cut also anticipates the country-rock direction of Furay's post-Springfield band, Poco.

Analogue Production's reissue skill makes this record sound killer. Mastered from the original tape by Chris Bellman at Bernie Grundman Mastering. Double LP cut at 45 RPM, pressed on 180-gram vinyl at Quality Record Pressings, and housed in a Stoughton Printing tip-on old style gatefold jacket. That's how you upgrade a classic.

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Nancy & Lee Again Big Red Balloon Swirl Vinyl Edition

LP | 1972 | US | Reissue (Light In The Attic)

LP | 2023 | EU | Original (Broc)

Release: 1972 / US – Reissue

Genre: Rock & Indie

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* LP available on Standard Black Wax plus Special Limited Color Editions
* First ever reissue of Nancy & Leeâ€™s 1972 classic
* Includes bonus tracks â€œMachine Gun Kellyâ€ and the previously unreleased â€œThink Iâ€™m Coming Downâ€
* Newly remastered from the original analog tapes by GRAMMYÂ®-nominated engineer John Baldwin
* Vinyl pressed at RTI
* Beautifully packaged and expanded gatefold LP featuring a 20-page booklet
* Q&A with Nancy & GRAMMYÂ®-nominated reissue co-producer Hunter Lea
* Never-before-seen photos from Nancy Sinatraâ€™s personal archive
* CD housed in a digipak and featuring a 28-page booklet
* 8-track also available
* Actual LP pressing color may differ from mock-up image

Light in the Attic Records is proud to present the next installment of the _Nancy Sinatra Archival Series_ with the first ever reissue of the classic 1972 album _Nancy & Lee Again_. Recorded during a 1972 reunion between Nancy and the enigmatic Hazlewood, the album contains some of the pairâ€™s most enduring and ambitious duets including the epic â€Arkansas Coal (Suite),â€ the sensual â€œParis Summerâ€ and the incredibly powerful Dolly Parton-penned â€œDown From Dover.â€ Equal parts daring, psychedelic, cinematic, and sweet, _Nancy & Lee Again_ reveals with each track a timeless, natural chemistry between two artists who would remain influential for generations to come.

_Nancy & Lee Again_ is available in a variety of formats, including vinyl, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and is accompanied by a 20-page booklet, featuring an array of photos from the legendary singer, actress, and activistâ€™s personal collection, as well as in-depth Q&A with Nancy Sinatra, conducted by the reissueâ€™s Grammyâ®-nominated co-producer, Hunter Lea (also available in the CD package). All formats have been beautifully designed by Darryl Norsen of D. Norsen Design, and include two bonus tracks, â€œMachine Gun Kellyâ€ (first time on vinyl) and the previously unreleased â€œThink Iâ€™m Coming Down.â€

In addition to the black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

A limited-edition merchandise capsule, including a custom chain stitched denim jacket, embroidered pillow, canvas tote and apparel collaboration with LA-based Midnight Rider will accompany the release at Nancyâ€™s Bootique at *NancySinatra.com*.

Nancyâ€™s impact on fashion, music, and culture will also be celebrated at Modernism Week in Palm Springs this February with three events, including a roundtable discussion featuring Kii Arens (Visual Artist), Alison Martino (Vintage Los Angeles), Hunter Lea (Record Producer), Don Randi (The Wrecking Crew), and Amanda Erlinger (daughter of Nancy Sinatra, and co-author of the book _Nancy Sinatra: One For Your Dreams_), a double decker bus tour featuring audio commentary from Nancy at notable locations, and a Nancy Sinatra Tribute street party on Arenas to close out the weekâ€™s festivities.

*more About _nancy & LEE AGAIN_:*

The incongruous, yet glorious, creative partnership between Nancy Sinatra and Lee Hazlewood was well underway when the two singular artists reunited to record 1972â€™s _Nancy & Lee Again_, a follow-up to their bestselling duet debut, _Nancy & Lee_. Nancy, the eldest daughter of Frank Sinatra, had been working with the Oklahoma-born songwriter since 1965, when she topped the pop charts with â€œThese Boots Are Made For Walkinâ€™.â€ Over the next five years, the two artists forged a prolific relationship in the studio, with Hazlewood writing and producing many of Nancyâ€™s solo hits. Soon, the duo found success with a series of duets, including â€œSand,â€ â€œSummer Wine,â€ and â€œSome Velvet Morningâ€ â€“ all of which appeared on their highly-influential 1968 debut.

Not long after the critical acclaim and chart success of Nancy & Lee died down, however, Hazlewood unexpectedly relocated to Sweden, leaving his musical partner in the proverbial dust. America, meanwhile, was in the midst of a cultural shift, as the Vietnam War waged on. By the turn of the decade, the musical landscape had changed significantly. â€œTrivial music and not profound music became unimportant,â€ recalls Nancy, speaking to Hunter Lea. â€œIt was a tough time.â€ And yet, despite the circumstances, the stars somehow aligned for the duo to record some of their most magnificent music together.

Returning to Los Angeles for the project, Hazlewood â€“ who reprised his role as producer â€“ chose to take a new direction with the duoâ€™s sophomore album. Nancy recalls, â€œIt was more dramatic; it was more fun to do, more challenging to doâ€¦. It was more grandiose.â€ For the lush, orchestral arrangements, they collaborated with Larry Muhoberac (an original member of Elvis Presleyâ€™s TCB band, whose early â€˜70s credits also included Barbra Streisand, Neil Diamond, and Lalo Schifrin) and Clark Gassman, who had worked on Hazlewoodâ€™s 1970 LP, _Cowboy in Sweden_. Backing vocals from brothers John and Tom Bahler, who remain two of the most recorded singers in history, added additional texture to several songs.

The big sound that Nancy describes above is exemplified in the albumâ€™s cinematic opener, â€œArkansas Coal (Suite).â€ Clocking in at nearly six minutes long, the dynamic overture tells the tale of an ill-fated coal miner (sung by Hazlewood), while Nancy adjusts her vocals to sing as both the minerâ€™s daughter and his wife. Hazlewoodâ€™s knack for vivid, nuanced storytelling shines throughout _Nancy & Lee Again_, particularly in â€œParis Summer,â€ which details the conflict that a married woman faces, as she engages in a passionate affair. Another highlight is the country-inspired hit, â€œDid You Ever,â€ which was released as the albumâ€™s lead single. After it landed at No.2 on the U.K. pop charts, the song served as an alternate title track in several countries, including LP pressings in the U.K., Germany, and Canada.

One of the most emotionally-charged moments on _Nancy & Lee Again_ is a cover of Dolly Partonâ€™s â€œDown From Dover.â€ The heartbreaking tune tells the tale of a pregnant teenager, who has been abandoned by her lover and her family and ultimately gives birth to a stillborn baby. While Partonâ€™s 1970 version was sung from the teenagerâ€™s point of view, Hazlewood and Sinatra transformed the country song into a duet. Hazlewood, who offers the manâ€™s side of the story, sings in a notably deeper octave than his signature baritone.

Another poignant selection is â€œCongratulations,â€ which describes a soldier coming home from Vietnam. â€œHis face has grown old and his eyes have grown cold/And they tell you of where he has been/Congratulations, you sure made a man out of him,â€ Hazlewood sings, pointedly. Nancy, who performs as the vetâ€™s wife, argues that the song had a deeper meaning for her duet partner. â€œLee started out a hawk, he was an army guy, so he was all for the war in the beginning. We didnâ€™t talk about it, but at some point, he changed radically. â€˜Congratulationsâ€™ was almost like an apology from him. I donâ€™t want to put words in his mouth, but it was as though he was saying â€˜Iâ€™m really sorry.â€™â€

The song â€œFriendship Trainâ€ could also be interpreted as an apology of sorts â€“ this time to Nancy. â€œYou've been hurt and I've been hurt/Now we're living pain,â€ the tune opens. When Hazlewood moved to Sweden without telling his longtime musical partner, Sinatra was understandably upset. â€œI felt pretty betrayed. I mean, who does that? Who just up and disappears like that? Iâ€™ll never understand it,â€ she reveals. But the uplifting duet â€“ a slice of â€˜70s pop perfection â€“ offers reaffirming words of love between friends. â€œ[Lee] felt things very deeply and tended to express his feelings in song instead of in real life,â€ explains Nancy.

The 10-track album closes with the stripped-down â€œGot It Together.â€ Backed by an acoustic guitar, the song is equal parts playful and candid, as the duo has an impromptu, spoken-word conversation about their lives. â€œI wish that weâ€™d quit getting so old,â€ laments Nancy, who later shares her wish to have children (she would do so in the next few years). Hazlewood, meanwhile, attempts to remedy his past wrongdoings â€“ this time asking his partner, â€œCan I go back to Sweden?â€ With that, Nancy gives her blessing.

This definitive reissue of _Nancy & Lee Again_ also includes two bonus tracks. Both are stylistic departures for the duo â€“ but fit right in with the psychedelic pop of the era. The first one, â€œThink Iâ€™m Coming Down,â€ is a harmony-filled reflection on a toxic relationship. â€œI think that was one of [Leeâ€™s] drug things. I donâ€™t mean that he used drugs; I mean that he was trying to be part of that culture. Trying to be hip,â€ explains Nancy, who delivers an emotive vocal performance on the solo track. Also included is â€œMachine Gun Kelly,â€ penned by a staple of the 70s singer-songwriter movement, Danny Kortchmar (James Taylor, Carole King, Linda Ronstadt). Recorded several months after the release of the album, the song found Nancy reuniting with Billy Strange, who arranged many of her solo albums, as well as Nancy & Lee. Sinatra and Hazlewood first performed â€œMachine Gun Kellyâ€ during their residency at Las Vegasâ€™ Riviera Hotel in February 1972 (later released as a concert documentary on Swedish television). While the recording has long remained a career favorite of Nancyâ€™s, it would be decades before it was officially released.

_Nancy & Lee Again_ remains a creative high point in the careers of Sinatra and Hazlewood and, upon its release, garnered rave reviews from Billboard, _Record World_, and _Cash Box_, among others. Yet, _Nancy & Lee Again_ never received the spotlight it so utterly deserved. â€œWe didnâ€™t have label support at all in those days,â€ recalls Nancy. â€œWithout the strength of a label, records die. We were old. We were old-fashioned. We were just not what was happening. Itâ€™s a very ageist kind of business.â€ Nevertheless, she adds, â€œI think itâ€™s a very good album. I think itâ€™s timeless.â€ Now, after years of being a sought-after rarity, this gem in the Sinatra-Hazlewood canon can finally get its due.

Five decades later, Nancyâ€™s legacy only continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums â€“ her duets with Hazlewood among them â€“ and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when â€œThese Boots Are Made For Walkinâ€™â€ was inducted into the Grammyâ® Hall of Fame. That same year, Sinatra partnered with Light in the Attic for *Nancy Sinatra: Start Walkinâ€™ 1965-1976*, a definitive survey of her most prolific period. Lita has also reissued Sinatraâ€™s classic debut, *Boots*, and her iconic, 1968 album with Lee Hazlewood, *Nancy & Lee*. The label looks forward to celebrating Nancy over the coming years with a variety of special releases, exclusive merchandise, and more.

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Theodor

LP | 2024 | EU | Original (BBE Music)

Release: 2023 / EU – Original

Genre: Organic Grooves, Rock & Indie

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THEODOR is a psychedelic sweet soul band formed by members with diverse musical backgrounds.
Whilst on a road trip to Italy Rob and Lui were listening to tapes of contemporary soul music. The idea was born to record an album channeling a moody and relaxed soundscape. „Right after our trip we called up our good friends Max and Greg, who were immediately on board. We wrote and recorded deep in the pandemic. Those weekend sessions captured this peaceful solitude“ The outcome was their self-titled debut album which will be released in February 2023 on the french label Broc Recordz. The rich sonic texture and unconventional arrangements of their very first single SHEPARD’S LULLABY gives a hint on what is to be expected on their forthcoming LP. THEODOR created a perfect soundtrack for a hot and humid summer day having a magic dash in your twelve o’clock tea. Playful melodic bass lines and the soulful acoustic drums build the playground for the warm and dreamy keys such as farfisa organs, fender rhodes and 80's synths. The lush instrumentals are spiced by the very different yet complementary voices of Max and Lui.

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The Cromagnon Band

Mode

36,99 €*

Stream Of Life Eco-Splatter Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Mode is an album borne of the Cromagnon Band's creative process of taking breaks they love from the tracks they love, made by the artists they love and then jamming live in the studio until something new evolves that has taken a long journey away from the source. Taking the grooves they composed in these sessions the band reverse engineered what they created and produced the final tracks as a creative trio. From start to finish the whole process is paradoxically both constrained and given creative spontaneity by the 100% live jam creative technique. The purely instrumental tracks on Mode represent music for the sake of music with no specific narrative but which allow space for the listener to make their own interpretations and create their own mental images. The mood is transcendental and transporting with as many ideas packed into each track as possible. The sound is cinematic and psychedelic dark Funk that showcases the band members' musical pedigrees and heritage as music lovers; Nordic psych/jazz, classical, boom-bap Hip-Hop breaks and riff heavy rock a la early Black Sabbath. The Cromagnon Band was formed in 2015 and is a trio of artists who compose and produce their own work. Drummer Tom Watt and Bassist Lenny Walker are both from a music production background whilst Bert Page is a classically trained musician who plays all the keys as well as sax and clarinet. As well as being a studio entity The Cromagnon Band play out as a live trio, adapting and arranging their tracks to the live stage with Bert playing Moog and Rhodes simultaneously. Mode is the Cromagnon Band's second album and their debut release on BBE Music and will be released as a digital and vinyl LP.

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Maximo Park

LP | 2024 | EU | Original (Lower Third)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Papercuts Singles Collection 2000-2023 Black Vinyl Edition

2LP | 2024 | EU | Original (Warner)

37,99 €*

Don't Play With The Rich Kids HHV Exclusive Blue Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Papercuts ist die erste Single-Sammlung der innovativen Musikgruppe Linkin Park. Das karriereumfassende 20-Track Album enthält 18 essenzielle Hits plus den noch nie veröffentlichten Track "Friendly Fire", aufgenommen während der 2017er Sessions für ihr siebtes Album One More Light und Fan Favorit QWERTY.

Die sorgfältige Kuration von Papercuts wurde unter anderem durch den leidenschaftlichen Empfang der 20. Jubiläums-Ausgaben von Hybrid Theory im Jahr 2020 und Meteora im vergangenen Jahr inspiriert. Die Fan-Begeisterung hat nun zu dieser umfassende Retrospektive der Bandgeschichte geführt - in der Zeitspanne eines einzigen Albums.

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Ja, Panik

LP | 2024 | EU | Original (Bureau B)

24,29 €* 26,99 € -10%

Release: 2024 / EU – Original

Genre: Rock & Indie

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Ja, Panik is back! While the last experimental and meandering pop album Die Gruppe Ja, Panik (2021) marked their surprising comeback after a seven-year creative break, Don't play with the rich kids is now something like their return as a rock band As the gang from Burgenland, which has played its way into all our hearts since The Angst And The Money (2009) We see Stefan Pabst, Sebastian Janata, Laura Landergott and Andreas Spechtl Wrapped in a soft cloth on the cover photo on the beach of nowhere It holds the band together inside while also creating a clear boundary outside: we are here, and you are there! And it seems almost impossible to get into this inner circle The worldwide problem of classism could hardly be presented more elegantly This was probably also given to them at some point While Ja, Panik used to want to destroy the system from the inside out,
with a lot of glam and lustfully presented auto-aggression, they have once again thoroughly relaunched their brand, to put it in the advertising speak of the 90s. Their nihilism made in Austria as a basic feeling is still an important core of the brand, but it is now presented in a much more reflective way. And the now quite self-evident negotiation of one's own privileges seems to inspire the band in their new songs. After all, these rich kids are also ultimately themselves This can be confidently told Of course, this must be seen on a global scale We all know what a four-member, left-wing indie rock band between Berlin and Vienna earns with their music And even if, according to Spechtl, 1,000 fights are fighting in his body, of which he himself states that he can never win a single one, his new role as a Zen rocker and self-proclaimed Kung-Fu-Fighter surrounded by his old bandmates in excellent shape doing very well Well, many people their age now own a house in Brandenburg or a condominium in Berlin, but who can call themselves a member of the group Ja, Panik? Cultural capital that many people don't even dare to dream of.

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Absolute Elsewhere Sun Yellow Vinyl

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-29

3LP | 2021 | EU | Original (Big Brother)

Oasis

Knebworth 1996

48,99 €*

Sex, Love And Rock'n'roll

Release: 2021 / EU – Original

Genre: Rock & Indie

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Social Distortion

LP | 2004 | US | Reissue (Craft)

35,99 €*

7" | 1990 | US | Reissue (Dischord)

Release: 2004 / US – Reissue

Genre: Rock & Indie

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THEIR FIRST ALBUM BACK FROM AN EIGHT YEAR HIATUS IS LARGELY A MUSICAL EULOGY TO GUITARIST DENNIS DANELL, WHO PASSED AWAY DURING THE BREAK. FEATURES ON OF THEIR BIGGEST HITS, 'REACH FOR THE SKY'.

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Fugazi

3 Songs

Nancy In London Summer Wine Red Vinyl Edition

Release: 1990 / US – Reissue

Genre: Rock & Indie

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Three classic Fugazi songs—”Song # 1,” “Joe # 1,” and “Break In”—recorded at Inner Ear Studio in July 1988

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Nancy Sinatra

LP | 1966 | US | Reissue (Light In The Attic)

41,99 €*

No Obligation Galaxy Green Vinyl Edition

Release: 1966 / US – Reissue

Genre: Rock & Indie

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The definitive vinyl reissue of V3Nancy’s third album - Contains the hits “Summer Wine” and “Friday’s Child” - Features audio freshly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin - Includes four bonus tracks: The complete 1969 Mickie Most sessions with the previously unreleased “Colors Are Changing” - Vinyl pressed at RTI on black, "Summer Wine" red, & "Little Bird Blue w/ Peach" splatter wax - Beautifully packaged and expanded gatefold LP with 20 page booklet features Q&A with Nancy & GRAMMY®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive “Strawberries, cherries, and an angel’s kiss in spring…” were the immortal words sung by a twenty-five-year-old Nancy Sinatra on a frigid spring day in a London recording studio during the sessions for her third LP in four months! The 1966 album was cut in three days at Pye Studios where The Kinks, Petula Clark, and David Bowie recorded their songs in the mid-1960s. By going directly to the source and choosing songs like “On Broadway,” “Wishin’ and Hopin’,” and “This Little Bird,” the album has an unequivocally British feel. The LP includes the timeless Nancy & Lee Hazlewood duet “Summer Wine.”

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The Linda Lindas

LP | 2024 | EU | Original (Epitaph Europe)

No Obligation Galaxy Orange Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Here comes No Obligation, the second full-length release from THE LINDA LINDAS further advances their unironic, joyful, and exciting trajectory of mashing up L.A. punk with alt-rock, garage rock, power pop, new wave, rock en español. No Obligation was written and recorded by the band during spring breaks, winter breaks, and long weekends (Lucia and Eloise are still in high school, Mila just finished middle school, and Bela is patiently waiting for them to get done with it already) and was produced by Carlos de la Garza (Paramore, Best Coast, Bleached).Known for their incredible musicianship and live performances, the band who has shared stages with and opened for Paramore, Japanese Breakfast, Jawbreaker, and Yeah Yeah Yeahs, are about to embark on a massive two-month tour across America with Green Day. Look for headlining shows at small clubs in between-including a sold-out gig at the famously DIY Gilman Street in Berkeley. The new album, No Obligation, is out on October 11 .No Obligations. No expectations. No limits for THE LINDA LINDAS.

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The Linda Lindas

LP | 2024 | EU | Original (Epitaph Europe)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Dark Tranquillity

Endtime Signals

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Hunting Party Translucent Light Blue Vinyl Edition

2LP | 2024 | US | Original (Warner)

44,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Riding Easy)

Zig Zags

Strange Masters

Release: 2024 / US – Original

Genre: Rock & Indie

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“The origin of this record is a weird one. In 2019, we had just returned from two long European tours when we decided to take a ‘little break’ from the road. You all know what happened next. That ‘little break’ turned into a couple of years and during that time Dane, our drummer, decided to quit the band and music in general (no hard feelings). Sean [Hoffman] and I had a discussion and thought about ending the band as a whole, but I knew I had to go out on my own terms. I had an ace in the hole, though. Jeff Murray, drummer from LA rippers The Shrine. I had been friends with Jeff and The Shrine’s founder, Josh Landau since our ‘Scavenger’ 7-inch came out, around 2012. We had run into them in Berlin a few months back and I knew they weren’t playing anymore. I called Josh first, ’cause asking a dude if you can take his drummer, is like asking your girlfriend’s dad if you can marry her. And Josh said ‘go for it.’ And Jeff was in.

“Honestly if he had said no, that would have been the end. I had written a ton of stuff since our last album but I had shelved most of it. I was trying too hard—basically. Eventually Sean, Jeff and I said, ‘Fuck it, let’s make a ‘Fake Live’ record—like Kiss or Slayer did. John Dwyer from Osees was opening his new studio, Discount Mirrors, and it seemed like the perfect place to record it. We settled on re-recording a bunch of old stuff while simultaneously demoing our new material, as the three of us were now starting to really get in the groove. The result is Strange Masters Vol. 1.

“These are not new songs. These are Zig Zags classics re-recorded with a ripping-ass band that’s old and angry and just wants to get on with it. We are already on to recording the next album of new songs. That one is coming soon, but in the meantime, enjoy this one…while you still can!” —Jed Maheu (guitars/vocals for Zig Zags)

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Brown Acid: The Eigtheenth Trip Colored Vinyl Edition

LP | 2024 | US | Original (Riding Easy)

Release: 2024 / US – Original

Genre: Rock & Indie

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if you survived trips 1-17 with one tiny speck of psychedelic sunshine intact, Brown Acid The 18th Trip will be your coming of age nightmare. Vintage underground '70s hard rock, coming at you from bizarre angles, local scene wasteland America when everybody was out for themselves and the drugs went bleak. The guitars kill, the attitude is twisted, even the sex is headed down the wrong road. Real people, no compromise, pure and potent. Get stoked, take the 18th Trip and know that the artists will get paid for pulverizing your soul! "People… are you ready?, 'cause the music now is getting so heavy"… Back Jack out of St. Louis, Missouri in 1974 launch our trip with "Bridge Waters Dynamite". It's an invocation to rock flashing on Mark Farner whooping up a Grand Funk crowd, then getting to the point quickly with berserk guitar assaults. Heavy riff with power chord stalks beneath as you take their advice… get loose and blow up the past. Smokin' Buku Band dropped my jaw with the audacious track "Hot Love" coming on like some fractured fever dream burlesque of Led Zep moves out of Hollywood in 1980. Swooping elongated vocals above, a total Zep chord move at the end of each verse. Writer/producer Steve Shauger aka Shag Stevens gets a brilliantly messed up sound quality here, the ideal polar opposite of slick. The extended guitar break is an epitome of serendipitously crude virtuosity, simply outrageous! Coming at you from way outta left field is "Moby Shark" by Atlantis, a hilarious and strange Baltimore pre-punk vibed dose of D.I.Y. meets hard rock. Lon Talbot is the mastermind, the flip side of this impossibly rare Mekon Records label single was featured in an obscure 1978 B-movie titled "The Alien Factor". Follow the lyrics closely, when the ominous jaws jaws jaws start coming after you you you… the song's big hook is so preposterously catchy the shark attack feels like good news. Inquiring minds should know that the band formerly known as Atlantis can now be found by searching for the Lon Talbot Group! Tommy Stuart and the Rubberband's "Peeking Through Your Window" from 1970 opens with a spooky organ riff, slips into a gushy fuzz/organ groove akin to "Mustache In Your Face” by Pretty. The singer creates downright creepy vibes, a stalker peeking through the girl's mind like a peeping Tom at the window up to no good. The lyrics evoke a disturbing scenario. Tommy Stuart also made a strange LP titled Hound Dog Man in 1977 and some terrific rare garage singles under the names Magnificent Seven and The Omen & Their Love in the mid '60s. Nothing better than an angry two chord guitar attack with cowbell to set the stage for this rant about getting "Ripped Off" by love. Taken from their rare 1977 LP on Dynamite Records, Chicago Triangle was Marvey Esparza, Dave Guereca, Jose 'Tarr' Perez and Robert Aguilera. They unleash such strong brain-scrubbing wah wah frenzy in the guitar break here that it seems to perversely mock it's own intensity! Like I said, Brown Acid the 18th Trip comes at you from all kinds of uncanny angles. Damnation of Adam Blessing out of Cleveland, Ohio unleashed a stone killer psychedelic hard rock classic "Cookbook" in the late '60s, this track "Nightmare" from 1973 has them cooking again at full power. A different singer, name change to Damnation and then Glory, unleashing a deadly dose of dark progressive heavy rock drama peaking when spooky 'oooo-wa-oooo' background vocals emerge during a bizarre spoken bit. It unfolds like a mini-epic and includes some remarkably brutal guitar and turbulent organ, too. "Swing your sword, all aboard… bid farewell to the dreamer" Dalquist exclaims. Cynical view of human nature, idealism is over, war is coming, it always does. Opens with a cold menacing riff and atmosphere reminiscent of "Synthezoid Heartbreak" by Maya. Mournful despondent vocals ride an insistent churning groove, gnarly guitar break moves into free noise territory. This rare track is from a local various artists benefit album titled Kangaroo Jam issued for the Waco Family Abuse Center in Texas circa 1980. The Pawnbrokers "Realize" is prime proto heavy rock emerging out of psychedelic garage roots in 1968 Fargo, North Dakota. Unusual arrangement, terrific sustain guitar tones like on the first Blue Cheer LP, even a rip on Hendrix "Manic Depression" with unison voice and guitar ascent near the end. They made three 45s and were active from '65 to '69. Hats off to Blake English, Kent Richey, Paul Rogne and Steve Harrison, you nailed it in just a hair over two minutes! As pure and creative as the original psychedelic garage hard rock gets. Parchment Farm from Union, Missouri gigged with the likes of ZZ Top and Foghat back in the day and unleashed the amazing "Songs Of The Dead" in 1971. Primitive riff/chord pattern dosed with some funky prog moves, sky turning black, 'is this heaven or hell' type disoriented confusion… may as well grab your guitar and sing songs to the dead. Robert 'Ace' Williams on bass, Paul Cockrum on guitar, Gary Reed on keys and Micky Waterman on drums, replacing Mike Dulany (R.I.P.) Cool that they use the Blue Cheer misspelling from Vincebus Eruptum for the band name! Ominous organ, thick minimalist fuzz riff, funky psychedelic wah wah flashes and freaky sex combine in one twisted dance titled "Rockin' Chair" by Brothers Of The Ghetto. Out of Chicago in 1975 with some Santana atmospherics and a delicious fuzz wah screamin' guitar break, the groove is highlighted by an off the wall vocal which sounds eerily detached in a subtly sleazy way. Rene Maxwell is the writer of this hard-rock boogie-down hybrid straight out of the twilight zone. It was issued on Ghetto, a subsidiary of the peculiar Kiderian label that released the Creme Soda LP. Now that your head is totally skewered, go Back Jack and play side one again! (Words by Paul Major)

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Papercuts Singles Collection 2000-2023 Black & Red Splatter Vinyl Edition

2LP | 2024 | EU | Original (Warner)

53,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Hidden History Of The Human Race

2LP | 2019 | EU | Original (Century Media Catalog)

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 1983 | US | Reissue (Meds)

Great Unwashed

Clean Out Of Our Minds

34,99 €*

7" | 2008 | US | Reissue (Purple Circle)

Release: 1983 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-11-01

The Clean broke up (for the first time) in 1982. After a break, the Kilgour brothers pursued a new aesthetic and started recording on a 4 track at home. Poking fun at their past, they called themselves The Great Unwashed. Clean Out Of Our Minds was made in 2 months at the beginning of 1983 and released on Flying Nun Records. The Kilgour's glorious pop hooks are still at the heart of everything but supplanted with a laid back charm and maybe some of the spirit and mystery of 60's psychedelic folk. However, rather than hippie cosplay, the vibe is more akin to fellow New Zealanders The Tall Dwarfs and/or Syd Barrett. Beautifully remastered by Tex Houston. VIbrant 3D sound allows you to hear everything better than ever before. Housed in a Stoughton tip-on sleeve and available on vinyl for the first time in years. Don't miss out this time!

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Title Fight

Kingston

16,99 €*

Release: 2008 / US – Reissue

Genre: Rock & Indie

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Title Fight released Kingston, their debut 7", in February 2008 on Flight Plan and Attic Records. Shortly after its release, both labels went defunct and the three-song EP was re-released in 2009 on Six Feet Under Records with an updated layout. This was the first era in which Title Fight was leaving their hometown, traveling around the Mid Atlantic and New England on weekends and on breaks from high school. In summer of 2009, the band released another three-song 7", The Last Thing You Forget, in the middle of their first full-US tour and "Memorial Field," "Loud And Clear," and "Youreyeah" were then included on the CD and digital versions of that release. Since then, this EP has remained out of print in its original format. Purple Circle has now reissued Kingston on a 7" for the first time in 14 years, returning to the original 2008 layout and remastered by Will Yip at Studio 4.

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Tape | 2024 | EU | Original (Warner)

From Zero

The Taker/Tulsa Vinyl Me, Please Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Waylon Jennings

LP | 1971 | US | Reissue (Vinyl Me, Please)

35,99 €*

Be The Cowboy Coke Bottle Clear Vinyl Editoin

Release: 1971 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
If there is a single album nexus point between what Waylon’s early career was like, and what his Imperial King of Country era was like, it’s The Taker/Tulsa: The one album from his pre-outlaw period that stands above the rest, a record that would help break an outsider songwriter to the Nashville mainstream, prove Waylon had instincts that couldn’t be taught and was maybe onto something that would
flower into all his commercial success later on.

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Mitski

LP | 2018 | US | Reissue (Dead Oceans)

Merciless Black Vinyl Edition

Release: 2018 / US – Reissue

Genre: Rock & Indie

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Coke Bottle CLear Vinyl. The breakout success of 2016's Puberty 2 saw Mitski hailed as the new vanguard of indie rock, the one to save the genre from the white dudes who've historically dominated it. But the often overlooked aspect of being a rising star is the sheer amount of work that goes into it. "I had been on the road for a long time, which is so isolating, and had to run my own business at the same time," Mitski explains, "a lot of this record was me not having any feelings, being completely spent, but then trying to rally myself and wake up and get back to Mitski. I was feeling really nihilistic and trying to make pop songs."We want our artists to be strong but we also expect them to be vulnerable. Rather than avoiding this dilemma, she addresses directly the power that comes from appearing impenetrable and loneliness that follows. "With a lot of the romantic infatuations I've had," she says, "when I look back, I wonder, Did I want them or did I want to be them? Did I love them or did I want to absorb whatever power they had? I decided I could just be my own cowboy figure that I so desire." In Be The Cowboy, delves into the loneliness of being a symbol and the loneliness of being someone, and how it can feel so much like being no one.

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Body Count

22,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Golden Pond Black Vinyl Edition

Upupayama

LP | 2022 | UK | Original (Cardinal Fuzz)

The Storm Opaque Red Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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Upupayāma is the musical persona of Alessio Ferrari, an Italian multi-instrumentalist and songwriter who lives in a small mountain village above the city of Parma. Upupayāma’s music is rooted strongly in Eastern and Western folk traditions, an approach that Ferrari blends with his own modern sensibilities and style. In addition to playing guitar, bass, keyboards, and drums, Ferrari himself also incorporates a number of other instruments into his sound, including sitar, erhu, flute, and a variety of percussion instruments. Artist: Upupayama Title: THE Golden Pond Labels: Cardinal Fuzz (Europe), Centripetal Force (usa), Release Date: 25th November 22 For Ferrari, Upupayāma's 2020 debut was all about the journey. The album served a series of musical vignettes that visited and weaved its way through a succession magical settings. The Golden Pond, conversely, is all about location. Inspired by his frequent visits to a small lake near his mountain home, Ferrari intentionally focused on the details of the place he inhabited, a practice he decided would translate well with his approach to writing music. This is something Ferrari feels is best exemplified with the album's opening companion pieces, "Cuckoos from the House of Golden Tin" and "Entering the Time of Wilderness." The Golden Pond also continues Ferrari's practice of using "invented language" in his lyrics. Ferrari wants his voice to be heard as if it were an additional instrument, a tool that does not convey specific messages. His goal is to allow the listener to assign personal meaning to the music. He says, "I want my incorporating invented language is a way of breaking down the barriers that are sometimes created by language, by having to define something at all costs. Ferrari adds, "I think one of my unconscious dreams is not to have to define any[1]thing, but just to be carried away by our feelings." Earlier this year Ferrari put together a group of musicians to help him deliver his live vision of Upupayāma. They made their debut in Rome in May, and they will play a couple of shows in advance of the album being released. Both dates will be in October, one in Kreuzlingen, Switzerland and the other in Esslingen, Germany. Plans to tour throughout Eu[1]rope in the spring of 2023 are currently in the works via El Borracho Booking. The Golden Pond will be Upupayāma's second album with Centripetal Force and Cardinal Fuzz, the first being the well-received self-titled debut in 2021, which is being repressed to coincide with the release of The Golden Pond in November.

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Judge

7" | 1991 | US | Reissue (Revelation)

13,99 €*

LP | 2022 | EU | Original (Year0001)

Release: 1991 / US – Reissue

Genre: Rock & Indie

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In 1990, Judge had a new song entitled “Forget This Time” and there was a desire to record it and get it out into the wild. Additionally, the band had been touring and made some improvements to some of their existing songs; one standout was “The Storm,” which now had a breakdown in the middle that didn’t exist in the previous versions. Mike was excited about covering “When The Levee Breaks” (which was a bonus track on the Cdep, now a streaming bonus track) and the idea of his local buddy Todd Schwartz doing the harmonica solo. With these three songs the guys headed to Don Fury’s studio on Spring Street to record what became “The Storm” EP. One day Mike showed up on his Harley and the idea came about to run a microphone cable out into the street to record it rev, which you can hear on this version of “The Storm.”

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Viagra Boys

Cave World

Nancy Sinatra & Lee Hazlewood

Release: 2022 / EU – Original

Genre: Rock & Indie

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Inspired by current events, the album aims to break through the madness and confusion that the world is currently in. Like sin-eaters, if one had to ingest sins with a very small spoon, the Viagra Boys have devoured the utterly incomprehensible chaos of our time and distilled it into the 12 immaculate tracks of "Cave World".

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Nancy & Lee Black Vinyl Edition

LP | 1968 | US | Reissue (Light In The Attic)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive
Beautifully packaged and expanded gatefold LP featuring a 20-page booklet

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

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Interdimensional Extinction-Ep

LP | EU | Reissue (Century Media)

19,99 €*

Release: EU – Reissue

Genre: Rock & Indie

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Keepers Of The Faith 10th Anniversary Reissue

Terror

LP | 2010 | EU | Reissue (Century Media)

Release: 2010 / EU – Reissue

Genre: Rock & Indie

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2LP | 2017 | UK | Original (R Coup D)

Fink

Resurgam

2LP | 2003 | EU | Reissue (XL)

Release: 2017 / UK – Original

Genre: Rock & Indie

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Resurgam– meaning “I shall rise again” – is the hotly-anticipated sixth studio album from Fink: UK-born, Berlin-based founding singer-songwriter musician Fin Greenall, alongside long-time bandmates Tim Thornton (drums, guitar) and Guy Whittaker (bass). It continues an acclaimed and distinctly adventurous catalogue, from the sample-splicing debut Fresh Produce (2000), through to the beautifully heady expressions of their last album, Hard Believer (2014). Greenall has also earned global props as a film music composer, songwriting collaborator (including works with John Legend and Amy Winehouse) and solo innovator, with recent side-projects spanning the electronic Horizontalism (2015) to Fink’s Sunday Night Blues Club Vol.1 (2017). Fink have never been afraid to experiment; on Resurgam, they arguably sound more fearless than ever.

Resurgam derives its title from a Latin inscription in a 900-year-old church in Greenall’s native Cornwall. Its vital, insistent spirit pulses through the entire album, which was recorded with ground-breaking producer Flood (PJ Harvey, U2, Foals, Warpaint, The Killers) at his Assault & Battery studios in North London. Its ten new tracks were created over two months, a relatively luxurious stretch of time compared to previous Fink albums, resulting in a collection that is both assertive and richly immersive.

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Radiohead

Hail To The Thief

36,99 €*

Knebworth 1996 Limited Edition Box Set

Release: 2003 / EU – Reissue

Genre: Rock & Indie

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Radiohead's admittedly assumed dilemma: how to push things forward using just the right amounts of the old and the older in order to please both sides of the divide? Taking advantage of their longest running time to date, enough space is provided to quench the thirsts of resolute Bends devotees without losing the adventurous drive or experimentation that eventually got the group into hot water with many of those same listeners. Guitars churn and chime and sound like guitars more often than not; drums are more likely to be played by a human; and discernible verses are more frequently trailed by discernible choruses. So, whether or not the group is to be considered "back," there is a certain return to relatively traditional songcraft. Had the opening "2 + 2 = 5" and "Sit Down. Stand Up." been made two years before, each song's slowly swelling intensity would have plateaued a couple minutes in, functioning as mood pieces without any release; instead, each boils over into its own cathartic tantrum. The spook-filled "Sail to the Moon," one of several songs featuring prominent piano, rivals "Street Spirit" and hovers compellingly without much sense of force carrying it along. Somewhat ironically, minus a handful of the more conventionally structured songs, the album would be almost as fractured, remote, and challenging as Amnesiac. "Backdrifts" and "The Gloaming" feature nervous electronic backdrops, while the emaciated "We Suck Young Blood" is a laggard processional that, save for one outburst, shuffles along uneasily. At nearly an hour in length, this album doesn't unleash the terse blow delivered by its two predecessors. However, despite the fact that it seems more like a bunch of songs on a disc rather than a singular body, its impact is substantial. Regardless of all the debates surrounding the group, Radiohead have entered a second decade of record-making with a surplus of momentum. - allmusic.com

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Oasis

Box | 2021 | UK | Original (Big Brother)

139,99 €*

Maggot Mass Black Vinyl Edition

Release: 2021 / UK – Original

Genre: Rock & Indie

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This year marks 25 years since Oasis’ two iconic record breaking live concerts at Knebworth Park in Hertfordshire on the 10th and 11th August 1996. The shows were both the pinnacle of the band’s success and a landmark gathering for a generation of young people. Released alongside the cinema debut of the feature length documentary film of the event, ‘Oasis Knebworth 1996’ is the definitive live recording featuring a setlist packed with stone cold classics album taken from across both nights of the concert, from the opening salvoes of ‘Columbia’ and ‘Acquiesce’, to ‘Champagne Supernova’, ‘Don’t Look Back In Anger’, ‘Live Forever’, an orchestra backed ‘I Am The Walrus’, and ‘Wonderwall’ the first song from the 1990’s to reach over one billion streams on Spotify and universally loved anthem. The DVD and Blu-ray formats feature ‘Oasis Knebworth 1996’ - the eagerly anticipated feature length documentary telling the story of the special relationship between Oasis and their fans that made the largest concert of the ‘90’s possible, directed by Grammy Awardwinner Jake Scott. It is told entirely in the moment through the eyes of the fans who were there, built around extensive and never before seen archive concert and backstage footage from the event, with additional interviews with the band and concert organisers. Both formats also include the full concerts from both nights edited by Dick Carruthers with audio mixed by Will Shapland in Dolby 5.1 surround sound.

This set contains: 3LP, 2CD, 2xMC / Cassette Tapes, 3DVD

Super Deluxe Box Set including Triple LP on Heavyweight Vinyl (Cat. No. RKIDLP98), Double CD (Cat. No. RKIDCD98), Yellow Cassette (Cat. No. RKIDMC98-1), Red Cassette (Cat. No. RKIDMC98-2), Triple DVD (Cat. No. RKIDDVD98) containing documentary plus Saturday and Sunday night concerts in full, replica of numbered concert ticket for Saturday 10th August at Knebworth, replica of AAA pass for Loch Lomond, Knebworth & Cork plus lanyard holder, replica of Knebworth concert info booklet, Knebworth Park site map art print and event binoculars gifted to VIP guests at the show. All housed in a black case with silver logos.

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Pharmakon

LP | 2024 | US | Original (Sacred Bones)

Keep Dancing / Boom Boom Boom

Release: 2024 / US – Original

Genre: Rock & Indie

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The Courettes

7" | 2024 | Original (Damaged Goods)

Release: 2024 / Original

Genre: Rock & Indie

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Two brand new tracks by The Courettes on PINK Colored Vinyl. Both tracks will also feature on the band's next album, The Soul Of... The Fabulous Courettes, in slightly different form! "We worked with Richard Gottehrer, who for us is like a songwriter god!" says Flavia. "He worked at the Brill Building and co-wrote 'I Want Candy'. A mutual friend played him 'Keep Dancing' and he left a message on my phone saying, 'I love your track and I really dig the lyrics'. He ended up mixing 'Keep Dancing' and 'Boom Boom Boom'." "Because I'm the one most responsible for the lyrics, I actually allowed myself to open up to some personal things," admits Flavia. "We lost both of our fathers. My father died of COVID. But my relationship with my father was non-existent. He abandoned me and my sister. It was a very difficult relationship and it's not so easy for me to talk about it. 'Keep Dancing' is about his death and how he still has a power over me and bringing me down and what it's like to break free from that. You know, some parents are cruel." "It's a special subject to sing about and to make pop music out of," says Martin. "It's actually celebrating moving on and I think that's really fantastic. 'Keep Dancing' is absolutely smashing." "Life is so fragile," smiles Flavia. "But what are you supposed to do? I'd rather dance."

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Cemetery Skyline

Nordic Gothic

22,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Sick Of Being Sick! Clear Vinyl Edition

Jon Spencer

LP | 2024 | EU | Original (Bronzerat)

33,99 €*

Start Walkin' 1965-1976 Tape Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Jon Spencer teams up with Kendall Wind and Macky Spider Bowman - the rhythm section from Woodstock NY punk rock wunderkind The Bobby Lees - to chew bubblegum and kick ass.

Two years after “Spencer Gets It Lit” (Marc Riley’s BBC6 Music Album of the Year, “hugely entertaining”**** MOJO, “a sonic witchdoctor who’ll blow your mind” UNCUT****) there is still more work to be done saving rock'n'roll music.

“Sick of Being Sick!” will be released on limited clear 45rpm Super-Stereo cut vinyl.

Jon Spencer has been innovative force in the independent music scene since the mid-80s. An acclaimed live performer, he has toured all the continents except Antarctica and has amassed a dizzying discography as the leader of Pussy Galore, The Jon Spencer Blues Explosion, Heavy Trash, and Jon Spencer & the HITmakers, as well as with Boss Hog, The Honeymoon Killers, The Gibson Brothers, and Taxi Girls.

His collaborations include (but are not limited to) working with Steve Albini, Add N To X, Nicole Atkins, Beastie Boys, Beck, Bomb The Bass, R.L. Burnside, James Chance, Coldcut, Chuck D, Dan The Automator, Jim Dickinson, DJ Shadow, Einsturzende Neubauten, Guitar Wolf, GZA, David Holmes, Japanese Popstars, Dr. John, Calvin Johnson, Steve Jordan, Khan, Moby, Money Mark, The Muffs, The North Mississippi All Stars, Princess Superstar, Puffy AmiYumi, The Sadies, Nancy Sinatra, Solex, Solomon Burke, Speedball Baby, Rufus Thomas, UNKLE, Unloved, Andre Williams, and Bernie Worrell.

His production credits include: Cheater Slicks, Demolition Doll Rods, Experimental Tropic Blues Band, Perrosky, Mike Edison, Jesper Munk, Sunshine & The Rain, The Bobby Lees, and Samantha Fish & Jesse Dayton.

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Nancy Sinatra

Tape | 2020 | US | Reissue (Light In The Attic)

Release: 2020 / US – Reissue

Genre: Rock & Indie

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Kanonenfieber

Die Urkatastrophe

Release: 2024 / EU – Original

Genre: Rock & Indie

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Devoured By The Mouth Of Hell

Heriot

Release: 2024 / EU – Original

Genre: Rock & Indie

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2LP | 2004 | US | Reissue (Fire)

Bark Psychosis

Codename:Dustsucker

Release: 2004 / US – Reissue

Genre: Rock & Indie

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All Hell Blood Moon Vinyl Edition

Los Campensinos!

2LP | 2024 | UK | Original (Heart Swells)

34,99 €*

Blending White & Orange Smash Vinyl Editoin

Release: 2024 / UK – Original

Genre: Rock & Indie

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Los Campesinos! have become one of the most important and influential cult acts in the UK since they formed in the mid-2000s. Starting out in the Cardiff indie scene and soundtracking Budweiser adverts, the seven-piece’s musical evolution since then has been slow, steady and remarkable. From the frenzied chaos of debut album Hold On Now, Youngster… (2008) through 2010 breakthrough Romance is Boring and the self-mythologising of latter day highlights NO Blues (2013) and Sick Scenes (2017), their discography is an interconnected web of niche references, big swings and unflinching honesty.

Making self-professed sleeper hits for weeping dipshits, they’re as influenced by The Beautiful South as they are US emo, with emotional intensity and connection always at the core. Their lyrics are a treasure trove of football references, tales of romantic woe and painfully frank exorcisms, which have been tattooed across hundreds of fans’ bodies and served as comfort and insight during that break-up you had (there’s a reason the band’s tagline is “your ex-girlfriend’s favourite band”).

Now with the release of All Hell, Los Camp! approach their third decade as a band more brilliant, more potent and more vital than ever.

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High Vis

LP | 2022 | CZ | Reissue (Dais)

Release: 2022 / CZ – Reissue

Genre: Rock & Indie

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High Vis were formed in 2016 from the ashes of some of the UK's best hardcore bands. Gild-toothed frontman Graham Sayle's anguished lyrics about life in working class Britain were familiar to fans of Tremors' full-throttle thrash, but alongside his former bandmate Edward `Ski' Harper and veterans of Dirty Money, DiE and The Smear, High Vis sought to transform that energy and intensity into something entirely new.Like scene-mates Chubby and the Gang did by pulling in unlikely source material from classic doo-wop or Micromoon have by combining everything from psychedelia and metal into their high potency mix, High Vis' 2019 debut album, No Sense No Feeling showed the band were never going to be constrained by any sense of genre rules or regulations. Its claustrophobic rattle bore traces of Joy Division, Bauhaus, Crisis, The Cure and Gang Of Four lurking in the shadows. 2020's synth-driven EP, Society Exists, was further evidence of the band's restless creative MO.High Vis' second album Blending sees them open their viewfinder wider than ever before. Alongside longstanding favourites such as Fugazi and Echo and The Bunnymen; Ride and even Flock Of Seagulls were shared reference points as the band worked on the album together.From the anthemic sweep of opener "Talk For Hours", through the title track's psychedelic swirl and "Fever Dream"'s baggy groove, it sees High Vis' sound blossoming into something with an unlimited richness. The hazy drift of "Shame" or the melodic jangle of "Trauma Bonds" may take them until uncharted waters, but they still have all the power and bite that made No Sense No Feeling so remarkable.Lyrically, the album represents another leap forward too. Talking frankly about poverty, class politics, and the challenges of everyday life, Sayle's lyrics have always addressed the downtrodden and discarded communities across Britain slipping below the waterline. This time around, Sayle's lost not of that social consciousness, but he's looked at himself and his own emotional landscape, and in the process created something that feels more universal, that reaches a hand-out to people and ultimately gives a message of hope."To me, the lyrics are less selfish," reflects Sayle. "In the past, I couldn't see past whatever was going on with me. It's about accepting things and being open to conversations and learning to talk to people rather than just thinking that we're all doomed."The song "Talk for Hours" is a prime example of that. Born out of an afternoon meeting up with an old group of mates "repeating the same thing and not actually learning anything about each other" it offers to actually break the cycle and to listen and speak frankly about shared feelings and experiences. "Trauma Bonds", meanwhile, traces the broken lines of those living in lost communities, but ultimately realises that despite our shared scars, there's still hope to move on to a better future."The message of the album is you're not who you're told you are," Sayle summarises. "You're not your class background. Whatever it is, you're not that. Don't resign yourself to thinking you can't be this and you can't be that."It's a vitally important message right now, and one that could be the motto for not only Blending, but for High Vis themselves.

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Slope

Freak Dreams

Release: 2024 / EU – Original

Genre: Rock & Indie

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2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

Crosby, Stills & Nash

CSN Atlantic 75 Series

86,99 €*

10" | 2018 | EU | Reissue (Phantom)

Release: 2023 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-11-15

Analogue Productions (Atlantic 75 Series)

Celebrating the 75th Anniversary of Atlantic Records!

Fifth album from Crosby, Stills & Nash featuring "Just a Song Before I Go" and "Fair Game"

No. 2 on Billboard's Top Pop Albums chart

180-gram 45 RPM double LP

Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering

Pressed at Quality Record Pressings

Tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing

"CSN was the trio's last fully realized album, and also the last recording on which the three principals handled all the vocal parts without the sweetening of additional voices. It has held up remarkably well, both as a memento of its time and as a thoroughly enjoyable musical work." — AllMusic

Crosby, Stills & Nash was a folk rock supergroup made up of American singer-songwriters David Crosby, Stephen Stills, and English singer-songwriter Graham Nash. CSN's 1977 self-titled album is a return to the harmony-soaked idealism with which the trio had been catapulted to popularity; it reached No. 2 on the charts, behind Fleetwood Mac's megasuccessful Rumours.

AllMusic says the songs on CSN show a "great deal of lyrical maturity and compositional complexity compared to those earlier albums (from a far more innocent time). "Just a Song Before I Go" was the latest of Graham Nash's radio-friendly acoustic numbers, and a Top Ten single. "See the Changes" and "Dark Star" ranked with the best of Stephen Stills' work, while David Crosby contributed three classics from his distinctive oeuvre: "Shadow Captain," "Anything at All," and the beautiful "In My Dreams."And Nash's multi-part "Cathedral," a recollection of an acid trip taken in Winchester Cathedral on his 32nd birthday, became a staple of the group's live repertoire.

Ground-breaking music perfection deserves definitive sound and top-notch packaging. This reissue was mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering and cut at 45 RPM. Pressed on 180-gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing.

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Pisse / Perky Tits

Split Red Vinyl

13,99 €*

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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Live From Bakersfield Black Friday Record Store Day 2023 Vinyl Edition

The Doors

2LP | 2023 | CZ | Original (Elektra)

52,99 €*

Release: 2023 / CZ – Original

Genre: Rock & Indie

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Quantity: 7500
Release type: RSD Exclusive Release

Recorded June 5, 1970 • First official release • Includes the song “Someday Soon” that was only performed live • 2-lp set 1. Intro/Adolf Hitler (Poem) 2. Roadhouse Blues 3. Someday Soon/Harvest Moon 4. Mystery Train/Train Coming Round The Bend 5. Break On Through 6. Five To One 7. Backdoor Man/Willie Dixon 8. The End 9. When The Music’s Over

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LP | 2024 | EU | Original (RCA International)

Post Human: Nex Gen

Release: 2024 / EU – Original

Genre: Rock & Indie

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Friends Of Mine HHV Exclusive Yellow Vinyl Deluxe Edition

Adam Green

2LP | 2003 | EU | Reissue (Capitane)

33,99 €*

Artificial Paradise Double Lp Black Friday Record Store Day 2024 Edition

Release: 2003 / EU – Reissue

Genre: Rock & Indie

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HHV Exclusive edition limited to 500 copies.

On June 9th 2023 Capitane Records will re-issue the 20th Anniversary of Adam Green's Friends of Mine. For fans of Green and his band The Moldy Peaches, it may be hard to believe that it has been twenty years since those early days of the 2000s when the indie rock world was set ablaze by a new generation of artists, composers, and songwriters. Within what felt like only a few months, bands like The Strokes, The White Stripes, The Libertines, and The Moldy Peaches, provided indie music audiences with fresh iterations and interpretations of the rock and roll canon, with influences that included both standard-bearers like The Velvet Underground, Television, The Stones, The Doors, The Stooges, Leonard Cohen, The Modern Lovers, and Bob Dylan, and also more recent artists like Beck, Daniel Johnston, Nirvana, Sonic Youth, Will Oldham, Pavement, and The Silver Jews. The results varied between straight-up rock and roll and punk rock with a songwriting, folk-inspired, consciousness. Gone were the ripped-up jeans and flannels of yore. Tight trousers and leather jackets ruled the day.

It was on the heels of the success of his band The Moldy Peaches (who signed along with The Strokes to Rough Trade Records in 2001 and subsequently toured alongside them) that Adam Green wrote and recorded Friends of Mine, the seminal album that would define a new direction in his career. Diverging from the home-recorded, 8 track-analog framework of his previous albums, Green adopted what then seemed like a distinctly hi-fidelity sound, complete with a full band, crooning vocals, and a string section (with arraignments by Jane Scarpentoni). Friends of Mine drew on the work of Serge Gainsbourg, Scott Walker, and Frank Sinatra, while its lyrical content felt as if derived from symbolist poetry and the surrealism of Brecht and Dylan. The result was something altogether new, a record that could feel both touchingly sad but also sardonic, satirical, louche, and even laugh-out-loud funny. Songs like "Jessica" would become anthems to a new generation of young indie rock fans both in the United States and Europe.

Capitane is proud to release Friends of Mine as a double LP, with a second disc of outtakes, B-sides, and live versions. This deluxe edition features notes on the songs by Green, a text which provides new insights into his often cryptic lyrical methodology, along with anecdotes from the days when these songs were composed. Also featured is a conversation between Green and Dan Myers (producer), Steven Mertens (bass player), Matt Ramono (drummer) and Larissa Brown White (Adam's manager at the time). The five old friends do a deep dive into the production of Friends of Mine, as reflect more broadly on that bygone era. The 2023 edition of Friends of Mine is a testament to an artist and an album that stand the test of time.

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OneRepublic

2LP | 2024 | Reissue (Mosley Music Group/Interscope)

53,99 €*

Don't Break The Oath Ruby Red Vinyl Edition

Release: 2024 / Reissue

Genre: Rock & Indie

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Coming Soon 2024-11-29, 12:00 CET

RSD Exclusive, Limitation: 1500

Special two-disc RSD Black Friday variant of the sixth studio album from GRAMMY-nominated OneRepublic with special Gold & Pure Cloudy vinyl LPs, featuring eight new acoustic versions never-before-pressed to vinyl.
OneRepublic is comprised of singer/songwriter and lead vocalist Ryan Tedder, guitarists Zach Filkins and Drew Brown, Brian Willett on keys, bassist and cellist Brent Kutzle, and drummer Eddie Fisher. The album features breakout platinum single, "I Ain't Worried," which was synced to Tom Cruise's Top Gun: Maverick, breaking single "I Don't Wanna Wait (w/ David Guetta)," and much-loved hits "West Coast," "Sunshine," and more. Frontman Ryan Tedder is a 3x GRAMMY-winner for his songwriting work with Adele and Taylor Swift. He has also had huge, global hits for The Jonas Brothers, Ed Sheeran, Tate McRae, Miley Cyrus, 5SOS, OneDirection, John Mayer, Maroon 5 and more.

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Mercyful Fate

LP | 2024 | EU | Original (Sony Music/Metal Blade)

Release: 2024 / EU – Original

Genre: Rock & Indie

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2001 Picture Disc Edition

LP | 2024 | EU | Original (Laser Media)

32,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-22

LP | 2023 | EU | Original (Bayonet)

Yeule

Serotonin Ii

LP | 2023 | EU | Original (Third Man)

Release: 2023 / EU – Original

Genre: Rock & Indie

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yeule is the manifested reflection of Nat Cmiel. An ongoing project since 2012, yeule's music is as ethereal as it dynamic, reflective of her nomadic upbringing. Though she grew up and attended school in Singapore for most of her life, her family traveled often, developing emotional connections with places far from home that left her searching, unmoored, putting forth a creation that is in constant metamorphosis.Obsessed with tinkering and discovery, she began by building her own synths. There is a complex, intuitive, and deeply personal nature to yeule's music making. With a launchpad, keyboard, and microphone, she morphs her original cinematic classical compositions into harsh and glittery electronica. Her first full length, Serotonin II, is the fully realized result of this process, resonating with her "mutable self-expression." She describes this as "the stifling psychological haze turned into perfume." Death, rebirth, and most mysteriously, the places in between the two hard realities are explored in depth.Visually, yeule's world is dreamy and breaches into the unreal, with the name yeule initially being inspired by Final Fantasy XIII-2, where a character dies in a thousand timelines because of a break in the fabric of time itself. She is born again eternally, and always meets the samefate. In this way the artist relates when she feels herself destroying the older parts of herself, reinventing, born again from memories both real and fabricated. In her own words, "When I came up with the yeule project, she acted as a vessel for me to archive important points in my life. Each song released in its respective era reflects that part of myself, that's most probably gone by the time you read this." yeule is forever trying to chip away at her own identity so that she might absorb something different, foreign, the unknown force to which she is drawn.-"It's difficult for my mind to stay in one place. I can go back to revisit the person I was in my dreams. I see them as multiple people. Sometimes the...

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Gina Birch

I Play My Bass Loud

Release: 2023 / EU – Original

Genre: Rock & Indie

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2LP | 2022 | EU | Original (Efficient Space)

Ghost Riders

Nancy Sinatra & Lee Hazlewood

Release: 2022 / EU – Original

Genre: Rock & Indie

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A North American road trip of coming of age garage soul mapped by Ivan Liechti, Ghost Riders is Efficient Space’s latest narrative compilation, hovering in a liminal emotional ravine between moonlight melancholy, teenage heartache and unchecked, unrealised ambition. Across 17 open hearted ballads recorded 1965-1974, the 2LP collects and connects dots between British Invasion fanatics, child prodigies, the loners and the luckless, in a kind of trans-continental survey of those swept up in rock’n’roll mania and buoyed by local newspaper ads promising fame and gold records.

From the tangerine dreams of 8th grade all-girl combo The Mod 4 to the tri-state jukebox aspiring echoes of The Tempters, The Yardleys' poetic Farfisa vamp and lilting folk pop, and The Landlords’ weepy break up b-side blues, these are mostly one shots by dreamers whose experience was brief before being checked back to the reality of suburban normality and realistic career options. Hailing from the regional backwaters of Illinois, Arkansas, Nevada, Massachusetts, Ohio, Idaho, Texas and beyond, the licensed artists were scouted by way of local fire departments, spiritualist fellowships and animal welfare centres, often barely a stones throw from where their contributions were originally laid.

A barely teenage Dennis Harte's ‘Summer’s Over’ perhaps best taps the collection’s essence. A gut-wrenching lament of the passing of the season as if it was the last on earth. Flanked by players from The Left Banke, Harte, a now-piano tuner to the stars, is from the minor segment that found longevity in showbiz. Likewise with Michigan icon Lyn Nowicki who cast her ghostly voice over Beatles cover song chameleons The Common People and Jerry McGee, The Ventures member and conduit of Dr. John’s ‘Twilight Zone’.

Ghost Riders simmers with the scent of youthful summers, the pang of schoolyard romance, and the excitement (and disenchantment) of teenage naïveté, delivered via a deceptively simple and frequently wonky garage band set up. The vision of record collector and graphic designer Ivan Liechti, these eternal psych-folk howlers are further crystallised by Colin Young’s fastidious audio restoration, the original artwork of Elise Gagnebin-de Bons and an aptly penned forward from Sonic Boom.

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Nancy & Lee

Tape | 1968 | US | Reissue (Light In The Attic)

...And I Return To Nothingness-Ep

Release: 1968 / US – Reissue

Genre: Rock & Indie

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First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

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Lorna Shore

2LP | 2021 | EU | Reissue (Century Media)

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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Damage And Joy Clear Vinyl Deluxe Edition

The Jesus And Mary Chain

2LP | 2017 | UK | Reissue (Fuzz Club)

34,99 €*

LP | 2022 | EU | Original (Century Media)

Release: 2017 / UK – Reissue

Genre: Rock & Indie

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Originally released in 2017 on the band's own label Artificial Plastic and now being reissued by Fuzz Club Records, 'Damage And Joy' is the seventh studio album from Scottish alt-rock legends The Jesus and Mary Chain. The long-awaited follow-up to 1998's 'Munki', 'Damage And Joy' was the band's first studio album in nearly two decades and contained brand new material alongside reimagined versions of songs that had been released in various forms by the Reid brothers in between the Mary Chain's 1999 break-up and 2007 reunion. Co-produced by Youth (Killing Joke) and featuring the lead singles 'Amputation' and 'All Things Pass', 'Damage & Joy' also featured guest appearances from Scottish singer-songwriter Isobel Campbell ('The Two of Us', 'Song For A Secret') and American alt-pop star Sky Ferreira ('Black And Blues'). 'Damage And Joy' is now being given a deluxe, expanded vinyl reissue. The double LP is reissued on both black and coloured 180g vinyl with remastered audio by Pete Maher (U2, The Rolling Stones, Jack White, Liam Gallagher), a heavy tip-on-printed gatefold sleeve, printed inner-sleeves and a 16-page booklet, plus bonus tracks and an alternative track-order. Included in this reissue and available on vinyl for the very first time is 'Ono Yoko' (originally only available on the Japanese CD version of the album), as well as alternative versions of 'The Two Of Us' featuring Sky Ferreira and 'Black And Blues' featuring Isobel Campbell.

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Arch Enemy

Deceivers

Release: 2022 / EU – Original

Genre: Rock & Indie

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The Abtomatic Miesterzinger Mambo Chic Colored Vinyl Edition

Charlie Megira

LP | 2022 | US | Original (Numero Group)

Knebworth 1996 Digipak DVD Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Tri-Color-Vinyl.The bastard love child of Elvis and Lux Interior, Israeli guitarist Charlie Megira brewed a heady amalgam of '50s trash rock, surf-y tremolo, and reverb-drenched goth during his all-too-brief 44 trips around the sun. He recorded seven albums worth of material in 15 years, primarily issued on CD-R, most of which is now unreadable or in a landfill. Armed with only an Eko guitar, a black tuxedo, and his signature wrap-around shades, Charlie Megira was a mold-breaking artist who disintegrated while we were all staring at our phones.On his 2000 debut, Da Abtomatic Meisterzinger Mambo Chic, Megira channels the optimism of post-war America, narcoleptic surf, and the Twin Peaks soundtrack into a lo-fi masterpiece all his own. Sung in both Hebrew and English, Mambo Chic moves at a deliberate pace, unconcerned by the traffic of the modern world and wrapped in a blanket of Tascam 4-track hiss. On "Tomorrow's Gone" Megira achieves the feat of being so far back in time that he's somehow living in the future and waiting for the rest of us to arrive.

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Oasis

3DVD | 2021 | EU | Original (Big Brother)

20,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | EU | Reissue (Century Media)

Starspawn

Release: EU – Reissue

Genre: Rock & Indie

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LP+CD | 2021 | EU | Original (Century Media)

The Pretty Reckless

Death By Rock And Roll

Release: 2021 / EU – Original

Genre: Rock & Indie

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Arrogance Is The Death Of Men

Skinshape

LP | 2020 | US | Original (Lewis Productions)

22,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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Second Album In Less Than A Year From The Prolific William Dorey. Includes The Singles 'Another Day, 'Behind The Sun' And 'Losing My Mind'. Cd Packaging Is Gatefold With Choice Of 5 Inserts To 'Choose Your Own Cover'. Building On The Success Of 2018's 'Filoxiny' (Listed As One Of Q Magazine's '354 Albums To Blow Your Mind') And This Year's 'Umoja' ("A Pleasure To Listen To From Start To Finish" - Songlines Magazine) - Both Of Whose Singles Have Peppered The Playlists Of Bbc 6 Music And Have Lead To His Helming Of A Bandcamp Takeover - Skinshape Returns With The Witheringly, Prophetically Titled 'Arrogance Is The Death Of Men'. Written And Recorded Between November 2019 And July 2020, Skinshape Bids To Recreate Something Akin To The 'Old Style' Of 'Oracolo' (2015) And 'Life & Love' (2017). With 'Arrogance_', Will Dorey's Blueprint Points To A Simple Formula, Aligning A Bank Of Fresh Drum Breaks Recorded At The End Of 2019 To Whatever He Had To Hand, For A Long Player Recorded In The Majority At Home Due To The Covid-19 Lockdown. Forever Balanced Between Sweetness And A Sigh, As Per His Position 'Behind The Sun', The Skinshape Essence, Intricate Yet Always Reachable, At Times Tailored In A Single Session And Sourcing Archive Bric-A-Brac When Required, Is All Around On The Sweetly Strummed 'Tomorrow' And 'The Eastern Connection', Featuring Ivan Kormanak On Drums. Maintaining An Incisive Knowledge Of Global Sounds That Keeps Him In The Filmic Company Of Khruangbin And El Michels Affair, Dorey's Listening To Vintage Vietnamese Music And Asian Film Scores Provides The Basis Of 'Sound Of Your Voice' And 'Flight Of The Erhu', Starring Wan Pinchu On Erhu Violin. Acutely Aware Of The World's Ongoing Health Crisis Without Preaching About The Whys And Wherefores, The Title Track And 'Losing My Mind' Reflect Enforced Confinement As Tranquil Songs Of Both Quiet Consideration Yet Powerful Release. Dorey's Guitar Pieces And Wraith-Like Soul Continue To Flicker With Fascination As Indian Summers And Fireside Retre...

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Post Human: Survival Horror

LP | 2020 | EU | Original (RCA)

Release: 2020 / EU – Original

Genre: Rock & Indie

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2LP | 2002 | EU | Reissue (Krúnk)

Sigur Ros

()

Release: 2002 / EU – Reissue

Genre: Rock & Indie

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( ) - Sigur Rós’s celebrated third album, and for many people - especially in US where it remains their biggest selling work - the most quintessentially “Sigur Rós” record of their career to date. It is the only album where Jónsi sings entirely in the wordless lyrics of Hopelandic. A desire to elide meaning and allow the listener to bring their own interpretation to the music, extends to the eight songs, all of which are nameless. The music is broadly divided into two halves, divided by a critical 36 seconds of silence. The first half of the album being lighter and more optimistic, and the second half bleaker and more melancholic, culminating in the thundering climax of Untitled #8, the closing song of every Sigur Rós show since the song was written in 2000.

( ) was recorded at the band’s own studio Sundlaugin, in Mosfellsbær outside Reykjavik, in 2002, co-produced by the band with Ken Thomas, who also helmed their break through second album, Agætis Byrjun. Completely out of print, the vinyl album now comes in its full Grammy-nominated artwork, including die-cut sleeve and spot UV varnish inner bags.

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2LP | 2019 | US | Original (Sony)

Amo

Release: 2019 / US – Original

Genre: Rock & Indie

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LP | 2018 | US | Original (Sub Pop)

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Double Negative