Search "Brenk Sinatra Morlock Dilemma" 1422 Items

12" | 1986 | DE | Original (Schauspiel Staatstheater Stuttgart)

Release: 2021 / UK – Original

Genre: Rock & Indie

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This year marks 25 years since Oasis’ two iconic record breaking live concerts at Knebworth Park in Hertfordshire on the 10th and 11th August 1996. The shows were both the pinnacle of the band’s success and a landmark gathering for a generation of young people. Released alongside the cinema debut of the feature length documentary film of the event, ‘Oasis Knebworth 1996’ is the definitive live recording featuring a setlist packed with stone cold classics album taken from across both nights of the concert, from the opening salvoes of ‘Columbia’ and ‘Acquiesce’, to ‘Champagne Supernova’, ‘Don’t Look Back In Anger’, ‘Live Forever’, an orchestra backed ‘I Am The Walrus’, and ‘Wonderwall’ the first song from the 1990’s to reach over one billion streams on Spotify and universally loved anthem. The DVD and Blu-ray formats feature ‘Oasis Knebworth 1996’ - the eagerly anticipated feature length documentary telling the story of the special relationship between Oasis and their fans that made the largest concert of the ‘90’s possible, directed by Grammy Awardwinner Jake Scott. It is told entirely in the moment through the eyes of the fans who were there, built around extensive and never before seen archive concert and backstage footage from the event, with additional interviews with the band and concert organisers. Both formats also include the full concerts from both nights edited by Dick Carruthers with audio mixed by Will Shapland in Dolby 5.1 surround sound.

This set contains: 3LP, 2CD, 2xMC / Cassette Tapes, 3DVD

Super Deluxe Box Set including Triple LP on Heavyweight Vinyl (Cat. No. RKIDLP98), Double CD (Cat. No. RKIDCD98), Yellow Cassette (Cat. No. RKIDMC98-1), Red Cassette (Cat. No. RKIDMC98-2), Triple DVD (Cat. No. RKIDDVD98) containing documentary plus Saturday and Sunday night concerts in full, replica of numbered concert ticket for Saturday 10th August at Knebworth, replica of AAA pass for Loch Lomond, Knebworth & Cork plus lanyard holder, replica of Knebworth concert info booklet, Knebworth Park site map art print and event binoculars gifted to VIP guests at the show. All housed in a black case with silver logos.

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Glenn Branca

Edmond

119,99 €*

Swagger (20th Anniversary Box Set)

Release: 1986 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl with a couple of small light scuffs. cct VG+

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Flogging Molly

3LP+DVD | 2000 | Reissue (Side One Dummy)

118,99 €*

Release: 2000 / Reissue

Genre: Rock & Indie

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20th Anniversary Box Set Release Of `Swagger,' The Debut Album By Flogging Molly, Produced By Steve Albini And Originally Released In 2000. The Original Release Has Sold Over 750k Copies Worldwide.The 20th Anniversary Box Set Includes:- 2lp 'Swagger', Remixed And Remastered, In Double Gatefold Sleeve- Lp `Live At The Bluebird'- `Swagger Live 2000' Dvd- `Swagger' Button Set- Flogging Molly Patch- Flogging Molly Slipmat//20 Years Ago, Swagger Impacted The Punk And Rock Music Worlds As An Utterly Unique Statement From An Undeniably Incredible Group Of Musicians, Who To That Point Had Been Honing The Songs In Increasingly Packed Bars Until All Were Razor Sharp. Swagger Would Go On To Serve As The Blueprint For An Entire Style Of Modern Punk Rock, Melding Classic Punk With Celtic Roots And Instrumentation.The Remixed And Remastered Version Of The Album Features A Bonus Version Of "Sentimental Johnny" En Español As "Juan El Sentimental," A Bonus Lp Featuring Three Live Songs Recorded In 2001 At Denver's Famed Bluebird Theatre Plus A Traditional Irish Set (Recorded With Steve Albini In "One Take With No Overdubs"), A Never-Before-Seen Dvd Documentary From 2000 Including A Full Live Performance, An Expanded Lyric Booklet Featuring Photos From The Band's Personal Collection, Flogging Molly Logo Vinyl Slip Mat, Embroidered Patch And Four Badge Swagger Button Pack."Never In Our Wildest Dreams Did We Ever Imagine That Twenty Years On, We Would Be Celebrating The Release Of Our Firststudio Album, `Swagger'. Yet Here We Are, A Little Older, Maybe None The Wiser, But Very Grateful For What Has Been An Amazingexperience.More Than Twenty Years Ago We Set Sail For Chicago, The Home Of Electrical Audio And The Wonderful Steve Albini. With Afistful Of Songs, From `Salty Dog' To `Far Away Boys', We Plugged In And Belted Out Everything We Had And Made Sure Thatno Song Was Left Behind. Little Did We Know That `Swagger' Would Become The Breaking Ground, And The Sound, Of Floggingmolly...

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| 2013 | US | Reissue (Warner)

Hybrid Theory

99,99 €*

Release: 2013 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Reissue for Record Store Day 2013. Limited to 3000 copies worldwide. With 10" and hype stickers. Copy closer to NM

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LP+LP+All Media | 2020 | DE | Original (Century Media)

89,99 €*

Hidden History Of The Human Race

Release: 2020 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Silver vinyl. Copy n° 272 / 300. Etched vinyl. Still in shrink, but opened, with hype sticker

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Blood Incantation

LP+CD+All Media | 2019 | EU | Original (Century Media)

89,99 €*

Buffalo Springfield Again Atlantic 75 Series

Release: 2019 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

CD is missing.

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Buffalo Springfield

2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

86,99 €*

2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

Release: 2023 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-11-15

Analogue Productions (Atlantic 75 Series)

Celebrating the 75th Anniversary of Atlantic Records!

Buffalo Springfield's second album

Featuring "Bluebird," "Rock & Roll Woman" and "Expecting to Fly"

180-gram 45 RPM double LP

Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering

Pressed at Quality Record Pressings

Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing

Due in part to personnel problems which saw Bruce Palmer and Neil Young in and out of the group, Buffalo Springfield's second album did not have as unified an approach as their debut, writes AllMusic.

Still, the group continued to make major strides in both their songwriting and arranging, and this record stands as the band's greatest triumph, peaking at No. 44 on the Billboard Top LPs chart. As of 2012 the album was No. 188 on Rolling Stone's list of the 500 Greatest Albums of All Time.

Stephen Stills' "Bluebird" and "Rock & Roll Woman" were masterful folk-rockers that should have been big hits (although they did manage to become small ones); his lesser-known contributions "Hung Upside Down" and the jazz-flavored "Everydays" were also first-rate. Young contributed the Rolling Stones-derived "Mr. Soul," as well as the brilliant "Expecting to Fly" and "Broken Arrow," both of which employed lush psychedelic textures and brooding, surrealistic lyrics that stretched rock conventions to their breaking point.

Richie Furay (who had not written any of the songs on the debut) takes tentative songwriting steps with three compositions, although only "A Child's Claim to Fame," with its memorable dobro hooks by James Burton, meets the standards of the material by Stills and Young; the cut also anticipates the country-rock direction of Furay's post-Springfield band, Poco.

Analogue Production's reissue skill makes this record sound killer. Mastered from the original tape by Chris Bellman at Bernie Grundman Mastering. Double LP cut at 45 RPM, pressed on 180-gram vinyl at Quality Record Pressings, and housed in a Stoughton Printing tip-on old style gatefold jacket. That's how you upgrade a classic.

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Crosby, Stills & Nash

CSN Atlantic 75 Series

86,99 €*

3LP | 2025 | EU | Original (Century Media)

Release: 2023 / US – Reissue

Genre: Rock & Indie

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Analogue Productions (Atlantic 75 Series)

Celebrating the 75th Anniversary of Atlantic Records!

Fifth album from Crosby, Stills & Nash featuring "Just a Song Before I Go" and "Fair Game"

No. 2 on Billboard's Top Pop Albums chart

180-gram 45 RPM double LP

Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering

Pressed at Quality Record Pressings

Tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing

"CSN was the trio's last fully realized album, and also the last recording on which the three principals handled all the vocal parts without the sweetening of additional voices. It has held up remarkably well, both as a memento of its time and as a thoroughly enjoyable musical work." — AllMusic

Crosby, Stills & Nash was a folk rock supergroup made up of American singer-songwriters David Crosby, Stephen Stills, and English singer-songwriter Graham Nash. CSN's 1977 self-titled album is a return to the harmony-soaked idealism with which the trio had been catapulted to popularity; it reached No. 2 on the charts, behind Fleetwood Mac's megasuccessful Rumours.

AllMusic says the songs on CSN show a "great deal of lyrical maturity and compositional complexity compared to those earlier albums (from a far more innocent time). "Just a Song Before I Go" was the latest of Graham Nash's radio-friendly acoustic numbers, and a Top Ten single. "See the Changes" and "Dark Star" ranked with the best of Stephen Stills' work, while David Crosby contributed three classics from his distinctive oeuvre: "Shadow Captain," "Anything at All," and the beautiful "In My Dreams."And Nash's multi-part "Cathedral," a recollection of an acid trip taken in Winchester Cathedral on his 32nd birthday, became a staple of the group's live repertoire.

Ground-breaking music perfection deserves definitive sound and top-notch packaging. This reissue was mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering and cut at 45 RPM. Pressed on 180-gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing.

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Arch Enemy

Blood Dynasty

86,99 €*

Release: 2025 / EU – Original

Genre: Rock & Indie

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LP+LP+All Media | 2020 | DE | Original (Century Media)

84,99 €*

LP | 2024 | US | Original (Warner)

Release: 2020 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Silver, etched vinyl is closer to NM. Beautiful copy, cover is also closer to NM. Not numbered.

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Tim Finn

Escapade

83,99 €*

Mermaid Avenue (The Complete Sessions)

Release: 2024 / US – Original

Genre: Rock & Indie

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Vinyl LP pressing. Digitally remastered edition of the 1983 solo debut album from Split Enz vocalist Tim Finn. Recorded and released when the Enz went on a short break after the success of their 1982 album Time & Tide, Escapade was filled with straightforward Pop songs that didn't quite fit into Split Enz's quirky oeuvre. The album was a huge hit in New Zealand and Australia. Escapade won the Best Australian Album award at the Countdown Australian Music Awards.

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Billy Bragg & Wilco

| 2012 | EU | Reissue (Nonesuch)

74,99 €*

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2024 | US | Original (Warner)

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Thelma Plum

Better In Blak

73,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-08

I'm Sorry Now Say It Back

Thelma Plum

LP | 2024 | AU | Original (Warner Australia)

73,99 €*

Release: 2024 / AU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-01

Shotgun Willie Atlantic 75 Series

Willie Nelson

2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

69,99 €*

2LP | 1992 | US | Reissue (Analogue Productions)

Release: 2023 / US – Reissue

Genre: Rock & Indie

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180g 2LP 45rpm Gatefold Sleeve

Analogue Productions (Atlantic 75 Series)
Celebrating the 75th Anniversary of Atlantic Records!
Willie Nelson's breakthrough solo album!
180-gram 45 RPM double LP
Pressed at Quality Record Pressings
Tip-on old style gatefold double pocket jacket by Stoughton Printing

Before Shotgun Willie, Willie Nelson had struggled to gain widespread recognition as a solo artist, despite having written many successful songs for other artists. Nelson's big break came when he signed with Atlantic Records in 1973. The pivotal moment in his career came after Atlantic Records executive Jerry Wexler, known for his work with artists like Ray Charles and Aretha Franklin, took an interest in Nelson's music. Wexler saw potential in Nelson's unique approach to country music and signed him to the label. With the creative freedom offered by Atlantic Records, Nelson was able to record Shotgun Willie with the artistic freedom he had long desired. The album's unconventional sound and honest lyrics resonated with both critics and fans.

Shotgun Willie marked a new beginning for Willie Nelson's career, and it set the stage for his subsequent albums and his emergence as one of the most influential and iconic figures in the history of country music. The recording was one of the first albums of outlaw country — a new subgenre of country music and an alternative to the conservative restrictions of the Nashville sound, the dominant style in the genre at the time

The album — the first to feature Nelson with long hair and a beard on the cover — gained him the interest of younger audiences. It peaked at No. 41 on Billboard's Top Country Albums and the songs "Shotgun Willie" and "Stay All Night (Stay A Little Longer)" peaked at Nos. 60 and 22 on Hot Country Songs respectively.

We are so pleased to bring you this deluxe 180-gram 45 RPM 2LP Analogue Productions (Atlantic 75 Series) reissue of the timeless Willie Nelson classic, Shotgun Willie. Cue it up and prepare to be transported!

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Janis Ian

Breaking Silence

69,99 €*

Release: 1992 / US – Reissue

Genre: Rock & Indie

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Hidden History Of The Human Race

Blood Incantation

LP+CD+All Media | 2019 | EU | Original (Century Media)

69,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP+CD+All Media | 2020 | SE | Original (Century Media)

Lucifer

Lucifer III

64,99 €*

Release: 2020 / SE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

White vinyl. Still in shrink, but opened, with hype sticker. With bonus CD. Without card with autographs

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2LP | 2021 | US | Reissue (Warner)

Meteora

64,99 €*

Release: 2021 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: VG+

Cover with bumped corner

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Papercuts Bone Colored Vinyl Edition

2LP | 2024 | EU | Original (Warner)

61,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Better Oblivion Community Center

LP | 2019 | US | Original (Dead Oceans)

60,99 €*

Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition

Release: 2019 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Orange vinyl. Still in shrink but opened with hype sticker. Tiny wear. Limited edition.

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V.A.

2LP | 2024 | US | Original (Light In The Attic)

58,99 €*

Keep Walkin': Singles, Demos & Rarities 1965-1978 Blue Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”

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Nancy Sinatra

2LP | 2023 | US | Original (Light In The Attic)

57,99 €*

Two Way Monologue 20th Anniversary White Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Definitive collection of Nancy's rare singles, demos and previously unreleased cuts. Includes 3 previously unreleased tracks, plus 3 tracks making their vinyl debut. Deep booklet includes new Q&As with Nancy & Don Randi (The Wrecking Crew) - both conducted by Grammy®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive. Features audio freshly remastered from the original analog tapes by Grammy®-nominated engineer John Baldwin. Vinyl pressed at RTI. Double LP housed in a gatefold jacket with 24-page book Light in the Attic continues to celebrate the influential career of singer, actress, activist, and icon *Nancy Sinatra* with a captivating new collection, Keep Walkin’: Singles, Demos & Rarities 1965-1978. Exploring the lesser-known gems from Sinatra’s rich catalog through 25 B-sides, rare singles, covers, demos, and previously-unreleased recordings, Keep Walkin’ was remastered by the *Grammy®-nominated engineer John Baldwin* and available in a variety of formats, including vinyl, CD, 8-track, and digital. The 2LP set, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and accompanied by a 24-page booklet featuring an array of photos from the artist’s personal collection, as well as a new in-depth Q&A with Sinatra, conducted by the reissue’s Grammy®-nominated co-producer, Hunter Lea. The booklet also contains a fascinating interview with keyboardist Don Randi (The Wrecking Crew), who recently spoke to Lea about his hit-filled career and his 50 years of work with Nancy. Keep Walkin’: Singles, Demos & Rarities 1965-1978 serves as a companion to the widely-acclaimed 2021 career-spanning retrospective, Start Walkin’ 1965-1976, and marks the latest release in LITA’s ongoing Nancy Sinatra Archival Series, a partnership with the legendary artist, which honors her musical legacy through lovingly curated reissues (including her 1966 debut, Boots and the 1968 classic, Nancy & Lee), limited-edition merch, and other special releases. In 1965, 25-year-old Nancy Sinatra scored her first No.1 hit with “These Boots are Made for Walkin’,” a bold anthem for female empowerment. Brazen, sassy, and utterly infectious, it was a reintroduction of sorts for the eldest daughter of Frank Sinatra, who had been struggling to find a spotlight of her own amid a changing musical landscape. Suddenly, audiences who had initially brushed off Sinatra as too demure or out-of-touch were paying attention. Written and produced by Oklahoma-born songsmith Lee Hazlewood (with swaggering instrumentals, courtesy of Billy Strange and The Wrecking Crew), the song launched the singer’s career, as well as one of music’s most unlikely, yet compelling, creative partnerships. Over the next decade, Sinatra continued to notch multiple hits on both sides of the Atlantic, including “Sugar Town,” “How Does That Grab You, Darlin?,” and a haunting rendition of the Sonny Bono-penned “Bang Bang (My Baby Shot Me Down).” The singer also paired up with Hazlewood for a series of popular duets (“Summer Wine,” “Jackson,”* and *“Some Velvet Morning”) and collaborative albums. In between best-selling LPs like Boots (1966), How Does That Grab You (1966), and Nancy & Lee (1968), Sinatra performed the theme song to the 1967 James Bond film, You Only Live Twice, and collaborated with her father on the global chart-topper, “Somethin’ Stupid.” While these career landmarks are well-documented in the annals of pop culture history, however, much of Sinatra’s catalog remains sorely overlooked. As Keep Walkin’ co-producer Hunter Lea explains, “With the changing taste of the record-buying public in the late 1960s and the counterculture taking over, artists like Nancy Sinatra weren’t in the mainstream as they once were.” Despite that fact, “[Sinatra] kept working, recording, and performing at a voracious pace.” Lea continues, “This compilation is a celebration of some of the many glorious recordings that may have been overlooked, forgotten, or never even released at the time. The obscurity of some of these recordings doesn’t mask the genius, brilliance, and effort that went into them; on the contrary, it’s incredible to learn that some of the lost gems are just as rich as the national treasures.” Among the highlights is the spritely opener “The City Never Sleeps at Night,” which served as the B-Side to “These Boots Were Made for Walkin’.” Overshadowed by the colossal success of its A-side, it’s no surprise that the cinematic tune never had its proper due. Yet, Lea reveals, Hazlewood initially intended to make it the focus single. Another long-lost B-side is “The Last of the Secret Agents?,” which was paired with the Top 10 hit, “How Does That Grab You, Darlin’?” The playful song, written by Hazlewood, served as the theme to the 1966 comedy of the same name, in which Sinatra co-starred alongside Marty Allen and Steve Rossi. Keep Walkin’ also features several choice A-sides that were never included on albums and were overlooked for one reason or another. Among them is 1966’s “In Our Time,” a rebellious anthem for ‘60s youth, which references drug culture and women’s liberation, among other topics. Speaking to the Hazlewood-penned track, Sinatra recalls, “That was a fun song. Lee was starting to do his ‘anti’ stuff. He was cynical and it showed in his writing at some point.” But, despite the themes of the song, Nancy laments that she was never embraced by the counterculture. “[drugs] knocked me out of the picture completely. I was so far removed from the hip people in those days. I think they probably made fun of my stuff.” Another stylistic departure for both artists is “Love Eyes,” a bluesy, soulful single from 1966. The song, Nancy shares, is “one of my favorites. I think what helped Lee’s writing at that point was the bigger sound.… I really love it. I think it holds up to this day.” She adds that her dreamy vocal performance was inspired by early female R&B stars like Ruth Brown and LaVern Baker. The collection also features several outstanding covers, including a previously-unreleased rendition of the Barry Mann/Cynthia Weil classic, “I Just Can’t Help Believing” (a hit for both B.J. Thomas and Elvis Presley). This 1978 recording, reimagined as a duet, marked one of Sinatra’s brief reunions with Hazlewood, following his abrupt move to Sweden not long after 1972’s Nancy & Lee Again. Another choice track finds Nancy interpreting Neil Diamond’s “Glory Road.” Released as a single in 1971, it features one of the singer’s most cherished vocal performances. “After I worked on my voice and improved as a performer and as a singer, I embraced Neil Diamond. Anything I did by Neil Diamond, to me, is my best work.” Nancy also looks back fondly on her moving rendition of Bill Withers’ “Ain’t No Sunshine," released in 1973 as the B-side to “Sugar Me.” The recording (which features particularly lush orchestral arrangements by Billy Strange) reunited Nancy with another close collaborator, Jimmy Bowen, who produced the singer in the early ‘60s and later introduced her to Hazlewood. “I love Jimmy,” she declares. “The records we did early on…had a depth to them that I appreciated. He heard me and saw me in a different light; he saw me as a much more serious performer, which I appreciated.” Listeners will also be delighted to hear a pair of previously-unreleased demos: “Something Pretty” (the 1968 country hit, made famous by Wynn Stewart) and the theme to the 1965 Richard Rogers/Stephen Sondheim musical, Do I Hear a Waltz?, both of which were intended for a self-described “disco” record. Despite the two catchy takes featured on Keep Walkin’, Sinatra calls the shelved album “A disaster. I called it the disco fiasco!” Offering additional insight into Sinatra’s career is music director, songwriter, and keyboardist, Don Randi. A member of the hallowed *Wrecking Crew* collective, Randi was one of the most prolific session musicians of the ‘60s and ‘70s with hundreds of credits to his name, including The Beach Boys’ “Good Vibrations,” Linda Ronstadt’s “Different Drum,” and “These Boots are Made For Walkin’” – his first recording with Sinatra. For the next fifty years, he would be a fixture at her sessions and live shows. He also appears on nearly every track in this collection. Speaking to Lea, Randi delves deep into his time with Sinatra, with a palpable admiration for the singer. *“She was easy to work with,”* he shares. “She was always wonderful to musicians; nobody even comes close.” The keyboardist, who met Sinatra through Hazlewood, also recalls the magic of that partnership. “I always liked working with Nancy & Lee. They had something very special that they could get out of each other. It was a good team.” He continues, “Sinatra stood up for herself [around Lee]…He could be so cantankerous…but that’s Lee…. [Nancy] saw through it. She was so lovely and helpful to him a number of times when he really needed someone to talk to.” That said, Randi also appreciates the power of Sinatra’s solo performances. “I never thought she really needed [Hazlewood},”* he reveals. “I thought her shows were just as well with everybody else; they were excellent.” After stepping back from the industry in the ‘70s to focus on her young family, Sinatra returned to the spotlight in the mid-90s, releasing a string of new albums, including the star-studded Nancy Sinatra, which paired the artist with some of her biggest fans, including Morrissey, U2, Calexico, and Sonic Youth. Since then, Nancy’s legacy has only continued to grow. In more recent years, her impact has been recognized by the likes of Pitchfork, NPR, and Rolling Stone, while in 2020, “Boots” was inducted into the Grammy® Hall of Fame*. Today, Sinatra remains a force in the industry, as new generations discover her influential catalog, which boasts nearly 20 studio albums and dozens of charting singles.

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Sondre Lerche

LP | 2024 | EU | Original (Sondre Lerche Llc)

57,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP+CD+All Media | 2020 | DE | Original (Century Media)

Skeletal Remains

The Entombment Of Chaos

56,99 €*

Even The Forest Hums: Ukrainian Sonic Archives 1971-1996

Release: 2020 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Yellow Neon vinyl. Still in shrink, but opened, with hype sticker. With bonus CD

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V.A.

2LP | 2024 | US | Original (Light In The Attic)

55,99 €*

Keep Walkin': Singles, Demos & Rarities 1965-1978 Yellow Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Nancy Sinatra

2LP | 2023 | US | Original (Light In The Attic)

55,09 €* 57,99 € -5%

The Window Of Life Colored Vinyl Edition W Inserts

Release: 2023 / US – Original

Genre: Rock & Indie

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Pendragon

2LP | 2024 | EU | Original (Pendragon - Toff)

54,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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The follow up to The World album, 1994’s The Window Of Life secured Pendragon as one of the main progressive rock contenders.Mixed by world renowned musician and conductor Gavin Greenaway [Gladiator, Spirit and dozens of other Hollywood films].This amazing CD is packaged in a reworked booklet by the original illustrator, Simon Williams.The release also includes a reworked live version of The Last Man On Earth.The double vinyl is packaged in a luxurious soft touch gatefold with colour card inner sleeves with further artwork by Simon Williams and rare photos from the 1994 Window Of Life tour. The Walls Of Babylon GhostsBreaking The SpellThe Last Man On Earth NostradamusAm I Really Losing You? The Last Man On Earth [live reworked]

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LP+LP+All Media | 2020 | EU | Original (Century Media)

54,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Lilac, etched vinyl. Still in shrink, but opened, with hype sticker

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Papercuts Singles Collection 2000-2023 Black & Red Splatter Vinyl Edition

2LP | 2024 | EU | Original (Warner)

53,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Artificial Paradise Double Lp Black Friday Record Store Day 2024 Edition

OneRepublic

2LP | 2024 | Reissue (Mosley Music Group/Interscope)

53,99 €*

JOY-POPS - Live 2022 NEXT DOOR -Yofuke no Oukoku-

Release: 2024 / Reissue

Genre: Rock & Indie

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Coming Soon 2024-11-29, 12:00 CET

RSD Exclusive, Limitation: 1500

Special two-disc RSD Black Friday variant of the sixth studio album from GRAMMY-nominated OneRepublic with special Gold & Pure Cloudy vinyl LPs, featuring eight new acoustic versions never-before-pressed to vinyl.
OneRepublic is comprised of singer/songwriter and lead vocalist Ryan Tedder, guitarists Zach Filkins and Drew Brown, Brian Willett on keys, bassist and cellist Brent Kutzle, and drummer Eddie Fisher. The album features breakout platinum single, "I Ain't Worried," which was synced to Tom Cruise's Top Gun: Maverick, breaking single "I Don't Wanna Wait (w/ David Guetta)," and much-loved hits "West Coast," "Sunshine," and more. Frontman Ryan Tedder is a 3x GRAMMY-winner for his songwriting work with Adele and Taylor Swift. He has also had huge, global hits for The Jonas Brothers, Ed Sheeran, Tate McRae, Miley Cyrus, 5SOS, OneDirection, John Mayer, Maroon 5 and more.

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JOY-POPS

2LP | 2024 | JP | Original (Lawson)

53,99 €*

Live From Bakersfield Black Friday Record Store Day 2023 Vinyl Edition

Release: 2024 / JP – Original

Genre: Rock & Indie

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Originally planning their "2020 NEXT DOOR TOUR" after a two-year break, the tour was unfortunately canceled due to the COVID-19 pandemic. However, they managed to hold a live performance in December 2020 at Tokyo's LINE CUBE SHIBUYA, and this Blue Note Tokyo show marked their first concert since then.

This special, blues-infused live performance, overflowing with rock spirit, has been pressed onto a rich-sounding vinyl, making it a must-have for fans to experience the powerful energy of JOY-POPS in analog form.

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The Doors

2LP | 2023 | CZ | Original (Elektra)

52,99 €*

Switched On Volume 5 - Pulse Of The Early Brain

Release: 2023 / CZ – Original

Genre: Rock & Indie

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Quantity: 7500
Release type: RSD Exclusive Release

Recorded June 5, 1970 • First official release • Includes the song “Someday Soon” that was only performed live • 2-lp set 1. Intro/Adolf Hitler (Poem) 2. Roadhouse Blues 3. Someday Soon/Harvest Moon 4. Mystery Train/Train Coming Round The Bend 5. Break On Through 6. Five To One 7. Backdoor Man/Willie Dixon 8. The End 9. When The Music’s Over

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Stereolab

3LP | 2022 | UK | Original (Duophonic Uhf Disks / Warp)

Sing And Dance With Frank

Release: 2022 / UK – Original

Genre: Rock & Indie

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Following much anticipated live dates and the fourth instalment of their Switched On series in 2021, the unparalleled Stereolab return with yet another helping of rare and unreleased material. The fifth volume in the series compiles out of print records and obscure tracks from limited splits and singles spanning from the band’s beginnings with the 1992 Low Fi EP to some of their more recently released material in 2008 with Chemical Chords bonus tracks.

Pulse Of The Early Brain is a rollercoaster ride through Stereolab’s career, showcasing a variety of musical moods from noisy drones through playful pop to amorphous acid jazz. The albums kicks off with two Nurse With Wound collaborations running ten and twenty minutes apiece: ‘Simple Headphone Mind’ chugs along to rebounding delicate guitar plucks and steely vocal musings, while ‘Trippin’ With The Birds’ is an extended cut with slow as molasses mind-altering manipulations. ‘Robot Riot’ picks up the pace, strumming brightly into the colourful krautrock tune ‘Spool Of Collusion’.

The mood switches once more on ‘Symbolic Logic Of Now!’, a sound salad of bit-crushed blips, crashing drums, and explosive horns that play into the album’s wide reaching selection of tracks. Stereolab’s sonic explorations are documented in full force, from flitting reversed sounds to churning guitars, to the emotional performance on the grand and energetic live version of ‘Cybele’s Reverie’. Also included is a rare find in Autechre's 1998 rework of a track from Dots And Loops, which sees the duo twisting the once pristine vocals into the corroded output of dying android launched into a network of mangled breaks.

Stereolab journey through prismatic pop experiments with their latest offering of rarities on Pulse Of The Early Brain.

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Frank Sinatra

LP | 1950 | UK | Reissue (Impex)

3LP+DVD | 2016 | EU | Original (Universal)

Release: 1950 / UK – Reissue

Genre: Rock & Indie

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Numbered LTD Edition OF 5000 Copies Only! Expanded 70th Anniversary 180g Audiophile LP Re-issue OF THE Iconic 1950 Album Originally ON Columbia. AN Essential Sinatra Classic With THE Swing Style Arrangements OF George Siravo. These Analogue Mono Tape Transfers Sound Spectacular AND Shine AS Never Before.

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The Rolling Stones

Havana Moon

2LP | 2002 | EU | Reissue (Apocaplexy)

Release: 2016 / EU – Original

Genre: Rock & Indie

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“Havana Moon” captures the historic, once in a lifetime concert by The Rolling Stones in Havana, Cuba on 25th March 2016. Directed by Paul Dugdale (Adele, Coldplay) this epic, record breaking concert is packed with hits and classic tracks. Filmed at the end of the “América Latina Olé” Tour, Mick Jagger, Keith Richards, Charlie Watts and Ronnie Wood performed a truly spectacular set to an estimated 1,2 million adoring fans. The highly anticipated free show attracted a huge audience in the same week as President Obama became the first serving US President to visit Cuba in 88 years. TV News reported that Obama was 'the warm up act' for the Rolling Stones and Obama paid tribute to the Stones in his first speech to the world's media in Havana. As the Stones took to the stage under a perfect “Havana Moon” for a show that will forever go down in history books as a life changing moment for a country on the brink of change, there was nothing that was going to come between the band and their fans including the Vatican in Rome who had objected to rock n roll in Havana on Good Friday.
This release contains 3LPs and the DVD.

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Breach

Kollapse

Keep Walkin': Singles, Demos & Rarities 1965-1978 Black Vinyl Edition

Release: 2002 / EU – Reissue

Genre: Rock & Indie

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Yep, there is a repress of this masterpiece. And as always licensed by Epitaph Europe. Artwork was done by long term Breach designer Pierre Johansson and is printed with silver ink & UV lacquer on 350g heavy gatefold jackets. Nothing more to add.

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Nancy Sinatra

2LP | 2023 | US | Original (Light In The Attic)

2LP | 2024 | EU | Original (Century Media)

Release: 2023 / US – Original

Genre: Rock & Indie

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Dark Tranquillity

Endtime Signals

Release: 2024 / EU – Original

Genre: Rock & Indie

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90125 Atlantic 75 Series Sacd

Yes

CD | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

LP | 2024 | US | Original (Coverage)

Release: 2023 / US – Reissue

Genre: Rock & Indie

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Analogue Productions (Atlantic 75 Series)

Celebrating the 75th Anniversary of Atlantic Records!

90125 from Yes featuring "Owner Of A Lonely Heart"

Hybrid Stereo SACD

Yes' 90125 was a departure from their progressive style but it introduced the band to a new generation of fans, reaching No. 5 on the Billboard 200 and No. 16 on the U.K. albums chart. The 1983 album remains their best-selling album with more than 3 million copies sold in the U.S. "Cinema" earned the group a Grammy Award for Best Rock Instrumental Performance, while "Owner Of A Lonely Heart" was the band's first and only single to reach No. 1 on the Billboard Hot 100 chart.

Named for its Atco catalog number, 90125, the album — the band's 11th studio effort — it was born out of the band's self-reinvention. Begun as Cinema, a new band by Chris Squire and Alan White, the project grew to include the slick production of Trevor Horn, the new blood (and distinctly '80s guitar sound) of Trevor Rabin, and eventually the trademark vocals of returning founder Jon Anderson. His late entry insured that Rabin and Horn had a heavy influence on the sound. The album also marked the return of prodigal keyboardist Tony Kaye, whose crisp synth work on "Changes" marked the band's definitive break with its art rock roots.

"Owner Of A Lonely Heart" was a huge crossover hit, and its orchestral break has been relentlessly sampled by rappers ever since. The vocal harmonies of "Leave It" and the beautifully sprawling "Hearts" are additional high points,

90125 is a significant and well-regarded album in the Yes discography.

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Richard Cheese

Blue No Matter Who

2LP | 2004 | UK | Reissue (Fire)

Release: 2024 / US – Original

Genre: Rock & Indie

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Lounge singer RICHARD CHEESE returns with his 28th and perhaps final studio album-this time a collection of serious, melancholy saloon song ballads in the style of a classic Frank Sinatra Capitol Records concept album. These 12 all-new 2024 recordings feature wistful piano accompaniment, rich orchestrations, and Cheese's sincere, heartfelt voice performing covers of songs like Radiohead's 'Lucky,' The Offspring's 'Self Esteem,' R.E.M.'s 'South Central Rain,' Harry Styles's 'As It Was,' and Lana Del Rey's 'The Greatest.' Blue No Matter Who is pressed on opaque blue vinyl, and the retro-style LP jacket artwork pays homage to Sinatra's 1959 album No One Cares. MARKETING / SELLING POINTS * Rev exclusive opaque blue vinyl * RICHARD CHEESE & LOUNGE AGAINST THE MACHINE have been recording and touring since 2000, and to celebrate his 25 years in the music business, RICHARD CHEESE will be releasing a new career-retrospective autobiography book in summer 2025 * Syncs include: Barb & Star Go To Vista Del Mar, Army Of The Dead, The LEGO Batman Movie, Batman v Superman: Dawn Of Justice, and Dawn Of The Dead * He's also performed on Jimmy Kimmel Live, CNN with Anderson Cooper, ITV's The Jonathan Ross Show, Hangin' With Dr. Z, MTV's Say What Karaoke, Howard Stern, and as the house band 20 times on NBC's Last Call With Carson Daly TRACK LIST SIDE 1 1. Interstate Love Song 2. As It Was 3. Just Like Heaven 4. Anything, Anything 5. Dammit 6. It's Been Awhile SIDE 2 1. Lucky 2. Since You're Gone 3. So. Central Rain 4. Self Esteem 5. The Greatest 6. I'm Blue No Matter Who (new original song by Richard Cheese)

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Bark Psychosis

Codename: Dustsucker

Switched On Volume 5 - Pulse Of The Early Brain Deluxe Edition

Release: 2004 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with hype sticker. 2018 reissue.

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Stereolab

3LP | 2022 | UK | Original (Duophonic Uhf Disks / Warp)

2LP | 2020 | EU | Original (Century Media)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Heaven Shall Burn

Of Truth & Sacrifice

LP+LP+All Media | 2020 | DE | Original (Century Media)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

White vinyl version!

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Heaven Shall Burn

Of Truth & Sacrifice

2LP | 2020 | DE | Original (Century Media)

Release: 2020 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Green and red vinyl version!

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Heaven Shall Burn

Of Truth & Sacrifice

Release: 2020 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP+CD+All Media | 2020 | SE | Original (Century Media)

Lucifer

Lucifer III

LP | 2018 | EU | Original (Glitterbeat)

Release: 2020 / SE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Gold vinyl. Still in shrink, but opened, with hype sticker. With bonus CD

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Park Jiha

Communion

Introducing Steelfinger Slim

Release: 2018 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG

Cover with small, beginning seam split!

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Bjorn Berge

LP | 2024 | NO | Original (Blue Mood)

Release: 2024 / NO – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Long Branch)

Walking Dead On Broadway

Dead Era Ltd.Box Set

Release: 2018 / EU – Original

Genre: Rock & Indie

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3LP | 2021 | EU | Original (Big Brother)

Oasis

Knebworth 1996

Zia Mohiuddin Dagar & Zia Fariduddin Dagar

Release: 2021 / EU – Original

Genre: Rock & Indie

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Raag Malkauns & Ragini Miyan Ki Todi

3LP | 2024 | EU | Original (Black Sweat)

Eva Luna Strictly Blue Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie

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These recordings were made in Bombay in 1968 by Bengt Berger (Bitter Funeral Beer Band) during a stay with Ustad Zia Mohiuddin Dagar, who was primarily responsible for the revival of the Rudra Veena as a solo concert instrument. His home in the suburb of Chembur was at the time the magical haunt of a plethora of fantastic musicians, including Ritwik Sanyal and K. Sridhar, who took part in the session. In perfect and stern Duphrad vocal style, these two Raga lead us to different atmospheres and perceptions : Malkauns is the contemplative state of the evening, of the abandonment of the senses before the breaking of the silence in the night; Miyan Ki Todi is the first breath of the morning, the gentle awakening of the limbs before a puja. The two Dagar brothers, Mohiuddin on the Rudra and Fariduddin on the chant, complement each other, become ocean and fire, stillness and storm, in an intimate and tight dialogue of exploration and expressive subtlety, in which the purity of an Indian summer becomes the highest symbol of beauty and freedom of spirit. Originally released on CD by Country & Eastern.

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Moonshake

2LP | 1992 | EU | Reissue (Too Pure)

When Love And Death Embrace

Release: 1992 / EU – Reissue

Genre: Rock & Indie

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Moonshake was formed in 1991 by David Callahan (vocals, guitars, samplers), formerly of The Wolfhounds, and New York musician Margaret Fiedler (vocals, guitars, samplers). Callahan and Fiedler recorded a demo for Creation Records, and were joined by John Frenett (bass) and Miguel Morland ("Mig", drums) to record and release the First EP for Creation in 1991 . They took their name from a 1973 single by Can. Both Fiedler and Callahan wrote songs, and they would (generally) sing on the songs that they wrote. Their output of shared inspiration produced wildly different results - Can, PIL, Kraftwerk, MBV, Erik B & Rakim were a melting pot that made Moonshake somewhat uncategorizable, and as Margaret noted in an interview, "Moonshake was a collision - it was supposed to be a collision." Their debut album Eva Luna took its name from a novel by Chilean author Isabel Allende and the tracks on it are split evenly between the two songwriters. Callahan"s songs are somewhatangry, dissonant, post-punk affairs, while Fiedler"s are just as angular, but her quieter sometimes near whispered vocals compliment her writing partner"s equally. Producer/engineer Guy Fixsen, fresh from his work on My Bloody Valentine"s Loveless, was instrumental in making the album cohesive. This album has been critically revisited often since its original release, with Tiny Mix Tapes describing their sound as "an updated take on Can and Public Image Limited"s rhythmic propulsion with noisier guitar work and a predilection for sampling influenced by The Young Gods." Last year, in a wonderfully long piece to celebrate the album"s 30th anniversary, Louder Than War wrote that they were blown away by the album"s "utterly spellbinding, dizzyingly genre-defying approach at articulating explicitly the sound of a city in the throes of urban psychosis and derangement...Eva Luna really is one hell of a ground-breaking record, and it stands resolutely alone among all of the albums released in 1992 as no other band has managed to create anything remote...

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HiM

LP | 2024 | EU | Original (BMG)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Double white colored vinyl LP pressing. Known as one of the most commercially successful Finnish bands of all time, HiM has sold over 10 million albums worldwide and are the first Finnish group to have received a gold-certified record in the United States. Despite breaking up in 2017, HiM are still a fan-favorite all over the world, and frontman Ville Valo continues to tour as a solo artist, while still incorporating fan-favorite HiM classics into his sets. When Love & Death Embrace: Best Of 1997-2003 is the ultimate collection for fans, featuring all the favorite tracks from HiM's iconic first 4 albums

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LP+LP+All Media | 2020 | EU | Original (Century Media)

Midnight Again White Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Etched, Blue Transparent. Still in shrink, but opened, with hype sticker

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A Toys Orchestra

2LP | 2024 | EU | Original (Santeria)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Gospel Of Bones Transparent Vinyl Edition

Funeral

2LP | 2024 | EU | Original (Season Of Mist)

47,99 €*

Why Call It Anything Colored Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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FUNERAL, hailing from the icy landscapes of Norway, stands solemn as stalwart guardians of the funeral doom metal genre. With roots intertwining the sorrow of a wake and the heaviness of bowed boughs bearing winter's weight, their music is a vessel of mourning and memory. In the heartrending depths of Gospel of Bones, we bear witness to a journey of grief, a map drawn in melancholic melodies and the relentless dirge of funeral drums. Each song is a requiem, a story etched into the annals of the night, with Anders Eek’s dismal symphonies leading the procession through tracks like the desolate beauty My Own Grave and the harrowing Procession of Misery. From the cold, lingering notes of Too Young to Die, to the sorrowful elegy Yestertear, this album is FUNERAL's sovereign claim to the throne of despair. Produced by the venerable hands of Børge Finstad and enriched by the ethereal harmonies of Ingvild "Sareeta" Johannesen, Gospel of Bones is a cathartic journey to be felt, a path through the shadows. 1. Too Young To Die 2. Yestertear 3. Procession of Misery 4. These Rusty Nails 5. Ailo's Lullaby 6. My Own Grave 7. To Break All Hearts Of Men 8. Når Kisten Senkes 9. Three Dead Men

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The Chameleons

LP | 2001 | EU | Reissue (Blue Apple Music)

47,99 €*

LP | 2024 | AU | Original (Half A Cow)

Release: 2001 / EU – Reissue

Genre: Rock & Indie

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The Chameleons fourth and final studio album on 2 x heavyweight coloured discs presented in a gatefold sleeve. 'Why Call It Anything' was produced by David M Allen (Strange Times) and was the band's first full studio recordings after a fifteen year break. Featuring the rich guitars and powerful vocals associated with previous Chameleons albums; WCIA is enriched by members solo pursuits throughout the 1990's, with some of the songs having an acoustic, almost folky feel. But fans of The Chameleons rockier side won't be disappointed with tracks such as Shades and Indiana packing an almighty punch. The album has been re-mastered for vinyl and cut at Abbey Road by engineer Geoff Pesche whose impressive CV includes cutting the lacquer for the best-selling 12" of all time, New Order's Blue Monday.

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Smudge

Real Mccoy Wrong Sinatra

47,99 €*

Release: 2024 / AU – Original

Genre: Rock & Indie

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2LP | 2022 | EU | Reissue (Century Media)

Lorna Shore

Pain Remains

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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Altered State Reissue 2020

TesseracT

LP+CD | 2013 | EU | Reissue (Century Media)

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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LP | 2024 | EU | Original (Girder)

Human Code

Break The Silence

Release: 2024 / EU – Original

Genre: Rock & Indie

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Socialismo Tascabile (Prove Tecniche Di Trasmissione) Red Vinyl Edition

Offlaga Disco Pax

2LP | 2005 | EU | Reissue (Santeria)

Release: 2005 / EU – Reissue

Genre: Rock & Indie

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2LP | 2023 | US | Original (Drag City)

Prison

Upstate

LP | 2024 | EU | Original (Black Widow)

Release: 2023 / US – Original

Genre: Rock & Indie

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Straight outta Rockaway Beach, Queens, New York City, USA, THE World, Prison is a state of mind, an experience, a loose collective, a band, a jam band and a bunch of psychedelic dudes who aren"t your average bunch of jambanders. All that, all at once, ALL THE Time. You get what you"re dealing with here? No...you don"t. The only way to Really get it is to go to Prison -- and if you"re not from greater NYC and haven"t showed at any of the shows, here"s your best bet: their breakout album, Upstate. And whatta breakout! So high, you can"t get under it; so wide, you can"t get over it! How wide? Every song has two titles, that"s how wide. And almost everybody sings, like, all the time. That wide. Sure, you can break down the numbers -- five guys, five songs and four sides of vinyl in one gatefold sleeve -- but that won"t get you Upstate, either. Prison is the sound of everybody in the room figuring out where to go, individually and collectively. As they go through it, the meaning changes, the destination changes, the words mean something different. It"s meaning and no meaning, rising and falling, sinking and flying on the back of something massive cacophonized by three guitars, four vocals, a bass and drums. A lot of information bouncing around and enough time to really get you out of yourself! Take a look at the titles: each one a dichotomous inquest that the assembled Prison-ers march upon with fervor, glee, vengeance -- a whole spectrum of feels and perspectives woven into the jam for you to see. The Prison population changes with the seasons, and during the season this album was recorded, Sarim Al-Rawi, Mike Fellows, Sam Jayne, Matt Lilly and Paul Major were in Prison. Sarim you might know from Liquor Store, Mike"s made a bunch of scenes and records as Mighty Flashlight, Sam, who passed away in 2020 (R.I.P., brother) was in Love as Laughter -- and Paul Major you know from Endless Boogie, who Matt had roadied for -- and despite being "just a skateboarder who loves music" with no previous experience on the drums, he and Sarim inaugurated the Prison experience, like, seven years ago. Since then, it just fell together and it keeps doing so. A free thing called Prison.

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Khadavra

Hologram

46,54 €* 48,99 € -5%

Release: 2024 / EU – Original

Genre: Rock & Indie

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KHADAVRA is an atypical Swedish psychedelic rock quartet created in 2012. Influences on early PINK FLOYD, on jazz, on psyche-space groups such as MONSTER MAGNET, HAWKWIND, TOOL, ISIS, MOTORPSYCHO, GODSPEED YOU! BLACK EMPEROR and the BLACK SABBATH veterans; by digging out certain beaches, the divine breaks of ANEKDOTEN and CAMEL come back; a little hints of KING CRIMSON and SIGUR ROS all that to say that we are in the experimental progressive psychedelic in my opinion, amen! They define themselves as digging deep into the untapped subconscious, seeking the unknown from within and expressing the sound found; a music inspired by common and unusual experiences on the surreal life we are currently living; sound on the dynamics, the emotion, the trance generated more than on the technicality of the notes, all amplified by the joint use of the English language and kindergarten.
KHADAVRA sets up with this opus a perfect musical oxymoron; mixture of dark light, warm darkness, a musical hyperbole imbued with sounds, emotions, ramblings influencing our mental associations; more than the psyche, we seem to be entering a hypnotic musical state here and it is not the classic French horn, didgeridoo, marimba, sitar instruments that will change our minds. So yes it takes progressive blood to dive into this maelstrom from which you will not be sure to return intact, on the other hand this album has the power to break a little more the progressive codes and to propose a new sound, this which is an undeniable plus at the start of the decade.

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The Hunting Party Translucent Light Blue Vinyl Edition

2LP | 2024 | US | Original (Warner)

Release: 2024 / US – Original

Genre: Rock & Indie

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Polly Scattergood Colored Vinyl Edition

Polly Scattergood

2LP | 2022 | UK | Original (Mute)

Release: 2022 / UK – Original

Genre: Rock & Indie

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CD | 2024 | EU | Original (Century Media)

Solstafir

Hin Helga Kvöl

Release: 2024 / EU – Original

Genre: Rock & Indie

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Talk Of The Town Yellow Vinyl Edition

Darin & Brooke Aldridge

LP | 2024 | US | Original (New Day)

Release: 2024 / US – Original

Genre: Rock & Indie

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Gram Per Person

Release: 2024 / EU – Original

Genre: Rock & Indie

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Gram Per Person consists of seasoned musicians from some of Bergen’s finest bands. They started as an experiment to follow their passion for music that that springs from the tradition of Gram Parsons and Emmylou Harris, the Rolling Stones and Joni Mitchell – But also newer artists in the genre such inspire the quintet, such as Colter Wall, Julianna Riolino, Kacy & Clayton and more. Since the band has now been around for quite a few years, this process led has them from "Kupønk" and Indie Country to today's expression in the direction of classic Americana. They are now ready to unleash their third album - their first since 2011. 1.Birdwatching2.The False Friends3.Run Dangerously4.Drifter's Wife5.I Can't Stand It6.Original Love 7.The Rewire8.Runaway 9.Bonafide10.The Manager

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Gram Per Person

Release: 2024 / EU – Original

Genre: Rock & Indie

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Electric High

Colorful White Lies

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2020 | DE | Original (Century Media)

Dead Lord

Surrender

Release: 2020 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2020 | Original (Century Media)

Dead Lord

Surrender

Release: 2020 / Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

The Flying Norsemen Limitedorange Vinyl Edition

The Flying Norsemen

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP+LP+All Media | 2020 | EU | Original (Century Media)

LP+CD+All Media | 2020 | DE | Original (Century Media)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Etched, Blue Light vinyl. Still in shrink, but opened, with hype sticker

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Lucifer

Lucifer III

LP | 2020 | Original (Century Media)

Release: 2020 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Yellow Sun Transparent. Still in shrink, but opened, with hype sticker. With bonus CD.

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Dead Lord

Surrender

Lars Fredrik Frøislie Of Wobbler

Release: 2020 / Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Green dark vinyl

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Fire Fortellinger Blue / Turquoise Vinyl Edition

LP | 2023 | EU | Original (Karisma)

Slomosa Turquoise Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Debut solo album from Wobbler’s Lars Fredrik Frøislie! Fitting perfectly into the 70s prog-rock tradition where the keyboardist makes a solo album between the band albums, this is music Frøislie has been doing, mostly alone, during the pandemic. Had it not been for the pandemic, much of the material would probably have ended up on a new Wobbler album - but then run through the Wobbler grinder and with English lyrics. In other words, this is unpeeled and raw, as spontaneous as possible without going through too many rounds of processing. Trying to preserve the impulsive - much of what you hear is improvised, and one-takes (preferably with playing errors and piano strings that break and the like). Trying to preserve the human aspect to a large extent, avoiding click tracks, auto-tune, Midi or too much technology. Expect lots of old analogue keyboards such as cembalo, Mellotron, MiniMoog, Yamaha Cp70 and Hammond organ. Four tunes; Four stories. The first song "Rytter av dommedag" is themed around Ragnarok, when King Rakne awakens in his large burial mound outside Romerike and, together with the old gods, creates real mischief. The second song “Et sted under himmelhvelvet” is dreamy, possibly set in a Renaissance garden near Florence or Arcadia. But in principle it can be anywhere where it feels good to be. It is partly about travelling to a place and feeling that you have been there before - only to find out that you had ancestors who lived there long ago. The third song "Jærtegn" opens in a frenzy, with a horse and cart speeding through the forest. The wagon overturns at the same time as there is a solar eclipse, and the riders become eternal wanderers in the dark forest, only visible to us now and then like the northern lights, as they vainly stretch their arms towards the sun in the hope of finding their way home. The final song “Naturens Katedral” is a depiction of the Norwegian mountains in winter where the cold is bitter, and blizzards and avalanches abound. It is also a search for bygone times when life was more basic out in the wilderness.

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Slomosa

Release: 2024 / EU – Original

Genre: Rock & Indie

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Dark Matter/Dark Energy Clear Vinyl Edition

Membranes

2LP | 2015 | UK | Reissue (Louder Than War)

Bedside Manners Are Extra Remastered Edition

Release: 2015 / UK – Reissue

Genre: Rock & Indie

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In 2015, Membranes released their first album for 25 years.

It was a critically acclaimed double album about life, death, and the universe. An ambitious work, it became the band's best-selling album in a long and unconventional career. “Dark Matter / Dark Energy” was both the band’s critically acclaimed return and best-selling release and, due to public demand, it is now reissued as a double vinyl album in stunning and experimental, ground-breaking new artwork and packaging.

The album which will be launched in December with gigs at the Albert Hall in Manchester and Shepherds Bush Empire in London was inspired by Membranes’ John Robb, meeting John Incandela the head scientist from the Cern project at a TEDx talk they were both giving.

Incandela had just completed his work on the Higgs Boson particle project, and Robb became friends with him and other scientists from the project. Their conversations about the universe were mind-blowing, and the album attempted to capture these in musical form.

The band toured the album around the world, supporting The Stranglers, The Sisters Of Mercy, and Mark Lanegan, who called the Membranes one of his favourite all-time post-punk bands and said that ‘John Robb is a legend - I’m truly honored to know him’.

The Membranes were formed in Blackpool in the late seventies and were big John Peel and music press favourites with their innovative bass driven discordant Death To Trad Rock sound providing a template and influence for many bands over the years including Big Black, Mercury Rev, The Wedding Present and even the likes of the Lambchop who covered them.

John Robb is also a well-known face on TV and radio as well as running the Louder Than War music and culture website and writing best-selling books like ‘Punk Rock - An Oral History’ and ‘The Art Of Darkness - The History Of Goth. He is currently working on his mémoires and a new Membranes album.

The new edition of the album comes in revolutionary and stunning new artwork gatefold sleeve, complete with lyric sheet, and a poster of the original album cover, all of which captures its interstellar themes.

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Greenslade

LP | 1973 | EU | Reissue (Esoteric)

Judas Christ Gold Vinyl Edition

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Formed in 1972 by former Colosseum keyboard player Dave Greenslade, the band also featured former Web and Samurai member Dave Lawson (keyboards, vocals), former Colosseum bass player Tony Reeves and drummer Andrew McCulloch (formerly with King Crimson and Fields).The calibre of the members of Greenslade ensured that the group would be innovative, ground-breaking and dynamic in their musical approach and would also be notable due to the absence of a guitarist within their ranks. Originally issued in November 1973, 'Bedside Manners Are Extra' was a fine album and featured such classic compositions as the album title track, "Pilgrims Progress", "Time to Dream" and "Sunkissed You’re Not".This new vinyl edition of this classic album has been remastered from the original tapes and was cut at Abbey Road Studios. It fully restores the original LP artwork. SIDE ONE:1. Bedside Manners Are Extra2. Pilgrim’s Progress3. Time to DreamSIDE TWO:1. Drum Folk2. Sunkissed You’re Not3. Chalk Hill

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Tiamat

LP | 2002 | EU | Reissue (Sevan Mater)

Dark Matter/Dark Energy Pink Teardrop Within Black Vinyl Edition

Release: 2002 / EU – Reissue

Genre: Rock & Indie

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The style of this album is not heavy in the sense that, giving the songs a charismatic focal point and producing some lyrics that hint just as much towards psychedelia as depression, which makes an unusual change for the genre. The extra parts of this album are what make it special, because there are details and oddities that add to the moody experience and differentiate this from other similar bands as well as making the majority of songs memorable. There are a number of reverb-laden classic guitar leads that enter the fray of 'So Much for Suicide' and 'Love Is as Good as Soma' that exude a freedom and luxury across the compositions, stirring powerful non-specific emotions and complicating the apparently downbeat nature of the band; the same thing can be said of the other instruments used, which include violin, sitar, and oud, as well as excellent judgement with the keyboards, all of which turn what is on paper a dour listen into a much more colourful experience. The presence of some more upbeat songs has a similar effect, particularly the masterfully deployed 'Angel Holograms' that plays with choppy chords and rushing chorus mid-album to break up the dreamier, slower numbers. 'Vote for Love' and 'I Am in Love with Myself' offer interesting variations, the former playing out almost like a late '60s rock song, containing jangly guitars and a group chorus that inspires with major key progressions, while the latter recalls Joy Division and the post-punk era, especially in its insistent bassline and intelligent lyrics. This album comes out in deluxe gatefold edition, in two colors (Gold / Red) 500 limited edition each.

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Membranes

2LP | 2015 | UK | Reissue (Louder Than War)

2LP | 2024 | EU | Original (Season Of Mist)

Release: 2015 / UK – Reissue

Genre: Rock & Indie

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Funeral

Gospel Of Bones

Release: 2024 / EU – Original

Genre: Rock & Indie

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Sunface

Cloud Castles

Release: 2024 / EU – Original

Genre: Rock & Indie

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Conqueress - Forever Strong And Proud

Doro

2LP | 2023 | EU | Original (Nuclear Blast)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Conqueress - Forever Strong And Proud

Doro

2LP | 2023 | EU | Original (Nuclear Blast)

Release: 2023 / EU – Original

Genre: Rock & Indie

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2LP | 2010 | DE | Original (Warner)

A Thousand Suns

Release: 2010 / DE – Original

Genre: Rock & Indie

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2LP | 1994 | US | Reissue (Fire)

Bark Psychosis

Hex

Release: 1994 / US – Reissue

Genre: Rock & Indie

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72 Seasons Indie Exclusive Violet Vinyl Edition

Metallica

2LP | 2023 | EU | Original (EMI UK)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Thunderforged Line Of Fire Colored Vinyl Edition

Pounder

LP | 2024 | Original (Shadow Kingdom)

72 Seasons Black Vinyl Edition

Release: 2024 / Original

Genre: Rock & Indie

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SHADOW KINGDOM RECORDS is proud to present POUNDER’s highly anticipated third album, Thunderforge.By now, POUNDER should require little introduction. From their humble beginnings with their debut demo in 2017 to the Faster Than Fire 7” for SHADOW KINGDOM a year later, POUNDER’s ascent was hastened by their proud 'n' powerful debut album, Uncivilized, in early 2019. In no uncertain terms, Uncivilized truly put the band on the international metal map and made ears stand to attention. Despite their collective pedigree, POUNDER's stock-in-trade showed itself as a seemingly effortless, unselfconscious conglomeration of classic metal styles - from a firm foundation of NWOBHM on to hints of early '80s speed metal, Sunset Strip flash, and AOR accessibility. Amazingly, POUNDER eclipsed that momentous first full-length with the all-guns-blazing follow-up Breaking the World in 2021. Leaner, meaner, and all-too-accurately titled, Breaking the World saw the band - vocalist/guitarist Matt Harvey, bassist Alejandro Corredor, and lead guitarist Tom Draper - getting both heavier and more anthemic, more American in their metal but also more wide-ranging in their reach. 1.Sound and Fury2.Thunderforge3.Metal Eternal4.Comin' Loose5.Line of Fire6.Get Pounded7.Deeper Than Blood8.Wet and Reckless

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Metallica

2LP | 2023 | EU | Original (EMI UK)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Whiskey A Go-Go Splatter Vinyl Edition

The Stooges

2LP | 2021 | EU | Original (Easy Action)

Plastic Ono Band Deluxe Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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(Live at the) Whiskey a Go-Go is a live album by The Stooges of the post Raw Power area. Produced by Ron Asheton and originally released in 1988. Recordings were taped on September 16th in 1973 at the infamous Whiskey a Go-Go in Los Angeles and captures the Stooges at a pivotal point, just as they were about to break up. Iggy & the Stooges careen out of control as the singer taunts the audience and the band tries to keep it together. A handful of rarities, such as "Head On," are featured in addition to a selection of material drawn mainly from Raw Power, but the actual songs aren't that important -- it's how the band sounds, and they do sound raw, abrasive, and frightening. This reissue comes in deluxe gold mirror board gatefold sleeve, the speed is corrected, audio cleaned and mastered for vinyl.

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John Lennon

2LP | 1970 | EU | Reissue (Universal)