Search "john mayer" 730 Items

4LP | 2008 | EU | Reissue (Music On Vinyl)

Where The Light Is

52,99 €*

Release: 2008 / EU – Reissue

Genre: Pop

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Exclusively remastered from analog tapes.
Pressed on 180g audiophile vinyl.

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2LP | 2010 | EU | Original (Music On Vinyl)

Continuum +1

Release: 2010 / EU – Original

Genre: Pop

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LP | 2021 | EU | Original (Columbia International)

Sob Rock

Release: 2021 / EU – Original

Genre: Pop

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LP+CD | 2013 | US | Original (Sony)

Paradise Valley

54,99 €*

Release: 2013 / US – Original

Genre: Rock & Indie

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CD | 2002 | AU | Original (Aware)

Room For Squares

5,99 €*

Release: 2002 / AU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: Generic

CD comes in a soft case, instead of the original crystal case. All booklets included.

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2LP | 2012 | US | Original (Sony)

Born & Raised

44,99 €*

Release: 2012 / US – Original

Genre: Pop

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The Search for Everything

2LP | 2017 | EU | Original (Columbia)

Release: 2017 / EU – Original

Genre: Pop

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LP | 2001 | EU | Reissue (Columbia)

Room For Squares

Release: 2001 / EU – Reissue

Genre: Rock & Indie

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2LP | 2009 | EU | Reissue (Columbia)

Battle Studies

Release: 2009 / EU – Reissue

Genre: Rock & Indie

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LP | 2003 | EU | Reissue (Columbia)

Heavier Things

Release: 2003 / EU – Reissue

Genre: Rock & Indie

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Eric Clapton's Crossroads Guitar Festival 2019

Eric Clapton

Box Set | 2020 | EU | Original (Rhino)

136,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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2LP | 2005 | EU | Reissue (Music On Vinyl)

Buddy Guy

Bring 'Em In

CD | 2012 | EU | Original (Def Jam)

Release: 2005 / EU – Reissue

Genre: Organic Grooves

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Bring 'Em In is the 13th studio album by blues musician Buddy Guy, originally released in 2005.
The album is made up almost entirely of covers and features renditions of songs by artists from Bob Dylan to Otis Redding.
Bring 'Em In features Tracy Chapman, John Mayer, Keb Mo, Keith Richards, Carlos Santana and many more.

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Frank Ocean

Channel Orange

13,99 €*

Release: 2012 / EU – Original

Genre: Hip Hop

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OFWGKTA's own Frank Ocean releases his 1st album on Def Jam. Looks like Andre 3000, John Mayer and Earl Sweatshirt are with him!

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2LP | 2020 | EU | Reissue (Music On Vinyl)

Top 2000 The 10's

35,99 €*

Grrr Live (Live At Newark)

Release: 2020 / EU – Reissue

Genre: Pop

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The Radio 2 Top 2000 is the largest annual radio event in The Netherlands. The audience of Radio 2 gets to vote for their favourite all-time songs. Literally millions of votes come together in the Top 2000. All these 2000 songs are broadcasted back to back from Christmas until a few minutes before New Year’s Eve, when they air the No.1 of the chart. The Top 2000 bridges the gaps between all musical generation from the Sixties to the present, making it the most eclectic chart out there, and keeping more than half of the country glued to their radio day and night for the whole week it’s broadcasted. And with a daily tv spin-off during its broadcast, it has reached an even bigger audience. Top 2000 - The 10’s contains the best hits from the century in which the style of vocals popular in indie pop became immensely widespread among pop instrumentalists as they were commonly used by younger artists. Traditional instruments, such as the mandolin, dulcimer, ukulele, bongos and accordion, have been used more often and teen pop, electronic and rock music became more popular. This compilation of hits dated from the 10’s feature furthermore Pharrel Williams, Billie Eilish, John Mayer, Lorde, Lana Del Rey, First Aid Kit, Elbow, Florence + The Machine and Nothing But Thieves. Top 2000 - The 10’s is a 2LP and available on black vinyl.

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The Rolling Stones

3LP | 2023 | EU | Original (Mercury Studios)

58,99 €*

7" | 2023 | EU | Original (Universal)

Release: 2023 / EU – Original

Genre: Rock & Indie

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"Happy" ist das erste Musikstück, das aus dem kommenden Album "Grrr Live!" veröffentlicht wird. - der definitiven Live-Greathits-Sammlung von The Rolling Stones.

Aufgenommen während der "50 and counting"-Jubiläumstour der Band im Jahr 2012 in Newark, New Jersey, wurde der Ton neu bearbeitet und neu abgemischt, auch in Dolby Atmos.

Das komplette "Grrr Live!"-Projekt wird am 10. Februar veröffentlicht und enthält ein unglaubliches Aufgebot an Gästen, die die Band unterstützen - The Black Keys, Gary Clark Jr, Lady Gaga, John Mayer, Bruce Springsteen & Mick Taylor.

Mercury Studio wird "Grrr Live!" nicht nur auf Audio, sondern auch auf mehreren audiovisuellen Formaten veröffentlichen, darunter Blu-ray und digital.

Das komplette Konzert war seit seiner Pay-per-View-Ausstrahlung im Jahr 2012 nicht mehr verfügbar - eine willkommene Ergänzung für die Fans.

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Jacob Collier

Never Gonna Be Alone

14,99 €*

Release: 2023 / EU – Original

Genre: Classical Music

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LP | 2022 | EU | Reissue (Real Gone Music)

Serendipity

41,99 €*

Release: 2022 / EU – Reissue

Genre: Organic Grooves

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United We Swing: Best Of The Jazz At Lincoln Cente

Wynton Septet Marsalis

2LP | 2018 | US | Original (Blue Engine)

32,99 €*

Release: 2018 / US – Original

Genre: Organic Grooves

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2LP | 2019 | EU | Original (RCA)

Khalid

Free Spirit

Release: 2019 / EU – Original

Genre: Hip Hop, Pop

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Grrr Live! Live At Newark

The Rolling Stones

2CD | 2023 (Universal)

23,99 €*

Release: 2023

Genre: Rock & Indie

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Grrr Live! Live At Newark Limited Edition

The Rolling Stones

3LP | 2023 | Original (Mercury)

58,99 €*

Release: 2023 / Original

Genre: Rock & Indie

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2LP | 2024 | EU | Original (Decca)

Jacob Collier

DJesse Vol. 4

39,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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LP | 2016 | EU | Original (Jakarta)

Suff Daddy

Birdsongs

17,99 €*

2LP | 2021 | EU | Original (Different)

Release: 2016 / EU – Original

Genre: Hip Hop

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After a couple of years without a new solo release & makin moves with his
Betty Ford Boys Brenk & Dexter, it was time for Suff Daddy to lay another
egg in the form of a new album entitled „Birdsongs“.
Deeply rooted in the Suff Daddy signature sound, it is also proof of an
evolutionary process. A little less sample chops, a little more synth, a little
less straight hip hop, a little more melody. This doesn’t mean that you won’t
be able to recognize the bird by its call anymore, it’s just a slight change in
tonality.
After extending his stomping grounds to neighboring European countries by
frequently playing international shows, including a London Boiler Room, he
also opened for the mighty Anderson.Paak during his German shows in
early 2016. Suff Daddy also remixed Lion Babe's “Wonder Woman” for
Gilles Peterson Worldwide. He'll also be featured on the next “Spring in
Jakarta“ compilation.
The album features some of the fellow birds Suff Daddy is known to fly
with. Betty Ford Boy's Dexter adds drums and baselines, and Mayer
Hawthorne delivers some vocals.

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Claptone

Closer

31,99 €*

Release: 2021 / EU – Original

Genre: Electronic & Dance

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LP | 2022 | EU | Original (Wagram)

Club Collection - TSUGI

27,99 €*

Playing The Angel-The 12" Singles

Release: 2022 / EU – Original

Genre: Organic Grooves

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At the spearhead of the music press, Tsugi presents for the first time its selection in this vinyl CLUB from Laurent Garnier through Agents Of time and Vitalic.

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Depeche Mode

10x12" | 2022 | EU | Original (Sony Music)

187,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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CD | 2021 | EU | Original (Kompakt)

Total 21

14,99 €*

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Total turns 21 this year, and Kompakt’s venerable compilation series couldn’t have asked for a more auspicious coming-of-age collection. If Total 20 was consolidation against the odds, the Kompakt crew producing for a dreamt-of dancefloor in an uncertain future, then Total 21 feels abuzz and alive with possibilities. Significantly, it’s the first Total in some time that’s streamlined down to a single disc; this makes Total 21 even punchier than usual, a joyous, reflective, and always thrilling 75-minute audio scan of the world according to Kompakt.

As with every instalment of Total, there’s a deft balancing here of Kompakt regulars and new blood. Of the latter, there’s a first appearance by Kollmorgen, remixed by Patrice Bäumel into an astral torch song; Amsterdam’s Nicky Elisabeth, offering up Roman FLÜGEL’s pulsating, arpeggiated remix of “Celeste”; and Captain Mustache swoops down into view, Play Paul in tow, with the dream-like electro lift-off that is “Everything”. Jonathan Kaspar also drops by with a new track, “Von Draussen”, a stealthy and lethal floor-hugger with prowling bass.

Elsewhere, there’s the lead track to Michael Mayer’s astonishing recent EP, “Brainwave Technology”, which not-so-gently spears the tech-futurist babble of AI, transhumanism and posthumanism, soundtracked by one of Mayer’s typically lush, glimmering soundscapes. John Tejada reaches back to the heyday of glitch and dub techno with the gorgeous “Spectral Progressions”, while the brothers Voigt & Voigt, on “Nicht Mein Job”, seem reinvigorated by the interwoven patterns and funky minimalism of the Profan days. Not to be outdone, Jürgen Paape kicks Total 21 with “La Guittara Romantica”, a chiming and lilting lullaby for woozy late-night reflection.

Throughout, it feels as though Kompakt are taking a moment to both breathe in the dust of the past and look forward to a bright future. Perhaps that’s why, on “Fasson”, Sascha Funke seems so confident, with pinprick melodies bouncing around a hall of audio mirrors, or why THE Bionaut returns with “Blue Sky Motor Lodge”, a song so moistly melancholy, so enduringly lovely, it’ll make you weep tears of joy. Robag Wruhme gets a little delirious on the ticking, twisting “No”, and then GUI Boratto mops everything up with the bubbling, bumping glam-stomp “Wake Up”.

That’s not all – spring for the digital and/or vinyl edition and you’ll get a new cut, “Happy”, from Michael Mayer, and Marc Romboy & C.A.R.’s “I Am A Dancer”. But however you choose to play it, now Total’s turned 21, it’s your duty to throw it the celebration to end all celebrations. Let the party begin, and don’t forget to bring a party favo

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2LP | 2021 | EU | Original (Kompakt)

Total 21

Release: 2021 / EU – Original

Genre: Electronic & Dance

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2CD | 2020 | EU | Original (Kompakt)

Total 20

14,99 €*

Small Changes Indie Exclusive Green Marbled Vinyl Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Two decades. Twenty years. Twenty compilations. Over 400 tracks. Over two days of total playing time and countless coloured dots. If someone would have told us in 1999, when we put together Total 1 that this would turn into one of the longest standing compilation series in techno world we would have laughed out loud. But here we are – in the year 2020 which will probably go down in history as the most difficult period ever for club culture. But we won’t stop doing what we’re doing. Music is our oxygen. We’ll dance together soon again.The Total series has always been like KOMPAKT’s yearbook and to say it with the late Frank Sinatra: It was a very good year. Our family of artists delivered a strong heterogeneous mix of uplifting sounds, from the lush reveries of Robag Wruhme and Soela to the stark primetime bangers of Marc Romboy or Anna & Kittin and everything in between. Notable new entries to our crew are the Londoner Kiwi with his wonderfully careless “Hello Echo” that picks up the camp disco vibes Justus Köhncke made a staple in our repertoire. Amsterdam’s David Douglas delivers an appetizer for a full course meal. His quirky pop approach sits comfortably between fellow dutchmen WEVAL’s abstract beats and Agents OF TIME’s opulent Italo Disco. Yotam Avni blends Detroit techno with new age jazz that reminisces the sound of ECM artists like Jan Garbarek or John Surman. The man with the hat, Kölsch also picks up jazzier notes in his very own big room style. Youngblood Jonathan Kaspar appears twice, fortifying his status as one of the hottest beat smiths of our hometown Cologne. Total wouldn’t be Total without our permanent staff present in full force. As per tradition, KOMPAKT’s founding fathers, Voigt & Voigt, Jürgen Paape, Jörg Burger, Michael Mayer as well as our Berlin outpost Sascha Funke all deliver exclusive gems that also feature on Total 20’s double vinyl edition. May Total 20 become your trustworthy companion in these uncertain times.

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Michael Kiwanuka

LP | 2024 | EU | Original (Polydor)

35,99 €*

Small Changes Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Pop

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Preorder shipping from 2024-11-22

Released on 15th November via Polydor Records, “Small Changes” is the eagerly anticipated follow-up to Michael’s eponymous third LP, the Mercury Prize winning, and Grammy Award nominated “KIWANUKA”.
“Small Changes” was produced alongside Danger Mouse and Inflo, the team behind the globally acclaimed “KIWANUKA” and its equally acclaimed predecessor, “Love & Hate”. The new record was recorded between London and Los Angeles. The core trio made up of Kiwanuka and his trusty co-producers expanded into a wish-list ensemble that featured legendary bassist Pino Palladino (D’Angelo, John Mayer, Beyoncé) and Jimmy Jam of the iconic Jam and Lewis songwriting and production duo (Janet Jackson, Prince, SOS Band).
A welcome return for one of Britain’s most talented of songwriters, most recognisable of vocalists, and most virtuosic of guitarists.
Art by YOUT and photography by Marco Grey.

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Michael Kiwanuka

LP | 2024 | Original (Polydor)

Khruangbin & Leon Bridges

Release: 2024 / Original

Genre: Pop

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Texas Moon EP Black Vinyl Edition

LP | 2022 | US | Original (Dead Oceans)

Khruangbin & Leon Bridges

Release: 2022 / US – Original

Genre: Organic Grooves

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Two of the acts boldly leading Texas music into the future have now delivered a second chapter of their groundbreaking collaboration, further extending the region's sonic possibilities. Singer/songwriter Leon Bridges, from Ft. Worth, and trailblazing Houston trio Khruangbin have joined forces for the Texas Moon EP, a follow-up to 2020's acclaimed Texas Sun project. While the five new songs are clearly a continuation of the first EP, they also have an identity all their own _ Bridges calls it "more introspective," while Khruangbin bassist Laura Lee says it "feels more night time." When Texas Sun was released, AllMusic called the results "intoxicating" and Paste noted that "their talents and character go together so well." Now comes the next stage _ a set of songs that touch on themes like love, faith, and death while exploring new dimensions of inventive, hypnotic grooves. Significantly, both parties' musical directions were clearly affected by their time working together. Khruangbin's most recent album, Mordechai, moved their own vocals much further forward, a change they readily admit was a direct result of working with Bridges. Meanwhile, since these recordings began, in addition to his genre-defying album Gold-Digger's Sound, Bridges has put out several other challenging, shared tracks, including work with John Mayer, Lucky Daye, and Jazmine Sullivan. Texas Moon represents a genuine and rare achievement, with two of the most respected and innovative acts of their generation truly collaborating to create something new. "As far as an essentially instrumental band, these guys are kind of the top for me," says Bridges. "I'm honored to have been the first singer that they've incorporated in their music." "It feels really special to me," says Lee. "It's not Khruangbin, it's not Leon, it's this world we created together."

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Texas Moon EP

Tape | 2022 | US | Original (Dead Oceans)

12,99 €*

Peace, Love & Harmony Revisited (Live & Studio)

Release: 2022 / US – Original

Genre: Organic Grooves

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High South

2LP | 2022 | EU | Original (High South)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Cyan Blue Black Vinyl Edition

Charlotte Day Wilson

LP | 2024 | UK | Original (XL)

27,99 €*

2LP | 2022 | EU | Original (Deko Music)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Today, the Toronto-born-and-raised singer, songwriter, producer, and multi-instrumentalist Charlotte Day Wilson announces her highly-anticipated sophomore album Cyan Blue out May 3rd via Stone Woman Music / XL Recordings Along with the announcement of her new album comes the release of first single, "I Don"t Love You", a stark and devastatingly beautiful confessional, highlighting Wilson"s immaculate production skills and chill inducing vocals laid atop smooth groove piano chords and soft drums. The track also arrives with a visual directed by Dani Aphrodite featuring layered low fi footage of the artist and producer performing at home, living every day life and having moments of solitude in her car, a theme that comes up throughout the album. Cyan Blue finds Wilson crafting a smoothly woven cyan tapestry of her eternal influences; thumping gospel piano, warm soul basslines, atmospheric electronics, and penetrating R&B melodies. Yet, it possesses a sense of vastness that rings in a new era for Wilson, one in which she"s embracing collaboration and newfound creative openness tinged with wistfulness and yearning and a reflection on youthful innocence. "I want to look through the unjaded eyes of my younger self again," Wilson explains of making Cyan Blue. "Before there wasn"t as much baggage, before so much life was lived. But I also wish that my younger self could see where I am now. It would be nice to be able to impart some of the wisdom and clarity that I have now onto her." Working with producers like Leon Thomas (sza, Ariana Grande, Post Malone), and Jack Rochon (HE.R, Daniel Caesar), Cyan Blue demonstrates Wilson"s sonic expertise while also showcasing the next evolution of her time-bending songwriting. Through 13 hypnotizing tracks, she continues to use music as a vessel for unpacking relationships, which in turn allows her to meet and understand herself in life-spanning, panoramic focus. But, on Cyan Blue, she challenged herself to kick her perfectionist tendencies. "Before, I was extremely intentional about creating music with a strong foundation, a bed of artistic integrity," Wilson reflects. "But that was a bit stifling, like, "Let me just make a great piece of art that will stand the test of time, no pressure." Now, I think I"m getting out of this frozen state of needing everything to be perfect. I"m more interested in capturing feelings in the moment as they happen and leaving them in that moment." While this is only her second album, Wilson"s influence in music has made a major mainstream impact. Wilson broke out in 2016 with her critically acclaimed EP, CDW, followed by 2018"s Stone Woman and made her debut studio album an official coming out moment in 2021 with the critically acclaimed, self-released Alpha. Over the past decade, she"s been sampled by Drake, John Mayer, and James Blake, while Patti Smith has recently praised and covered Wilson"s 2016 breakout single "Work." Additionally, she"s collaborated with artists like Kaytranada, Badbadnotgood, and SG Lewis, demonstrating that there"s no sound Wilson can"t adapt to and sprinkle her cyan-colored magic over.

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Bird Streets

Lagoons

47,99 €*

Cyan Blue Colored Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Acclaimed Brooklyn artist Bird Streets has returned with Lagoon, an album about separation, rumination, regret, and recurrence. For his second album under the Bird Streets name, John Brodeur has widely expanded on the project's collaborative foundation, enlisting production by Patrick Sansone (Wilco), Michael Lockwood (Aimee Mann, Fiona Apple), and Zach Jones (Sting) and Oscar Albis Rodriguez (A Great Big World), plus guest appearances from the likes of Aimee Mann, Ed Harcourt, John Davis (Superdrag), Jody Stephens (Big Star), and an array of top-shelf session players. With mixing split between Sansone and Grammy winner Michael Brauer (Coldplay, John Mayer), and mastering by Grammy nominee Pete Lyman (Brandi Carlile, Chris Stapleton), Lagoon is an enormous step forward from an artist who has been hailed or his evocative storytelling and keen attention to craft. Producer and multi-instrumentalist Patrick Sansone helmed sessions in Nashville ("Burnout", "Leave No Trace", the bossa-flavored "The Document") and later in Memphis, where he and Brodeur were joined by John Davis on guitar and Jody Stephens on drums, forming a power-pop fantasy band of sorts. ("Machine", "Go Free", and wistful "SF 1993" come from the Memphis dates.) Back in Brooklyn, Brodeur cut several tracks with the production team of Zach Jones and Oscar Albis Rodriguez, including "Ambulance," the catchy AM Gold of "Let You Down," and the Last Waltz-styled soul-rock of "Disappearing Act." When the pandemic threw a wrench in the works, Brodeur turned to Los Angeles-based producer Michael Lockwood to remotely helm Lagoon's final stretch.

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Charlotte Day Wilson

LP | 2024 | UK | Original (XL)

27,99 €*

LP | 2023 | EU | Original (Soulbeats)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Franck & Damien

Juniper Road

Possibilities Black Friday Record Store Day 2024 Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Family is important. Feeling good, relaxed, loved, listened to, within a community of close friends who share the same vibe, the same interests, the same sensations. Franck & Damien love and share the amber sound of the lapsteel, the intoxicating slide, the roundness of the six-string and the freshness of the banjo. Blues, country music and folk-rock born in the barns of Laurel Canyon... Harmonies, warm voices, fortunate encounters… Simplicity, humility, sharing... Surfing, deserted beaches, California, wild Australia.

You would know the members of this merry band: Xavier Rudd, Ben Harper, Jack Johnson, Donavon Frankenreiter, John Butler Trio, Tash Sultana, John Mayer, Mason Jennings... Yes: family is essential. Between cousins or adopted children, we understand each other so well! What's more, we speak the same language: in this case, English, carried by melodious, laid-back, never-pressed voices on songs that are often gentle, often punchy, always powerful, always hard-hitting. Franck and Damien don't see their tribe that often: they're in Bordeaux, in their beloved Médoc, a land of vineyards, sandy strips, pristine waves and good vibes; the others are in Hawaii, Los Angeles or the Australian bush. But that's all right. The signs, the codes, the vibes are the same. So we decide to get together when we have to, when we feel like it. Why not in Los Angeles, where the duo love to recharge their batteries, between strolls down Sunset Boulevard and ballads recorded at sunset?

Here, for their second album after the warm You Can Find Your Way, it's Donavon Frankenreiter, surf prodigy and international icon of American folk, who has come along to enchant the nervous and captivating California, of which he himself is the embodiment. Feel alright with the high tide! Earlier, it was on the subtle, nonchalant acoustic live version of Home that Donavon’s bassist Matt Grundy slipped in with his sweet harmonica. And with good reason: the Piñon Hills local from San Bernardino is also the producer of this album! Not forgetting, on Spread Love, a visit from Joaco Terán, their freesurfer brother and Argentinian musician. For Juniper Road, the album of maturity, is also one of plenitude and serenity. Franck's voice is full and vibrant, the harmonies chiseled, the atmosphere warm and inviting.

Family is fundamental. So is luck. When they hear the story of Damien picking-up Franck hitchhiking on the side of the road, a meeting so fortuitous it seemed fated, their buddies are still laughing.

The duo complement each other so well, the osmosis and connivance so blatant, Franck's voice and guitar, Damien's string picking and percussion, that this anecdote, so real, sounds fabricated. Okay, it didn't take place on the Pacific Coast Highway in a Cadillac, but more likely in a Renault Clio on the road to Lacanau (a beach town in the South-West of France).

Just like the video for Home, which, like some of their other clips, was not shot in the USA, but in the Spanish desert of the Bardenas Reales.

Franck & Damien have never needed to prove their identity and legitimacy, especially through clichés. From now on, with this second twelve-track album polished in Matt's Super Bloom studio, Franck & Damien know exactly where they're going: back to their Anglo-Saxon and South American cousins who have long since adopted them, to continue touring and performing, distilling their road songs with messages as simple as they are rich and direct, like a true philosophy of life: love, friendship, sharing, fulfillment, such as on the energetic, raging Fire And Soul (much juicier than the Cranberries'), but also hope and melancholy, as on Another Way: an emotional tale of a sailor in perdition, supported by a round bass sound, acoustic drums and an electronic organ.

Not forgetting, of course, their sense of humor. Because behind their music, practiced with the seriousness and meticulousness that characterize them, Franck and Damien like (love) to have a laugh and make those around them and their audience laugh with (and at) them. In the video for California, the third in their mini-series of music videos developed in reverse chronology around four singles and following on from Home and Another Way, they appear as two-bit metalheads. Then, in Blind, dressed-up as priests. Never afraid of the right joke, the right disguise, the witty comeback that sticks out like a sore thumb, on and off stage.

Love, balance, fulfillment, good humor and family, of course. Family is fundamental. Franck and Damien's family continues to grow: Matt and Donavon, other artists with whom were shared songs and experiences on tour… Their audience too, getting bigger by the minute, drawn in by their groove but also by their personalities. Raise Your Voice for Franck and Damien!

Alain Gardinier

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Herbie Hancock

3LP | 2024 | Reissue (Rhino)

79,99 €*

Artificial Paradise Double Lp Black Friday Record Store Day 2024 Edition

Release: 2024 / Reissue

Genre: Organic Grooves

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Coming Soon 2024-11-29, 12:00 CET

RSD Exclusive, Limitation: 3000

Herbie Hancock joins forces with musical icons Annie Lenox, Christina Aguilera, John Mayer, Santana, Sting and more, as his early aughts duet album Possibilities makes its vinyl debut. This Ruby Red 3LP set includes the original album, newly remastered, with four bonus tracks.

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OneRepublic

2LP | 2024 | Reissue (Mosley Music Group/Interscope)

53,99 €*

2LP | 2024 | US | Original (Mick Music)

Release: 2024 / Reissue

Genre: Rock & Indie

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Coming Soon 2024-11-29, 12:00 CET

RSD Exclusive, Limitation: 1500

Special two-disc RSD Black Friday variant of the sixth studio album from GRAMMY-nominated OneRepublic with special Gold & Pure Cloudy vinyl LPs, featuring eight new acoustic versions never-before-pressed to vinyl.
OneRepublic is comprised of singer/songwriter and lead vocalist Ryan Tedder, guitarists Zach Filkins and Drew Brown, Brian Willett on keys, bassist and cellist Brent Kutzle, and drummer Eddie Fisher. The album features breakout platinum single, "I Ain't Worried," which was synced to Tom Cruise's Top Gun: Maverick, breaking single "I Don't Wanna Wait (w/ David Guetta)," and much-loved hits "West Coast," "Sunshine," and more. Frontman Ryan Tedder is a 3x GRAMMY-winner for his songwriting work with Adele and Taylor Swift. He has also had huge, global hits for The Jonas Brothers, Ed Sheeran, Tate McRae, Miley Cyrus, 5SOS, OneDirection, John Mayer, Maroon 5 and more.

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Brett Dennen

If It Takes Forever

43,99 €*

LP | 2021 | AU | Original (Roundtable)

Release: 2024 / US – Original

Genre: Rock & Indie

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Since debuting in 2004 with a self-titled album, Brett Dennen has established himself as the kind of singer-songwriter who finds inspiration by digging into the nooks and crannies of the human condition-exploring pain, joy, sadness, and all points in between. Along the way, Dennen has had multiple top 10 hits on AAA radio, with the keening title track of See the World, landing at No. 4 in 2021. Brett's touring plans have seen him alongside artists like John Mayer, Jason Mraz and G Love and Special Sauce, as well as landing multiple song placements in the hit TV show Parenthood. With "If It Takes Forever" (Mick Music), the California native's eighth solo album and first full-length since 2021's See the World, is no exception. The warm, immersive collection boasts deeply felt sentiments, underpinned by rich acoustic guitars and Dennen's earnest vocals, in the vein of dusky Americana ("Golden State of Mind"), harmonica-driven blues (the Tom Petty-esque "Careful What You Wish For"), rootsy indie ("Don't Go Talking"), and meditative folk-rock (highlight "Time To Wake Up"). If It Takes Forever emerged from a tough 2023 for Dennen, as he was dealing with the death of his dad. "He was such a strong figure in my life that I depended on so much as both a dad and a best friend," he said. "And I knew immediately in order for me to deal with his death, the best thing I could do was to make an album about it." Alongside the release of If It Takes Forever, Dennen plans to hit the road once again, but he possesses additional perspective on-and gratitude for-the solace provided by art and music. "To really boil it down, this is life," he says. "Life is full of things that get complicated and make you busy, and are really hard to deal with. But if you write songs about it, and put it into art, then it makes it a lot more relevant and meaningful and worthy of celebration."

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Amancio D'Silva

Konkan Dance

Honey Harper & The Infinite Sky Colored Vinyl Edition

Release: 2021 / AU – Original

Genre: Organic Grooves

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Following in the footsteps of the landmark 1966 double-quartet recording by Joe Harriott and John Mayer, Indian born musician Amancio D’Silva produced some of the most adventurous and sophis-ticated recordings within the canon of ‘indo-jazz’, a term used to define a pioneering east meets west synthesis that reflected the shifting musical and cultural landscape of post-war Britain. An ex-periment which reached a pinnacle in 1972 with D’Silva’s seminal recording Dream Sequence by Cosmic Eye (The Roundtable TRZY001), an adventurous fusion of modal jazz and Indian classical music viewed through the psychedelic lens of swinging London. Exotic third-stream jazz conceived by a visionary composer whose virtuosic technique and deeply emotive guitar playing defined his two earlier and now legendary 1969 UK jazz albums Integration and Hum Dono with Joe Harriott, both recorded for the much celebrated Lansdowne label.

Also recorded in 1972 although not released at the time was Konkan Dance, an unofficial sequel to Dream Sequence that further explored the unchartered possibilities of an Indian music-jazz fusion. Featuring many of the same personnel, this session also included support from Don Rendell and Alan Branscombe, two giants of the UK jazz scene who add serious credentials to D’Silva’s singu-lar and intimate compositions. For reasons unknown the album was cancelled by Lansdowne at the time and never saw the light of day until being resurrected again in the 2000s. The Roundtable are pleased to once again showcase this important artist and present a new addition of this incredible and almost forgotten piece of the Amancio D’Silva story. Pressed on 180g vinyl and packaged in a custom 1960s-style flip-back sleeve.

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Honey Harper

LP | 2022 | EU | Original (ATO)

44,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Hello, Summer Black Vinyl Edition

Pat Van Dyke

LP | 2018 | US | Original (Cotter)

Hello, Summer Blue Vinyl Edition

Release: 2018 / US – Original

Genre: Organic Grooves

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A beautiful album. A jazz album. Hello, Summer is the third full length solo LP from the talented Pat Van Dyke—a recording full of soulful, upbeat and superbly well-thought-out arrangements that is destined for your heavy rotation bin for years and years to come. Van Dyke has upped the ante on this release, playing all instruments himself (with the exception of the horn section and featured soloists)—in addition to writing, performing, producing, recording, and mixing the record (mastering was left to K-Def). This is a completely confident and imaginative artist able to put his ideas on wax exactly as intended.

Hello, Summer places emphasis on the word album. Listeners are encouraged to carve out time to enjoy it with zero distractions. There’s nuggets to be found in each listen—whether it’s picking out your favorite horn arrangement, appreciating a flute solo or simply marveling at how fluidly everything comes together over the course of the album’s 11 tracks.

The vibe is summer. Windows are open and an ice cold beverage is in hand.

Pat Van Dyke has steadily built an impressive catalog over the years—his debut solo LP, Technicolor Hi-FI (Cotter Records, 2013), was praised by the likes of Bobbito Garcia and Gilles Peterson, and led to a 45 remixed by DJ Spinna. His follow up, Right On Time (Jakarta Records 2015), brought additional praise, attention and an even bigger audience. Pat then lended remix work to fellow Jakarta artists Benny Sings and Suff Daddy (remixing his track with Mayer Hawthorne). Van Dyke is also well known in hip-hop circles—a noteworthy album with underground mainstay John Robinson called Modern Vintage is highly recommended. He’s been featured by Wax Poetics, Flea Market Funk, The Village Voice, Okayplayer and more.

Enjoy this one!

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Pat Van Dyke

LP | 2018 | US | Original (Cotter)

LP | 2024 | Original (Flight 13)

Release: 2018 / US – Original

Genre: Organic Grooves

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Club Of Problems

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2023 | EU (Radiation Roots)

John Holt

Peace Maker

18,99 €*

Release: 2023 / EU

Genre: Reggae & Dancehall

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John Williams , Stanley Myers And His Orchestra

Changes

LP | JP | Original (Eastworld)

11,99 €* 15,99 € -25%

2LP | 2022 | EU | Original (Wiggy Thump)

Release: JP – Original

Genre: Classical Music

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Used Vinyl

Medium: Near Mint, Cover: VG

Cover close to VG+

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Whiskey Myers

Tornillo

Release: 2022 / EU – Original

Genre: Rock & Indie

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2LP | 2017 | EU | Original (!K7)

Michael Mayer

DJ-Kicks

29,99 €*

2LP | 2022 | EU | Original (Wiggy Thump)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Credited by many as one of the leading tastemakers in dance music, his DJ sets have influenced a generation (or two) of musicians and fans out there today. An artist that has never allowed time or age to slow him down – Michael Mayer remains tirelessly motivated behind the DJ decks, in the studio or behind his desk at Kompakt, the company he co-owns. Last year’s full-length LP, ‘&’, was Michael’s fourth, a departure that saw him extensively collaborate with an impressive host of contemporaries and friends, including Joe Goddard, Prins Thomas and Agoria. Complimenting these excursions perfectly, Michael’s long overdue contribution to the legendary DJ Kicks series finds the Cologne artist in just as generous of a mood, only rooted in his ever-expanding record collection, and above all, his defining instinct to share the beauty of music with others. “On an abstract level, the approach was basically the same for both projects”, observes Mayer. “For & I put together a group of people that are close to my heart. For Kicks it was a group of records that are like friends to me. All of the tracks I used went through heaven and hell with me. They've become true companions. Circling in on and bringing together these friends was the only criterion for the making of this mix. I wanted it
to be as personal as possible.”
Perhaps unnervingly to some, fifteen years have passed since the debut edition to Mayer’s breathtaking, scene defining mix trilogy, Immer. Not that it’s legacy - Resident Advisor’s #1 Mix of the 00s, one of Rolling Stone’s 30 Greatest EDM Albums Of All Time - has disturbed Mayer’s formidable workload. A catalogue of no less than 23 EPs, 4 albums and 170 remixes informs a near constant level of international touring. Exhausting as this can be, even after all these years, it’s a ritual that informs the delicate
construction of Mayer’s contribution to the DJ Kicks series.

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Whiskey Myers

Tornillo

Release: 2022 / EU – Original

Genre: Rock & Indie

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Wadada Leo Smith & Amina Claudine Myers

Central Park's Mosaics Of Reservoir Lake Pathway

LP | 2024 | Original (Red Hook)

30,99 €*

Release: 2024 / Original

Genre: Organic Grooves

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OST Halloween Kills Orange / White Vinyl Edition

Release: 2021 / US – Original

Genre: Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

OST Halloween Kills Black Vinyl Edition

Release: 2021 / US – Original

Genre: Soundtracks, Halloween

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In 2018, David Gordon Green's Halloween, starring icon Jamie Lee Curtis, slaughtered the box office, earning more than $250 million worldwide, becoming the highest-grossing chapter in the four-decade franchise and setting a new record for the biggest opening weekend in history for a horror film starring a woman. The film had the distinction of being the first film in the series with creator John Carpenter's direct involvement since 1982's Halloween III: Season of the Witch. Carpenter served as an executive producer, a creative consultant, and, thrillingly, as a soundtrack composer, alongside his collaborators from his recent solo albums, Cody Carpenter and Daniel Davies. Now the scream team is back for the highly anticipated follow up, Halloween Kills and Carpenter has returned to the studio with son Cody Carpenter and godson Daniel Davies to further expand on the iconic score that forever changed the course of horror cinema and synthesizer music. The 2018 Halloween movie soundtrack received unanimous praise and brought a rich and ominous depth to the original theme music that was famously recorded on a shoestring budget in 1978. The trio utilized an array of software synths, vintage analogue equipment, and live instrumentation including a Dave Smith Ob-6, bowed guitar, Roland Juno, Moog, Roland System 1, Roland System 8, different guitar pedals, mellotron, and piano. Now with the Halloween Kills score director Green has pushed the musicians to be more experimental and take their modern sound to a chilling new level.

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OST Halloween Kills Orange / White Vinyl Edition

Release: 2021 / US – Original

Genre: Soundtracks, Halloween

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OST Halloween Kills Orange Vinyl Edition

Release: 2021 / US – Original

Genre: Soundtracks, Christmas

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Tape | 2021 | US | Original (Sacred Bones)

OST Halloween Kills

12,99 €*

Release: 2021 / US – Original

Genre: Soundtracks, Halloween

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Pals Fm: Floor Materials Volume 2

12" | 2023 | EU | Original (Walls And Pals)

John Carpenter, Cody Carpenter And Daniel Davies

Release: 2023 / EU – Original

Genre: Electronic & Dance

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[Pals FM: Floor Materials Vol.2] is the second dance music compilation from Walls AND Pals. The aim is to share various ideas of dance floors instead of lingering on a certain genre or style, and while being DJ Friendly, it also serves as an exchange ground where production techniques of artists co-exist. All four tracks in [Vol.2] correspond with the common purpose of bringing out ‘Floor Materials’, keeping distinct identity from each musician. In ‘Cofrica’, rapper and producer Simo of Y2k92 injects his long-time affection of Detroit flavor into a minimalistic form. Conversely, Dott from the Thai label More Rice brings intricate and complex rhythms centered around the step sequencer in ‘Antibody Movement’, walking a fine line between House and Techno while the essence of Tech House is preserved . And in ‘Pump It Up’, Acidwork demonstrates what the outcome would be when Electro runs through digital instruments and samplers. Last but not least, Seo John, who put out his first EP [dive] last year from the label Goddezz, follows up with ‘miQro’, creating a different side of Trance that is more adequate for clubs or concrete spaces rather than outdoor raves or festivals. In the same manner with the preceding release [Pals FM: Floor Materials Vol.1], [Vol.2] is a compilation executed by fellow Asian musicians across the region. Beyond the reopened borders, and just like the excitement and stimulus at unusual events, this compilation serves to contribute to the dancefloor as an interesting ‘Material’ than simply as a ‘Tool’.

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Halloween Kills (Original Motion Picture Soundtrack)

John Littlejohn And Carey Bell

Release: 2021 / US – Original

Genre: Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

Orange vinyl with a couple of light scuffs. Cover with bumped corner

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The Blues Show! Live At Pit Inn

LP | 1982 | JP | Original (Yupiteru)

21,99 €*

Release: 1982 / JP – Original

Genre: Organic Grooves

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Medium: VG, Cover: VG

Lost Themes IV: Noir Black Vinyl Edition

LP | 2024 | US | Original (Sacred Bones)

Release: 2024 / US – Original

Genre: Soundtracks

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It's been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood's great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. In the years since, Carpenter, Carpenter, and Davies have released close to a dozen musical projects, including a growing library of studio albums and the scores for David Gordon Green's trilogy of Halloween reboots. With Lost Themes IV: Noir, they've struck gold again, this time mining the rich history of the film noir genre for inspiration.Since the first Lost Themes, John has referred to these compositions as "soundtracks for the movies in your mind." On the fourth installment in theseries, those movies are noirs. Like the film genre they were influenced by, what makes these songs "noirish" is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone. The noir quality, then, is something you understand instinctively when you hear it, as in connected in an emotional way.The trio's free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine_the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John's own Christine. It's a chemistry that's helped power one of the most productive stretches of John's creative life, and Noir proves that it's nowhere near done yielding brilliant results.

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Tape | 2024 | US | Original (Sacred Bones)

Lost Themes IV: Noir

16,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Lost Themes IV: Noir Tan And Black Marble Vinyl Deluxe Ediiton

LP | 2024 | US | Original (Sacred Bones)

31,34 €* 32,99 € -5%

Release: 2024 / US – Original

Genre: Rock & Indie

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Deluxe edition available on limited tan and black marble vinyl, includes clear 7" with exclusive bonus track "Black Cathedral" and screen printed B-Side.It's been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood's great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. In the years since, Carpenter, Carpenter, and Davies have released close to a dozen musical projects, including a growing library of studio albums and the scores for David Gordon Green's trilogy of Halloween reboots. With Lost Themes IV: Noir, they've struck gold again, this time mining the rich history of the film noir genre for inspiration.Since the first Lost Themes, John has referred to these compositions as "soundtracks for the movies in your mind." On the fourth installment in theseries, those movies are noirs. Like the film genre they were influenced by, what makes these songs "noirish" is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone. The noir quality, then, is something you understand instinctively when you hear it, as in connected in an emotional way.The trio's free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine_the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John's own Christine. It's a chemistry that's helped power one of the most productive stretches of John's creative life, and Noir proves that it's nowhere near done yielding brilliant results.

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Lost Themes IV: Noir Red Vinyl Edition

LP | 2024 | US | Original (Sacred Bones)

26,59 €* 27,99 € -5%

7" | 2017 | UK | Original (Super Disco Edits)

Release: 2024 / US – Original

Genre: Rock & Indie

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Red Vinyl.It's been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood's great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. In the years since, Carpenter, Carpenter, and Davies have released close to a dozen musical projects, including a growing library of studio albums and the scores for David Gordon Green's trilogy of Halloween reboots. With Lost Themes IV: Noir, they've struck gold again, this time mining the rich history of the film noir genre for inspiration.Since the first Lost Themes, John has referred to these compositions as "soundtracks for the movies in your mind." On the fourth installment in theseries, those movies are noirs. Like the film genre they were influenced by, what makes these songs "noirish" is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone. The noir quality, then, is something you understand instinctively when you hear it, as in connected in an emotional way.The trio's free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine_the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John's own Christine. It's a chemistry that's helped power one of the most productive stretches of John's creative life, and Noir proves that it's nowhere near done yielding brilliant results.

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John Simmons

Safe / I Wanna Be Closer

11,99 €*

Release: 2017 / UK – Original

Genre: Organic Grooves

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Limited vinyl edition!

Although best known in the global music world for his four years (1984-1988) as the music director and bandleader for Whitney Houston, John’s tenure in the soul music field began when he was a member (with his brother Edmund ‘Butch’ Simmons) of The Reflections, a New York City-based quartet who toured from 1972-1975 as the backing group for the legendary Melba Moore. In 1975, The Reflections had a Top 10 R&B hit with “Three Steps From True Love.”

In 1978, John began touring with Stephanie Mills, at the same time collaborating with Phillip Ballou, a member of another New York-based vocal group, Revelation and UK soul music journalist David Nathan (who he met when Nathan did an interview with The Reflections for Britain’s “Blues & Soul” magazine in 1975). The trio wrote a number of songs for Ballou’s demo as a solo artist and while nothing transpired in that regard, John recorded his own version of one of the tunes, “Ain’t Nothing Like The Love” for a small independent Michigan label, Sabrina Records in 1981. John had worked with Cissy Houston at New Hope Baptist Church in New Jersey where she was the minister of music was asked by her to do some initial promotional dates with her daughter Whitney after Arista Records released her first single in 1984; he continued doing world tours with Houston until he passed away at the age of 45 in March 1989.

The Ballou sessions (held mostly in Montclair, New Jersey) expanded into recording dates for both Nathan and Simmons. None of the original recordings were released commercially – until now. In the wake of the interest among rare groove collectors in John’s version of “Ain’t Nothing Like The Love,” Nathan – himself a recording artist since 2003 – has uncovered the tapes of all the material he, Phllip and John recorded in 1978 and 1979.

Gaining its first-ever release now on Nefer Records via Super Disco Edits is the coupling of John’s solo composition, the upbeat gospel-infused “Safe” and the midtempo, “I Wanna Be Closer,” another one of the songs also recorded (and thus far unissued by both Ballou and Nathan).

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Coltrane Jazz Atlantic 75 Series

2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

86,99 €*

Release: 2023 / US – Reissue

Genre: Organic Grooves

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180g 2LP 45rpm.
Analogue Productions (Atlantic 75 Series)

Celebrating the 75th Anniversary of Atlantic Records!

Coltrane playing with his former Miles Davis bandmates

Featuring originals "Harmonique" and "Like Sonny"

180-gram 45 RPM double LP

Pressed at Quality Record Pressings

Tip-on old style gatefold double pocket jacket by Stoughton Printing

The first album to hit the shelves after Giant Steps, Coltrane Jazz was recorded in November and December 1959, although one of the eight tracks ("Villiage Blues") was recorded in late 1960. On everything save the aforementioned "Village Blues," Coltrane used the Miles Davis rhythm section of pianist Wynton Kelly, bassist Paul Chambers, and drummer Jimmy Cobb

AllMusic describes Coltrane Jazz as the saxophone legend's preparation for his launch into his peak years of the 1960s. There are three standards aboard, but the group reaches their peak on Coltrane's original material, particularly "Harmonique" with its melodic leaps and upper-register saxophone strains and the winding, slightly Eastern-flavored principal riffs of "Like Sonny," dedicated to Sonny Rollins. The moody "Village Blues" features the lineup of McCoy Tyner on piano, Elvin Jones on drums, and Steve Davis on bass; with the substitution of Jimmy Garrison on bass, that personnel would play on Coltrane's most influential and beloved 1960s albums.

Sound excellence can be found on this definitive deluxe 180-gram 45 RPM 2LP Analogue Productions (Atlantic 75 Series) reissue of Coltrane Jazz.

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Ole Coltrane Atlantic 75 Series

2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

86,99 €*

12" | 2024 | EU | Original (Oath)

Release: 2023 / US – Reissue

Genre: Organic Grooves

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180g 2LP 45rpm.
Analogue Productions (Atlantic 75 Series)

Celebrating the 75th Anniversary of Atlantic Records!

Coltrane's final album for Atlantic

180-gram 45 RPM double LP

Pressed at Quality Record Pressings

Tip-on old style gatefold double pocket jacket by Stoughton Printing

"His sheer ability as a maverick — beyond his appreciable musical skills — guides works such as this to new levels, ultimately advancing the entire art form." — AllMusic

Coltrane's final album for Atlantic — released in November 1961 — bookends the exploratory motifs he explores on his Impulse! debut, Africa/Brass, recorded concurrently, with each involving knotty rhythmic shifts and Spanish-derived textures.

Bonding with an amazing band including pianist McCoy Tyner, drummer Elvin Jones, and an uncredited Eric Dolphy, Coltrane welcomes improvisations ranging outside conventional parameters, all the while retaining melodic beauty.

Coltrane's interest in the music of Spain evident in Olé, may have been spurred by his ex-employer Miles Davis's Sketches of Spain from the previous year. The structure and melody of the modal jazz vamp "Olé" was borrowed from the Spanish folk song "El Vito" (later used as the tune of "El Quinto Regimiento" from the Spanish Civil War, which was made known by Pete Seeger), while the soprano saxophone work recalled 1961's My Favorite Things.

Writing for All About Jazz, John Ballon commented: "A transitional record, Olé Coltrane successfully navigates the line between Trane's sonically challenging later years and his earlier accessibility. A magnificent milestone in Trane's artistic growth, this is an essential recording for any collection."

This deluxe 180-gram 45 RPM 2LP reissue from Analogue Productions (Atlantic 75 Series) is a fantastic addition to any music collection, and a must-have for Coltrane fans.

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John Beltran

Serendipia : Remixes

17,99 €*

John Coltrane & Eric Dolphy

Release: 2024 / EU – Original

Genre: Electronic & Dance

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With memories of 2022’s ‘Serendipia’ still at the forefront of many minds, Oath are proud to offer up a fresh perspective on the John Beltran produced LP, with some stellar names featuring that will help the musical love affair continue onwards and upwards…

The art of the remix is certainly alive and well, and is often the final piece of the jigsaw on records where a alternative perspective sits alongside original tunes – a mirrored yet respectful sound that adds to the overall musical narrative. It often helps when the source material has so much to take in, and on ‘Serendipia’ the sonic ideas that John Beltran conjured up are a treasure trove for artists to work with. A breezy, Brazilian love affair, ‘Serendipia’ is the kind of record to take around in your pocket, a sound that nurtures the body and soul with its delicate rhythms and enriching, mellow yet captivating melodic sequences. From the walking pace through to the rhythms of life, Beltran captured something truly extraordinary on this record, such is what we have come to expect from his finger tips. Sunrises, sunsets, orange hued afternoons and deep blue seas, it is a record for the pastoral times, to riding back and soaking up the goodness – music that maintains smiles in abundance, no matter where or when.

The revisit to ‘Serendipia’ saw Oath approach some top notch producers, who provided a bountiful array of alternative styles and takes on the hazy rhythms and gorgeous melodic features of Beltran’s original tracks. In doing so, the artists involved managed to capture the core essence of the original LP, and that is of the broad diversity of feel which Beltran provided, with tracks swinging from genre and style with ease and intuition. What is perhaps handled the best is the balance between the original cuts and the musical personality of the music makers involved, and that makes for a truly feel good experience.

Danilo Plessow’s remix of ‘Sa Coma Blue’ slides into view as the record’s opener. Plessow turbo charges the core melodic drivers of the original, moving the atmosphere into a club environment with high line drumming patterns, driving synth sequences and a firm hand on controlling the shifts in energy and mood. Kareem Ali is up next with his spin on ‘Cachaca’, with a house leaning twist put on this rhythmically enriching palette. Ali draws focus on a piano riff found within the original, which acts as the melodic cornerstone of the track as it weaves and grooves into the night.

Melodiesfonie turns up next with their take on ’Suenos Soleados’, as the light starts to pour in on the dance floor. Slow, sultry and easy going, this track breezes along with a gentle whisper, with plenty of space available for a glorious array of instrumentation. Guitar and keys are given plenty of time to breathe, particularly in those dreamy breakdown moments. Session Victim then present their take on ‘Ask Anlari’, with this reworking spreading out the relatively short original cut and adding a fresh heap of drums whilst incorporating the original melodic density expertly. This one unravels like the freshest sunset going, its one to dip your head into. ‘Em Trancoso’, which lands next, is flipped from sun kissed to night time groover with some class by Em Trancoso. The rhythm and melody is spread out, with a hefty dosage of space added into the blend which creates a rhythmic work of art. Lastly, we have Xique’s remix of ‘Yangu Milele’, which stays true to the original in all the best ways. Similar tempo, similar thuds and a spread of rhythmic notions that will get the heart skipping, a perfect way to see out the record.

‘Serendipia’ provided a rich insight into John Beltran’s musical universe, and this remix record helps to add further to that album’s rich legacy. All the artists involved throw their hats into the ring, providing enlightening and characterful reworkings which are as dynamic as they are diverse. Each track flows into one another, capturing the musical dexterity of the original music and in turn contributing to a wholesome, rewarding musical experience. A record with many moments, and Oath couldn’t be more thrilled to share it with the world.

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Evenings At The Village Gate Orange Vinyl Edition

2LP | 2023 (Universal)

39,99 €*

Release: 2023

Genre: Organic Grooves

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Im August 1961 spielte das John Coltrane Quintet ein Engagement im legendären Village Gate in Greenwich Village, New York. Mitglied der Gruppe: der visionäre Multiinstrumentalist Eric Dolphy. Neunzig Minuten nie zuvor gehörte Musik dieser Gruppe wurden kürzlich in der New York Public Library entdeckt und werfen ein Schlaglicht auf eine musikalische Partnerschaft, die viel zu früh endete. Zusätzlich zu bekanntem Coltrane-Material („My Favourite Things“, „Impressions“, „Greensleeves“) gibt es mit „When Lights Are Low“ ein beeindruckendes Feature für Eric Dolphys Bassklarinette und die bislang einzige bekannte Nicht-Studioaufnahme von Coltranes Komposition „Africa“ aus dem berühmten „Africa/Brass“-Album.

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Standard Coltrane 200g Vinyl Edition

LP | 1962 | US | Reissue (Analogue Productions)

46,99 €*

LP | 1971 | EU | Reissue (Endless Happiness)

Release: 1962 / US – Reissue

Genre: Organic Grooves

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John Coltrane brought a new sound and style to jazz, and he applied it in his own unique way to the standard material of the storehouse of American music gathered from Broadway, Hollywood and Tin Pan Alley. With the excellent rhythm team of Red Garland, Paul Chambers (both of whom had done so many concert, club and recording dates with him) and Jimmy Cobb and the Miles-directed flugelhorn of Wilbur Harden, Trane puts his personal stamp on numbers not done that often like Henry Nemo's "Don't Take Your Love from Me", Fred Ahlert's "I'll Get By" and two more familiar yet still not overdone songs, Richard Rodgers' "Spring Is Here" and Bronislau Kaper's "Invitation."

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John Mayall

Thru The Years

22,99 €*

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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“Thru The Years” is a compilation album of music by John Mayall released in October 1971 by Decca Records in the U.K. and London Records in the U.S.A. The album was the second compilation to be issued by Decca/London with Mayall's blessing and it features a mixture of previously unissued songs or non-album tracks that had only been released as singles. A grab bag of rare tracks from the '60s, some of which stand among Mayall's finest. His debut 1964 single "Crawling Up a Hill" is one of his best originals. The eight songs featuring Peter Green include some top-notch material that outpaces much of the only album recorded by the Green lineup (A Hard Road), particularly the Green originals "Missing You" and "Out of Reach," a great B-side with devastating, icy guitar lines and downbeat lyrics that ranks as one of the great lost blues-rock cuts of the '60s. The set is filled out with a few songs from the Mick Taylor era, the highlight being the vicious instrumental "Knockers Step Forward."

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Lush Life Black Vinyl Edition

LP | 1961 | EU | Reissue (SAAR)

Niandra LaDes And Usually Just A T-Shirt

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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« Lush Life » (1958) is among John Coltrane’s best endeavors on the Prestige (and Music) label.

One reason can easily be attributed to the interesting personnel and the subsequent lack of a keyboard player for the August 16, 1957 session that yielded the majority of the material.

Coltrane (tenor sax) had to essentially lead the compact trio of himself, Earl May (bass) and Art Taylor (drums). The intimate setting is perfect for ballads such as the opener ‘Like Someone in Love ».

John Coltrane doesn’t have to supplement the frequent redundancy inherent in pianists, so he has plenty of room to express himself through simple and ornate passages. Unifying the slippery syncopation and slightly Eastern feel of « I Love You » is the tenor’s prevalent capacity for flawless, if not downright inspired on-the-spot « head » arrangements that emerge singular and clear, never sounding preconceived. Even at an accelerated pace, the rhythm section ably prods the backbeat without interfering. A careful comparison will reveal that « Trane’s Slow Blues » is actually a fairly évident derivation (or possibly a different take) of « Slowtrane ». But don’t let the title fool you as the mid-tempo blues is undergirded by a lightheartedness.

May provides a platform for Coltrane’s even keeled runs before the tenor drops out, allowing both Earl May and then Art Taylor a chance to shine. The fun cat-and-mouse-like antics continue as Taylor can be heard encouraging the tenor player to raise the stakes and the tempo – which he does to great effect.

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John Frusciante

2LP | 2017 | US | Original (Superior Viaduct)

38,99 €*

Release: 2017 / US – Original

Genre: Rock & Indie

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Niandra LaDes And Usually Just A T-Shirt is the first solo record by John Frusciante. Between 1990 and 1992 the guitarist made a series of 4-track recordings, which at the time were not intended for commercial release. After leaving the band Red Hot Chili Peppers in 1992, Frusciante was encouraged by friends to release the material that he wrote in his spare time during the Blood Sugar Sex Magik sessions.

Originally released on Rick Rubin’s American Recordings label in 1994, Niandra LaDes is a mystifying work of tortured beauty. Frusciante plays various acoustic and electric guitars, experimenting with layers of vocals, piano and reverse tape effects. Channeling the ghosts of Syd Barrett and Skip Spence, his lyrics are at once utterly personal and willfully opaque.

Frusciante’s rapidfire, angular playing shows how key he was in the Chili Peppers’ evolution away from their funk-rock roots. His cover of “Big Takeover” perfectly deconstructs the Bad Brains original with laid-back tempo, twelve-string guitar and a fierce handle on melody.

The album’s second part—thirteen untitled tracks that Frusciante defines as one complete piece, “Usually Just A T-Shirt”—contains several instrumentals featuring his signature guitar style. Sparse phrasing, delicate counterpoint and ethereal textures recall Neu/Harmonia’s Michael Rother or The Durutti Column’s Vini Reilly.

On the front cover, Frusciante appears in 1920s drag—a nod to Marcel Duchamp’s alter-ego Rrose Sélavy—which comes from Toni Oswald’s film Desert in the Shape.

This first-time vinyl release has been carefully remastered and approved by the artist. The double LP set is packaged with old style tip-on gatefold jacket and printed inner sleeves.

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Giant Steps Atlantic 75 Series

2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

75,99 €*

The Zenmenn And John Moods

Release: 2023 / US – Reissue

Genre: Organic Grooves

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180g 2LP 45rpm. Analogue Productions (Atlantic 75 Series)
Celebrating the 75th Anniversary of Atlantic Records!
John Coltrane's watershed 1960 release featuring the iconic title track and "Naima"
One of the most influential jazz albums of all time!
180-gram 45 RPM double LP
Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound
Pressed at Quality Record Pressings
Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing

Released in 1960, Giant Steps was a watershed album for John Coltrane, solidifying the saxophone legend's reputation as one of the most influential and innovative musicians in jazz history, as well as delivering jazz to an increasingly mainstream audience, while garnering significant critical acclaim.

Although this was John Coltrane's debut for Atlantic, he was concurrently performing and recording with Miles Davis. Within the space of less than three weeks, Coltrane would complete his work with Davis and company on another genre-defining disc, Kind of Blue, before commencing his efforts on this one.

Coltrane (tenor sax) is flanked here by essentially two different trios. Recording commenced in early May of 1959 with a pair of sessions that featured Tommy Flanagan (piano) and Art Taylor (drums), as well as Paul Chambers — who was the only bandmember other than Coltrane to have performed on every date. When recording resumed in December of that year, Wynton Kelly (piano) and Jimmy Cobb (drums) were instated — replicating the alternate non-Bill Evans lineup featured on "Freddie the Freeloader" on Kind of Blue, sans Miles Davis of course. At the heart of these recordings, however, is the laser-beam focus of Coltrane's tenor solos.

All seven pieces issued on the original Giant Steps are Coltrane compositions. He was, in essence, beginning to rewrite the jazz canon with material that would be centered on solos — enabling the solo to become infinitely more compelling. This would culminate in a frenetic performance style using melodic phrasing that noted jazz journalist Ira Gitler accurately dubbed "sheets of sound."

The Giant Steps chord progression consists of a distinctive set of chords that create key centers a major third apart. Jazz musicians ever since have used it as a practice piece, its difficult chord changes presenting a "kind of ultimate harmonic challenge", and serving as a gateway into modern jazz improvisation. Several pieces on this album went on to become jazz standards, most prominently "Naima" and "Giant Steps."

The Penguin Guide to Jazz selected this album as part of its suggested "Core Collection" calling it "Trane's first genuinely iconic record." In 2003, the album was ranked No. 102 on Rolling Stone magazine's list of The 500 Greatest Albums of All Time, 103 in a 2012 revised list, and 232 in a 2020 revised list.

Undeniable music perfection deserves definitive sound and top-notch packaging. This reissue was mastered directly from the original master tape by Ryan K. Smith at Sterling Sound and cut at 45 RPM. Pressed on 180-gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.

Overall, Giant Steps is not only a critical triumph but also a defining moment in John Coltrane's career. Its innovative compositions, masterful performances, and profound influence on jazz make it an essential entry in Coltrane's discography and a timeless masterpiece in the history of the genre.

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Hidden Gem

LP | 2022 | EU | Original (Music From Memory)

23,99 €*

Honky Chateau (2017 Remaster)

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Hidden Gem' is the Zenmenn's first full album produced together with songwriter and vocalist John Moods and follows their much-loved debut record, 'Enter The Zenmenn'. Named after a country song that didn't quite make it to the final selection, 'Hidden Gem' is the result of an extended jam session at a friend’s studio, in a field of mystical meadows somewhere south of Hamburg, in which the band would experience a series of inexplicable phenomena.

It was their earlier collaboration on the future classic, 'Homage To A Friend' that kickstarted their idea to team up with John Moods again, and in the late summer of 2021 the band set to work on a full album of material together. Using The Zenmenn's trusted drum kit, good old DX7, an unusual Ukrainian bass and an almost discarded pedal steel guitar, combined with Moods’ uniquely fragile voice, the outcome resulted in six timeless songs. The resulting harmonic sound is, as the band put it, “something like Adult Oriented Rock with a teaspoon of Celtic sentimentalism, a pinch of big city Country wrapped in a late night '70s style jam”.

'Hidden Gem’, much like their previous LP, was recorded without pre-arranged songs or any fixed musical concept. Instead, it captures fleeting moments of creativity and reflects the joint musical sentiments of the band members at the time. “Some artists are amazing at vision and curating, our work-flow is opposite to that. We are pretty messy and all over the place in our creation, as in life. It has its advantages and disadvantages, but hopefully it comes out all right in the end.”

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Elton John

LP | 2017 | EU | Original (Mercury)

28,99 €*

Release: 2017 / EU – Original

Genre: Pop

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Remastered from the original analogue tapes and pressed on 180-gram vinyl!

“Honky Château”, released in 1972, is the fifth studio album released by Elton John. It was titled after the 18th century French chateau where it was recorded, Château d'Hérouville. The album reached number one in the US, the first of seven consecutive US number one albums for Elton John.

It was certified gold in July 1972 and platinum in October 1995 by the RIAA. This was the final Elton John album on the Uni label in the US and Canada before MCA consolidated all of its various labels under the MCA brand. This and John's earlier Uni albums were later reissued on MCA Records.

Two singles were released worldwide from Honky Chateau, "Rocket Man" and "Honky Cat." A third single, "Hercules," was prepared for release, but this never materialised.

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Chloe And The Next 20th Century Blue Vinyl Edition

2LP | 2022 | UK | Original (Bella Union)

36,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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John Carpenter, Cory Carpenter & Daniel Davies

OST Halloween Ends Pumpkin Orange Vinyl Edition

LP | 2023 | US | Original (Sacred Bones)

Enter The Mirror Black Vinyl Edition

Release: 2023 / US – Original

Genre: Soundtracks, Halloween

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After 45 years, the most acclaimed, revered horror franchise in film history reaches its epic, terrifying conclusion as Laurie Strode faces off for the last time against the embodiment of evil, Michael Myers, in a final confrontation unlike any captured on-screen before, one where only one of them will survive. As Halloween Ends marks the last chapter of the David Gordon Green trilogy, so it ushers the essential return of original director and composer John Carpenter to score the iconically hair-raising soundtrack alongside Cody Carpenter and Daniel Davies. Recorded in its entirety at Carpenter's home studio and Davies' studio, the unmistakable mix of software synths, vintage analogue equipment, and live instrumentation once again provides the signature sound of Halloween, one of the most distinctive aspects of the movie franchise to date. The soundtrack was tracked scene by scene but the album itself plays like a standalone piece of music. The general atmosphere is one of dread yet the record includes some groove laden moments reminiscent of Escape From New York or some of Carpenter's other more dance-able scores. Exquisite and delicate ambient pieces weave their way between some of the score's more arresting moments and yet maintain a subtle pop sensibility. The overall achievement showcases three master musicians, one of whom invented the entire horror-synth genre, crafting an evocative, playful and deeply listenable score that honors a legacy and expands on the decades of work that have been leading to this triumphant climax. Halloween Ends is the soundtrack of the final battle against evil. Watch your back this Halloween, Michael may be near you.

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Maserati

LP | 2020 | US | Original (Temporary Residence)

Hedvig Mollestad & Trondheim Jazz Orchestra

Release: 2020 / US – Original

Genre: Rock & Indie

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Marking their 20th year as a band, Maserati returns with their first new album in five years. Produced by the band and mixed by Grammy-winning producer, John Congleton (Explosions In The Sky, Swans, Angel Olsen), Enter The Mirror is Maserati's most compelling mélange of triumphant guitar hooks, abstract synth-pop, and Wax Trax-inspired noise anthems. The gated drums of Phil Collins and chorus-drenched guitars of INXS were prominent influences on Enter The Mirror, paired to magnificent effect with the increasingly dystopian lyrical themes (which, ironically, were also massive influences on popular music in the 1980s, and feel ever more relevant now). In addition to longtime members Coley Dennis, Matt Cherry, Chris McNeal, and Mike Albanese, Maserati are joined by friends and collaborators, Bill Berry (R.E.M.), Owen Lange, and Alfredo Lapuz Jr. Self-reflection and loss of control as both a positive and negative aspect of modern existence is at the heart of Enter The Mirror. It is Maserati's most efficient and cohesive album, and a monumental accomplishment for a band who have weathered many storms throughout their first two decades - and found the will to not just keep moving, but to move with style and chase.

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Maternity Beat

LP | 2022 | EU | Original (Rune Grammofon)

Box | 2010 | EU (Universal)

Release: 2022 / EU – Original

Genre: Organic Grooves

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With Maternity Beat, Hedvig Mollestad has surpassed herself, most significantly as a composer and arranger, and delivered her magnum opus so far. And with Trondheim Jazz Orchestra she found the perfect ensemble to perform it. They have a long tradition for collaborations like this, we can mention Chick Corea, Jason Moran and Marius Neset among many others. And as always, Hedvig truly shines as a guitarist. Maternity Beat is Hedvig's third "solo" album. It was commissioned by Molde International Jazz Festival and premiered in July 2020, later the same year streamed at London Jazz Festival. The recording took place in Athletic Sound in Halden in October 2021. Since she received the festival's talent price in 2009 and signed to Rune Grammofon the following year, we have had the great pleasure to release seven albums by her trio as well as two solo albums, all receiving wide international acclaim in both jazz and rock camps. To complete the circle, Hedvig has been chosen as next year's Artist in Residence at the festival, a most prestigious institution in Norwegian jazz, held by John Zorn this year and initiated by Chick Corea in 2000 and Pat Metheny in 2001.

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John Lennon

Signature CD Box

118,99 €*

Release: 2010 / EU

Genre: Rock & Indie

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LP | 2024 | UK | Original (Taxi Gauche)

Laena Myers

Luv (Songs Of Yesterday)

21,99 €*

LP | 2018 | US | Original (Northern Spy)

Release: 2024 / UK – Original

Genre: Rock & Indie

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On 23 February 2024 wildly creative free-form L.A. singer-songwriter and multi instrumentalist Laena Myers is set to release her highly anticipated debut solo album, ‘luv (Songs Of Yesterday)’. Released on Taxi Gauche Records, the 11-track collection is the first to feature the genre-spanning composer, in-demand session player/singer and classically trained violinist putting her own name to her recordings.

Formerly known as Laena Geronimo and L.M.I. / Laena Myers-Ionita, Laena is perhaps best known as lead singer, songwriter and guitarist of critically-acclaimed and internationally touring rockers Feels, but that is only the tip of the iceberg. She’s also known for her time as bassist for goth-punk band Numb.er as well as the Motown-inspired pop outfit The Like, and as the go-to-violinist for a myriad of artists from the L.A. music scene and beyond - contributing to released recordings by John Frusciante, Jhené Aiko, Ty Segall, Shannon Lay and The Allah Las to name a few.

Describing herself as “An awkward, shy kid who played in the Jr. Philharmonic Orchestra of California and wore headphones blasting NIN, The Velvet Underground and Sonic Youth all the time”, Laena cut her teeth in a busking band, performing purely improvised

material on street corners in Hollywood and spent the entirety of her young adulthood as a supporting player in countless L.A. bands - at times as many as five simultaneously, while working full time and sleeping in her car during lunch breaks.

Inspired as much by the soft weight of Hope Sandoval and Patsy Cline’s dramatic powers, Patti Smith’s poetic punk and Nico’s avant-garde musings as she is by contemporaries like Angel Olsen, Aldous Harding and Cate LeBon, her musical roots run deep. She is the daughter of American drummer Alan Myers (devo, Skyline Electric, Jean Paul Yamamoto) and Romanian singer/songwriter and visual artist Greta Ionita (Babooshka).

As a solo artist, Laena's punk background of guitar-based songwriting and swagger merges with her innovative classical/experimental roots and love for singing ballads, and this is shown throughout ‘luv (Songs Of Yesterday’), leading to a depth of emotion that cuts to the heart of even the most hardened, revealing a more tender side to her vocal and lyrical prowess over lush string arrangements.

The album’s opening track ‘luv’, with it’s only lyrics “When I say I’m in love you best believe I mean love L.U.V.” is a nod to The Shangri-Las and New York Dolls, and was used to evocatively soundtrack fashion brand CELINE’s Spring 2020 campaign. “Half the songs on the album are about relationships in which I thought I was in love - true love - but it turned out to be something else”, Laena explains, “so ‘luv (Songs of Yesterday)’ seemed a fitting title: sounded like love, looked like love, but it wasn’t real love.”

“The overarching theme of the album is strength in vulnerability” Laena explains, “it’s a collection of songs that were too personal and dreamy for Feels, songs of haunted love, melancholy and hope, selected and woven together with instrumental segues and field recordings into a whole experience.”

The record’s first single, ‘Give ‘Em Hell’, written six months after her father passed away, is about keeping the flame alive and having the courage to believe in yourself. “We were very close” she says. “One night before I got on stage he stopped me and said “Give ‘em hell, kid”, and this phrase has become a mantra to me, to not hold back and give it my ALL. Many of these songs come from heavy times”, she continues, “but there is always the glimmer of a brighter tomorrow. Reach out when you need to, move through the gears and you’ll come out the other side.”

The songs contained in ‘luv (Songs Of Yesterday)’ are picked from over the course of a decade, written purely from a place of honest expression and filled with texture, depth, and meaning. They were recorded between tours mostly in sweltering summer bedrooms by friend and co-producer Scott Cornish (Angel Olsen, Big Thief, No Age), and mixed during the pandemic. The album features Laena’s vocals, guitar, bass, and violin playing and huge-sounding, lush string arrangements supplemented with drums and percussion by Nick Murray (Cate Le Bon, White Fence, Thee Oh Sees), synths by Jeff Fribourg (Numb.er, Froth), lap steel by Cole Berliner (Kamikaze Palm Tree), and sax by Gabe Flores (Grave Flowers Bongo Band), as well as field recordings — birds singing at daybreak, footsteps and bells making their way into a cave, the wind on a peak in Angeles National Forest.

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Wilder Maker

Zion

LP | 2023 | US | Original (Drag City)

Release: 2018 / US – Original

Genre: Rock & Indie

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James Joyce once said that if all of Dublin was destroyed, they ought to be able to rebuild it brick by brick just from reading his novels. Wilder Maker's Zion is the first chapter in a musical novel that makes the same claim for Brooklyn, NY. Written by guitarist/saxophonist/singer Gabriel Birnbaum and brought to life with long time collaborators Katie Von Schleicher, Nick Jost (Baroness), Adam Brisbin (Sam Evian, Jolie Holland) and Sean Mullins, Zion is a kaleidoscopic snapshot of years hustling for a break in New York City: waking up at 5 am to pour coffee for the brownstone-owning elite, waiting for a drug dealer on a city bench outside a blurry house party, moving catastrophically from apartment to apartment in the garbage scented heat, glimpsing euphoria through the ritual of taking your place among the anonymous crowd at a music festival, having your heart shattered in front of an audience at a bar, drunkenly contemplating bodega window displays, circling ever closer to something that could either be perfection or the drain, depending on the day. Last year's Saddle Creek single New Streets showcased the band in their poppiest Fleetwood-Mac-channeling mode, breezy summer jams for driving with the windows down, and it got them noticed by NPR, SPIN and Stereogum, but Zion hugely expands their palate of tools. Its influences run from classic 70's Dylan to blown out free jazz saxophone, from Dr. John's swampy psychedelia to Ethiopian sounds picked up from Birnbaum's many years as a member of Debo Band, with hints of Coltrane's classic quartet and nods to The Velvet Undergound. Zion is an omnivorous record. Its wide ranging influences have been hinted at throughout Wilder Maker's adventurous catalogue of self-released material but never explored so fully, or with this kind of wild energy and unclassifiable groove. This is a record to dance to, to cry to, to sing along to, maybe all three at once.

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John Fahey

Proofs And Reputations

28,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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Recorded in 1995 and 1996, mostly in John Fahey"s room at a Salem, Oregon boardinghouse, the performances on Proofs and Refutations prefigure the ornery turn of the page that marked Fahey"s final years, drawing another enigmatic rabbit from his seemingly bottomless musical hat. Cloaked in the language of dogma - what is he proving? refuting? - this is Fahey dancing a jig in the Duchampian gap, jester cap bells a-jingling. True believers? He"s got something for you: an uncompromising vision that you can sneer at ("guy can"t play anymore and refuses to concede!") or embrace as evidence of his genius ("the reinventor does it again!"). Skeptics? He"s there with you, too: sending up the fallacy of certitudes altogether. Institutions, systems, accepted wisdoms. Heroes. Alternative facts, indeed. Right out of the gate, Fahey re-materializes before us, somewhere between Oracle of Delphi and Clown Prince at Olympus. Mounting a thundering dialectic from on high, "All the Rains" resembles nothing else in his extensive discography - betraying roots in everything from Dada to Episcopal liturgical chant - and contains nary a plucked guitar note. You can"t fool him! When the lap steel of yore appears on "F for Fake," it serves more as soundbed for an extended sequence of vocal improvisations, running the gamut from wordless Bashoian caterwauling to free-form (but decidedly fake) Tuvan, even revealing a burnished falsetto in the process. Fahey takes on a different kind of provocation in the two acoustic guitar-based tracks closing Side 1 - "Morning" parts 1 and 2 - the first of 4 recordings in this session that have him wrestling with the ghost of Skip James, perhaps Fahey"s effort to wrench the "bitter, hateful old creep" (his words) back into the grave. Anchoring Side 2 is the two-part "Evening, Not Night," the second half of his extended cathexis on James (and the latter"s avowed castration complex - another story for another day, perhaps). Bit of a chill in the air - where"s the impish Fahey from earlier? Unmistakably working through some psychic wounds here, we might think: the unheimlich rendered in glistening viscera. Or is he playing with our notions of authenticity, of his reputation as troubadour of raw emotional states, a pilgrim of the ominous, the simmering unconscious? These cards are kept decidedly close to the vest. The opening and closing pieces again feature Fahey"s guitar as drone soundbed - employing distortion, oscillation, and an altogether absurd quotient of reverb to create texture and harmonics that are - if we wanna go there - not dissimilar to the sustained tonic clusters of Tibetan singing bowls, the hurdy gurdy, Hindustani classical music, or La Monte freaking Young. Portions of this material appeared on obscure late "90s vinyl in the 7" or double-78 rpm format, but as a "session" it has lain dormant more than a quarter century now. Taken together, we can now see these tracks as secret blueprints to latter-day Fahey provocations, several years prior to records like 1997"s City of Refuge and Womblife.

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Chloe And The Next 20th Century Black Vinyl Edition

2LP | 2022 | UK | Original (Bella Union)

19,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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Hands In The Till: The Complete John Peel Sessions

The Wolfhounds

LP | 2018 | EU | Original (A Turntable Friend)

17,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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Originally formed as teenagers in 1984, The Wolfhounds released four critically acclaimed LPs and numerous singles, appeared on the NME’s influential C86 cassette, extensively toured the UK and continental Europe, finally disbanding in 1990. The band reformed in 2006 at the request of St Etienne’s Bob Stanley to celebrate 20 years since the release of C86, and inflicted a severe guitar noisefest on an unsuspecting indiepop crowd at London’s ICA. Since 2012 they have been recording and releasing new material.

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Chloe And The Next 20th Century Deluxe Edition

2LP+7" | 2022 | UK | Original (Bella Union)

114,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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Plastic Ono Band Deluxe Edition

John Lennon

2LP | 1970 | EU | Reissue (Universal)

42,99 €*

John Lunn, Eivør And Danny Saul

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Plastic Ono Band was the debut solo album by John Lennon. Released on December 11th 1970, John and Yoko had started writing and demoing at Abbey Road (emi Studios) in the summer, with recording sessions during September/October

After the break-up of The Beatles that year, John and Yoko embarked on a period of self-reflection and experimentation, with the results that the songs and sessions for Plastic Ono Band were heavily influenced by his immersion in Arthur Janov’s primal therapy. John was able to find emotional depth and honesty within himself that few artists had ever done before, with John saying to Rolling Stone “now I write all about me and that’s why I like it. It’s me.” . The result is perhaps the most honest and emotionally raw album that anyone has ever released, let alone someone who was one of the four most famous musicians on the planet. With a small core band comprised of just Ringo Starr on drums and old friend Klaus Voorman on bass, co-produced by Phil Spector, the album peaked at 8 in the UK charts and 6 in the USA. It has come to be regarded by many as John’s finest solo work and has continued to grow in stature and reverence and has often featured in various Best Of lists through the years since. Not only does this album feature some of John’s best-loved and most impactful songs – Mother, Working Class Hero, Isolation, God – but this new set also includes the singles Give Peace A Chance, Cold Turkey and the classic Instant Karma! (We All Shine On).

Released on the same day was Yoko Ono’s Plastic Ono Band album, the couple regarding the release as a pair of albums rather than two entirely separate projects, albeit of course it not achieving the same sort of coverage or chart success as John’s.

Coming as this does hot on the heels of last year’s much loved and well-reviewed “Gimme Some Truth” set and “Imagine” before that, the audio has been completely remixed from the original studio tapes as part of the ongoing John Lennon Ultimate Mix series. The aim for this mix process is to achieve three things: to remain faithful and respectful to the original recordings; to ensure that the sound is sonically clearer overall and to increase the clarity of John’s vocals. As Yoko says, “it’s about John” and this new mix shows that it is his voice that brings the biggest emotional impact of the album.

This multi-format release included a Cd/bd Super Deluxe Box with 130 page book featuring many exclusive and new photos, track-by-track notes in the words of John and Yoko, lots of tape boxes and full breakdown and descriptions of the audio content. As well as the new Ultimate Mix, we have 5 further CD discs, each focusing on different and new aspects ,including: original outtakes, demos, Elements Mixes (focusing on individual aspects of the songs to reveal unheard elements), Evolution Mixes (the story of each song from demo to complete recording), Raw Mixes (unadorned studio takes that place you inside the room almost sitting alongside the band) and a further disc of studio Jams. There are two Blu-ray Audio discs that feature hi-res stereo (192/24) versions of all the above as well as surround mixes in 5.1 and Dolby Atmos. Further material only available on BD includes the Yoko Ono Band/Plastic Ono Band Live Sessions from the original recording sessions and featuring Ringo Starr and Klaus Voorman.

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The Last Kingdom: Destiny Is All Amber Vinyl Edition

LP | 2023 | EU | Original (Season Of Mist)

48,99 €*

Release: 2023 / EU – Original

Genre: Reggae & Dancehall

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Tape | 2021 | US | Original (Sub Pop)

Fear Fun

13,99 €*

Release: 2021 / US – Original

Genre: Rock & Indie

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Reissued - Father John Misty's First From 2012! Father John Misty Is The Nom-De-Plume Of Josh Tillman, Who Has Been Recording And Releasing Solo Albums Under His Own Name Since 2003, And Who Left Seattle's Fleet Foxes After Playing Drums With Them From 2008-2011. When Discussing Father John Misty, Tillman Paraphrases Philip Roth: "'It's All Of Me And None Of Me, If You Can't See That, You Won't Get It.'" Fear Fun, Father John Misty's Debut Album, Began Gestating During What Tillman Describe...

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LP | 2021 | US | Original (Sub Pop)

Fear Fun

2LP | 2022 | EU | Original (Unseen Worlds)

Release: 2021 / US – Original

Genre: Rock & Indie

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John McGuire

Pulse Music

41,99 €*

John Morales Presents Teena Marie

Release: 2022 / EU – Original

Genre: Rock & Indie

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Presented together for the first time, American composer John McGuire's Pulse Music series (1975-1979) blurs the popular narrative that Minimalism was a reaction against Europe's angular, intellectual, inscrutable high-modernism. McGuire, born in California, studied at Occidental College in Los Angeles and UC Berkeley before going to Europe to study with Karlheinz Stockhausen, Krzysztof Penderecki, and Gottfried Michael Koenig. His compositions lock serialism's warped geometries onto an evenly spaced grid, perfectly preserving serial music's multi-dimensionality while smoothing its wildest disjunctures and sharpest angles. If serialism is Montreal's Habitat 67 modular housing complex, McGuire's Pulse Music compositions are the primary-colored grids of Le Corbusier's L'Habitation apartment complex _ an exuberant expression of the same materials and principles.Every layer of pulses is made distinct through its timbre, register, and tempo. We hear them as a plurality, organized like stars in the sky. Every so often the sky rotates and the stars appear in a different arrangement. Our ear naturally starts to draw connections and, as it sweeps between one layer and another, what was discrete becomes continuous. Pulses become flows; quantitative reality becomes qualitative experience.McGuire's pulse pieces were realized electronically, in the newly built Studio for Electronic Music at the State University of Cologne and WDR, but Pulse Music II adapted his ideas to an orchestral canvas. Commissioned retrospectively by the composer and radio producer Hans Otte for his Pro Musica Nova festival at Radio Bremen. Alongside the Bremen orchestra, conducted by Klaus Bernbacher, were four pianists_Christoph Delz, Herbert Henck, Deborah Richards, Doris Thomsen_and McGuire himself playing a series of twelve drone-like chords on the organ. The techniques of the electronic Pulse Music pieces required a speed and precision too great for live musicians, so for Pulse Music II McGuire adapted his method to an expanding progres...

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Love Songs

3LP | 2021 | EU | Original (BBE Music)

48,99 €*

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Producer extraordinaire John Morales returns to BBE Music, celebrating the life and work of R&B / soul legend Teena Marie with a double album full of brand new remixes, lovingly crafted from the original studio tapes, entitled ‘Love Songs & Funky Beats’. “Teena is somewhat underrated, and people don't really know much about her.” Says Morales. “I set out to immerse people in her music and represent what she really did. That meant for me a dive into more than her R&B hits, to dig into her ballads and dance cuts. People know she was talented. I don't really think they really knew the depth of her abilities, her complete confidence to take it upon herself to do everything – singing, producing, arranging, songwriting. Teena Marie was the total package.” John Morales had the pleasure of mixing many of Teena Marie’s original records over the years, so it felt natural to dig into the archives and select his favourite cuts to rework, extend and subtly update in his own distinctive style. While by no means a definitive collection of Lady Tee’s expansive musical catalogue, ‘Love Songs & Funky Beats’ represents a fitting tribute to a multifaceted and important voice in popular music, by one of the most storied mix engineers and remixers of our age. Jumping into the music industry deep end in 1979 with a three-year mentorship from Berry Gordy & Rick James at Motown, Teena Marie then spent seven fertile years with Epic, which yielded her greatest commercial successes (including the classic album 'Starchild'). After founding an independent label ‘Sarai’, Marie took a ten-year hiatus which ended in 2004 in a deal with hip hop label Cash Money Records; a less unlikely partnership than some might assume, given that Teena was one of the first ‘mainstream’ artists to perform a rap verse, on 1981’s ‘Square Biz’. Teena Marie Brockert forged a unique path through the industry, an artist in-charge of her own destiny, influencing (and heavily sampled by) both the hip hop and R&B sounds of the 90’s and early 2000’s. Her 1982 lawsuit against Motown records resulted in "The Brockert Initiative", which has benefitted literally thousands of other artists by making it illegal for record companies to ‘shelve’ artists by keeping them under contract without releasing their material. She continued to tour regularly and deliver commercially successful, expertly sculpted music, right up until her untimely passing in 2010.

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Chloe And The Next 20th Century

Tape | 2022 | UK | Original (Bella Union)

13,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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John Frusciante & Josh Klinghoffer

A Sphere In The Heart Of Silence

LP | 2004 | EU | Reissue (Record Collection)

34,99 €*

Charles Lloyd / John Abercrombie / Dave Holland / Billy Higgins

Release: 2004 / EU – Reissue

Genre: Rock & Indie

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"A Sphere In The Heart Of Silence" is the fifth album in a series of six solo efforts that John Frusciante undertook from June 2004 to February 2005. It is an album of mostly electronica based material, and was a joint collaboration between John Frusciante and Josh Klinghoffer, who following Frusciante and joined the RHCP as guitarist in 2010, staying until 2019. Both of them perform vocals; John Frusciante sings lead vocals on "Afterglow", "Walls" and "My Life", and shares vocals with Josh Klinghoffer on "Surrogate People". Josh Klinghoffer performs lead vocals on "Communique", "At Your Enemies" and does the backing vocals for "Walls". John Frusciante calls Sphere in the Heart of Silence "a record of electronic music," but it's not nearly as "electronic" as that statement makes it sound. It's really more an allusion to the fact that his other releases of this year have been mostly comprised of guitar, bass and drums, and that there is some programming, synth-work and overdubbing on this one.

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Voice In The Night

2LP | 2019 | EU | Original (ECM)

34,99 €*

John Carpenter, Cory Carpenter & Daniel Davies

Release: 2019 / EU – Original

Genre: Organic Grooves

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For the first time on vinyl, his album from 1999.

Charles Lloyd's sixth ECM album is both a departure and a homecoming for the Memphis-born and California-based tenorist, introducing new music and revisiting archive favourites (including the epic "Forest Flower"), and featuring an all-star line-up. With his "Scandinavian" band currently on hold, this is Lloyd's first all-American album in a long while - Dave Holland qualifies as an honorary American by now - with all the differences of cultural emphasis that this implies. ECM veteran John Abercrombie and legendary drummer Billy Higgins are in great form throughout as they lock in with Lloyd to tackle material ranging from Billy Strayhorn's "A Flower Is A Lovesome Thing" to the Elvis Costello / Burt Bacharach-penned "God Give Me Strength" or dig deep into the roots music of the "Island Blues Suite".

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OST Halloween Ends Black Vinyl Edition

LP | 2023 | US | Original (Sacred Bones)

Tattoo - The Unreleased Music From The 1975 John Samson Documentary

Release: 2023 / US – Original

Genre: Soundtracks, Halloween

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Steve Jolliffe

LP | 2023 | UK | Original (Trunk)