Search "john mayer" 4118 Items

CD | 2024 | EU | Original (Kompakt)

The Floor Is Lava

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Michael Mayer albums don’t come round too often, which is one of many reasons why his fourth collection, The Floor Is Lava, is a genuine event. It’s been eight years since his last one, the collaborative & released on !K7; its predecessors, Mantasy (2012) and Touch (2004), took their sweet time, too. It’s no real surprise, given the many hats Mayer wears – globetrotting DJ, revered remixer, inveterate collaborator, and boss of both Kompakt and Imara – that his solo productions are relatively sparing. But this also speaks to their quality: Mayer’s name on a record sleeve is a sign of quality, of music that’s both looking to the future and calling back to the past, that balances the imperatives of the dancefloor and the loungeroom, that’s as exploratory as it is functional.

On The Floor Is Lava, Mayer seems to be taking the temperature of both the music that surrounds him (past and present), and the ideas of the industry he works within. There’s that iconic album title, for a start. “The album’s mindset,” he says, reflecting on those four words together. For Mayer, it’s partly a critique of the way the industry boxes in both producer and listener, focuses them on genre, on market, on the next new thing: “Being a free minded spirit that transcends genres has become an uphill battle.” A battle worth fighting, though, and with The Floor Is Lava, the result is an album that’s varied, quixotic, idiosyncratic, charming, and deeply, addictively listenable.

Throughout, Mayer finds thrills in exploration and juxtaposition, allowing unexpected things to blossom and giving them their life, their platform, throwing the listener exciting curveballs: “It’s a DJ album by a DJ that’s easily bored.” Either easily bored, or endlessly curious, The Floor Is Lava is rich with ideas. It opens with “The Problem”, which looks back to look forward, embracing the rickety way early house productions threw samples together with gleeful abandon. Mayer mentions Pal Joey, and the scene around Rockers Hi-Fi and their Different Drummer imprint, as reference points, and you can hear that freewheeling spirit throughout.

It’s followed by “Vagus”, a slinky, sensual minimal house number that Mayer describes as his “musical catnip”. The flow of these two opening cuts defines the dynamic of The Floor Is Lava, defining the dialectical drive at its core: thesis and antithesis leads to synthesis, but with a welcome prickliness that means you’re always excited, always engaged. It’s also productive in the way it derives energy from rubbing genres and sounds against each other, in unexpected ways, for maximum musical frisson. There’s psychedelic techno on “Feuerstuhl”, more minimal techno with “Ardor” (Mayer mentions ‘Immer 1’ era 90s minimal as inspiration), slippery, Shepard-tone breakbeat through “Sycophant”, a lovely, lush vocal turn on the poppy “The Solution”.

The album closes with the melancholy “Süßer Schlaf”, where Mayer sets a poem by Goethe to one of his most haunted, moving pieces of music yet, in an abstract tribute to a lost friend. It’s one of the most affecting moments on The Floor Is Lava. There’s also an update on 2020’s wild Brainwave Technology EP, with the surrealist glitter-stomp of “Brainwave 2.0” (check out those handclaps!),where Mayer’s thinking about the socio-political precipice of the now: “I’m reading with great interest about this whole complex of how humanity is about to cross so many lines and the implications that the resulting financial and educational inequality will bring.”

That’s The Floor Is Lava: then and now, brainwaves and nerve structures, problems and solutions, genres on fire; the real, the unreal, and the surreal. An album for the easily bored and the endlessly curious. Mayer has the last word, telling us all you need to know about the album’s spirit: “Burning for the cause, being zealous, being addicted to the heat of the night, the exuberant powers of music.”

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12" | 2021 | EU | Original (Kompakt)

Brainwave Technology

Release: 2021 / EU – Original

Genre: Electronic & Dance

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12" | 2018 | EU | Original (Ouie)

David Mayer

The Call

Release: 2018 / EU – Original

Genre: Electronic & Dance

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David Mayer’s career and background is marked by a desire to keep moving and experiencing new perspectives. Having finally settled in Berlin, the German DJ and producer has built up an enviously diverse back catalogue on labels such as Connected Frontline, Objektivity, Gruuv, Audiomatique and Keinemusik. With his first release on Acid Pauli and Nico Stojan’s Ouie label, Mayer brings his trademark groove to the fore once more.

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2LP | 2024 | EU | Original (Kompakt)

The Floor Is Lava

Release: 2024 / EU – Original

Genre: Electronic & Dance

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12" | 2013 | DE | Original (Kompakt)

Mantasy Remixe 2

8,99 €*

Release: 2013 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

tiny wear

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2LP | 2017 | EU | Original (!K7)

DJ-Kicks

29,99 €*

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Credited by many as one of the leading tastemakers in dance music, his DJ sets have influenced a generation (or two) of musicians and fans out there today. An artist that has never allowed time or age to slow him down – Michael Mayer remains tirelessly motivated behind the DJ decks, in the studio or behind his desk at Kompakt, the company he co-owns. Last year’s full-length LP, ‘&’, was Michael’s fourth, a departure that saw him extensively collaborate with an impressive host of contemporaries and friends, including Joe Goddard, Prins Thomas and Agoria. Complimenting these excursions perfectly, Michael’s long overdue contribution to the legendary DJ Kicks series finds the Cologne artist in just as generous of a mood, only rooted in his ever-expanding record collection, and above all, his defining instinct to share the beauty of music with others. “On an abstract level, the approach was basically the same for both projects”, observes Mayer. “For & I put together a group of people that are close to my heart. For Kicks it was a group of records that are like friends to me. All of the tracks I used went through heaven and hell with me. They've become true companions. Circling in on and bringing together these friends was the only criterion for the making of this mix. I wanted it
to be as personal as possible.”
Perhaps unnervingly to some, fifteen years have passed since the debut edition to Mayer’s breathtaking, scene defining mix trilogy, Immer. Not that it’s legacy - Resident Advisor’s #1 Mix of the 00s, one of Rolling Stone’s 30 Greatest EDM Albums Of All Time - has disturbed Mayer’s formidable workload. A catalogue of no less than 23 EPs, 4 albums and 170 remixes informs a near constant level of international touring. Exhausting as this can be, even after all these years, it’s a ritual that informs the delicate
construction of Mayer’s contribution to the DJ Kicks series.

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2LP+CD | 2016 | EU | Original (!K7)

Release: 2016 / EU – Original

Genre: Electronic & Dance

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12" | 2023 | EU | Original (Kompakt Extra)

Barnt / Michael Mayer

Speicher 125

13,99 €*

Nico Stojan & David Mayer

Release: 2023 / EU – Original

Genre: Electronic & Dance

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May 12, 2023

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Fling EP

12" | 2022 | EU | Original (Ouie)

13,99 €*

Michael Mayer & Reinhard Voigt

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Nico Stojan set up Ouie with his friend and longtime collaborator Acid Pauli as a conduit for the unique and wonderful music they and their friends have become synonymous with. This latest release reaffirms the magical quality the label has cultivated, this time in the form of a teamwork between Nico and David Mayer. 'Fling' kicks off powerfully - a shuffling, organic groove leads the way before synth pads, jazzy piano riffs and a big breakdown amp up the atmosphere. 'Safari' employs a similarly swung, live feel to the groove, before dropping in a breakbeat to take things to the next level. The track builds tension as synths are layered and layered, resulting in a mystical leftfield bomb.

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Speicher 2

12" | 2002 | EU | Reissue (Kompakt Extra)

Floyd Lavine & David Mayer

Release: 2002 / EU – Reissue

Genre: Electronic & Dance

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Two of Kompakt's most prolific artists appear on this split 12" and they both have moved away from the typical Kompakt minimalism (for this 12", that is) to show the world that pure raving techno can also come from Cologne. Mayer's "Love is stronger then pride" versus Reinhard Voigt's "Supertiel" are a bow down before the bassdrum and their straight forward 4/4 beats. This is made to make the dancefloors burn, so rave on!

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Sondela Remix EP

12" | 2019 | EU | Original (Connected)

12" | 2010 | DE | Original (Spunky Monkey Records)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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A year after Floyd Lavine & David Mayer served up the afro house bomb ‘Sondela’ from the EP of the same name, it now gets remixed by a carefully selected list of names including Jimpster, Auntie Flo, Tunnelvisions and Kususa. First up is deep house master and Freerange label boss Jimpster, who serves up the sort of quality you would expect on his remix. His cool and immersive journey brings new soul and feeling to the original with timeless melodies that have a lasting effect. Dutch duo Tunnelvisions are an act on the rise and always bring plenty of Afro, Latin and Caribbean vibes to their sounds. Here they masterfully flip the track ‘Xi’ from the Sondela EP into a percussive groove with psychedelic warmth and melodic bass that goes deep. Kususa are also rising stars of the South African scene who have Black Coffee supporting their work and have mixed the upcoming Africa Gets Physical vol.2 album. Here they pump up the beats: their percussion, arps and big synths will get hands in the air and as the bassline envelops you in warmth you cannot help but feel it deep inside. Highlife artist and recent album man Auntie Flo brings his authentic understanding of worldly groove to a fantastic remix that oozes beauty and quality. It is understated and stripped back with delicate hand percussion and an otherworldly aura that brings real mystery to the EP. An acapella version is also included as an exclusive addition to the vinyl release.

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Orange Dot

Hi John, By John

Release: 2010 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

7" | 2023 | US | Original (Motor City Wine)

Back To Bahia Volume 3

12" | 2024 | UK | Original (Over/Shadow)

Release: 2023 / US – Original

Genre: Electronic & Dance

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Another summer, another Back To Bahia from the one and only John Beltran! For Volume 3 Beltran flexes his Afro-Brazilian Deep House chops for this brilliant 7”. “Lsaura” kicks off the release on a jazzy boogie tip reminiscent of the Minneapolis funk sound or Ron Trent’s Warm, perfect for discerning dance floors. On the flip is “As The Sunsets”, a gorgeous and emotive composition to take the party to closed-eye-ecstasy. Limited 7” pressing manufactured in Detroit, TIP!

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John Rolodex

Seeing Around Corners

16,99 €*

Release: 2024 / UK – Original

Genre: Electronic & Dance

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One of Canada's finest purveyor of breakbeats John Rolodex joins the Over/Shadow crew and delivers 4 tracks of ear blistering goodness.

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12" | 2024 | EU | Original (Oath)

Serendipia : Remixes

17,99 €*

Die Klapperschlange Escape From New York

Release: 2024 / EU – Original

Genre: Electronic & Dance

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With memories of 2022’s ‘Serendipia’ still at the forefront of many minds, Oath are proud to offer up a fresh perspective on the John Beltran produced LP, with some stellar names featuring that will help the musical love affair continue onwards and upwards…

The art of the remix is certainly alive and well, and is often the final piece of the jigsaw on records where a alternative perspective sits alongside original tunes – a mirrored yet respectful sound that adds to the overall musical narrative. It often helps when the source material has so much to take in, and on ‘Serendipia’ the sonic ideas that John Beltran conjured up are a treasure trove for artists to work with. A breezy, Brazilian love affair, ‘Serendipia’ is the kind of record to take around in your pocket, a sound that nurtures the body and soul with its delicate rhythms and enriching, mellow yet captivating melodic sequences. From the walking pace through to the rhythms of life, Beltran captured something truly extraordinary on this record, such is what we have come to expect from his finger tips. Sunrises, sunsets, orange hued afternoons and deep blue seas, it is a record for the pastoral times, to riding back and soaking up the goodness – music that maintains smiles in abundance, no matter where or when.

The revisit to ‘Serendipia’ saw Oath approach some top notch producers, who provided a bountiful array of alternative styles and takes on the hazy rhythms and gorgeous melodic features of Beltran’s original tracks. In doing so, the artists involved managed to capture the core essence of the original LP, and that is of the broad diversity of feel which Beltran provided, with tracks swinging from genre and style with ease and intuition. What is perhaps handled the best is the balance between the original cuts and the musical personality of the music makers involved, and that makes for a truly feel good experience.

Danilo Plessow’s remix of ‘Sa Coma Blue’ slides into view as the record’s opener. Plessow turbo charges the core melodic drivers of the original, moving the atmosphere into a club environment with high line drumming patterns, driving synth sequences and a firm hand on controlling the shifts in energy and mood. Kareem Ali is up next with his spin on ‘Cachaca’, with a house leaning twist put on this rhythmically enriching palette. Ali draws focus on a piano riff found within the original, which acts as the melodic cornerstone of the track as it weaves and grooves into the night.

Melodiesfonie turns up next with their take on ’Suenos Soleados’, as the light starts to pour in on the dance floor. Slow, sultry and easy going, this track breezes along with a gentle whisper, with plenty of space available for a glorious array of instrumentation. Guitar and keys are given plenty of time to breathe, particularly in those dreamy breakdown moments. Session Victim then present their take on ‘Ask Anlari’, with this reworking spreading out the relatively short original cut and adding a fresh heap of drums whilst incorporating the original melodic density expertly. This one unravels like the freshest sunset going, its one to dip your head into. ‘Em Trancoso’, which lands next, is flipped from sun kissed to night time groover with some class by Em Trancoso. The rhythm and melody is spread out, with a hefty dosage of space added into the blend which creates a rhythmic work of art. Lastly, we have Xique’s remix of ‘Yangu Milele’, which stays true to the original in all the best ways. Similar tempo, similar thuds and a spread of rhythmic notions that will get the heart skipping, a perfect way to see out the record.

‘Serendipia’ provided a rich insight into John Beltran’s musical universe, and this remix record helps to add further to that album’s rich legacy. All the artists involved throw their hats into the ring, providing enlightening and characterful reworkings which are as dynamic as they are diverse. Each track flows into one another, capturing the musical dexterity of the original music and in turn contributing to a wholesome, rewarding musical experience. A record with many moments, and Oath couldn’t be more thrilled to share it with the world.

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John Carpenter

12" | 2024 | DE | Original (ZYX Music)

16,99 €*

Release: 2024 / DE – Original

Genre: Electronic & Dance

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12" | 2024 | Original (Detroit Dancer)

Panacea

17,99 €*

Release: 2024 / Original

Genre: Electronic & Dance

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John Beltran in proper downtown Detroit mood! Including a remix from the Knight Of The Jaguar man himself Rolando! BIG!

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7" | 2024 | US | Original (Motor City Wine)

Back To Bahia Volume 4

I Want It To Be Real Remixes

Release: 2024 / US – Original

Genre: Electronic & Dance

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For the past few years it seems like summer hasn’t really kicked off until Detroit legend John Beltran drops a Back To Bahia release on MotorCity Wine Recordings. For the Volume 4 7”, John goes even extra deep. “Laguna” takes up the A-side, with plenty of uplifting Afro-Brazilian drums and live bass from James Simonson, synth swells, and keyboards for those beautiful soundsystem moments. On the flip side is “Just Beyond The Sun”, a super-extra-Balearic number for sunset sets and more. We think this is the perfect end to the Back To Bahia series from John, and per usual it’s produced and manufactured in Detroit. TIP!

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John Rocca

12" | 2022 | UK | Original (South Street)

15,99 €*

Release: 2022 / UK – Original

Genre: Electronic & Dance

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An ‘80s dance classic from the legend John Rocca, gets a fresh new take from Aussie edit king Late Nite Tuff Guy alongside a remastered reissue of Chicago house royalty Farley 'Jackmaster' Funk’s 1987 Hot House Piano Remix. The main man behind jazz funk favourites, Freeez, John Rocca took to the studio in ’84 and whipped up an electro-fied steamer in the form of ‘I Want It To Be Real’. Tantalizing synthwork, beefed up basslines, gated snares and pure ‘80s vocals, it’s a melting pot of influences with a catchiness that caused a serious stir. This special double header of remixes kicks off with a brand new mix from Late Nite Tuff Guy. He builds up the brilliance with masterful effect, keeping the vocal in the back pocket till the final frontier whilst adding in some buttery new synth magic and deft filtering to the mix. On the flip, Chicago house don Farley 'Jackmaster' Funk’s 1987 remix homes in on those blissful piano and vocal stabs for a dubbed out ‘Hot House Piano Mix’. Spiritual keys laid down with passion that will be sure to get any dancefloor hot under the collar.

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2LP | 2011 | EU | Reissue (Kompakt)

Parabolas

Release: 2011 / EU – Reissue

Genre: Electronic & Dance

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A download code is included.

"Expect the unexpected," they say, and it should come as a surprise to many as we warmly welcome to the KOMPAKT family one of America’s most celebrated producers in dance music, JOHN TEJADA! Born in Austria, he relocated to his current home of Los Angeles at the age of 8 and, following a brief career in hip-hop, found his home in electronic music. If you're even the slightest fan of the genre, you’ll be hard-pressed not to have heard his music over his decade long career. Whether on his own Palette Recordings, Poker Flat, or Plug Research — plus a Fabric Mix CD under his belt, it’s thanks to a steady stream of massive releases (think “Mono On Mono” and “Sweat On The Walls”) that he remains a mainstay in the charts of Beatport and uncountable DJs. He is also half of the long-standing City Centre Offices act, I’m Not A Gun (together with Takeshi Nishimoto). “I wanted to experiment with some longer phrases again and to step away from the analog sequencers more and get back to using my hands to create the melodies. I also feel for the first time in quite a while I've made an album of songs for myself without worrying about the usual pressures.” Resident Advisor called Tejada “one of the most notoriously meticulous producers around" — an unmistakable proof lies within these recordings. Genres collide and combine with an unraveling of blissful layers on “Parabolas”. The opening track, “Farther & Fainter,” offers a musicality today's techno and house often lack — an accomplishment that resonates throughout the album. Tracks such as “Subdivided” and “Unstable Condition” reflect the wondrousness of Aphex Twin’s Polygon Window project, something that could only be reanimated and brought to 2011's standards by Tejada. “Parabolas” is a true highlight in John Tejada’s deep catalogue. Bold words indeed for a producer who is known for unexpected variation and tremendous musical imagination.

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CD | 2021 | EU | Original (Kompakt)

Year Of The Living Dead

I'm Dreaming (Any Moment I May Wake Up Scraming)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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With his new album, Year Of The Living Dead, Vienna-born and LA-based producer John Tejada finds a blissful extended moment of balance between the new and the familiar. Anyone who’s followed his career to date, which has included four previous albums for Kompakt, outings for storied labels like Plug Research, Playhouse and Cocoon, and numerous remixes and collaborations – most recently, his Wajatta duo with actor and musician Reggie Watts – will immediately sense the warmth and eloquence that Tejada brings to his gilded, pliant techno and electro hybrids. But there’s more here, too; an explorer’s glimmer in the producer’s eye, as he gets to grips with new ways of working and being, while offering a reflective opening for the listener, something echoed in artwork by graphic designer and ‘contemplative artist’ David Grey. “The album was started using tools I was unfamiliar with, which became an interesting exploratory process,” Tejada says. “Staying away from the obvious and having to re-learn simple things was a fun challenge.” You can hear these new creative pulsions pushing the eight tracks on Year Of The Living Dead ever-forward; the album has an unique cast, and though there are trace elements of the genres Tejada has indulged previously, he’s never quite put them together this way before. There’s the dubwise glitter sprinkled across the moody opener “The Haunting Of Earth”, the kind caresses found amongst the deftly woven textures of “Sheltered”, and the churchy melancholy, all hymnal and golden, of “Echoes Of Life”. Year Of The Living Dead also speaks obliquely to its moment, though Tejada works this implicitly, allowing the strange circumstances of 2020 to cast their inevitable shadow without being obvious or didactic. “The production process began right before lockdown and continued through what felt like a very serious time for all of us,” he recalls. “Not being able to see or touch our loved ones made me feel we are all like ghosts. We can observe from a distance but cannot really be there. We are isolated and alone.” And yet, Year Of The Living Dead’s tenderness offers an out for that anxiety and loneliness, its intimate immensities gifting the album a redemptive and compassionate core. Compact and glistening, Year Of The Living Dead sculpts unassuming beauty.

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John Kongos

12" | 1981 | EU | Reissue (Best Record Italy)

18,99 €*

Metamatic - 45th Anniversary Grey Vinyl Edition

Release: 1981 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Cosmic disco classic played regularly by Baldelli, Lodola and in the underground scene, produced by John Kongos in 1981and released on 7 inch, containing only the short vocal version. Now remastered and reissued by Best Italy on 12" containing the full vocal original version plus the instrumental version on the flip.

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Picture
Coming Soon

John Foxx

LP | 2025 | UK | Original (Metamatic)

Release: 2025 / UK – Original

Genre: Electronic & Dance

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Weekend At Raymond's Place

John Manhard

12" | 2024 | EU | Original (Butter Side Up)

2LP | 2023 | EU | Original (Repeat)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Butter Side Up’s 12th release, Weekend at Raymond’s Place’ comes from San Diego’s hotly tipped John Manhard. A densely textured and unpredictable six-track EP whose languid groove and swing will sound equally sweet warming up a dancefloor or late into the following day.

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John Howard

Shessions

LP | 2012 | EU | Reissue (Permanent Vacation)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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John Howard was one of the best and most creative DJs of the west coast house scene back in the 90’s. His mixes and productions were full of house groove, soul, breaks and jazzy rhythms. This new series on Repeat contains of three parts including Howard’s best productions. These tracks are all huge influence for many producers that later discovered these kind of psychedelic house grooves on European based DJ sets… John Howard was on his own journey much ahead of time and his music still sound absolutely incredible 25 years later… Mesmerizing release.

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John Talabot

Fin

18,99 €*

Release: 2012 / EU – Reissue

Genre: Electronic & Dance

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Reissue of a classic: On John Talabot's 2012 debut album "Fin," the Spanish producer "builds on his distinctive sound - colorful, nostalgic but never retro, loose but slightly confused - without repeating himself. ... Talabot has become a role model for a new generation of producers working at the intersection of deep house, disco and indie pop, carving his own niche somewhere between the slow-motion theatricality of artists like ... the globe-trotting jewel tones of Four Tet and Caribou and the psych-pop frenzy of Animal Collective and Delorean. ... His slow tempos, oversaturated colors and tropical accents fit right in with the woozy, dank dance music currently in vogue, and he's found himself in esteemed company - remixing The XX. ..." Pitchfork Media - Candidate for Album of the Year 2012.

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12" | 2023 | EU | Original (Seventh Sign)

Tokyo Nights EP

John Cage White Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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A perfect pairing as John Shima collaborates with Glasgow's legendary Seventh Sign Recordings

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John Cage

LP | 1974 | EU | Reissue (Cramps)

28,99 €*

Release: 1974 / EU – Reissue

Genre: Electronic & Dance, Classical Music

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LP | 1974 | UK | Original (DJM)

Elton John

Greatest Hits

8,99 €*

Release: 1974 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Only record 1 is generic cover. Record 2 and cover are missing.

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12" | 2010 | NL | Original (One Track)

Track 2

Release: 2010 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

2xLP | 2023 | EU (Avenue 66)

. I :

30,99 €*

Release: 2023 / EU

Genre: Electronic & Dance

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After a year and a half writing and recording rock music, I needed to clear my head. I listened to and made music where things generally happen gradually rather than suddenly. I would set up patches on a Monomachine or Analog Four and listen to them, hearing one sound morph into others, making changes to a patch only after having listened for quite a while, gradually adding elements, and finally manipulating the sounds on the fly. All tracks were recorded live to CD burner, with no overdubs, and executed on one or two machines.

While I was almost exclusively listening to artists such as Chris Watson, Peter Rehberg, Bernard Parmegiani, CM Von Hausswolff, Jana Winderen, Oren Ambarchi, Hazard, Bruce Gilbert, Klara Lewis, Ryoji Ikeda, and so on, I was also inspired by my mental image of John Lennon's tape and mellotron experiments he made at home during his time in the Beatles, as well as events like the first minute of Bowie's Station To Station, ...And The Gods Made Love by Jimi Hendrix, the synths in the song Mass Production by Iggy Pop, and the general idea of Eno's initial concept of Ambient music.

Music being a solitary sculpture in sonic space was the main motivating thought. I was looking at pictures of sculptures and trying to make music that simultaneously conveyed both movement and stillness. I refrained from sudden musical changes, especially avoiding sequences of notes and rhythms. In fact, this music was made from sequences which never exceed a single note, many of these pieces being made on a single pattern. The movement which a good sculptor conveys when the shape of his medium meets the eyes of the viewer who walks around the piece, or the sun changes its position, are the kinds of movement which it was the role of the synth patches to communicate.

I've been listening to music like this since I was 13 or so, but I felt that making it was out of my reach because of the amount of restraint I imagined it required. Once I found myself making this music, it did not feel like a matter of restraint at all. I wanted to build a certain type of building, and hear certain types of movement, and I knew when it was complete. There was no place for sequences of notes and rhythms in my plans.

I also cannot overstate the role that being in my band played. I had previously spent 12 years programming and engineering my own music, and then spent a year and a half making music where my role was basically to write songs and play guitar. When the band's recording phase was completed, I needed to go back to my adopted language. I had done enough with chords, rhythms, notes, defined sections, sharp transitions, etc.. What I needed was to create music from the ground up with nothing but sound, and have that music reflect "being" rather than "doing". It was a therapeutic way of re-balancing myself, before and during my band's mixing process.

This music seeks to just exist, and is not attempting to manipulate or grab the listener in any way. I believe it works well if one listens loud and focuses on it, but also works well at soft volumes and in the background. It can compete with silence on silence's own terms, and it can also happily wipe silence out.

There are two versions of this album. The CD version is pronounced "two" and called : I I . This is the longer version. The vinyl version is pronounced "one", and called . I : This version is shorter, but contains one vinyl-only track. The reason the vinyl is shorter is that some of the tracks have sounds that can not be pressed on vinyl.

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12" | 2022 | UK | Original (FireScope)

The Empty Lands

48,99 €*

Release: 2022 / UK – Original

Genre: Electronic & Dance

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2019 saw Firescope release a seminal album, The Lonely Machine by Britain’s John Shima. The world has become a very different place since then. The pandemic, economic turmoil and global crises prevail. It is amidst such uncertainty that Shima returns with a new collection to combat the savagery of our times, enter Empty Lands. Dauby basslines and silken strings introduce “Component”, saturated snares giving ballast as Shima’s signature style immediately comes to the fore. A throbbing kick and orbiting notes are peppered with hi-hats for “Neglected”, a sonorous stratum synergising beautifully. Shima is a student of techno. His appreciation and knowledge of the sound is central to the album as he composes within the traditions of the UK and US canon while exploring new plains. The influence of “bleep” is woven into the tapestry of pieces like “Depart” and “Mettle” with the minimalism of the 90s genre reimagined through new textures. “Sayaka” flows with a different current. Rhythms are understated, lapping against undulating keys as dawn rises. Harmony and melody are cornerstones of record, the gentle ebbs and flows of key and drum merging. Inspiration arises from home as well. The steady pulse and metallic tang of “Projection” recalling the industry of Sheffield and the pioneering electronics that sprouted from that rust red earth. Track titles, and the album name itself, suggest periods of challenge and difficulty. “Paralysis”, “Desolate”, “Empty Lands”. Words that conjure certain feelings and responses. Shima’s music is a counterbalance to these emotions. Positive compositions of subtle shifts, complementary percussion and welcoming warmth acting as a tonic to the negativity that swirls; the ten audio works on offer acting as a balm to soothe the soul in these troubled time

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Ten Days Of Blue (Live At Dekmantel)

2LP | 2022 | UK | Original (All Good Music)

25,99 €*

12" | 2022 | EU | Original (Off Track)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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After his superlative and rather unexpected foray into Afro and Latin fusion with his Sol Set project, John Beltran returns to more familiar territory with a rendition of his classic mid-90s album 'Ten Days of Blue' recorded at this year's Dekmantel in Amsterdam. We get a real feel for the whole gig experience, from the sound of murmured anticipation and intro tape to the resolution at the outro and the main meat of the music itself - lively, optimistic, groovy but understated and chilled at the same time - sits somewhere between his ambient and harder techno work. Among Beltran's very finest output.

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John Barera

Message In The Air

Thawlines Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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John Barera (Allergy Season, Dolly, Sorry Records) joins the roster of Will Buck’s Off Track Recordings this September with his four-track ‘Message In The Air’ EP. New York based producer, DJ and Cross Street Music label boss John Barera has long been a highly acclaimed artist in the world of underground House and Techno. In 2022, he scored his first film as well, Marc17 in the House. His material has graced many taste making labels, while his DJ sets have taken him to hotspots like Panorama Bar, Fabric, Smart Bar, Razzmatazz, Floyd, Video Club, Tangent Gallery and many more. Here we see Barera, a prolific collaborator who drops solo albums as well, delivering his first solo ep in six years via the fledgling Off Track Recordings. On this record, Barera steps up with his trademark raw house, now infused with live instruments or even a vocal across four soul drenched house cuts.

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John Lemke

LP | 2022 | US | Original (Denovali)

31,99 €*

Release: 2022 / US – Original

Genre: Electronic & Dance

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12" | 2022 | UK | Original (Warm Sounds)

Untitled

Release: 2022 / UK – Original

Genre: Electronic & Dance

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LP | 2022 | EU | Original (Verydeeprecords)

Constantin John

Transform

22,99 €*

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Constantin John is interested in the ongoing and never-ending reconfiguration of structures and things. On his debut LP, called Transform , he guides us into a digital swampland, haze or fog—or the catacombs after all? Drawing inspiration from films, video games and his work for theater he creates cinematic, glitchy electronic sketches, that evolve between post post club music and neo-classical pieces for the year 2022. This somehow sounds like the end of the world and a new beginning at once. Subway lines as the veins of the city body, bending steel, falling parts, collapse.

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12" | 2020 | EU | Reissue (Stasis)

La Manana EP

Release: 2020 / EU – Reissue

Genre: Electronic & Dance

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Description: La Mañana is the ideal toe dip for people not familiar with the styles and sounds of John Beltran. Longtime fans will recognize the luscious production and arrangement detail synonymous with John's name and gravitate to the EP quadrant they identify with.

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12" | 2022 | EU | Original (Rawax)

Parallels EP

7" | 2021 | EU | Original (Limefield)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Rawax welcomes John Shima to the Family! His great debut for us will be out 10th of January on vinyl! Highly recommended!

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John Haycock

In A Bloopy Mood

Release: 2021 / EU – Original

Genre: Electronic & Dance

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John has put together and impressive and unique approach, taking his kora and running it through electronic devices creating lush soundscapes. As he is adding drum machines and samples, overlaying it with woodwind instruments, he is bridging the gap between ancient West African folk melodies and modern electronica. Spiritual vibes from a great musician.

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12" | 2011 | DE | Original (Relative)

The Live Experience

3,99 €* 7,99 € -50%

Release: 2011 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

12" | 2001 | US | Original (7th City)

Timebomb

Release: 2001 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Label cover. Close to VG+

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2LP | 2020 | EU | Original (Timesig)

Maya

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Mint

Still in shrink but opened with hype sticker. tiny wear. Limited edition.

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2LP | 2020 | EU | Reissue (Timesig)

Maya Lilac Vinyl Edition

12" | 2021 | EU | Original (Blaq Numbers)

Release: 2020 / EU – Reissue

Genre: Hip Hop, Electronic & Dance

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John Frusciante releases the first instrumental electronic album under his own name on Aaron Funk's Timesig label. The record is dedicated to his cat Maya who recently passed away, a fellow traveller in his otherwise solitary music making sessions. 'Maya' is inspired by John's favourite music: '91 to'96 UK breakbeat hardcore and jungle. It's a varied and personal take with sophisticated, authentic production balanced against John's acute sense of melody, an inspired blending of machines and samples infused with a joyful energy. "I don't have that interest in singing or writing lyrics like I used to. The natural thing when I'm by myself now, is to just make music like the stuff being released this year. I really love the back and forth with machines and the computer." The fun he's having on 'Maya' is infectious.

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George John

OIAIO EP

LP | 2021 | EU | Original (Ideal)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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We're ready for summer with this new five tracker loaded with Space glitch-house vibes from George John – a keyboard and synth aficionado making his EP debut on the label. While George works the Juno 60 to the limit, we’re sipping a Piña Colada at the poolside. Two remixes complete the package: Munich's finest Rhode & Brown have their eyes squarely set on peak time and Donald Dust’s version smells like Tom Selleck after his daily sunbathe. Coming soon on climate friendly Eco Vinyl.

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John Duncan

Soft Eyes

23,99 €*

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Venerable avant-gardist John Duncan supplies quietly jaw-dropping new fruits from his fertile relationship with iDEAL Recordings, rendering a concept album for the times split between thoughts on social energy/failure, and intimacy, in his singular style In quizzical pursuit of the haunted muse that’s informed Duncan’s boundary-pushing work since the late ‘70s, and which has lit up the iDEAL catalogue over the past half decade, ’Soft Eyes’ renders Duncan’s oblique reading of the psychic zeitgeist in subtly contrasting sides of furtively rhythm-driven and richly atmospheric songcraft. In keeping with Duncan’s reputation as a sort of avant garde shaman or psychopomp, there’s something unfathomably timeless and ineffably eternal about his work on ’Soft Eyes’, which follows the course of his modern classics such as the songbook of wizened covers ‘Bitter Earth’ (2016), and last year’s ‘Red Sky’ 2CD, without feeling like he’s re-treading old ground, and still sounding vitally unusual. The record’s first half revolves around Duncan’s thoughts on social energy and failure, from crowds to tribal gatherings, in a low-key but extraordinary style. Chamber wind meets a metallic pulse somewhere between dembow and Yemeni folk to underline his achingly hoarse vocals on ‘The Rabid Position’, while the lurking vox of ’Say No’ smartly reaffirms his counter-cultural cache, and the queered ambience of ‘Homecoming’ sees him slip into a sort of curdled tribal reverie. On the other hand, the B-side dwells in a starker, intimate half light, with songs stripped to a spectral quintessence between the petal-fall keys and prickly sax of ‘Foreplay’, a face freezing, ASMR-triggering beauty titled ‘Frenzy’, and an unmissable, abyss-hovering vision ‘Resolve’, and pooling into the miasmic folk strings and stygian glyde of ‘The Beautiful Attempt.’

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2LP | 2021 | EU | Original (Kompakt)

Year Of The Living Dead

28,99 €*

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Music For Doubles (VIP Mixes)

12" | 2002 | US | Original (Palette)

LP | 2020 | EU | Original (Counterchange)

Release: 2002 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Record has some scuffs.

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John Gürtler

Eigenlicht

19,99 €*

Skeleton / Unclean Spirit Blood Red Vinyl Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Counterchange presents 'Eigenlicht' by Portuguese-German multi-instrumentalist, producer and award-winning film composer John Gürtler. Gently teetering between krautrock-influenced synth mantras and saxophone improvisations, down-tempo electronica, sound design experiments and moments of rich ambience, 'Eigenlicht' is a diverse album of electro-acoustic music. The 11 tracks were recorded between two studios and on location at Berlin's infamous Teufelsberg, the abandoned Cold War era US spy-radio and radar outpost named 'Field Station Berlin', surrounded by forest to the west of the city.

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John Carpenter

12" | 2020 | US | Original (Sacred Bones)

12" | 2006 | CA | Original (Cynosure)

Release: 2020 / US – Original

Genre: Electronic & Dance

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Blood Red" vinyl limited to 2000 copies! Legendary composer/director John Carpenter has returned with his first non-soundtrack music since 2016's Lost Themes II. Collaborating again with son Cody Carpenter and godson Daniel Davies, his bandmates and co-composers for the David Gordon Green-directed Halloween films, Carpenter is sharing the propulsive new single "Skeleton" and its B-side, the haunting "Unclean Spirit." The sessions for these songs saw the trio shifting their focus from scoring for the screen and engaging a totally different creative muscle. Instead of being guided by what was happening in the world of Halloween, they were free to work toward other ends. "It was refreshing to be able to write music that didn't have to fit to any sort of locked image," John said. "We also had a specific focus and direction we wanted to follow when working on Halloween, both in terms of mindset and instruments, and being able to return to working without that narrow focus was refreshing. Although working on Halloween didn't specifically influence any of these new compositions, there is always a honing of craft that must take place when working on a film like Halloween, and our improved skills definitely helped us in writing these songs." Working together to score a major Hollywood production only deepened the collaborative chemistry between the three composers. That comfort level paid dividends, as the songs developed largely in the room where they were recorded. "Like the majority of the songs that we write, both `Skeleton' and `Unclean Spirit' mainly started with an improvised riff, which was then expanded and built upon to create the full song," John explained. "Like the previous Lost Themes album, we each handled duties of writing and recording, with all three of us contributing ideas and parts."

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John Shananigans

Jimmy's Lunch EP

Release: 2006 / CA – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

12" | 2019 | EU | Original (Phoenix G)

Jazz Perceptions EP

Grey Tickles, Black Pressure

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Mr. G presents a record by one of his close allies; John Swing. Jazz Perceptions EP is a rhythm oriented record that showcases top notch productions, inventive sample selection and late night dance floor jams.

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John Grant

2LP+CD+CD | 2015 | UK | Original (Bella Union)

23,99 €*

12" | 2006 | UK | Original (Underl_ne)

Release: 2015 / UK – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

White vinyl!

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Matt John

Behind The Atoms

Release: 2006 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Discreet Colored Vinyl Edition

7" | 2018 | EU | Original (Exalt)

Ricochet ...And Then Leave

Release: 2018 / EU – Original

Genre: Electronic & Dance

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The release is super limited to 250 copies and comes with a Future Beat Alliance Remix.

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John FM

12" | 2017 | UK | Original (The Trilogy Tapes)

Release: 2017 / UK – Original

Genre: Electronic & Dance

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Only one copy per customer!

Our man from the bumpin’ city knocks back some bleep before trumping his FXHEs with two sides of rough, get-loose house like we like it. Warmly recommended. Hell yeah.

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12" | 2012 | DE | Original (Relative)

Relative 007

4,19 €* 6,99 € -40%

LP | 1965 | US | Reissue (Modern Harmonic)

Release: 2012 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Promo Writing on label sticker.

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John Cage

Variations IV Volume II

29,99 €*

2Album | 2013 | DE | Original (Dial)

Release: 1965 / US – Reissue

Genre: Electronic & Dance

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A 1965 journey into found sound, courtesy of John Cage, assisted by David Tudor. Another seminal volume of indeterminate music from an icon of experimental sounds gets reissued for the first time, thematically on gorgeous clear vinyl!

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John Roberts

Fences

16,99 €*

Release: 2013 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

12" | 2015 | EU | Original (Soulclap)

John Camp

Mistral EP

9,74 €* 12,99 € -25%

233 ⅓ RPM | 2006 | DE | Original (Perlon)

Release: 2015 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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It’s not every day you find a keyboard player with chops like John Camp. Plucked from the same Minneapolis Jazz vine that grew such deliciously ripened talents as No Regular Play's Greg Paulus and Aaron James (Gregory Porter band), we met Camp for the first time at the Marcy Hotel. Initially adding his signature touch to other’s Crew Love records and last year dropping an incredi- ble EP on Have A Killer Time, the Mistral EP marks his first official Crew Love release!

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Matt John

Joker Family Park Two

22,99 €*

Release: 2006 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 2020 | US | Reissue (CSM)

John Selway

CSM 1

Release: 2020 / US – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

2LP | 2020 | EU | Reissue (Timesig)

Maya Lilac Vinyl Edition

Release: 2020 / EU – Reissue

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

12" | 2000 | US | Original (Fragile)

John Arnold

Universal Mind

22,99 €*

Release: 2000 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 2022 | EU | Original (Rawax)

Parallels EP

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Ships in a label sleeve.

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12" | 2014 | NL | Original (One Track)

Solar Sailing

Release: 2014 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

12" | 1989 | UK | Original (Kool Kat)

John Helmer

Deep

Release: 1989 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 2013 | EU | Original (Tabernacle)

John Heckle

Back Alley Terminator

Release: 2013 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

Extrovert / Introvert E.P.

John Heckle

12" | 2011 | UK | Original (Tabernacle)

Release: 2011 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Comfort In Chaos Comfort Edition

John Summit

LP | 2024 | US | Original (Interscope)

45,99 €*

Comfort In Chaos Chaos Edition

Release: 2024 / US – Original

Genre: Electronic & Dance

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John Summit - Comfort In Chaos [Comfort Edition Vinyl] On his debut album, Comfort in Chaos, global dance sensation John Summit reveals the man behind the icon, injecting his usual body-first approach to dance music with genuine heart and emotion. Released on July 12, 2024 via Experts Only/Darkroom Records, Comfort in Chaos demonstrates Summit's drive to push himself musically and emotionally, tapping into a part of his identity that might not be immediately apparent. Fans old and new will find moments of extraordinary beauty (and hedonism) across the album, which nods to Summit's core Chicago house roots while touching on UK-leaning genres he loves like garage, liquid and dancefloor drum & bass. Comfort Edition LP on blue/white splatter vinyl.

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John Summit

LP | 2024 | US | Original (Interscope)

45,99 €*

LP | 2024 | US | Original (Students Of Decay)

Release: 2024 / US – Original

Genre: Electronic & Dance

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John Summit - "Comfort In Chaos" / [Chaos Edition Vinyl] On his debut album, Comfort in Chaos, global dance sensation John Summit reveals the man behind the icon, injecting his usual body-first approach to dance music with genuine heart and emotion. Released on July 12, 2024 via Experts Only/Darkroom Records, Comfort in Chaos demonstrates Summit's drive to push himself musically and emotionally, tapping into a part of his identity that might not be immediately apparent. Fans old and new will find moments of extraordinary beauty (and hedonism) across the album, which nods to Summit's core Chicago house roots while touching on UK-leaning genres he loves like garage, liquid and dancefloor drum & bass. Interscope/Geffen/A&M; Experts Only/Darkroom Records; Dance Chaos Edition LP on red/black splatter vinyl.

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John Davis

Landlines

I Do What I Do... (Theme For 9½ Weeks)

Release: 2024 / US – Original

Genre: Electronic & Dance

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John Davis is a sound artist and filmmaker based in the Bay Area. Active since the mid-aughts, he has published recordings on labels such as Root Strata and Digitalis, as well as on his own Bimodal Press imprint. “Landlines” sees a return to the SOD catalog for Davis, following a full-length release in 2013, and may be seen as somewhat of a spiritual successor to that album. In all of Davis’ work, there is a specific pastoral sensibility that feels firmly rooted in the forests and coasts of Northern California, moving with the delicate and erratic cadence of dust motes rendered visible in bright sunlight. Opening track “Verichrome” articulates the soundscape wonderfully, stitching together Music Mouse-esque formant synthesis and meditative vocal sampling with an exquisite minimalist suite for prepared piano. Of these recordings, Davis himself writes, “In a general sense the conceit here is nostalgia, a desire to reflect on the importance of connection – to ourselves and to the world around us. The title is, of course, a euphemism for the telephone, but I am also considering landscape, horizons, and infrastructure, as well as the invisible lines that connect us, the threads that bind us, and the communities that form us.”

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John Taylor

7" | 1986 | EU | Original (Parlophone)

Release: 1986 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: G+

2LP | 2021 | EU | Original (Furthur Electronix)

Aesthete

2CD | 2024 | Original (Permanent Vacation)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

New album from one of the big legendary Detroit producers. Aesthete is a warm journey into deep timeless electronix sounds, highly recommended!

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John Talabot

Fin - Special Edition

CD | 2024 | Original (Permanent Vacation)

Release: 2024 / Original

Genre: Electronic & Dance

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If there is one person, who has been causing a stir on the international club circuit recently, it is Barcelona's John Talabot. Already his debut “My Old School“ (which is meant literally by the way) on Permanent Vacation in 2009 and shortly after that the single “ Sunshine”, which he put out on his own Hivern Disc imprint, made him one of the most promising musicians of the Spanish electronic scene. And those two releases also already set the mark for John Talabot’s unparalleled music: raw, loopy, heavy on the kick drum, sample based, moderate on the tempo, distorted on the drums and light years away from the clean and ever revolving house sound of today. This unique style which also blends influences from afro beat, Detroit techno, Chicago house and cosmic disco, but also northern soul or the energy of Flamenco, immediately turned some heads around. James Murphy, Âme and Aeroplane started including Talabot music in their sets like it was the most natural thing. However - and this is quite rare - he not only gained legions of fans in the house and disco community, but also amongst the leftfield pop and indie rock followers. NME and Resident Advisor both had “Breakthrough“ features on John Talabot and he can be proud of a “Best New Music“ dubbing on
Pitchfork. (Being rather elusive on showing his face in magazines or the web it also came to some funny rumors that John Talabot was the alter ego of a well-known techno producer from Detroit).
At the same time he drew the attention of like-minded artists like James Holden and Luke Abott from Border Community, Blondes or Delorean, which lead to a bunch of fertile collaborations: Luke Abbott and Blondes remixed Talabot’s “Sunshine“ single , John Talabot remixed a track by Delorean and vice versa Delorean’s Ekhi contributed vocals to the track “Journeys “ on John’s album). Another example is the Young Turks Label (home of Jamie XX, Holy Fuck, El Guincho or SBTRKT ) on which he released the “Families“ EP in 2010. It was praised beyond limits. Pitchfork for
instance hailed: “… where pop and house influences sweetly buffer up against one another to provide an unyielding sense of elation“ and even brought Talabot a comparison with artists like Four Tet or Caribou.
While staying true to his sound, John Talabot has nevertheless shown a constant evolution as a producer since his first release. He has traced a solid musical path that has turned him into one of the big references of European House and has made him also a highly in demand Remixer (for the likes of The XX, Francesco Tristano’s “Aufgang” project, Shit Robot on DFA, Thaiti 80, Joakim or Teengirl Fantasy to name just a few ).
A progression that now crystallizes in “ƒin”, his first full-length album for Permanent Vacation. A record, in which the Barcelona mastermind sets aside the danceable immediacy to expand his stylistic palette more than ever. For that purpose, Talabot melts all the elements that have constructed his distinctive sound until now and makes them emerge from a new perspective, in which the construction of complex song structures, intricate rhythms and superpositions of ever-evolving melodies and atmospheres pick up the baton of the “a kick-drum and a sampler” philosophy of his initial productions. The result brings us 11 tracks (we should call them songs really!) dominated by dark ambiances, gaseous textures and bittersweet moods that, above all, reveal a kind of vivacity that’s really hard to find in contemporary electronics. “Fin” is far from being a track collection. From the majestic opener “Depak Ine“ to it’s solemn ending with
“So Will Be Now“ , one of the two tracks that features Talabot’s soul and label mate Pional, each song traces an overall dialogue with the rest, culminating a highly emotional journey through Talabot’s always compelling and unique musical vision.

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John Talabot

Fin

12" | 2008 | DE | Original (Pickadoll)

Release: 2024 / Original

Genre: Electronic & Dance

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John Dahlback

Winners & Fools Remixed

Release: 2008 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

Promo copy

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12" | 2010 | CH | Original (Drumpoet Community)

Big Piano

Release: 2010 / CH – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

CD | 1993 | UK | Original (UtterPsalm)

John Wall

Fear Of Gravity

Release: 1993 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

2LP | 2023 | EU | Original (Double Six)

John Cale

Mercy

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Tiny corner wear. Original inner sleeves.

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12" | 2024 | EU | Original (Clone Royal Oak)

I Get So High

13,99 €*

12" | 1996 | DE | Original (Phuture Wax)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Clone Royal Oak for all things House! This one for the deep house warriors... John Daly delivering two cuts reminiscent of the early 90's NY deep house vibes. On the a-side we got the warm jazzy "I Get So High" in the AM mix and the original mix featuring vocals by Barbara Vulso and Saxophone by Jabin Ward. On the flip side we have the dreamy "Two Days" in the original version and one of those rare house mixes by Alden Tyrell & Serge who added some bump to this release. John Daly, the og Irish deep house maestro is back!

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John Chevalier

Release: 1996 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

12" | 2004 | NL | Original (Silicon)

John Remedy

Ventricle / Catharsis

Release: 2004 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 2015 | NL | Original (One Track)

Moon Song

4,99 €*

Release: 2015 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Who Stole My Key 2024 Repress Edition

John Manhard

12" | 2021 | EU | Reissue (Sous:Sol)

13,29 €* 13,99 € -5%

12" | 2002 | UK | Original (Endeavour)

Release: 2021 / EU – Reissue

Genre: Electronic & Dance

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2024 repress -

With this fifth release of Sous:sol Records John Manhard, Huerta and Tom Ellis deliver a four-tracker of club music to smoothly connect us right to the dance-floor. A subtle fusion of Minimal and House with a touch of Jazz. Definitely a must have for groove seekers.

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John Stephens

Crazy For You

Release: 2002 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Up The Ladder To The Roof

John Kydd

12" | 1987 | US | Original (Nightwave Records)

Release: 1987 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Sticker on cover.

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2LP+CD+All Media | 2011 | DE | Original (Kompakt)

Parabolas

36,99 €*

Some Kind Of Wonderful Colored Vinyl Edition

Release: 2011 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Near Mint

CD included, side B is VG, rest VG+.

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John Ellison

LP | 2024 | EU | Reissue (Music On Vinyl)

21,69 €* 30,99 € -30%

Release: 2024 / EU – Reissue

Genre: Electronic & Dance

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Some Kind Of Wonderful Black Vinyl Edition

John Ellison

LP | 2024 | EU | Reissue (Music On Vinyl)

28,99 €*

Release: 2024 / EU – Reissue

Genre: Electronic & Dance

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CD | 2002 | US | Original (Thrill Jockey)

John Parish

How Animals Move

12" | 2013 | EU | Original (S1 Warsaw)

Release: 2002 / US – Original

Genre: Electronic & Dance, Classical Music

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Used Vinyl

Medium: VG, Cover: Generic

CD comes in a soft case, instead of the original crystal case. All booklets included.

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Eltron John

Bomby EP

6,64 €* 6,99 € -5%

12" | 1997 | UK | Original (Swank)

Release: 2013 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Writing on labels.

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John Truelove

Disco Revenge

3,39 €* 3,99 € -15%

Release: 1997 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 2016 | EU | Original (half true records)

John Horton

halftrue2

8,99 €* 11,99 € -25%

Tape | 2023 | EU | Original (Blaq Numbers)

Release: 2016 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Stamped white label, white vinyl. hand numbered limited edition.

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George John

Remote Island EP

LP | 2023 | US | Original (Gilgongo)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Let the synths take you away if everything gets too much. We’re going on a little journey to a remote island surrounded by colorful

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John Wiese

Magnetic Stencil 3

Release: 2023 / US – Original

Genre: Electronic & Dance

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LP | 2023 | US | Original (Gilgongo)

John Wiese

Magnetic Stencil 2

Release: 2023 / US – Original

Genre: Electronic & Dance

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LP | 2023 | US | Original (Gilgongo)

John Wiese

Magnetic Stencil 1

Release: 2023 / US – Original

Genre: Electronic & Dance

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10" | 2011 | UK | Original (Signals)

John Heckle

Hard Sleeper

17,99 €*

12" | 2023 | EU | Original (Repeat)

Release: 2011 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl with scuffs and hairlines

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John Howard

Sciabolic

15,99 €*