Search "Six Organs Of Admittance" 3320 Items

LP | 2023 | EU | Original (Groovie)

Release: 2023 / UK – Original

Genre: Pop

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Over their six albums The Go! Team have taken sonic day trips to other lands - musically dipping into other cultures. But now on this, their seventh - they"ve bought a round-the-world ticket.... Benin, Japan, France, India, Texas and Detroit - all stops along the way. Wildly different voices from wildly different cultures side by side but all still sounding unmistakably Go! Team. Setting the course for a kaleidoscopic, cable access, channel hop.On the vocal roll call there"s Star Feminine Band, an all-girl group from West Africa, the Indian Bollywood playback singer Neha Hatwar, Kokubo Chisato from J-Pop indie band Lucie Too, 19 year-old Detroit rapper IndigoYaj, Hilarie Bratset (ex-Apples in Stereo), Brooklyn rapper Nitty Scott, and a whole host of others, alongside Go! Team staple Ninja.Picking up from 2021"s "Get Up Sequences Part One", Part Two continues the feeling of Technicolour overload.It"s a journey spanning Cyclone Tracey wig-outs, chroma key sitar psychedelia, Casiotone anthems, spoken word melodrama and kalimba callouts. Brill building melodies lead into musical handbrake turns, four track into panoramic. Eighteen years after their debut LP The Go! Team are still unlike anyone else and on "Get Up Sequences Part Two" they sound as fresh as a club soda....

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The Giant Robots

Fuzz You!

15,99 €*

LP | 2020 | EU | Original (Allo Floride Artist Services)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Here is "Fuzz You", the 4th LP from The Giant Robots, the Swiss garage rock quintet ready to make all the gramophones on the planet roar. After “Invasion” (dab Records), “Too Young To Know BeVer. Too Hard To Care” (Voodoo Rhythm) and “DelighYully Refreshing” (Soundflat), the new opus of the giant robots is released by Groovie Records, the so exciting groovy label from Lisbon. This new album was mixed in Gijon by maestro Jorge Explosión (Doctor Explosión) and mastered by the US citizen guru Mike Mariconda, in Barcelona.

The LP begins with the pure garage-punk instrumental entitled "Fuzz You". A contagious theme with the very important organ in the foreground, while keeping very tasty melodies. Then comes the first single, a total hit in Italian entitled "Avant La Macchina", reminiscent of Cynics, Fuzztones or Chesterfield Kings. Remember that the group comes from this multicultural Switzerland where Italian is the 3rd national language. But the Italian language pays tribute above all to the true love of the garage carried by the public of the south, of Italy, of Spain, Greece or Portugal. A heavier atmosphere follows in "No Way To Hide", with very sixties voices, contagious choruses, a brutal break and even a prodigious organ solo. "PartyPartyParty" you can probably already guess what it's all about... You have to party at all costs, that's all that's enjoyable.

Then the Giant Robots rebound in their native tongue, French in "Schizophrenie" with its very danceable guitar riff, its wild drums, its prominent harmonica and its tribal groove with very sixties refrains. Finally, the last hit on side A will be the first of the three covers of this LP, this one by The Uncalled Four. "Do Like Me" is rather low tempo, played in a super relaxed way and filled with nonchalant "Yeah" at will. "We All Love Peanut Butter" starts the B side and sounds like the classic it is, covered in a casual and energetic way.

The original version was the work of One Way Streets. The vocals on of the Giant Robots has never been to be a cover band par excellence, seeking perfection, their versions always being alternatives to the originals, but with this characteristic spontaneity of that time.

Then comes the second single 'She Don't Like Me' with a captivating chorus, a looser version of the guy looking for love. 'Leave Me' is probably the strangest track on the album, with a very strident farfisa that accompanies a solid (even sordid) rhythm and unmotivated vocals.

'Panam' is a fun instrumental version for non-stop dancing, guided by a clear analog keyboard and also features a striking guitar. This is a cover of the Swiss group The Sevens who had the audacity to create this piece in 1966. Finally the album ends with... "Terminé" in a joyful way to dance all night long. A good combination of farfisa as well as a rhythm section that provide the backing for piercing guitar in just over a minute and a half. Real garage rock.

Enjoy ! And Fuzz You Babe.

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The Geek & Vrv

Time Machine

17,99 €*

Blood Moon: Year Of The Wolf Deluxe Edition

Release: 2020 / EU – Original

Genre: Hip Hop

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For The Geek and VRV, everything is a matter of time. Since they first met six years ago, the two beatmakers have been broadcasting their music to the four corners of the world, and their collaboration is as strong as ever after the years. Vanguards of the French instrumental hip-hop scene, they’re coming out today with their first album, Time Machine, a synthesis of the sounds and the ideas they’ve been working on from the very beginning of their careers. A trip back through time, as its name suggests, demonstrating the range of sound possibilities that they created in previous projects and on their international tours.

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The Game

2CD | 2014 | EU | Original (Ca$h Mashine)

11,99 €*

7" | 2024 | UK | Original (Do It With Soul)

Release: 2014 / EU – Original

Genre: Hip Hop

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Box set incl. bonus cd, t-shirt (size L), poster & sticker!

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The Gaff

Mango In The Jungle

14,99 €*

12" | 2011 | US | Reissue (Captured Tracks)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Do It With Soul is back with another healthy dose of dancefloor fun featuring a pair of well-executed new edits. On the A-side of this limited edition 7" is 'Get Up Gaff,' a James Brown-inspired rework with some nice analogue 808s driving forward the raw vocal loops and jacked-up drum hits. On the flip, 'Mango In the Jungle' channels more James Brown energy as it collides 'Mango Meat' with 'Give It Up and Turn It Loose.' The result is a wild mix of funk breaks, squealing organs and soulful vocal details that keep things moving and grooving.

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The Fresh & Onlys

August In My Mind EP

LP | 1969 | EU | Reissue (Mad About)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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"...the San Francisco crew's releasing a great six-song EP on Captured Tracks early next month called August In My Mind... they kick up an excellent, hazy dust storm with the standout opener "Diamond In The Dark." (Really, people should pay more attention to these folks.)" -Stereogum

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The Four Sounds

Jazz From District Six

24,99 €*

Take A Look Inside Clear Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Impossible-to-find gem from 1969 finally reissued in a deluxe edition. Ultra Rare South African Jazz from District Six with legendary musicians Clifford Moses, Richard Schilder, Basil Moses and Basil Coetzee.

True Jazz today is becoming a rare art whose existence depends not only on the Jazz-musician but also on the medium by means of which it is propagated. This album is the combined effort of musician and Trutone Record Company to add their contribution to the interest of the arts. The theme for this album is set in "District Six", the community which brought forth "The Four Sounds".

Basil Moses is perhaps most widely known, in the context of South African jazz history, as having recorded prolifically – including performing on seven or eight of Abdullah Ibrahim’s 1970s recordings. He also features on Sathima Bea Benjamin’s African Songbird (The Sun, GL 1839).

Guitarist Cliffie Moses, three years older than brother Basil, was also a professional musician and the two, along with Richard Schilder and Billy Bowers (aka Billie Dollie), formed the Four Sounds in the early 1960s. The group with Basil ‘Manenburg’ Coetzee and Roy Nolly recorded their debut album, Jazz from District Six, in 1969 for Trutone (tblc 1).

In 1970 Basil, Cliffie, Roy Petersen and Monty Weber were all hired to tour the country as the core of Percy Sledge’s backing band for a seventeen-week sell-out tour of South and southern Africa. Percy Sledge described it as the “greatest tour of [his] career”.

Notes by Siemon Allen at Flatinternational”

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The Folk Implosion

LP | 1994 | US | Reissue (Joyful Noise)

Tape | 1994 | US | Reissue (Joyful Noise)

Release: 1994 / US – Reissue

Genre: Rock & Indie

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Clear Vinyl.They say there's always something special about the first time and this record is that first time for the Folk Implosion. The band left the acoustic guitars and fragmentary sketch modus operandi of their earlier cassette behind to focus on an eccentric version of home studio craft, held together by a few cheap microphones (including a Radio Shack PZM) and a Tascam cassette 4-track recorder sequestered under the eaves of a 3rd floor, Cambridge Massachusetts double-decker house apartment. Wood floors and Christmas lights were as much a part of the vibe as an Ampeg VT 40 guitar amp and a small chord organ. The duo would wait until the downstairs neighbor went to work in the morning and then would play until the tunes snapped like a high-pitched snare drum. The setup would close down just before the neighbor came home from work, keeping the peace long enough to see the project through to completion.Once tracked, the band snuck into Fort Apache studios with Tim O'Heir (producer of Sebadoh's `Bakesale' LP) early one morning, freeloading off the Sebadoh sessions that were set to get going that afternoon. Tim mixed the songs through a very hi-fi Neve board in a matter of hours with the Tascam sitting right on the giant board like a tugboat keeping time with an oil tanker. The duo hoped that the spirits of ancestors like The Troggs, Devo, Al Green, and The Bee Gees would be pleased with the scent of tribute that arose from the ashes of the pyre. Today, they are pleased to see the Slaps and the Sputniks on view again nearly 30 years later.

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The Folk Implosion

Take A Look Inside

14,99 €*

Home Recordings, 1978-1980

Release: 1994 / US – Reissue

Genre: Rock & Indie

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Folk Implosion's fan favorite album is available on cassette for the first time!They say there's always something special about the first time and this record is that first time for the Folk Implosion. The band left the acoustic guitars and fragmentary sketch modus operandi of their earlier cassette behind to focus on an eccentric version of home studio craft, held together by a few cheap microphones (including a Radio Shack PZM) and a Tascam cassette 4-track recorder sequestered under the eaves of a 3rd floor, Cambridge Massachusetts double-decker house apartment. Wood floors and Christmas lights were as much a part of the vibe as an Ampeg VT 40 guitar amp and a small chord organ. The duo would wait until the downstairs neighbor went to work in the morning and then would play until the tunes snapped like a high-pitched snare drum. The setup would close down just before the neighbor came home from work, keeping the peace long enough to see the project through to completion.Once tracked, the band snuck into Fort Apache studios with Tim O'Heir (producer of Sebadoh's 'Bakesale' LP) early one morning, freeloading off the Sebadoh sessions that were set to get going that afternoon. Tim mixed the songs through a very hi-fi Neve board in a matter of hours with the Tascam sitting right on the giant board like a tugboat keeping time with an oil tanker. The duo hoped that the spirits of ancestors like The Troggs, Devo, Al Green, and The Bee Gees would be pleased with the scent of tribute that arose from the ashes of the pyre. Today, they are pleased to see the Slaps and the Sputniks on view again nearly 30 years later.

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The Fast Set

Tape | 2024 | UK | Original (The Tapeworm)

9,99 €*

LP | 2016 | US | Original (Superior Viaduct)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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"In 1978 I started making experimental home recordings with my old schoolfriend Alan Clark. We both had Akai 4000ds reel-to-reels, which made for easy swapping of locations and ideas. We would meet most evenings to record – for the best part of two years. Much of the music on this tape comes from those experiments.

Some of my solo pieces on this cassette were on a compilation cassette I made for my friend Brad Day, who in 1979 was working at Beggars Banquet record shop in Earl's Court. He happened to be playing it in the shop when co-manager Peter Kent walked in and asked who it was. From that I was offered a 7" release on the Axis label Peter was starting with his colleague Ivo Watts-Russell, and my first gig was organised at Mayhem Studio in Battersea, supporting Vice Versa. With another schoolfriend, Steve Player on guitar and Stylophone 350s, my 16-year-old brother Peter Knight on backing tapes and backing vocals, and me on Vcs3 and vocals, we put a set together within a week. The filmmaker John Maybury projected Super-8 films over us at the gig, and suggested we call ourselves The Fast Set – as all three of us were rooted static to the spot with nerves. The name stuck, and it now seems appropriate to retrospectively apply that name to our previous untitled endeavours.

This cassette release is a 'patchwork' I constructed back in 1980 of the late-70s home recordings – both solo or with Alan. There were two projects back then – the experimental pieces, and the electronic 'pop' songs. This release consists of the former, which I feel age has been kinder to. The tapes had remained untouched for over 40 years until I baked and transferred them recently, so please excuse the hiss, distortion, pops, crackles, and wobbles, as I wish to maintain the integrity and home-made feel of the original recordings." – David Knight, London, 10 January 2024.

London-based musician David Knight has been a member of/worked with: The Fast Set, Five Or Six, Shock Headed Peters, Left Hand Right Hand, Arkkon, The Amal Gamal Ensemble, The Stargazer's Assistant, and Lydia Lunch. He wrote and recorded with Danielle Dax throughout the 1980s, and currently works with Stephen Thrower (Coil, Cyclobe) in UnicaZürn.

Recorded between 1978 and 1980 in Battersea, London on an Akai 4000ds and later a Teac 3300sx. Instruments used: EMS Vcs3, Roland System 100, Hohner K4 String Machine, Dubreq 350s, Piano, Guitar, Percussion, Roland Re201 Space Echo, Colorsound Ring Modulator, EHX Small Stone Phaser, Ibanez Standard Fuzz. Written, recorded and performed by David Knight and Alan Clark. Compiled and mastered by David Knight.

Artwork by Danielle Dax.

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The Fall

Slates

LP | 1968 | EU | Reissue (Wah Wah)

Release: 2016 / US – Original

Genre: Pop

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If The Fall truly is a cult band, then Slates both benefits from and reinforces such shrouded obsessions. In presenting these six particular songs as a 10" EP, the inherent and attractive difficulty of The Fall's sound is made physical, framing the urgency of their singles from this period (notably How I Wrote 'Elastic Man' and Lie Dream of a Casino Soul) alongside lengthy rumblings normally restricted to long players.

The tumbling and phased "Middle Mass" begins on an incredible high note, segueing into the snake-charm hypnotism of "An Older Lover Etc." "Slates, Slags, Etc." is built on stretched VU-inspired riffing, complete with ace feedback bleed that doubtlessly went on long after fade-out. Ultimately, it's the piercing chimes of guitar and marching drum grind of "Prole Art Threat" that elevates Slates beyond oddity. Truly one of Mark E. Smith's finest, busiest and most enigmatic performances, equally matched by a band at the peak of their powers.

Superior Viaduct's edition is the first time that Slates has been available on vinyl domestically since its initial release in 1981. Liner notes by Brian Turner.

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The Eyes Of Blue

Crossroads Of Time

20,99 €*

LP | 2022 | EU | Original (Ex)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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UK psychedelia moved into prog rock with spices of hard rock in the late sixties, some even coined a new label to describe the strong textures resulting of the mixture of rockier blues sounds, jazz, revolutionized freakbeat and the hardest side of popsike - ‘heavy psych’. Amongst the best works of the era were the two splendid LPs recorded by Welsh band Eyes Of Blue.

The Eyes Of Blue where formed in 1966 and soon won the Melody Maker Beat Contest, a fact that secured them a recording deal with Deram records. The label issued their first 45s, they were good but -due to company pressure- more Blue Eyed Soul or even bubblegum oriented. By the time they released their first LP, on Mercury, their real sound had surfaced, showing influences by some of the coolest bands from the US West Coast like The Doors or Love, and also counted on the help of Graham Bond, who penned some of the most significant tunes on the album. Heavily Hammond organ driven athmospheres taking things one step further than The Nice, guitar pyrotechnics, an excellent vocal work, some eastern influenced guitar raga, a great taste in choosing cover versions and strong songwriting make Crossroads Of Time one of the best progressive LPs from 1968.

First ever legit vinyl reissue, in a limited run of only 500 copies, in remastered sound and featuring an insert with photos and liner notes.

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The Ex

Pokkeherrie

21,99 €*

Blueprints For A Blackout

Release: 2022 / EU – Original

Genre: Rock & Indie

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Re-release of the POKKEHERRIE LP! including original A2-poster and LP-size booklet. Original release date: 1985. "The Ex, with `Pokkeherrie' have produced a masterfulkiller weapon of raw power that rattles upthe spine into numbed pink brain cells and fills thevacuum with social issue.""They've done it again. While they maintain melody,dissonance, moodiness, and a hard edge, theycontinue to grow and encompass many styles.Their integrity is rock hard and dependable.""Subtleties, intricacies, complexities, repetitions,basic noise."Recorded in 1985 at Emma's Koeienverhuurbedrijf, Amsterdam, Netherlands. Produced by Dolf Planteijdt. THE EX: Terrie (guitar), G.W. Sok (vocals), Luc (bass), Katrin (drums).

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The Ex

LP | 2022 | EU | Original (Ex)

Music, Sweet Music / Forward Motion

Release: 2022 / EU – Original

Genre: Rock & Indie

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Re-release of the double LP with original artwork.24-page LP-size magazine. Original release date: 1984."It's caustic. A real burner. (...) While still retaining an all important relevant edge to their musical comment , they'veintroduced elements of tunesmithing, attack, decay andcomposition that places them head and shoulders abovetheir contemporaries.""Well-known venom, but the music becomes more experimental(i.e. slower, richer, more stirring, fed by yet ratherremarkable set of instruments) with every new release."Recorded at Joke's Koeienverhuurbedrijf, Schellingwoude, Netherlands. Produced by Dolf Planteijdt + JonLangford.THE EX: Terrie (guitar), G.W. Sok (vocals), Luc(bass), Yoke (bass), Sabien (drums), plus doublebass,organ, violin, oil-barrels, accordion, beercrates,piano. Guest musicians - Kees (oboe,flute, saxes), Jon Langford (marimba, rhythmbox,guitar), Dolf Planteijdt (guitar, drums), Vazant(sax), Marcel (marimba, drums), Adrie (drums),Bas (bass, double-bass), Ferrie (trumpet).

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The Ellis Hall Group

7" | 2024 | UK | Original (Super Disco Edits)

13,99 €*

10" | 2021 | US | Original (Old Maid Entertainment / Illegalia)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Music, Sweet Music" sounds like a perfect little song with lovely summer vibes, a bit of vocal scatting and lovely organ licks from the multi talented Ellis Hall. We love the feel of this one that sounds like The Crusaders/Blackbyrds, and Stevie Wonder rolled into 2:38 of soulful pleasure. Flip it over and "Forward Motion" kicks off with some pretty generic 70's horn play, boom, rasping drums and melodies kick in with some fun interplay between Ellis , Patty Unitas and Pat Thomas on the background vox. The full line up from these recordings are Ellis Hall Jr (Keyboards/Vocals) Patty Unitas (Vocals) Pat Thomas (Vocals) David Fuller (Drums/Vocals) Michael Thompson (Guitar) Stanley Benders (Percussion)

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The Du-Rites

Pressure

15,29 €* 17,99 € -15%

LP | 2022 | US | Original (Old Maid Entertainment / Illegalia)

Release: 2021 / US – Original

Genre: Organic Grooves

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Pressure is the D.O.A. of some and the D.N.A. of others. For The Du-Rites, it's the latter. Pressure ain’t nothin’ but potassium!

Jay Mumford f/k/a “J-Zone” (drums, keyboards, percussion) and Pablo Martin (guitar, bass, keyboards) used the feared ‘P’ as both the impetus behind and the title of their sixth and most musically adventurous release. Coming off 2020’s A Funky Bad Time LP, how would the NYC-based funk unit follow up in a world where music fans hope live shows return (but not really), want songs instead of an avalanche of 60 second clips to scroll past (but not really) and a lapse back into lockdown never seems far off? And not only follow up, but not repeat? Add vinyl pressing plants offering turnaround as long as nine months and tour plans almost always in pencil, pressure for musicians to write and record almost impossibly fast or be doomed to the algorithm black hole is pumping. The odds are stacked, but odds make us turn corners.

Pressure is half the length but twice the density of its predecessors. Six tracks deep on wax (seven digitally), it’s more orchestrated, a bit more complex, but never, ever sacrificing grease and groove for academia. The hip-hop-and-dub-meet-funk of their 2016 debut; the ‘60s soul nod of 2017’s Greasy Listening; the cinematic "cop show funk" of 2018’s Gamma Ray Jones and the darker psychedelia of A Funky Bad Time - none reappear on Pressure. A subtle jazz leaning is there, but it’s busted and unrefined in a way only The Du-Rites would du. The title track and “Bird Brain” go there. Main single, “The Squeeze,” puts Italian Soundtrack-style vocals and strings in the mix with drippy guitar, reggae influence, Barry White-style ad-libbing and groove drumming for the most distinct and lush tune in the band’s catalog. “Brother Yizar” goes full-on park jam on a percussive, uptempo rampage and the closer, “Fly Swatter,” swings hard with whirling dervish Hammond organ and walking basslines. The mockingly-titled “Math Rock” is the closest thing to any previous Du-Rites, but the wild twists and turns are uncharted territory.

In an ever-uncertain musical landscape, Pressure is The Du-Rites finding a way. Like they always du. But du-in it differently. Live and/or on wax, The Du-Rites have played alongside the likes of Eddie Palmieri, Robert Glasper, Ghostface Killah, Wax Tailor, The Skatalites and members of Sun Ra Arkestra. Individually, Jay and Pablo, as drummer and guitarist, respectively, have worked with Danger Mouse, Lord Finesse, Madlib, Tom Tom Club, Broken Bells, Soul Supreme, Ben Pirani and many more.

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The Du-Rites

Plug It In

25,99 €*

In A Million Pieces Orange Splatter Vinyl Edition

Release: 2022 / US – Original

Genre: Organic Grooves

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Most bands end up in court or the members try to kill each other by the third album, so to
make it to the seventh means two things: you’ve got funk tenure and a wicker chair is in your
near future. Jay Mumford (drums, percussion, keys) and Pablo Martin (guitar, bass and keys)
have managed to soldier on without repeating themselves or falling into expected retro-funk
tropes. Plug It In gets straight to the point with its title - it’s the band’s funkiest album.
It’s not as psychedelic as their magnum opus, 2020’s A Funky Bad Time, but the title cut
borrows some of that mojo to make a party-starting funk tune. It’s not as jazzy and complex as
last year’s Pressure EP, but Jay’s ride cymbal grooves and the ‘60s Dave Pike influence of
guest vibraphonist Tre D’Ambrocia push “Hole In The Wall” in that direction. The fusion-funk
influences on “Penny Loafers” are rooted in private press releases from a decade later. The
gumbo of modern and vintage influences from their 2016 debut reappear on lead single, “Bay
B. MoMa,” but the groove is a lot stronger these days. The cinematic vibe of 2018’s Gamma
Ray Jones resurfaces on “Tripwire,” but this time with Jay’s never-used-before kalimba as a
lead instrument. Pablo’s experiments with Monotron, Vocoder, use of distortion and vintage
drum machines playing counter to Jay’s drum grooves lend a fresh layer to the band’s sound,
while “Funk Monk” (featuring Beastie Boys’ keyboard wizard, Money Mark) closes out the
album with a whirlwind and brings it all together. Swinging, hard driving, dance floor-ready funk
peppered with all the above. Then there’s “Asbestos,” the hardest-grooving tune in the band’s
catalog. And it grows out of a growling, gnarly organ solo from Pablo.
But it’s still trademark Du-Rites: largely instrumental funk - with occasional vocals from the
band, mysterious street luminary, Broughamin Fred, and vocalist, Marianna D’Ama, who sings
entirely in Italian on “Tioli” - that pulls from everywhere, but mimics nothing.
Outside of The Du-Rites, Jay is a session drummer, who has recently done sessions for Dan
Auerbach, Danger Mouse, Adrian Quesdada, Just Blaze and countless others, in addition to
being sampled by super producers Mark Ronson and Madlib. Pablo holds the lead guitar chair
in the legendary Tom Tom Club, leads punk/rock/soul duo Lulu Lewis and works closely with
Argentinian legends Sergio Rotman and Mimi Maura as a producer. Plug It In is where it all
comes together…and then some.

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The Draft

2LP | 2006 | EU | Reissue (End Hits)

LP | 2024 | US | Original (Supreme Echo)

Release: 2006 / EU – Reissue

Genre: Rock & Indie

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In 2006, THE Draft was formed by Hot Water Music members Jason Black, George Rebelo, and Chris Wollard shortly after singer/guitarist Chuck Ragan's departure. The three remaining members of the band wanted to continue making music together but chose not to continue under the Hot Water Music name, opting for a fresh start instead. The initial writing and demo sessions included the legendary punk rock guitarist Brian Baker (known for Minor Threat, Dag Nasty, Bad Religion). However, due to conflicting schedules, Baker couldn't commit as a full-time member, leading fellow Florida resident and former Discount member Todd Rockhill to join the band. After releasing their debut album "In a Million Pieces" (produced by the esteemed Brian McTernan) on Epitaph Records in 2006, the band embarked on extensive tours with acts like Samiam, The Gaslight Anthem, and Paint It Black. They also released several singles on the renowned No Idea Label before disbanding in 2008. With both "In a Million Pieces" and all 7" records being out of print for years, THE Draft has now teamed up with End Hits Records and Equal Vision Records to release a deluxe vinyl version on double vinyl. For the first time, you can find every track ever recorded by THE Draft: Included are the twelve album tracks, six songs featured on three 7" records, two unreleased demo versions, as well as four songs recorded during a radio session in the UK that have never been released before. Not only were all songs remastered specifically for vinyl by Brian McTernan, and detailed liner notes have been added to tell the band's history from beginning to end, but the packaging has also been completely overhauled. A special feature for collectors: the European and American versions come in different gatefold covers, which together form a complete work of art.

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The Dishrags

Four

49,99 €*

LP | 2003 | EU | Reissue (Schema)

Release: 2024 / US – Original

Genre: Rock & Indie

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Canada's #1 all-women punk band. For the first time on vinyl, here’s the entire 1980 output by the trailblazing Dishrags quartet. Formed in 1976 in Victoria and later relocating to Vancouver, the Dishrags played Vancouver’s first-ever punk rock gig and went on to bump elbows with the Clash, the Ramones, the Avengers, and countless others. Four features 13 songs of brooding punk & early hardcore, meticulously remastered. Including their 9-song studio demo, 3-song Death in the Family EP, and 1 soundboard recording. Includes a large-size booklet with their bio, interview, photos, and gig posters—plus a cool sticker!

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The Dining Rooms

Tre 2024 Repress

31,99 €*

Hello, We Love You! The Big Beat EPs

Release: 2003 / EU – Reissue

Genre: Hip Hop, Organic Grooves, Electronic & Dance

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“Tre” is cinematic/trip hop duo The Dining Rooms’ third re¬cord, and their first on Schema Records. Originally released in 2003, it contains songs that have been synchronized in popular TV series (C.S.I. Miami, Six Feet Under, Sex and the City) and it’s finally available again on vinyl!

For long time out of stock - finally a new reissue to give light to one of the most important albums by the Milanese duo Cesare Malfatti and Stefano Ghittoni aka The Dining Rooms “Tre” (3) was also released in America by Chicago's Guidance Records. One of the most represented albums of the trip hop scene again available in a double LP format

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The Delmonas

10" | 2021 | UK | Original (Big Beat)

Welcome To The End Of The World

Release: 2021 / UK – Original

Genre: Rock & Indie

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The tracks from the group’s two 1984 EPs together on a swanky 10-inch vinyl LP. Inner bag features liner notes by Kris Needs incorporating new interviews with all three Delmonas and a series of great photos by Eugene Doyen.

Sarah Crouch, Hilary Wilkins and Louise Baker started singing together as a unique spark of spontaneous magic inextricably linked to their boyfriends in the Milkshakes, then rocking a garage-punk antidote to shiny synth-pop and brash chart stars with a direct lifeline back to rock’n’roll’s original simplicity and wildness. After Billy Childish and Bruce Brand formed the Pop Rivets in 1978, the guys hooked up with Micky Hampshire and Russell Wilkins to found the Milkshakes. Sarah shared a student house with boyfriend Micky plus Billy. After she and Hilary, then dating Russell, sang backing vocals on the Milkshakes’ rollicking Beatles-translated take on the Shirelles’ ‘Boys’, Louise’s arrival turned them into a girl group pretty much by accident.

“I loved the music the Milkshakes were playing,” Louise recalls. “Loved the small, intimate venues and most of the bands that played with them, especially the Prisoners. I’d gone with the Milkshakes to Belgium and was somehow persuaded to get up on stage and sing something. Next thing I knew, there was some kind of plan to get the three of us in the studio.” At first the three girls were called the Milk-boilers, renaming themselves the Delmonas by the time Ace Records’ Roger Armstrong and Ted Carroll suggested recording the EPs that furnish this collection. “I think we were asked to each think of three songs and turn up,” says Louise. “I mostly listened to music from the 60s: lots of girl groups, Irma Thomas, Dusty Springfield, Bo Diddley, Velvet Underground, Kinks. Bruce had the best record collection; Mel Tormé was in there somewhere and one of my faves. Sarah came up with doing the Doors cover.”

‘Comin’ Home Baby’ was written as an instrumental before Bob Dorough added lyrics and Mel Tormé recorded it in 1962. The Delmonas’ finger-clicking, noir-dynamic version kicked off their first EP with authentic-sounding 60s production resonance, iced with mysterioso organ. The Cookies scored a hit with Goffin & King’s ‘Chains’ in 1962, the Beatles’ version providing the Hamburg Star-Club template for the Delmonas’ energised rendition. The first EP, “The Delmonas Volume 1”, rounded off with two songs from the Childish-Hampshire songwriting partnership: ‘Woa’ Now’ and ‘He Tells Me He Loves Me’, the latter recalling the New York Dolls covering the Shangri-Las’ ‘Give Him A Great Big Kiss’, mainly because it has similar chords.

“The Delmonas Volume 2” opened with Sarah’s idea of covering the Doors’ hit. “We thought, ‘How would the Kinks have played it?’” she affirms. ‘Hello, I Love You’ had got the Doors into hot water with the Kinks’ publishers for its resemblance to ‘All Day And All Of The Night’. The Delmonas home in and highlight that similarity, adding bonkers psychedelic drop and evocative new coda. Their surf-tinged version of the Milkshakes’ ‘I’m The One For You’ is followed by the swampy screaming of ‘Peter Gunn Locomotion’, a cover of a 1963 single by Freddie Starr in his pre-stand-up comedian days as singer with the Midnighters. The set closed with the sultry organ-led vamp of the Milkshakes’ ‘I Want You’, the nearest the Delmonas get to the slowies Sarah helpfully points out they referred to as “shag songs”.

All these tracks would re-appear on their “Dangerous Charms” album, along with out-takes and recordings from a BBC session, before the original trio splintered, leaving Sarah and Hilary to return for further adventures as Ludella Black and Ida Red. The eight tracks here capture a moment when three fun-loving friends got to live out some musical fantasies and had a blast doing it. 37 years later, it sounds just as contagious.

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The Dead Milkmen

12" | 2022 | EU | Original (The Giving Groove)

Drug Dilling EP DJ Bone Remix

Release: 2022 / EU – Original

Genre: Rock & Indie

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Welcome to the End of the World delivers the Dead Milkmen's trademark twisted humor along with some underlying dark elements.Welcome to the End of the World delivers the Dead Milkmen's trademark twisted humor along with some underlying dark elements that will creep in to your consciousness if you pay close enough attention. The six tracks run the gamut of weird and wild--from the heavy, Ramones-influenced lead single "Only the Dead Get Off at Kymlinge," a ghost story about the haunted trains terrorizing passengers on the Stockholm Metro; to "Battery-Powered Rat," a jangly instrumental about two popes, a chess game, and a rat at the Vatican. ("Battery-Powered Rat is one of the weirdest things we've ever done," says drummer Dean Clean.) Musically, the band draws on industrial influences, with a strong beat-driven aesthetic. "It's a pretty good representation of the different styles of things that we do," Dean Clean explains. "It's got some sort of heavy stuff and some groovy, almost dance-oriented stuff--which is fun to say."

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The/Das

12" | 2017 | EU | Original (Life And Death)

10,19 €* 11,99 € -15%

LP | 2022 | EU | Original (Damaged Goods)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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With further announcements forthcoming with Life and Death later this summer, Drug Dilling offers up the first new material from The/Das on the label since 2013’s Outfashioned. Now as a duo, Fabian Fenk and Philipp Koller’s latest EP is the result of playful and pure studio sessions, during which they aimed to capture the often-overlooked club-friendly side of their project. Top Vibes’ breakbeats come as a welcomed surprise, while Holy Rollers pairs wobbling synth pads with a vocal cameo by DJ Tennis. The standout title-track recalls hazy afterparty moments. Detroit stalwart DJ Bone delivers a focused reinterpretation on the flip, backing expertly-sampled organ takes and flanged vocal lines in an enticing bed of afro-cuban rhythms.

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The Daggermen

Dagger In My Mind

In Coastal Light Sky Blue Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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The Daggermen all went to Rede Secondary School in Medway, Kent. It was a school for those that failed their 11 plus, or who passed it but decided to go there anyway (as Jon pretends). Being in some of the same classes we became friends and found we liked the same music; The Who, The Small Faces, The Kinks, The Beatles and The Jimi Hendrix Experience. We started going to Carnaby Street, wearing Beatle boots and generally being a bit Moddy. Dave's older brother, James Taylor, played organ in The Prisoners and we'd listen to cassette tapes of them along with other local band, The Milkshakes as we bounced on the trampoline during P.E. After watching both bands play live in local venues such as the M.I.C. club in Chatham we formed The Daggermen, working out who was going to play which instrument as we stood next to the now demolished school sports hall. No one can quite remember who thought of the name, The Daggermen (it was me) or how comes Jon was playing bass on a guitar in the band at the very start and then Terry took over when we started gigging (it was because he had a real bass guitar and a car). But the next thing was that we were supporting The Prisoners both in Medway and places such as the 100 Club in Oxford Street. Then, one sunny day at around the age of 17, I bumped into Billy Childish walking across a field. I formally introduced myself and told him that he should definitely come and see our band that night because we were "fucking brilliant". He did turn up and bought us a tray of whiskies whilst we were on stage, a sure sign that he had liked it. This led to him and Russ Wilkins, bass player in The Milkshakes alongside Billy, asking us if we wanted to record an E.P. for Russ's label, Empire Records. This was our first ever recording called Introducing The Daggerman which was made in a brick arch under Rochester bridge that we rented for £2 a week to rehearse in and lovingly referred to as 'The Hole'. We got ourselves a "manager" (our mate, Vic Templar) and started playing up and d...

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The Crystal Furs

LP | 2022 | EU | Original (Reckless Yes)

The Cryin' Shames / Paul & Ritchie & The Crying Shames / The Bumblies

Release: 2022 / EU – Original

Genre: Rock & Indie

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The Crystal Furs are a queer indie pop/rock band from Portland, OR. They write melodic, textured songs about anxiety, architecture, lesbians, and queer feels - loud music for quiet hearts. In Coastal Light is the band’s fifth album, following on from 2020 LP Beautiful and True, and hears them honing their blend of grungey riffs and 60s-girl-group vocals. As featured on: KEXP, WFMU, BBC Radio, Freeform Portland, KBOO Portland, Portland Radio Project, Chasing Infinity on WRUW, Get In Her Ears, Grrls Like Us “Had Portland’s (via Forth Worth) The Crystal Furs been around in the late 80s – early 90s there is a possibility they would have been signed to Sarah Records, home of OG jangle pop bands like The Field Mice and The Sea Urchins. Then again with their sunny, bright melodies, they might have found themselves riding the charts alongside The Bangles.” 50Thirdand3rd “It’s something of a well-worn expression, that adult life is about ‘finding oneself’, but it certainly seems for the Buchanans, and their band, that all of the changes in their life have enabled them to do just that. And what they’ve found are winning alt. indie-pop purveyors in the mould of Helen Love. Beautiful And True is an album whose title could not be clearer: it is what it says it is.” Get In Her Ears “Think of those jangly C86 tunes mixing genteel harmonies, spiraling keyboards, melodic guitar/ bass sounds and wistful vocals and you begin to get the drift here.” Into Creative “From the opening tones of the Farfisa organ on ‘Comeback Girls’ the lo-fi indie pop shines through, with jangly guitars, unassuming instrumental breaks and a naturalistic production that puts the Furs right there in the room with you.” Cambridge Music Review“Retro without being jaded, cute without being cliched what The Crystal Furs do so well – and demonstrate deeply on both tracks in this release – is as we’ve said pair light, sparkling and downright danceable melodies with dark-hearted lyrics emerging from shadowy inner worlds and harder lived experiences.” Popoptica

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Please Stay

LP | 2024 | EU | Original (Perfect Kick Off)

25,99 €*

I Can't Believe It's True

Release: 2024 / EU – Original

Genre: Rock & Indie, Pop

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“‘Please Stay’, by The Cryin’ Shames, was the last song by producer Joe Meek to enter the UK Top 40, peaking at No. 26. Released on 18 February 1966, the song should have reached the top, but its progress was held back by the fact that the Decca record label had not pressed enough copies to meet demand. The collaboration should have been long and successful for both of them, but the Cryin’ Shames story is cursed with bad luck and, sadly, within a year of the success of ‘Please Stay’ the band broke up and Joe Meek died. This compilation brings together a first part of the material collected by Cherry Red on the double CD ‘The Tea Chest Tapes’ . The group began as The Bumblies, formed in Liverpool in 1963 by bassist George Robinson and singer Joey Kneen who had previously been in a band called The Calderstones, that included Tom Evans, who later went on to form the group Badfinger. The Bumblies’ name was taken from a television series of the same name featuring Michael Bentine. The rest of the line-up included Charlie Crane (vocals, harmonica), John Bennett (guitar), Phil Roberts (keyboards) and Charlie Gallagher (drums). Charlie Crane would be known in addition as ‘Carl’ or ‘Paul’ to avoid confusion with the other Charlie in the group. Joe Meek didn’t like the band’s choice of name so they changed it to The Cryin’ Shames. Ritchie Routledge replaced Bennett (guitar) after the recording of their debut single ‘Please Stay’. Derek Cleary (bass/guitar) replaced Robinson in time to play on their second single ‘Nobody Waved Goodbye’. After the original Cryin’ Shames fell apart, Routledge and Crane formed a group known as Paul And Ritchie And The Crying Shames with new members Brian Norris (bass), Mike Espie (guitar), Pete Byrne (organ) and Paul Commerford (drums). They released one single, ‘September In The Rain’. The group (as The Bumblies) auditioned for Joe Meek in late October or early November 1965 - the exact date cannot be ascertained because Meek’s tapes contain very little information, and only one or two of the more than seven hundred tapes actually bear a recording date...” (liner notes extracted from the Cherry Red’s booklet made by Mr. Craig Newton)

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The Creators

7" | 2023 | UK | Original (Stream)

17,99 €*

LP | 2021 | EU | Original (Damaged Goods)

Release: 2023 / UK – Original

Genre: Organic Grooves

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"I cant believe its true" is a great uplifting Modern Soul tune produced, written and published by Gospel music veteran and Coconut record label owner Pastor Dr. Arris D. Wheaton from Dallas, Texas. He's now 77 years old, still kicking and licensing his stuff to respectful little labels like Stream Records. Counting on the vocals of Bobby Patterson’s of Pama and Jetstar labels fame, “I can’t believe it’s true” is a dancefloor destroyer of the highest order with perfect hooks and a production that still leaves you wondering why in the world these guys didn’t become acclaimed music stars as they sure deserved. Creators’ formation included Bobby Patterson (vocals), Andrew Jones (Guitar and background vocals), Timothy McNealy (Tambourine, Trombone, Organ and vocals), Ronnie Brewster (Drums), Robert (bobby) Simpson (Sax, Vocals and Band Leader), Billy ‘Sweet ‘Pea Thomas (Trumpet) and Michael Fugett (Bass and background vocals)

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The Courettes

We Are The Courettes

What's It All About / Watch The Clock

Release: 2021 / EU – Original

Genre: Rock & Indie

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Remastered Reissue Of The Second Lp With New Sleeve Artwork!1000 Copies On Transparent Red Vinyl! The Courettes' 2nd Album Was Produced By Powersolo's Kim Kix With Nikolaj Heyman As Engineer In 2018. This Album Goes Deeper In Its Songwriting Showing The Courettes' Love For '60s Girl Groups Like The Ronettes And Shangri-Las. Fuzzy Wild Sounds Are There, Loud As Hell Drumming Also, But Some Additional Elements Were Added To Their Garage Recipe: Soul Ballads And A Handful Of '60s Girlie Pop. Sonic Quality Is Now Stereo And Overdubs Like Organ,Piano And Backing Vocals Were Allowed - All Performed By Thecourettes Themselves, Of Course! Including 'Boom! Dynamite!','Time Is Ticking' And 'Voodoo Doll' (Featuring Horror Movie Legend Coffin Joe).The Courettes Are An Explosive Garage Rock Duo From Denmark/Brazil, Highly Praised By The World's Coolest Musicmagazines. Their First Single For Damaged Goods, 'Want You! Like A Cigarette', Was Released In 2020 In The Middle Of The Covid-19 Pandemic. The First Pressing Of The 7" Vinyl Soldout In Two Weeks. "This Extraordinary 45 Marries A Super-Charged Pop Top Side To A Charging, Rampaging Flip" Wrote Kieron Tyler (Mojo). A Brand New Single, 'Hop The Twig', Followed In Spring 2021, Featuring An Exciting Blend Of Garage, Surf, '60s Girlie Pop And Riot Grrrl Attitude. Back In Mono, The Duo's Third Album Is Being Mixed Now In Japan By Wall Of Sound Aficionado Seike Sato And Shows The Band In Top Form, With Great Songwriting And Spector-Esque Arrangements.

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The Counts

7" | 2021 | UK | Original (Soul Junction)

15,99 €*

Groovy Things Colored Vinyl Edition

Release: 2021 / UK – Original

Genre: Organic Grooves

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The Fabulous Counts were originally a teenage instrumental group of five musicians, Mose Davis (Organ and Piano), Demetrius ‘Demo’ Gates (Alto Saxophone and vocals), Jim White (Tenor Sax), Andrew T. Gibson (Drums) and Raoul Keith Mangrum (Percussion and Flute) who were later joined by the older, more experience Leroy Emanuel (Guitar and vocals). Emmanuel was invited into the group as it’s band leader by the groups manager Fred McClure, a former Detroit boxing champion who also happened to be the manager of another popular Detroit group the singing Metro’s of the hit recording “Sweetest One” fame and their subsequent respected RCA album of the same name. The Fabulous Counts would often perform at shows as the Metro’s backing band.

The Fabulous Counts first big break came after knocking several Detroit Record labels doors. They were eventually invited in by Ollie McLaughlin’s Moira studio to record, under the tutelage of Popcorn Wylie the one take hit “Jan, Jan (Moira-103). A further two Moira 45’s followed of which “Get Down People/Lunar Funk “(Moira-108) also scored high on the R&B charts. Through a deal arranged by McLaughlin The Counts released their respected “Jan, Jan” album on the Atlantic distributed Cotillion label in 1969. Moving on to Armen Boladian’s Westbound label, during 1970 the group simply changed their name to The Counts and charted with their 1971 “What’s Up Front” Westbound album, also releasing a solitary 45 “Thinking Single/Why Not Start All Over Again”. In 1972 while still part of the Westbound set up The Counts recorded two major label 45’s under the pseudonyms of Bad Smoke “Crawl Ya’ll Part 1&2” (Chess-2124) and Lunar Funk “Mr Penguin Part 1&2” (Bell 45-172), the latter being thier biggest hit. A subsequent move to Atlanta, GA saw The Counts sign with Michael Thevis’s Aware records where they recorded a further two successful albums “Love Sign” (1973) and “Funk Pump” (1975), plus a string of 45’s. In 1976 although officially never breaking up The Counts members went their separate ways to explore different life opportunity’s.

During 1978 and while still in Atlanta Leroy Emanuel borrowed money from his family and reuniting with his fellow Counts, Mose, Demo, and Jimmy Jackson Jr, they, accompanied by a local strings section recorded a session of material that spawned two songs “What’s It All About” and “Motorcity”. Which Leroy later made a deal with Terry Mendelson to release on a 45 on his TM label. The Counts had previously known Mendelson through his brother Bernie at Westbound. The TM 45 made very little noise with many of the copies having mispressed labels. Although later reissued and mistakenly credited as two previously unissued Westbound recordings on several latter Cd compilations it came to light that quite a few avid European soul collectors actually owned copies of this high quality, very elusive and desirable 45! With demand still seemingly high it seems a good time for Soul Junction to reissue it. The A-side, “What’s It All About” features its composer Leroy Emanuel on lead vocals with the other Counts adding to the backing chorus. The flipside of this 45 from the same session is the previously unreleased Mose Davis penned “Watch The Clock” which is more in keeping with the Counts traditional funk groove, enjoy.

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The Cosmic Dropouts

LP | 1989 | EU | Reissue (Apollon)

Groovy Things Black Vinyl Edition

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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The Cosmic Dropouts was formed in 1988 by Arne Thelin (vocals) and Morten Henriksen (guitar), and was together with The Willy B Review in the forefront of Norwegian garage rock. In addition to Arne and Morten, the band consisted of Pål Andreassen on organ, Carsten Johansen on bass (later replaced by Lars Albrecht and Stig Jøraholmen) and Elvin Sjursen on drums (later replaced by Rune Johnsen). This line-up recorded the band’s first release that year, a four-track vinyl 7“ EP titled Crashed Cadillac and Broken Hearts. It got good reviews in Norway and landed the band their first gigs. Their next release, an 8-track mini-album titled Groovy Things released in 1989, got raving reviews in Norway and abroad, and paved way for gigs at bigger venues and landed them their first and only gigs outside Norway with this line-up. They played at the New Music Seminar in New York that year in addition to a gig at The Khyber Pass pub in Philadelphia. Previous remotely started discussions with Skyclad Records continued in New York and resulted in this album’s original release. The mini-album and the EP together with their first single Let’s Go To The Beach (also released in 1989), plus a handful of songs recorded separately, were released as a full length album with the title Groovy Things by Skyclad Records in the US in 1990. By that time Arne had left the band (September 1989) and started The Lust-O-Rama, but the band continued with a new singer (Morten Karlsen) and released another two albums after that - Hoolabaloo on That’s Entertainment Records (1991) and Sonic Circus on Kicksville Records (1993). This re-issue was remastered December 2021.

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The Cosmic Dropouts

LP | 1989 | EU | Reissue (Apollon)

LP | 1976 | JP | Reissue (P-Vine)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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The Corner Gang

Stone Out Of Your Mind

38,99 €*

LP | 2018 | EU | Original (Viewlexx)

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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Another heavyweight release from the vaults of the legendary tax scam label TSG comes this reissue of The Corner Gang’s Stone Out Of Your Mind. Living up to the striking haze of the album’s sleeve, here are nine tracks of energetic pop and sweet soul packed with enough heat to ward off the coldest of winters. Album highlight “The Music Of Your Mind” hits the sweet-spot of the record with its chugging bassline, funk guitars and snarling vocals bouncing off the walls.

By the time the needle reaches the end of the groove, and it finally dawns on you that the album cover may have pinched an idea or two from Jimmy Mcgriff’s At The Organ, the band and its anonymous members have packed up their instruments and disappeared without a trace. P-vine is thrilled to be reissuing Stone Out of Your Mind on vinyl with a limited run for the first time since its original release in 1976. It is also newly remastered and fitted with an iconic Japanese obi strip.

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The Conservatives

Terrorama

15,99 €*

I Am Not There Anymore Black Vinyl Edition

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Here it is! Appearing first time on vinyl. The film tells the story of six mental cases, trying to get rid of society's norms and values by kidnapping, a well-known TV host. Delivering the soundtrack, The Conservatives (I-F & Intergalatic Gary) are setting down the perfect mood for this cult classic.

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The Clientele

2LP | 2023 | US | Original (Merge)

29,99 €*

2LP | 1996 | US | Reissue (Merge)

Release: 2023 / US – Original

Genre: Rock & Indie

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On July 28, 2023, Merge Records will release I Am Not There Anymore, The Clientele's first new record in six years. Over The Clientele's 32-year career, critics and fans have described their songs with words like "ethereal," "shimmering," "hazy," "pretty," and "fragile." Their singer, guitarist, and lyricist, Alasdair MacLean, has his own interpretation of the effect his music creates. "It's that feeling of not being there," he says. "What's really been in all the Clientele records is a sense of not actually inhabiting the moment your body is in." I Am Not There Anymore, regularly evokes what MacLean calls "the feeling of not being real." Many of the songs were inspired by MacLean's memories of the early summer in 1997, when his mother died, but also represent The Clientele pushing towards a new sonic frontier as a band, experimenting over the course of a three-year recording period. Of this stretching out, MacLean says, "We'd always been interested in music other than guitar music, like for donkey's years." This time out, he and bassist James Hornsey and drummer Mark Keen incorporated elements of post-bop jazz, contemporary classical, and electronic music. According to MacLean, "None of those things had found their way into our sound other than in the most passing way, in the faintest imprint." With those elements in the foreground, I Am Not There Anymore reasserts The Clientele's standing among the great stylists of pop music, deftly shifting from image to image, mood to mood, in a way that feels both new and classically them.

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The Clean

Unknown Country

2LP | 2009 | US | Reissue (Merge)

Release: 1996 / US – Reissue

Genre: Rock & Indie

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Merge reissue of The Clean's "Unknown Country" on vinyl, originally released in 1996. In 1978, The Clean were the seeds of New Zealand punk. In the years since, they have carved out a big sandbox for everyone to play in, and their influence resonates not only in NZ but around the world. A group that thrives when free of Expectations, The Clean's Robert Scott, Hamish Kilgour, and David Kilgour are, as Tape Op described, "a casually wonderful band." Pitchfork writes: "The Clean have always exuded a casual grace that suggests they'd still be making the same records even if no one was listening, employing the same set of devices _ ramshackle locomotive rhythms, buoyant basslines, swirling organ lines, and wide-smile melodies_irrespective of prevailing fashions, technological developments, or geopolitical unrest. And yet, the Clean's periodic resurgences serve as a reminder that, in a world of uncertainty, there are still some things you can rely on."

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The Clean

Mister Pop

The Hypnogogue Purple Vinyl Edition

Release: 2009 / US – Reissue

Genre: Rock & Indie

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Merge reissue of The Clean's "Mister Pop" on vinyl, originally released in 2009. In 1978, The Clean were the seeds of New Zealand punk. In the years since, they have carved out a big sandbox for everyone to play in, and their influence resonates not only in NZ but around the world. A group that thrives when free of Expectations, The Clean's Robert Scott, Hamish Kilgour, and David Kilgour are, as Tape Op described, "a casually wonderful band." Pitchfork writes: "The Clean have always exuded a casual grace that suggests they'd still be making the same records even if no one was listening, employing the same set of devices _ ramshackle locomotive rhythms, buoyant basslines, swirling organ lines, and wide-smile melodies_irrespective of prevailing fashions, technological developments, or geopolitical unrest. And yet, the Clean's periodic resurgences serve as a reminder that, in a world of uncertainty, there are still some things you can rely on."

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The Church

2LP | 2023 | UK | Original (Easy Action)

29,99 €*

Skipping Stones: The Cassette Years '92-'93

Release: 2023 / UK – Original

Genre: Rock & Indie

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) Brand new album by The Church, their first in 6 years! • Presented in deluxe card gatefold sleeve CD and gatefold limited purple double vinyl LP • European tour 2023 • Reviews secured in Mojo, Classic Rock, Uncut, Vive Le Rock, Record Collector, Louder Than War • "While some may just want The Church to write another "Under the Milky Way", The Hypnogogue's title track is excellent. One of the most anticipated albums of 2023” - Brooklyn Vegan • Treble Zine have named The Hypnogogue one of their most anticipated albums for 2023. "Let it first be said that the title track of The Hypnogogue, the first new album from The Church in six years, is one of the most breath-taking singles they’ve released in years, a darkly psychedelic six minutes that slowly spirals into a menacing descent. That alone is a reason to keep this one on your radar; the Australian neo-psych band have been going for over 40 years, with around a half dozen classic albums and zero bad ones, yet their ability to keep evolving and uncovering new aspects to their sound and approach only serves as a reminder of how vital they remain after four decades". After an epic return to homeland stages, Australian psych-rock legends The Church announce their forthcoming studio album The Hypnogogue. Following on from 2017’s widely acclaimed Man Woman Life Death Infinity, the Sydney band’s 27th album was recorded just before the world was shut down by the Covid-19 pandemic. Emerging from the darkness is the band’s first new studio album in six years and the first to feature the newest line-up led by founder, bassist and vocalist Steve Kilbey. “The Hypnogogue” is the most prog rock thing we have ever done, we’ve never created a concept album before,” says Kilbey. “It is the most teamwork record we have ever had. Everyone in the band is so justifiably proud of this record and everyone helped to make sure it was as good as it could be. Personally, I think it’s in our top three records.” Picking up substantial international airplay, raising anticipation for the album’s release, the digital singles ‘The Hypnogogue’ and ‘C’est La Vie’ set the stage for the album’s striking science fiction narrative. Kilbey unpacks the themes that tie the album together: “The Hypnogogue is set in 2054, a dystopian and broken-down future. Invented by Sun Kim Jong, a North Korean scientist and occult dabbler, it is a machine and a process that pulls music straight off dreams.” This new five-piece line-up is made up of Kilbey along with long-time collaborator, drummer and producer Tim Powles, who’s remained a staple across 17 albums since 1994. Joining them is guitarist Ian Haug, formerly of Australian rock icons Powderfinger, who has been with the band since 2013. Touring multiinstrumentalist talent Jeffrey Cain is now a full-time member since the departure of Peter Koppes in early 2020. Completing the line-up, newcomer Ashley Naylor is one of Australia’s finest guitarists and a long-time member of Paul Kelly’s touring band. Formed in 1980, The Church found early chart success in their homeland, before establishing themselves as an international touring entity, earning a worldwide hit with the single ‘Under The Milky Way’ from their hit 1988 album Starfish, while their stellar live shows have been deemed ‘spectacular’ by Magnet magazine and continue to win the hearts of industry and fans across the world. Often seen as the Godfathers of an Australian psych/prog scene generating such internationally successful names as Tame Impala and King Gizzard And The Lizard Wizard, The Church have gone on to maintain a loyal and far-reaching following as their fanbase has expanded with their evolving sound. Entering their fourth decade as a band, The Church continue to remain a treasured creative force.

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The Cat's Miaow

2LP | 2024 | UK | Original (World Of Echo)

LP | 2017 | US | Original (Innovative Leisure)

Release: 2024 / UK – Original

Genre: Rock & Indie

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The Cat’s Miaow return to World Of Echo with Skipping Stones: The Cassette Years ’92-’93, their second compilation for the imprint, and the fourth in a loosely defined series of reissues associated with the group (also including The Shapiros’ Gone By Fall: The Collected Works of The Shapiros and Hydroplane’s Selected Songs 1997-2003). It’s a smart selection of songs by one of Australia’s finest independent pop music groups, whose initial run, across the nineties, was as mysterious as it was bewitching. A generous double album featuring thirty-five songs drawn from The Cat’s Miaow’s history, Skipping Stones lets listeners in on a bunch more secrets.

An even deeper pass through the archives of The Cat’s Miaow, Skipping Stones is a welcome follow-up to 2022’s Songs ’94-’98, which pulled together material from seven-inch singles and compilations. Diving into the four cassettes that the group released over a two-year period, Skipping Stones is full of surprises, rich with unexpected and inspired detours, while reminding everyone just how clear and distinct The Cat’s Miaow’s music was from the very start. Looking in from the outside, they always felt like a group that knew just what they were doing, but intuitive as they are, they weren’t forcing anything: these songs always sound exactly what they need to be, rough edges, playful moments and all.

It's also a fascinating snapshot of one arm of the ‘international pop underground’. While they were clearly listening to music from the US, UK and elsewhere – there are glimpses of Galaxie 500, Spacemen 3, Beat Happening, and The Pastels in some of the songs here – The Cat’s Miaow also feel, consciously or not, part of a continuum of Australian underground pop that takes in The Particles, The Lighthouse Keepers, The Cannanes, The Honeys, Even As We Speak, and The Sugargliders (who they would cover several times). Like those before them, The Cat’s Miaow balanced opposing forces in their music: naivete and knowingness; fragility and strength; worldliness and world-weariness; play and seriousness; heartache and pleasure.

The four cassettes that Skipping Stones draws from – Little Baby Sour Puss, Pet Sounds (both 1992), From My Window, and How Did Everything Get So Fucked Up (both 1993) – were released or assisted by Toytown, a Melbourne cassette label of rare taste, savvy and intelligence, run by Wayne Davidson. Toytown felt like the perfect early home for The Cat’s Miaow, their cassettes rubbing shoulders in the label’s catalogue with brilliant groups like Sukpatch, The Ah Club, Kitty Craft, and Land Of The Loops. The local context is just as important, too, with The Cat’s Miaow sharing their time and creative vision with friends in The Ampersands, Stinky Fire Engine, Girl Of The World, Super Falling Star, Pencil Tin and The Sugargliders. And cassettes were an important form of exchange – cheap, easy to reproduce, not too expensive to send interstate or overseas, they were the most accessible DIY format for any group starting to spread the word about their noise.

All of this is to say, the thirty-five songs here landed in several different contexts, national and international, which goes part-way to explaining the group’s curious cosmopolitanism, the style and spirit in their sound. The Cat’s Miaow may have been bedroom dreamers, but their songs were richly informed, with the sweetest of girl-pop moves sashaying into walls of tremolo-d and distorted guitar, jangling six strings tangling with melodic bass that’s pure Peter Hook/Naomi Yang, while the gentle trickle of a drum machine or the earthy twitch of brushes on drum skins provided the spine for Kerrie’s and Bart’s lovely, unforced singing.

There are a clutch of gorgeous songs here that would reappear in a different form on later releases, classics like “The Phoebe I Know”, “Third Floor Fire Escape View”, “Not Like I Was Doing Anything” and “You Left A Note On The Table”, but plenty of other magic too, all of it finding its way to vinyl for the first time (some tracks appeared on compact disc via the compilations A Kiss and A Cuddle [Bus Stop, 1996] and Songs For Girls to Sing [Drive-In, 1997]). Remarkably, The Cat’s Miaow have also recently released a split single with Rocketship featuring newly recorded material and returned to the stage for their second-ever gig.

But this double LP on World Of Echo feels like the very core of the thing – some of the most heartbreakingly beautiful, effortlessly lush and deeply moving pop music you’re likely to hear.

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The Buttertones

Gravedigging

Frontier's Edge Opaque Lime Vinyl Edition

Release: 2017 / US – Original

Genre: Rock & Indie

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The Buttertones’ Gravedigging is more a movie waiting to happen than an album—or a
soundtrack just waiting to inspire a movie, with scene after scene of action, tension and
release set to a sound that takes everything good and true about American music before
the Beatles prettied it up (surf, sweet soul, the boss saxophone-overdrive garage of the
Northwest wailers like the Sonics) and matches it to punk energy, post-punk precision and
the kind of personality that blows the circuit-breakers at a backyard party.
Recorded at Jazzcats studio in LongBeach—home-away-from-home to fellow Innovative
Leisure artists Hanni El Khatib, Tijuana Panthers, Wall of Death and more—in the spring of
2016, the sessions were supercharged with hard-won live experience from endless
street-level shows and relentless midnight-to-six rehearsals at the Buttertones lock-out.
Think of it this way: you might not yet know how the band that made Gravedigging is going
to land—but you know it’s going to hit hard.

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The Budos Band

LP | 2023 | US | Original (Diamond West)

CD | 2023 | US | Original (Diamond West)

Release: 2023 / US – Original

Genre: Organic Grooves

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Frontier's Edge is the new EP by the fiery, energetic and genre-defying group The Budos Band. After a two-decade run with the legendary Daptone Records, Frontier’s Edge is the first new music from the group on the new label, Diamond West Records — run by The Budos' saxophonist Jared Tankel and guitarist Tom Brenneck. The Budos Band’s departure from Daptone was on good terms; the split from their long-time home base was an organic result of the band’s evolution. “It’s just a natural growth,” Brenneck says, admitting: “We’re going further away from the sound of Daptone and into territory they probably wanted to stay away from.” As a result, Frontier's Edge finds the group hungry, passionate and primed to charge into their next epoch newfound sense autonomy within the collective. “We’re a powerhouse in the studio; we can produce ourselves,” Brenneck says proudly of a long process of self-containment. “I take the helm, but the band, they know what they want.” As expected from The Budos Band, Frontier’s Edge resists analysis; it represents the band as they are: a contained explosion. You don’t pick apart Frontier’s Edge; you feel it all at once. “Somehow, we wrote six songs in two days,” says The Budos’ drummer, Brian Profilio. “Tom was able to take what we were doing and put it together in a cohesive manner” Whether this is your first rodeo with The Budos Band or you’ve been following them throughout their two-decade run, Frontier’s Edge contains their musical universe — Afrobeat, Ethiopian music, proto-metal, any number of other streams — in microcosm.

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The Budos Band

Frontier's Edge

16,99 €*

Overdrive – Rock/Jazz - Party

Release: 2023 / US – Original

Genre: Organic Grooves

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The Bridge

LP | 1972 | EU | Reissue (Sommor)

21,99 €*

LP+CD | 1973 | EU | Reissue (Schema)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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First ever vinyl reissue of this fabulous kraut, jazz-funk / fusion / rare grove / library album from 1972, originally released on the budget Tempo label from Germany. Lots of fuzzy distorted organ & Fender Rhodes courtesy of Kristian Schultze (pre-Passport) plus the mighty Pawel Jazerbski on bass and Joe Nay (Tete Montoliu, Roland Kirk, Blue Note Club…) on drums.
Master tape sound, original artwork and insert with liner notes.

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The Braen's Machine

Temi Ritmici E Dinamici

LP | 1978 | UK | Reissue (Call Of The Void)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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“Temi ritmici e dinamici” offers brighter, less psychedelic atmospheres, leaving room to beat sounds,
to a swinging rhythm section, to the Hammond organ and even to moog and synthesizers. Despite a
lighter and an almost purely entertaining context, the album also allows for experimentation, as can be
heard in the two songs that close both sides: “Esercizi Ginnici” and “Aspetti Grotteschi”.

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The Boys

Alternative Chartbusters

LP | 1968 | EU (Endless Happiness)

Release: 1978 / UK – Reissue

Genre: Rock & Indie

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Classic Black vinyl, 1000 pressed. A punk classic, gloriously anthemic power pop from the cult UK outfit. On 17 March 1978, a mere six months after the release of their self-titled debut, The Boys second album “Alternative Chartbusters” was released (once again, produced by Dangerfield & Steel). As AllMusic recognises, “Alternative Chartbusters” was way ahead of its time, a buried treasure that only got dusted off much later: “Condemned at the time for offering up little more than a straight carbon copy of its predecessor, the second Boys’ album has since ascended to the pantheon of power pop greats, a combination of the band's own inestimable position at the forefront of what, by early 1978, was already a burgeoning movement, and their seemingly effortless grasp of the rudiments of, indeed, a great pop song.” Along with the Sex Pistols, Clash and the Damned, The Boys were part of the first wave of the mid-1970’s UK punk explosion. Armed with an arsenal of killer Steel/Dangerfield songs The Boys became the first UK punk band to sign an album deal in January 1977 and subsequently released two albums, their self-titled debut and the follow-up “Alternative Chartbusters” in quick 7 succession. Highly regarded by the music press and their contemporaries, yet somehow criminally ignored by a wider punk audience, unable to grasp their heritage of vintage rock ‘n’ roll that went back to Chuck Berry courtesy of The Beatles. Their well-crafted songs, together with Steel and Dangerfield’s layered harmonies, even led to them being described as ‘The Beatles of Punk’

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The Boston Tea Party

21,99 €*

EP | 2015 | US | Reissue (Drag City)

Release: 1968 / EU

Genre: Rock & Indie

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A lecture in 60's psych pop (almost power pop with flashes of hard rock) with consistently solid melodical, up-tempo, organ driven songs, soaring vocal harmonies, anthemic choruses. Psyched, poppy & fun. Not an album that you would listen to regularly, but more like an old friend to go back when you are in that 60s mood.

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The Blue Jean Committee

Catalina Breeze EP

Over There: Live At The Venue London 1982, The Complete Concert Black Friday Record Store Day 2024 Edition

Release: 2015 / US – Reissue

Genre: Rock & Indie

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Soft rock"s seminal band, The Blue Jean Committee, originated from blue-collar Chicago when the now legendary Clark Honus (Bill Hader) and Gene Allen (Fred Armisen) dropped out of sausage school to create the band of their dreams. With the help of famed music manager AlvinIzoff, the band reinvented their hard Chicago-blues image to instead transcend the laid-back essence of California. After studying bands like The Beach Boys, The Blue Jean Committee as able to find theirsignature sound and rise to the top of music charts. Despite Chicago"s resistance to their "vegetarian" facade and "hippy" vibe, the band became known for creating the quintessential California album. Theirdebut album, Catalina Breeze, spawned six consecutive hit singlesfor the band and for a moment it seemed like they would be a long-term fixture on the American musical landscape. However, some relationshipsare more complicated than they appear on the surface, and nowhere didthis ring more true than for Gene Allen and Clark Honus, as their infamous on-stage fight at the Hollywood Bowl Animal Rights Now Benefit and subsequent break-up has since become the stuff of legend.Fans of the "Chicago band with the California sound" can celebrate once more!After over 30 years apart, Gene and Clark were recently reunited for their induction into the Hall of Fame in April 2015.

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The Blasters

2LP | 2024 | Reissue (Liberation Hall)

45,99 €*

An-NUR Colored Vinyl Edition

Release: 2024 / Reissue

Genre: Rock & Indie

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Coming Soon 2024-11-29, 12:00 CET

RSD Exclusive, Limitation: 1500

On their first international tour, in May of 1982, Americana music legends The Blasters were recorded at the Venue in London England. Six of those tracks were released on Slash Records as a 12” EP later that year. Four more tracks were uncovered and included on the Rhino/Warner Bros anthology album Testament in 1997. As part of a new catalog deal for the Blasters recordings with Liberation Hall, the label has uncovered the thirteen remaining tracks and is releasing the complete concert. The show found The Blasters firing on all cylinders as they were taking off in London, after Shakin Stevens’ version of the Dave Alvin-written “Marie Marie” hit the top 20 of the UK charts. It is quintessential listening, and a magical music moment uncovered for any fan of the band. The RSD Black Friday classic black vinyl double LP exclusive is housed in a gatefold sleeve with new liner notes, rare photos and memorabilia images.

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The Black Flamingo

LP | 2024 | EU | Original (Subsound)

16,79 €* 27,99 € -40%

An-NUR Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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An-nûr, "light" in arabic language, is The Black Flamingo's first LP. Six tracks that go across obsessive rithms, lysergic journey and stoner blows. An-nûr is also the title of the single, a long trip of black holes and solidarity with Palestinian people. The LP has been recorded in Rome, i the "cinque quarti" studio, under the patient supervision of Lorenzo.

BIO The Black Flamingo is a stoner-psych instrumental trio, which vibes among space and desert, with a rotten attitude. The band is formed in Rome, literally in the spaces of 30 Formiche club, by Erio Destratis (guru and housekeeper), Tiziano Giammichele (Camion, Cielo Drive) and Mattia Lolli (the Whirlings). Erio soon leaves for a nomad life and his bass is taken by Matteo Nuccetelli (Mad Roller).

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The Black Flamingo

LP | 2024 | EU | Original (Subsound)

15,59 €* 25,99 € -40%

Directions To See A Ghost Metallic Silver Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Black Angels

3LP | 2008 | US | Reissue (Light In The Attic)

52,69 €* 61,99 € -15%

Directions To See A Ghost

Release: 2008 / US – Reissue

Genre: Rock & Indie

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The Black Angels

3LP | 2008 | US | Reissue (Light In The Attic)

57,99 €*

2LP | 2024 | EU | Original (Room)

Release: 2008 / US – Reissue

Genre: Rock & Indie

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The Big Idea

Tales Of Crematie

30,99 €*

Sgt Pepper Drum Standard Patch (Iron On)

Release: 2024 / EU – Original

Genre: Rock & Indie

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If the genesis of The Big Idea was written both in the corridors of their high school and the surroundings of La Rochelle, the first chapter truly takes place in a big house in outskirts of Paris, where the six boys settled once they got their baccalaureate in 2015. Throughout these five years, The Big Idea hosted every European band playing in Paris with no landing place. The house of Champigny-sur-Marne, almost invisible in the monstrous metropolis, became a central location of the capital’s underground scene.

That creative cyclone within which the band is placed quickly shows results and the band hit it hard with their debut LP “La Passion du crime 3” (2017). This quadruple album, written as the movie score of a police investigation story, affirms something fundamental: The Big Idea is determined not to do things like everybody else. The influences of the great psychedelic rock’n’roll tribes naturally appear, the band release several record, start touring all around Europe allowing them to develop a furious alchemy on stage. But then covid brought everything to a halt. However, the band returned to La Rochelle and plotted a new, mad project.

The Big Idea becomes the first band to record an album on a sailing boat while crossing the Atlantic. Once again, the idea is fabulous, and “The Fabulous Expedition of Le Grand Vésigue” represents both the thirst of adventure of the sextet from La Rochelle, and their yearning for calm, psychedelic horizons. After the release of the documentary film and the big tour that followed this extraordinary adventure, the band decides to reaffirm the most essential part of its identity and announces for February 2024 the releasing of a new record more electric and radical, in the image of their live performance with more and more intensity. “Tales of Crematie” is a story built on a fantasy medieval backdrop, but could have however taken place in our modern era. If the elegant, psychedelics parts have not disappeared, the record’s tone is clearly more rock than what the band has ever created before, and as The Big Idea always likes to go overboard, the album will be released as a double LP in which you’ll hear trumpets as well as pianos, violins, tropical influences, post-punk, and above all, loads, loads of fuzz. Just like a toy chest whose key would’ve been thrown away on purpose, hidden arrangement treasures abound inside of “Tales of Crematie” , along with a violent revolt against the modern archetypes of “too normal music.”

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The Beatles

4,99 €*

Drop T Logo Standard Patch (Iron On)

Available Sizes: One Size

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An officially licensed Standard Patch featuring The Beatles 'Sgt Pepper Drum' design motif. This is an iron-on woven patch, made from polyester, with standard backing and an overlocked edge. Size Guide for standard patches... Circular 90mm diameter.

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The Beatles

4,99 €*

Pet Sounds 45RPM, 200g Vinyl Mono Edition

Available Sizes: One Size

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An officially licensed Standard Patch featuring The Beatles 'Drop T Logo' design motif. This is an iron-on woven patch, made from polyester, with standard backing and an overlocked edge. Size Guide for standard patches... Rectangular 100mm x 50mm.

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The Beach Boys

2LP | 2017 | US | Original (Analogue Productions)

90,99 €*

10" | 2021 | EU | Original (Faux Lux)

Release: 2017 / US – Original

Genre: Pop

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To meet the standards of Analogue Productions, our Beach Boys album reissues had a mission to achieve: Present the band's music the way that Brian Wilson — famed co-founder, songwriter and arranger — intended. Mono mixes created under Wilson’s supervision were how the surf rockin’ California crew rose to fame! And we’ve got ‘em!
For the early part of the Beach Boys' career, all of their singles were mixed and mastered and released only in the mono format — they didn't release a single in stereo until 1968. In those days, hits were made on AM radio in mono. And the mono of those times worked well for Wilson, who suffers from partial deafness. In fact, for their first 13 albums, Wilson originally turned in all the final mixed Beach Boy albums to Capitol Records only in mono. The mono mixes were where Wilson paid intense attention, and the dedication paid off!
We’ve taken 10 of the most classic, best-sounding Beach Boy titles ever and restored them to their mono glory!
But there’s no disputing that the close harmonies and one-of-a-kind rhythms of hits like “Surfer Girl”, “In My Room”, “Little Deuce Coupe” and more lend themselves naturally to stereo. So we’ve got your 2-channel needs covered with prime stereo mix versions as well.
Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in 'old school' Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!
"Pet Sounds" is famous for its use of multiple layers of unorthodox instrumentation as well as other cutting edge audio techniques for its time. It's considered the best Beach Boys album, and one of the best of the 1960s. The group here reached a whole new level in terms of both composition and production, layering tracks upon tracks of vocals and instruments to create a richly symphonic sound.
Conventional keyboards and guitars were combined with exotic touches of orchestrated strings, bicycle bells, buzzing organs, harpsichords, flutes, Theremin, Hawaiian-sounding string instruments, Coca-Cola cans, barking dogs, and more. It wouldn't have been a classic without great songs, and this has some of the group's most stunning melodies, as well as lyrical themes which evoke both the intensity of newly born love affairs and the disappointment of failed romance (add in some general statements about loss of innocence and modern-day confusion as well). The spiritual quality of the material is enhanced by some of the most gorgeous upper-register male vocals (especially by Brian and Carl Wilson) ever heard on a rock record. "Wouldn't It Be Nice", "God Only Knows", "Caroline No", and "Sloop John B" (the last of which wasn't originally intended to go on the album) are the well-known hits, but equally worthy are such cuts as "You Still Believe in Me", "Don't Talk", "I Know There's an Answer", and "I Just Wasn't Made for These Times". It's often said that this is more of a Brian Wilson album than a Beach Boys recording (session musicians played most of the parts), but it should be noted that the harmonies are pure Beach Boys (and some of their best).
VH-1 named "Pet Sounds" as the No. 3 album in the Top 100 Albums in Rock 'n' Roll History, as judged in a poll of musicians, executives and journalists. It's been ranked No. 1 in several music magazines' lists of the greatest albums of all time, including NME, The Times and Mojo Magazine. It was ranked No. 2 in Rolling Stone's 500 Greatest Albums of All Time list.

Recording: in mono

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The Attendant

Audit

22,49 €* 29,99 € -25%

I Take It All (Singles Collection)

Release: 2021 / EU – Original

Genre: Rock & Indie

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A New Project From Pete Astor (The Loft, Weather Prophets, Wisdom Of Harry, Ellis Island Sound) And Ian Button (Death In Vegas, Papernut Cambridge, Go Kart Mozart), The Attendant Started In The Strange Days Of March 2020, Using Off-Grid Electronics To Frame Astor's Poems. The Record Comes In Numbered, Signed, Hand-Stamped And Embossed Sleeves, Along With A Full Lyric And Photo Booklet. The Six Tracks Comprise The Three, Sold-Out Lathe Cut Singles That Were Released Last Year. Live And Online Shows Are In Place Throughout The Summer And Autumn To Support The Release.

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The Artwoods

2LP | 2023 | EU | Original (Guerssen)

35,99 €*

Art Gallery Turquoise Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Essential comp including all the non-LP single and EP tracks for Decca, Parlophone and Fontana (in original mono mixes) by London’s favourite beat / R&B / Mod band, featuring a pre-Deep Purple Jon Lord on organ. From mod classics like “Big City”, “I Take What I Want”, “What Shall I Do” or “I’m Looking For A Saxophonist…” to the proto-psychedelia of “In The Deep End”, “Brother Can You Spare A Dime” and more. *Remastered sound in mono *Gatefold sleeve with liner notes by Mike Stax (Ugly Things) *Insert with photos / memorabilia “The Artwoods recorded and released several singles, a four song EP and an LP during their tenure. Largely overlooked in their day, the band’s recordings stand up well against those of The Pretty Things, The Action and The Yardbirds, among others…” – Kevin Rathert (It’s Psychedelic Baby)

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The Artwoods

LP | 1966 | EU | Reissue (Guerssen)

30,99 €*

Art Gallery Black Vinyl Edition

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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Essential ‘60s British beat, R&B, Mod album from 1966 by this band fronted by Art Wood (elder brother of Birds/Rolling Stones/Faces guitarist Ronnie) and featuring a young, pre-Deep Purple Jon Lord on organ, plus Keef Hartley (John Mayall’s Bluesbreakers) on drums, Derek Griffiths on guitar and Malcolm Pool on bass. Now reissued for the first time ever in Mono, just like the 1966 original.

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The Artwoods

LP | 1966 | EU | Reissue (Guerssen)

LP | 2022 | US | Original (Sargent House)

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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The Armed

Live At The Masonic

34,99 €*

LP | 1976 | EU | Reissue (PMG)

Release: 2022 / US – Original

Genre: Rock & Indie

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Very limited Red Opaque vinyl. Single LP w/ printed inner sleeve + Download card. "a startling balance between chaos and structure, building up gorgeous torrents of sound that land with a crash" - THE NEW YORKER // A terrific blend of hardcore, punk, noise, and yes, pop. - INTERVIEW MAGAZINE // one of 2021's most thrilling listens. - STEREOGUM // What if Andy Warhol was really into Converge and CrossFit? That's the logline, as the now eight-piece band attempts to reflect pop music and pop culture through the heaviest, most swole lens possible. - PITCHFORK [Best New Music] // The Armed are set to release ULTRAPOP: Live at the Masonic Temple, an incredible live soundtrack from the band's narrative-driven concert film of the same name. The album and film were captured in the opulent chapels, imposing asylum rooms, full-size indoor handball courts, halls (and more) of the mysterious Masonic Temple of Detroit; a 550,000 square foot fortress in the heart of the city. ULTRAPOP: Live at the Masonic features breathtaking, hyperactive performances of tracks off The Armed's break-out album ULTRAPOP, selections from their second LP, Only Love, the CYBERPUNK 2077 single "Night City Aliens" and culminates in the ultimate catharsis with the entire collective converging for the devastating closer "On Jupiter." The Armed's latest album ULTRAPOP, released in April of 2021, received acclaim across the board, gaining the highly coveted Pitchfork Best New Music and praise from The New Yorker Magazine, Vulture, Stereogum, Revolver. AV Club, Fader, Bandcamp, Entertainment Weekly, Interview Magazine, and so much more. Reaching the same extremities of sonic expression as the furthest depths of metal, noise, and otherwise "heavy" counterculture music subgenres, it finds its foundation firmly in pop music and pop culture. A joyous, genderless, post-nihilist, anti-punk, razor-focused take on creating the most intense listening experience possible, and now with ULTRAPOP: Live At The Masonic, the most intense live experience poss...

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The Apostles

Black Is Beautiful HHV Exclusive Red Vinyl Edition

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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The Apostles were disciples of a heavy kind of psychedelic soul/rock fusion. After The Funkees left for London, they stepped into the breach to become the champions of East Nigeria’s flourishing post-war music scene. Based in Aba, and led by guitarist and charismatic chancer Walton Arungwa, they laid down a couple of singles with the city’s newly-formed BEN label. EMI liked what they heard and in 1976 whisked the band to Lagos to record The Apostles with the legendary Emmanual Odenusi at the controls. A heavy mix of wailing guitar, swirling organ and James Brown-style vocals, it became a fixture in every east Nigerian home. ‘Never Too Late’ sets the stage with a scorching lead break that most believe was played by guitar-slinger-for-hire, Felix ‘Feladay’ Odey. Drummer Joel Madubuike and bass player Henry Tandu lay down the rock solid groove for Benji Davidson’s righteous organ lines in ‘Inflation’ and ‘Highway to Success.’ And each is invested with an urgency from battle-hardened vocals of Chyke Fussion, a vetran of the Biafra war. Don’t be fooled by the angelic white outfits worn on the cover of The Apostles. These guys were BAD. And ‘Never Too Late’ could well be the best Afro Rock song ever recorded.

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The Apostles

LP | 1977 | US | Reissue (Tidal Waves Music)

2LP | 2019 | EU | Original (Golden Wolf)

Release: 1977 / US – Reissue

Genre: Organic Grooves

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Limited to 100 copies, exclusively for HHV. The Apostles were a renowned Nigerian funk/soul group from the city of Aba (an epicenter for music during the 70s & 80s) and disciples of the heavy psychedelic soul/rock fusion style...for over forty years, they have stood as the jewel in the crown of the Afrobeat genre in Eastern Nigeria and champions of its flourish ing post-war music scene. Since their formation in 1973, the band has turned out memorable perf ormances in a variety of styles including rock, soul, funk, pop and reggae. The Apostles amassed a large following, enjoyed an immense success throughout Nigeria and went on to release multiple albums. Although most of their songs are sung in English, a few of their songs are also sung in Igbo. The Apostles became superstars on the strength of several hit singles and have been preaching a particular blend of funky psychedelic soul/rock fusion for over 40 years. The LP we are presenting you here
Black Is Beautiful (1977) is one of the most enjoyable albums of the Afrobeat era: proud, assured, relaxed and extremely powerful. Black Is Beautiful contains a heavy mix of wailing guitars, swirling funky organ sounds and James Brown-style vocals. It is one of their best albums (also one that became a fixture in many East Nigerian homes) and an essential Afro-Funk record to add to your collection. Today we are proud to present to you the first ever vinyl reissue of this rare Nigerian album originally released on EMI Nigeria in 1977. This reissue is now available as a deluxe 180g vinyl edition featuring the original artwork

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The Adam Deitch Quartet

Egyptian Secrets

Rolled Gold Golden Vinyl Edition

Release: 2019 / EU – Original

Genre: Organic Grooves

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On the heels of massive successes with his main projects Lettuce and Break Science, celebrated collaborations with jazz guitar luminary John Scofield, and high profile hip-hop production placements with the likes of 50 Cent, Talib Kweli, and Redman, GRAMMY-nominated drummer/producer Adam Deitch finally unveils Egyptian Secrets, the long-awaited debut LP from his Adam Deitch Quartet. A fluid expression of the funkier side of soul-jazz, Deitch and his curated collective hint at the avant-garde, but stay grounded in warm traditions. AD4 adventures through the vibrant forest of late 60’s Verve and Blue Note cool, respectfully mining the essential elements of what makes a great hip-hop break, and then Deitch reimagines them in his own contemporary context.

In December 2013, after a Lettuce show at the Fillmore, Deitch connected with Bay Area organist Wil Blades. They played together for a late night jam at a popular haunt Boom Boom Room in San Francisco, and there was an instant chemistry. Blades had come up in the Chicago blues scene, before relocating to the West Coast. There, he studied and performed with venerable Hammond organ virtuosos Dr. Lonnie Smith and Ronnie Foster, titans of this specific brand of late 60’s/early 70’s B3-bolstered rare groove and jazz funk.

After establishing a rock solid rapport and common goal with Blades, Deitch reached out to his trusty cohorts Ryan Zoidis (saxophones) and Eric Benny Bloom (trumpet), aka The Lettuce Horns. Both players are well versed in the groove-jazz aesthetic with the vocabularies to match; the duo solidified the AD4 lineup and soon the drummer’s long dreamt-of, organ-driven groove quartet was born.
The fledgeling band began by performing exclusively covers, a selection of timeless tunes from Grant Green, Jimmy Smith, Cannonball Adderley and even Michael Jackson, the quartet traversing warm arrangements of familiar classics, songs levitating somewhere between jazz and funk. Firmly ensconced in the rare-groove idiom, AD4 channeled and established a vibe, and then Deitch began to carefully integrate his own masterful compositions to their repertoire; slowly but surely, Egyptian Secrets began to take shape. But not before a superhero would jump into the frey; guitarist and jazz immortal John Scofield, who once tapped a young Deitch to be his co-pilot on his celebrated Uberjam efforts, wanted in on the action. Before long, the prodigious axe-man had contributed to three songs on the LP, and his patented jazz-fusion serenade informs the identity of Egyptian Secrets in subtle, nuanced fashion.

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The Action

LP | 1995 | EU | Reissue (Guerssen)

Twotwentytwo Clear Vinyl Edition

Release: 1995 / EU – Reissue

Genre: Rock & Indie

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The legendary 1967-68 recordings by UK mod band THE Action, registered when they were in transition from mod-beat to full-blown psychedelia, just prior to becoming Mighty Baby.

Originally recorded as a set of demos with the intention of obtaining an album deal which inexplicably never materialized, “Rolled Gold” is a collection of brilliant songs, melancholic yet powerful. The Action’s classic line-up of Reg King, Alan ‘Bam’ King, Michael Evans and Roger Powell is augmented with the inclusion of new members Martin Stone on guitar and Ian Whiteman on flute / organ. All of them are playing their hearts out: superb harmonies, great guitar work and clever arrangements which show the influence of bands like The Byrds and the psychedelic sounds that were coming from the West Coast and UK as well as jazz giants like Coltrane.

Always the stuff of legend, the “Rolled Gold” tapes were shelved at the time, not released until 1997 when the Dig The Fuzz label discovered them and did a limited Lp/cd run. Out of print on vinyl for many years, we present a new vinyl edition.

If you dig the psychedelic era of Small Faces, Pretty Things, THE WHO, plus THE Creation, Nazz, Tomorrow, Blossom Toes, THE END or Traffic… look no further.

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Thala

LP | 2023 | US | Original (Fire)

CD | 2022 | US | Original (Nature Sounds)

Release: 2023 / US – Original

Genre: Rock & Indie

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On new EP twotwentytwo, indie riser Thala continues to embrace vulnerability, summoning long-buried emotions to colour her ardent love for lyricism amid psych-tinged ‘90s indie soundscapes. Filled with potent songwriting and coming-of-age anthems straight from the heart, these everyday love stories surrender to life’s insecurities. Evoking the soundscapes of Slowdive and Deerhunter, whilst recalling the widescreen pop of boygenius and Snail Mail. Recorded in London and Berlin earlier this year, twotwentytwo follows the release of ‘In Theory Depression’, Thala’s first EP on Fire Records. Spanning six tracks, it builds on its predecessor’s fearless lyricism, excavating deep-set feelings of loss, pain, desire and conflict against luminous production and addictive melodies. Following rammed appearances at Sxsw and The Great Escape, and having picked up the attention BBC Radio 1’s Jack Saunders, Thala shows no signs of slowing down… Blissful guitars and evocative crescendos permeate Thala’s unique vision of dreampop, reveling in soaring choruses and intimate storylines. On its surface, twotwentytwo boasts a kind of glorious emotive draw - you’d be forgiven for mistaking any one of these tracks as a backdrop to any teenangst drama. However, while Thala wants her songs to feel nostalgic, it’s the complexity of her songwriting that sees her modern compositions really resonate and she is keen to stress her lyrics can be interpreted in numerous ways. And therein lies the heart of this release - a cathartic, wildly empowering, self-explorative from a future indie heartbreaker at her gutsy best.

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Tha God Fahim

Six Ring Champ

18,99 €*

LP | 2022 | US | Original (Nature Sounds)

Release: 2022 / US – Original

Genre: Hip Hop

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In the ever-competitive hip-hop arena, Tha God Fahim has proven to be a formidable opponent. With an unmistakable voice and an irrepressible flow, the Atlanta rapper has won over countless fans with a unique blend of style and substance, delivering sophisticated street wisdom over raw, soulful beats. Expanding an extraordinary catalog that already includes more than 100 mixtapes, Tha God Fahim is now debuting "Six Ring Champ", his second studio album with Nature Sounds. A meditation on achievement and the hard work it requires, the album is a triumphant statement from an inspiring artist. "Six Ring Champ" features multiple appearances by Your Old Droog, plus production by Nicholas Craven, Camoflauge Monk, Thrasherwulf, and Fahim himself.

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Tha God Fahim

Six Ring Champ

34,99 €*

LP | 2024 | US | Original (Slovenly)

Release: 2022 / US – Original

Genre: Hip Hop

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In the ever-competitive hip-hop arena, Tha God Fahim has proven to be a formidable opponent. With an unmistakable voice and an irrepressible flow, the Atlanta rapper has won over countless fans with a unique blend of style and substance, delivering sophisticated street wisdom over raw, soulful beats.

Expanding an extraordinary catalog that already includes more than 100 mixtapes, Tha God Fahim is now debuting "Six Ring Champ", his second studio album with Nature Sounds. A meditation on achievement and the hard work it requires, the album is a triumphant statement from an inspiring artist. "Six Ring Champ" features multiple appearances by Your Old Droog, plus production by Nicholas Craven, Camoflauge Monk, Thrasherwulf, and Fahim himself.

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Th' Lost Streaks

Last House

Eritrea's Guitar Pioneer, 1970-73

Release: 2024 / US – Original

Genre: Rock & Indie

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Last House is the third album from Sacramento’s Th’ Losin Streaks. The album was recorded at Louder Studios in Grass Valley, California, with Tim Green behind the board. Green played piano on several tracks, and Anton Barbeau—a friend of the band since the beginning—plays organ on some cuts. All of the band members—Tim Foster, Stan Tindall, Mike Farrell and Brian Machado—contributed to the songwriting, and the album also features a cover of The Weeds classic “It’s Your Time.” The album cover and other photos were shot by their pal (and Bay Area punk legend) Al Sobrante. "This album is about true love and good times. And bad decisions. It’s about breaking down. It’s about coming apart. It’s about sleeping rough. It’s about Dyer Lane. It’s about shaking it til you make it. It’s about EKO, Silvertone and Supro, Vox (Super Continental) and the Hohner Marine Band. It’s about 2” tape. It’s about the plague, and politics, and war or hands of time. It’s about the ice cream man after the apocalypse. It’s a trans-world punk rave up. It’s about Link Wray, The Sonics and the Downliners Sect. It’s about The Rolling Stones covering Sam Cooke. It’s about Folk Rock. It was about time slipping away (but it’s not now). It’s about bullshit. It’s about being too late, always too late. It’s about getting old. It’s about those who never will. It’s about the person you dream about but never get. It’s about nothing in this world. It’s about surviving T-Minus self-destruction. And about the other side."

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Tewolde Redda

Tape | 2022 | US | Original (Domino Sound)

12,99 €*

12" | 2023 | UK | Original (Slum Dunk)

Release: 2022 / US – Original

Genre: Rock & Indie

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From Asmara, Eritrea (formerly Ethiopia) Tewolde Redda revolutionized the sounds of traditional Eritrean music by amplifying his kirar, playing his Eko electric guitar, and recording six singles in the first part of the 1970s. Including the first Eritrean songs to use a horn section, traditional songs reworked into his new sound, and originals influenced by radio broadcasts from the United States military base in Asmara, Kagnew Station, these ten songs originally released on the Philips, Amha, and Yared labels show off his talents with stringed instruments, a talented back up band, and often the hand clapped beat shifting into double time near the song’s end. Tewolde’s thick, deep voice sings songs of love over somber and joyous tunes. Comes in a tip-on sleeve with extensive liner notes, lyrical translations, and unpublished photos. A co-release with Mitmitta Musika of Addis Abeba, Ethiopia.

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Tetine

Music For Breathing

18,99 €*

10" | 2024 | EU | Original (Quindi)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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We've been writing new material as a trio since the first lockdown in the spring of 2020.
An organic and electro-acoustic impulse that translates both mine and Eliete's need of self-archiving,
re-inventing and auto-cannibalising Tetine's past, present and
future in order to explore other aural
landscapes and modes of composing intuitively, while at the same time, re-experiencing moments of our
trajectory as a hybrid organism.

Music For Breathing was born as a respiratory, meditative, and improvisatory piece of DIY
tropical-mutant-punk "chamber music" written for cello, voice, piano, organ and electronics.
The work responds to the suspended acts of breathing and vertigos experienced in contemporary polluted
environments in political, social and philosophical transitions, whilst investigating the
secret ontologies of inanimate objects and architectures, as well
as the echoes and ethics of modes of operating things.

Recorded during the intense period of heatwaves that hit London between July and August 2022, in
a small studio set up in our flat's kitchen - so that we could capture the acoustic instrumentation
(in particular, for the recording of cellos) without much
noise interference from the street -
this vinyl version of the album comprises of 5 distinct yet complementary reflective movements.

Musically and lyrically, it explores the atmospherics and syntaxes of time and space, voice, rhythm,
as well as themes such as hearing loss, menopause, pollution and respiration. It builds an expanded suite of unexpected
electro-acoustic textures through repetition, minimalistic motives, simple melodies, chromatic
developments, free counterpoint and atonalism. Conceived as an ode to the poetics of slowness,
the sounds you hear give continuity to the music we composed for the performance-film
The Ether - Prelude No.1 over the first lockdown in 2020 as it simultaneously explores the warmth,
melodiousness and power of the cello in conjunction with electronics.
Music For Breathing evokes this transitory moment: a place and time where language runs out,
communication and information lose their functions, sound and meaning do not correspond. Facts do not correspond to contexts. Spaced Out in Paradise. The last degree of the structure, the
loss of memory. The lost voice.

The album also features our 12-year-old daughter Yoko Afi on cello and vocals. It reflects
a period of free sound experimentation influenced both by romantic composers of the late
19th / early 20th centuries and contemporary electronic music. The pieces you hear were composed, arranged, and recorded
with the joy and melancholy of "those who do not know". In other words, "with the arrogance
of a second childhood" as Derek Jarman once put it. 'Agile and candid as a child'(1).

1) Manifesto da Poesia Pau-Brasil, Oswald de Andrade, Correio da Manhã, 18 de Março de 1924.

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Testbild!

Bed Stilt

Libero Pensiero EP DJ Overdose Remix

Release: 2024 / EU – Original

Genre: Pop

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Preorder shipping from 2024-11-08

Black Vinyl 10" Limited to 109 hand numbered copies!

Matching breezy, Bossa nova-tinged sophistication with softly spiralling psychedelia, Testbild! arrive in the Quindi lounge as though they've always been there. On their 12th album, Bed Stilt, the Swedish collective cast their attention back to the earlier days of their 25-year trip through sweetly mysterious pop-not-pop rendered in warm tones and shot through with surrealism. It's tricky to get a precise fix on the story and structure of Testbild! The project was spearheaded by Petter Herbertsson in his hometown of Malmö in the late 90s, although the story on their website credits the inspiration and source material to a chance meeting and unpublished manuscript from a retiring scientist. The collective's evolution since then is a tangled web of facts and fiction spun by a revolving cast of collaborators including Siri af Burén, Katja Ekman, Rikard Heberling, Douglas Holmquist, Mattias Nihlén and Petter Samuelsson. Along the way, their music has touched on chamber pop, post-punk and modern jazz with the elaborate harmonies and catchy songwriting charm of the Canterbury scene. The tracks which make up Bed Stilt were in fact track recorded in Malmö back in the mid- 00s, lying in wait for the right opportunity to be brought to light with some delicate overdubs and finishing flourishes in the here and now. The core musicians working on the record were Herbertsson and Douglas Holmquist on a similarly expansive list of vocals, guitars, bass, synths and keys, Siri af Burén on lead vocals and Mattias Nihlén on synths and additional mixing. Meanwhile Tomas Bodén - better known as Civilistjavel - lent some additional synth work as well as mastering the record. Musically, Testbild! stay true to their idiosyncratic approach on Bed Stilt with six immaculately rendered sojourns through lilting harmonies and brushed rhythms, feeling nostalgic but beguiling in equal measure. Theirs is a luxurious sound, not least on the opening strains of 'The First New Years Eve,' which purrs to life draped in silky Rhodes and chiming vibes. Behind this comfortable veneer the enigmatic lyrical themes unfurl through Herbertsson, Holmquist and af Burén's vocal harmonies like fractalized puzzles waiting to be solved. The finger-picking delicacy and languid harmonica of 'Streams' strike a pastoral mood neatly countered by the elegant slide into dislocated ambience for the track's final stretch. By contrast, 'And Her Eyes Are Red' surges with a big beat urgency which plays beautifully with the mellow jazziness of the chord sequences, boldly toying with song structure to dart down curious tangents without losing the immediate impulse of a great pop record. Somewhere in this tension between clarity and chaos we can understand the addictive charm of Testbild! - a band steeped in the considerable craft of making accomplished and unconventional music so very easy to sink into. If that doesn't make for a perfect addition to the Quindi catalogue, we don't know what does.

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TeslaSonic

12" | 2024 | EU | Original (Tiger Weeds)

13,99 €*

CD | 2022 | EU | Original (Angelica)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Libero Pensiero translates directly to "free thought". That's exactly how you should approach this six-track EP. Each track stands on its own, yet together, they form a cohesive narrative of creative freedom. Teslasonic makes his second appearance on Tiger Weeds with Libero Pensiero EP, following his contribution on the label's first VA compilation. Hailing from the Eternal City, Teslasonic is the solo project of Gianluca Bertasi, who delivers a fine blend of Electro, Italo, Acid, Downtempo and atmospheric elements, featuring a mesmerising remix by the legendary DJ Overdose.

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Terry Riley

Organum For Stefano

18,89 €* 20,99 € -10%

Descending Moonsine Dervishes

Release: 2022 / EU – Original

Genre: Organic Grooves

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"I was invited to an art gallery in Los Angeles to hear a solo String Bass recital by Stefano. I arrived late and the concert was in progress, I was walking down a series of concrete halls to reach the galley chamber where the music was taking place. In the distance I could hear the sounds of french horns, trombones, strings and brass all mixing in a beautiful modal ensemble, and at the time I thought that Stefano must be playing his bass with a chamber group. I was amazed when I entered the gallery to find Stefano all alone playing his bass ... " - Terry Riley, 1997 Organum for Stefano, the third record that I Dischi di Angelica dedicates to the work of Terry Riley, represents a significant example of “coming full circle”: indeed, in 1997 AngelicA Festival organized a concert in Bologna for Terry Riley and Stefano Scodanibbio – it was their first tour together, and the beginning of a collaboration that would last for years, promoting their first album Lazy Afternoon Among the Crocodiles (aiai 008), recorded in the Shri Moonshine studio in Riley’s home between 1994 and 1995. After his magnificent piano solo at the 2000 edition, AngelicA invited Riley back in 2013 to dedicate a special tribute-portrait to him, presenting his music in a series of concerts held in three different cities (Bologna, Modena, and Lugo), with different line-ups: The 3 Generations Trio (with Tracy Silverman and Gyan Riley, documented on the record IDA 034); the Arte saxophone quartet from Switzerland; and indeed a concert, commissioned as a world premiere, dedicated to Stefano Scodanibbio who had passed away the year before, in January 2012. The venue selected for the concert was the Basilica of Santa Maria dei Servi, hence Riley decided to use its historic Tamburini opus 544 pipe organ for the concert paying homage to the memory of Stefano. The organ was built in 1968 based on a design by Luigi Ferdinando Tagliavini, with a total of approximately 5000 pipes divided into 60 registers – incidentally, this is the same instrument used four years later in 2017 by Francesco Filidei in his duet with Roscoe Mitchell, documented on the record Splatter (ida 040), and in 2019 by Hermann Nitsch on the record Orgelkonzert (ida 045). As Riley himself explains in the liner notes: “I arrived in Bologna with no idea of what I would play, only thinking that I would make this concert a reflection on our deep association, friendship, and music adventures together. I was given a few days prior to the concert to rehearse and compose ideas on the ancient organ. These were magical times for me to also imbibe the resonances of the history of the Basilica and its organ as I composed. Stefano and I had a long history of touring and playing concerts together and one of the features of our concerts was always an arrangement of a vocal raga for bass, voice and tamboura. Stefano, although not trained in Indian Classical music, had an uncanny ear for the right choices in pitch and rhythm to accompany my traditional vocal renditions. Two of Stefano’s favourite ragas were Malkauns and Bageshri, late night ragas with deep feelings ideally suited to the profound sounds emanating from his string bass. The concert was completely improvised, introducing the melodies of ragas Malkauns and Bageshri, both vocally and in the harmonized organ passages of an intuitively structured form. The last section is an improvisation upon the passages of my composition Simply M..., a piece I frequently played for Stefano”. The result was a very precious concert – the only official recording of Riley on the pipe organ – which ranges from minimalism to Indian music, grandiose Bachian architectural constructions, even progressive echoes – in a kaleidoscopic flow of ideas which, both spontaneously and with a great clarity of intention, travels through topical moments and reminiscences of the respective musical identities and experiences shared by the two musicians. Organum for Stefano is release n. 50 by the label i dischi di angelica, which celebrates its 30 years of activity in 2022

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Terry Riley

LP | 1982 | US | Reissue (Beacon Sound)

LP | 2023 | US | Original (Pirates Press)

Release: 1982 / US – Reissue

Genre: Electronic & Dance

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Accurately described by Thurston Moore as "great for meditating to the cosmos," Terry Riley's classic Descending Moonshine Dervishes is available again in a limited edition repress manufactured by Optimal in Germany. Originally recorded live in Berlin in 1975 and released by Kuckuck in 1982, Beacon Sound reissued the album in 2016 to widespread acclaim. Using just intonation and a modified organ, Riley conjures forth a rich and layered sound that challenges the Western ear, reflecting his associations with Indian classical singer Pandit Pran Nath and La Monte Young , whose Well Tuned Piano was well underway. Descending Moonshine Dervishes is a virtuosic and kaleidoscopic performance, standing as one of the finest works of a revolutionary composer and musician at the height of his powers. Recorded in concert November 29, 1975 at Metamusik Festival in Berlin.

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Territories

Colder Now

12" | 2022 | EU | Original (Kynant)

Release: 2023 / US – Original

Genre: Rock & Indie

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When Calgary, AB, punk rockers

Territories released their self- titled debut album on Pirates Press

Records in 2018, they were a new band with a lot to say and a lot to prove. What a difference five years, and a clutch of the catchiest,

best-written, and most thought- provoking punk rock songs, makes!

In the interim, the band kept busy with the six-song EP When The Day Is Done as well as a split with fellow Canadians THE Vicious Cycles. The band has truly outdone itself with the 11 songs on Colder Now, deftly navigating the waters of the so-called “difficult second record” with a collection of songs that will blow the minds of longtime fans and newcomers alike. This is a band that pours their hearts and their minds into both their music and lyrics, tackling big issues, but always articulated from a relatable, personal perspective that acts as a rallying cry and a beacon of hope for everyone who feels alienated by modern society. The world is unfortunately still a dangerous place, but for those who dare to dream of something better, there is solace in the fact that Territories is back to give voice to those dreams with Colder Now.

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Terrence Dixon

Relinked EP

10,99 €*

Terrence Dixon & Jordan Gcz

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Detroit techno luminary Terrence Dixon joins Kynant with six tracks of signature minimalism.

Mastered by Giuseppe Tillieci (aka Neel) @ EnissLab Studios, Rome. Artwork by Christopher Honeywell

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Keep In Mind I'm Out Of My Mind

2LP | 2022 | EU | Original (Rush Hour)

LP | 2023 | Original (Night School)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Double LP documenting a realtime collaboration between Terrence Dixon (Metroplex/Tresor/Rush Hour) and Jordan GCZ (Off Minor/Minimal Detroit/Rush Hour). Finally the full results of these special sessions see the light of day (a ltd edition 12" of exclusive tracks owas released in 2020). BIG TIP!

"In September 2019, Motor City techno legend Terrence Dixon made a rare trip to Europe. He was introduced to Jordan Czamanski AKA Jordan GCZ, a serial collaborator and electronic music improviser best known for his work as part of Juju & Jordash and, alongside David Moufang and Gal “Juju” Aner, as Magic Mountain High.

The pair hit it off immediately, so Czamanski powered up his studio and the pair began to jam. Over the following five days, the pair improvised extensively, stopping only periodically to drink coffee and discuss music, life and much more besides. While in the studio, they barely uttered a word to each other, instead responding almost psychically to the rhythms, grooves, riffs and musical motifs the other was spinning into the mix.

The results of these surprisingly magical 2019 studio sessions are showcased on Keep In Mind, I’m Out of My Mind, the pair’s first joint album and Dixon’s most significant musical collaboration since the Detroiter’s 2018 hook-up with German techno and ambient veteran Thomas Fehlmann.

In keeping with the project’s improvised roots, the six-track set is notable for its immediacy, pleasing looseness – it was mostly created using outboard equipment including synthesizers, drum machines and effects units – and sonic fluidity. It offers a neat, symmetrical blend of the two producers’ trademark styles, with Czamanski’s attractive chords, melodies and jazz-flecked motifs rising above hypnotic, cymbal-heavy rhythms that have long been the hallmark of Detroit’s sci-fi-fuelled techno sound.

This unique and appealing, dancefloor-focused sound ripples through album opener ‘Fretless’, an ultra-deep chunk of heady liquid techno, and the breathless bustle of ‘Operation Delete’, where bubbly synthesizer motifs, cascading ambient electronics and urgent bass cluster around a killer broken techno groove.

It’s there, too, throughout the surging, deliciously percussive ‘Space Chime’, an alien-sounding concoction that sounds like it was beamed down from some distant galaxy, the warming-but-intoxicating minor key swirl of ‘Axis Mundi’ – a two-part slab of techno psychedelia full of trippy electronics, dystopian jazz riffs and intergalactic intent – and the pitched-down, mind-altering oddness of closing cut ‘Above Ground’, when the pair goes all-out in pursuit of leftfield techno perfection.

Created from scratch in a few days by two of electronic music’s most accomplished improvisers, Keep In Mind, I’m Out of My Mind is an exemplary meeting of musical minds and sonic sensibilities."

Matt Annis

Comes with insert with photographs by Atelier Fantasma (Jop Verberne).

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Teresa Winter

Proserpine

24,99 €*

LP | 1977 | EU | Reissue (Everland)

Release: 2023 / Original

Genre: Electronic & Dance

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Circular patterns morphing through time, loop and ritual form the fabric of Proserpine, the latest work by Leeds-based musician, Teresa Winter. Recorded from a summer to a winter through 2021 and 2022, Proserpine is Winter's most cohesive, focused music to date: confidently revelling in space, fixating on isolated sounds and giving way to satisfying, swirling waves of vocal and electronic buzz. Proserpine is Teresa Winter's debut recording for Glasgow-based label, Night School.

On Proserpine, musical patterns revolve and intersect with each other, transmogrifying the music's narrative. Over-arching themes emerge: continual change, elusiveness. Insubstantiality emerges into concrete reality in the form of recognisable field recordings: the purring of a pet cat, the hum of a live cable. The loops and patterns are sometimes just out of sight, the click and whirl on Child Of Nature is the backdrop to hymnal vocalisations by Winter, who intones spell-like text in conversation with herself. On opener Circles, Winter's vocal is pre-linguistic, detached syllables falling into flowing streams, before Plume's field recordings seem to juxtapose nocturnal and diurnal wildlife. "You said I was a Flower Of The Mountain" sings Winter, as James Joyce's Molly Bloom does but the carpe diem desire in Ulysses is dissipated here, spread out by gauzy, droning organs. Here desire is blown up and out, changed into something undefinable but no less powerful.

Change is at the heart of the album. The Roman goddess Proserpine, herself a reimagined version of the earlier Greek goddess Persephone, is always between: between summer and winter, the land of the living and the underworld, constantly emerging into new states of being. It's a fitting metaphor for Winter's work. Like an Apple feels like it soundtracks this in-between state, long, trailing reverb smudging synth keys and Winter's achingly beautiful vocal performance. The effect is stirring but flitting in and out of perception, sometimes Winter's presence feels of this world, of musical instruments and practises and at others it feels like the music is about to phase into a different plane, a different universe.

While Proserpine references the myths and cults of the classical, pre-Christian era, Winter's restless preoccupation with the mechanics of religion informs the album in other ways. Ritual is present through out, either in the mantra-like vocalisations or even the private rituals we are invited to witness: on Fireworks the listener eave drops into the protagonist's private bonfire. On the stunning Lamento, layers of Choral vocal interlock in celestial patterns that recall catholic mass: it's an overt effect that simulates the ecstasy of religious fervour and also reminds the listener of the use of vocal that runs through Proserpine. Winter's vocals often echo with the euphoria of obliteration, of disintegrating in an awful bliss. It's an effect achieved with finality by the closer New Water as the piece begins with voice before burning up in the atmosphere of elegiac violins and enveloping undertows of whirring synth patterns and ghostly pads. Proserpine is forever turning, changing, always elusive and quietly revelatory.

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Terea

Terea Special Edition

LP | 2022 | EU | Original (Morr Music)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Anybody remember STREET FEET? These guys used to be an all instrumental 1970s funk act with a cineastic feel, means that their music could easily have been used as library music for TV productions, especially police movies. They had one album in 1977 and then disappeared. At least it seemed so. But they rather teamed up with singer Sharon Robinson, who has been background vocalist with Leonard Cohen and songwriter for people like Diana Ross, Patti Labelle or Michael Bolton later on and was reluctant to use her own name on the album for tax shelter issues with her label. Since her middle name is Terea, as it was said, this became the project name as well. Original copies from the long since vanished BABY GRAND label fetch prices of 1500 $ and more, so here EVERLAND MUSIC, who own the whole catalogue of the BABY GRAND label, kick out the jams with their ultimate reissue of this classic. The music on this outstanding album could easily be regarded as some of the greatest late 70s black music. And what a great variation of sounds do we found here. Smooth funk with a silkier edge and piercing synthesizers, soul pop with lush arrangements, giant harmonies and a cineastic atmosphere or warm and soulful ballads, no matter what, it is in here. Each song has his own spirit and memorable hooks. The performance is tight and despite all perfection quite passionate. The overall musical direction is gentle since this is pop music par excellance. If you dream yourself on through the dense arrangements you will find so many nifty little details that you can only speak out your deepest respect for the participating band and the singer with the enthralling voice. What goes on beyond the surface is so sorcerous. All those ghostly synthesizer lines. The funky and evergrooving pop version of Hendrix‘ „Manic depression“ fits perfectly well with the rest of the tunes. Organ, percussions, bass guitar, electric piano and vocals make it a massive head swirler and dancefloor sweeper. Next big thing on this album a few songs later is the gospel influenced ballad „For free“, which could have been, in a little more reduced version, one of the most haunting pieces on an early THE BAND or Neil Young record. Here we get a song with lush string arrangments and melodies so haunting and so deeply touching that you almost start crying the one or another tear of joy. All in all this music might feel glamourous but it has an earthy approach and this makes it stand the test of time with ease. Black music aficionadoes will find themselves in need of this record.

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Tenniscoats

Tan-Tan Therapy

Tape | 2024 | JP | Original (Rallye / Space Shower Music)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Just over a decade ago, Japanese indie-pop duo Tenniscoats recorded »Papa's Ear« (2012) and »Tan-Tan Therapy« (2007), two albums made with musical and production help from Swedish post-rock/folk trio Tape. Originally released on Häpna, they are beautiful documents of the exploratory music made by a close-knit collective of musicians, fully at ease with each other, playing songs written by Tenniscoats and arranging them in gentle and generous ways. Released during a prolific phase of collaboration for Tenniscoats – during the late ‘00s and early ‘10s, they would also collaborate with Jad Fair, The Pastels, Secai and Pastacas – they have, however, never been available on vinyl. In collaboration with Alien Transistor, Morr Music is now reissuing these albums with bonus material.

Filled with graceful pop songs, autumnal folk tunes, and gentle yet risk-taking improvisations, »Tan-Tan Therapy« was the first Tenniscoats album to be released in Europe, after a run of albums on Japanese labels, and the excellent »Live Wanderus« (2005) on Australian imprint Chapter Music. It was also the first recorded evidence of their collaboration with the three members of Tape and that group’s extended musical family. It opens with one of Tenniscoats’ signature songs, the pop fantasia of »Baibaba Bimba«, with Tenniscoats singer Saya repeating a light-headed incantation over joyous brass. The essence of Tenniscoats is contained in »Baibaba Bimba«: uplifting melody and playful musicianship, tinged with distant echoes of winsome melancholy.

From there, »Tan-Tan Therapy« explores many hues of lustrous blue. »Oetu to kanki no Namoriuta (Given Song of Sob and Joy)« is an aquatic arbour, the musicians’ gentle performances growing together like vines and seaweed as Saya’s voice swims through the waterway. »Umbarepa!« is full of play and pleasure, sparkling with glockenspiel as snare drum tattoos push the song ever-forward. »Abi and Travel« floats past, a lovely instrumental built from shifting layers of synthesizer and pianet; »Good B.«, an extra track originally only available on the Japanese edition of »Tan-Tan Therapy«, is added to this reissue, and follows a similar thread, its humming pump and Hammond organs swirling under beautiful vocals from Saya and guest performer Kazumi Nikaido.

Throughout, you can sense the deep empathy the members of Tenniscoats and Tape have for one another. It’s a conversational, tender and, at times, fragile music that can only be created out of mutual trust and kindness, with each of the players contributing to the community of sound they’re building. There’s an element here, too, of feeling out the possibilities of what this creative meeting can achieve, something reflected in the loose-limbs sprawl of »Marui Hifo (Everyone)«, which echoes the seaside drift of Bristol post-rock group Crescent, and the following »One Swan Swim«, a dreamsong redolent of the sleepy sensorium of Robert Wyatt’s »Rock Bottom«.

The freedom and liberty at the heart of Tenniscoats is something Tape and their friends have picked up on, beautifully so, and run with during the entirety of »Tan-Tan Therapy«. This is music with its wings outstretched, wanting to take to the air, ready to fly.

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Tendre

In Sight

18,99 €*

LP | 2012 | US | Reissue (Sony Legacy)

Release: 2024 / JP – Original

Genre: Organic Grooves

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Preorder shipping from 2024-11-08

TENDRE’s 2019 release “IN Sight” and 2020 release “life Less Lonely” will be released on cassette tape on October 26th. The 2019 EP IN Sight, featuring six tracks including “SIGN.”

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Tenacious D

Rize Of The Fenix

35,99 €*

LP | 2023 | EU | Original (Munster)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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Vinyl LP pressing. RIZE OF THE FENIX is the third album from Tenacious D and is the follow-up to 2006's THE PICK OF DESTINY and 2001's platinum debut album TENACIOUS D. Produced by the brilliant John Kimbrough, RIZE OF THE FENIX was recorded in the garage behind his LA home and features Jack Black and Kyle Gass (Tenacious D's core duo), performing with Dave Grohl (drums), John Spiker (bass, piano, organ) and John Konesky (electric guitar).

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Telegraph Avenue

25,99 €*

You Don't Have To Live In Pain

Release: 2023 / EU – Original

Genre: Rock & Indie

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elegraph Avenue's debut album shows the highpoint Peruvian rock had reached by 1971, when psychedelic groups like Traffic Sound and Laghonia were bowing out of the scene, and Pax, Tarkus, El Polen and Zulu were picking up the baton with their new projects. Telegraph Avenue got their start when lead singer, Bo Ichikawa, returned home to Peru after a six-month stint in San Francisco (if you hadn't already guessed by their obvious choice of band name) and their 1971 debut album soon became the best selling rock album of the year. Here heavy distorted guitar mixed with Latin bass and percussion meld to create a kind of south-of-the-equator Latin groove meets West Coast psych with a slightly poppier feel. All lyrics are sung in English. The band unfortunately split after the release of just one more album, but the drummer and singer would soon join up with two Argentine friends to form another great band South American band of the seventies: Tarkus. Don't miss your chance to discover a great album by a great band!Although this album draws on similar psychedelia and Latin rock sources, its roots are intertwined with the breakup of Los Doltons, a beat band, whose vocalist, César Ichikawa, took a trip to the United States at the beginning of 1969, going to concerts by The Doors, Jefferson Airplane, Santana and Jimi Hendrix among many others. The album was an immediate hit and was sold all over Peru thanks to the band's constant touring outside Lima and the LP's striking cover design. All the songs on the album are so strong that they were released as singles. TAs debut LP sold out in days thanks to the band's constant touring outside Lima and the LP's striking cover design.

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Teeth Agency

2LP | 2021 | US | Original (Stones Throw)

Teenage Jesus & The Jerks

Release: 2021 / US – Original

Genre: Organic Grooves

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Teeth Agency is musician Jesse Hackett and artist Mariano Chavez – “lizard lounge jazz and French noir sleaze with sinking ship piano improvisations in underwater organ suits.

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Live 1977 White Vinyl Edition

LP | 2023 | EU (Radiation Reissues)

Teenage Jesus & The Jerks

Release: 2023 / EU

Genre: Rock & Indie

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Visionary No Wave legend Teenage Jesus and The Jerks created a confrontational sound, with a shifting line-up as a platform for Lydia Lunch’s shouted vocal shocks, accompanied by her jagged guitar noise, non-melodic bass, and minimalist drums. This must-have live anthology is culled from six performances undertaken during their heyday, these atonal, in-your-face blasts somehow even more caustic than their studio work, rendering an aural assault not for the fainthearted. Benefitting from the presence of James Chance on select numbers, this uncompromising collection of staccato eruptions will get right up your nose – a must for all Jerks fans.

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Live 1977

Tape | 2023 | EU (Radiation Reissues)

12,99 €*

Ardour 10th Anniversary Red Vinyl Edition

Release: 2023 / EU

Genre: Rock & Indie

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Teebs

2LP | 2010 | US | Reissue (Brainfeeder)

29,99 €*

Tee See Connection & Leroi Conroy

Release: 2010 / US – Reissue

Genre: Hip Hop, Electronic & Dance

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On 11 October 2010, Brainfeeder released the debut album by a 23 year old ex-skater, painter and music producer from Chino Hills called Teebs (real name Mtendere Mandowa). The title 'Ardour' means great enthusiasm, love or passion and was a fitting descriptor for his inherently warm, lushly textured beats. It’s an undisputed classic in the Brainfeeder canon and more widely considered an essential chapter in the ever-evolving puzzle of the global “beat scene”.

Brainfeeder and Teebs are celebrating the 10th anniversary with a limited special edition reissue of this landmark record. Pressed on deep pink 2LP and housed in a beautiful gatefold sleeve with artwork by Teebs himself, the new edition features six previously unreleased bonus tracks.

With roots at the ‘My Hollow Drum’ collective, Dublab and Low End Theory, Teebs has been a staple in Los Angeles music. “My creative family in LA is so important,” he explains. “It’s a part of who I am when I step outside and how others in LA view me. I love the feeling of community and trying to understand how I can be useful in it.”

Following 'Ardour' (2010), Teebs released 'Collections' (2011), 'Estara' (2014) and, after a 5 year hiatus, his most recent album 'Anicca' in 2019, with the help of a host of musical friends including Panda Bear (Animal Collective), Sudan Archives, Ringgo Ancheta aka MNDSGN, Miguel Atwood-Ferguson and Anna Wise. Universally acclaimed, Pitchfork gave 'Anicca' a glowing 7.8 review hailing Mandowa’s “effortless, shape-shifting tracks that make time stand still.” Meanwhile, FADER described the record as “deeply atmospheric... cool-headed and uncanny.”

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Skyline Chili Churner / Queen City Purple Vinyl Edition

7" | 2024 | US | Original (Colemine)

11,99 €*

Tee See Connection & Leroi Conroy

Release: 2024 / US – Original

Genre: Organic Grooves

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The last recordings made at the basement Regent Drive studio in Middletown, OH finally making it to a dirty 45! The Tee See Connection is comprised of members of The Jive Turkeys (Rob Houk - drums, Matt Amburgy - keys, Terry Cole - bass).The A-side, "Skyline Chili Churner" is an organ burner with funky bass and blown out breakbeat style drums while the B-side is straight up boom bap with Matt Amburgy cookin' hard on the keys. Drums and all parts ripe for sampling!

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Skyline Chili Churner / Queen City Black Vinyl Edition

7" | 2024 | US | Original (Colemine)

8,99 €* 11,99 € -25%

Technics x Automobili Lamborghini

Release: 2024 / US – Original

Genre: Organic Grooves

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SL-1200M7B

1.499,00 €*

Technics x Automobili Lamborghini

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SL-1200M7B Direct Drive Turntable System

Technics for Automobili Lamborghini SL-1200M7B

Technical Data:
• Technics for Automobili Lamborghini collaboration model
• Coreless Direct-Drive Motor Achieving Stable Rotation
• Diverse New Functions Adapt to Various Playing Styles
• High Sensitive Tonearm
• Stylus Illuminator Featuring a High-brightness and Long-life White LED
• High-rigidity Cabinet and High-damping Insulator

Design Inspired by Automobili Lamborghini DNA
The functions of the SL-1200M7B are based on the SL-1200MK7/SL-1210MK7 models, while the design is inspired by Automobili Lamborghini’s iconic Y-shape pattern. Orange, Green and Yellow are the colours of the SL-1200M7B, based on the most iconic liveries of the Italian automotive super sports cars brand. Automobili Lamborghini and Technics operate in completely different markets but share the same values with cutting-edge ideas and approaches: disruptive technological development, a corporate culture rooted in a spirit of uncompromising craftsmanship, and the pursuit of emotional sounds inspiring customers—with Automobili Lamborghini, the sound of its engines, and with Technics, the sound of its audio. The SL-1200M7B is the powerful result of the collaboration and innovative ideas of the two brands.
*Consumption and emission values of Revuelto: Fuel consumption combined: 11,86 l/100km; Power consumption combined: 10,1 kWh/100 Km; CO₂-emissions combined: 276 g/km; Efficiency class combined: G; Fuel consumption with discharged battery combined: 17,8 l/100km; CO₂ efficiency class with discharged battery: G; WLTP values

Exclusive Gifts
The SL-1200M7B comes with an original vinyl record containing the powerful V12-engine and driving sounds of six different Automobili Lamborghini super sports cars, a slipmat and two stickers with Automobili Lamborghini and Technics logos. The picture disc features a design inspired by the tires of one of the Automobili Lamborghini's latest models, the Revuelto. As you listen to the sounds of Automobili Lamborghini V12-engines, you can also enjoy the visual effect of the tire spinning on your turntable.

Coreless Direct Drive Motor Achieving Stable Rotation
The direct drive system uses a slow-turning motor to directly drive the platter. This system has various advantages. It offers high performance, such as rotation accuracy and powerful torque, does not require replacement of parts and maintains high reliability over a long period of time. On the other hand, the direct drive system was said to produce a rotation irregularity called cogging. For the SL-1210MK7, a new coreless direct drive motor was developed. This motor employs a coreless stator. The removal of the core (iron core) from the stator eliminated the root cause of cogging. Furthermore, the magnetic force of the rotor magnets was improved to the highest possible level, and the gap between the coreless stator and rotor magnets was optimised, thus achieving high-torque-performance equaling that of the SL-1210MK5. Boasting smooth rotation and powerful torque, this motor reproduces sound accurately and faithfully from the groove on an analogue record.

Diverse New Functions Adapt to Various Playing Styles

Torque / Brake Speed Adjustment
The newest digital motor control technology, accumulated through the development of Blu-ray disc products, is applied to improve adjustment by allowing the torque and brake speed to be adjusted individually in four steps.

The Pitch Control Function
The pitch control function allows fine adjustment of the rotation speed within ±8% / ±16%. It does this through digital control, from positional detection of the slider to rotational control of the motor, eliminating the unnecessary DA conversion. This greatly improves tracking performance to achieve accurate and stable pitch adjustment.

Reverse Play Function
The reverse play function, which brings forth new possibilities of creative performance, makes its first appearance in the SL-1210 Series. In addition to 33-1/3 rpm and 45 rpm, a rotation speed of 78 rpm is supported.
*The torque / brake speed adjustment, rotation speed switch, and reverse play can be adjusted by switches on the main unit.

High Sensitive Tonearm
The tonearm, which has continued to support the leading edge of the DJ scene for many years, inherits the highly reliable static-balance universal S-shape tonearm. Using high-precision bearings, it achieves a higher initial-motion sensitivity than the SL-1210MK6. This accurately tracks the groove on the phonorecord to assure excellent tracking performance with minimum stylus jumping even in harsh playing conditions such as scratching.

Stylus Illuminator Featuring a High-brightness and Long-life White LED
The stylus illuminator features a new push-type structure for intuitive operation, and employs a high-brightness and long-life white LED. The illumination area and intensity were reviewed to provide improved visibility of the stylus tip even in a dark environment.

High-rigidity Cabinet and High-damping Insulator
The chassis, an essential part for reducing external vibrations, inherits the audio quality enhancement technology fostered through the development of high-end turntables. The aluminium die-cast chassis is rigidly integrated with a special material consisting of ABS mixed with glass fibre to achieve a two-layer construction. The combination of this special high-rigidity material and a metal chassis raised the rigidity and vibration-damping performance to higher levels, realising a robust cabinet for beautiful sound reproduction. The insulator is comprised of a spring and rubber to provide optimal frequency characteristics. This not only assures high sound quality and superb howling resistance, but also effectively shuts out external vibrations under high sound level conditions.

Specs:
Turntable section:
• Type: Direct Drive Manual Turntable
• Turntable Speeds: 33-1/3, 45 rpm (with switch 78 rpm)
• Starting Torque: 0.18 N・m / 1.8 kg･cm
• Build-up Characteristics: 0.7 s. from standstill to 33 1/3 rpm
• Wow And Flutter: 0.025 %　W.R.M.S.
• Turntable Platter:
- Aluminium diecast
- Diameter : 332 mm
- Weight : Approx. 1.8 kg (Including slipmat and slipsheet)

Tonearm Section:
• Type: Universal Static Balance
• Effective Length: 230 mm
• Overhang: 15 mm
• Tracking Error Angle:
- Within 2° 32' (at the outer groove of 30cm (12") record)
- Within 0° 32' (at the inner groove of 30cm (12") record)
• Offset Angle: 22°
• Arm-height Adjustment Range: 0 - 6 mm
• Stylus Pressure Adjustment Range: 0 - 4 g (Direct Reading)
• Head Shell Weight: Approx. 7.6 g
• Applicable Cartridge Weight Range:
- 5.6 - 12.0 g (without auxiliary weight)
- 14.3 - 20.7 g (including head shell)
• Head Shell Terminal Lug: 1.2 mmφ 4-pin terminal lug

Terminals:
• Audio Output:
- PHONO (Pin Jack) x 1
- EARTH TERMINAL x 1

General:
• Power Supply: AC 110 - 240 V, 50 / 60 Hz
• Power Consumption:
- 8 W
- Approx. 0.2 W (Standby)
• Dimensions (W x H x D): 453 x 169 x 353 mm
• Weight: Approx. 9.6 kg

Accessories:
Turntable, Slipmat, Slipsheet, Dust cover, EP record adaptor, Balance weight, Head shell, Screw set for cartridge, PHONO cable, PHONO earth lead, AC power supply cord, Original vinyl record, Brand logo stickers, Owner's Manual

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SL-1200M7B

1.499,00 €*

Technics x Automobili Lamborghini

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SL-1200M7B

1.499,00 €*

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Technics

EAH-AZ80

299,00 €*

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True Wireless Noise Cancelling Earphones with Multipoint Bluetooth®

Crystal Clear Sound. Now Wireless.

AZ80's large 10mm drivers, special acoustic structure and category-leading noise cancellation give you exceptional Technics sound – wherever your day takes you. With beautifully crafted comfortable design, seamless device switching and crystal-clear call clarity – you won't miss a beat.

Signature Technics Clear Sound
Experience detailed Technics hi-fi sound with powerful bass. An enhanced low-distortion bass response is achieved with large 10mm free-edge aluminium alloy diaphragms.*

Natural Concha Fit
Low-profile design with natural concha fit – to stay comfortable and in-place throughout even your most active days. AZ80 earbuds are carefully shaped to fit the concha groove just above the ear opening – for a comfortable and secure fit.

Multipoint Connection to 3 Devices
Seamless switching for up to 3 devices* (e.g. PC, smartphone & tablet).
*No LDAC playback with 3 devices.

Pure Listening with Noise Cancelling
Dual Hybrid Active Noise Cancelling tech using feedforward and feedback mics, plus analogue and digital processing – for uninterrupted category-leading hi-fi sound performance.
*Technics research using JEITA guidelines for true wireless noise cancelling headphones as of March 2023.

Never miss a beat.

Superior Uninterrupted Sound & Smart Features

JustMyVoice™ Technology
8 separate mics plus advanced wind noise reduction, to isolate and amplify speech while minimising background noise.
*Performance may be affected by external factors.

Long Battery Life
Up to 7 hours* playback with ANC on, 24 hours back-up with the case. Quick charge for 15 minutes will give you 70 minutes of playback.
*After a full charge, subject to playback volume and other factors.

Control the Sound Around You
Natural Ambient Mode lets you select how much background sound to hear, while Attention Mode focusses on speech.

Convenient Single Earphone Use
Keep one ear open, or charge one earphone while using the other. Customise touch sensors through the Technics app.

Premium Look and Feel
Sleek aluminium trim, with engraved Technics logos, for a reassuringly crafted and tactile experience.

100% Plastic-Free Packaging
New plastic-free packaging. The plant-based bioplastic DURABIO™ is used in the earphones and charging case.

Easy Qi Wireless Charging
Simple fast wireless charging by placing the earphone case on a compatible charger.

Technics Audio Connect App
Easy set-up, battery level check, select EQ sound modes, adjust noise cancelling levels and customise touch-sensors with this intuitive app*.
*Requires Android™ 6.0 or higher with Google Play,™ iOS12 or higher.

IPX4 Water Resistance
With IPX4* water resistance for the real-world – with no worries about rain or intensive workouts in the gym.
*IPX4 compatibility for earphones, not charging case.

Choose the best earphones for you
For high-quality listening, you need earphones that can keep up with your pace. Designed with your comfort in mind, Technics True Wireless earphones give you superior sound wherever you are, whatever you’re doing. Use smart features to switch seamlessly from listening to music to taking a call.

Specs:
• Enhanced low-distortion bass response with is achieved with the large 10mm free-edge aluminium alloy diaphragm structure.
• Featuring an acoustic control chamber for natural mid-range with powerful bass. Plus a harmoniser for low-distortion expansive sound.
• Dual Hybrid Noise Cancelling with feedforward & feedback mics, plus analogue & digital processing – a hi-fi experience.
• Seamless switching for up to 3 devices (e.g. PC, smartphone & tablet).
• JustMyVoice™ Technology with 8 mics & advanced wind suppression, to isolate speech from background noise for clearer calls.

Technical Data:
GENERAL
• Driver Unit (mm): 10 mm (3/8 in)
• Frequency Response: 20 Hz - 40 kHz (LDAC 96 kHz/990 kbps)
• Mic: Monaural, MEMS Mic

• Playback Time with Battery (LDAC):
Earphones:
- Approx. 4.5 hours (NC ON)
- Approx. 5.0 hours (NC OFF)
Earphones with Charging case:
- Approx. 16 hours (NC ON)
- Approx. 17 hours (NC OFF)

• Playback Time with Battery (AAC):
Earphones:
- Approx. 7.0 hours (NC ON)
- Approx. 7.5 hours (NC OFF)
Earphones with Charging case:
- Approx. 24 hours (NC ON)
- Approx. 25 hours (NC OFF)

• Charging Time (25°C/ 77°F)
- Earphones: Approx. 2.0 hours
- Charging case / USB: Approx. 2.5 hours
- Charging case / Qi *With certified Qi charger: Approx. 3.5 hours
- Earphones with Charging case: Approx. 3.0 hours
- Earphones with Charging case / Qi *With certified Qi charger: Approx. 3.5 hours

• Quick Charge (15 minutes, AAC):
- Earphones: Approx. 70 minutes (NC ON)
• Standby Time:
Earphones
- Approx. 9 hours (NC ON),
- Approx. 15 hours (NC OFF, Auto power off does not work)

• Dimensions (W x H x D):
Earphones *with Earpiece M size
- Approx. 22 mm x 27 mm x 24 mm
- Approx. 7/8 inch x 1-1/16 inch x 15/16 inch
Charging case
- Approx. 69 mm x 36 mm x 29 mm
- Approx. 2-11/16 inch x 1-7/16 inch x 1-1/8 inch

• Weight:
- Earphones (one side only: L and R are the same): Approx. 7 g (0.25 oz)
- Charging case: Approx. 50 g (1.8 oz)

• Supplied Accessory:
- USB charging cord: Approx. 0.2 m (0.66 ft) (Input Plug : USB Type-C Shape, Output Plug : USB Type-C Shape)
- Earpieces set : XS1, XS2, S1, S2, M, L, XL (M attached)

Advanced Function
• Bluetooth® Wireless Technology:
- Version: 5.3
- Supported Profiles: A2DP, AVRCP, HSP, HFP
- Codec: SBC, AAC, LDAC
- Operating Distance: Up to 10 m (33 ft)
- Multi-point: Yes(Connect up to 3 devices at a time.)
- Multi-pairing: Yes(Connect up to 10 devices.)
• Water Resistance: IPX4 Equivalent (Earphones only)
• Dual Hybrid Noise Cancelling: Yes

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Technics

EAH-AZ80

299,00 €*

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Technics

EAH-AZ60M2

229,00 €*