Search "Six Organs Of Admittance" 3320 Items

12" | 2022 | EU | Original (Tartan)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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A new EP by The Untouchables is always a treat to be savoured, but the opening track of their latest for DNO is so deliciously tense, so foaming at the mouth with anticipation, that it’s hard not to gulp down the whole release in one go. A minute and a half of sinister notes trying to jab their way through a thick filter and there’s no doubting ‘Emu’ is gonna be one hell of a ride — and it doesn’t disappoint, revealing the stabs in all their gritty darkcore glory, and unleashing a torrent of system-shaking subs.

As per, the Belgian duo present a masterclass in merging dub’s unparalleled spaciousness with techno’s unrelenting drive, and delivering it all at a drum & bass tempo. On ‘Punjab Chant’, a South Asian vocal call and various wind and percussive instrumentation from the region are pulled apart, lashed with delay, and layered over rubbery subs, resulting in an intense intercontinental dubwise belter.

‘Ragga Ting’ goes full digi dancehall, maintaining pace while employing sultry dembow-style syncopation and a hefty droning bassline that seems to loop ad infinitum. It’s an innovative move and one that’s sure to get hips swinging in the dance.

And the final track on wax, ‘86 Dread’, is pure bass weight, its boxy drums almost swallowed up by the sullen low-end, with only crisp shakers and the odd sonic squiggle poking above the gloom.

Digital bonus track ‘Planetarium Space’ brings the tempo down, but fills the mix with the hurried tick of hi-hats and pattering congas, dollops of reverse bass that add slippery off-kilter movement, and a rogues’ gallery of ghostly organ and other haunted samples and synths that wouldn’t feel out of place in an ‘80s horror flick.

Always taking a leftfield route to rattle your ribcage, The Untouchables and DNO once again prove they’re a perfect pairing. Yum, yum.

Rhythms of postmodern realism at the very bottom of the DNO.

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The Unknown Artist

Took My Heart Away / Sun

13,99 €*

12" | 2022 | EU | Original (Tartan)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Tartan hit the ground running with this full throttle double header from a mystery producer. One side sees a slice of peak-time Bollywood Business guaranteed to raise the roof of your nearest discotheque, with the flip a Detroit inspired number with big organs, floating strings and splashy rides, think classic DJ Rolando / Carl Craig.

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The Unknown Artist

Butterfly / Soul

13,99 €*

LP | 1968 | EU | Reissue (Wah Wah)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Take to the sky and spread your wings because Tartan is back with another double header! Butterfly showcases soaring synths, a 90’s sample, sky high hats & breakbeats for a 5 minute flight. It’s a soul thing on the flip. A hypnotising synth pattern weaves its way in between, tambourines, 909 drums and big organs. Dancefloor business!

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The Underdogs

Blues Band

24,99 €*

Uphill Peace Of Mind (Instrumental) / Impeach The President (Instrumental)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Wah Wah is proud to release the first ever legit vinyl reissue from master tape of New Zealand's legendary Underdogs' first LP from 1968. Lovers of John Mayall and his Bluesbreakers (note the Eric Clapton tribute paid on the sleeve of this album) will love this album. The Underdogs formed in 1964 and shared the scene with other greats from the country like The La De Da's, The Action (NZ band, not to be confused with the UK mod godfathers) and The Pleazers. They spread the rhythm and blues word from their native Auckland through several 45s on the Zodiac label and went through a series of line-up changes prior to the release of their fabulous first long player. The Underdogs Blues Band LP was recorded by Murray Grindlay on vocals, Lou Rawnsley on guitars, Neil Edwards on bass and Tony Walton on drums, and shows the group’s appreciation for Mayall's combo - just like The Bluesbreakers' Crusade LP the Underdogs open their album with a cover of Albert King's "Oh, Pretty Woman," one of three "Bluesbreakers" songs covered on the LP. On this first long player the band storm into a world of guitar led rave-ups a la Yardbirds, organ blues grinders and even give a sight to what's to come next with some incipient heavier sounds a la Cream.

This is a 500 copies only reissue, housed in its original artwork in a vintage styled backflaps sleeve and insert

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The U.B.'s

7" | 2019 | US | Original (Fraternity)

14,99 €*

Dead Meat Red Vinyl Edition

Release: 2019 / US – Original

Genre: Organic Grooves

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Nubian Crackers member The Undercover Brother (AKA veteran Queens, New York-based beat-maker Victor Piagneri) fires up his U.B.'s project and delivers another taster for the forthcoming "Ultimate Covers w/Breaks" LP. On the A-side you'll find his instrumental interpretation of Frederick Knight cut "Uphill Peace Of Mind", a heavy, stripped-back revision rich in killer drum breaks, Red Hot Chili Peppers style funk-rock guitars and life-affirming piano solos. Turn to the flip for Piagneri's vocal-free version of The Honey Drippers' 1973 anti-Nixon anthem "Impeach The President". He allows the track's much-sampled opening drum break a little more room to breathe, before carefully layering up Hammond organ riffs and a snaking saxophone solo that effectively replaces the original vocals.

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The Tubs

LP | 2023 | US | Original (Trouble In Mind)

24,99 €*

Breach Rainbow Six European League Music Yellow Deluxe Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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London group The Tubs return to Trouble In Mind with their hotly anticipated full-length album entitled "Dead Meat". The band were formed in 2018 from the ashes of beloved UK post-punk band Joanna Gruesome by former members Owen 'O' Williams and George 'GN' Nicholls. By incorporating elements of post-punk, traditional British folk, and guitar jangle seasoned by nonchalant Cleaners From Venus-influenced pop hooks and contemporary antipodean indie bands (Twerps/Goon Sax, et al)."Dead Meat" is resplendent in hi-fidelity strum & thrum, incorporating fleeting elements of post-punk and indie jangle, but the group's penchant for trad British folk & Canterbury folk-rock takes a noticeable, caffeinated step forward. Echoes of Fairport Convention's decidedly English chime cross swords with singer Owen Williams' lyrics directing Bryan Ferry's "thinking man's libertine" persona into a more dolorous outlook. Many songs (like "Round The Bend" and "Duped") soar with an urgent strum under Williams' acerbic lyrics, recalling a younger fiery Richard Thompson. They languish in an aching, bitter resignation (of both the situations described & the protagonist's place in it), particularly near the album's second half. Others like the previously released "I Don't Know How It Works", "Two Person Love" and "Illusion" (re-presented here as "Illusion Pt. II" and all rerecorded from their original 7-inch versions) up the urgency, implying that the journey for the person described in each tune is not over & may be even more desperate than before. The band has never been tighter & more dynamic, often imperceptibly ratcheting up the tension, an extra guitar strum overdubbed, a barely audible organ/synth cranking under a chorus or bridge, or unexpected backups from current Ex-Vöid (and ex-Joanna Gruesome) vocalist Lan McArdle. The Tubs are poised to take over your stereo - there's no point in resisting.

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The Toxic Avenger

LP | 2022 | US | Original (Laced)

40,99 €*

The Tony Williams Lifetime

Release: 2022 / US – Original

Genre: Soundtracks

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Sometimes you need a smooth operator to get the party started…

Ubisoft turned to award-winning electronic music artist Simon Delacroix aka The Toxic Avenger to soundtrack the 2022 season of the Tom Clancy’s Rainbow Six Siege European League. In league with Enchanté Records, we’re bringing six bangers to wax with the Breach EP.

The release is the culmination of a season-long collaboration that saw Delacroix apply his uncompromising sonic mastery of electronic music to trailers and broadcasts for fans to enjoy during their weekly Siege esports rendezvous.

Breach features three original tracks (“Robots Do It Better”, “Pulse”, and “A Really Big Fucking Hole”); a special treatment of Paul Haslinger’s Siege main theme; and two electro ‘reworks’ of existing Siege original soundtrack music (“Celestial Concerto” and “A Finishing Action”.)

Tracks will be mastered for vinyl by magicien sonique Joe Caithness and pressed onto a heavyweight LP in ‘toxic yellow’. This will come in a deluxe card sleeve with spot gloss UV effect, which will also include an art print insert.

Original sleeve illustrations featuring operators Mute, Montagne and Thermite are by French comic book artist RUN of Label 619 (Mutafukaz.)

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Emergency!

2LP | 2023 | Original (Be With)

34,99 €*

The Tiffany Shade Lavender Vinyl Edition

Release: 2023 / Original

Genre: Organic Grooves

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Miles Davis: "I could definitely hear right away that this was going to be one of the baddest motherfuckers who had ever played a set of drums.”

The Tony Williams Lifetime's Emergency! is a furious, stunning, seminal album. In 1969, it's explosive sound divided critics in both jazz and rock but is now rightly regarded as groundbreaking. A musical statement so bold and irreverent that it was revolutionary, it's one of the most important records you will ever hear. With Emergency!, provocative percussionist Tony Williams unified the most vital sounds of the era and galvanised the creation of jazz fusion. A sprawling double LP that shattered the boundaries between jazz and rock, it forged fresh frontiers by unleashing dense, courageous and fantastically mysterious music.

The group was founded by Tony Williams, a member of Miles Davis’ radical 1960s quintet, out of his desire to fuse the influences of modern jazz and rock music. To effectively meld the scorching bop of Coltrane with the raging rock of Hendrix, in the process crafting, as Mojo put it, "jazz-rock's equivalent of Are You Experienced?". The album's urgent title was profoundly significant for Williams: “It was an emergency for me to leave Miles and put that band together (...) and I wanted to play an emerging music that was my own." The band he formed was one hell of a power trio, comprising nothing but raw virtuosity: Williams's colossal drumming, John McLaughlin's pioneering, aggressive guitar playing and Larry Young's freeform organ work.

The album's sound is incredibly fierce and inordinately intense. Indeed, the group were famed for playing “louder than rock’n’roll”, as Herbie Hancock said of going to hear them live in 1969: "This is something new...It was exciting and very arresting. It snatched you. It yanked you out of your seat.” Ian Carr, of Nucleus, was equally impressed: "The only other comparable band that existed ...They were incredibly loud, but we liked what they were doing. Fundamentally they had a different approach from ours, with some very highly arranged things that featured Larry Young's organ blending with the guitar, as well as intricate passages where Tony doubled the melody on the drums."

Like all the very best records, Emergency! takes multiple listens for your brain and body to decipher everything going on, to truly process and appreciate the details that our senses are throwing at us. It's a mesmerising, rough sound yet the intuitive interplay of all 3 musicians is super-tight. The tunes are strung out and jamming but retain a tight rhythmic focus.

The incendiary title track immediately presents jazz-rock’s chaotic birth. After Williams's ominous snare-roll signals the brewing storm, the snarling band blasts its way through the gate in truly breathtaking fashion, fuzzed-up wahed-out guitar riffs vying for prominence with gnarled, insistent organ. Thrillingly, Williams manages to both acrobatically crash over every element of his drum kit while keeping the whole groove undeniably funky. "Beyond Games" is a gloriously volatile freeform, featuring Williams' bugged out vocals, whilst the 12-minute "Where" is another deep, wild jam. It's disorientating and humid with weird rhythms, abrupt vibe shifts and semi-classical lines running between guitar and organ. It's like nothing else you've ever heard, absolutely vital.

With the buoyant “Vashkar”, we begin to experience jazz-rock's many angles; imaginative melodics, taut dynamics and as torrent of searing heat. Perhaps the most economical track on Emergency!, it's the most instant. In a recent retrospective review in Pitchfork, Emergency! received a monumental 9.0 ranking. The writer Hank Shteamer correctly gushed: "Driven by a tumbling Williams pulse, the trio dances through the complex stop-start theme, ending each iteration with a dramatic full-band rest. Then, in the middle of McLaughlin’s scrambling solo, Williams starts playing an embryonic version of an extreme-metal blastbeat, alternating snare and bass in rapid succession while rising precipitously in volume, as Young joins in with shuddering note clusters. During Young’s solo, the organist seems to incite Williams to repeat the move with his increasingly frenzied lines, and soon all three musicians are hurtling toward a supernova climax." WOW!

The laconic "Via the Spectrum Road", a brilliant pop-psych tune, was sampled by Showbiz & AG on their classic debut LP. It oscillates between a tranquil funk groove and strutting improv interludes. The pyrotechnic jam "Spectrum" wakes things up again with pure, molten jazz lava and crazy soloing from all involved. A breathtaking, kaleidoscopic 13-minute cycle through ferocious noise, "Sangria For Three" is a sublimely frenetic detonation of distilled (acid) jazz rock. To quote Shteamer again, "Don’t let the track’s breezy title fool you: As much as, say, “Sister Ray” the year before or “Fun House” the year after, this is punk before punk." Closer "Something Spiritual" finishes this jaw-dropping set with a driving, unrelenting heavy guitar and organ freakout, backed high in the mix by Williams's untamed funk before unsettled dissonance rides us out.

Listeners will be struck by the timelessness of Emergency!; dank, trance-inducing voodoo jazz that's intellectually challenging at the same time as viscerally thrilling. The blurred cover photo, whereby the convulsing vibrations of this sonic apocalypse ensure it looks exactly as the record sounds - out of focus - has been delicately restored at Be With HQ. Mastered for vinyl by Simon Francis and cut by Cicely Ralston for Alchemy at AIR Studios, the magnificent grit and spontaneity remains dizzyingly intact. If you're a jazz fusion fan and don't already have this, consider ownership of this record as an Emergency!

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The Tiffany Shade

LP | 1969 | US | Reissue (Sundazed)

First Light Clear Red Vinyl 2024 Repress Edition

Release: 1969 / US – Reissue

Genre: Pop

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Heavenly, crystalline psychedelic sounds, in our favored stereo mix! Jazzy, acoustic guitars and stacked Association-like harmonies showcase Tiffany Shade’s gorgeous originals and a rendition of Love’s “Softly To Me.” Pressed on lavender vinyl!

After a chance meeting in a record store, this Cleveland band got their start on Upbeat!, a local teen dance show similar to American Bandstand. Though their album was cut in two days over the course of 2 eight hour sessions, their arrangements shine through what was a scattered recording session. “We really worked hard in the studio even though we didn’t have enough time to do all the things we wanted to do with music,” bassist Robb Murphy remembers.

“We were pretty excited. We just had no experience with that sort of thing. We had heard things but never had any experience. We were really babes in the woods. It was a terrific experience looking back on it. It was really a hell of a lot of fun, we loved the idea of being able to overdub even though we didn’t get to do too much of that, it was still fun. That was pretty high tech in those days, being able to lay down a couple of tracks with your voice.” guitarist Mike Barnes recalls.

Similar to the Bosstown sound (Orpheus, Ultimate Spinach), Tiffany Shade lean towards harmony-driven vocals that combine their clever pop sensibilities with a versatile showcase of keys, organ, and scintillescent guitars. After their album’s release in ‘68, they had the opportunity to open for Big Brother & Holding Co., but because of poor sales (and like many Mainstream artists) the band didn’t last and went their separate ways in ‘69.

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The Third Sound

LP | 2021 | UK | Reissue (Fuzz Club)

LP | 2021 | EU | Original (Munster)

Release: 2021 / UK – Reissue

Genre: Rock & Indie

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On August 27th 2021, The Third Sound will release their fifth album ‘First Light’ on Fuzz Club Records. Dealing in a hypnotic blend of neo-psychedelia, post-punk and new wave, The Third Sound is a Berlin-based band led by the Icelandic musician Hákon Aðalsteinsson, who is the guitarist in Brian Jonestown Massacre and formerly played in the cult rock’n’roll outfit Singapore Sling. A mainstay of the European psych underground in his own right, not just through his collaborations with the likes of Anton Newcombe and Tess Parks, The Third Sound has been Hakon’s primary solo endeavour since the release of his self-titled debut on Newcombe’s A Recordings a decade ago.

Arriving following 2018’s ‘All Tomorrow’s Shadows’ LP, ‘First Light’ marks an evolution into a brighter and at times uplifting sound. Marrying moments of light and dark, the result is The Third Sound’s most dynamic full-length to date. Talking about the album, Hakon said: “This album is definitely less gloomy than the previous one, although some ghosts from the past are lurking in the background. We always try to make something new on each album and never make the same album over again, but this feels like an even bigger change than usual, especially regarding the mood. Something new is beginning although the past is not forgotten. I think the title, First Light, describes the overall feel of the record pretty well.”

‘First Light’ is the fifth full-length from The Third Sound and arrives off the back of 2018’s ‘All Tomorrow’s Shadows’, 2016’s ‘Gospels of Degeneration’, 2013’s ‘The Third Sound of Destruction and Creation’ and their 2011 self-titled debut. With Hakon Aðalsteinsson leading the group on vocals and guitar, the rest of the band is currently comprised of Robin Hughes (Guitar / Organ), Fred Sunesen (Drums) and Andreas Miranda (Bass). With a number of European tours in tow, the band have previously shared the stage with the likes of the Brian Jonestown Massacre, The Warlocks, Singapore Sling, Crocodiles, Clinic, Tess Parks and more.

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The Surprise Package

Free Up

17,99 €*

LP | 2020 | US | Original (Fat Wreck Chords)

Release: 2021 / EU – Original

Genre: Rock & Indie

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The Surprise Package Recorded The Album "Free Up" With Lee Hazlewood, Featuring Heavy Fuzz Guitar, Rockorgan, Keyboard Bass (Like The Doors) And A Fifteen-Minute Title Track. Despite Touring With The Beach Boys Or Led Zeppelin, Success Did Not Knock Their Door_munster Records Is Proud To Present The Second Installment Of The Lee Hazlewood Industries (Lhi) Records Reissues Series With The First Ever Reissue Of The Surprise Package, "Free Up".Born Out Of The Fertile 1960s Music Scene Of The Pacific Northwest, The Surprise Package Was Comprised Of Members From The Viceroys And The Galaxies. These Two Bands Were Regulars At Regional Teen Fairs And Often Played Alongside The Sonics And The Wailers.After A Record Deal With Columbia Records And Terry Melcher Fell Through, The Group Found Themselves In The Waiting Room Of Lhi Headquarters For An Audition With Lee Hazlewood. Lee Liked What He Heard And The Band Was Signed.In The Late 1960s, Lee Went On A Creative Tangent Into The World Of Psychedelia, Releasing Far-Out Tracks From Ann-Margret, The Aggregation, Hamilton Streetcar And Many Others. The Surprise Package Recorded The Album "Free Up" With Lee, Featuring Heavy Fuzz Guitar, Rock Organ, Keyboard Bass (Like The Doors) And A Fifteen-Minute Title Track. Though Lee Was Always Willing To Experiment In The Studio And Explore Many Different Genres, Psychedelia Wasn't Totally His Bag. He Spent A Lot Of The Sessions In The Control Room Drinking Scotch."I Can Give You A Quote From Merle Haggard," Joked Surprise Package Singer Rob Lowery. "He Was Sitting In On One Of Our Sessions Once And He Said 'You Know, I Don't Understand This Rock 'N' Roll Bullshit!' I Don't Think Lee Understood It Either, But He Liked It And He Was Behind Us."A Stadium Show With Led Zeppelin, Extensive Touring With The Beach Boys And Other National Acts Failed To Bring Success. The Band Parted Ways With Lee And Lhi, Changed Their Name To American Eagle And Put One Final Record Out On Decca.Remastered From The O...

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The Suicide Machines

Revolution Spring

The Storm 50th Anniversary Sunburst Yellow & Purple Vinyl Reissue Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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It was in 2006 that Detroit punks THE SUICIDE MACHINES called it a day after 15 years and six full-throttle, super-charged and confrontational albums. The break didn’t last too long—in 2009, the four-piece reconvened to play the occasional local shows and embarked on a handful of tours. Finally, the band is back with a brand-new album—the first since War Profiteering Is Killing Us 15 years ago! Revolution Spring, the band’s seventh album and Fat Wreck debut, picks up right where they left off—full of blistering, rousing songs finding the band in truly explosive and energetic form. Over the course of a couple of years, the band wrote a total of 30 songs. With the help of both LESS THAN JAKE's bassist ROGER LIMA, who produced Revolution Spring, and THE CODE's frontman MARC CODE, The Suicide Machines whittled those down to the 16 that make up this record. While on the one hand, these songs serve as an overview of the band’s career and the different permutations of punk they’ve dabbled in over the years, it also possess the energy, spontaneity and enthusiasm of a band many years their junior—albeit with the wisdom that comes from being alive for a few decades. Recorded in “about 12 days” at Rancho Recordo, Revolution Spring is a powerful and cohesive combination of hardcore, ska and anthemic punk rock.

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The Storm

LP | 1974 | Reissue (Wah Wah - Supersonic Sounds)

33,99 €*

The Storm 50th Anniversary Black Vinyl Reissue Edition

Release: 1974 / Reissue

Genre: Rock & Indie

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Probably the most astonishing hard rock LP out of 1970s Spain, repressed by popular demand and this time offering a very limited transparent blue colour run.

THE STORM hailed from Sevilla and were acclaimed by both audience and press reviewers as one of the best rock bands from Spain. The combo was formed by the Ruiz Geniz brothers (Angel and Diego), on guitar and drums respectively, plus Luis Genil (organ) and José Torres (bass).

Their debut album, originally released on Basf in 1974, is one of the Crown jewells of Spanish hard rock, and changes hands for a small fortune among collectors all over the world, especially since its inclusion in Hans Pokora's 'Record Dreams' books.

This LP really rocks. It's high energy hard rock that follows the line marked by the big organ outfits of the era such as DEEP PURPLE, ATOMIC ROOSTER, BRAM STOKER, MEGATÓN...

It has also a deep classic prog sound root, which reaches the top on 'Un Señor Llamado Fernández De Córdoba'.

We are talking of one of the seminal Spanish hard rock LPs.

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The Storm

LP | 1974 | Reissue (Wah Wah - Supersonic Sounds)

33,99 €*

Release: 1974 / Reissue

Genre: Rock & Indie

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Sally Cinnamon + Live Purple Vinyl Edition

36,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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Sally Cinnamon is acknowledged as the first release in the style which would come to be recognised as the Stone Roses' trademark sound. This EP includes the 12" single mix, all the B Sides and additional live tracks. This is the first time this new configuration has ever been released in six unique colour variants on heavy weight 180g Vinyl. Half-speed mastered to the highest possible quality and DMM – Direct Metal Mastered with protective polypropylene inner bag making this the ultimate collector's edition.

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Sally Cinnamon + Live Green Vinyl Edition

36,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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Sally Cinnamon + Live Blue Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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Sally Cinnamon + Live Black Vinyl Edition

36,99 €*

12" | 2023 | UK | Original (Lewis)

Release: 2023 / UK – Original

Genre: Rock & Indie

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The Still Brothers

The Still Brothers EP

17,24 €* 22,99 € -25%

LP | 2020 | EU | Original (Dig This Way)

Release: 2023 / UK – Original

Genre: Organic Grooves

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For fans of Khraungbin, El Michels Affair, Skinshape, The Shacks. Features the singles ‘Wake Up’, ‘The Deep’, ‘I Wanna Be With You’ and ‘It’s Not Over’. Supported Big Crown’s Surprise Chef on their 2023 UK Tour. Brooklyn duo The Still Brothers is a musical project of childhood friends Evan Heinze (The Shacks/Big Crown) and Andrew LeCoche (Ula Ruth). Heinze has toured with the likes of Khraungbin, Lee Fields and Cut Chemist, while LeCoche’s old band once opened for Paul Simon and Edie Brickell. A former student of Madlib’s uncle Jon Faddis, LeCoche has scored music for Netflix and Patagonia and sound design for Twitter, Patron, and Marvel. Signing to Lewis Recordings in 2020 the band’s first single ‘The Deep’ was instantly picked up by Steve Lamacq on BBC 6 Music who regularly plays it to this day. ‘Wake Up’ featuring the vocals of Marina B. spent six weeks on the BBC 6 Music playlist gaining support from Lauren Laverne, Gilles Peterson, Mary Anne Hobbs, Craig Charles, Huey Morgan, Cerys Matthews, Don Letts, Tom Ravenscroft and Guy Garvey. Lockdown didn’t slow down the band’s creativity with many tracks on their self-titled debut EP recorded remotely. Two such tracks were the collaborations with London based singer/songwriter Shauna Kelly aka Shoshy. ‘It’s Not Over’ and ‘Crazy’ were released on 7” and both received BBC radio support. Marina B stepped back on the mic with the upbeat hit ‘I Wanna Be With You’, a dancefloor filler mixed by St. Frances Hotel (producer for Michael Kiwanuka). The b-side ‘Sungalz’ is a hazy dream pop number that started life as an instrumental jam.

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The Springs Band

Disko Funk

20,89 €* 21,99 € -5%

Nectar Of The Gods Black Vinyl Edition

Release: 2020 / EU – Original

Genre: Organic Grooves

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The record was produced by the twenty years old Alex Tony Okoroji at the legendary ARC Studios in Lagos, a facility set-up by Ginger Baker. This is the third production for the Alex Tony Okoroji’s fledgling independent label Love Records, the previous record was the pioneering release by Udu - Sound of the People (Love Records, Nigeria 1976) also reissued by Dig This Way in 2020. Musically these two records are poles apart but similar in as much as both the band and producer present a personal musical vision that sounds nothing like their piers’ at the time… The Springs Band formed in Ibadan (Oyo State) which is roughly 130km northeast of Lagos. The seven members met while training to be Reverend Fathers for the Catholic Church and come from both Nigeria and Sierra Leone… in retrospect as unlikely as this sounds (particularly when you hear the record) the band were the Seminaries event house band at the time… Musically, the record consists of five prime time dancefloor gems with two very subtle afterhours numbers to close - not a bad track on here - which at times in itself is unique for records from the region in the late 70s. The first five tracks are complex hypnotic afro funk with an almost mesmerizing organ groove, that is deep and raw at the same time which well represent the time, the place and the people involved in the recording... As odd as it may sound the spiritually of the bands chosen profession is reflected in the fluid deep funk of the groove ... not being there we can only guess how the live performances of this "band in full flight" must have been ... as luck would have it the recording captures all of those elements and that’s what the end result sounds like near unbeatable! Judge for yourself via this enlightening release!!! Reading the original hand written press release for the record it would be fair to say, at the time, the members of the band were potentially not entirely focused on their chosen vocation and, reading between the lines, were mildly concerned what their educators might think… years later it’s pleasing to discover that all of the survivors became as good as it gets in their original career choice… better still… for the Afro-Centric music collector… the very same set of individuals (in their wilder days) recorded one of the most forward thinking and dance floor friendly records of the period… little known until now… “This is our dream world cristalised in vibes. In a world of uniform hate where people experience death in a trance , it is through love's cry that we see through the eyes of wisdom that he needs somebody. Music is the message transmitted in this super disko funk for funky people, to tell the brandifield dad the truth or ask a music-minded-lass, introduce me to your loving. So, if you have anything to say, why not join us and say it...after all it's a happy world... We have a right to the good things of life.”

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The Spacelords

LP | 2023 | UK | Original (Tonzonen)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Through Other Reflections Pink Vinyl Edition

The Soundcarriers

LP | 2024 | UK | Original (Phosphonic)

Through Other Reflections Black Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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It’s abundantly clear from the first bars of their 5th studio album Through Other Reflection, that this is, and could only ever be, The Soundcarriers. From the enchanting vocal duets of folk-bidden Chanteuses Leonore Wheatley and Dorian Conway; to the precise bass lines of Paul Isherwood and the limber, jazz-cool, Hal Blaine-esque drums of his his co-songwriter Adam Cann; from the fairy-like flutes, 60s-garage guitars and organ sounds pilfered from the archives of exotica - listening to the Soundcarriers resembles a rediscovery of all the most prized, esoteric corners of the 1960s, all bundled up, warped and refracted through the quartet’s astutely modern cultural lens. Channelling Tropicalia, Middle Eastern psychedelic Jazz/Funk, The French Library sounds of Nino Nardini, and a whole host of lavish obscurites beside, Through Other Reflection delivers another sonic adventure from one of the most unique and distinctive voices of British Psychedelia.

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The Soundcarriers

LP | 2024 | UK | Original (Phosphonic)

34,99 €*

The Six Parts Seven & Goodmorning Valentine

Release: 2024 / UK – Original

Genre: Rock & Indie

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Kissing Distance

LP | 2024 | US | Original (Suicide Squeeze)

Put The Music In Its Coffin

Release: 2024 / US – Original

Genre: Rock & Indie

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It was winter. Six Parts Seven had returned to Ohio after touring out to Washington State,to record Casually Smashed to Pieces.There was down time between the recording and the actual release of that album inJanuary 2007, and we were rehearsing, playing local shows, and collaborating, with most of usinvolved in other projects to keep the momentum going (Mike w/ Talons, Al w/ Beaten Awake),but the one we all came together over was recording an album with Joey Beltram, the songwriterbehind Goodmorning Valentine, a local band we shared players with, a band we deeply admired.The music on Kissing Distance came together over two weekend days. There were a lot ofpeople around; 6P7 and GMV players coming and going from the Saint Ledger House. There werehandles of whiskey, there was weed, stacks of Marlboro Reds for the ones still dragging butts. Weall went 'dancing' at Thursday's, in Akron, Ohio, on Saturday night. Not sure how we were productivethe following day. Chalk that one up to relative youth. Over those two days, songs were cutwithout any prior rehearsal time. None of us remember how the idea came up. In hindsight, it seemsinevitable.The first song on the album, "Mediation in D," had been written a couple of years before,and was the decided spark that set the fire blazing: for both bands, this song was the starting point,an invitation to take things further, to expand, combining players from both bands, our 'toolbox'had increased in size from a single hammer to a toolbox. Everything came easily at this point."Drunk from the Bottle," is the first of the one-take/one mic songs: an SM58 used for bothvocal and guitar, making it impossible to over-think anything: You got the version, or you did not,that simple."Instrumental #2," is the last full/core band recording by Six Parts Seven. The first piece inour catalog written/arranged by Tim Gerak. This song would have been developed on ourfollow-up to Casually Smashed to Pieces. Alas, an album never came to be. The ache in...

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The Shadow Ring

LP | 2023 | EU | Original (Blank Forms Editions)

Beck & Call / Daydreaming Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Throughout their legendary, decade-long run, the Shadow Ring were an enigmatic force on theinternational musical sub-underground. Before their disbandment in 2002, this shambolic rockoutfit, formed by a group of rowdy teenagers in southeast England, left behind a mighty run of eightLPs, a handful of 7"s, and a spate of raucous live shows and cryptic zine appearances on both sidesof the Atlantic, all which have bolstered their enduring word-of-mouth mystique. Beginning this yearwith the first-ever vinyl pressing of the self-released pre-Shadow Ring tape The Cat & Bells Club(1992), Blank Forms Editions is conducting a systematic retrospective of the storied group, includinga multi-year LP reissue effort and a forthcoming comprehensive CD box set and an over fivehundred page book.Recorded in summer of 1994 at S.H.P studios (frontman Graham Lambkin's parents' home), thegroup's sophomore record Put the Music In Its Coffin is a more sinister, saturnine affair than theirdebut City Lights. Coffin was many listeners' introduction to the Shadow Ring, who had hithertoself-released their music, courting a steady stable of international fans through the magazine andmail-order catalog Forced Exposure. For their follow-up, the duo reached out to the ascendingPhiladelphia label Siltbreeze, whose eclectic roster of sneering, low-fidelity rock and noise connecteddisparate subterranean scenes from rust-belt America to the English Midlands, Dunedin, andbeyond. As luck would have it, Siltbreeze proprietor Tom Lax was already a fan of the band's firstrecord and arranged to release both a 7" and their "difficult second album." The connection provedto run deeper than vinyl_within six months, Lax would pick up the pair from the airport for theirspring 1995 US tour. This episode marked not only their first trip to the States but their first liveperformances at all, formally introducing the Shadow Ring to the American underground andsolidifying the allure of the Folkestone pair.From the get-go...

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The Sextones

7" | 2023 | US | Original (Colemine)

11,99 €*

LP | 2024 | Original (Voodoo Rhythm)

Release: 2023 / US – Original

Genre: Organic Grooves

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Sophisticated, suave, and masterfully composed, this 45 is a sonic love letter to late 60s and early 70s soul, nodding to the giants of the genre and bowing to its unsung heroes. With inspiration from artists like The Moments, Baby Huey, The Delfonics, and especially the late Curtis Mayfield, this 7" is drenched in the era-defining tone that can only come from its origins on analog tape. From the first notes of the first track "Beck & Call", the songs shimmer and glow from one moment to the next like a summer's drive with the windows down, with a steady cruise anthem like "Daydreaming" floating by like a cool breeze. Friends since childhood, The Sextones are Mark Sexton (guitar, vocals), Alexander Korostinsky (bass), Daniel Weiss (drums), and Christopher Sexton (piano). Having known each other for so long, their musical chemistry is effortless and forms the foundation of the band's longevity and creative workflow. Despite their bond, each member has been able to channel their creativity into other acclaimed groups_Alexander and Mark with their cinematic-soul project Whatitdo Archive Group, whose acclaimed debut LP The Black Stone Affair was released on Record Kicks in 2021, and Daniel with the soul/jazz group Delvon Lamarr Organ Trio (Colemine Records). Flexing their creative muscle individually has only strengthened The Sextones' collective songwriting ability and heralds their formidable return to the spotlight. With their recent signing to Record Kicks, the self-made heroes of soul begin a new chapter in their sonic journey, ready to scale new heights and plumb deep emotional depths in service of the genre they love.

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The Sex Organs

We're Fucked

20,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Karaoke Kalk)

The Sensory Illusions

Sensory Illusions II

Ndia Egbuo Ndia (Afro-Jigida)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Scottish composer and multi-instrumentalist Bill Wells and virtuoso tuba player Danielle Price once more team up for Karaoke Kalk under the name The Sensory Illusions. The two further explore the affinities between their idiosyncratic musical approaches across a variety of styles and genres while also expanding their sound palette. After its predecessor saw Wells working strictly with his electric guitar, on the »Sensory Illusions II« the piano enters the mix on two of the eleven pieces. Much like his brass-heavy collaboration album »Osaka Bridge« with Japanese collective Maher Shalal Hash Baz—made available again on vinyl by the German label Karaoke Kalk in February 2023—this album injects melancholic atmospheres with a sense of playfulness. Picking up on elements from jazz, pop, blues, and classic songwriting while acknowledging their debt to techniques from the worlds of avant-garde and improv music, The Sensory Illusions weave together disparate elements into a colourful, imaginative suite of songs.

Starting with the folky chords of opener »Four Chord Dream,« the track titles spell out Wells’ characteristic use of ideas that literally come to him in his sleep (the project was even named after a record he found while browsing a store in a dream). The National Jazz Trio Of Scotland leader then fleshes them out together with Price, who again serves as a one-woman rhythm section, as she does throughout most of the album. When Wells enters 1960s spy movie territory with a swirling rendition of John Barry’s »Theme from Vendetta« and picks up on those dynamics with a rolling riff in the next song, her versatile playing provides the backdrop for that. Once Wells sits down at the piano for the tender »Flotsam Bodes,« however, their roles are being reversed and Price—a seasoned and multifaceted musician who was one of only six applicants chosen to attend Chilly Gonzales' Gonzervatory in 2019 and who is currently working with acclaimed London-based trumpet player and composer Laura Jurd—takes the lead. »I’m the Urban Spaceman« makes it even more apparent how seamlessly these two experienced players leave each other space to showcase their respective talent and expand on their individual ideas: Marked by Wells’ soloing and exploring different sonic possibilities of the guitar, it also sees Price showcasing her reduced yet agile solos before they both return to the idea at the heart of the song.

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The Semi Colon

LP | 2012 | US | Reissue (Comb & Razor Sound)

Take Me For A Little While / We Go Together Colored Vinyl Edition

Release: 2012 / US – Reissue

Genre: Organic Grooves

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Ndia Egbuo Ndia (Afro-Jigida), an LP recorded by the Nigerian rock group Semi-Colon in 1976, was an experimental response to Fela Kuti’s then-dominant afrobeat sound, substituting Fela’s sophisticated horn charts and jazz leanings with wiry electric guitar work and a passion for vintage rock ‘n’ roll. Long fabled and coveted amongst collectors and DJs alike, the album has remained one of the rarest of the Nigerian 1970s “afro” cycle. Comb & Razor Sound is proud to be reissuing this lost gem of Afro-rock for
a new audience.

This reissue marks the second release from Comb & Razor Sound, following up the success of its inaugural offering, 2011’s Nigerian disco and boogie compilation Brand New Wayo, which was spotlighted on NPR’s All Things Considered and received favorable mention on its “Song of the Day.” The new edition of Afro-Jigida continues Comb & Razor’s exploration of rare, cutting-edge popular music produced in Nigeria in the 1970s and 80s.

Afro-Jigida will be initially released in its original six-track vinyl format, with a deluxe CD release to follow at a later date. As a bonus, the first 1000 copies pressed of the album will include a 7” single featuring the never-before-released demo recording "Our Fada".

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The Royal Jesters

7" | 2023 | US | Original (Numero Group)

12,99 €*

Paranoid Nightmares Violet / Black Marbled Vinyl Edition

Release: 2023 / US – Original

Genre: Organic Grooves

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The Royal Jesters were a household name in the 60s in San Antonio, TX. the 1960s. Formed by Henry Hernandez and Oscar Lawson, the group performed at school dances and downtown clubs and eventually leased and managed their own venue, the legendary Patio Andaluz. The group also started their own label, Jester Records, and recorded various singles, including a take on Vanilla Fudge's "Take Me For A Little While" with the towering Louie Escalante on lead. The group also recorded "We Go Together," a group harmony classic with 16 yr old Luvine Elias, Jr on a Lowrey organ. A must-have hot tortilla to keep in your bag.

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The Royal Hangmen

LP | 2024 | EU | Original (Foggy Notion)

Paranoid Nightmares Colored Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Royal Hangmen are exited to announce the release of our third full-lenght album "Paranoid Nightmares" on Foggy Notion Records. Swiss garage heroes The Royal Hangmen are back with their third album. Imagine fuzz-driven guitars, a grinding Vox organ, a stompin' backbeat and some high energy screaming vocals, mix that with some real dedicated sixties attitude and you dig what the The Royal Hangmen were all about. These swiss wildmen play vintage instruments with a sound reminiscent of The Sonics, 13th Floor Elevators and Small Faces but with a style and energy all of their own."Paranoid Nightmares" is an adventurous and eclectic trip through the glorious sixties. 12 tracks that lead you fromfuzz-driven Beat to Surf, from Folk-Jangle to R'n'B and Soul. Always authentic and raw, the band's sound is a lovely combination of shredding vocals, nasty guitars and organ sounds with strong melodies and hooks on top. For fans of The Sonics, The Pretty Things, The Fuzztones, The Chesterfield Kings.

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The Royal Hangmen

LP | 2023 | EU | Original (Foggy Notion)

LP | 2023 | EU | Original (Foggy Notion)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-15

The Royal hangmen are exited to announce the release of our third full-lenght album "Paranoid Nightmares" on Foggy Notion Records. Swiss garage heroes The Royal Hangmen are back with their third album. Imagine fuzz-driven guitars, a grinding Vox organ, a stompin' backbeat and some high energy screaming vocals, mix that with some real dedicated sixties attitude and you dig what the The Royal Hangmen were all about. These swiss wildmen play vintage instruments with a sound reminiscent of The Sonics, 13th Floor Elevators and Small Faces but with a style and energy all of their own."Paranoid Nightmares" is an adventurous and eclectic trip through the glorious sixties. 12 tracks that lead you fromfuzz-driven Beat to Surf, from Folk-Jangle to R'n'B and Soul. Always authentic and raw, the band's sound is a lovely combination of shredding vocals, nasty guitars and organ sounds with strong melodies and hooks on top. For fans of The Sonics, The Pretty Things, The Fuzztones, The Chesterfield Kings.

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The Royal Hangmen

Paranoid Nightmares

Classic Tongue Large Patch

Release: 2023 / EU – Original

Genre: Rock & Indie

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[ENG]The Royal hangmen are exited to announce the release of our third full-lenght album "Paranoid Nightmares" on Foggy Notion Records.Swiss garage heroes The Royal Hangmen are back with their third album. Imagine fuzz-driven guitars, a grinding Vox organ, a stompin' backbeat and some high energy screaming vocals, mix that with some real dedicated sixties attitude and you dig what the The Royal Hangmen were all about. These swiss wildmen play vintage instruments with a sound reminiscent of The Sonics, 13th Floor Elevators and Small Faces but with a style and energy all of their own."Paranoid Nightmares" is an adventurous and eclectic trip through the glorious sixties. 12 tracks that lead you fromfuzz-driven Beat to Surf, from Folk-Jangle to R'n'B and Soul. Always authentic and raw, the band's sound is a lovely combination of shredding vocals, nasty guitars and organ sounds with strong melodies and hooks on top.For fans of The Sonics, The Pretty Things, The Fuzztones, The Chesterfield Kings.The LP here is classic black vinyland comes with DLC included!

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The Rolling Stones

4,99 €*

LP | 2022 | EU | Original (Wrong Speed)

Available Sizes: One Size

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The Rolling Stones iron-on embroidered large patch features a Classic Tongue motif. It's approximate size is 95mm high x 85mm wide. Red (PMS 185c), black and white.

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The Rebel

A Cretian Build-Up

24,99 €*

Mission Bells Clear Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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We, the label, asked Ben Wallers (ex-Country Teasers) to write a press release for his new album. "Press Release And Give Me The Disc as Peter said to Murphy said to Daniel said to Ash said to J said to the drummer subs please check name was it Martyn Atkins? No... scratch that please Roger, there's nothing funny about not knowing all the members of Bauhaus. Announcing the new album by The Rebel, yay! Wow! Fucking hell, great! How long is it this time? Oh it's getting on for the optimal 45 mins. Fit on side of a D90 but go bit wobbly near end of SA90. I am listening to my copy on vinyl record, it's much better than tape. That's the intro. Once upon a time there was a man/boy a sort of immature Peter's Pan type pan-pipe type who COULDNT WOULDNT grow up a bit like Keith Richard[s] and who er where was i? The Vagina Museum is very near Maureen Paley's art gallery where if you hurry you can see some INCREDIBLY GOOD paintings/art. Anyway once upon a time it was february 2021 if that's last year or 2020 if it was the one before that, i've lost count, honestly this Covid thing is SO confusing isn't it? Anyway. Ducking fomestic crisis as usual reached boiling point again and i fucked off didn't i, did a runner, off to Turkey wiv a lih-ooh bih-uh ragarahn me ed, first of all 2 weeks on George's spare mattress, then 2 weeks in Merlin's magical tower, then a week in a fucking EasyJet Hotel with no windows, then at last my new exile retreat, Congreve Ho. Meanwhile Dad got me a new recording device the size of a VHS tape, the Tascam D-POO 8 S-E-X multitrack. Quality, oscar mike golf!! Urine for a surprise Listener/s! Ural b sayin "Y could ont he ov get 1 of these B4?" Well! Paid off the fuckin mortgage, didden Eye listenerz. Paid the fucking mortgage of. Dad said "Lets get you a reward Son! Anything name it!" Well i said ... can you fix it for me to touch Britney's hat? The one she wore for the Milkshake video. Great album. Recorded it in exile, from where i write this press release and give me the tape Kevin Hask...

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The Proper Ornaments

LP | 2020 | EU | Original (Tapete)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Boy Child Felix Dickinson Mix

The Prolifics

12" | 1984 | UK | Reissue (Emotional Rescue)

16,99 €*

The Last Fourfathers Transparent Blue Vinyl Edition

Release: 1984 / UK – Reissue

Genre: Organic Grooves

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The Emotional Rescue reissue series of Noel Williams aka King Sporty working with other artists and singers on the Konduko label's roster comes to completion with the deep funk disco of The Prolifics' Boy Child.

Formed in 1970 as part of "Senator" Nolan Jones' New Orleans soul and funk label Hep' Me Records, the bands early deep southern soul saw them release a series of 7"s for Hep' Me and Avco, plus an Xmas single for EMI and the minor hit A Place Called Home, recorded at the infamous Musle Shoals studios, backed by the Rhythm Section band who, from the early 60s, turned out hit after hit, from When A Man Loves A Women to Brown Sugar.

Landing on the newly inked Drive label, set up in '72 by Henry Stone as a sub label of his burgeoning T.K Records empire, their developing move in to funk saw them featured alongside Funky Nassau, Jimmy Castor and Peter Brown. It is here the connection with Noel Williams was formed. While putting together the "Konduko Six Pack" showcase album, the band were invited to the Miami Sound Studios for sessions that brought us both title cut Boy Child and the accompanying You Got Me.

All brass and claps, Boy Child is as funky as Williams got, backing the groups soul vocals, a story of first born's energetic path in life and a mothers love. The backing from Deep Rockers band bring the swing, the trippy keys and wide bottom end has made this a secret drop for many. You Got Me on the other hand is true King Sporty, a driving 9-minute disco boogie cut, where the warm harmonies lay down this uplifting, killer dance floor stop.

To close, the flip is again given over for reinterpretation, welcoming back Felix Dickinson to expertly cut, loop and dub. A special personal song for Dickinson, his subtle extension teases the intro for DJ play, before letting things fly - "the little show-off" as the song notes. With a near 30-year DJ and production career in place, his Discomix is a fitting way to complete this cycle of reissues of this benchmark label, for now.

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The Prisoners

LP | 1985 | UK | Reissue (Big Beat)

12" | 2024 | UK | Original (Jti)

Release: 1985 / UK – Reissue

Genre: Rock & Indie

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First-ever vinyl reissue of the Prisoners’ 1985 third album, on 180g transparent blue vinyl.

At this point in the band’s career, the Prisoners were taking new influences on board. The old favourites of early Deep Purple, Arthur Brown and the Small Faces were present and correct, but whilst signed to Big Beat, Graham Day had picked up a large chunk of Kent soul LPs put together by Ady Croasdell. These led to some new influences that would show themselves over their next recordings.

The resultant album was the band’s own favourite. It opened with the magisterial ‘Nobody Wants Your Love’, co-written by Day and Billy Childish. It carried on through a series of nascent anthems, freaked out instrumentals and several stranger moments. ‘Whenever I’m Gone’, ‘Nobody Wants Your Love’ and ‘Who’s Sorry Now’ were all stand-out moments that fans of the band loved both live and on vinyl.

After a further album in 1986, “Countdown”, the Prisoners disbanded but they went on to have an interesting afterlife. Keyboard player James Taylor enjoyed chart hits with his acid jazz group, while Graham Day and Allan Crockford continued to make thrilling guitar-based music. When the Prisoners reformed in 1994 they were bigger than ever, playing to venues many sizes bigger than they had first time around. Their influence continues to be felt today.

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The Prisoners

Morning Star

Don't Know Where To Start

Release: 2024 / UK – Original

Genre: Rock & Indie

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Some things are worth waiting for… "Morning Star" is the first all-new album by The Prisoners since 1986. It
features the original line-up of
Allan Crockford – bass, vocals
Graham Day – vocals, guitar
Johnny Symons – drums
James Taylor – Hammond organ, vocals
After a phenomenally successful series of gigs in December 2022 marking the 40 th anniversary of their debut album 'A Taste of Pink', the band decided to make some new music. The recording was completed in two days, one of them in Studio 2 at Abbey Road. Their preference for recording quickly hasn't changed since they recorded that first album as teenagers, also in two days, in 1982. To celebrate, they play The Roundhouse in London on May 24th, their biggest headline gig
Biography
The Prisoners formed when they were still at school in Rochester, Kent. Between 1982 and 1986 the band released four albums plus several singles and EPs. Inspired by the local Medway DIY music ethic, their debut 'A Taste of Pink' and 'The Last Fourfathers' appeared on their own label, Own Up Records whilst "The WiserMiserDemelza" was released on Big Beat (Ace Records) and "In From The Cold" on Countdown (Stiff Records).
They earned a reputation as an incendiary live act as they plied their trade around the UK and Europe, building up a dedicated following and unknowingly inspiring a generation of future musicians. Their unique sound, based on instantly memorable and melodic songs surfing on a seething wave of brutal guitar, attention-grabbing, up-front Hammond and head-pounding rhythms, made for an explosive evening of entertainment. It was a unique combination of the sonic assault and danger of The Who and 60's garage-punk, the soulful vocals and dynamics of the Small Faces plus the groove and danceability of Booker T & the MGs. Throw in the intensity, drive and insolence of punk rock, as well as an unabashed love for instrumental TV themes and you had a wonderfully off-kilter version of where the real cool kids were at in the early '80s…
Despite some brushes with 'success', the pressures of hard living on the road took their toll and they quit in September 1986. They left behind a legacy and a sound that was inspirational to many that followed. Not many under the radar bands of the 80's would merit chapters dedicated to them in biographies of such luminaries as Steve LeMacq and Tim Burgess as well as being name checked as Brit-Pop forefathers. Their original albums make regular appearances in 'Great Lost Albums' lists and continue in print to this day.
James Taylor subsequently went on to gain huge success as the best pure Hammond player of his generation with his jazz and funk quartet (jtq). His playing and sound undoubtedly played a massive part in restoring the popularity of his chosen instrument.
That work started in The Prisoners.
Graham Day and Allan Crockford, both together and apart, continue to the present playing music that has ploughed a similar furrow to The Prisoners in such combos as The Prime Movers, The Solarflares, The Gaolers, The Galileo 7 and The Senior Service.

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The Primitives

12" | 2023 | US | Original (Happy Happy Birthday To Me)

Changing Man / I'm Just Your Clown

Release: 2023 / US – Original

Genre: Rock & Indie

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As we enter the fall season, the weather is turning cooler and grayer, but UK’s THE Primitives have something to warm your heart and get your feet moving. Hhbtm is proud to present the band’s latest single and first new material in five years. “Don’t Know Where To Start” is a three minute blast of pure pop perfection; with its organ-driven melody and vocalist Tracy Tracy's superb singing, we’re equally reminded of the late Ronnie Spector and The Muffs’ Kim Shattuck. In other words, “Don’t Know Where To Start” ticks all the Primitives’ pop charm boxes for those who know. It’s followed by the moody punk edge of “Till I’m Alive,” sung by Paul Court. Also included is a live recording of “Panic,” taken from the band’s 2017 Part Time Punks session. The single closes with a fuzzy acoustic version of “Don’t Know Where To Start.” The Primitives won hearts and minds in 1988 with their debut album Lovely and its Top Ten UK hit single, “Crash.” They would have more charting singles over the course of the next four years, releasing two further albums before disbanding in 1992. They reformed in 2009 and have since released two albums and a handful of singles. This single is something of a one-off, a single released because the band felt they had some good songs that deserved to be heard—and they’re right, it does deserve to be heard. While next year is still months away, but 2023 will be the 35th anniversary of Lovely, so you can expect some activity to celebrate that delightful album’s birthday.

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The Power Of Attorney

7" | 1973 | US | Reissue (Nicetown / Brewerytown Beats)

11,99 €*

LP | 2016 | EU | Original (BBE Music)

Release: 1973 / US – Reissue

Genre: Organic Grooves

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In the early 1970s, the funk / soul band Power Of Attorney was formed at the Pennsylvania State Correctional Institution at Graterford (30 miles northwest of Philadelphia). The story of their formation is just as powerful as the music that they left behind. In late 1972, the prison’s Activities Director Theodore “Ted” Wing broke ground on a new recording studio. As part of the rehabilitative arts and music initiative, the space was built to offer a creative outlet for incarcerated individuals to express their musical talents. In November of ‘72, an audition was held throughout the prison to form a band. It has been reported that over 1,600 men auditioned for a spot in the band. Wing ultimately settled on a lineup that consisted of William Smith (lead guitar), Charles McDowell (bass), Merion Wilson (tenor saxophone), Edward J.X. Smith (guitar), and Otis Graham (drums). With a lineup of gifted musicians and a fresh new recording studio to practice and lay down tracks in, the band Power Of Attorney was officially born. In January of 1973, Power of Attorney got the chance to record at Sigma Sound Studios, the legendary space that helped birth the Philadelphia International sound as well as classic albums like David Bowie's Young Americans. Taking the routines that they had rehearsed for a reported five hours each day, the band laid down the tracks — including the reflective “Changing Man,” an original composition by McDowell. “It tells the story of a man who made a mistake, and after a while in jail, he gets his head together, and realizes it’s time to straighten it out,” the 21-year-old serving life for murder told The Philadelphia Daily News upon the single’s release. The 7-inch single was released on the Nicetown label in 1973. Sold directly from the prison activities office, 500 copies were originally made. After more practicing and recording, one year later James Brown & Polydor Records offered The Power Of Attorney’s lone full-length, 1974’s From The Inside… Between 1973 and 1975 the band played 400+ concerts outside of the prison walls. Even opening for Stevie Wonder at Lincoln University and also making a live appearance on the Mike Douglas show. Forward to 2020 – While digging through the Sigma tape archives at Drexel University, Brewerytown Beats owner Max Ochester – known for deep-dive Philly reissues by The Thompsons and Sounds Of Liberation – noticed two tapes, with only “P.O.A.” scribbled on the spines. Upon further inspection, it was discovered that these 2-inch multi-reels contained six songs, four of them previously unreleased, all from 1973. The full original studio tapes for Power Of Attorney’s “Changing Man” sessions had been found, 47 years later. Expertly mixed and remastered from the original reels, Power Of Attorney’s Changing Man (out now on Brewerytown Records) is a document of the joy and pain of a handful of men trying to make the best of an impossible situation. The bittersweet love ballad “I’m Just your Clown” is featured on the flip. The reissued single is available now on Brewerytown Records on vinyl and streaming platforms. The label will follow this up with the vinyl and streaming release of all 6 songs found on that long-lost Sigma tape, on vinyl & CD in late 2020.

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The People's Workshop

Houston Talent Expo 82

12" | 2024 | EU | Original (Boomstraat 1818)

Release: 2016 / EU – Original

Genre: Organic Grooves

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We are both proud and excited to present this highly sought after early 80's gem, originally created as a showcase project for young artists and composers by a community music organisation in Texas.

Originally referred to as the 'Pop Music Lab', the Peoples' Workshop was formed in 1976 at Texas Southern University as a space for students to compose and perform, free from the constrains of Western classical music education.

Swiftly gathering momentum, in 1980 the organisation was granted non-profit status and in 1983, moved off the TSU campus. The Workshop has since grown in size and scope, becoming the first Black-founded organisation to present shows in major performance venues around the Greater Houston area.

Houston Talent Expo '82 features original compositions by members of The Peoples' Workshop, performed exclusively by musicians from Houston. The songs vary in style, but remain centered around gospel, funk and soul; music and lyrics with a powerful positive message. Many of the artists featured remain active today around the world, working with such acts as Alice Coltrane and The Charles Mingus Band among others.

Houston Talent Expo '82 comprises a truly special collection of songs born from the struggle, true to the spirit of togetherness that underpins The Peoples' Workshop, written and performed by astonishing young talents.

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The Parallel

Immersed

11,04 €* 12,99 € -15%

LP | 2024 | US | Original (Slovenly)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Sales pitch for Bs1818-004 – The Parallel – Immersed ep.

After his Boomstraat 1818 debut on the various ep 'Durgan’s Odyssey', The Parallel is back with a solo ep. Boomstraat had the privilege of choosing from dozens of unreleased tracks and these six made the cut. ‘Immersed’ is a selection of six Detroit techno and electro tracks all made by The Parallel in the last decade. The ep can roughly be divided into two styles, three warm club oriented Detroit techno tracks and three melodic electro tracks, both exemplary for his versatility in his musical productions.

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The Okmoniks

Afterparty Fever!!

Let The Bad Times Roll Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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San Francisco’s last and only rock and roll band THE Okmoniks has teamed up with Slovenly Recordings for Afterparty Fever!!! Here are nine new houserockin’ woman led punk rock’n’roll blasts that capture the essence of a party that just don’t stop. This particular all-nighter was recorded live in a small room, and you can tell from the screams, handclaps, and peals of laughter that this 17 minute end result was produced in a gloriously boisterous session. Afterparty Fever!!! captures the girls-to-the-front, make-room-for-dancing, leave-’em-wanting-more live show they’ve been dishing out for freaks world-wide for the past two decades. The OKs are fronted by Helene 33 on vox, simultaneously playing impossible sounding, finger stretching 60s Ace Tone Top 5 organ tones while tossing it around like a toy… It must be seen to be believed, and a believer you shall be!

The Okmoniks recorded and produced every song on this album, and wrote them all with the forgivable exception of one cover by Tucson 60s punk outfit The Grodes. “Afterparty Fever!!!” sounds like a band in 1977 doing their favorite 1966 stompers: devastating dancers like “Don’t Wanna See You No More” and “I’ll Let You In” could fit comfortably in a John Waters teen shimmy montage, giving way to rockers like “He Left the Party with Me” and “Summer Break Up” that could serve as the captions for a comic panel in “Punk” Magazine.

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The Offspring

LP | 2021 | EU | Original (Concord)

Oddities Allsorts & Magic Mixtures: Unreleased 1993-1998

Release: 2021 / EU – Original

Genre: Rock & Indie

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The Offspring is a punk rock band from Garden Grove, California, formed in 1984. The band's current lineup consists of lead vocalist Dexter Holland, guitarist Noodles, drummer Pete Parada and bassist Todd Morse. Over the course of their 36-year career, they have released nine studio albums.

The Offspring is often credited—alongside fellow California punk bands Green Day, Rancid, Bad Religion, NOFX, Pennywise and Jawbreaker—for reviving mainstream interest in punk rock in the 1990s. They have sold over 40 million records worldwide, making them one of the best-selling punk rock bands in history. The Offspring achieved its first commercial success with their third studio album, Smash (1994), which has sold over eleven million copies worldwide, setting a record for most albums sold on an independent record label, and was the first album released on Epitaph to obtain gold and platinum status. After switching record labels from Epitaph to Columbia in 1996, the Offspring continued their commercial success with its next six studio albums: Ixnay on the Hombre (1997), Americana (1998), Conspiracy of One (2000), Splinter (2003), Rise and Fall, Rage and Grace (2008) and Days Go By (2012); the first four were certified platinum, multi-platinum, platinum and gold status by the RIAA respectively.

The legendary So-Cal punk group The Offspring are back with their 10th album and first new offering since 2008. After releasing two standalone tracks in 2020 - the over-the-top cover of Joe Exotic's (of Tiger King infamy) "Hey Kitty Kitty" and a rendition of Darlene Love's classic "Christmas (Baby Please Come Home)" - the band is ready to plant their punk rock flag in the sand once again with their blistering new album Let the Bad Times Roll.

With the help of producer Bob Rock, Dexter Holland describes the album as "the most cathartic thing we've done. The messages might be dark, but at the end what's left is that communication is important, working through feelings is important and most of all, hope is important." 

Then let the bad times roll for now, in the hopes that good times lie ahead.

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The Nuthins

LP | 2024 | Original (Detour)

Vertigo Days - Live From The Alien Research Center

Release: 2024 / Original

Genre: Rock & Indie

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Detour Records are immensely proud in bringing you the final chapter in Salisbury's finest garage band .... The Nuthins. Following on from last year’s expanded reissue of The Nuthins’ sole album 'One Step Forward', comes this, its vinyl companion piece, the rarities collection Oddities, All Sorts… Magic Mixtures: Rare And Unreleased 1993-1998. The CD release, along with featuring the entire 1996 album, also pulled together all of the group’s singles and compilation appearances, compiling all but two heavily edited B-sides. The Nuthins were a busy band, both in the studio and on stage across their nine-year career. Whilst the rather ramshackle but fun early demos are yet to see the light of day, and probably never will, from 1993 onwards a lot of material was cut, including an unreleased album. Three of the tracks from that close this 15-track compilation. Put together by the band’s Jon and Bob from copious sources gathering dust in The Nuthins’ archive, the first side is entitled ‘Fuzz ’n’ Jangle Allsorts’ and the second, ‘Punk ’n’ Psych Oddities’. Side One gathers an array of mid-60s styled garage tunes, all marked by fuzztone, jangle and rousing organ, tempered by some mid-tempo pop and folk-rock, whilst the second airs an array of different approaches from across the years. Everything released here sees its first vinyl outing, with the majority never having had any form of physical releases at all. Featuring recordings made by two different line ups, Oddities… essentially serves as The Nuthins’ second album. All fans of ’60s garage need this in their collection. Girl Has Gone Harder I Try (Alternate Version) I'm A Man When She Holds My Hand Satisfaction Won't You Come And See She's Gone Away Changing Every Day Wildcat I Scream Alone (Alternate Version)Trashman Hurting Kynd Alice Mr Bartholomew Hang Nine (Alternate Version)

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The Notwist

LP | 2023 | EU | Original (Morr Music)

10" | 2020 | EU | Original (Morr Music)

Release: 2023 / EU – Original

Genre: Rock & Indie

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A Notwist concert is a Notwist concert is a Notwist concert. The band around the core trio of Cico Beck and the Acher brothers Markus and Micha usually takes its studio recordings as a mere starting point for their live performances, considering them to be possibilities that need to be explored further. This is especially true for »Vertigo Days - Live from Alien Research Center,« a live record made under unusual circumstances. The band members rearranged songs from their ambitious 2021 album »Vertigo Days« in their studio in Weilheim to record and film a special performance. The songs took on a new life, becoming more psychedelic and intense when rearranged into a spontaneous, Krautrock-esque collage.

»Vertigo Days« was meant to transcend the conventional notion of a band as well as the creative and geographic boundaries inscribed into that concept. And even though life had other plans, this is precisely what the album did when it was released to both commercial success and critical acclaim in early 2021. Contributions by Tenniscoats singer Saya, Angel Bat Dawid, Ben LaMar Gay, Juana Molina, among others, as well as new member Theresa Loibl on bass clarinet, harmonium, and keyboard, expanded the band’s sonic palette, stylistic range, and even lyrical focus through the addition of different instruments, artistic approaches, and languages.

All of that was missing when the band retreated to their studio—dubbed Alien Research Center in response to, and in spite of, a nearby church called Christian Outreach Center—to further explore the possibilities of the source material. The band members considered this a challenge rather than an insurmountable problem and not only accepted, but fully embraced it. Trying to work as little as possible with the computers and samples—Saya’s voice on »Ship« being a notable exception—the band rearranged six tracks from »Vertigo Days« and a piece from the »One of Those Days« film soundtrack in order to allow themselves to improvise more freely, especially thanks to Loibl, who takes on a key role during these 45 minutes.

The intro sets the tone for what’s to come, contrasting loose jazz drumming with curious synthesizer rhythms in an abstract rendition of the first sounds that greeted the listeners on »Vertigo Days«. While the next four tracks—»Into Love / Stars«, »Exit Strategy To Myself«, »Where You Find Me« and »Ship«—follow the chronology of the album, they use the originals as a blank slate for further experimentation. The first track morphs into a feverish long-form jam that draws on the underlying groove to shift the dynamics from and leave behind the song structure of the studio version. It’s an exemplary piece in a recording that sees each individual musician leaving their mark on the overall sound, all while being perfectly attuned to what everyone else is doing around them. This continues up until the record’s triumphant finale, a whirring rendition of »Loose Ends.«

»Vertigo Days - Live from Alien Research Center« is at once a snapshot of a certain moment in the band’s history and the quintessential Notwist live record: a unique performance that both explores the untapped potential of the »Vertigo Days« studio recordings while also serving as an inspiration for upcoming live shows.

As with the studio album, the artwork for »Vertigo Days - Live from Alien Research Center« features photographs by Japanese artist Lieko Shiga, taken in the '00s.

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The Notwist

Ship

15,99 €*

LP | 2024 | EU | Original (World Wide Web)

Release: 2020 / EU – Original

Genre: Rock & Indie

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After six years, The Notwist return with three new tracks on Morr Music. It’s both an exposition of the the band’s musical variety and a prospect on a forthcoming album. Six years have passed since The Notwist released their last regular studio album, but that doesn’t mean that the members of this outstanding band have been idle in the meantime. There have been side projects, movie scoring, and other activities, like programming four editions of „Alien Disko“, a festival taking place in Munich, Germany. One of that event’s regular guests was the Japanese duo Tenniscoats – and a lovely side effect from that was an evolving friendship between the two bands. It lead to various collaborations: most recently in a new album by international band „Spirit Fest“ (featuring Tenniscoats singer Saya & The Notwist’s Markus & Cico) & a deep digging compilation of Japanese indie music called „Minna Miteru“. The title track of this new EP is another step in this collaboration – and a first step to an upcoming album by The Notwist – as it features Saya, who lends her voice to the percussive song. It is build around a slightly detuned synthline, which is contrasted by more pragmatic guitar work. „It neither sounds like The Notwist, Tenniscoats, nor Spirit Fest“, tells Markus Acher. „Just like Saya is saying in the lyrics: ‘I want to go outside, I want to meet people’, „Ship“ is another chapter in what The Notwist always tries to do: redefining itself, exploring something new, integrating different styles of music and collaborating with musicians they admire.“ The second song „Loose Ends“ is, in contrast, more classic Notwist material. A gently expanding ballad, this time featuring the distinctive voice of Markus Acher. The song came out of recording sessions for the soundtrack for „One Of These Days“, a movie by Bastian Günther. The EP then closes with „Avalanche“ a carefully optimistic instrumental. With its variety of styles, „Ship“ also serves as an outlook on an upcoming album, which will be influenced by the band’s experiences from their detailed work of creating sounds and moods for film soundtracks, and it will include more collaborations with international guest musicians.

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The Nightstalker

Isoutopic Fantasia

16,99 €*

The New York Underground Funk Band

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The Nightstalker - Mystical sounds from the shadows of the night The Zurich duo The Nightstalker, consisting of producers Dan Piu and Popshop (Gary Rich), create a cosmos of sound that plunges deep into the darkness and unfolds an almost magical attraction.

After two acclaimed albums on the Berlin label Childhood Intelligence, they now invite us on a sonic fantasy journey with their new mini-album ‘Isoutopic Fantasia’ on World Wide Web Records.

With six tracks that oscillate between danceable darkness and playful, surreal moments, ‘Isoutopic Fantasia’ embodies a seductive fusion of mystical depth and bizarre beauty. The sounds are addictive and lead us through a musical dream realm where each beat reveals a new twist and the melodies unfold into sprawling, unexpected dimensions. A sonic fantasy carried by the shadows of the night, in which light and darkness unite in a hypnotic dance.

All tracks written & produced by The Nighstalker (Dan Piu & Gary Rich)

Mastering by Johanz Westerman at Ballyhoo Studio (NL)

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Funk & Soul / Wanna Be Free (With Slightly Damaged Cover)

7" | 2018 | US | Original

14,99 €*

LP | 2024 | UK | Original (One Note)

Release: 2018 / US – Original

Genre: Organic Grooves

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A few copies arrived with a damaged Cover. We're therefore selling it on a reduced price.

Join us as we welcome back New York Underground Funk Band with “Funk & Soul” and “Wanna Be Free” — a more psychedelic take on their funk sound. Funk & Soul states, “I’ve got funk and soul...don’t have to worry about a doggone thing” — and we’d have to agree. Yet another excellent track from NYUFB, though a little more psyched-out this time: imagine Sly and the Family Stone getting Jimi Hendrix for a session, then asking him to drop a fuzzed-out guitar solo. You might then end up with “Funk & Soul” — the heaviest, fuzz-driven Sly track you’ve never heard. Though it’s also NYUFB from start to finish.
Now that you’re in the right frame of mind from side A, you’re ready for “Wanna Be Free” — the deep funk B-side that trades out the spirit of Jimi Hendrix for the spirit of Jim Morrison. With all the respect that is due to these greats, NYUFB crafts their own psychedelic sound in this raucous cut that features thunderous drums and alluring interplay between organ and guitar. This was certainly designed to free your mind, and we believe the group succeeds.
These two tracks comprise one of our most exciting releases yet, as that promising band from the New York or New Jersey area further displays their remarkable range. These songs simply cannot remain buried. They’ve finally found their way to you on PP007, and we hope you’ll get a hold of it while you can.

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The New Mastersounds

Old School

Spores Colored Vinyl Edition

Release: 2024 / UK – Original

Genre: Organic Grooves

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The New Mastersounds have been performing live and making funky organic-sounding records for 25 years. Starting out in Leeds, UK, having initially appealed mainly to old-school DJs and vinyl collectors, they managed to build fanbases across the USA, Japan & Europe.

The album comprises ten original instrumental tunes composed and performed at the keyboard player's studio in the heart of the English Peak District during a rainy week in July 2023. The tracks showcase the earthy essence of the band via its signature vocabulary of uncomplicated funk, soul-jazz, classic R&B and reggae-infused grooves.

In the UK selected tracks from the album will be featured on The Craig Charles Funk & Soul Show on BBC 6Music. An extensive US tour is planned for Spring 2024 in support of this release.

Eddie Roberts - guitar & tambourine
Simon Allen - drums
Pete Shand - bass guitar
Joe Tatton - organ and piano

Track List:
1. Down On The Farm
2. Boogaloo Is Dead
3. Breakfast T
4. Smoothie
5. Two Fat Ladies (88)
6. Do The Sausage Roll
7. In Da Club
8. Buggin'
9. Scrappy Doo
10. Till The Cows Come Home

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The Natural Yogurt Band

LP | 2024 | EU | Original (BMM Records)

The Music Improvisation Company

Release: 2024 / EU – Original

Genre: Organic Grooves

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Miles away from the current UK jazz scene, a mysterious composer from the Nottingham area cooks raw and noisy library music with groovy jazz fusion and beat-heavy funk breaks tackling themes of satanism and witchcraft.

Having previously released music with Jazzman Records, Stones Throw subsidiary Now-Again and French label BMM Records, The Natural Yogurt Band presents the 7th album of his discography that marks an experimental turn.

Spores takes us on an obscure sci-fi journey into extra-terrestrial territories where tropical flutes, pianos, guitars and organs melt under corrosive electronic sounds, modular bird chirps and vintage drum machines sounds. This unsettling and immersive library album will be released on March 1st with a limited pressing of 300 green marbled records.

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1969, 1970

2LP | 2019 | UK | Original (Honest Jon's)

The Movers - Volume 1 1970-1976

Release: 2019 / UK – Original

Genre: Organic Grooves

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"The original concepts of vocal and instrumental music are utterly different. The instrumental impulse is not melody in a 'melodious' sense but an agile movement of the hands which seem to be under the control of a brain centre totally different from that which inspires vocal melody. Altogether, instrumental music, with the exception of rudimentary rhythmic percussion, is as a rule a florid, fast and brilliant display of virtuosity... Quick motion is not merely a means to a musical end but almost an end in itself which always connects with the fingers, the wrists and the whole of the body."

The inclusion of the above passage from Curt Sachs' The Wellsprings of Music with this album, the recording of which predates the Music Improvisation Company's only other release, the eponymous ECM outing, indicates a clear intention to stake out territory for European Free Improvisation markedly different from that of the (American) Free Jazz it sprang from. The African-American heritage that led to jazz was melodious, vocal, field holler / church-inflected, and the Germans and the Dutch never made any secret of their affection for it, but British free improvisers in the late 1960s were looking elsewhere.

Even so, and though the music press made a big deal a while back about the release of a 1965 rehearsal tape by Derek Bailey's earlier Joseph Holbrooke trio (with Gavin Bryars and Tony Oxley), their early efforts were mere tentative steps along a cliff edge wearing a line safely attached to Coltrane, and there's still a faint but distinct aftertaste of jazz in Bailey and Parker's work with the Spontaneous Music Ensemble up to and including 1968's Karyobin. But with the addition of Jamie Muir - the first great free improvising percussionist who didn't start out as a jazz drummer - and Hugh Davies and his electronics from way out leftfield in the avant garde / experimental world, the MIC leapt right off that cliff. As Nina Hagen screamed later, "1968 is over! Future is Now!" These six tracks – tight, electric, pointillistic, brilliant, uncompromising and exhilarating – sound like nothing else that came before. In a word, seminal.

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The Movers

LP | 2022 | EU | Original (Analog Africa)

Getting Into Knives Transparent Salmon Vinyl Edition

Release: 2022 / EU – Original

Genre: Organic Grooves

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It’s a special, but also a strange sensation to be releasing an album of one of your early musical heroes. I first discovered The Movers on my very first “record safari” in 1996. My destination was Bulawayo, in southern Zimbabwe, and to get there I had to travel via Jo’burg. While in town I stopped at a store called Kohinoor, in search of Mbaqanga – also known as Township Jive – and found a few tapes which I listened to non-stop on the bus that carried me to the land of Chimurenga Music. One of these cassettes included the songs “Hot Coffee” and “Phukeng Special” which instantly became part of my daily life. Twenty-five years later I’m still grooving to them.

What I didn‘t know at that time was that The Movers were hugely successful during the 1970s; so when it came time to release some of their music, I though it was going to be “a walk in the park” to track down information about them and write their biography. I was in for a rude awakening. Despite their legendary status, there was almost no information available on band or any of its members.

Fortunately Nicky Blumenfeld from Kaya Radio came to the rescue. A few days after I reached out to her, she had managed to get the phone number of Kenneth Siphayi, who is considered to be the founder of the band, as well as vocalist Blondie Makhene and saxophonist Lulu Masilela. Although we left no stone unturned, we were unable to find any of the four original members who seem to have passed away in total anonymity.

The story of The Movers began in 1967 when two unknown musicians – the brothers Norman and Oupa Hlongwane – approached Kenneth Siphayi a stylish and wealthy businessman from the Alexandra township to ask if he could buy them musical instruments. In return he would receive a cut from future life shows and record deals. Kenneth, ended up doing much more, becoming their manager, setting them up in a rehearsal space, and introducing them to an organist who would prove to be the missing link in the band’s skeletal sound. He also gave them their name: The Movers … because, as he said, their music was going to move you, whether you liked it or not.

The band exploded onto the country’s racially-segregated music scene at the dawn of the 1970s with a sound that applied the rolling organ grooves and elastic rhythms of American soul to songs that came straight from the heart of the townships. Rumours of the band started to spread throughout the country and soon the record labels were sending their talent scouts to the Alexandra township to hear it for themselves.

The Movers finally signed to Teal Records in 1969, and their first album, Crying Guitar, went on to sell 500,000 copies within the first three months, launching them into the front rank of South African bands. In their first year they went from local sensations to being the first band of black South Africans to have their music cross over to the country’s white radio stations,

Although the first record was entirely instrumental, The Movers started working with different singers soon after – scoring an early hit with 14 year old vocal prodigy Blondie Makhene – and enriched their sonic palette with horns, extra percussion and various keyboards. Their stylistic range also expanded, incorporating elements of Marabi, Mbaqanga, jazz, funk, and reggae into their soul-steeped sound. But the essence of their music came from the almost telepathic connection of its founding members: the simmering organ of Sankie Chounyane, the laid-back guitar lines of Oupa Hlongwane, the energetic bass grooves of Norman Hlongwane and the simmering rhythms of drummer of Sam Thabo.

The band reached their apex in the mid-1970s, and their hit ‘Soweto Inn’, sung by Sophie Thapedi, became inseparable from the student revolts that signalled a new resistance to the apartheid government. In 1976, however, their manager was forced out, and their producer started to play a more active role in the band’s direction. By the end of the decade there were no original members left. But at their height The Movers were titans of South African soul who left a legacy of over a dozen albums and countless singles of pure groove. On The Movers 1970–76, Analog Africa presents 14 of the finest tracks from the band’s undisputed peak.

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The Mountain Goats

LP | 2020 | US | Original (Merge)

Release: 2020 / US – Original

Genre: Rock & Indie

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Dark In Here Blue Vinyl Edition

The Mountain Goats

2LP | 2021 | US | Original (Merge)

Lowdown, Two-Bit Sidewinder! Colored Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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When the Mountain Goats got together in March 2020, it was to make not one album, but two. The idea was to again work with Matt Ross-Spang, the dashing Memphis wunderkind. Matt pitched we spend a week at Sam Phillips Recording, his home base in Memphis, followed by another at the storied Fame Recording Studios in Muscle Shoals, Alabama, a plan that dovetailed nicely with John's notion of corralling these songs into two complementary batches: one light, one dark. The Memphis album_Getting Into Knives, would be brighter, bolder, marked by rich and vibrant hues; the Muscle Shoals album _ Dark in Here, is quieter, smokier, but more deeply textured and intense. We were all aware of the mythos surrounding Fame. The second you step inside you transport to its early '60s heyday and its louche mid-'70s denouement. The room we set up in is the room where Percy Sledge sang "When a Man Loves a Woman" and where Aretha Franklin recorded "I Never Loved a Man (The Way I Love You)." The Wurlitzer with which Spooner Oldham opens the last? It's sitting right there. Spooner is living musical history, having played with everyone from Bob Dylan and Neil Young to Linda Ronstadt and Liberace, for crying out loud. And Spooner is all over Dark in Here_any time you hear a bit of Hammond organ or electric piano chiming in without repeating a phrase. We tracked the album's one outright banger, "The Destruction of the Kola Superdeep Borehole Tower," live with Spooner, and "Mobile" and "Dark in Here" with guitarist Will McFarlane_another local veteran who played with Bonnie Raitt for years. We only had Spooner for two afternoons, though, and Will for just one. After it was just the four of us: John playing acoustic guitar and occasional piano, the rhythm section of drummer Jon Wurster and myself, and our jack-of-all-trades Matt Douglas picking up everything else. The result is something more stripped down and intimate than the lush arrangements of Getting Into Knives. Of "The Slow Parts on Death Metal Albums," John concedes that the song is autobiographical. While the lines, "In a new universe / trying to find the mask that fits me" would take on a newly literal connotation in the weeks to come, the song is about going to late `80s metal shows at Fender's Ballroom in Long Beach, and about seeking a sense of identity and community in strange and occasionally forbidding places. This theme _ feeling at once conspicuous and invisible, the frustrated craving for acceptance _ is echoed elsewhere. Then there are elegies to lost causes, some big and institutional ("The Destruction of the Kola Superdeep Borehole Tower"), some small and personal ("Arguing With the Ghost of Peter Laughner About His Coney Island Baby Review," a tribute to David Berman, whose return from self-imposed musical exile had been cause for huge celebration in our camp). "Before I Got There" neglects to identify its victims, or the tragedy that's befallen them. John writes in the liner notes that "if you're looking for a governing theme here, it's calamity, as all the songs are either anticipating one or reflecting one that's already happened." - Peter Hughes, Rochester, March 2021

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The Mopes

LP | 2023 | EU (Hey Suburbia)

15,29 €* 17,99 € -15%

LP | 2021 | EU | Original (Bang!)

Release: 2023 / EU

Genre: Rock & Indie

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Originally released on cd only on the glorious Lookout! label in 1998, this six tracker shook the punk rock world. Featuring members of Screeching Weasel and the Queers together in a surf-inspired punk rock project, recorded at Sonic Iguana and produced by the one and only Mass Giorgini. Double sided lyrics insert included.

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The Monkeywrench

Electric Children

26,99 €*

The Modern Lovers Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Recorded In Seattle In 1999, This Monster Record Is Now Being Reissued On Vinyl, Remastered By Jack Endino.Don't Miss This Outstanding Second Album From Mudhoney (Sub Pop) Spin-Off The Monkey Wrench, Essential For Fans Of The Alternative American Rock Scene!As Soon As The Opening Track Of Electric Children Begins You Realize That The Monkeywrench Have Gotten Much Tighter In This Their Second Album, Since Their Debut Eight Years Before. The Production Also Seems More Raw, Possibly Due To The Fact That The Band Has Moved From Conrad Uno To Veteran Seattle Producer Jack Endino, Who Also Engineered The First Releases From Bassist Steve Turner And Vocalist Mark Arm's Other Band, Mudhoney. Also Contributing To The Rawness Of The Record Is The Absence Of Arm's Trademark Piano And Organ. This Enhances The Energy, Causing You To Notice A More Frantic, Electrified Side Of The Band. As On The Debut Album, Clean As A Broke-Dick Dog, Several Genres Of Music Are Given Equal Time, Including The Country Of "Thirteen Nights" And "The Empty Place," The Rockabilly Of "The Weasel's In The Barn," The Eastern Modal Quality Of "Around Again," And The Noise Rock Of The Closing Number, "In The Days Of The Five." The Monkeywrench Have Grown In Their Ability To Craft A Song, And The Result Is A Masterpiece. Check This Band's Line Up:Mark Arm (Mudhoney, Bloodloss)Steve Turner (Mudhoney)Tim Kerr (Big Boys)Tom Price (Gas Huffer, U-Men)Martin Bland (Bloodloss, Lubricated Goat)Classic Black, 140 Gram Vinyl, Limited To 500 Copies, Licensed By Estrus Records!

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The Modern Lovers

LP | 1976 | EU | Reissue (Music On Vinyl)

28,99 €*

Live At A.D. Splattered Grey Vinyl Edition

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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This is the eponymous debut studio album by the American Rock band the Modern Lovers, originally released in 1976. Six tracks ("Roadrunner", "Astral Plane", "Old World", "Pablo Picasso", "She Cracked" and "Someone I Care About") were produced by John Cale.

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The Midnight Pine

LP | 2020 | US | Original (The Redwoods Music)

New Years In New Orleans - Roll Up 78 And Light Up 79 Black Friday Record Store Day 2019 Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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Part retrospective, part metamorphosis, The Midnight Pine Live at A.D. finds a band fully realizing itself with searing, updated interpretations of its carefully produced studio recordings. When The Midnight Pine first appeared in 2013, it established an ethereal take on western Americana, the sound of acoustic strums and humming organ keys channeled by the cool night air, adorned by rattling chains, hand-claps, and transistor radio sweeps. Against this backdrop emerged the staggering talent of Shelbi Bennett, who’s preternaturally practiced voice reveals a combination of sweetness and power rarely seen since the days of Dusty Springfield and Cass Elliot. Over the course of three albums, the psychedelic folk of those first stirrings has evolved, as has the band itself. Since signing with the Redwoods Music label in 2015, The Midnight Pine has increasingly drawn from The Redwoods’ collective of accomplished Southern California musicians, swelling to seven members, who’ve added layers upon layers of vintage tones and fleshed out percussion to build on the songs penned by prolific lyricist and co-founder of the band, Alfred Howard. Recorded live at the Audio Design recording studio, where most Redwoods Music recordings are produced using analog equipment, these updated tunes represent The Midnight Pine as it currently stands, with more spirited rock underpinnings informed by electric guitar tones, chewy basslines, and the timeless vibe of Rhodes organ. The new arrangements also give Bennett a chance to build on her own performances. Working with familiar material embellished over countless live performances, her vocals on this new release are less constrained, yet at the same time more refined, offering tantalizing glimpse of the direction this young singer and band are heading.

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The Marshall Tucker Band

2LP | 2019 | US | Original (Ramblin)

38,99 €*

Play Loud Play Purple Vinyl Edition

Release: 2019 / US – Original

Genre: Rock & Indie

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RSD first. Limitation: 2500. “Let’s show the people coast to coast that we here in New Orleans can party! Are you ready to roll ’78 and light up 79?!” announces the boisterous (and probably slightly buzzed) emcee introducing The Marshall Tucker Band to the tight-knit community of joint-passing, beer-cheersing rock ‘n’ rolling regulars at The Warehouse, New Orleans’ legendary 1970s music hall. Not only would the audience of 2,000+ longhairs enjoy the New Year’s Eve concert that night, but so would a huge audience of radio listeners rockin’ in simulcast nationwide. The emcee claimed that this was the largest radio audience ever to hear a broadcast and at the time, it probably was. The band elevated themselves to the occasion and delivered an absolutely smokin’ performance of what were already their most memorable and cherished hits.
• Sourced from the original 24-track tapes
• Mixed in Macon, Georgia in 2019 by Paul Hornsby, the original Capricorn Records producer who recorded and produced their first six gold and platinum albums.
• Featuring never before published photos by The Warehouse’s photographer, Sidney Smith, plus images of archival documents form the recording engineers.

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The March Violets

LP | 2022 | EU | Original (Jungle)

It's A Bubble Gum World White Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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THE MARCH VIOLETS came out of Leeds in the early 80"s, label-mates of Sisters of Mercy. Releasing six singles, they were a constant presence in the UK indie charts, hitting the top two with Snake Dance and Deep and no. 1 with Walk into The Sun. They never got around to recording an album - their only "80"s long-players, Natural History in the UK and Electric Shades in the USA, were compilations. Eventually they signed to a major label and were groomed for a USA breakthrough, performing in the 1987 Some Kind of Wonderful movie. However they were asked to make too many compromises and split up. Here is their entire 1980"s independent catalogue compiled in the original versions, together with three tracks from this century. It chronicles their development with lead singers Simon Denbigh, Rosie Garland and Cleo Murray, backed by bassist Lawrence Elliot and guitarist Tom Ashton.

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The Mam'selles

LP | 1969 | US | Reissue (Beatrocket)

28,99 €*

LP | 2021 | UK | Original (Outernational)

Release: 1969 / US – Reissue

Genre: Pop

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Cavity-causing Cordovox-driven 1969 girl-group garage! A delightful romp through 'Oye Como Va,' 'Proud Mary,' 'Walkin' The Dog,' 'Son Of A Preacher Man,' their chicle sticky original title track, and so much more! Cordovox organ, trumpet, bass, drums, congas, and tambourine! Not a guitar in sight! Out of sight! Pressed on cloud white vinyl!

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The Mallory-Hall Band

The Last Special

20,99 €*

LP | 2021 | UK | Original (Outernational)

Release: 2021 / UK – Original

Genre: Rock & Indie

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Outernational Sounds very proudly Presents The Mallory-Hall Band "Song of Soweto" & "The Last Special". Limited, fully licensed digital and vinyl reissues of two crucial South African sessions led by Charles Mallory and Al Hall, Jnr., featuring Kirk Lightsey, Marshall Royal, Rudolph Johnson, Billy Brooks and more! Essential companion pieces to Kirk Lightsey’s legendary ‘Habiba’. Featuring tracks: Song Of Soweto: Side A – ‘Song of Soweto’, ‘Hamba Samba’; Side B – ‘Cape Town Blues’, ‘Moroka Rock’, ‘The African Night’ The Last Special: Side A - ‘The Last Special’, ‘Princess of Joh’Burg’; Side B - ‘Amafu (Clouds)’, ‘Blue Mabone’ Never released outside South Africa, and out of print since 1974, Outernational Sounds presents two long-lost Johannesburg sessions from the Mallory-Hall Band – an all-star review of West Coast jazz stars who toured apartheid South Africa in the mid-1970s. Sanifu Al Hall, Jnr. is a musician’s musician. During a storied career stretching across six decades, Hall has recorded with the greats of the music including Freddie Hubbard, Doug Carn, and Johnny Hammond, and leads his own Cosmos Dwellerz Arkestra. But until recent years, the only records on which he had appeared as leader were a brace of rich, funky LPs, Song Of Soweto and The Last Special, issued only in South Africa under the moniker of The Mallory-Hall Band (named for Hall and his co-leader, guitarist Charles Mallory – musical director for Martha Reeves and the Vandellas, Mallory was conductor for Dusty Springfield touring bands, and had worked with John Lee Hooker, Stevie Wonder, and many others). Neither LP had any wider release, and both have remained out of print since 1974. How did a young stalwart of the Los Angeles jazz scene end up in a recording studio in apartheid South Africa? Al Hall, Jnr. and Charles Mallory had arrived in South Africa as part of the touring band for the singer Lovelace Watkins. Sometimes billed as ‘the Black Sinatra’, the Detroit-born Watkins sang standards and ballroom classics on the Las Vegas circuit. He never made it big in the US, but in his 1970s heyday he was a huge star in southern Africa, and 1974 he hired a jazz big band to accompany him on a tour of South Africa – Hall and Mallory were part of the line-up, alongside Mastersounds bassist Monk Montgomery, pianist Kirk Lightsey, tenorist Rudolph Johnson, drummer Billy Brooks, and Marshall Royal, musical director of the Count Basie band. The tour was a huge success, and during downtime from performing, members of the group managed to independently record no fewer than three albums. Lightsey and Johnson’s stunning Habiba was the first (reissued as Outernational Sounds OTR.013), and it was followed by two crucial sessions led by Hall and Mallory – Song of Soweto and The Last Special, issued on the local IRC imprint. Visiting apartheid South Africa in 1974 was a controversial choice for any artist. Numerous artistic and cultural bodies around the world had already announced that their members would boycott the country in solidarity with the struggle against apartheid, and working in South Africa was severely frowned on by anti-apartheid activists everywhere. For a Black band, touring the country to play to mostly white audiences could have been seen by many both inside and outside South Africa as a questionable decision. ‘It was a batch of mixed reactions when I choose to visit South Africa whilst apartheid policies were in place,’ Hall recalls. ‘To me the choice was a simple one – “I wanna see for myself!” I also wanted to be a part of breaking down racial barriers, having been down some of the same roads in my own country.’ The albums were recorded by a twelve-piece band at Johannesburg’s Video Sounds Studios in December 1974, and feature the legendary pianist Kirk Lightsey, Black Jazz recording artist Rudolph Johnson, and the rest of the touring band. Both records are superbly arranged slabs of peak 1970s funky big band soul jazz, with tasteful Latin inflections and more than a nod to South Africa’s upful township jazz sound. They are the sonic traces left by a seasoned African American band who were touring South Africa in the depths of the apartheid era, and who immediately moved beyond the segregated hotels and ballrooms to build links with local South African players and audiences. Never previously available outside South Africa, Outernational Sounds’ new editions of Song of Soweto and The Last Special (alongside our edition of Kirk Lightsey’s Habiba) represents the first time these albums have been in print for nearly fifty years. Fully licensed from Gallo Records and pressed at Pallas in Germany from Gallo’s original masters, they feature new sleeve notes from Francis Gooding (The Wire) based on interviews with Al Hall, Jnr., and a reminiscence from pianist Kirk Lightsey.

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The Mallory-Hall Band

Song Of Soweto

20,99 €*

Monolithic Colored Vinyl Edition

Release: 2021 / UK – Original

Genre: Rock & Indie

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The Magnificent

LP | 2022 | EU | Original (Lonestar)

Monolithic Black Vinyl Editoin

Release: 2022 / EU – Original

Genre: Rock & Indie

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Colour in Color Vinyl, white in transparent blue. Limited to 300 copies.The Magnificent are eight Hollywood rock-scene veterans who have previously hidden their secret love for powerhouse rhythm and blues, but now reveal it to the world in a savage show. The band's songbook is loaded with deep-in-the-crates soul gems from the mid-sixties to the early seventies. Playing choice selections from the likes of Solomon Burke, Rex Garvin and Big Mama Thornton, the band rearranges the songs to showcase their individual specialties, while keeping the essentials of the material in place, particularly the non-stop danceable rhythms.The Magnificent's full length release "Monolithic" includes original material alongside covers from the likes of Eddie Floyd, Janis Joplin, and the Knight Brothers. Recorded at Kitten Robot studio in Historic Filipinotown with Paul Roessler (Screamers, Twisted Roots), the tracks were mastered by soul veteran Rodney Mills at his Masterhouse lab in Atlanta. Rodney's track record includes sessions with soul godfathers such as the Meters, James Brown and George Clinton.With two frenetic front men backed by a six-man wrecking crew and two torso-twisting go-go dancers, the Magnificent are a revue to be reckoned with, a red-hot retro blast of shotgun soul.Mighty Manfred (of The Woggles, The Professor of Rock `n' Soul)Nathan Long (The Deacon of Kokomo) Kent HolmesSL "Duck" Duff (of The Streetwalkin' Cheetahs) Erik Szabo Todd Westover (of the BellRays)Joe Jennings Geoff Yeaton of The Streetwalkin' CheetahsMoana Santana (of Lucha va Voom) Diane Christensen (of Lucha va Voom)

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The Magnificent

LP | 2022 | EU | Original (Lonestar)

26,99 €*

6x10" | 2015 | US | Reissue (Merge)

Release: 2022 / EU – Original

Genre: Rock & Indie

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The Magnificent are eight Hollywood rock-scene veterans who have previously hidden their secret love for powerhouse rhythm and blues, but now reveal it to the world in a savage show. The band's songbook is loaded with deep-in-the-crates soul gems from the mid-sixties to the early seventies. Playing choice selections from the likes of Solomon Burke, Rex Garvin and Big Mama Thornton, the band rearranges the songs to showcase their individual specialties, while keeping the essentials of the material in place, particularly the non-stop danceable rhythms.The Magnificent's full length release "Monolithic" includes original material alongside covers from the likes of Eddie Floyd, Janis Joplin, and the Knight Brothers. Recorded at Kitten Robot studio in Historic Filipinotown with Paul Roessler (Screamers, Twisted Roots), the tracks were mastered by soul veteran Rodney Mills at his Masterhouse lab in Atlanta. Rodney's track record includes sessions with soul godfathers such as the Meters, James Brown and George Clinton.With two frenetic front men backed by a six-man wrecking crew and two torso-twisting go-go dancers, the Magnificent are a revue to be reckoned with, a red-hot retro blast of shotgun soul.Mighty Manfred (of The Woggles, The Professor of Rock `n' Soul)Nathan Long (The Deacon of Kokomo) Kent HolmesSL "Duck" Duff (of The Streetwalkin' Cheetahs) Erik Szabo Todd Westover (of the BellRays)Joe Jennings Geoff Yeaton of The Streetwalkin' CheetahsMoana Santana (of Lucha va Voom) Diane Christensen (of Lucha va Voom)

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The Magnetic Fields

69 Love Songs

91,99 €*

Midnight To 666 Gold Vinyl Edition

Release: 2015 / US – Reissue

Genre: Rock & Indie

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Limited edition deluxe 6x10 inch vinyl box. This vinyl reissue is beautifully packaged in a 10 inch slip case box with 3 double gatefold sleeves & the original booklet in 10 inch size.

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The Lords Of Altamont

LP | 2011 | EU | Reissue (Heavy Psych Sounds)

LP | 1988 | UK | Reissue (Fire)

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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Originally recorded in 2010, the highly sought after Midnight To 666 sold out in record time. Quickly regarded as a garage punk classic, this album features thirteen dark seething tracks, full of ferocious vocals, grinding organ and a primitive rhythm section with the ever present fuzz guitar sound you've come to expect from the Lords of Altamont. From the painfully relatable F.F.T.S., through the stomping energy of "You're Gonna Get There",the crowd chanting anthem - and alternate version of - "Get In The Car" up until the moody closing track "Faded Black", this is a soul bearing, primal two wheeled scream into the void. Originally released on the French Fargo Records label, Midnight to 666, with Harry ' Full Tilt ' Drumdini from The Cramps on drums, now finds a new home on Heavy Psych Sounds Records. Featuring the original artwork the band intended before the blood red version went to print, as well as a bonus outtake of "Faded Black", this re-release is a sure bet.

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The Lemonheads

Lick

19,54 €* 22,99 € -15%

7" | 2024 | US | Original (Artifix)

Release: 1988 / UK – Reissue

Genre: Rock & Indie

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Lick is the third full-length album by the Lemonheads, and the last to feature founding member Ben Deily. It was the group's last independent label-released album before signing to major label Atlantic. An odd mixture of brand-new, and considerably older, sounds, 1989’s Lick brings together the output of several distinct recording sources: six brand new songs recorded with Minneapolis-based band friend and producer Terry Katzman, and a collection of older, B-side and never-released material originally overseen by producer and engineer Tom Hamilton.

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The Latin Dogs

Warning!

15,99 €*

12" | 2023 | UK | Original (Soundway)

Release: 2024 / US – Original

Genre: Rock & Indie

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Warning! was the only studio recorded document from the amazing hardcore band, The Latin Dogs, from Battle Creek, Michigan. This EP was released in 1982 and has never had a legitimate reissue until now. This remastered record is a perfect time capsule of punk becoming hardcore and original copies sell for several hundred dollars. This self-produced effort easily compares to the early hardcore punk released on Dischord Records or Touch and Go Records. From the ashes of some very seminal undiscovered punk bands such as the Brain Police, The Lips are Back, and The Itch, came The Latin Dogs. The band’s sole record was a DIY project paid for by the earnings of live performances. In those days it took many shows to get enough cash to pay for a pressing of a 7" record. It was recorded on a 4 track reel to reel and the sleeves were printed by a shady print shop that went out of business during the pressing, and the band had to break into the building to pick up the half-finished printed sleeves. This record put their early Political stance at attention. The power of a Marshall stack and Gibson SG backed by a Fender P bass with Ampegs at full volume, driven by a thin, wiry straight ahead drummer, fueled by a Jack Daniels drenched rebellious singer, gave this band a unique hardcore sound that was still reminiscent of an earlier punk sound. This powerful band, with two 6-foot guitarists, sandwiched a cocky, political, savvy singer who was not afraid of bold and precise statements. The Latin Dogs were deflected and rejected from popular punk circles, yet remained influential enough to carve out their own fan base in Grand Rapids, Detroit, Battle Creek, Kalamazoo and east Lansing. They played on shows with bands like: Big Boys, Die Kreuzen, Negative Approach, Tar Babies, Channel 3, Violent Apathy, Destroy All Monsters, and others. The Latin Dogs were ahead of their time, but also a bit ignored by their peers. Six song EP with double-sided insert, limited to 550 copies.

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The Lahaar

16,99 €*

Countdown Live Black Friday Record Store Day 2023 Pink Vinyl Edition

Release: 2023 / UK – Original

Genre: Organic Grooves, Reggae & Dancehall

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Drawing inspiration from the depths of late 70’s NYC proto-rap disco instrumentals, Nigerian boogie, Jamaican dub and modern jazzy house - The Lahaar is a Trans-Tasman collaboration between Julien Dyne, Horatio Luna and Surprise Chef’s Lachlan Stuckey, featuring Mara TK and Toby Laing on vocals. The EP embarks on a 5-track rollercoaster - kicking off with “Doin’ It”, fast-paced jazz-funk peppered with marimba and organ riffs, balanced out by the siren vocals of Mara TK. “Step 2” suddenly brakes and swerves into cruise mode, repurposing the trumpets and dub echoes - picking up tempo in the soulful melancholia of “Work Work Work”. In the last two tracks the organs and guitars make a frenetic comeback by way of disco-house, ending with a nod to 70s cop movie funk.

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The Knack

LP | 2023 | EU | Reissue (Sound City)

29,69 €* 32,99 € -10%

B.A. / Chickenfoot Black Vinyl Edition

Release: 2023 / EU – Reissue

Genre: Rock & Indie

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Quantity: 2000
Release type: 'RSD First' Release

This is a very rare 1980 live set from LA's power pop icons The Knack, on the music show Countdown. "Baby Talks Dirty,” "Good Girls Don't," and their hit single “My Sharona,” the #1 song of 1979. Their debut album Get the Knack sold over six million copies worldwide. Their signature combination of pop melodies and irresistible rock beats broke the stranglehold of Disco and changed the course of popular music for the next decade.

Pressed on pink vinyl for its first vinyl release.

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The Jive Turkeys

7" | 2009 | US | Reissue (Colemine)

10,99 €*

Sunset 666 (Live) Red Vinyl Edition

Release: 2009 / US – Reissue

Genre: Organic Grooves

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The Jive Turkeys are made up of four musicians who have been playing together for the better part of the last five years in a hip-hop group called Soundscape. Soundscape is a group based in Oxford, OH, home of Miami University. This is where Matt Amburgy (organ), Terry Cole (bass), Andrew DeRoberts (guitar), and Rob Houk (drums) first met. And while Soundscape has always provided all of them the opportunity to grow and develop as musicians through the group's unique fusion of genres (hip-hop, funk, jazz, rock).

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The Jesus And Mary Chain

2LP | 2023 | UK | Original (Fuzz Club)

Sunset 666 (Live) Black Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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Recorded at the Hollywood Palladium, Los Angeles in 2018, "Sunset 666" is a new live album from The Jesus and Mary Chain on Fuzz Club. In 1990, a young American band, full of a precise kind of noise and darkness, were special guests on the US tour being undertaken by a group who had noise and darkness, poise and catharsis of their own. The young band: Nine Inch Nails. Those headliners: The Jesus and Mary Chain. Almost thirty years later, an invitation was extended. The resulting tour ended with a run of six shows at LA"s Hollywood Palladium and the seventeen tracks captured on the "Sunset 666" double album were recorded from the desk on two of those nights. Sides A, B and C are from the final show, December 15. Those twelve songs were the full set that night, in sequence, meaning the show began with the here-we-f*cking-go drums of "Just Like Honey" and ended with the ferocious euphoria of an eight-and-a-half minute "Reverence". Side D of the vinyl record is taken from the December 11 show and serves almost as a mini-showcase of the "Automatic" album, featuring versions of "Blues From A Gun", "Between Planets" and "Halfway To Crazy".

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The Jesus And Mary Chain

2LP | 2023 | UK | Original (Fuzz Club)

12" | 2022 | EU | Original (Haggis)

Release: 2023 / UK – Original

Genre: Rock & Indie

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The Jazz Defenders

King Phoenix

LP | 2023 | UK | Original (Acid Jazz)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Bristol's jazz daddies The Jazz Defenders drop their second album for Haggis Records (home of UK funk kings The Haggis Horns), in March 2022 and it's a real departure from their debut release "Scheming" (released in 2020). Whereas that album was a homage to the late 1950s/early 1960s classic jazz style known as hard bop, this release moves into new territory with hip-hop/jazz, cinema soundtrack flavours, Latin rhythms and soul-jazz all upfront in the mix. Three taster singles from the album released in mid/late 2021 and march 2022, "The Big Man/Love's Vestige, "Live Slow" (featuring US rapper Herbal T), and "Perfectly Imperfect" (feat Doc Brown) received great radio support from the likes of Craig Charles (bbc 6 Music), Helen Mayhew (Jazz FM), Jamie Cullum (bbc Radio 2), Ashley Beedle (Worldwide FM), Colin Curtis (Worldwide FM) amongst many others, all loving the Jazz Defenders' musical fusion of retro meets modern.
The classic sound that has inspired the band this time is very much from the mid-late 1960s era and the merging of soul and funk beats with jazz solos/improvisation. Tracks like "Wagger Jaunt" and "Munch" nod to the piano and organ-led soul-jazz of artists like Ramsey Lewis, Herbie Hancock, Reuben Wilson, and Jimmy Smith. Meanwhile "Saudade" and "Love's Vestige" feature Brazilian bossa rhythms but with some added film soundtrack overtones. Speaking of movie soundtracks, "The Oracle'' is a pure homage to the classic cinematic compositions of maestros like John Barry(James Bond, The Ipcress File) or Lalo Schifrin (Mission Impossible, Bullitt) right down to the very impressive string arrangement, beautifully scored and orchestrated by band leader George Cooper.
A big departure from the previous album comes via the two hip-hop/jazz tracks, both of which feature guest MCs. "Live Slow" has US rapper Herbal T blessing the mic over an uptempo soul-jazz number whilst "Perfectly Imperfect" features London MC/actor Doc Brown rapping on a nice and slow 90's style head-nodding hip-hop groove. Both compositions show George Cooper's love for old-school boom-bap hip-hop (by the way, he also plays keys with renowned UK hip-hop big band Abstract Orchestra). For classic jazz lovers who dug the first album, there are two pure jazz tracks that join the dots between that debut release and this sophomore one - "Twilight" and "From The Ashes" - with plenty of vibrant solos for the discerning listener.
"King Phoenix" is a statement in itself from The Jazz Defenders. After 2 years of music being destroyed by the pandemic and many musicians inactive, the band has risen from the ashes with new vigour, energy and vision to try something new and not just repeat past musical glories. A band that sticks to the same script every release might just end up having a short shelf life but the Jazz Defenders are planning on being around for a long time.

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The James Taylor Quartet

The Money Spyder

28,99 €*

Release: 2023 / UK – Original

Genre: Organic Grooves

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Continuing our 35th Anniversary series, reissuing foundation Acid Jazz records on Color Vinyl, we’re excited to present a new, remastered, clear vinyl edition of The James Taylor Quartet’s seminal debut ‘The Money Spyder’.

Taking the form of a classic soundtrack, the album perfectly encapsulates the sound of acid jazz on one record – heavy, organ-driven instrumentals led by Hammond maestro James Taylor. The sublime mixture of Booker T-styled grooves and Lalo Schifrin-inspired soundtrack elements.

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With Love Colored Vinyl Edition

LP | 2022 | Original (Daptone)

20,24 €* 26,99 € -25%

Release: 2022 / Original

Genre: Organic Grooves

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Daptone Records presents The James Hunter Six's latest offering, With Love: a heart-shaped collection of candle-lit ballads and love songs. Plucked like so many"he loves you" petals from the vast and sumptuous garden of his Daptone Recordings, these twelve lilting melodies have been selected and sequenced with great care, tenderness, and intention by Daptone staff for the solitary purpose of compiling some of the criminally overlooked treasures in the James Hunter Six's critically acclaimed catalog.

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With Love Black Vinyl Edition

LP | 2022 | Original (Daptone)

Release: 2022 / Original

Genre: Organic Grooves

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Whatever It Takes Black Vinyl Edition

LP | 2018 | US | Original (Daptone)

Release: 2018 / US – Original

Genre: Organic Grooves

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A permanent fixture in the world of Rhythm and Soul, James Hunter follows up five critically acclaimed albums with his latest recording, Whatever It Takes, for New York City’s renowned label, Daptone Records. At the height of his famed recording career, Hunter and Daptone co-founder and producer Bosco Mann recorded an elegantly crafted collection of 10 originals that are evermore poignant and compelling than the singer’s previous works. The James Hunter Six and Mann recorded Whatever It Takes straight to tape at Daptone's Penrose Studios in Riverside, California.

The first Brit to sign to Daptone Records, Hunter is revered by critics both in his native UK and stateside, with MOJO touting Hunter as “The UK’s greatest soul singer” and the Los Angeles Times praising his “extraordinary soul voice.” Of his prior recordings, Rolling Stone called his U.S. debut People Gonna Talk, “a treat not to miss” and his second album “unbelievably awesome,” while The New York Times noted of The Hard Way, Hunter’s “tight, slithery groove” and “sweet growl.” Hunter’s accolades include milestones of reaching #1 on the Billboard Blues Chart, a GRAMMY® Award nomination for “Best Traditional Blues Album”, years as a singer touring and recording with Van Morrison, and many TV appearances on Conan, Later…with Jools Holland, and other late night TV shows.

Subsequent to his acclaim as one of today’s renowned soul singers, Hunter’s restless genius penning emotive and captivating works results in his best written compositions to date on Whatever It Takes.

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Nick Of Time Black Vinyl Edition

LP | 2020 | US | Original (Daptone)

LP | 2024 | Original (Post Present Medium)

Release: 2020 / US – Original

Genre: Organic Grooves

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Back in the spotlight with a sublime new rhythm and blues record, James Hunter follows up six critically acclaimed albums with his latest recording, Nick of Time, set for release on Brooklyn’s renowned soul label Daptone Records.

Nick of Time is a shining testament of how a master songsmith continually draws fresh water from a bottomless well. Recorded and produced by Bosco Mann, Nick of Time features one of today’s foremost soul singers at the top of his game performing with musicians who’ve backed some of the biggest contemporary music stars including Daptone artists Sharon Jones and Charles Bradley. Nick of Time will be internationally released on March 6, 2020.

For Nick of Time, Hunter and Daptone co-founder Bosco Mann hunkered down in the label’s Penrose Studios in Riverside, California for what certainly will be one of 2020’s standout soul recordings. Unmistakably another stunning James Hunter album, Nick of Time is a voyage between beautiful, mid-tempo rumba recalling early King/Federal releases, while lush arrangements summon lost tracks from early '60s Burt Bacharach sessions. Nick of Time is steeped in an era when soul records were driven by earth-shattering vocal performances. James Hunter hands down ushers classic soul music into the 21st Century with a sense of timelessness that’s rare these days.

James Hunter is an everlasting writer of compelling narratives sung with true grit while backed by an ace band of New York City’s finest musicians. Nick of Time finds Hunter in the company of Victor Axelrod (piano), Adam Scone (organ), Rudy Petschauer (drums), Myles Weeks (bass), Michael Buckley (baritone saxophone), and Freddy DeBoe (tenor saxophone). On the road for an extensive U.S., U.K., and European tour in support of Nick of Time, Matt Slocum (keyboards) takes the reins on keys for a hearty James Hunter Six ensemble ready to electrify soul music fans as they hit venerable stages in a city near you.

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The Intima

Peril & Panic

26,99 €*

The Imperial Showband feat. Tommy Tate

Release: 2024 / Original

Genre: Rock & Indie

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The Intima led a chameleon-like existence from 1999 to 2004, confounding critics who struggled to describe their distinctive sound while sharing stages with everyone from The Rapture to The Mekons. Hailing from Olympia and Portland, the postpunk quartet utilized sharp rhythms, prescient lyrics, and a collaborative compositional approach to conjure forth a sound that manages to be explosive yet detailed, experimental yet propulsive and melodic. Featuring a classically-trained violinist, custom-tuned guitars that careen at odd angles, and an imaginative and powerful rhythm section, the band explored the intersection of art-punk and agitpop with a spirit and tenor uniquely their own. In 2017, the Polish website More Noise summed up their sound by saying that "the first association that comes to mind is The Ex and the Dutch avant punk scene of the 1980s, but fans of the bands Dirty Three, Godspeed You Black Emperor and Unwound may also be intrigued."The group toured the States extensively during the 4+ years that they were active, including one grueling six-week tour undertaken just after 9/11 and another one in 2003 during which the US began bombing Iraq. The group's live sets are remembered for their combination of unbridled intensity and tightly-coiled musicianship, as well as their chaos potential, whether that chaos was performing in the middle of an illegal street party or causing a PA to burst into flames immediately preceding a headlining set by Deerhoof. A memorable show in DC with Q And Not U was mentioned by Dischord group Black Eyes in their Speaking In Tongues booklet last year, with Hugh McElroy describing the Intima as "a really aggressively-beautiful and poetic punk band with a violin where a guitar normally would be...pushing genre barriers in a way that helped me see a vision of how we might want to do that ourselves."Peril and Panic was recorded in Olympia over eight months in 2002 and was released in 2003 on LP (Zum/Collective Jyrk) and CD (Slowdance). In 2022, in the midst of the pandemic,...

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Where Did I Go?

7" | 2015 | EU | Original (Record Shack)

11,99 €*

Release: 2015 / EU – Original

Genre: Organic Grooves

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Rare Unknown 1968 Single By The Cult-Southern Soul Legend Which Works Perfect On Mod/sixties Dancefloors Through It's Hammond B-3 Organ Groove b/w Sublime Crossover Tune Previously Only Availble On A Japanese Album From 1979 For The First Time Available Here On 7" Vinyl Format!

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The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Jungle, UK Garage and Dubstep. From the most important labels responsible for the scene’s foundations to rare, hard-to-find imprints now defunct, plus a few heavy-hitting newcomers.

Jungle Volume 1 features the likes of Dread, Legend, Moving Shadow, Rugged Vinyl, White House and many more.

This book touches on some the most important labels responsible for the scene’s foundations - along with some rare, hard to find & more recent labels that are keeping the Junglist movement rolling on.

Pages: 44
Size: A6 (10.5cm x 14.8cm)
Binding: Staple bound
Print: Black & white
Authors: Chris Dexta & Lewis Joyce (Sicknote)

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The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Techno, Drum & Bass, Jungle, UK Garage and Dubstep. From the most important labels responsible for the scene’s foundations to rare, hard-to-find imprints now defunct, plus a few heavy-hitting newcomers.

UK Hardcore Volume 1 features the likes of Basement Records, Dark Horse, Liquid Wax, Satin Storm, Symphony Sounds, Tone Def and many more.

Pages: 44
Size: A6 (10.5cm x 14.8cm)
Binding: Staple bound
Print: Black & white
Authors: Chris Dexta & Warlock

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The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Jungle, UK Garage and Dubstep. From the most important labels responsible for the scene’s foundations to rare, hard-to-find imprints that are now defunct, plus a few heavy-hitting newcomers.

UK Garage Volume 1 features the likes of Casa Trax, Groove Yard, Locked On, Social Circles, Swing City and many more.

Pages: 44
Size: A6 (10.5cm x 14.8cm)
Binding: Staple bound
Print: Black & white
Authors: Chris Dexta & Alex Chapman (Immerse)

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The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Jungle, UK Garage, Techno and Dubstep. From the most important labels responsible for the scene’s foundations to rare, hard-to-find imprints now defunct, plus a few heavy-hitting newcomers.

Techno Volume 1 features the likes of Basic Channel, BPitch, Force Inc, Lenske, Plus 8, Soma and many more.

Pages: 44
Size: A6 (10.5cm x 14.8cm)
Binding: Staple bound
Print: Black & white
Authors: Emily Thomas & Rob Smith

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The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Techno, Drum & Bass, Jungle, UK Garage and Dubstep. From the most important labels responsible for the scene’s foundations to rare, hard-to-find imprints now defunct, plus a few heavy-hitting newcomers.

House Volume 1 features the likes of Defected, Trax, Music For Freaks, Sound Pak, Vulture Music and many more.

Pages: 44
Size: A6 (10.5cm x 14.8cm)
Binding: Staple bound
Print: Black & white
Authors: Joe Roberts & Chris Dexta

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The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Jungle, UK Garage and Dubstep. From the most important labels responsible for the scene’s foundations to rare, hard-to-find imprints now defunct, plus a few heavy-hitting newcomers.

Dubstep Volume 1 features the likes of Boka, Hyperdub, Skull Disco, Tempa, Uprise Audio and many more.

Pages: 44
Size: A6 (10.5cm x 14.8cm)
Binding: Staple bound
Print: Black & white
Authors: Sam Rice (Yeti) & Chris Dexta

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Foolish Man Part 1 Feat. J. Adams

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The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Drum & Bass, Jungle, UK Garage and Dubstep. From the most important labels responsible for the scene’s foundations to rare, hard-to-find imprints now defunct, plus a few heavy-hitting newcomers.

Drum & Bass Volume 1 features the likes of Metalheadz, Symmetry, Sofa Sound, Prototype, Commercial Suicide and many more.

Pages: 44
Size: A6 (10.5cm x 14.8cm)
Binding: Staple bound
Print: Black & white
Authors: Chris Dexta & Alex Immerse

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The Huck Daniels Co

7" | 2023 | UK | Original (BGP)

12,99 €*

Give Me Your Love / Koi No Yokan (The Premonition Of Love)

Release: 2023 / UK – Original

Genre: Organic Grooves

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Guitarist Daniels was a long time mainstay of the B.B. King band before he settled in Las Vegas as a respected band leader. His one single for Kent Records came in 1973 as the label was entering its final days of existence. The A-side is a driving James Brown-style funk dancer, whilst its flip was elevated by the organ playing of Earl Foster.

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The Handoors

7" | 2023 | JP | Original (Urban Discos)

19,99 €*

The Guy Hamper Trio Feat. James Taylor

Release: 2023 / JP – Original

Genre: Organic Grooves

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Tomoyasu Takeuchi, a former member of Super Butter DOG and a guitarist who has been a key player in the Japanese funk scene, is now working on a new project as an instrumental trio! "Give Me Your Love (Curtis Mayfield cover)" and "Koi No Yokan (The Premonition of Love) (Anzen-Chitai cover)" are updated to smoky and cool organ jazz!

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Intrument Of Evil

7" | 2024 | Original (Damaged Goods)

10,99 €*

The Guy Hamper Trio Feat. James Taylor

Release: 2024 / Original

Genre: Rock & Indie

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Superb 45 featuring two Hammond-led instrumentals!We caught up with Mr Guy Hamper for an insightful Q&A_ Q: What a cracking single this is! 'Instrument of Evil' in particular has a very eerie vibe. What was the inspiration for it?A: The track is the sequel to '7% Solution', which featured on the last Guy Hamper Trio LP with Thee Headcoats standing in as rhythm section. A 7% Solution being the amount of morphine Dr Watson administered to Sherlock Holmes. For 'Instrument of Evil' I took Sherlock Holmes' later designation of his syringe as "an Instrument of Evil". This is originally a quote from the bible: "Wicked men do at times reject God's purpose for the state, transforming the good of civil government into an instrument of evil." Point of interest: Morphine addiction happens to tie in with another aspect of the song. In the section that nods to Elmer Bernstein's main title theme to the film of the book The Man With the Golden Arm, in which the main character is also a morphine addict. Another ingredient - we added six-string bass to that section in tribute to Jet Harris - he formerly of top group The Shadows, who recorded a great version of Bernstein's classic. To top it all off the record sleeve references the fine graphics of the great Saul Bass. Phew!Q: The track features contributions from Tom Morley (trumpet) and Anna Jordanous (sax). What's it like working with them?A: They are great and easy to work with. I basically make a playground and let them loose in it with very little direction, apart from pointing out the swings and location of the roundabout. I told Tom "You're a Spanish trumpeter stood on a hill in Spain." For Anna, I think we said "go low and nasty." Q: On the flip side you have 'Incense Rising From a Censer'. A very evocative title for an evocative track. Do you have lyrics in mind for this for a possible later release?A: No lyrics have sprung to mind as yet - but it's always possible. The title is from The Elders observation in Dostoevsky's The Brothers Karamazov, a b...

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Dog Jaw Woman

LP | 2024 | Original (Damaged Goods)

Can You Hear Me / When I'm With You

Release: 2024 / Original

Genre: Rock & Indie

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Here we have the third LP by the excellent Guy Hamper Trio, featuring James Taylor on Hamond organ, and Guy Hamper on guitar (sometimes called Childish) and what a first-class LP this is! 'Instrument of Evil' in particular has a very eerie vibe. We asked the man himself what was the inspiration for it? G.H. The track is the sequel to '7% Solution', which featured on the last Guy Hamper Trio LP (with Thee Headcoats standing in as rhythm section). A 7% Solution being the amount of morphine Dr Watson administered to Sherlock Holmes. For 'Instrument of Evil' I took Sherlock Holmes' later designation of his syringe as "an Instrument of Evil". This is originally a quote from the bible- "Wicked men do at times reject God's purpose for the state, transforming the good of civil government into an instrument of evil." Point of interest: Morphine addiction happens to tie in with another aspect of the song. In the section that nods to Elmer Bernstein's main title theme to the film of the book The Man With the Golden Arm, in which the main character is also a morphine addict. Another ingredient - we added six-string bass to that section in tribute to Jet Harris - he formerly of top group The Shadows, who recorded a great version of Bernstein's classic. To top it all off the record sleeve references the fine graphics of the great Saul Bass. The track also features contributions from Tom Morley (trumpet) and Anna Jordanous (sax) . Both Were a pleasure to work with. My job at the wheel is to basically make a playground and let Jamie, Anna and Tom loose in it with very little direction, apart from pointing out the swings and location of the roundabout. I told Tom "you're a Spanish trumpeter stood on a hill in Spain." For Anna, I think we said "go low and nasty." Other titles are taken from early poetry chapbooks I made in my youth. 'The First Creature is Jealousy' and 'Dog Jaw Woman' being examples. The title 'Incense Rising From a Censer' comes fromDostoevsky's The Brothers Karamazov, a book I really recommend....

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The Groove Connections

7" (Spinout Nuggets)

13,29 €* 18,99 € -30%