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Tristan Manco, Lost Art & Caleb Neelon - Graffiti Brasil
Tristan Manco, Lost Art & Caleb Neelon
Graffiti Brasil
Thames & Hudson
14,99 €*
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A report from the trenches on the most exciting and original graffiti scene to emerge from Brasil.

From the startingly distinctive achievements of the internationally renowned twin-brother painters Os Gemeos to the visual powers of the ubiquitous daredevil pichadores, Brazil's graffiti captivates with entirely fresh ideas, techniques and messages. Whether one’s taste is for the extraordinary creative extremes generated amid urban deprivation or for crafted murals at their most elaborate, Graffiti Brasil offers both stunning photography and in-depth history and insight... 128 pages with over 300 colour illustrations!

With graffiti worldwide becoming more homogenized, this book is a reminder of the strengths of creative independence and the rich fruits of cultural diversity.

'Art that packs an emotional punch … a shining tribute to human determination to create beauty in the least likely places'
Metro

'A phalanx of exceptional image makers'
State of Art

About the Author:
Tristan Manco is a graphic designer based in Hove, England, and pioneering author of books on the graffiti and the international street art scenes. He has published multiple books with Thames and Hudson, including Street Logos, Graffiti Brasil, Street Sketchbook: Journeys, Big Art / Small Art and Make Your Mark.

Caleb Neelon has been involved in mural and street art projects in twenty countries, ranging from Brazil to Nepal, Germany to Australia, France to India.

Format:Paperback with flaps
Size:22.0 x 23.0 cm
Extent:128 pp
Publication date:10 October 2005
ISBN:9780500285749
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Tripmastaz - Partying With Illusions
Tripmastaz
Partying With Illusions
12" | 2021 | EU | Original (Tripmastaz)
9,74 €* 12,99 € -25%
Incl. VAT plus Shipping Costs
Release: 2021 / EU – Original
Genre: Electronic & Dance
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Tripmastaz is back, this time drenched in Summery, laid-back Sunday vibes. The main title, appropriately named 'Sunday Mix 1,' is steeped in rich organ arrangements, deep vocals, and funky bass stabs, the kind of combination one wishes on a laid-back Sunday afternoon. The subtle percussive variations and the thorough but discreet synth work fill up the sonic space with an infectious swag - which is even more evident on 'Mix # 3.1.' And whereas the main title, "Sunday," relies on a more laid-back approach, the flip-side 'Puppi Luv' literally flips the gears to a scenario where the groove is the focal point, and everything is playful - but strangely hypnotic. "Partying With Illusions" is a lush, uplifting record that finds Tripmastaz once again showcasing his skills as an outstanding music producer.
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Trio Valore - Return Of The Iron Monkey Clear Vinyl Edition
Trio Valore
Return Of The Iron Monkey Clear Vinyl Edition
LP | 2008 | US | Reissue (Record Kicks)
28,99 €*
Incl. VAT plus Shipping Costs
Release: 2008 / US – Reissue
Genre: Organic Grooves
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Record Kicks presents the 15th anniversary edition of “Return of the Iron Monkey”, the legendary soul jazz album from British Supergroup Trio Valore that features Steve White (The Style Council) on drums, Damon Minchella (Ocean Colour Scene, Paul Weller, Richard Ashcroft) on bass and Seamus Beaghen (Madness, Desmond Dekker, Tom Jones) on Hammond organ. The album originally released in October 2008, rapidly reached a cult status amongst mod jazz, soul jazz and rare groove fans and the vinyl is sold out for a long time now. The 15th Edition reissue will be released on November 17th on limited edition Crystal Clear LP and digital deluxe edition with two bonus tracks “Put Em Down (Muro Di Gomma mix)” originally appeared as B side of “Rehab” 45 and a cover of Roy Budd’s classic “Get Carter”.
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Trio Ternura / Eliana Pittman - Vou Morar No Teu Sorriso / Quem Vai Querer
Trio Ternura / Eliana Pittman
Vou Morar No Teu Sorriso / Quem Vai Querer
7" | 2019 | UK | Reissue (Mr Bongo)
11,99 €*
Incl. VAT plus Shipping Costs
Release: 2019 / UK – Reissue
Genre: Organic Grooves
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We’ve taken a selection of the most in-demand and asked-for titles in our Brazil 45’s catalogue and given them a loving remaster and repress.

Highlighted here, the joyous family flavours of Trio Ternura and a samba-funk masterclass from Eliana Pittman, cut loud and proud on either side of a seven inch.

First, we have the uptempo funk-soul sounds of ‘Vou Morar No Teu Sorriso’ courtesy of sibling group, Trio Ternura - taken from their self-titled 1971 LP. Comprised of sisters Jussara, Jurema and their brother Robson, this track is a real favourite of ours and a regular spin in our DJ sets. Tight drums, breaks and percussion lay the foundation for those jubilant vocals, funk-powered organs, punchy horns and grooving bass to transport you to sandier shores.

On the B side, a slice of dancefloor samba-funk-MPB radiance from Eliana Pittman with ‘Quem Vai Querer’. Originally released in 1977 on RCA, the rolling samba groove, layered percussion and lovely lead vocal from Eliana build into a carnival-flavoured chorus to lift even the lowest of moods.
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Trinidadian Deep - Natty Dread / Electric Boogie
Trinidadian Deep
Natty Dread / Electric Boogie
12" | 2019 | EU | Original (Visions)
11,99 €*
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Release: 2019 / EU – Original
Genre: Electronic & Dance
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Trinidadian Deep is back on Visions Recordings with 2 new deep house club tracks. On the A side Natty Dread takes us on a deep dub house journey in his favourite own signature style with percussions, sub bass, organ solo and lush pads while on the B side Electric Boogie is a sunny house cut with a “latin” house drumbeat keeping the deep house elements for a summer vibe groovy number. This is another great single from Trinidadian Deep for Visions Recordings.
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Trevino - Back
Trevino
Back
2LP | 2023 | EU | Original (Birdie)
29,99 €*
Incl. VAT plus Shipping Costs
Release: 2023 / EU – Original
Genre: Electronic & Dance
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In May 2016, Trevino a.k.a. Marcus Intalex released his acclaimed debut album, 'Front', on his own Birdie label. Almost exactly seven years on, the follow up album 'Back' will be released posthumously, marking the final Trevino album. The release date is scheduled for the 26th May to mark the six year anniversary of Marcus passing (28th May 2017).

Although most of the tracks for 'Back' were made during Marcus' time in Berlin, he moved back to Manchester in early 2017 to make the most of his home studio. The Trevino moniker was an output for Marcus to return to his love of house and techno, inspired by his experience of working in record shops from a young age where he would be receiving records spanning across Chicago house and Detroit techno - most notably referencing the Belleville Three as a key influence.

The producer, named after his favourite golfer Lee Trevino, has loosely based the two-part album project on the 'Front' nine and 'Back' nine holes in the sport. This theme runs throughout, with the artwork based on the plans for Hillside golf course.
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Trev - Nightjar EP
Trev
Nightjar EP
12" | 2023 | UK | Original (Dance Regular)
15,99 €*
Incl. VAT plus Shipping Costs
Release: 2023 / UK – Original
Genre: Electronic & Dance
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London’s own Trev appeared on our first release, Body Music Vol 1, as well as other key releases on CoOp Presents and Local Talk. We’ve been fans from the start and, after Trev joined the family, his music went from strength to strength. It was already out-of-this-world production, with serious attention to detail, and this EP is nothing short of excellent! He told us 'there’s no hiding that this EP is, in essence, a long love letter to Brazil', but that it’s also written to 'Iran, London, Lisbon, Japan, probably more - too many to remember!'. Trev described his process as 'listening, learning, combining my favourite elements of all this music that has brought me so much joy over the years'. Right on! This EP is fresh, different and sonically on point. It’s Bruk, it’s Brazilian, it’s Bass, it’s… all-round-really-good dance music! Trev is a real modern musician, an awesome keys player as well as a producer. He understands the importance of musicality and originality, together with weighty beats and bass, working just as well on the dance floor as they do at a house party… or dinner party, for that matter! 'Nightjar', the title track, draws you in with hypnotic plucks like crickets on a hot summer’s night. Eerie pads float in building tension before the beat drops - Pandeiro and Caxixi serving broken-beat with the kick - pumping the sonic palette and pumping the dancefloor. Deep sinister chords pulse in and out, percussive melodies bring love from the middle east, and we reach a beautiful jazz-harmony break - then it’s straight back to the body movement - this time letting loose with the cowbells and the shakers. Think Brazil, think Persia, think Jazz, think dance-floor, it’s all in there! 'Late Flip' pulls us into a more ethereal intro, with the Koto and skate sounds laying our dream scene. Morphing out of flutes, modular synth plucks pay tribute to the sounds of Lisbon as we drop - a rolling broken beat punch, playful Rhodes and distant vocal chops ring out with the Koto dripping in warm echoes. A truly amazing composition and arrangement that leaves you wanting more! 'Beijo' is one of our faves on this EP. We’re straight in with a kiss - Mwah! - a classic Baile rhythm gets a warm Bruk embrace. It’s passionate and dark and tells a story as old as history. Get lost in the movements between drums and percussion, in the flutes and cicadas, until the organ bass calls it - time to get moving. This really is Trev’s signature dance floor style. A banger with a naughty-yet-subtle bassline, and its own game of perspective - feel this rhythm in more ways than one. Vocal chops and Tamborim place São Paulo’s influence front and centre. 'Grey' takes us on a dusty House/Bruk journey with filtering chords that grow patiently until the beat drops - getting your feet moving and neck bopping! Burning slow, Trev is playful with the harmony, keeping the fun with a roller of a bassline that pulls it all together. It’s a six-and-a-half-minute rich musical journey that feels more like half that time!? Complete your Dance Regular Vinyl collection with this absolute killer EP from the one called Trev.
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Trees Speak - Posthuman
Trees Speak
Posthuman
LP+7" | 2021 | UK | Original (Soul Jazz)
31,99 €*
Incl. VAT plus Shipping Costs
Release: 2021 / UK – Original
Genre: Rock & Indie
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This is incredibly Trees Speak’s third album on Soul Jazz Records to be released in the space of one year – and it’s amazing! Trees Speak’s new album ‘PostHuman’ once again blends 1970s German electronic and ‘motorik’ Krautrock instrumentals (think Harmonia, Can, Cluster, Popul Vuh, Neu!), haunting and powerful 1960s & 1970s soundtracks (think Italian prog-rock Goblin and John Carpenter horror movies, Morricone and existential John Barry spy movies), together with a New York no wave electronic synth and guitar analogue DIY-ness (think Suicide, anything on Soul Jazz’s New York Noise series or Eno's New York No Wave)! Drawing further upon German krautrock high-concept albums from the likes of Tangerine Dream and Klaus Schulze from the 1970s, Trees Speak create their own powerful new landscapes of sound that manage to be at once contemporary as well as both timeless and with a sense of science-fiction futurism. Trees Speak’ segue together all these elements into ‘PostHuman,’ which follows on from their criticallyacclaimed debut LP ‘Ohms’, and ‘Shadow Forms’ released on Soul Jazz Records less than six months ago. This powerful new album is a high-concept collage of retro-futurist science-fiction music, fantastically illustrated by the artist Eric Lee, a dramatic vision of life after humanity. Trees Speak are Daniel Martin Diaz and Damian Diaz from Tucson, Arizona and their music often draws on the cosmic night-time magic of Arizona’s natural desert landscapes. ‘Trees Speak’ relates to the idea of future technologies storing information and data in trees and plants – using them as hard drives – and the idea that Trees communicate collectively. The album includes an exclusive bonus 45 single ‘Machine Vision’ and ‘Seventh Mirror’ that will only be available with the first order of the vinyl edition of this amazing and ground-breaking new album. With ‘PostHuman,’ Trees Speak once again manages to take the listener deep into their unique musical world of unknown visions of the past and the future.
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Treedeon - New World Hoarder
Treedeon
New World Hoarder
LP | 2023 | EU | Original (Exile On Mainstream)
24,99 €*
Incl. VAT plus Shipping Costs
Release: 2023 / EU – Original
Genre: Rock & Indie
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Five years in the making Berlin-based Sludge/Noise stalwarts are unleashing their new album "New World Hoarder": Six new tracks pushing the boundaries of heavyness and urgency. While its predecessor "Under The Manchineel" was a bristly beast of dark and thunderous swill pounding monstrous riffs and bleak lyrics mostly into the area underneath your chest, the new effort cuts higher, right at the heart and brain, although no less heavy.For fans of Eyehategod, Neurosis, Melvins, Sleep
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Trauma Ray - Chameleon Mint Green Vinyl Edition
Trauma Ray
Chameleon Mint Green Vinyl Edition
LP | 2024 | US | Original (Dais)
24,99 €*
Incl. VAT plus Shipping Costs
Release: 2024 / US – Original
Genre: Rock & Indie
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Since first bonding over Slowdive at a Texas karaoke bar six years ago, musicians Uriel Avila and Jonathan Perez have grown trauma ray into Fort Worth's foremost flag bearer of crushing shoegaze. A five-piece rounded out by bassist Darren Baun, drummer Nicholas Bobotas, and guitarist Coleman Pruitt, the band's debut album, Chameleon, captures their evolving sound at an apex of majestic devastation. A fusion of downer hooks, gauzy melancholia, and bulldozer riffs, the album heaves and crashes across 50 minutes of stacked amplifier alchemy. Lyrically the songs trace similarly lofty and brooding terrain; Avila says "The theme is death. And a chameleon, like death, can shape-shift in and out our lives in different forms." Chameleon opens with "Ember," dreamy and distant, alternately anthemic and apocalyptic, defeated and deafening. Lead single "Bishop" perfectly encapsulates trauma ray's depth and dimension, ripping out of the gate with "the biggest, baddest, saddest wall of sound." Lyrics about being burnt at the stake and "tossed in the flame" float above a stop-start assault of precision distortion, eventually expanding into a lush, heavy, sorrowful end coda. "Spectre" is a mysterious, introspective dirge, envisioned as a "mellow, slowcore, Duster-thing," all feeling and heavy fuzz chords (with no lead guitar). Avila wrote it, "to be a hymnal" from the perspective of someone who won't let go - a ghost, an ex, a shadow self. Although the album is rich with subtleties, graceful lulls, and "breaths of air," the band's three guitar attack is its defining force, a power flexed to its peak on "Bardo." Perez's intentions were blunt: "I wanted to write a riff that was hard as fuck." The result is alternately mean and eerie, veering between noisy one string bends and surging headbang, mapping a middle ground between Unwound and early-Deftones. One of trauma ray's greatest gifts is their ability to make doomy, sledgehammer heaviness sound like an earworm, without production tricks or gimmicks: "Riff, verse, chorus, three guitar parts - that's all you need." This quality is particularly apparent on the title track, a churning slab of amplifier worship, swirling chords, and heavenly, defeated vocals about not belonging, shape-shifting, and death ("A twisted face / Void of attention / An empty space / In your reflection"). "U.S.D.D.O.S" closes the album, swaying across seven minutes of grey skied guitar and haunted voice, subtly thickening as it deepens. Feedback and shrapnel gradually begin raining down, like a satellite disintegrating in the atmosphere. Titled as an acronym after a poem by Chilean writer Roberto Bolaño that loosely translates to "a dream within a dream," the melody softens, smears, and then disappears, slowly swallowed by the gravity of eternal descent. Chameleon is a masterpiece of craft, balance, melody, lyricism, and gravity, flexing a fresh vision of loud-quiet-loud architectures and the vertigo depths of blasted harmonics. From Slowdive to Nothing, to Hum and beyond, the band absorb and expand on their influences into a rare and dedicated alchemy. trauma ray's cinematic tempest is a gathering storm only just taking flight.
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Trauma Ray - Chameleon Black Vinyl Edition
Trauma Ray
Chameleon Black Vinyl Edition
LP | 2024 | US | Original (Dais)
23,99 €*
Incl. VAT plus Shipping Costs
Release: 2024 / US – Original
Genre: Rock & Indie
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Since first bonding over Slowdive at a Texas karaoke bar six years ago, musicians Uriel Avila and Jonathan Perez have grown trauma ray into Fort Worth's foremost flag bearer of crushing shoegaze. A five-piece rounded out by bassist Darren Baun, drummer Nicholas Bobotas, and guitarist Coleman Pruitt, the band's debut album, Chameleon, captures their evolving sound at an apex of majestic devastation. A fusion of downer hooks, gauzy melancholia, and bulldozer riffs, the album heaves and crashes across 50 minutes of stacked amplifier alchemy. Lyrically the songs trace similarly lofty and brooding terrain; Avila says "The theme is death. And a chameleon, like death, can shape-shift in and out our lives in different forms." Chameleon opens with "Ember," dreamy and distant, alternately anthemic and apocalyptic, defeated and deafening. Lead single "Bishop" perfectly encapsulates trauma ray's depth and dimension, ripping out of the gate with "the biggest, baddest, saddest wall of sound." Lyrics about being burnt at the stake and "tossed in the flame" float above a stop-start assault of precision distortion, eventually expanding into a lush, heavy, sorrowful end coda. "Spectre" is a mysterious, introspective dirge, envisioned as a "mellow, slowcore, Duster-thing," all feeling and heavy fuzz chords (with no lead guitar). Avila wrote it, "to be a hymnal" from the perspective of someone who won't let go - a ghost, an ex, a shadow self. Although the album is rich with subtleties, graceful lulls, and "breaths of air," the band's three guitar attack is its defining force, a power flexed to its peak on "Bardo." Perez's intentions were blunt: "I wanted to write a riff that was hard as fuck." The result is alternately mean and eerie, veering between noisy one string bends and surging headbang, mapping a middle ground between Unwound and early-Deftones. One of trauma ray's greatest gifts is their ability to make doomy, sledgehammer heaviness sound like an earworm, without production tricks or gimmicks: "Riff, verse, chorus, three guitar parts - that's all you need." This quality is particularly apparent on the title track, a churning slab of amplifier worship, swirling chords, and heavenly, defeated vocals about not belonging, shape-shifting, and death ("A twisted face / Void of attention / An empty space / In your reflection"). "U.S.D.D.O.S" closes the album, swaying across seven minutes of grey skied guitar and haunted voice, subtly thickening as it deepens. Feedback and shrapnel gradually begin raining down, like a satellite disintegrating in the atmosphere. Titled as an acronym after a poem by Chilean writer Roberto Bolaño that loosely translates to "a dream within a dream," the melody softens, smears, and then disappears, slowly swallowed by the gravity of eternal descent. Chameleon is a masterpiece of craft, balance, melody, lyricism, and gravity, flexing a fresh vision of loud-quiet-loud architectures and the vertigo depths of blasted harmonics. From Slowdive to Nothing, to Hum and beyond, the band absorb and expand on their influences into a rare and dedicated alchemy. trauma ray's cinematic tempest is a gathering storm only just taking flight.
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Transparent - Transparent Speaker
Transparent
Transparent Speaker
1.000,00 €*
Incl. VAT plus Shipping Costs
 
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Powerful yet balanced sound that fills any room. The Transparent Speaker, a revolutionary speaker that offers a truly transparent sound experience. Designed with simplicity and elegance in mind, this speaker features a unique transparent design that blends seamlessly into any room while providing an unmatched audio experience. Made with aluminium and tempered glass, this 11 kg speaker is a statement piece that commands attention in any home. Comes with Bluetooth but it is also ready for whatever tech that might be useful in coming years. An aspiration to become better over time.

The Transparent sound
The tightly sealed 10 liter acoustic volume and the custom designed 6 inch woofer helps in creating a very controlled reproduction of sound. We enlist the worlds best audio engineers to tune the digital sound processor (DSP) to reach full transparency. With the Transparent Speaker you will hear a detailed reproduction of complex low-ends of modern music production. With the base and treble dials you can crank up the setting on the high- and low-end to fit your music preference and make everyone get off the couch and start dancing at your home party.

Modular Design
A modular design is key for future proofing our products. It enables repairs and upgradability.

CONNECTIVITY
• The Transparent Speaker comes with Bluetooth 5.0 connection
• Connect two speakers using True wireless and play both simultaneously
• Connect multiple devices with the Wi-Fi Module.

DESIGN
• Dimensions: Height: 33,3 cm / 13 in, width: 43,1 cm / 16.9 in, depth: 11,8 cm / 4.6 in
• Weight: 11 kg
• Materials: Aluminium and tempered glass
• Colors: Black, black with red cables
• Front Controls: Volume, bass and treble
• Line in: 2 x 3,5mm (front and back)

SOUND
• L/R Drivers: 2 × 3’’ (Full Range)
• Woofer: 1 × 6.5’’
• Amplifier: Class D built-in (active)
• Rated power: 100-120W
• Sealed Cabinet Volume: 10,2 l
• Frequency Response: 35 Hz - 20 kHz ±5dB
• High Quality Digital Signal Processing (DSP)
• Recommended room size: ≈ 70 kvm

WHAT'S IN THE BOX?
• White cotton gloves
• Long and short audio cables
• Power cables (mains and USB)
• Wall Mount: Brackets and screws included
• User manual
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Transparent Sound - Accidents 1994-2023
Transparent Sound
Accidents 1994-2023
3LP | 2023 | Original (Tresor)
31,99 €*
Incl. VAT plus Shipping Costs
Release: 2023 / Original
Genre: Electronic & Dance
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“I’ve always loved mistakes; it’s the hidden beauty in all art” - Andrew Weatherall
Transparent Sound are the original dons of UK electro, not exactly household names yet an act with so many underrepped
classics that once you dive into their catalogue you might end up emptying your bank account on Discogs.
To save you going down this calamitous path as well as to finally, raise TS to the level of notoriety they deserve,
Tresor Records
is very proud to announce the release of Accidents 1994-2023. Formed by Orson Bramley and Martin Brown in
Bognor Regis in
1994, Transparent Sound have managed to create 30 years’ worth of some of the best electro from the British Isles,
despite
claiming to not know what they were doing nor how their instruments work.
It’s likely that it’s this lack of knowledge that led to the quality and longevity of their output - the pair experiment
and tinker with
the machines until something pleasing appears then follow that sound down whatever path seems fruitful: “the
confidence of
ignorance” as a slightly more-famous Orson, Orson Welles, once put it. This tactic has paid o well and found them
stumbling
into many notable adventures, from remixing The Cure to performing during an intermission between two halves of a
lecture -
none of which they understood as it was in Spanish.
The compilation collects a lucky-for-you 13 of their most glorious electrical accidents on a three-disc set including the
dancefloor hits Punk Mother Fucker (a mainstay of Villalobos sets at the time of release), and No Call From New York
(as heard on
Helena Hau’s perfect 2017 Essential Mix).
The package also comes with ‘Windows To Your Sole’ from the unreleased white label Transparent Sound 007, other
unreleased tracks, and special 2023 edits as well as six digital bonus tracks

TRACKLIST
1 / A1. Remanisance 06:27
2 / A2. No Call From New York (Acid Mix) 06:38
3 / B1. Slang City 08:06
4 / B2. Mistakes Happen 06:12
5 / C1. Punk Mother Fucker 08:46
6 / C2. Numb In The Face (V.23) 06:01
7 / D1. Awful Mutation (V.23) 05:14
8 / D2. Windows To Your Sole (V.23) 05:28
9 / D3. Tricks (V.23) 04:16
10 / E1. Atmosphere 07:17
11 / E2. What Goes On 06:09
12 / F1. Freaks Frequency 06:45
13 / F2. Gritty Glamour 06:16
Digital only
14. Music Noir 05:41
15. See The Signs (V.23) 08:07
16. Analogue Deliverance 06:01
17. Haircut Fantasy 06:26
18. Pocket Full Of Mischief 04:42
19. Voyeurs Chance (V.23) 05:58
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Transparent - Small Transparent Speaker
Transparent
Small Transparent Speaker
500,00 €*
Incl. VAT plus Shipping Costs
 
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The Small Transparent Speaker - a compact yet powerful device that delivers exceptional sound quality with its unique Transparent sound technology. This sleek and stylish speaker made of tempered glass and aluminium is the perfect addition to any music lover's collection. This speaker is designed to be as much an interior object as a great sounding piece of technology. It comes with Bluetooth 5.0, but it is also ready for whatever tech that might be useful in coming years.

The Transparent sound
Our tightly sealed four litre enclosure and custom designed three inch drivers help to create a controlled reproduction of frequencies. We hone our powerful DSP (Digital Sound Processor chip) to ensure studio recording quality reproduction. With the Small Transparent Speaker you will hear layered reproductions of voices even if you are far away.

Modular Design
A modular design is key for future proofing our products. It enables repairs and upgradability.

CONNECTIVITY
• All speakers has Bluetooth 5.0 connection
• Connect two speakers with True wireless and play both simultaneously
• Connect multiple devices with the Wi-Fi Module Buy here.

DESIGN
• Dimensions (mm): 268 × 203 × 95
• Weight: 3,3 kg
• Materials: Aluminium and tempered glass
• Colors: White

SOUND
• L/R Drivers: 2 × 3’’ (Full Range)
• Amplifier: Class D built-in (active)
• Output power: 2x 15W
• Sealed Cabinet Volume: 3 l
• Frequency Response: 60 Hz - 20 kHz ±3 dB on axis
• High Quality Digital Signal Processing (DSP)
• Recommended room size: 1 x Small Transparent Speaker ≈ 40 kvm, 2 x Small transparent Speakers ≈ 50 kvm

WHAT'S IN THE BOX?
• Cotton gloves
• Long and short audio cables
• Long and short power cables
• AC power plugs (A,C and G)
• Manual
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Transparent - Small Transparent Speaker
Transparent
Small Transparent Speaker
500,00 €*
Incl. VAT plus Shipping Costs
 
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
The Small Transparent Speaker - a compact yet powerful device that delivers exceptional sound quality with its unique Transparent sound technology. This sleek and stylish speaker made of tempered glass and aluminium is the perfect addition to any music lover's collection. This speaker is designed to be as much an interior object as a great sounding piece of technology. It comes with Bluetooth 5.0, but it is also ready for whatever tech that might be useful in coming years.

The Transparent sound
Our tightly sealed four litre enclosure and custom designed three inch drivers help to create a controlled reproduction of frequencies. We hone our powerful DSP (Digital Sound Processor chip) to ensure studio recording quality reproduction. With the Small Transparent Speaker you will hear layered reproductions of voices even if you are far away.

Modular Design
A modular design is key for future proofing our products. It enables repairs and upgradability.

CONNECTIVITY
• All speakers has Bluetooth 5.0 connection
• Connect two speakers with True wireless and play both simultaneously
• Connect multiple devices with the Wi-Fi Module Buy here.

DESIGN
• Dimensions (mm): 268 × 203 × 95
• Weight: 3,3 kg
• Materials: Aluminium and tempered glass
• Colors: Black

SOUND
• L/R Drivers: 2 × 3’’ (Full Range)
• Amplifier: Class D built-in (active)
• Output power: 2x 15W
• Sealed Cabinet Volume: 3 l
• Frequency Response: 60 Hz - 20 kHz ±3 dB on axis
• High Quality Digital Signal Processing (DSP)
• Recommended room size: 1 x Small Transparent Speaker ≈ 40 kvm, 2 x Small transparent Speakers ≈ 50 kvm

WHAT'S IN THE BOX?
• Cotton gloves
• Long and short audio cables
• Long and short power cables
• AC power plugs (A,C and G)
• Manual
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Transonic Flow - 4th Dimension
Transonic Flow
4th Dimension
12" | 2018 | EU | Original (Dream Ticket)
9,74 €* 12,99 € -25%
Incl. VAT plus Shipping Costs
Release: 2018 / EU – Original
Genre: Electronic & Dance
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Frankfurt duo Transonic Flow fly at the speed of sound on this six-shooter for Dream Ticket, giving the label 3 for 3 in 2018. The furious salvos of 'Pk Jam', 'Elec Jit', 'Arp Attack' and 'KC's Intermission' come fully loaded with influences from classic Detroit jit and electro, while 'Frtry 2jun' and 'Hp Dub', with all their broken melancholy, sound like man-machine laments for the aftermath. Make electro, not war!
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Traffik Island - Ghost Notes
Traffik Island
Ghost Notes
LP | 2024 | UK | Original (Library Of The Occoult)
26,99 €*
Incl. VAT plus Shipping Costs
Release: 2024 / UK – Original
Genre: Electronic & Dance
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Preorder shipping from 2024-11-01
Zak Olsen, the creative force behind the guitar riffs of Australian doom psych band Orb, is set to release his highly anticipated solo album, Ghost Notes, under his Traffik Island moniker. 12 Esoteric Instrumentals for Ethereal Beings feels like going on an acid trip through a haunted house, where folk melodies merge seamlessly with jazz rhythms and psychedelic textures. Creating freakout moments such as the track ‘Pandemoniom!’ featuring Kenny Ambrose-Smith of King Gizzard and haunting folk horror moments on ‘winds’ Fans of esoteric instrumentals and spooky soundscapes alike will find much to love in this haunting collection. Frank Maston of Maston captures the essence of Ghost Notes perfectly: “Olsen has created a monster - channeling Joe Meek, Goblin, and Broadcast in this cursed disc of groovy fugues. Traffik Island may be alive and well in these tracks, delivering premium melodies with ease, but the undead certainly had their say. Mixing terrifyingly sick beats with warped organs, sinister synths, and spooky found sounds, this is the horror movie soundtrack we deserve. An instant Halloween classic.”
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Traffic Sound - A Bailar Gogo
Traffic Sound
A Bailar Gogo
7" | 2021 | EU | Original (Munster)
35,99 €*
Incl. VAT plus Shipping Costs
Release: 2021 / EU – Original
Genre: Rock & Indie
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This Triple-7" Pack Contains Three Of The Best Singles Of Electrifyingly Advanced Rock Recorded By Peruvian Pioneers Traffic Sound In Their Early Days, Reissued Here On Separate Vinyl 45s For The First Time.Peru Enjoyed A Thriving And Exciting Music Scene Since The Mid-1960s. Bands Such As Los Saicos, Los Shain's And Los York's, To Name Just A Few, Released A Number Of Brilliant Records That Drove Young Fans Crazy And Set An Example For Many To Follow. The End Of The Decade Brought About An Evolution In Sound And New Music Genres, As Peruvian Bands Kept An Eye On The Groundbreaking British And Us Artists Exploring Baroque Pop, Psychedelic Rock And Early Prog.One Of Them Was Traffic Sound, Founded In Lima In 1967. Over A Very Short Period Of Time The Band Managed To Successfully Develop Their Career. "Virgin", Its Brilliant Debut Album, Released In 1970, Showed The Band Swimming Like A Fish In The Acid Waters Of Psychedelia And Experimentation. This Lp Also Showcased The Group's Skill At Developing Their Own Quality Repertoire, Which Was Rare On The Peruvian Rock Scene At That Time. Suddenly, That Same Year, Peruvian Record Stores Received Another Musical Delivery Signed By The Band, But With A Title And Simple Design That Contrasted With The Intricate Graphics Of Their First Album. The Six Songs On The Vinyl Record Were Already Familiar To Diehard Fans Of The Band, As They Had Been Traffic Sound's First Three Singles Released Sometime Between The End Of 1968 And Halfway Through 1969."A Bailar Go Go" Was The Title Of This Mini Lp Which Included The First Three Singles Recorded In The Early Days Of The Band Before "Virgin" Was Released, And Solely Comprised Cover Versions Of Songs By Artists Such As Cream, Eric Burdon & Theanimals, Jimi Hendrix And Iron Butterfly. These Six Tracks Deserve To Be Placed In The Right Spatial And Temporal Context, As Three Of The Best Singles Of Electrifyingly Advanced Rock From 1968-1969."A Bailar Go Go" Is The Portrait Of One Of The Best Rock Bands In Pe...
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Trace - Ain't For Free Feat. Paul Mac Innes
Trace
Ain't For Free Feat. Paul Mac Innes
7" | 2024 | UK | Original (Six Nine)
19,99 €*
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Release: 2024 / UK – Original
Genre: Organic Grooves, Electronic & Dance
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Six Nine Records Ltd. UK proudly presents the anthemic modern soul track “Ain’t For Free” by Sweden’s finest – Trace – on vinyl 7”/45 for the first time ever. This tune was written and recorded by Trace (Christofer Ekholm) back in 2004 and now celebrates 20 years in a fitting way with this exclusive release. On vocals we find the amazing Paul Mac Innes, who definitely adds the perfect vibe to this timeless piece of music. To give this record an extra kick we have been spoiled with a 2024 edit, which never has been heard or released before. Enjoy!
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Tr/St - Performance Clear Vellow Vinyl Edition
Tr/St
Performance Clear Vellow Vinyl Edition
LP | 2024 | US | Original (Dais)
26,99 €*
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Release: 2024 / US – Original
Genre: Rock & Indie
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Tr/St - Performance Black Vinyl Edition
Tr/St
Performance Black Vinyl Edition
LP | 2024 | US | Original (Dais)
26,99 €*
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Release: 2024 / US – Original
Genre: Rock & Indie
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Tr One - From The Studio Of Ep 2
Tr One
From The Studio Of Ep 2
12" | 2022 | EU | Original (Intrinsic Rhythm)
11,99 €*
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Release: 2022 / EU – Original
Genre: Electronic & Dance
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Landing this winter is EP 2 from the debut Tr One “From The Studio Of” . Continuously inspired by the greats, and drawing influence from an array of sounds of the past whether that be, Chicago, Detroit and beyond, Tr One has now found himself with a cohesive series of tracks that speaks with power and creativity. Providing early morning bliss is “We Must Continue” a classy and sophisticated track, pulling on all the right heart strings. Spaced out electro shows its fine face in “What Kind Of Dreams Do You Have”, utilising trippy vocal samples transcending the listener to a dream like atmosphere. Faux Outrage” one of the most driving tracks from the selection is next, a thunderous kick, and crisp hi-hats brush past you enveloped with eternal strings“ “Minimal Nelson” is an almost six minute journey of glistening synths and pads, making this another emotive encounter from the album. Mihail P dives in with a remix of “Minimal Nelson”, bumping work from the Macedonian. A personal encounter of cuts from start to finish, each of them telling their own tale, working together to write the whole story. Over a decade of exploring and developing his sound, Tr One has signed and sealed off some of his most well rounded and accomplished work to date, creating what is sure to be a soundtrack of a dancefloor near you in 2023.
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Touche Amore - Stage Four
Touche Amore
Stage Four
LP | 2016 | EU | Original (Epitaph)
23,99 €*
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Release: 2016 / EU – Original
Genre: Rock & Indie
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Los Angeles artful indie post hardcore band Touché Amoré new album.

Formed in Burbank, California, across 2007 and 2008, the band’s urgent sound, with its melodic sonic assault and impassioned vocals, has grown tighter and more refined through a trio of full-length albums and a series of EP’s and releases. Since those early days, lead singer Jeremy Bolm, guitarists Nick Steinhardt and Clayton Stevens, bassist Tyler Kirby, and drummer Elliot Babin have created a trajectory for themselves through hard work and dedication. And now with Stage Four, their fourth and biggest album to date, they are cementing their status as one of rock music’s most talented, relatable, and visceral acts. Over the years the band rose to prominence with 2009’s …To the Beat of a Dead Horse and 2011’s Parting the Sea Between Brightness and Me. Touché Amoré crossed into new territory with the 2013 art-punk masterpiece Is Survived By. Having earned early cred, critical favor, and legions of fans by playing lengthy tours of all shapes and sizes—in every basement, youth center, and house show—the band enjoyed a bigger following which only grew along with their talents.

“I don’t open up to people too much in regular life, but when I’m writing songs, I want to be as open and as honest as possible,” Bolm confesses. Touché albums have always served as an emotional outlet for Bolm. So when the time came to write Stage Four there was no question that it would be about passing of Bolm’s mother in late 2014. Stage Four was recorded in early 2016 in Studio City, CA with producer Brad Wood. Cathartic in delivery, highly sentimental, and sonically triumphant, Stage Four is an emblem of a band both living its dream and marred by loss. And with Stage Four, Touché Amoré has unmistakably made the biggest, boldest, and most artistic statement of their career.
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Toto - IV
Toto
IV
LP | 1982 | EU | Reissue (Speakers Corner)
34,99 €*
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Release: 1982 / EU – Reissue
Genre: Rock & Indie
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Anyone who gives the dull name “Four” to their rock album must either be very sure of success or already have resigned. The group Toto may well have experienced such extremes as there was an enormous cleft between their amazing financial success and the crushing negative opinions voiced by the critics. Billboard criticised the superficial lyrics as being void of any sort of emotional weight while the Los Angeles Times aimed their fire at the musicians themselves, slamming them as dubious artists with a commercialised mentality.
To this Toto struck back with their fourth album, which was an unparalleled success and brought them six Grammy awards. For a whole ten months "Africa" reigned at Number 1 on the charts and together with the super-hit "Rosanna" the two smash hits were a constant presence, backed up by a collection of impressive rock classics. A trip to the record shop is all that is needed to prove that this is unlikely to change in the near future. The bright red cover with its depiction of a sword will catch your eye, as though saying: It’s got to be the Fourth!

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.
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Toshiya Tsunoda - Landscape And Voice
Toshiya Tsunoda
Landscape And Voice
LP | 2022 | EU | Original (Black Truffle)
24,99 €*
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Release: 2022 / EU – Original
Genre: Electronic & Dance
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Black Truffle is pleased to present Landscape and Voice, a radical new work (and rare vinyl release) from major Japanese sound artist Toshiya Tsunoda. Undoubtedly one of the most influential artists working with location recordings since the 1990s, Tsunoda’s work possesses a rigorously searching quality that sets him apart from his contemporaries. Tsunoda is known to many listeners for the subtle atmospheric poetry of his early Extract from Field Recording Archive series, which focussed on vibrations recorded in various indoor and outdoor environments in his native Miura Peninsula, often inside pipes, bottles and other vessels. In more recent years, his work has explored the implications of his claim that field recording should be seen as ‘depiction’ rather than ‘documentation’. He has explored disorienting editing and processing in his works with Taku Unami, and, perhaps most radically, represented Maguchi Bay as a kind of kinetic sculpture for shaking speakers by removing all but the inaudible low frequencies from a field recording (Low Frequency Observed at Maguchi Bay).

One of the recurrent concerns of Tsunoda’s recent work, as he explains in the crystalline liner notes accompanying this release, is ‘exploring how I can establish a subjective relationship with an environment, rather than seeing it merely as an object to be recorded’. This has taken various forms, from documenting simultaneously an outdoor environment and the blood flowing through the listener/recorder’s body (captured with a stethoscope) on The Temple Recordings, to representing his own experience of the landscape as made up of ‘grains of space and time’ by inserting looped fragments into field recordings in Grains of Spring.

On Landscape and Voice, this meeting between subject and object becomes an almost mystical union between the natural and the human. As with all of Tsunoda’s work, a relatively simple concept leads to compelling, thought-provoking results. Landscape and Voice combines vowel sounds spoken by six voices with short, looped fragments of field recordings, their noise character suggesting consonants: voice and landscape thus join together in something like words. The record consists of three pieces, each using a different, richly evocative field recording, which periodically freezes, catching on a looped fragment to which is synchronised an abruptly looped spoken vowel sound. The lengths between these interruptions vary, as do the tempi of the loops. The interruption of these lushly immersive recordings of the world – bristling with bird song, rushing water, distant traffic, and clinking metal – only serves to intensify them, as if the depicted environment itself had been returned to the listener each time it abruptly reappears. At the same time, the constant interruption creates an uncannily frozen effect, as if the recorded environment were an object rather than a stretch of recorded time. When combined with the bare human presence of the vowel sounds, the result is both austere and magical. Pressed on 45rpm for maximum fidelity, in a gorgeous sleeve designed by Lasse Marhaug with liner notes from the composer, Landscape and Voice is a radical proposition from one of the deepest thinkers in contemporary sound.
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Torus - Torus Cream Colored Vinyl Edition
Torus
Torus Cream Colored Vinyl Edition
LP | 2024 | Original (Mnrk)
30,99 €*
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Release: 2024 / Original
Genre: Rock & Indie
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By their own admission, there was a time when it didn’t seem likely Torus would be standing here at all to introduce their debut album to the world. That in itself is a surprising opening statement to tumble from the mouth of frontman and band mastermind Alfie Glass as he and his bandmates sit in the front room of his home outside Milton Keynes. Torus’s every move to date has been met with intrigue and acclaim – ahead of critically-lauded debut EP ‘Sail’, key tastemakers in the shape of Kerrang! and Classic Rock were championing their “brand of zero-bullshit hard rock” that delivers “gargantuan riffs and thick, monstrous grooves” in the vein of rock greats such as Kyuss, Queens Of The Stone Age and Smashing Pumpkins. Indeed, if the name Alfie Glass sounds even more familiar to you, it’s probably because Black Sabbath guitar legend Tony Iommi was praising the six-stringer’s chops on TV talent show Guitar Star when Glass was just 12 years old.Having started life as a one-man bedroom project, Torus’ lineup would soon be completed by bassist Harry Quinn in 2020 and, latterly, drummer Jack Orr in early 2022, the trio coalescing around a shared desire to create music that could bang heads while moving feet, despite their differing musical backgrounds and influences that touch on everything from desert rock, to psychedelic prog and punk. “We all come from different places, but have a shared vision for the music we want to write,” Orr nods. 1. Avalanche2. Into The Clear3. When It Comes4. All On Me5. The Overload6. Downfall7. Crash Wave8. This Feeling9. Undercover10. Gone11. Back To Life12. Speed Trial
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Toru Yamanaka & Teiji Furuhashi / Dumb Type Theater - Plan For Sleep
Toru Yamanaka & Teiji Furuhashi / Dumb Type Theater
Plan For Sleep
LP | 1984 | JP | Reissue (Conatala)
28,99 €*
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Release: 1984 / JP – Reissue
Genre: Organic Grooves, Electronic & Dance
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In the performance of this work, "Plan for Sleep" (1986), created simultaneously with “Every Dog Has His Day” (1985), Yamanaka took on the role of sound operation. The performance begins with a minimal piece where the tones of the electronic organ and striking phrases from the piano and saxophone race forward in syncopation. Following this, various sound fragments drift over a deafening industrial beat reminiscent of machine noises. There are also pieces that transform the typing sounds of a typewriter into rhythm, showcasing a range of experiments inspired by the then-novel sampling technology, beautifully intertwining with the physicality of the performance.

Additionally, influenced significantly by film music, Yamanaka incorporates a rich tapestry of colors through melancholic melodies that evoke various scenes, from secular jazz to other influences. This work constructs a uniquely original and sophisticated worldview that stands out even when surveying the canon of avant-garde performance art from around the globe in the postmodern era.

Dumb Type is a multimedia performance art group based in Kyoto that was formed in 1984 and continues to be active at the forefront of the art scene. We are excited to announce the simultaneous release of two cassette book works produced by musician Toru Yamanaka and the late Teiji Furuhashi, a central figure of the group, for works from the early Dumb Type Theatre era: "Every Dog Has His Day (recorded in 1985)" and "Plan For Sleep (recorded in 1986)," now available for the first time on vinyl.

Since the founding of Dumb Type, Yamanaka has primarily been responsible for music production, while the late Furuhashi played a crucial role in translating Yamanaka’s compositions into stage direction. Their collaboration began with previous groups ORG and R-still, and was influenced by the NEW Wave and progressive rock trends they were pursuing at the time, as well as by artists like Laurie Anderson, Meredith Monk, and Robert Wilson, who fused minimal music and avant-garde performance. Moreover, their bold incorporation of cutting-edge sampling and house music during that era laid the foundation for Dumb Type's sound, marking an important intersection in the history of minimalism, ambient music and performance art in Japan.
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Toru Katsuta - Interconnecta EP
Toru Katsuta
Interconnecta EP
12" | 2023 | EU | Original (Modwerks)
14,99 €*
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Release: 2023 / EU – Original
Genre: Electronic & Dance
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Japanese artist Toru Katsuta returns on Ø [Phase]'s Modwerks label with six space trips to send minds into hyperdrive.
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Torres - What An Enormous Room Black Vinyl Edition
Torres
What An Enormous Room Black Vinyl Edition
LP | 2024 | US | Original (Merge)
26,99 €*
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Release: 2024 / US – Original
Genre: Rock & Indie
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What I can say about Torres is I think the music comes from a convicted place. Not convicted meaning a person is narrowly and foolishly committed to an ideal, or unshakably convinced of themselves, or a zealot, or stubborn. I mean dedicated, I mean: If Torres' music gets weird, gets brainy, gets funny, gets defiant, provokes, deliberately scandalizes, employs the crass to undermine the austere, courts lofty philosophical truth-it's all done with the conviction of an artist with the (essential) belief in the worth of their task. I think you can hear it in the songs, someone reaching, leaning over the boundary between known and not, probing the almighty. After a decade and six studio albums and however many one-offs and tours and articles read and conversations had, the parts of this pursuit I've been able to observe are all marked by a dedication to creation that treats the act-ongoing-with as much preciousness as the evidence of the act that is left in a record. The modes of being are different: heartbroken, broke, furious (right- and unrighteously), awestruck by love, compelled by desire. sometimes resigned to death, sometimes fascinated by and reverent of the future. Sometimes viscerally present, other times suspended in heady awareness, poised on a fulcrum of observation and participation in the phenomenon that aliveness is. The tools are the same: instruments that growl and shriek and moan, a lyrical voice shouting, swooning, chuckling, snarling as the moment commands. Torres' music-making is conducted in a melodic vocabulary unique to itself-methods, equipment, circumstances shifting around the impulse to affirm the self within the world, to make art that bears all these little artifacts of the divine and of the real and show it to people and know it is valuable. I think that's what Mackenzie's music does. And I think it's just incredibly good music to listen to. -Julien Baker Torres is the pseudonym of Mackenzie Scott. She was born January 23, 1991, and lives in Brooklyn, New York, with her wife Jenna, stepson Silas, and puppy Sylvia. She has been releasing albums and performing as Torres since 2013. What an enormous room is Torres' sixth studio album (her third with Merge). It was recorded in September and October 2022 at Stadium Heights Sound in Durham, North Carolina. It was engineered by Ryan Pickett, produced by Mackenzie Scott and Sarah Jaffe, mixed by TJ Allen in Bristol, UK, and mastered by Heba Kadry in NYC. The album contains 10 songs. Mackenzie wrote all of them. Sarah played bass guitar, synths, drums, organ, and piano. Mackenzie sang vocals, played guitar, bass, synths, organ, piano, and programmed drums. Additional synth bass, tambourine, and shakers were played by TJ Allen.
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Toribio, Sam Wilkes & Jacob Mann - Bring Dat Jazz
Toribio, Sam Wilkes & Jacob Mann
Bring Dat Jazz
12" | 2024 | UK | Original (BDA)
15,99 €*
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Release: 2024 / UK – Original
Genre: Electronic & Dance
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Brooklyn producer / bandleader and DJ Toribio returns for the 2nd 12" on his newly launched BDA Imprint. Diving head first into his lifelong love affair with jazz music (Toribio is a Berklee Graduate) , the "Bring Dat Jazz EP" is a direct result of the intersection of Jazz and Dance music, which can be seen time and time again in his DJ sets.
Things kick off with "Jazz Misconduct", a mid tempo funk burner already in DJ Spinna & Danny Krivit's rotation with a bumping bassline, vibey piano chords and a soulful organ solo in Toribio's reformatting of a track from acclaimed Tenor sax player Joshua Redman. Next up is an official edit of Sam Gendel & Jacob Mann's "Dr.T" - maintaining the spirit of the original, Toribio beefs up the four on the floor, adds swung drums and accentuates the synth lines, while adding his own analog flourishes to the original. On the flip, "Bumples" draws from saxophonist Chris Potter with knockin jazz drums, syncopated claps, frantic horns and an acid line making it's way in towards the end. Rounding off the EP is an unexpected left turn in "My Humps (So Real)" - Toribio takes the completely overlooked acoustic piano and vocal chant ending of yes, that notorious track & brings in an understated drum break, twisting synth lines and his own voice to create a heavenly dancefloor stew out of ingredients no one had thought to use. Another direct show of the boundless creativity from the man affectionately known as 'Papi' throughout the NYC scene.
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Top Drawer - Solid Oak Black Vinyl Edition
Top Drawer
Solid Oak Black Vinyl Edition
LP | 1972 | EU | Reissue (Guerssen)
25,99 €*
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Release: 1972 / EU – Reissue
Genre: Rock & Indie
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One of the rarest private pressings from the US, originally released in 1972 by this band from Mansfiel, Ohio. Psychedelic hard rock with a charming, homemade feel. Including the monster psych opus "Song Of A Sinner" plus more cool tracks with great guitar/organ interplay.
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Top Drawer - Solid Oak
Top Drawer
Solid Oak
CD | 1972 | EU | Reissue (Guerssen)
15,99 €*
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Release: 1972 / EU – Reissue
Genre: Rock & Indie
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One of the rarest private pressings from the US, originally released in 1972 by this band from Mansfiel, Ohio. Psychedelic hard rock with a charming, homemade feel. Including the monster psych opus "Song Of A Sinner" plus more cool tracks with great guitar/organ interplay.
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Tool - Fear Inoculum 2nd Edition
Tool
Fear Inoculum 2nd Edition
CD | 2019 | EU | Original (RCA)
50,99 €*
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Release: 2019 / EU – Original
Genre: Rock & Indie
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Second edition of the latest Tool album. It comes in a Claridge House DVD Rigid Casemade Book. (not a dvd, but a dvd size book). Expanded 56 page booklet with additional artwork. 5 x 3D cards inserted within the back swing pocket. Download card for one video only.
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Tony Riparetti - OST Crazy Six
Tony Riparetti
OST Crazy Six
LP | 2021 | US | Original (Deathbomb Arc)
28,99 €*
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Release: 2021 / US – Original
Genre: Soundtracks
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Known best for his work scoring the majority of Albert Pyun's films, tony Riparetti has always blended elements of new wave synth and guitars, and soaring drums into his compositions for a signature sound integral to Pyun's style. Deathbomb Arc is very excited to present the score to 'Crazy Six' (1997) to the world for the first time ever - on both vinyl and digital formats. The sound sets the tone for this extremely 90s slice of action, bathed in dream-like, melodramatic eroticism.
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Tony Higgins & Mike Peden - J Jazz - Free And Modern Jazz Albums From Japan 1954 - 1988
Tony Higgins & Mike Peden
J Jazz - Free And Modern Jazz Albums From Japan 1954 - 1988
BBE Music
109,99 €*
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400 page hardcover large format book - Includes CD with 10 Japanese Jazz tracks - Compiled by Tony Higgins and Mike Peden - Only 2000 copies printed - Largest picture book on Japanese Jazz ever printed - First and only picture book devoted to Japanese Jazz covers to be produced outside Japan - Extra sections on non-Japanese artists and Blue Note albums produced exclusively for the Japanese market - Includes intro by Terumasa Hino plus articles by Yusuke Ogawa, Mats Gustafsson, Tony Higgins and interview with Tohru Aizawa - DJ J Jazz Top Tens from around the world BBE Music is thrilled to present J Jazz: Free and Modern Jazz From Japan 1954-1988, a remarkable large-format book covering some of the deepest, rarest, and most innovative jazz music released anywhere in the post-war era. Compiled by Tony Higgins and Mike Peden, co-curators of BBE Music's acclaimed J Jazz Masterclass Series, the book also features a foreword by Japanese jazz icon, Terumasa Hino.

This is the first time a book of this type has been published outside of Japan and the first anywhere of this size and scale. It is a unique collection of over 500 albums of free and modern jazz released in Japan during a period of radical transformation and constant reinvention. An era that saw Japan return from the ravages of World War Two to become a global economic power and emerge as both a technological leader and an international cultural force.

Through a unique gallery of albums, J Jazz charts the development of jazz in Japan from the first stirrings of the modern jazz scene in the mid to late 1950s and on through the hard bop and modal jazz of the 1960s. It steers the reader into the radical directions of the 1970s when free jazz, fusion, post-bop, and jazz-funk opened up a growing number of Japanese jazz artists to a new global audience before consolidating in the mid to late 1980s with a musical scene that laid the path for the contemporary jazz generation to follow.

Over 500 full-colour sleeves from many of the leading names in Japanese jazz sit alongside rare and private pressings that tell a story of constant change and musical exploration. J Jazz includes profiles of several leading record labels such as East Wind, Frasco, King Records, and Nippon Columbia as well as critical independents such as Three Blind Mice, ALM, and Aketa’s Disk. J Jazz includes interviews with celebrated jazz photographer Tadayuki Naito, and pianist Tohru Aizawa, bandleader on the totemic spiritual jazz album, Tachibana Vol 1, as well as free-jazz record collector and jazz musician Mats Gustafsson.

The book also features a chapter on albums by non-Japanese artists that only received a Japanese release, with collectible, rare, and obscure releases by figures such as Herbie Hancock, Miles Davis, Mal Waldron, Steve Lacy, and Art Blakey. J Jazz includes Japanese jazz charts from some of the world's leading jazz DJs including Gilles Peterson, Toshio Matsuura, Paul Murphy, and Shuya and Yoshihiro Okino. Among the specialist content is a feature on obi strips by record dealer and Japanese jazz expert, Yusuke Ogawa, plus a special article on Japanese Blue Note albums.

Across its 300-plus pages, J Jazz includes a detailed introduction contextualising the music, tracing the story of Japan's fascination with jazz back before the war. It also features biographical information on many of the key artists involved in shaping the post- war Japanese jazz scene including Sadao Watanabe, Toshiko Akiyoshi, Masabumi Kikuchi, Masahiko Togashi, Terumasa Hino, Yosuke Yamashita, Fumio Itabashi, Masayuki Takayanagi, Takeo Moriyama, Isao Suzuki, and many more.
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Tongues Of Mount Meru - Naga Mountain
Tongues Of Mount Meru
Naga Mountain
4CD | 2022 | EU | Original (Holidays)
24,74 €* 32,99 € -25%
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Release: 2022 / EU – Original
Genre: Electronic & Dance
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Lasse Marhaug and Jon Wesseltoft have collaborated in a variety of projects over the years, but started the Tongues of Mount Meru duo back in 2008 as a collaboration to pursue their shared interest in sustained and closely calibrated sounds, and the phenomenological impact they have on the act of listening. They started recording a session each year from 2008 to 2011 in Oslo utilising harmoniums, organs, shruti boxes, oscillators, and computers and accumulated a large pool of material. Some of that material wound up on tapes and vinyls over the years, but they kept the hour-long pieces with an intended major future release in mind. These pieces are now collected in this monumental 4 disc box set.

Clocking in at the total of over 4 hours, with over 10 years in the making, this music was crafted with a clear intent to influence its listeners sense of time and mental colour analogous to the music’s stringently, and at times claustrophobic, unfolding narrative. Slowly blooming clusters of wave interference kaleidoscopic blending together with lower frequency binaural pulse patterns. It is as if light has been pitched down, and its oscillating and shimmering coating of gradually shifting overtone cycles opens up and crashes down again into the ocean of waves continually churning around its own time axis.

Drawing upon their joint interest in minimalism and long-form music, raga theory and electro-acoustics, Marhaug and Wesseltoft conjures up a focused power of both beauty and unease to deeply establish a state of hypnotic attentiveness. The result is a hallucinatory and intense set of finely tuned and tectonic long-form pieces, and is a must for anyone even remotely interested in any form of sustained sounds, and its impact on the mind.

Pressing info: 200 copies, black cardboard box set with embossed gold print
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Tongue Depressor + Austin Larkin - Tongue Depressor + Austin Larkin
Tongue Depressor + Austin Larkin
Tongue Depressor + Austin Larkin
LP | 2024 | US | Original (Redscroll)
31,99 €*
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Release: 2024 / US – Original
Genre: Rock & Indie
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Tongue Depressor (New Haven, CT) is the duo of Zach Rowden and Henry Birdsey. They write, improvise, and perform drone-based music with fiddles, pedal steel, lap steel, contrabass, organ, and bells, usually involving micro- tonal tunings and rearranged /retuned fragments of American church music. Austin Larkin (New Haven, CT) uses elements of tone, interstices of fields, asymmetries, and patterns. Performance and practice informed by re- search into dimensions of vibrating bodies. On this recording Tongue Depressor and Austin Larkin have combined to record what they had been practicing on the road live across the US together. Henry Birdsey (td) plays bagpipes and lap steel. Zach Rowden (td) plays violin and tapes. Austin Larkin plays viola and sirens (which he himself constructed and are a story unto themselves). Soothing sounds give way to unsettling / unnerving feelings when the sirens find their way through meditative loops.
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Tomotsugu Nakamura - For A Fleeting Moment
Tomotsugu Nakamura
For A Fleeting Moment
IIKKI
59,99 €*
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"For A Fleeting Moment" is the result of the dialogue between the Swiss photographer Simone Kappeler and the Japanese musician Tomotsugu Nakamura initiated by Iikki, between March 2023 and May 2024.

Tomotsugu Nakamura is a musician and graphic designer residing in Tokyo, Japan. His primary artistic practice is to compose music with some fragments of minimal acoustic and electronic tones and some field recordings. In Concert, he he has played with various genre of musicians and his works have been released by Kaico, Audiobulb Records, and more recently by the French label Laaps.

Born in 1952 in Frauenfeld (Switzerland) where she lives and works, Simone Kappeler started taking pictures at the age of 11. After studying German literature and art history, she studied photography at the Zurich University of the Arts. During a three-month trip to the United States in 1981, she took her first pictures using cheap cameras, especially the Diana camera. Hasselblad, Leica, Diana, Brownie, Polaroid, disposable camera, expired or infrared films, since 1970, Simone Kappeler has explored all types of photographic techniques. Her work, experimental and poetic, reveals to us the curiously foreign world that surrounds us. Since 1982, ongoing projects in southern France and the Grisons.1982/83, studio in New York, conceptual photography and Super 8 films. 1983/84, theater photographer, Schauspielhaus Zürich. 2009, six-week photographic study of Japan, 2015 studio in New York. Her work was the subject of a first monograph: "Seile. Fluss. Nacht. Fotografien 1964–2011", edited by Hatje Cantz and is regularly exhibited in Galleries and Museum in Europe and United States. For A Fleeting Moment is her first book gathered exclusively a part of her wide polaroid works from 2011 to 2023.

Fine Art Book, Ltd. to 700 copies: Hardcover book printed on Glossy Modern Paper 170g/m2 // 104 pages, 19cm x 22.5cm, 66 photos // Front cover points and back cover logo embossed // Selective UV varnish // Hand-numbered.
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Tomotsugu Nakamura - For A Fleeting Moment
Tomotsugu Nakamura
For A Fleeting Moment
LP | 2024 | EU | Original (IIKKI)
26,99 €*
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Release: 2024 / EU – Original
Genre: Electronic & Dance
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"For A Fleeting Moment" is the result of the dialogue between the Swiss photographer Simone Kappeler and the Japanese musician Tomotsugu Nakamura initiated by Iikki, between March 2023 and May 2024.

Tomotsugu Nakamura is a musician and graphic designer residing in Tokyo, Japan. His primary artistic practice is to compose music with some fragments of minimal acoustic and electronic tones and some field recordings. In Concert, he he has played with various genre of musicians and his works have been released by Kaico, Audiobulb Records, and more recently by the French label Laaps.

Born in 1952 in Frauenfeld (Switzerland) where she lives and works, Simone Kappeler started taking pictures at the age of 11. After studying German literature and art history, she studied photography at the Zurich University of the Arts. During a three-month trip to the United States in 1981, she took her first pictures using cheap cameras, especially the Diana camera. Hasselblad, Leica, Diana, Brownie, Polaroid, disposable camera, expired or infrared films, since 1970, Simone Kappeler has explored all types of photographic techniques. Her work, experimental and poetic, reveals to us the curiously foreign world that surrounds us. Since 1982, ongoing projects in southern France and the Grisons.1982/83, studio in New York, conceptual photography and Super 8 films. 1983/84, theater photographer, Schauspielhaus Zürich. 2009, six-week photographic study of Japan, 2015 studio in New York. Her work was the subject of a first monograph: "Seile. Fluss. Nacht. Fotografien 1964–2011", edited by Hatje Cantz and is regularly exhibited in Galleries and Museum in Europe and United States.
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Tomorrow's People - Open Soul 2024 Repress
Tomorrow's People
Open Soul 2024 Repress
LP | 2024 | JP | Original (P-Vine)
34,99 €*
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Release: 2024 / JP – Original
Genre: Organic Grooves
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The only album by the six-piece soul band led by the four Burton brothers, this album is known as the ultimate rare groove that any collector would want. Originally released in 1976 on the local Chicago label Stage Productions, original copies are rarely found on the second-hand market, and when they are, the selling price is always over Us$1000. The album itself continues to increase in value not only because of its rarity, but also because of its solid sound quality, especially the epic groovy funk ‘Open Soul’, which uses the entire B-side of the record and lasts over 20 minutes.
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Tommy Tate - I Can't Do Enough For You Baby / Hold On
Tommy Tate
I Can't Do Enough For You Baby / Hold On
7" | 2024 | EU | Original (Soul 4 Real)
17,99 €*
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Release: 2024 / EU – Original
Genre: Organic Grooves
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Tommy was born in 1945 in Homestead, Florida, and after his first foray into music in a church choir, he launched his secular recording career in Jackson, Mississippi, working mostly with Tim Whitsett and his Imperial Showband in the latter half of the 1960s. After a short stint with the Nightingales, he signed with KoKo in 1971 and had six impressive singles released, followed by records on Sundance, Juana and Urgent Records.

“I Can’t Do Enough for You Baby” is a mellow and melodic slow-to-mid-tempo song that sounds almost inspirational, while “Hold On” is a beautiful waltz-time ballad which James Carr released on Atlantic in 1971. Both of these songs were cut as demos probably in 1969 after Tommy and Carson Whitsett had signed a deal to become staff writers with Malaco Records.

Tommy was a magnificent singer and songwriter, who never got the credit he deserved mainly because of poor business choices and unfortunate incidents throughout his career. However, he was a beautiful person, gentle and humble.

Heikki Suosalo
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Tommy Peltier & Judee Sill - Chariot Of Astral Light
Tommy Peltier & Judee Sill
Chariot Of Astral Light
LP | 2017 | EU | Original (Mapache)
20,99 €*
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Release: 2017 / EU – Original
Genre: Rock & Indie
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Tommy Peltier was born in New Orleans and came out to Los Angeles with his mom on his 13th birthday. A decade later he was a regular playing cornet with his group the Jazz Corps at the famous jazz club, The Lighthouse. In 1966 the Jazz Corps cut an album for Pacific Jazz and featured the fantastic Roland Kirk. In 1970, due to an injury, Peltier could no longer play the horn and looked for other means for expression.

Not one to be undone, he took a few chords that he had learned from friends like Jude Sill - who became occasional collaborator, sometime lover, and lifelong friend - and set out as a singer-songwriter. None of that music saw the light until It was collected together as Chariot of Astral Light. They worked together on a lot of Peltier's material, and Judee pops up on half of the disc handling backing vocals, guitar and organ lines.

He had a house in Echo Park where he held weekly Saturday recording sessions in his front room that a number of peripheral scenesters would attend (Lynn Blessing, Wolfgang Melz, Dave Parlato, and Barry McManus - all of whom appear here). Aside from the few takes done at actual studios, the bulk of the stuff was recorded in that tiny room.
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Tommy McCook & The Supersonics - Bond Street Shuffle
Tommy McCook & The Supersonics
Bond Street Shuffle
7" | 2023 | JP | Reissue (Duke Reid Classics)
15,74 €* 20,99 € -25%
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Release: 2023 / JP – Reissue
Genre: Reggae & Dancehall
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Side A : 1968 Recording. Never Released. Wicked Winston Wright Playing Organ Rock Steady Instrumental. Side B : 1968 Released. Great Rock Steady Vocal By Bobby Davis Lead Singer. A premium series of limited edition Japanese pressed 7"s - featuring unreleased and impossibly hard to find gems from the Duke Reid archives.
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Tommy Mccook & Bobby Ellis - Blazing Horns
Tommy Mccook & Bobby Ellis
Blazing Horns
LP | 1977 | EU | Reissue (Solid Roots)
24,99 €*
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Release: 1977 / EU – Reissue
Genre: Reggae & Dancehall
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Essential reissue for this rare album of dub instrumental reggae tunes recorded by Tommy McCook (on sax, The Skatalites) and Bobby Ellis (trumpet, The Upsetters, The Aggrovators) in 1977. Originally licensed on Grove Music this amazing set features the likes of Sly and Robbie, Ansel Collins (organ), Clinton Fearon- from The Gladiators - on lead guitar and Bernard Harvey – of The Wailers fame - on piano. Recorded at Channel One and mixed at King Tubby Studio, the album was engineered by Yabby You and Barnabas.
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Tomede Ehue & Orchestre Poly-Rythmo - Bella Bello
Tomede Ehue & Orchestre Poly-Rythmo
Bella Bello
12" | 2022 | EU | Original (Canopy)
17,99 €*
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Release: 2022 / EU – Original
Genre: Organic Grooves, Electronic & Dance
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The third release from Canopy features the title track from a tough to catch Afro funk 7” originally released on private press in Benin in the 1980s. While information on the mesmerising Tomede Ehue remains elusive, she is backed by the Beninois powerhouse, the truly almighty, “TP Orchestre Poly-Rythmo de Cotonou”.

Electrifying cosmic voodoo disco grooves, heavy bass pulsing, blistering horns and spooky organ riffs set the tone on this transcendental dance floor afro funk cut.

A modernised tropical disco remix from bosq & an Afro - acid version from Sam Redmore revitalise this mysterious dance floor incantation and launch it into the present day.

These tracks strike a balance between moody afro psych-funk and more punchy electronic aesthetics, while maintaining the subtleties of the original composition and performance.
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Tomasz Stanko Quintet - Wooden Music II
Tomasz Stanko Quintet
Wooden Music II
CD | 2023 | EU | Original (Astigmatic)
13,99 €*
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Release: 2023 / EU – Original
Genre: Organic Grooves
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The discovery of Tomasz Stańko's archive recordings from 50 years ago at Radio Bremen demonstrated the dynamic development of this shrouded in mystery quintet, which was a blank spot in the history of Polish jazz. Released by Astigmatic Records, the album turned out to be a surprise and a huge musical treat for many fans who no longer remember such a fiery period in the career of the outstanding trumpeter. The record received much critical acclaim and sold out in a blink, and Jazz Forum magazine recognised Wooden Music I as the historic album of the year. Now the time has come for the 2nd and final installment of wooden music.

It takes more than one album to fully illustrate the evolution of the band with which Tomasz Stańko, as its leader, recorded Music for K, one of the most important albums in Polish jazz. It is the early 1970s, Zbigniew Seifert gives up the saxophone in favour of the violin, so the band's sound becomes more 'wooden', and around this expression Stańko builds the foundations of a philosophy, which he wrote down on four small sheets of paper, still kept by Bronisław Suchanek, the quintet's bass player: We seek to create the kind of music that, while operating with all the elements of the most genuine jazz, attempts to look at it from a different angle, from a different mental plane. We do not experiment with the material, but with the form. For the form does not have to be a logical and strict construction of the entire piece, it can be free, improvised while playing, resulting from the mood, or atmosphere existing at a given moment, or random things, creating with their free fluidity that specific "magical mood". This, of course, excludes compositions in the traditional sense - Tomasz Stańko wrote at the time.

Wooden Music is therefore like a postcard - not so much of a specific gig, but of the entire period of the quintet's activity. It opens with compositions featured on Jazzmessage from Poland. Wooden Music I recorded in Bremen on 15 June 1972 is its peak - when the band plays free, vigorous music, but more sensitively planned, as the group is more in-tune after hours of joint stage encounters. Wooden Music II, recorded in Hamburg on 9 November 1972, is the conclusion of their vision of free-jazz - the final phase where composed pieces ("Calme" and "6 & 8") begin to emerge from wild improvisation. Some of these would, a few months later, find their way onto an iconic piece in Tomasz Stańko's discography - the Purple Sun album (e.g. "Flute's Ballad")... but with a slightly different line-up. When the band decides to wrap up, they are at the peak of their form, each feeling the need to develop on their own. They know when to step off the stage. They are invincible.

Tomasz Stańko Quintet was one of the most outstanding European free jazz ensembles of its time. The Polish musicians, plus a plethora of individuals such as Brötzmann, Mangelsdorff, Schlippenbach, Vesala or Surman, contributed to a movement which, while co-operating with the American avant-garde, had its own specificity and its own unique audience. Polish jazzmen, newcomers from behind the Iron Curtain, were seen as carrying a message of freedom to the countries of the region. It took many years for this message to come true. Today, European jazz seems to be far more erudite, emotionally restrained, intellectual, seeking links with contemporary avant-garde and ethno music. It's all very beautiful, but sometimes one would like to discard all of this extra wrapping and bring out the essence of jazz - the synergic energy and striving for the limits of expression, even if it poses the risk of a musical explosion - Tomasz Szachowski states in Jazz Forum. Therefore, it is time to see if we are dealing with explosive material in the case of the second installment of wooden music.

Thus, the Wooden Music series culminates with its second part coming from the archives of NDR radio, which recorded the footage in a small club in Hamburg called Jazzhouse. This time, the additional stem-mastering was done by Marcin Cichy, who perfected the sound on the album even more. The infallible Matt Colton is once again responsible for the half-speed cut of the vinyl matrix. Wooden Music II will be released on Astigmatic Records in digital, CD and LP versions, as well as in a limited edition on purple vinyl, with a B2-size poster designed by Natalia Łabędź. The premiere of the album will take place on 27 October, and pre-orders for the disc will start on 6 October 2023.
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Tomasz Stanko Quintet - Wooden Music II
Tomasz Stanko Quintet
Wooden Music II
LP | 2023 | EU | Original (Astigmatic)
35,99 €*
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Release: 2023 / EU – Original
Genre: Organic Grooves
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The discovery of Tomasz Stańko's archive recordings from 50 years ago at Radio Bremen demonstrated the dynamic development of this shrouded in mystery quintet, which was a blank spot in the history of Polish jazz. Released by Astigmatic Records, the album turned out to be a surprise and a huge musical treat for many fans who no longer remember such a fiery period in the career of the outstanding trumpeter. The record received much critical acclaim and sold out in a blink, and Jazz Forum magazine recognised Wooden Music I as the historic album of the year. Now the time has come for the 2nd and final installment of wooden music.

It takes more than one album to fully illustrate the evolution of the band with which Tomasz Stańko, as its leader, recorded Music for K, one of the most important albums in Polish jazz. It is the early 1970s, Zbigniew Seifert gives up the saxophone in favour of the violin, so the band's sound becomes more 'wooden', and around this expression Stańko builds the foundations of a philosophy, which he wrote down on four small sheets of paper, still kept by Bronisław Suchanek, the quintet's bass player: We seek to create the kind of music that, while operating with all the elements of the most genuine jazz, attempts to look at it from a different angle, from a different mental plane. We do not experiment with the material, but with the form. For the form does not have to be a logical and strict construction of the entire piece, it can be free, improvised while playing, resulting from the mood, or atmosphere existing at a given moment, or random things, creating with their free fluidity that specific "magical mood". This, of course, excludes compositions in the traditional sense - Tomasz Stańko wrote at the time.

Wooden Music is therefore like a postcard - not so much of a specific gig, but of the entire period of the quintet's activity. It opens with compositions featured on Jazzmessage from Poland. Wooden Music I recorded in Bremen on 15 June 1972 is its peak - when the band plays free, vigorous music, but more sensitively planned, as the group is more in-tune after hours of joint stage encounters. Wooden Music II, recorded in Hamburg on 9 November 1972, is the conclusion of their vision of free-jazz - the final phase where composed pieces ("Calme" and "6 & 8") begin to emerge from wild improvisation. Some of these would, a few months later, find their way onto an iconic piece in Tomasz Stańko's discography - the Purple Sun album (e.g. "Flute's Ballad")... but with a slightly different line-up. When the band decides to wrap up, they are at the peak of their form, each feeling the need to develop on their own. They know when to step off the stage. They are invincible.

Tomasz Stańko Quintet was one of the most outstanding European free jazz ensembles of its time. The Polish musicians, plus a plethora of individuals such as Brötzmann, Mangelsdorff, Schlippenbach, Vesala or Surman, contributed to a movement which, while co-operating with the American avant-garde, had its own specificity and its own unique audience. Polish jazzmen, newcomers from behind the Iron Curtain, were seen as carrying a message of freedom to the countries of the region. It took many years for this message to come true. Today, European jazz seems to be far more erudite, emotionally restrained, intellectual, seeking links with contemporary avant-garde and ethno music. It's all very beautiful, but sometimes one would like to discard all of this extra wrapping and bring out the essence of jazz - the synergic energy and striving for the limits of expression, even if it poses the risk of a musical explosion - Tomasz Szachowski states in Jazz Forum. Therefore, it is time to see if we are dealing with explosive material in the case of the second installment of wooden music.

Thus, the Wooden Music series culminates with its second part coming from the archives of NDR radio, which recorded the footage in a small club in Hamburg called Jazzhouse. This time, the additional stem-mastering was done by Marcin Cichy, who perfected the sound on the album even more. The infallible Matt Colton is once again responsible for the half-speed cut of the vinyl matrix. Wooden Music II will be released on Astigmatic Records in digital, CD and LP versions, as well as in a limited edition on purple vinyl, with a B2-size poster designed by Natalia Łabędź. The premiere of the album will take place on 27 October, and pre-orders for the disc will start on 6 October 2023.
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Tom Petty & The Heartbreakers - Into The Great Wide Open
Tom Petty & The Heartbreakers
Into The Great Wide Open
LP | 1991 | EU | Reissue (Geffen)
28,99 €*
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Release: 1991 / EU – Reissue
Genre: Rock & Indie
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“Into the Great Wide Open” is the eighth studio album by American rock band Tom Petty and the Heartbreakers, first released in 1991 (see 1991 in music). The album was the band's last with MCA Records. The album was the second Petty produced with Jeff Lynne after the success of Full Moon Fever.

The first single, "Learning to Fly", became his joint longest-running number one single (along with "The Waiting" from 1981's Hard Promises) on Billboard's Mainstream Rock Tracks chart, spending six weeks at the top spot. The second single, "Out in the Cold", also made number 1 on the Mainstream Rock chart, albeit only for two weeks.

The music video for the title song starred Johnny Depp, who had moved to Los Angeles as a teenager to seek rock stardom, along with Gabrielle Anwar, Faye Dunaway, Matt LeBlanc, Terence Trent D'Arby and Chynna Phillips.
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Tom Frankel - Milestones EP
Tom Frankel
Milestones EP
12" | 2021 | EU | Original (Shall Not Fade)
13,99 €*
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Release: 2021 / EU – Original
Genre: Electronic & Dance
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Next up for Shall Not Fade's new Killer Cuts series is London-based DJ and label boss Tom Frankel. The up-and-coming producer has gained attention and respect for his slick techy house cuts that take from a range of classic house and UKG sound palettes. He makes his debut on Shall Not Fade with Milestones EP, six tracks of skippy house that reminisces early 90s raves. The record meshes modern sounds with nostalgia; "Better Perspective" is a pulsing laid back house track but with a swerving bassline that gives it edge. Frankel experiments with the sounds of a warehouse rave in a nod to dancefloor romance, "Mandy Cuddles" - melding the classic M1 house piano with searing jungle vocals that cut through the melody like a laser. Showing the cheekier side of his production, "Slippery Nipple" pays homage to filter house, a skippy garage bassline bringing it up to date. The funkiness of this one is unavoidable, making even the most static hips move; onto "Peak District", a throbbing 90s style roller to keep the pace going. The two final tracks dabble in the darker end of Frankel's sound palette; "Tapas" adds heavy bass and percussive organ stabs to a clean house sound while "Cuckoo Land" is a deep, sweeping club track that formed a spaced out end to an otherwise high-intensity EP.
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Tokyo Blade - Time Is The Fire Blue Red Vinyl Edition
Tokyo Blade
Time Is The Fire Blue Red Vinyl Edition
2LP | 2025 | EU | Original (Dissonance)
45,99 €*
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Release: 2025 / EU – Original
Genre: Rock & Indie
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Preorder shipping from 2025-01-17
Initially joining forces with Dissonance for 2020’s ‘Dark Revolution’ and the 2022’s ‘Fury’, the new album sees band leader Andy Boulton leading the charge with 14 new tracks of aggressive melodic metal, coupled with the anthemic vocals of Alan Marsh.‘Time Is The Fire’ will be supported by a full promotion campaign with multiple singles and features in all major metal and rock media. SIDE A:1. Feeding The Rat2. Moth To The Fire3. Man On The StairSIDE B:1. Are You Happy Now2. The Enemy Within3. Going With The Flow4. The 47SIDE C:1. The Devil In You2. Soldier On3. Don’t Bleed Over Me4. Written In BloodSIDE D:1. The Six Hundred2. We Burn3. Ramesses
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Tjade - Balancing Act EP
Tjade
Balancing Act EP
12" | 2021 | EU | Original (These Eyes)
12,99 €*
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Release: 2021 / EU – Original
Genre: Electronic & Dance
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Dutch-native Tjade marks his maiden release on These Eyes this July with the two-track Balancing Act EP. It continues a standout 2021 for the young talent, which has seen him release on Live at Robert Johnson already this year.

Balancing Act leads the charge, taking no prisoners with a gritty, acid-flecked bassline. Chilling hords soon converge upon uplifting synth rolls, to form a well-balanced dancefloor cut. Means To An End brings things to a close, a near six-minute number that pulls deeply on the heartstrings as soothing pads merge with hard-hitting percussion throughout.

Tjade is one of the most exciting prospects to come out of the Netherlands in recent years. Regularly gracing established labels in the form of Live at Robert Johnson, Mule Musiq and many more besides, several of electronic music’s most-esteemed have picked up his productions in recent years. Most notably is 2019’s Koi Jaye, a track that springboarded him into the global spotlight thanks to plays at Dgtl, Dekmantel and AVA by the likes of Palms Trax, Job Jobse and Hunee to name a few.
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Title Fight - Kingston
Title Fight
Kingston
7" | 2008 | US | Reissue (Purple Circle)
16,99 €*
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Release: 2008 / US – Reissue
Genre: Rock & Indie
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Title Fight released Kingston, their debut 7", in February 2008 on Flight Plan and Attic Records. Shortly after its release, both labels went defunct and the three-song EP was re-released in 2009 on Six Feet Under Records with an updated layout. This was the first era in which Title Fight was leaving their hometown, traveling around the Mid Atlantic and New England on weekends and on breaks from high school. In summer of 2009, the band released another three-song 7", The Last Thing You Forget, in the middle of their first full-US tour and "Memorial Field," "Loud And Clear," and "Youreyeah" were then included on the CD and digital versions of that release. Since then, this EP has remained out of print in its original format. Purple Circle has now reissued Kingston on a 7" for the first time in 14 years, returning to the original 2008 layout and remastered by Will Yip at Studio 4.
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Tin Man - Dripping Acid 2
Tin Man
Dripping Acid 2
12" | 2017 | EU | Original (Global A)
12,99 €*
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Release: 2017 / EU – Original
Genre: Electronic & Dance
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Dripping Acid is a series of separate 12"s exploring themes of melodic liquid acid. Part 2 of 6 limited releases by the Tin Man!! -- For Tin Man, acid endures. Like the lapping of a sizzling ocean on the shores of a distant planet, the peaks and troughs of expansive 303 basslines have been a constant in the music of the producer born Johannes Auvinen. He dedicated his mid-2000s early period to the sound, and even as his productions have expanded in scope and style - from the vocaltinged techno of Cool Wave, Wasteland and Perfume, to the intricate, classical-leaning compositions of Vienna Blue - he has returned often to Roland's indelible bass synthesizer. His plaintive, searing melodies have anchored Absurd Recordings' venerable Acid Test series since its first release, and they've punched through the mix in the club music of recent collaborations with Gunnar Haslam (Romans), with Cassegrain, and also with John Tejada. So it wouldn't be accurate to call Tin Man's latest project, Dripping Acid, a rededication. Yet his most ambitious project to date - six 12"s comprised only of new acid compositions - embraces the style as wholeheartedly as he ever has. While the brittle machine-music of '80s Chicago is the blueprint of any acid track, Dripping Acid refrains from revivalism, instead looking forward and inward as it harnesses the 303's psychedelic potential through sumptuous production and adventurous composition. Though it's focused on a single style, Dripping Acid is tremendously diverse, expanding upon the evocative physicality of its track titles ("Evaporated Acid," "Drenched Acid," "Oozing Acid") to rend dancefloors of all shapes and sizes. Tin Man's acid can be exuberant and coy, bleak and technicolor, maximalist and impressionistic, even completely unrecognizable as acid - but as Auvinen stretches the sound to the point of snapping, he shows there's still bend in a decades-old template, and plenty more alien waves to ride.
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Timothy Archambault - Onimikic
Timothy Archambault
Onimikic
LP | 2024 | EU | Original (Ideologic Organ)
26,99 €*
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Release: 2024 / EU – Original
Genre: Electronic & Dance
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Timothy Archambault's unaccompanied flute pieces for this album have been inspired by Indigenous brontomancy (divination by thunder). Each piece highlights a different extended flute technique metaphorically related to types of thunder sounds: claps, peals, rolls, rumbles, inversions, and CG (cloud-to-ground). An important document of new music meets contemporary musicological research via Stephen O'Malley of Sunn O)))'s Ideologic Organ. The Indigenous flute used in this recording is made of cedar respective to the traditional woods used by the Kichesipirini and other tribes who live along the Ottawa & Saint Lawrence Rivers. To the Algonquin the flute (Pibigwan) is the wind maker or essence of the wind. Unlike other tribal nations whom the majority used the flute as a courting instrument, the Algonquin generally utilized the flute for more contemplative singular usage to mimic the sounds of nature or as a signaling device during times of conflict. When love songs were required, they were usually more plaintive in character expressing sadness, loneliness, or concerning the departure of a lover. The album intro begins with the shaking of a necklace of otter penis bone, fish spine, bear claw, elk teeth and deer hide, gifted from Algonquin Elder Ajawajawesi. It is meant to focus the listener's attention before the flute pieces begin. The warble or multi-phonic oscillation prevalent in all the pieces traditionally represented the "throat rattling" vocalization of the tonic note, sometimes known as the horizon of which the melody floats from. Due to the repetition of multi-phonic oscillation the performer will breathe erratically creating an altered state correlating with similar traditional ceremonial practices.
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Timmy Thomas - Why Can't We Live Together (Ben Liebrand Remixes)
Timmy Thomas
Why Can't We Live Together (Ben Liebrand Remixes)
12" | 2024 | EU | Original (High Fashion Music)
15,99 €*
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Release: 2024 / EU – Original
Genre: Organic Grooves
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“Why Can’t We Live Together” is a song written and recorded by Timmy Thomas in 1972. A chart hit in the following year, it was included on the album Why Can’t We Live Together. It was one of the first major hits to feature the use of a rhythm machine! From his organ! Very apt for our times, this song simply gives a heartfelt antiwar message. The track has been re-recorded by the likes of Sade, MC Hammer, Santana and Steve Winwood over the years but it’s the original that has the magic of it’s creator!

Ben Liebrand ups the bpm’s for his mix. He creates a percussive jam that pumps with pure emotion. Absolute club class.

Included on this release is Ben’s (now admittedly taking ownership after 43 years) 1981 Bootleg which chugs with soul and funk goodness.
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Timmy Thomas - Africano / Why Can't We Live Together
Timmy Thomas
Africano / Why Can't We Live Together
12" | US | Reissue (Get On Down)
16,99 €*
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Release: US – Reissue
Genre: Organic Grooves
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The Label: TK Records in essence represents the city of Miami when it came to Soul/R&B
and the early stages of Disco. In 1974, George McCrae gave the label its first #1 Disco
hit with Rock Your Baby. A little more than a year after McCrae's hit, the record label
struck gold with KC & The Sunshine Band with five #1 songs on the Billboard Hot 100.
Needless to say at the height of the genre’s cultural domination TK did pretty well.
Timmy Thomas: Without a doubt, he’s most famously known for the hit song Why Can’t We
Live Together. The record topped the U.S. Billboard R&B chart, made the top three in the
Billboard Hot 100 and was charted in top 10 in many countries including the UK. A staple
in the R&B scene, he had a succesful solo career until the mid 80s, later focusing on
the writing and production side of the business.

Why Can’t We Live Together: It may have been his biggest hit, but also one that keeps
resonating to this day. A response to the devastating news coming from the war in
Vietnam, its words “No more wars, we want peace in this world, and no matter what color,
you’re still my brother.” are indicative of a time marked by the horrors of war abroad,
and the racial discrimination in America. Written and Produced by Timmy Thomas himself
solely on a Lowrey organ, and an early rhythm machine, the song however was far from
simple as its emotive message continues to provide a profound context. And even though
it’s been covered over the years by many artist including Sade and Joan Osborne, Why
Can’t We Live Together has managed to come back on the charts again in 2015, as the
instrumental backing to Drake’s Hotline Bling, which has now sold over 2 Million copies
in the U.S. Alone. Once a hit, always a hit.

Africano: When it comes to this Deep Disco cut, Africano is one of those tracks that
probably never got much shine in America, but has since become a dancefloor favorite of
underground disco DJs worldwide. Curiously, years after its release, its biggest
supporters were Italian DJs like Danielle Baldelli, Mozart and Gianni Maselli who during
the 80s played Disco, African records, American R&B, and reggae to create what has been
since become known as the Afro-Cosmic scene at the height of Club culture in the
discothèques of Northern Italy.
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Tim Story - Threads Clear Vinyl Edition
Tim Story
Threads Clear Vinyl Edition
LP | 2021 | US | Original (Dais)
23,99 €*
Incl. VAT plus Shipping Costs
Release: 2021 / US – Original
Genre: Electronic & Dance
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First Ever Vinyl Edition, Originally Set To Be Released In 1982 But Due To Original Label's Untimely Demise, It Was Never Issued Until Now. For Fans Of Harold Budd, Brian Eno, Roedelius, Nils Frahm, Klaus Schulze, Popol Vuh, Vangelis, Jean-Michel Jarre. The Saga Of Composer Tim Story's 1982 Debut Is A Case Study In The Shifting Sands Of The Early Progressive Music Industry. Recorded On A Tascam 4-Track Reel-To-Reel In His Basement Bedroom In Whitehouse, Ohio Using A Ragtag Array Of Equipment - Salvaged Vibraphone, Pawn Shop Les Paul, His Mother's Spinet Piano, A Paia Synth Kit Assembled By His Girlfriend's Father, And A Yamaha Cs-30 - Story Optimistically Dubbed Six Cassettes And Sent Them Around The World. Following A Polite Rejection From Klaus Schulze, The French Avant-Garde Label Atem (This Heat, Univers Zero, Art Zoyd) Reached Out With An Offer To Release Threads Via Their New Instrumental Electronic Subdivision, Labyrinthes. After Several Letters Confirming Terms Of The Arrangement As Well As Multiple Rounds Of Test Pressings, Correspondence Suddenly Ceased. Some Months Later The Label Folded, Never Having Begun. Synchronistically, However, Schulze's Copy Ended Up In The Glovebox Of An Engineer Associate, Who Happened To Play It For A Couple Visiting Journalists With Contacts At A Newish Norwegian Imprint, Uniton Records (Popul Vuh, Harold Budd). Impressed, They Connected Story To The Label Head, But By Then He'd Already Recorded A Follow-Up, The More Neoclassical-Leaning In Another Country, Which Became His Inaugural Release. Finally, 40 Years Later, Dais Records Is Rectifying History's Error By Properly Issuing Threads On Vinyl For The First Time. It's A Beautiful, Beguiling Work, Exploratory But Emotive, Documenting, As Story Puts It, "The Path Not Taken... Like The First Chapter Of A Book That Was Set Aside To Begin Another." Despite Only Being In His Early Twenties At The Time Of Its Creation, Threads Feels Finessed And Considered, Weaving Through A Diverse Spectrum Of Moods And Minimalist Melodie...
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Tim Hecker - Ravedeath, 1972
Tim Hecker
Ravedeath, 1972
2LP | 2011 | US | Reissue (Kranky)
41,99 €*
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Release: 2011 / US – Reissue
Genre: Electronic & Dance
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TIM HECKER’s classic Ravedeath 1972 approaches a form of secular musical transcendentalism from within the battered temple of spirituality. Recorded in a church in Reykjavik, Iceland and using a pipe organ as the primary sound source, this piece is essentially a live recording. In reality, it exists in a nether world between captured live performance and meticulous studio work, melding the two approaches to sonic artifice as a unity. It is in parts a document of air circulating within a wooden room, and also a pagan work of physical resonance within a space once reserved for the hallowed breath of the divine. While the title of the piece “Hatred of Music” might be a clue, the album is also partly an attempt to confront a pervasive negativity surrounding music. Historical rituals of destroying pianos, mountains of pirated CDRs pushed by bulldozers in Eastern Europe, or the melancholy of the digital music era began as sideline motifs which quickly informed the work on this record. They also really didn't at all. Despite that the context is wide open in such a form of musical abstraction, the substance of these immersive compositions showcases Hecker s continued mastery of organizing sound into a visceral near entity. It is an almost physical presence that the listener feels as much as hears. This work is a significant contribution to Hecker's oeuvre, one which spans over ten years of musical production. Ravedeath is an enigmatic document of beauty and force. The album was recorded mostly over the period of one day in July of 2010. Iceland-based musician BEN Frost assisted with the engineering and performs on this recording.
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Tim Carman Trio - King Comfy
Tim Carman Trio
King Comfy
LP | 2023 | US | Original (F-Spot)
28,99 €*
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Release: 2023 / US – Original
Genre: Organic Grooves
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From the first notes of King Comfy, Tim Carman Trio play jazz like it was supposed to be played: hot, sweaty, and a damn good time. Recorded in one day on the floor of The Record Co. in Boston MA, this LP opens up the door to what jazz is really all about. “Jazz doesn’t have to be so academic. It can be a party. It doesn’t have to be about playing a million complicated notes that only schooled musicians would enjoy. I went in focusing on groove, sound, and simplicity,” says bandleader/ drummer Tim Carman (ga-20). That’s exactly what the listener gets from this trio: straightforward grooves with a sound that blows the roof off the joint. Drawing inspiration from notables such as Big John Patton, Brother Jack McDuff, Babyface Willette, and Freddie Roach, they open the door to a very special party that we’re all invited to. In fact, it’s a ten-track jazz party that’s swinging, upbeat, and funky as hell. Consisting of eight original songs and two covers, the entire record itself gives off a live feel. Tim Carman Trio could be playing at Club Mozambique, The Lighthouse, The Cliche Lounge, The Front Room, or any jazz club on the circuit during the late sixties or early seventies, but they’re playing in your living room right here in the present day, and you’ve got a front row seat. On this record, as with their freshman Keylime LP, the trio did not rehearse before the sessions. They would figure out a tune and cut it in one or two takes. It’s about the process, old and new. TC3 does a top-notch job of preserving a style while adding their own feel from start to finish. With Tim Carman on drums, Ken Clark on organ, and Steve Fell on guitar, these three accomplished musicians have done more than release a jazz record, finding and perfecting a formula that most can not even buy. They’ve put together an homage to the true essence of great jazz music, one that the aforementioned greats would be proud of. King Comfy pays respect to the past and is a real jazz party, just like it should be.
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Tightwire - Six Feet Deep
Tightwire
Six Feet Deep
LP | 2018 | US | Original (Red Scare Industries)
20,99 €*
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Release: 2018 / US – Original
Genre: Rock & Indie
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One of the Dillinger Four dudes sent us music from a young band outta Minneapolis, and as usual, we
groaned, rolled our eyes, and then grudgingly listened to the songs. WAIT A SEC. Holy shit… this
band RIPS! (Super catchy and sounds like The Copyrights playing Dude Ranch). A new band with a
great demo… is this a trap? We reached out right away and basically demanded that they join us at
Red Scare. They’re called Tightwire, and they’re giving you 13 self-recorded blasts on this debut
album entitled, Six Feet Deep, mixed by Matt Allison (Alkaline Trio, Dead To Me, The Menzingers). The
two singers, Paul and Tane, offer the kind of dark/poppy jams you would expect from salty MPLS
punks: love songs, drinking songs, angry songs, drinking songs, funny songs, drinking songs,
etc. This should go down as one of the best pop-punk albums of the year, and you can expect
lotsa tours from this Midwest trio as they already have shows booked with Dillinger Four and
Off With Their Heads.
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Tiago Sousa - A Thousand Strings
Tiago Sousa
A Thousand Strings
LP | 2024 | EU | Original (Discrepant)
25,99 €*
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Release: 2024 / EU – Original
Genre: Electronic & Dance
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Continuing his fruitful relationship with Discrepant after the third volume of his ongoing Organic Music Tape Series on Sucata Tapes, Tiago Sousa returns with two longform pieces for organ with 'A Thousand Strings'. A self-explanatory title in itself, 'A Thousand Strings' drifts fluidly into a celestial realm of cascading melodies and cycling patterns that never feel forced or strict throughout its two hypnotic tracks. Pulsating with life and ecstatic abandon.

Taking cues from the tradition of American minimalists like Steve Reich and, particularly, Terry Riley, the Portuguese composer's work flows with a life of his own, that, while acknowledging those influences, transcends them into his own signature. On the A side, 'A Thousand Strings' goes seamlessly from intertwining crepuscular harmonies to ascending keyboard runs in the manner of 'Persian Surgery Dervishes' finishing with a coda of rhythmic marimba-like pulses. On the flipside, 'The Things Passed' creates this maze-like tapestry of melodies that seem to drift apart only to converge back again into its internal process before setting on sustained tones infused with a sense of longing. For all things passed. For what is yet to come.
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Thunder And Roses - King Of The Black Sunrise Black Vinyl Edition
Thunder And Roses
King Of The Black Sunrise Black Vinyl Edition
LP | 1969 | EU | Reissue (Out-Sider Music)
26,99 €*
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Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Led by explosive guitar player Chris (later Christa) Bond, Thunder and Roses was a power-trio from Philly in the best tradition of Cream or the Jimi Hendrix Experience. This is their sole album, originally released in 1969. A cult psychedelic hard-rock classic, including “White Lace and Strange”, famously covered by Nirvana. Thunder and Roses (named after a story from The Astounding Science Fiction Anthology) started to take form when genius 18-years old guitar player Chris Bond and bassist Tom Schaffer met heavy drummer George Emme (previously of The Electric Power House). Rehearsing six days a week the trio gelled quick and soon they were playing memorable shows at venues like Electric Factory and the Trauma. Recorded at Sigma Sound by Joe Tarcia, “King of the Black Sunrise” was released by United Artists in 1969. Dominated by Bond’s outstanding fuzz-wah guitar playing, the album featured seven original songs plus a storming cover of Hendrix’s “Red House”. Sadly, the record label took a wrong decision when refused to release the killer “White Lace and Strange” as a 45 to promote the album, choosing the mockery “Country Life” instead. After Thunder & Roses split, guitar player and main songwriter Chris Bond had a successful career as producer, songwriter, arranger and session musician, working closely with Daryl Hall & John Oates as well as other top artists. Later in his life, Chris eventually transitioned from male to female and changed her name to Christa. She sadly passed away in 2019.
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Throbbleheads - Andrew W.K. - V2 Throbblehead
Throbbleheads
Andrew W.K. - V2 Throbblehead
34,99 €*
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Available Sizes: One Size
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Limited to only 1000 hand-numbered figures.

Andrew W.K., the man who continues to show the world how to party, has been transformed into a pint-sized party figure for a second time. This follow up to his first Throbblehead brand figure is limited to just 1000 numbered units, stands at six inches tall, and is made of a super high quality polyresin.
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Thorr's Hammer - Dommedagsnatt Grey Vinyl Edition
Thorr's Hammer
Dommedagsnatt Grey Vinyl Edition
LP | 2004 | US | Reissue (Southern Lord)
35,99 €*
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Release: 2004 / US – Reissue
Genre: Electronic & Dance
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Limited grey vinyl.A more than timely reissue of Southern Lord's very first release. This is an awesome runic doom bauer of a record. Featuring Stephen O'Malley, Greg Anderson and a then 17 year old nordic vocalist, Runhild Gammelsæter. Thorr's Hammer was active only for six weeks during which it played two gigs and recorded a demo and "Dommedagsnatt". The band disbanded after Runhild's return to Oslo, Norway. Burning Witch was formed fromthe ashes of Thorr's Hammer and Runhild has currently teamed up with James Plotkin (Khanate) to form Khlyst. Long out of print and released on 180g black vinyl with new art work in a gatefold sleeve. Thorr's Hammer features Stephen O'Malley, Greg Anderson (Sunn0))), Burning Witch) and Runhild Gammelsæter (Khlyst).
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Thony Shorby Nyenwi - Sweet Funk Music
Thony Shorby Nyenwi
Sweet Funk Music
LP | 1978 | EU | Reissue (Jet)
28,99 €*
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Release: 1978 / EU – Reissue
Genre: Organic Grooves
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For fans of Fela Kuti, Ofege, Assagai, The Funkees, Mixed Grill, Bob Marley
Reissue of a long lost afro beat and Nigerian funk classic from 1978
A massive collection of captivating grooves and haunting melodies.

Who said that all Nigerian afrobeat from the 70s was dark and though provoking with a melancholic edge despite the ongoing powerful grooves and a more or less political message denouncing the the methods of the country’s leaders to increase their own wealth and power while the simple people suffer. Well, this 1978 album by bandleader Thony Shorby Nyenwi proves this idea wrong. What we have here is a sacredly rare gem, fetching 300 € for a copy in playable condition. A crown jewel of Nigerian afrobeat and funk music that is an utter joy listening to.

Thony Nyenwi's music is a monument of the genre carved in rock. His vocal melodies are more at the lighter and happier side of life, somehow hypnotizing with reduced note progressions on repetitive rhythm figures that rush through your whole body to make you groove along. A fine funky wah wah guitar sound and a mind blowing keyboard sound including electric piano, farfisa organ and others hook up to add colour to the stoic rhythms. The atmosphere literally cooks. This is certainly more modern with a slightly more polished feel than the political music of Fela Kuti or Segun Bucknor, but still bears an unparalleled intensity that makes this album a dance floor sweeper at each club. Coloured lights are flashing into the white haze from the fogging machines when people in glittering bell bottom trousers and twinkling shirts happily get into the groove. 70s galore. Well, the folks can also shift down a gear and rock out a sweet reggae tune that later on turns into a smooth funk, to add more variety to this black wax jewel.

No matter what Thony and his mates do here, they do it with passion and divine talent.
The arrangements are a dense network of sounds, beats, melodies, voices and it goes on and on throughout the whole record. You as a fan of 1970s black music, funk, reggae, soul, all mixed up in a typical Nigerian way, will be enchanted and become swallowed by the holy cloud emerging from the speakers. A beautiful discovery after such a long time that will bring more joy to a new generation of black music aficionadoes.
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This Will Destroy You - Variations & Rarities: 2004-2009 Volume 1 Yellow Vinyl Edition
This Will Destroy You
Variations & Rarities: 2004-2009 Volume 1 Yellow Vinyl Edition
LP | 2021 | US | Original (Dark Operative)
26,99 €*
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Release: 2021 / US – Original
Genre: Rock & Indie
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Pulling from a dense archive comprised of 15 years worth of demos, unreleased tracks, variations on material that later evolved into something else, unused soundtrack cues, and everything in between, This Will Destroy YOU and Dark Operative are proud to announce the launch of Variations & Rarities: 2004-2019 Vol. I, an ongoing audio series. The first installment features six selections of completely unheard material from roughly a three-year period in the middle of the band’s career. Whereas traditional rarity collections can feel like an archive dump (wherein the songs don’t have a discernible relation to one another in any capacity), Vol. I has been meticulously crafted to flow seamlessly from beginning to end, communicating a long-form narrative that can only be experienced in
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Theory Hazit - The 5 Deadly Venoms
Theory Hazit
The 5 Deadly Venoms
7" | 2022 | US | Original (Wetwork Music Group)
15,99 €*
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Release: 2022 / US – Original
Genre: Hip Hop
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Beat Battle Champion, Theory Hazit, presents his first round of beats from the Smack Pack Challenge entitled, The Five Deadly Venoms. With this Kung-Fu theme of beats influenced by none other than the Wu-Tang sound (Rza, Mathematics, 4th Disciple) this limited 7" features six tracks that revisit songs sampled by the collective. Each beat appears as a student, while the master provides commentary as sound bytes from classic hip-hop anthems sprinkled throughout the project. This is undoubtedly a collectors item!
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Theodor - Theodor
Theodor
Theodor
LP | 2023 | EU | Original (Broc)
29,99 €*
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Release: 2023 / EU – Original
Genre: Organic Grooves, Rock & Indie
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THEODOR is a psychedelic sweet soul band formed by members with diverse musical backgrounds.
Whilst on a road trip to Italy Rob and Lui were listening to tapes of contemporary soul music. The idea was born to record an album channeling a moody and relaxed soundscape. „Right after our trip we called up our good friends Max and Greg, who were immediately on board. We wrote and recorded deep in the pandemic. Those weekend sessions captured this peaceful solitude“ The outcome was their self-titled debut album which will be released in February 2023 on the french label Broc Recordz. The rich sonic texture and unconventional arrangements of their very first single SHEPARD’S LULLABY gives a hint on what is to be expected on their forthcoming LP. THEODOR created a perfect soundtrack for a hot and humid summer day having a magic dash in your twelve o’clock tea. Playful melodic bass lines and the soulful acoustic drums build the playground for the warm and dreamy keys such as farfisa organs, fender rhodes and 80's synths. The lush instrumentals are spiced by the very different yet complementary voices of Max and Lui.
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Theodor Kentros - Trystereo
Theodor Kentros
Trystereo
LP | 2024 | EU | Original (Moloton)
30,99 €*
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Release: 2024 / EU – Original
Genre: Electronic & Dance
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This debut full-length album by Stockholm-based composer and electroacoustic experimentalist Theodor Kentros, could easily be interpreted as 'just' an assemblage of pieces written between 2021-2024. Named after the paranoid hallucination (or, if said hallucination is real, the underground secret mail system) figuring in the 1966 Thomas Pynchon novel ‘The Crying of Lot 49’, it should rather be perceived as a very distinct, coherent stream running through his output during these years.

The six tracks – ranging in sound and disposition from serialised organ drones constructed to reach screeching and beautiful culminations, to minimalist, repetitive studies in tape loops and string synthesis – were composed and recorded in Stockholm and Visby at different occasions during down-time from his many other projects, which include a myriad of other commissions, co-running labels XKatedral and Kalkatraz Cassettes and touring with punk groups and solo shows.
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Theo Schumann
The Story Of Theo Schumann
LP | 2024 | EU | Reissue (Golden Rules)
23,99 €*
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Release: 2024 / EU – Reissue
Genre: Organic Grooves
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The unbelievable groove of east germany.

Golden Rules searched the tape archives and found some pearls of the Dresden Jazz Icon Theo Schumann.

After 50 year for the first time on vinyl with a special edition of 15 unreleased songs and super rare gems from the tape archives by Theo Schumann. For fans of funky Big beat and Surf Shake.

Theo Schumann (1928 - 1990) was a great saxophone and organ player from Dresden, Germany with a unique sound. His combination of grooves in Big Beat, Jazz, Funk and Hully-Gully Rock is considered the "archetype" of pop music in the GDR. He played in many different bands like Theo Schumann Combo, Theo Schumann Sextett or Theo Schumann Orchestra and recorded many songs for different artists in the German Democratic Republic. Together with his son Roberto Schumann we managed to get some unreleased tracks from the tape archives and are now able to share some super rare gems with you on this LP.
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Theo Everyday - Holsten Fm
Theo Everyday
Holsten Fm
12" | 2022 | EU | Original (Cheeky Sneakers)
14,99 €*
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Release: 2022 / EU – Original
Genre: Electronic & Dance
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Balamii resident and Sticky Tapes-founder Theo Everyday arrives with a huge debut on Cheeky Sneakers, seamlessly blending the worlds of jungle, electro and trance with his signature sauce of nostalgic and futuristic hyper-funk.

Having curated the Sticky Tapes mix series and label - supporting music from artists such as Stones Taro, Om Unit, Jossy Mitsu and Lobster Theremin label head Asquith - the DJ and producer knows a thing or two about merging differing styles and energies. The Holsten FM EP plays out like a three hour club set; placing classic UK sounds at its foundation and throwing multi-coloured paint all over them.

'The Way You Feel' makes use of the pitched-vocal, SoundCloud hyper-pop aesthetic with hardcore-piano stabs and heartstring-tugging cheese wrapped within a huge low-end swinging bassline. A great lights-up tool to leave them with a smile on their face. The classic rave energy is maintained on the EP title track - a stripped-back cut of ragga jungle-step that's as meditative as it is devastating.

From golden-era rave and jungle future-mutations to heads-down club sounds, 'Every Body's Talking (Well Let's Talk)' is a strobe-light power sequence for when things are in full swing, before 90s breakbeat and trance join forces on a 'Six and Two Threes' hands-in-the-air moments.

Breaks-littered dream sequences that feel like a warm hug follow on 'Summer Lie In' - its chopped melodies and stirring atmospherics causing ripples within the pond of paradise - before 'Mod Cons' closes with a squelching cut of acid-electro on a killer digi-only exclusive.
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Thelonious Beats (Black Cash & Theo) - We're In Love / Valdez In The Country
Thelonious Beats (Black Cash & Theo)
We're In Love / Valdez In The Country
7" | 2021 | US | Original (Galaxy Sound)
14,99 €*
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Release: 2021 / US – Original
Genre: Organic Grooves, Electronic & Dance
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Side A. Reuban Wilson "We're are in love" sample flip sets the tone for Nas Memory Lane (Sittin' in Da Park) sampled and chopped by 1 only. DJ Premier sampled multiple elements from Wilson’s original composition, including the organ, percussion and distinctive wordless backing vocals. The seldom-sampled track is now irrevocably tied to this classic East Coast jam. Galaxy crew decided to give it a Re mastered rinse, chop up the intro break to back to life for 45 fans to appreciate.

Side B. Valdez In The Country by Donny Hathaway Re mastered Re edited . Sampled by Madlib back in 2010
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Thee Silver Mt. Zion - 13 Blues For Thirteen Moons
Thee Silver Mt. Zion
13 Blues For Thirteen Moons
LP | 2008 | Reissue (Constellation)
26,99 €*
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Release: 2008 / Reissue
Genre: Rock & Indie
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180g Vinyl!On 13 Blues For Thirteen Moons, Thee Silver Mt Zion Memorial Orchestra & Tra-La-La Band (two guitars, two violins, cello, contrebasse and drums) has grown louder, looser, full of spittle and tears and riffs are the backbone more than ever. Anchored by drummer Eric Craven (ex-Hangedup), the band works its slow build and burn with newfound patience, sinuousness and ferocity. Whether methodically framing walls of sound over the four-on-the-floor punk dirge of "1,000,000 Died To Make This Sound" or exploding in sheets of free noise and melody on "Black Waters Blowed", the band has never rocked harder and has never sounded more determined, desperate and driven. A stuttered blues riff is the foundation for the album's title track, making its appearance after a blisteringly minimalist intro. "Engine Broke Blues" features a gorgeous set of chords that build inexorably from multiple guitar, string and organ lines.
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Thee Marloes - Logika / True Love
Thee Marloes
Logika / True Love
7" | 2023 | US | Original (Big Crown)
12,99 €*
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Release: 2023 / US – Original
Genre: Organic Grooves
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Thee Marloes give us with another killer of a two-sider while they finish recording their debut album.The A side "Logika" is a laid back tune about where the head and the heart meet and how they often don't see things the same way. Natassya Sianturi's honeyed vocals float over a beautifully arranged track driven by guitar riffs, organ, and reverb drenched stick hits. They manage to put the perfect amount of paint on the canvas with the band sounding tight as ever hitting all the changes that bring in the earworm chorus that stays in your head even if you don't speak Indonesian. The B side "True Love" finds Thee Marloes dipping back into the soulful side of jazz but this time with a beat ballad that could soundtrack a Tarantino movie and hold court with the best of the genre. This one leans you back in your chair setting the mood for a smokey lounge affair and a strong drink. Two more pages from Thee Marloes book on a must have 45 giving a taste of what is to come on the 2024 full length.
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Thee Holy Strangers - Diary Of Teh Shadow
Thee Holy Strangers
Diary Of Teh Shadow
LP | 2023 | EU | Original (Inner Ear)
26,99 €*
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Release: 2023 / EU – Original
Genre: Rock & Indie
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Six years after their debut album, Thee Holy Strangers return with their sophomore LP “Diary Of The Shadow”. With a new line-up and a new sound design, they present seven testimonies of an uncertain era and trace its imprints. Drawing on the inexhaustible pool of rock’n’roll, soul and folk, they set up songs for today that speak of resignation and resilience, darkness and light, sadness and hope.

New members of the band are Andreas Lagios (Nightstalker) on bass and Kleon Antoniou (Mode Plagal) on guitar.

“Diary Of The Shadow” includes seven original compositions and was produced by Costas Chrysogelos (Digital Alkemist), Alexis Kalofolias and Dimitris Papanagiotou (Jim Spliff). It was recorded by Costas Chrysogelos and Philip Marinelis at DNA Lab studio in the spring-summer of 2021. The mastering was done by Giannis Christodoulatos at Sweetspot Studio.

The album also features Nikos Fysakis (electric guitar) and Giannis Houstoulakis (pedal steel guitar), members of the group’s previous line-up, Nikos Yousef (musical saw) and Kostis Zouliatis (piano, keyboards, synth).

Thee Holy Strangers are: Flora Ioannidi: Vocals, Alexis Kalofolias (Alex K): Vocals, guitar, Kleon Antoniou: Electric and acoustic guitar, Andreas Lagios: Bass, Costas Chrysogelos: Drums, percussion.
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Thee Heart Tones - Forever & Ever Clear Orange Vinyl Edition
Thee Heart Tones
Forever & Ever Clear Orange Vinyl Edition
LP | 2024 | US | Original (Big Crown)
26,99 €*
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Release: 2024 / US – Original
Genre: Organic Grooves
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Big Crown Records is proud to present Forever & Ever, the debut album from Thee Heart Tones. Hailing from Hawthorne, California, Thee Heart Tones are both carrying on a tradition and pushing the boundaries with their music. Lead singer Jazmine Alvarado is just 19 years old and the oldest member of the group, Jorge Rodriguez is 21, but one listen to their record and it becomes blatantly apparent they are a talent well beyond their years. Thee Heart Tones are Jazmine on vocals, Ricky Cerezo on keys and organ, Jorge on drums, Jeffrey Romero on bass, Peter Chagolla on lead guitar, and Walter Morales on rhythm guitar. As the story goes, "one day I got a DM from Ricky Cerezo asking if I wanted to write a song for his new (then unnamed) band," Jazmine says. "I knew his drummer and the other boys from middle school, so they were familiar faces. They sent me an mp3 of an instrumental they'd written and told me they wanted lyrics, so I wrote some and sent it to them." That song ended up being "Don't Take Me as a Fool," a downbeat, minor key ballad on which Jazmine's sultry, pitch-perfect vocals soar, and which is now destined for their debut album. Ricky went home to play "Don't Take Me As a Fool", recorded as a voice note on his phone, to his dad. "I was hesitant. Dad knew this music better than anyone; he grew up with it. But he grabbed my phone and held it to his ear. His approval meant a lot to me. But he had the same reaction Jorge and I did when we fi¬rst heard Jazmine sing. `This is going to be a hit,' he told me. `You guys have something really special here'." It was that same recording that caught the ears of Leon Michels and Danny Akalepse of Big Crown Records, who both heard the potential in the group immediately. After they signed to the label, Leon flew out to Los Angeles to record their debut album with Tommy Brenneck at Tommy's Diamond West studio. They knocked out 14 songs in fi¬ve days, capturing the charm of teenage soul and mixing it with their seasoned production prowess and the result is a modern classic Soul album. Album opener and title track "Forever & Ever" is an infectious two-stepper that instantly lifts your mood while heavy duty B side ballads like "Should I Call You Tonight", "Cry My Tears Away", and "It's Time" hold court with the genre's classics. They pick up the pace and ¬fill the dancefloor with "Need Something More" as Jazmine matter of factly sets the record straight on a Northern Soul styled track. They cover the Alvaro Carrillo penned classic "Sabor A Mi" to great effect, doing it justice and putting their version right up there with the best of them. Another standout is their version of The Vanguards classic "Somebody Please" which they change the tone of and take to a different level. The punching drums of "No Longer Mine" juxtapose Jazmine's honeyed vocals and wind up with the gritty energy of a mid-90s hip hop sample. Forever & Ever is both a testament to their unmistakable musical chemistry and talent. Their intentions as a band are testament to their collective character. Choosing to cover "Sabor A Mi" "allows us to let our audience know we go back to our roots," Jazmine says. "Growing up in LA, you get influenced by the city, the artwork, the music," Ricky says. "Dad didn't own a lowrider car, but other members of our family did. Impalas. El Caminos. We were influenced by the culture, particularly Chicano culture. And oldies and soul music played a big part." The style. The culture. The nod to the past. "That's what we're going for. We want to connect young Chicanos with their heritage. And we want to unite people _ old and young."
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Thee Heart Tones - Forever & Ever Black Vinyl Edition
Thee Heart Tones
Forever & Ever Black Vinyl Edition
LP | 2024 | US | Original (Big Crown)
26,99 €*
Incl. VAT plus Shipping Costs
Release: 2024 / US – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Big Crown Records is proud to present Forever & Ever, the debut album from Thee Heart Tones. Hailing from Hawthorne, California, Thee Heart Tones are both carrying on a tradition and pushing the boundaries with their music. Lead singer Jazmine Alvarado is just 19 years old and the oldest member of the group, Jorge Rodriguez is 21, but one listen to their record and it becomes blatantly apparent they are a talent well beyond their years. Thee Heart Tones are Jazmine on vocals, Ricky Cerezo on keys and organ, Jorge on drums, Jeffrey Romero on bass, Peter Chagolla on lead guitar, and Walter Morales on rhythm guitar. As the story goes, "one day I got a DM from Ricky Cerezo asking if I wanted to write a song for his new (then unnamed) band," Jazmine says. "I knew his drummer and the other boys from middle school, so they were familiar faces. They sent me an mp3 of an instrumental they'd written and told me they wanted lyrics, so I wrote some and sent it to them." That song ended up being "Don't Take Me as a Fool," a downbeat, minor key ballad on which Jazmine's sultry, pitch-perfect vocals soar, and which is now destined for their debut album. Ricky went home to play "Don't Take Me As a Fool", recorded as a voice note on his phone, to his dad. "I was hesitant. Dad knew this music better than anyone; he grew up with it. But he grabbed my phone and held it to his ear. His approval meant a lot to me. But he had the same reaction Jorge and I did when we fi¬rst heard Jazmine sing. `This is going to be a hit,' he told me. `You guys have something really special here'." It was that same recording that caught the ears of Leon Michels and Danny Akalepse of Big Crown Records, who both heard the potential in the group immediately. After they signed to the label, Leon flew out to Los Angeles to record their debut album with Tommy Brenneck at Tommy's Diamond West studio. They knocked out 14 songs in fi¬ve days, capturing the charm of teenage soul and mixing it with their seasoned production prowess and the result is a modern classic Soul album. Album opener and title track "Forever & Ever" is an infectious two-stepper that instantly lifts your mood while heavy duty B side ballads like "Should I Call You Tonight", "Cry My Tears Away", and "It's Time" hold court with the genre's classics. They pick up the pace and ¬fill the dancefloor with "Need Something More" as Jazmine matter of factly sets the record straight on a Northern Soul styled track. They cover the Alvaro Carrillo penned classic "Sabor A Mi" to great effect, doing it justice and putting their version right up there with the best of them. Another standout is their version of The Vanguards classic "Somebody Please" which they change the tone of and take to a different level. The punching drums of "No Longer Mine" juxtapose Jazmine's honeyed vocals and wind up with the gritty energy of a mid-90s hip hop sample. Forever & Ever is both a testament to their unmistakable musical chemistry and talent. Their intentions as a band are testament to their collective character. Choosing to cover "Sabor A Mi" "allows us to let our audience know we go back to our roots," Jazmine says. "Growing up in LA, you get influenced by the city, the artwork, the music," Ricky says. "Dad didn't own a lowrider car, but other members of our family did. Impalas. El Caminos. We were influenced by the culture, particularly Chicano culture. And oldies and soul music played a big part." The style. The culture. The nod to the past. "That's what we're going for. We want to connect young Chicanos with their heritage. And we want to unite people _ old and young."
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Thee Heart Tones - Forever & Ever
Thee Heart Tones
Forever & Ever
CD | 2024 | US | Original (Big Crown)
13,99 €*
Incl. VAT plus Shipping Costs
Release: 2024 / US – Original
Genre: Organic Grooves
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Preorder shipping from 2024-11-01
Big Crown Records is proud to present Forever & Ever, the debut album from Thee Heart Tones. Hailing from Hawthorne, California, Thee Heart Tones are both carrying on a tradition and pushing the boundaries with their music. Lead singer Jazmine Alvarado is just 19 years old and the oldest member of the group, Jorge Rodriguez is 21, but one listen to their record and it becomes blatantly apparent they are a talent well beyond their years. Thee Heart Tones are Jazmine on vocals, Ricky Cerezo on keys and organ, Jorge on drums, Jeffrey Romero on bass, Peter Chagolla on lead guitar, and Walter Morales on rhythm guitar. As the story goes, "one day I got a DM from Ricky Cerezo asking if I wanted to write a song for his new (then unnamed) band," Jazmine says. "I knew his drummer and the other boys from middle school, so they were familiar faces. They sent me an mp3 of an instrumental they'd written and told me they wanted lyrics, so I wrote some and sent it to them." That song ended up being "Don't Take Me as a Fool," a downbeat, minor key ballad on which Jazmine's sultry, pitch-perfect vocals soar, and which is now destined for their debut album. Ricky went home to play "Don't Take Me As a Fool", recorded as a voice note on his phone, to his dad. "I was hesitant. Dad knew this music better than anyone; he grew up with it. But he grabbed my phone and held it to his ear. His approval meant a lot to me. But he had the same reaction Jorge and I did when we fi¬rst heard Jazmine sing. `This is going to be a hit,' he told me. `You guys have something really special here'." It was that same recording that caught the ears of Leon Michels and Danny Akalepse of Big Crown Records, who both heard the potential in the group immediately. After they signed to the label, Leon flew out to Los Angeles to record their debut album with Tommy Brenneck at Tommy's Diamond West studio. They knocked out 14 songs in fi¬ve days, capturing the charm of teenage soul and mixing it with their seasoned production prowess and the result is a modern classic Soul album. Album opener and title track "Forever & Ever" is an infectious two-stepper that instantly lifts your mood while heavy duty B side ballads like "Should I Call You Tonight", "Cry My Tears Away", and "It's Time" hold court with the genre's classics. They pick up the pace and ¬fill the dancefloor with "Need Something More" as Jazmine matter of factly sets the record straight on a Northern Soul styled track. They cover the Alvaro Carrillo penned classic "Sabor A Mi" to great effect, doing it justice and putting their version right up there with the best of them. Another standout is their version of The Vanguards classic "Somebody Please" which they change the tone of and take to a different level. The punching drums of "No Longer Mine" juxtapose Jazmine's honeyed vocals and wind up with the gritty energy of a mid-90s hip hop sample. Forever & Ever is both a testament to their unmistakable musical chemistry and talent. Their intentions as a band are testament to their collective character. Choosing to cover "Sabor A Mi" "allows us to let our audience know we go back to our roots," Jazmine says. "Growing up in LA, you get influenced by the city, the artwork, the music," Ricky says. "Dad didn't own a lowrider car, but other members of our family did. Impalas. El Caminos. We were influenced by the culture, particularly Chicano culture. And oldies and soul music played a big part." The style. The culture. The nod to the past. "That's what we're going for. We want to connect young Chicanos with their heritage. And we want to unite people _ old and young."
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Thee Heart Tones - Forever & Ever
Thee Heart Tones
Forever & Ever
Tape | 2024 | US | Original (Big Crown)
13,99 €*
Incl. VAT plus Shipping Costs
Release: 2024 / US – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Big Crown Records is proud to present Forever & Ever, the debut album from Thee Heart Tones. Hailing from Hawthorne, California, Thee Heart Tones are both carrying on a tradition and pushing the boundaries with their music. Lead singer Jazmine Alvarado is just 19 years old and the oldest member of the group, Jorge Rodriguez is 21, but one listen to their record and it becomes blatantly apparent they are a talent well beyond their years. Thee Heart Tones are Jazmine on vocals, Ricky Cerezo on keys and organ, Jorge on drums, Jeffrey Romero on bass, Peter Chagolla on lead guitar, and Walter Morales on rhythm guitar. As the story goes, "one day I got a DM from Ricky Cerezo asking if I wanted to write a song for his new (then unnamed) band," Jazmine says. "I knew his drummer and the other boys from middle school, so they were familiar faces. They sent me an mp3 of an instrumental they'd written and told me they wanted lyrics, so I wrote some and sent it to them." That song ended up being "Don't Take Me as a Fool," a downbeat, minor key ballad on which Jazmine's sultry, pitch-perfect vocals soar, and which is now destined for their debut album. Ricky went home to play "Don't Take Me As a Fool", recorded as a voice note on his phone, to his dad. "I was hesitant. Dad knew this music better than anyone; he grew up with it. But he grabbed my phone and held it to his ear. His approval meant a lot to me. But he had the same reaction Jorge and I did when we fi¬rst heard Jazmine sing. `This is going to be a hit,' he told me. `You guys have something really special here'." It was that same recording that caught the ears of Leon Michels and Danny Akalepse of Big Crown Records, who both heard the potential in the group immediately. After they signed to the label, Leon flew out to Los Angeles to record their debut album with Tommy Brenneck at Tommy's Diamond West studio. They knocked out 14 songs in fi¬ve days, capturing the charm of teenage soul and mixing it with their seasoned production prowess and the result is a modern classic Soul album. Album opener and title track "Forever & Ever" is an infectious two-stepper that instantly lifts your mood while heavy duty B side ballads like "Should I Call You Tonight", "Cry My Tears Away", and "It's Time" hold court with the genre's classics. They pick up the pace and ¬fill the dancefloor with "Need Something More" as Jazmine matter of factly sets the record straight on a Northern Soul styled track. They cover the Alvaro Carrillo penned classic "Sabor A Mi" to great effect, doing it justice and putting their version right up there with the best of them. Another standout is their version of The Vanguards classic "Somebody Please" which they change the tone of and take to a different level. The punching drums of "No Longer Mine" juxtapose Jazmine's honeyed vocals and wind up with the gritty energy of a mid-90s hip hop sample. Forever & Ever is both a testament to their unmistakable musical chemistry and talent. Their intentions as a band are testament to their collective character. Choosing to cover "Sabor A Mi" "allows us to let our audience know we go back to our roots," Jazmine says. "Growing up in LA, you get influenced by the city, the artwork, the music," Ricky says. "Dad didn't own a lowrider car, but other members of our family did. Impalas. El Caminos. We were influenced by the culture, particularly Chicano culture. And oldies and soul music played a big part." The style. The culture. The nod to the past. "That's what we're going for. We want to connect young Chicanos with their heritage. And we want to unite people _ old and young."
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Thee Alcoholics - Feedback Yellow Vinyl Edition
Thee Alcoholics
Feedback Yellow Vinyl Edition
LP | 2024 | UK | Original (Rocket)
24,99 €*
Incl. VAT plus Shipping Costs
Release: 2024 / UK – Original
Genre: Rock & Indie
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Thee Alcoholics are the brainchild of Rhys Llewellyn, a longtime Rocket Recordings alumnus whose background leans as heavily into the bassbin-shaking realms of electronic music as it does the tinnitus-inducing world of howling, cranked-up ampstacks. Not content with hammering drumskins for numerous floor-shaking records on the Rocket discography from the likes of Hey Colossus and The Notorious Hi-Fi Killers, he’s also been responsible for brain-rearranging electronic works under the Drmcnt and Acidliner monikers. Thee Alcoholics, however - which initially gestated as a result of Rhys himself wanting to pursue the somewhat hostile sound in his own head during lockdown - maps out a collision course between all of the above. Cranky and cantankerous yet lysergically aligned, Feedback is mesmeric rock with swagger, warped into sci-fi shapes by the spirit and sonics of bass and soundsystem culture. The psychedelic shapes here are redolent of the ur-klang of The Fall and the monolithic lurch of The Heads, the motorik malevolence less an uplifting trip to the heavens than a drill down to the earth’s core. Discernible in these jackhammer beats, grimly murmured vocals and delirious dirges to certain heads may be the trash futurism of Chrome, the decomposed stomp of unsung legends Earl Brutus and the electro-punk attack of Six Finger Satellite, yet all of the above co-ordinates are waylaid effortlessly by a balls-out intensity and a 6 fearsome intent on aural oblivion at all costs. Feedback may be elemental and primal, yet this is no psych comfort-blanket nor retrofetishism, rather a repetition-driven journey headlong into intimidating territory unknown. Get on board and strap yourselves in for a bumpy ride
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The Zenmenn And John Moods - Hidden Gem
The Zenmenn And John Moods
Hidden Gem
LP | 2022 | EU | Original (Music From Memory)
23,99 €*
Incl. VAT plus Shipping Costs
Release: 2022 / EU – Original
Genre: Organic Grooves, Electronic & Dance
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Hidden Gem' is the Zenmenn's first full album produced together with songwriter and vocalist John Moods and follows their much-loved debut record, 'Enter The Zenmenn'. Named after a country song that didn't quite make it to the final selection, 'Hidden Gem' is the result of an extended jam session at a friend’s studio, in a field of mystical meadows somewhere south of Hamburg, in which the band would experience a series of inexplicable phenomena.

It was their earlier collaboration on the future classic, 'Homage To A Friend' that kickstarted their idea to team up with John Moods again, and in the late summer of 2021 the band set to work on a full album of material together. Using The Zenmenn's trusted drum kit, good old DX7, an unusual Ukrainian bass and an almost discarded pedal steel guitar, combined with Moods’ uniquely fragile voice, the outcome resulted in six timeless songs. The resulting harmonic sound is, as the band put it, “something like Adult Oriented Rock with a teaspoon of Celtic sentimentalism, a pinch of big city Country wrapped in a late night '70s style jam”.

'Hidden Gem’, much like their previous LP, was recorded without pre-arranged songs or any fixed musical concept. Instead, it captures fleeting moments of creativity and reflects the joint musical sentiments of the band members at the time. “Some artists are amazing at vision and curating, our work-flow is opposite to that. We are pretty messy and all over the place in our creation, as in life. It has its advantages and disadvantages, but hopefully it comes out all right in the end.”
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The Winstons - Color Me Father
The Winstons
Color Me Father
LP+12" | 2022 | UK | Original (Soul Jazz)
28,99 €*
Incl. VAT plus Shipping Costs
Release: 2022 / UK – Original
Genre: Organic Grooves
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What do Tyler the Creator, Mantronix, Stetsasonic, DJ Shadow, Eric B and Rakim, Brand Nubian, Jay-Z and N.W.A. have in common?

What do UK Apachi and Shy FX, DJ Zinc, Bukem, Ganja Kru, Lemon D Ice, Dillinga, Photek, 4-Hero, Congo Natty, Krome and Time, Roni Size, Skream and Shut Up and Dance have in common?

Not to mention The Prodigy, Squarepusher, Leftfield, Oasis, Aphex Twin, Calvin Harris, Dua Lipa, David Bowie, Primal Scream, Lady Gaga and Dizzee Rascal?

Answer: They have all sampled The Winstons’ ‘Amen, Brother’!

The Winstons’ ‘Amen, Brother’ is THE most sampled drum break in the history of music (over 5000+ according to whosampled.com) and has shaped the history of electronic music ever since its creation in 1969.

This is the official release of the Winston’s ‘Color Him Father’ album, out of print for fifty years on vinyl, a glorious break-heavy album of soul, funk and gospel featuring the single ‘Color Him Father’, ‘Amen, Brother’ and loads more! The fully remastered album is housed in exact-reproduction original sleeve and design and comes with 4 extra bonus tracks that the group released only as singles. There is also a very special one-off first pressing only of this album that comes with an exclusive one-sided 12” of ‘Amen, Brother’ featuring a specially extended break mix of the classic tune.
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The Williams Brothers - That's Life / Rap On
The Williams Brothers
That's Life / Rap On
7" | UK | Reissue (Epsilon)
16,99 €* 19,99 € -15%
Incl. VAT plus Shipping Costs
Release: UK – Reissue
Genre: Organic Grooves
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Originally From East Orange NEW Jersey

THE Exciting Williams Brothers Band GOT Their Start BY Their Father AND Mother MR. Roscoe Williams SR. AND MRS Esther Maude Walker Williams IN THE Late 60’s. They StartED OUT IN Gospel Music Like Their Father AND Family OF Brothers Before Them Whom YOU Will SEE Photos OF “the Original Williams Brothers” Throughout This Site From Time TO Time. THE Group From Oldest TO Youngest AT That Time Consists OF: Roscoe Williams JR. (lead Vocals) Eugene Williams (lead Guitar AND Background Vocals) Osbert Williams (bass Guitar AND Background Vocals) Alexander Williams ( Keyboard AND Background Vocals) AND Anthony Williams (lead Vocals) Anthony WAS THE Youngest Member OF THE Group AT That Time When ONE DAY While ON Their WAY TO Perform A Gospel Show ON MotherS DAY OF 1969, They HAD A Terrible CAR Accident Which Brought THE Family TO A Stand Still DUE TO Injuries AND Left Anthony Paralyzed TO This DAY. BY THE Time THE Exciting Williams Brothers Band Began High School They Asked Their Father IF They Could Play R&B Music. AT First Their Father WAS Against IT BUT When They Began PlayING Dances AND Clubs, SO Many People Began TO Book Them That Their Father HAD TO Install A Business Phone IN THE House TO Keep UP With THE Calls. IN 1975 THE Brothers Auditioned FOR A Beer Company Based IN NEW Zealand (the NEW Zealand Breweries) THE Company Came TO NEW York TO Audition American BandS AND THE Exciting Williams Brothers WON Against 12 Other BandS. THE Brothers Career Skyrocketed. They Toured FOR SIX Months IN NEW Zealand, Recorded A Record AND DID 3 Television ShowS IN NEW Zealand AND A Soft Drink Commercial FOR Sarsaparilla Soft DrinkS. When THE Brothers Came Back TO THE States Their Father Auditioned Them TO THE NEW York BookING Agencies AND That Began THE Group Touring IN THE United States. They Began 3 Months ON THE Road AND 2 Weeks Home AND They DID This FOR 8 Years. THE Exciting Williams Brothers Band Have Come Together TO Unleash A NEW Dimension OF EDM Music Through ESP. They ARE True Legends OF Music AND ONE OF Their RecordINGS Today Sell FOR Nearly $4000.00 PER Copy. THE Brothers USE There Roots IN Gospel Music TO Deliver Hard Hitting Jams AND Grooves TO THE LateST Dance Music Scene, “live” AS They Emerge AND Establish ThemSELVES AS AN Exciting Opening ACT FOR Major DJS.
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The Who - Live At Leeds Deluxe Edition
The Who
Live At Leeds Deluxe Edition
3LP | 2016 | EU | Original (Polydor)
33,99 €*
Incl. VAT plus Shipping Costs
Release: 2016 / EU – Original
Genre: Rock & Indie
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Live at Leeds is the first live vinyl record by the English rock band The Who. It was the only live album that was released while the group were still actively recording and performing with their best known line-up of Roger Daltrey, Pete Townshend, John Entwistle and Keith Moon. The complete 33 track set form Leeds University, 14 February 1970. Mastered At Abbey Road Studios. This record was cut using half-speed mastering. In their early prime the Who hit #4 U.S. with "Tommy" ('69), "Who's Next" ('71) and maybe the best live album ever, "Live at Leeds." The 1970 LP only featured six songs from the band's storming set at Leeds. The 1995 CD upped the songs from that show to 14, then a 2-CD edition (2001) finally unveiled all 33 songs the Who played at Leeds-but the running order was not true to the original performance. That "Leeds" us (sorry) to this: the 180-gram triple-vinyl deluxe edition, which restores their storied set's original sequence and boasts superior sound due to half-speed mastering at Abbey Road. If ever an album was meant to be turned up to 11, it's this: "I Can't Explain," "Young Man Blues," "Happy Jack," "Substitute," "The Acid Queen," "Pinball Wizard," "Tommy Can You Hear Me?," "I'm Free," "Summertime Blues," "My Generation," "Magic Bus" and more of the Who on stage at their electrifying best in 1970! Universal UK.
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The White Blinds - Presheatecha!
The White Blinds
Presheatecha!
LP | 2023 | US | Original (F-Spot)
28,99 €*
Incl. VAT plus Shipping Costs
Release: 2023 / US – Original
Genre: Organic Grooves
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Since their debut LP in 2018, The White Blinds have been steadily making a mark on the soul-jazz scene by consistently offering a unique style to the classic organ trio format. Building on that foundation, The White Blinds proudly announce their sophomore LP "PRESHEATECHA!" (pronounced pre-she-ate-cha), featuring ten original compositions stretching out even further to blend the familiar elements of soul-jazz with funk, Latin, and reggae undertones. From the body movin' and hip-shaking single "Cal High" to the Jackie Metoo-inspired "Struttin,'' rounded out with the Chester Thompson'esque organ-driven "Bay To L.A.," this LP showcases both strong songwriting and tasteful musicianship from start to finish. With the signature open drum tones of Michael Duffy to the gritty guitar stylings of Matt Hornbeck rounded out with the low-end and soaring melodic passages of organist Carey Frank, The White Blinds hold their own in the ever-evolving world of what it means to be an organ trio. "PRESHEATECHA!" is a step forward, pushing the limits of a group whose music can best be described as instrumental soul-jazz with a backdrop of Los Angeles flair.
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The White Blinds - Brown Bag / Muddy Water
The White Blinds
Brown Bag / Muddy Water
7" | 2020 | US | Original (F-Spot)
12,99 €*
Incl. VAT plus Shipping Costs
Release: 2020 / US – Original
Genre: Organic Grooves
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The White Blinds bring you their latest installment in F-Spot Records Homage 45 Series.A group of musicians who can surely take things up a notch, Michael Duffy, Matt Hornbeck, and Carey Frankdon't disappoint.Side-A features the burning classic Brown Bag by Ivan Boogaloo Joe Jones, with a subtle twist to the arrangement in true White Blinds fashion. Side-B features the all original tune Muddy Water which could have easily been written in the golden years of 60’s soul jazz. A nice mid tempo feel that’s a favorite around here. This tune really stands out andhighlights the songwriting craft of Duffy, Hornbeck, Frank, and instrumental Organ Trio music.
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The Whit Boyd Combo - OST Party Girls Gold Vinyl Edition
The Whit Boyd Combo
OST Party Girls Gold Vinyl Edition
LP | 2020 | US | Original (Modern Harmonic)
28,99 €*
Incl. VAT plus Shipping Costs
Release: 2020 / US – Original
Genre: Soundtracks
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Don't Miss The Party Girls - An Organ Grindin' Funky Good Time! While the 1969 film may be lost to obscurity, thanks to the discovery of the original audio reels this funk-fueled soundtrack is finally seeing the light of day! Sexy time sounds of grooving organ, bass, drums, and brass, there's even a down and dirty booty-shaker of a James Brown cover. The perfect accompaniment to get you in the mood for a lascivious love-in, pressed on gold vinyl and including a replica of an original pressbook that details the fabled film!
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The Welders - Our Own Oddities 1977-81
The Welders
Our Own Oddities 1977-81
LP | 2022 | US | Original (Bdr / Bachelor)
29,99 €*
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Release: 2022 / US – Original
Genre: Rock & Indie
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THE Welders were an all-female Punk Pop band from St. Louis, MO. Formed by four young, teenage women in 1975; they started playing shows in 1976, in one of the toughest climates to get booked for bands playing original material. The Welders bonded over their love of The Monkees, The Beatles and early glam rock. The comedy of the National Lampoon Radio Hour and the Marx Brothers were just as big of an influence. The band played several shows in the St. Louis metro area and eventually caught the attention of a local photographer and newspaper owner. He financed a recording session in 1979, with plans to release a four song EP. The newspaper folded before the release could happen, and all that survived was a cassette copy of the recordings. The Welders continued for a couple more years after recording the EP. They had brief line up changes, and added an organ which shifted their sound more towards a '60s garage pop sound. They were ahead of their time again, pre-dating most of the neo-garage explosion of the '80s. By 1981, the band had moved on to other interests. In 2010 BDR Records (a sub-label of Rerun, designated for St. Louis area artists) issued that previously unreleased EP. The EP was well received worldwide and has been sold out for several years. This new collection includes a newly remastered and improved version of the 1979 EP tracks, along with other studio, rehearsal and live recordings. The LP includes a large, six panel insert filled with amazing photos of the band.
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The Wedding Present - X Marks The Spot / Strike!
The Wedding Present
X Marks The Spot / Strike!
7" | 2022 | EU | Original (Clue)
14,99 €*
Incl. VAT plus Shipping Costs
Release: 2022 / EU – Original
Genre: Rock & Indie
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This year The Wedding Present have been releasing a new 7" single every month throughout the first half-year and will continue to do so until December! And now, finally, the first six volumes are available in G/s/a for indie record stores too! This fascinating project - which goes under the name of 24 Songs - comes thirty years after the band's similar Hit Parade series of 7"s in 1992 and features - you may have already guessed - one WP original as well as one cover version. Each of the records comes in a beautifully designed sleeve featuring brutalist photography by Jessica McMillan. Each single will be limited to 2,400 copies ww. - May 2022: David Gedge says: "One problem you encounter when you have a platinum-album-selling guitarist in your ensemble is that they occasionally need to go and play with their platinum-album-selling band. Fortunately, when Sleeper required that Jon Stewart temporarily return, recently, Sam Beer-Pearce [guitarist on our `Going, Going_' LP] was happy to be re-enlisted and, during rehearsals, we wrote `X Marks The Spot' with him. The verse has an odd chant-like structure which features, once again, evocative singing from Melanie Howard. Jon didn't write the other side, either - the punky `Strike!' was originally recorded by a previous incarnation of The Wedding Present on a BBC 6 Music session for Shaun Keaveny in August, 2019. In the `Before Times', it was called `Don't Ask Me', though!"
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The Wedding Present - We Should Be Together / Don't Give Up Without
The Wedding Present
We Should Be Together / Don't Give Up Without
7" | 2022 | EU | Original (Clue)
14,99 €*
Incl. VAT plus Shipping Costs
Release: 2022 / EU – Original
Genre: Rock & Indie
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This year The Wedding Present have been releasing a new 7" single every month throughout the first half-year and will continue to do so until December! And now, finally, the first six volumes are available in G/s/a for indie record stores too! This fascinating project - which goes under the name of 24 Songs - comes thirty years after the band's similar Hit Parade series of 7"s in 1992 and features - you may have already guessed - one WP original as well as one cover version. Each of the records comes in a beautifully designed sleeve featuring brutalist photography by Jessica McMillan. Each single will be limited to 2,400 copies ww. - January 2022: 24 Songs sees the first fruits of David Gedge's song-writing partnership with Sleeper guitarist [and now also Wedding Present guitarist] Jon Stewart and, fittingly, the first release includes a cover of the beautiful Sleeper song `We Should Be Together'. The Wedding Present version comes in the form of a gorgeous duet featuring David and Louise Wener. It's coupled with `Don't Give Up Without A Fight', which combines classic Wedding Present feistiness with a Krautrock finale. David Gedge adds: "Jon played me a demo of `We Should Be Together' and told me that it was an unused Sleeper song from years ago. I absolutely loved it and immediately told him that The Wedding Present should cover it. The icing on the cake came when Louise kindly agreed to appear on the recording and we made it a duet. We did a stripped-back version for our `Lockdown' LP last year but this is a new full-band recording. We first recorded `Don't Give Up Without A Fight' for a Marc Riley session for BBC 6 Music because the arrangement kind of reminded me of The Wedding Present's cover of `Jumper Clown' by Marc Riley And The Creepers."
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The Wedding Present - Once Bitten / Kerplunk!
The Wedding Present
Once Bitten / Kerplunk!
7" | 2022 | EU | Original (Clue)
14,99 €*
Incl. VAT plus Shipping Costs
Release: 2022 / EU – Original
Genre: Rock & Indie
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This year The Wedding Present have been releasing a new 7" single every month throughout the first half-year and will continue to do so until December! And now, finally, the first six volumes are available in G/s/a for indie record stores too! This fascinating project - which goes under the name of 24 Songs - comes thirty years after the band's similar Hit Parade series of 7"s in 1992 and features - you may have already guessed - one WP original as well as one cover version. Each of the records comes in a beautifully designed sleeve featuring brutalist photography by Jessica McMillan. Each single will be limited to 2,400 copies ww. - June 2022: David Gedge says: "One of the tasks encountered, when you put together a series of 7" singles, is that you need to decide which song goes on which side of the record. Seemingly, The Wedding Present are notoriously bad at doing this having, apparently, consigned some `classic-in-the-eyes-of-fans' recordings to be being B-sides of singles, rather than putting them on albums. [`Crawl', anybody?] However, I would argue that the reason for this is that we, kind of, `don't do B-sides'. If a track has reached the level of quality where we've decided that it's good enough to release, we're happy for it go on any side of a single or anywhere on an album. It's just a matter of placement. For the `24 Songs' 7"s, we've purposely tried not to denote which song is the A-side and which isn't_ but, obviously, one track unfortunately has to have a `B' inscribed in the run-out groove by the pressing plant. Our June single is a case in point. I'd be happy with either `Once Bitten' with its darker feel and monstrous drums and guitar riffs or `Kerplunk!' with its George Bestlike jangle and John Barry style final chord taking the honour. Did we make the right choice, this time, I wonder?!"
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The Wedding Present - Monochrome / You're Just A Habit
The Wedding Present
Monochrome / You're Just A Habit
7" | 2022 | EU | Original (Clue)
14,99 €*
Incl. VAT plus Shipping Costs
Release: 2022 / EU – Original
Genre: Rock & Indie
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This year The Wedding Present have been releasing a new 7" single every month throughout the first half-year and will continue to do so until December! And now, finally, the first six volumes are available in G/s/a for indie record stores too! This fascinating project - which goes under the name of 24 Songs - comes thirty years after the band's similar Hit Parade series of 7"s in 1992 and features - you may have already guessed - one WP original as well as one cover version. Each of the records comes in a beautifully designed sleeve featuring brutalist photography by Jessica McMillan. Each single will be limited to 2,400 copies ww. - April 2022: David Gedge says: "`Monochrome' features something of a change in pace and mood compared to other tracks in the series. It started life as a beautiful little melody written by our bassist, Melanie Howard, and it inspired me to write a lyric about realising, a little too late, how important communication is. That theme is kind of continued on `You're Just A Habit That I'm Trying To Break' which was one of the first songs written after Jon Stewart joined The Wedding Present. We already released a recording of that song on our Locked Down And Stripped Back album last year and although this new `full band' version retains the acoustic guitar, it adds loud guitars, piano and a wah-wah pedal!"
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The Wedding Present - I Am Not Gong To Fall In Love Wit You
The Wedding Present
I Am Not Gong To Fall In Love Wit You
7" | 2022 | EU | Original (Clue)
14,99 €*
Incl. VAT plus Shipping Costs
Release: 2022 / EU – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
This year The Wedding Present have been releasing a new 7" single every month throughout the first half-year and will continue to do so until December! And now, finally, the first six volumes are available in G/s/a for indie record stores too! This fascinating project - which goes under the name of 24 Songs - comes thirty years after the band's similar Hit Parade series of 7"s in 1992 and features - you may have already guessed - one WP original as well as one cover version. Each of the records comes in a beautifully designed sleeve featuring brutalist photography by Jessica McMillan. Each single will be limited to 2,400 copies ww. - February 2022: David Gedge says: "As a song writer, you usually tend to want to forge ahead and continually try new ideas_ but I'm under no illusions, here! `I Am Not Going To Fall In Love With You' has `classic' Wedding Present running through its veins. It's co-written by Jon Stewart who was a huge Wedding Present fan when he was at university [and we were at RCA Records] and it's as if he was drinking from a bottle of distilled essence of Bizarro and the Hit Parade when he came up with this one! Meanwhile, when I was at university, I was an admirer of Magazine and so, when our old drummer Charlie Layton suggested `A Song From Under The Floorboards' for our live set, he didn't get any argument from me. Carrying the pop baton from one era to the next, I suppose..."
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The Wedding Present - Go Go Go / La La
The Wedding Present
Go Go Go / La La
7" | 2022 | EU | Original (Clue)
14,99 €*
Incl. VAT plus Shipping Costs
Release: 2022 / EU – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
This year The Wedding Present have been releasing a new 7" single every month throughout the first half-year and will continue to do so until December! And now, finally, the first six volumes are available in G/s/a for indie record stores too! This fascinating project - which goes under the name of 24 Songs - comes thirty years after the band's similar Hit Parade series of 7"s in 1992 and features - you may have already guessed - one WP original as well as one cover version. Each of the records comes in a beautifully designed sleeve featuring brutalist photography by Jessica McMillan. Each single will be limited to 2,400 copies ww. - March 2022: David Gedge says: "Following in the slipstream of `We Should Be Together', `Go Go Go' is the second duet of the series. This one features our very own Melanie Howard. The lyric was inspired by `Wacky Races'. It's a high-octane track and so writing about racing cars seemed to fit! I even tried, unsuccessfully, to shoehorn in references to Peter Perfect and Penelope Pitstop. I used to love that programme; as a kid I would make a note of the results every week and create a league table. `La La La' was the first song that I co-wrote with Jon Stewart but it's Melanie's huge bass part that drives the song. It wouldn't be out of place on a track by the mighty Fall, and it inspired me to go a bit Mark E Smith myself at the beginning of the final verse."
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The Warning - Error Black Friday Record Store Day 2024 Edition
The Warning
Error Black Friday Record Store Day 2024 Edition
2LP | 2024 | Reissue (Republic)
TBA
The final price is not yet known.
Release: 2024 / Reissue
Genre: Rock & Indie
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Coming Soon 2024-11-29, 12:00 CET
RSD First, Limitation: 2000

The Warning infuse rock music with a much-needed shot of adrenaline. The Monterrey, Mexico trio of sisters—Daniela “Dany” [guitar, lead vocals], Paulina “Pau” [drums, vocals, piano], and Alejandra “Ale” Villarreal [bass, piano, backing vocals]—charge forward with head-spinning riffs, unpredictable rhythms, stadium-size beats, and skyscraping vocals. Through a series of independent releases, The Warning garnered the respect of countless fans and musicians from across the globe before signing with Lava/Republic to release their 2021 MAYDAY EP. The band’s single “CHOKE” surged them to the forefront of hard rock. The 3-piece powerhouse have already played alongside rock legends such as Muse, Foo Fighters, Guns N’ Roses, Royal Blood, The Pretty Reckless, Three Days Grace, and more.
After generating millions of streams on their MAYDAY EP alone, everything just set the stage for their full-length debut ERROR, in 2022. On the album, the band explores themes such as technology, society, the generational gap, anxiety, suppression, and love over a soundtrack of eloquently constructed thrash, stadium-shaking choruses, and empathetic lyrics. Now, ERROR represents a new beginning for hard rock. This RSD Black Friday edition, pressed on Cobalt (LP 1) and Ruby (LP 2) vinyl variants, Includes three live tracks never before released on vinyl.
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The Vendetta Suite - Suite Solar Lodge 23 EP
The Vendetta Suite
Suite Solar Lodge 23 EP
12" | 2017 | EU | Original (Hell Yeah)
13,99 €*
Incl. VAT plus Shipping Costs
Release: 2017 / EU – Original
Genre: Electronic & Dance
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Hell Yeah's next vinyl EP is a first solo release since 2012 from The Vendetta Suite aka Belfast's Gary Irwin. It features six tracks all handpicked by label boss Marco from vast unreleased vaults that have already been played by David Holmes and Andrew Weatherall, and it comes with a great backstory.
Marco's first ever E was at a UK club in Wandsworth in 1995. Joey Beltram was supposed to be on but missed his flight, so instead David Holmes played an extended set. It won Marco over instantly and since then he has been an avid fan, in awe of Holme's game changing Essential Mix and snapping up all the releases on his 13amp label, including one by The Vendetta Suite, who was in house engineer at David Holmes' Exploding Plastic Inevitable studio.
Other tracks from the artist including cult b-side 'Hula Bop' became classic staples in Marco's sets as Balearic Gabba Soundsystem and so he recently reached out to the Newtownards man and told him all this via Soundcloud. After chatting, Irwin invited Marco to pick some tracks from his vaults and they are now presented here for the first time with the amazing artwork by Andrea Amaducci that combines the producer's sense of humour and the esoteric.?
Opener 'Sirius' sets a lush tone with its wash of rippling chords and soft rock grooves carry you off into a sunset. From there the charming spring time sounds of 'Tacos For Zowie' mix bumpy drums with guitar riffs, whistles and cosmic synths, and Just Like Joe is a flower power spy movie theme tune that races along with orchestral elegance.
‘Shut Up Ya Dub' slows things down with wobbly bass, tons of reverb and acid twitches and 'Eye In The Triangle' is an exquisite dub cut full of studio trickery and sci-fi feelings that Scientist would be proud of. Closer 'Colin Wilson Said' is a widescreen ambient cut with spread synths, distant arpeggios and an intergalactic feel that leaves you drifting in outer space.
This is a cinematic EP that draws on myriad musical styles and showcases Irwin's peerless studio skills.
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