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Limited 10 vinyl LP box set. Re-live the thrilling world of Indiana Jones with the first box set with all five soundtracks from the historic franchise in one place. This extraordinary compilation will take listeners on a journey around the globe. Experience the full collection of music from legendary composer John Williams as he takes us on an incredible journey of sound, emotions and storytelling with his iconic themes and melodies. His masterful soundtracks capture the true spirit of the characters, excitement and adventure that provide a musical experience as timeless as the films themselves. If you are a devoted fan or music aficionado, the Indiana Jones complete box set is a must-have.

FOR THE FIRST TIME EVER, THE WHOLE* PIERO UMILIANI’S PRODUCTION ON HIS LIUTO RECORD LABEL IS COLLECTED IN A UNIQUE 19-CD BOXSET!

The boxset includes a set of 18 albums for a total of 19 CD’s (the last one in the series is a double CD) enclosed in faithful reproductions of the original sleeves, plus a 72-page booklet with rare photos, two essays about Umiliani and his music production written by Maurizio Corbella and Niccolò Galliano, and a detailed discography and full tracklist section. This release has been fully approved by the Umiliani family.
* * *
Without Umiliani’s contribution, Italian jazz, film music and library music would lack some of the key identifying features we associate them with today, thanks to his ability to carve out a distinctive sound identity from his personal craft, the studio he built and the trust he gained from his collaborators. This identity for many simply encapsulates the cipher of an unrepeated age of Italian popular music.
At the Sound Work Shop studio (opened in 1968) Umiliani conceived the majority of his projects and hosted the recording sessions for numerous movie soundtracks, pop hits and library music albums by the most remarkable musicians in Rome — including himself. In this exciting environment, he had the opportunity to experiment with many different styles, from funk to psychedelic rock, from disco to avant-garde, from easy-listening to electronic music, following the ever-changing needs of the soundtrack and library music industries. He therefore mastered an extreme variety of genres, moods and atmospheres, often mixing up their peculiar features to achieve unusual combinations in albums conceived both for production purposes and for home listening.
Umiliani’s ability to reinvent the concept of musicianship in the fast-moving society of his time made him a modern musician in the most complete sense of the term, by putting himself in charge of every facet of his work, from the conception to the production, the recording, the publishing and even the packaging of his own music.
In less than two decades, Umiliani released almost 80 records on the three labels he established between the mid-1960s and the early 1970s: Omicron, Liuto, and Sound Work Shop, besides all the music he was simultaneously composing for movie productions, licensed and published by Italian major companies.
This box set allows us to fully appreciate this little-known side of Piero Umiliani in an unprecedented way: his ability to seamlessly intertwine his musical creativity with his vision as a producer and publisher emerges clearly from this series as a unique feature of this composer. This corpus altogether constitutes a remarkable contribution to the so-called Italian sound of the 1970s, covering areas such as library music and film music and a plethora of genres such as jazz, funk, psychedelia, prog, easy listening, electronic music and much more!

For the first time ever, the whole Piero Umiliani’s production on his Sound Work Shop Record label is collected in a unique 17-Cd Boxset! The boxset includes a set of 17 CD’s enclosed in faithful reproductions of the original sleeves, plus a 72-page booklet with rare photos, two essays about Umiliani and his music production written by Maurizio Corbella and Niccolò Galliano, and a detailed discography and full tracklist section. This release has been fully approved by the Umiliani family. Without Umiliani’s contribution, Italian jazz, film music and library music would lack some of the key identifying features we associate them with today, thanks to his ability to carve out a distinctive sound identity from his personal craft, the studio he built and the trust he gained from his collaborators. This identity for many simply encapsulates the cipher of an unrepeated age of Italian popular music. At the Sound Work Shop studio (opened in 1968) Umiliani conceived the majority of his projects and hosted the recording sessions for numerous movie soundtracks, pop hits and library music albums by the most remarkable musicians in Rome — including himself. In this exciting environment, he had the opportunity to experiment with many different styles, from funk to psychedelic rock, from disco to avant-garde, from easy-listening to electronic music, following the ever-changing needs of the soundtrack and library music industries. He therefore mastered an extreme variety of genres, moods and atmospheres, often mixing up their peculiar features to achieve unusual combinations in albums conceived both for production purposes and for home listening. Umiliani’s ability to reinvent the concept of musicianship in the fast-moving society of his time made him a modern musician in the most complete sense of the term, by putting himself in charge of every facet of his work, from the conception to the production, the recording, the publishing and even the packaging of his own music. In less than two decades, Umiliani released almost 80 records on the three labels he established between the mid-1960s and the early 1970s: Omicron, Liuto, and Sound Work Shop, besides all the music he was simultaneously composing for movie productions, licensed and published by Italian major companies. This box set allows us to fully appreciate this little-known side of Piero Umiliani in an unprecedented way: his ability to seamlessly intertwine his musical creativity with his vision as a producer and publisher emerges clearly from this series as a unique feature of this composer. This corpus altogether constitutes a remarkable contribution to the so-called Italian sound of the 1970s, covering areas such as library music and film music and a plethora of genres such as jazz, funk, psychedelia, prog, easy listening, electronic music and much more!

Bethesda Game Studios and Laced Records have crewed up to bring the music of Starfield to deluxe vinyl.

As any player of a Bethesda Game Studios title knows, music shapes the story and is a constant companion on one’s adventure. Composer Inon Zur’s long-running collaboration with director Todd Howard and the studio began all the way back on 2008’s Fallout 3. With the Starfield score, they sought to evoke both the vastness of space and humanity’s curiosity-driven efforts to chart the unknown. This led to Zur weaving together traditional and non-traditional orchestral and electronic palettes into an aural tapestry of the organic and the synthetic.

During development, the team circulated an eclectic range of reference points: launching off with sci-fi staples John Williams and Jerry Goldsmith; passing through a classical nebula of Debussy, Ravel, and Prokofiev; flying by Vangelis’ towering synth work; and glancing the experimental work of Einstürzende Neubauten and John Cage.

Starfield’s orchestral cues — recorded by the Budapest Film Orchestra — often see different instrumental sections invoking imaginative aspects of space. Brisk, repeated sequences in the woodwinds represent particles. Strings playing undulating chords mimic long waves of interstellar energy. The brass section becomes a beacon of melody blasting out across the galaxy. Similarly, the more electronic-driven cues maintain a sense of grandeur through weighty synth pads that underpin cryptic repeated patterns and unusual percussive jabs.

Aeralie Brighton (DEATHLOOP, Ori series) is a featured vocalist on the soundtrack.

In the brave tradition of George and Charles Parker, Milton Bradley, and Gary Gygax comes Cities of Darkscorch_the Numero Group's embattled first attempt at board game creation. Cities is the playable companion to Warfaring Strangers: Darkscorch Canticles, the label's 48th mainline release and a harrowing dive into the Stygian caverns of the American hard rock underground. A dice-rolling, card-driven, heavy rock band van ride through a fantasy landscape, Cities of Darkscorch could not begin to exist without Robert Soden, who, in 1975, set about creating a tapestry of maps, floorplans, and dungeon schema_the D&D-based lands of Eldara. Expanding upon Soden's meticulous vision, Cities of Darkscorch required newly commissioned card art and band logos to summon up a gravely themed mythical land of desolate outposts, warring bands, and the familiar ills that befall them.Roleplaying as any of Darkscorch Canticles' sixteen determined bands, one to six players traverse the broken roads of Darkscorch_battling such forbidding quartets as Grimsword, Narcissus, Ass-Centaur and 97 more_to collect city banners from such pits of hard rock competition as Afterdath, Wizard's Wellspring, and Throk. Along the way, players may augment their bands through the use of fate cards with new artwork from the demented minds of John McGavock McConnell and Eliza Childress. The ultimate goal is Numenor, victory, and a record contract penned in brimstone, VD, and pot smoke.

* Pressed across four 12" 180gram vinyl records * 8 Page Art booklet * Translate lyric sheet insert for "Release of the Far West Ocean - I'm Here for You (Opening)" * All housed in two heavyweight 350 gsm gatefold jackets enclosed by an LP boxset slipcase

Streaming Arrow Records is excited to present the release of the soundtrack to Ys VI: The Ark of Napishtim.

Released back in the far-away year of 2003, Ys VI reawakened the then long-dormant series with a gorgeous 3D entry that successfully paved the way for gameplay styles of future entries in the series and the beautifully varied soundtrack that captures the beauty of nature, dangers of exploring the unknown, and of course, heavy metal guitar riff-laden boss themes that serve as the musical foundation for the Ys series to this day.

* Pressed across four 12" 180gram vinyl records * 8 Page Art booklet * Translate lyric sheet insert for "Release of the Far West Ocean - I'm Here for You (Opening)" * All housed in two heavyweight 350 gsm gatefold jackets enclosed by an LP boxset slipcase

Streaming Arrow Records is excited to present the release of the soundtrack to Ys VI: The Ark of Napishtim.

Released back in the far-away year of 2003, Ys VI reawakened the then long-dormant series with a gorgeous 3D entry that successfully paved the way for gameplay styles of future entries in the series and the beautifully varied soundtrack that captures the beauty of nature, dangers of exploring the unknown, and of course, heavy metal guitar riff-laden boss themes that serve as the musical foundation for the Ys series to this day.

Gold & Black Marbled vinyl. Copy n° 6

Lalo Schifrin achieved the feat of becoming both one of the most successful Hollywood composers and an influential and cult-revered jazz musician. His exciting film themes from “Mission: Impossible” to “Bullit” and the “Dirty Harry” films are legendary, and the albums recorded under his own name oscillate between big band jazz, groove experiments and world music. The 16-cd box “The Sound Of Lalo Schifrin” now aims, for the first time, to combine all facets of the musician in one box. It contains several of his full-length albums plus a huge amount of film and TV themes with an astonishing stylistic range. The recordings range from 1955 to 2017, and include famous jazz instrumentalists such as Jimmy Smith and Stan Getz, as well as singers such as Barbra Streisand, Ray Charles, Scott Walker and many others. listen. 325 tracks and over 18 hours of playing time bring you closer to the musical genius Lalo Schifrin. The 16 CDs are housed in a hardcover book, which also includes a 44-page booklet with, among other things, an introduction by Clint Eastwood and an interview with Lalo Schifrin.

“The Way Of Darkness – A tribute to John Carpenter” Legendary director and music composer John Carpenter is one the most influential artists of the Horror Soundtrack genre. This musical tribute combines some of Carpenter’s best musical atmospheres with very special guests such as Claudio Simonetti (Goblin), who brings us two interpretations of Halloween & 1997, along with Leather Strip, Motion Kapture, Ketvector, as well as artists of the New Retro Wave scene such as Code Elektro, Tibia, Simulakrum Lab and many others. A must have for any true fan of John Carpenter, horror, and electronic music! Special Holographic/Lavander Vinyl! Limited 499 copies

Limited Edition of 250 copies ONLY – Super Deluxe / Expanded BOX-Edition, containing:

Regular LP as above, but on Exclusive YELLOW SMOKE VINYL
Exclusive BONUS SILVER MARBLE VINYL with unreleased tracks (for the first time ever on Vinyl!), incl. ‘Il Gatto a nove Code (movie takes suite) of 12:33 minutes!

2 Full Colour Movie Posters
Special Insert
Exclusive Gatefold Photo Book.

In Persona 4 Arena, Persona 4’s Investigation Team clashes with the Shadow Operatives of Persona 3 in stylish, combo-driven 1-on-1 battles, broken up by visual novel cutscenes that tell an all-new, original, canonical story set in the Persona universe.

Created in a partnership between Atlus and Arc System Works, the original 2D fighter was unlike anything the series had ever seen, and it was an instant fan favorite. It’s no wonder, then, that a sequel soon followed.

Persona 4 Arena Ultimax both refined the gameplay of the first Arena and wrapped up its story with two unique campaigns, split between the Persona 3 and Persona 4 cast. Packed with tons of additional content, online play, a survival mode, and more, Persona 4 Arena Ulitmax was more fighting game goodness in every single way.

Just as Arena remixed the gameplay of Persona, so too did its music take familiar motifs and themes from the series and paint them in an all-new light. Atlus Sound Team packed both titles’ soundtracks with original songs, fresh remixes, and fan-favorite bangers perfect for battling the night away.

We at iam8bit love a great combo. That’s why we’re proud to bring you this, the P4A & P4AU 3xLP. It’s the very best of Persona 4 Arena and Persona 4 Arena Ultimax’s music, pressed on splatter vinyl across three gorgeous discs.

Plus, we teamed up with Persona pal, Drew Wise, to craft all-new, drool-worthy album art, the perfect complement to the stylish 2D fighter and the latest must-have for your record shelf.

Get ready to fight in style. The P4A & P4AU 3xLP is here.

Mondo’s Superman THE Movie Original Soundtrack returns as a collector’s box set, featuring new vinyl variants bundled with DC’s Superman ‘78, a brilliant continuation of the story by Robert Venditti, Wilfredo Torres and Jordie Bellaire.

The box set comes in a newly designed clamshell with artwork by the Joe Quinones and Paolo Rivera, who also created new cover art for Superman ’78. And of course, the soundtrack boasts John Williams' legendary score, extensive liner notes by Michael Matessino and original art by Dkng.

Gold marbled vinyl. Limited edition numbered on back cover 2021 reissue. with booklet. in PVC sleeve.

Limited To 1500 Copies Clear vinyl. Copy n°588

Samurai Champloo Music Record: Departure is a soundtrack album, originally released on June 23, 2004. It is the second of four soundtrack albums released for the show. The album was produced by Japanese DJ / producer Nujabes, and American MC/producer Fat Jon, and featured Japanese rapper Shing02 and Japanese singer-songwriter MINMI on the album’s first and last tracks, respectively. Departure was critically lauded and is the best known album from the series, with especially high praise being reserved for “Battlecry”.

The music of the Samurai Champloo anime series was created by a group of producers: Japanese hip-hop producer Tsutchie of the rap group Shakkazombie, American hip-hop producer & emcee Fat Jon of the rap group Five Deez, Japanese hip-hop producer Nujabes, and Japanese DJ & production duo Force Of Nature. The music genre is primarily instrumental hip-hop.

Samurai Champloo Music Record: Impression is the fourth soundtrack album in the series of the anime show Samurai Champloo. It contains tracks by Nujabes, Force of Nature, Fat Jon and MINMI. The lyrics on “Hiji Zuru Style” are written and performed by S-Word and Suiken. The lyrics on “Who’s Theme” are written and performed by MINMI; vibraphone is by Yoshihiko Katori.

The music of the Samurai Champloo anime series was created by a group of producers: Japanese hip-hop producer Tsutchie of the rap group Shakkazombie, American hip-hop producer & emcee Fat Jon of the rap group Five Deez, Japanese hip-hop producer Nujabes, and Japanese DJ & production duo Force Of Nature. The music genre is primarily instrumental hip-hop.

Laced Records, Motion Twin and Evil Empire are going for one more run to bring you additional music from the metroid-souls-rogue-lite-like-vania smash hit, Dead Cells.

The breakout indie sensation has sold over 6 million units since its early access launch in 2017, winning Best Action Game at The Game Awards 2018 and picking up a Golden Joystick (Best Indie Game.) Its ‘Overwhelmingly Positive’ lifetime Steam reviews rating speaks volumes, and extensive DLC drops, generous free updates and additional platform releases have kept players coming back.

Yoann Laulan has been associated with developer Motion Twin since the game jams from which Dead Cells was born. As the game has grown, so the soundtrack has deepened with Laulan creating longer and more progressive tracks featuring more electric guitars, piano and choral elements.

This triple vinyl features several tracks from DLC expansions Rise of the Giant, The Bad Seed, Fatal Falls and The Queen and the Sea. On top of that, there are score tracks from the brilliant Dead Cells animated trailers, an 8-bit ‘demake’ version of “ClockTower”, several remixes and other tracks from post-launch game updates (“Distillery” and “Corrupted Prison”.)

26 tracks have been specially mastered for vinyl by audio wizard Joe Caithness, and tracks will be pressed onto audiophile-quality, heavyweight discs in green, ochre and light blue. LPs come in a deluxe gatefold sleeve.

Front and back cover sleeve art is by Boris Moncel of Blackmane Design (instagram.com/blackmane_design), with the gatefold panel by Michel Donzé