Search "lil+wayne" 1456 Items

The Oh Boy Singles Jukebox Box Set

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Records are close to NM.

LONDON HAMMERSMITH ODEON JULY 9th, 1981

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John Prine

Box | 2023 | EU | Original (Oh Boy)

253,99 €*

Release: 2023 / EU – Original

Genre: Pop

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2LP | 1996 | EU | Original (The Rocket Record Company)

Love Songs

237,49 €* 249,99 € -5%

6LP | 2023 | EU | Original (Warner Music International)

Release: 1996 / EU – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Small sticker on cover.
Includes original inner sleeves.

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Enya

A Box Of Dreams

191,99 €*

Release: 2023 / EU – Original

Genre: Pop

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6LP | 2020 | EU | Original (Sony)

Sade

This Far

187,99 €*

2LP | 2021 | JP | Original (P-Vine)

Release: 2020 / EU – Original

Genre: Pop

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This boxset features remastered versions of all of Sade's studio albums to date, on pure 180-gram black vinyl - the first complete collection of their studio work up to the present day. All six of the band's acclaimed albums: Diamond Life (1984), Promise (1985), Stronger Than Pride (1988), Love Deluxe (1992), Lovers Rock (2000), and Solder Of Love (2010) are packaged into the beautifully finished, white case-bound box. Revisiting the audio, the band and Miles Showell worked from high resolution digital transfers of the stereo master mixes, from the original analogue studio tapes, remastered at half-speed at Abbey Road Studios. The elaborate, half-speed mastering process has produced exceptionally clean and detailed audio whilst remaining faithful to the band's intended sound. No additional digital limiting was used in the mastering process, so the six albums benefit from the advantage of extra clarity and pure fidelity, preserving the dynamic range of the original mixes for the very first time. The six album sleeves have been meticulously reproduced in exact detail with authentic paper and printing methods, perfectly replicated for the first time since their original release.

Over an exceptional career spanning more than three decades, Sade's six albums have amassed over 60 million worldwide sales and have been certified platinum 24 times over. Producing singles such as 'Your Love Is King', 'Smooth Operator', and 'By Your Side', Sade have gone on to achieve Number 1 albums across the world, collected several Grammys, MTV Video Music Awards, and a BRIT Award along the way, quietly taking their ''place in the pantheon of cultural influence'' [New York Times, October 2017]. Their most recent studio album, Soldier Of Love, charted at number one in 15 countries, including the US, upon release in 2010.

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Ichiko Aoba

169,99 €*

Release: 2021 / JP – Original

Genre: Pop

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Used Vinyl

Medium: Near Mint, Cover: VG

Limited Edition.
Cover with seam split and dented corner.
Includes original insert.

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The Asylum Albums 1976-1980

Box | 2024 | EU | Original (Rhino)

164,99 €*

Release: 2024 / EU – Original

Genre: Pop

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Forever Jan - 25 Jahre Jan Delay Limited Signed Fan Box

Jan Delay

Box | 2024 | EU | Original (Vertigo Berlin)

156,99 €*

Release: 2024 / EU – Original

Genre: Hip Hop, Pop

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"Forever Jan" packs 25 (!) years into the most comprehensive compilation possible - and, despite all the stylistic diversity, makes the common thread of this extraordinary career recognizable in every respect. Jan Delay himself has become an icon of German pop: He has shaped how music sounds in this country, and he has inspired entire generations to listen to their raveheart and consistently do their thing.

But above all, he has always remained a fan. Anyone who has shared a dancefloor with Jan at five o'clock in the morning or discussed the latest Soundso record with him, indeed anyone who has experienced him on stage even once, knows what music means to him, how it drives him, how it defines his work. The beats, the bass, the whole boom, that's his element. And he has always transferred this passion very directly into his own projects. Anyone who hears "Forever Jan" knows that this fire will burn forever.

"Forever Jan" comes with 2 new tracks, classics, rarities and floor fillers.

Limited hardcover book in vinyl format incl. 2 new tracks: 5-fold vinyl (colored, 180g) and 2 CDs with glued-in 20-page booklet and signed DIN A5 photo

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The Asylum Albums 1972-1975

5LP | 2022 | EU | Original (Rhino)

150,99 €*

Release: 2022 / EU – Original

Genre: Pop

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5LP | 2021 | UK | Original (Warner)

Rod Stewart

1975-1978

150,99 €*

Thriller Limited Edition Ultradisc One-Step LP Numbered Deluxe Box Set

Release: 2021 / UK – Original

Genre: Pop

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Sir Rod Stewart was on his way to becoming one of the most successful recording artists in history in 1974 when he moved to America and signed with Warner Bros. Records (now Warner Records). Over his next 27 years with the label, Stewart released some of the most commercially successful and critically acclaimed records of his extraordinary career. This 5LP boxed set features Stewart's first four Warner albums on vinyl, plus a bonus LP of rare and unreleased studio outtakes from those albums: Atlantic Crossing (1975), A Night on the Town (1976), Footloose & Fancy Free (1977), and Blondes Have More Fun (1978).

After being out of print for decades, the studio albums look and sound better than ever as they return to vinyl, complete with replica sleeves and newly remastered sound. The albums and the bonus LP are all organised in an iridescent box with Stewart foil-stamped on the cover, his blonde shag haircut glistening in gold, and his leopard-print suit shimmering in silver.

After brilliant stints with the Jeff Beck Group and the Faces and several outstanding solo albums, Stewart moved to Los Angeles in 1974. ROD Stewart: 1975-1978 reflects the burst of creativity that followed, starting in 1975 with his label debut, Atlantic Crossing. The album was produced by the legendary Tom Dowd, who produced Stewart's next three albums. After Atlantic Crossing was certified gold, A Night On the Town went double-platinum, and Foot Loose & Fancy Free went triple-platinum, as did its follow-up Blondes Have More Fun, which became Stewart's first #1 album. That era introduced many of the singer's best-known tracks: "Sailing," "I Don't Want to Talk About It," "I Was Only Joking," "The First Cut Is the Deepest," "You're in My Heart (The Final Acclaim)," "Da Ya Think I'm Sexy?" and "Hot Legs."

The bonus LP, titled Encores 1975-1978, is a collection of 10 outtakes selected from the recording sessions for all four albums. The first side highlights five songs from the recent deluxe editions released for Atlantic Crossing and A Night on the Town. Songs include an alternate version of the B-side "Rosie" and a cover of the Bee Gees' "To Love Somebody" recorded with the influential Stax Records house band, Booker T. & The MG's. The flip side features five previously unreleased session outtakes from Foot Loose & Fancy Free and Blondes Have More Fun. Highlights include a cover of the Motown classic, "You Really Got A Hold On Me," and the unreleased tracks "Silver Tongue" and "Don't Hang Up".

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Michael Jackson

Box | 1982 | US | Reissue (Mobile Fidelity)

149,99 €*

4LP | 2023 | UK | Original (Rocket Girl)

Release: 1982 / US – Reissue

Genre: Pop

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Putting into perspective the incalculable impact and pioneering significance of the best-selling album of all time – Michael Jackson's Thriller – has never been easy. Though Thriller lays claim to mind-boggling statistics that serve as reminders of how pervasive and indispensable it remains to music snobs and casual listeners alike, its essence always traces back to the greatness, power, and scope of the music. Now, as it celebrates its 40th anniversary, the record that reimagined pop; united audiences; made strides towards achieving racial equality; established the video as an artistic and commercial format; and taught the world how to dance sounds even more invigorating than it did during the advent of the Walkman. Mastered from the original analog master tapes, pressed at RTI, and limited to 40,000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 33rpm LP set does for Thriller what Jackson's unforgettable appearance on the "Motown 25" TV special in 1983 did for his career: It makes the music personal, human, desirable, relatable, imaginative – the definition of cool. This extraordinary reissue does so by presenting the songs in lifelike fashion, zeroing in on the fundamentals with laser focus, and magnifying the brilliance of the production, arrangements, and vocals in ways that let everyone experience Thriller as if hearing the album for the first time.

Surpassing the sonics of earlier reissues and pressings, Mobile Fidelity's 180g LP set strips away prior limitations and provides a clear, dynamic view of a landmark that crashed through every conceivable barrier and permanently transformed music, culture, and society. The expanse and depth of the soundstage, range of detail, percussive textures, air around the vocals, and natural decay of notes come through with demonstration-grade realism.

The gorgeous packaging of the Thriller Ud1s pressing befits the album's select status. Housed in an open-ended slipcase, the set features a special foil-stamped jacket and faithful-to-the-original graphics that illuminate the splendor of the recording. Aurally and visually, this reissue exists as a curatorial artifact meant to be preserved and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in everything involved with the album.

Given that no album released during the past four decades even approaches the magnitude of Thriller, everything about it remains important. Numbers – even the "40" tied to its anniversary – don't even tell half the story. The 1982 blockbuster has sold more than 34 million copies in the U.S.; globally, it has moved upwards of 70 million units. Thriller dominated the 1984 Grammy Awards, winning a record-breaking eight trophies and sweeping every major category. It repeated the feat at the American Music Awards. Seven of its nine songs were released as singles; each charted in the Top 10. Perhaps most astonishingly, Thriller topped the Top 200 Albums chart for 37 weeks during a 59-week stretch. Fast forward 24 years, and the album was the biggest-selling catalog title of 2008.

The record's unimpeachable accolades and archival standing help provide another frame of reference. Acclaimed upon arrival, Thriller topped The Village Voice's comprehensive Pazz & Jop poll in 1983. Included in both the Library of Congress' National Recording Registry and the Grammy Hall of Fame, Thriller was ranked by the Rock and Roll Hall of Fame at No. 3 on its Definitive 200 Albums of All Time. Rolling Stone named it the 12th Greatest Album of All Time. Time deemed it "the greatest pop album of all time." The Independent called it "the most inspiring album of all time."

Thriller proved as influential as it did inspiring. Its unparalleled success, dazzling style, and sleek architecture changed every facet of culture and entertainment. The reverberations echoed throughout society. Thriller crossed over to mainstream channels and white audiences with a degree that no Black musician managed in decades (if ever); prompted MTV to give Black artists a widespread platform; elevated choreography and dance to higher-level artforms; shattered long-standing racial boundaries; and reconceptualized music via a genre- and color-blind blend of fleet pop, funk, disco, soul, and rock sent up with cinematic panache, oversized ambition, and dynamic energy.

Its effect on multitudes of subsequent artists cannot be overstated. Thriller opened up a new galaxy in which Prince soon strolled. It's the same universe that Usher, Maxwell, and Jamiroquai joined in the ‘90s and that contemporary headliners like Beyonce, Justin Timberlake, and Bruno Mars orbit today. Their style-blurring identities, R&B-rooted foundations, and interdisciplinary approaches directly link to those on Thriller. Notably, the album's first single – "The Girl Is Mine," a duet and co-write with Beatles legend Paul McCartney – captured the record's unwillingness to cater to a specific race, generation, class, or style. Eddie Van Halen – at the time, the world's premier rock guitarist – performed a similar bridge role by supplying the electrifying solo on "Beat It."

Jackson, Quincy Jones, and company do the rest. Drop the needle on any track on Thriller and the insatiable desire to move takes hold. So do sensations of familiarity, pleasure, fun, and soulfulness. Be it the breathless, bass-laden swagger of the Moonwalking "Billie Jean"; horn-accented, post-disco slide of the gossip critique "Wanna Be Startin' Somethin'"; rousing tempo of the lush, sequin-adorned "P. Y. T. (Pretty Young Thing)"; gentle balladry and liquid vocal phrasing of "Human Nature"; vivid hybrid of funk-disco and horror-film drama of the title track; or streetwise strut and rhythmic fantasia of "Beat It," Thriller never lets up.

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A.R. Kane

A.R. Kive

147,99 €*

Both Sides (All The Sides)

Release: 2023 / UK – Original

Genre: Pop

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A.R. Kive collates the three most astonishing works from that most miraculous of

duos - A.R. Kane - comprising the ‘Up Home' EP from 1988 that signified the

band's dawning realisation of their own powers and possibilities, their legendary

debut LP ‘sixty nine' (1988) and its kaleidoscopic, prophetic double-LP follow up ‘i'

(1989).

In founder-member Rudy Tambala's new remastering, the music on these pivotal

transmissions from the birth of dream pop, have been reinvigorated and re-infused

with a new power, a new depth and intimacy, a new height and immensity. Vivid,

timeless and yet always timely whenever they're recalled, these records still force

any listener to realise that despite the habits of retrospective myth-making and the

safe neutering effects of ‘genre', thirty years have in no way dimmed how resistant

and dissident to critical habits of categorisation A.R. Kane always were. Never quite

‘avant-pop' or ‘shoegaze' or ‘post-rock' or any of those sobriquets designed to file

and categorise, A.R. Kive is a reminder that those genres had to be coined, had to

be invented precisely to contain the astonishing sound of A.R. Kane, because

previous formulations couldn't come close to their sui generis sound and

suggestiveness. This is music that pointed towards futures which a whole generation

of artists and sonic explorers would map out. Now beautifully repackaged,

remastered and fleshed out with extensive sleeve notes and accompanying

materials, ‘A.R. Kive' reveals that 35 years on it's still a struggle to defuse the

revolutionary and inspirational possibility of A.R. Kane's music.

A.R. Kane were formed in 1986 by Rudy Tambala and Alex Ayuli, two second-

generation immigrants who grew up together in Stratford, East London. From the off

the pair were outsiders in the culturally mixed (cockney/Irish/West Indian/Asian)

milieu of the East End, with Alex and Rudy's folks first generation immigrants from

Nigeria and Malawi, respectively. The two of them quickly developed and fostered an

innate and near-telepathic mutual understanding forged in musical, literary and

artistic exploration. Like a lot of second-generation immigrants, they were ferocious

autodidacts in all kinds of areas, especially around music and literature. Diving deep

into the music of afro-futurist luminaries such as Sun Ra, Miles Davis, Lee Perry and

Hendrix, as well as devouring the explorations of lysergic noise and feedback from

contemporaries like Sonic Youth and Butthole Surfers, they also thoroughly

immersed themselves in the alternate literary realities of sci-fi and ancient history

(the fascination with the arcane that gave the band their name), all to feed their

voracious cultural thirsts and intellectual curiosity.

It was seeing the Cocteau Twins performing on Channel 4 show the Tube that

spurred A.R. Kane into being - “They had no drummer. They used tapes and

technology and Liz Fraser looked completely otherworldly with those big eyes. And

the noise coming out of Robin's guitar! That was the ‘Fuck! We could do that! We

could express ourselves like that!' moment”, recalls Tambala - and through a mix of

confidence, chutzpah, ad hoc almost-mythical live shows and sheer innocent will the

duo debuted with the astonishing ‘When You're Sad' single for One Little Indian in

1986. Immediately dubbed a ‘black Jesus & Mary Chain' by a press unsure of

Where to put a black band clearly immersed in feedback and noise, what was

immediately apparent for listeners was just how much more was going on here - a

tapping of dub's stealth and guile, a resonant umbilicus back to fusion and jazz, the

music less a conjuration of past highs than a re-summoning of lost spirits.

The run of singles and EPs that followed picked up increasingly rapt reviews in the

press, but it was the ‘Up Home EP' released in 1988 on their new home, Rough

Trade that really suggested something immense was about to break. Simon

Reynolds noted the EP was: Their most concentrated slab of iridescent

awesomeness and a true pinnacle of an era that abounded with astounding

landmarks of guitar-reinvention, A.R. Kane at their most elixir-like.

If anything, the remastered ‘Up Home' that forms the first part of ‘A.R. Kive' is even

more dazzling, even more startling than it was when it first emerged, and listening

now you again wonder not just about how many bands christened ‘shoegaze' tried to

emulate it, but how all of them fell so far short of its lambent, pellucid wonder. This

remains intrinsically experimental music but with none of the frowning orthodoxy

those words imply. A.R. Kane, thanks to that second generation auto-didacticism

were always supremely aware about the interstices of music and magic, but at the

same time gloriously free in the way they explored that connection within their own

sound, fascinated always with the creation of ‘perfect mistakes' and the possibilities

inherent in informed play.

‘sixty nine' the group's debut LP that emerged in 1988 had

critics and listeners struggling to fit language around A.R. Kane's sound. As a title it

was telling - the year of ‘Bitches Brew', the year of ‘In A Silent Way', the erotic

möbius between two lovers - and as originally coined by the band themselves,

‘dream pop' (before it became a free-floating signifier of vague import) was entirely

apposite for the music A.R. Kane were making. Crafted in a dark small basement

studio in which Tambala recalls the duo had “complete freedom - We wanted to go

as far out as we could, and in doing so we discovered the point where it stops being

music”. There was an irresistibly dreamy, somnambulant, sensual and almost surreal

flow to ‘sixty nine's sound, but also real darkness/dankness, the ruptures of the

primordial and the reverberations of the subconscious, within the grooves of

remarkable songs like ‘Dizzy' and ‘Crazy Blue'. Alex's plangent vocals floated and

surged amidst exquisite peals of refracted feedback but crucially there was Bass

here, lugubrious and funky and full of dread, sonic pleasure and sonic disturbance

crushed together to make music with a center so deep it felt subcutaneous, music

constructed from both the accidental and the deliberate, generous enough to dance

with both serendipity and chaos. ‘sixty nine' remains - especially in this remastered

iteration - ravishing, revolutionary.

The final part of this ‘A.R. Kive' contains 1989's astonishing double-LP ‘i' which

followed up on ‘sixty nine's promise and saw the duo fully unleash their experimental

pop sensibilities over 26 tracks, plunging the A.R. Kane sound into a dazzlingly

kaleidoscopic vision of pop experiment and play. Suffused with new digital

technologies and combining searingly sweet and danceable pop with perhaps the

duo's strangest and boundary-pushing compositions, the album did exactly what a

great double-set should do - indulge the artists sprawling pursuit of their own

imaginations but always with a concision and an ear for those moments where pop

both transcends and toys with the listeners expectations. Jason Ankeny has noted

that “In retrospect, ‘i' now seems like a crystal ball prophesying virtually every major

musical development of the 1990s; from the shimmering techno of ‘A Love from

Outer Space' to the liquid dub of ‘What's All This Then?', from the alien drone-pop of

‘Conundrum' to the sinister shoegazer miasma of ‘Supervixens' — it's all here, an

underground road map for countless bands to follow.” Perhaps the most

overwhelmingly all-encompassing transmission from A.R. Kane, ‘i' bookended a

three year period in which the duo had made some of the most prophetic and

revelatory music of the entire decade.

After ‘i' the duo's output became more sporadic with Tambala and Ayuli moving in

different directions both geographically and musically, with only 1994's ‘New Clear

Child' a crystalline re-fraction of future and past echoes of jazz, folk and soul, before

the duo went their separate ways. Since then, A.R. Kane's music has endured, not

thanks to the usual sepia'd false memories that seem to maintain interest in so much

of the musical past, but because those who hear A.R. Kane music and are changed

irrevocably, have to share that universe which A.R. Kane opened up, with anyone

else who will listen. Far more than other lauded documents of the late 80s it still

sounds astonishingly fresh, astonishingly livid and vivid and necessary and NOW.

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Phil Collins

Box | 1994 | EU (Rhino)

136,99 €*

Release: 1994 / EU

Genre: Pop

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Merry Christmas Limited Edition Ultradisc One-Step 180g 33rpm Vinyl Box Set

Mariah Carey

Box | 1994 | WW | Reissue (Mobile Fidelity Sound Lab)

129,99 €*

Release: 1994 / WW – Reissue

Genre: Pop, Christmas

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The Holiday Album That Turned Mariah Carey into the Queen of Christmas: Merry Christmas Exudes Joy, Spirituality, and Conviction, Includes the Standard “All I Want for Christmas Is You" Hear the Record in Audiophile Sound for the First Time: Sourced from the Original Master Tapes, Mobile Fidelity’s UltraDisc One-Step 180g 33rpm LP Set, 180g 45rpm 2LP, and Hybrid Sacd Celebrate the Blockbuster Album's 30th Anniversary

Mariah Carey didn’t become the Queen of Christmas just because of her fervent love of the holiday. Or as the result of a brilliant marketing plan. The iconic singer earned her title by way of Merry Christmas, a 1994 blockbuster that quickly joined the likes of Bing Crosby’s White Christmas and A Jolly Christmas from Frank Sinatra as an all-time holiday vocal classic. Featuring a balanced mix of inspired originals and well-chosen covers, Carey’s fourth studio record continues to grow in stature as new generations discover its magic. Mobile Fidelity’s 30th anniversary edition reissues of Merry Christmas make her spellbinding performances and upper-tier register come alive like never before.

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Joni Mitchell Archives Volume 3: The Asylum Years

4LP | 2023 | EU | Original (Rhino)

124,99 €*

Release: 2023 / EU – Original

Genre: Pop

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Madman Across The Water Limited Box Set

4LP | 1971 | EU | Reissue (EMI)

124,99 €*

Release: 1971 / EU – Reissue

Genre: Pop

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4LP | 2020 | CZ | Original (Capitol)

John Lennon

Gimme Some Truth

116,99 €*

Release: 2020 / CZ – Original

Genre: Pop

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Brian Wilson & Van Dyke Parks

Orange Crate Art

2LP | 2020 | EU | Original (Rykodisc)

114,99 €*

Mon Pays C'est L'amour Boxset Deluxe

Release: 2020 / EU – Original

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Records with some scuffs and slight scratches!

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Johnny Hallyday

Box | 2018 | EU | Original (Warner Music International)

106,99 €*

Release: 2018 / EU – Original

Genre: Pop

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3LP | 2024 | JP | Original (Hobbyless / Diskunion)

Motohiro Hata

Evergreen 2

96,99 €*

Pet Sounds 45RPM, 200g Vinyl Mono Edition

Release: 2024 / JP – Original

Genre: Pop

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Singer-songwriter Motohiro Hata's long-awaited “evergreen 2,” the best album of his music style's origins as a singing with a guitar, is now available on vinyl 3LP!! The collection covers signature songs released from 2015 to 2020. Through the format of the record, the style of singing with a guitar, the rich musical world of his voice and instrumental sounds can be experienced in a more direct and intimate way.

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The Beach Boys

2LP | 2017 | US | Original (Analogue Productions)

90,99 €*

Pelican West 40 Deluxe-Edition

Release: 2017 / US – Original

Genre: Pop

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To meet the standards of Analogue Productions, our Beach Boys album reissues had a mission to achieve: Present the band's music the way that Brian Wilson — famed co-founder, songwriter and arranger — intended. Mono mixes created under Wilson’s supervision were how the surf rockin’ California crew rose to fame! And we’ve got ‘em!
For the early part of the Beach Boys' career, all of their singles were mixed and mastered and released only in the mono format — they didn't release a single in stereo until 1968. In those days, hits were made on AM radio in mono. And the mono of those times worked well for Wilson, who suffers from partial deafness. In fact, for their first 13 albums, Wilson originally turned in all the final mixed Beach Boy albums to Capitol Records only in mono. The mono mixes were where Wilson paid intense attention, and the dedication paid off!
We’ve taken 10 of the most classic, best-sounding Beach Boy titles ever and restored them to their mono glory!
But there’s no disputing that the close harmonies and one-of-a-kind rhythms of hits like “Surfer Girl”, “In My Room”, “Little Deuce Coupe” and more lend themselves naturally to stereo. So we’ve got your 2-channel needs covered with prime stereo mix versions as well.
Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in 'old school' Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!
"Pet Sounds" is famous for its use of multiple layers of unorthodox instrumentation as well as other cutting edge audio techniques for its time. It's considered the best Beach Boys album, and one of the best of the 1960s. The group here reached a whole new level in terms of both composition and production, layering tracks upon tracks of vocals and instruments to create a richly symphonic sound.
Conventional keyboards and guitars were combined with exotic touches of orchestrated strings, bicycle bells, buzzing organs, harpsichords, flutes, Theremin, Hawaiian-sounding string instruments, Coca-Cola cans, barking dogs, and more. It wouldn't have been a classic without great songs, and this has some of the group's most stunning melodies, as well as lyrical themes which evoke both the intensity of newly born love affairs and the disappointment of failed romance (add in some general statements about loss of innocence and modern-day confusion as well). The spiritual quality of the material is enhanced by some of the most gorgeous upper-register male vocals (especially by Brian and Carl Wilson) ever heard on a rock record. "Wouldn't It Be Nice", "God Only Knows", "Caroline No", and "Sloop John B" (the last of which wasn't originally intended to go on the album) are the well-known hits, but equally worthy are such cuts as "You Still Believe in Me", "Don't Talk", "I Know There's an Answer", and "I Just Wasn't Made for These Times". It's often said that this is more of a Brian Wilson album than a Beach Boys recording (session musicians played most of the parts), but it should be noted that the harmonies are pure Beach Boys (and some of their best).
VH-1 named "Pet Sounds" as the No. 3 album in the Top 100 Albums in Rock 'n' Roll History, as judged in a poll of musicians, executives and journalists. It's been ranked No. 1 in several music magazines' lists of the greatest albums of all time, including NME, The Times and Mojo Magazine. It was ranked No. 2 in Rolling Stone's 500 Greatest Albums of All Time list.

Recording: in mono

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Haircut One Hundred

4LP | 1982 | UK | Reissue (Demon / Edsel)

88,99 €*

Release: 1982 / UK – Reissue

Genre: Pop

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LP | 2023 | JP | Original (Warner)

Twice

Celebrate

83,99 €*

Coups de Coeur Coups de Soleil

Release: 2023 / JP – Original

Genre: Pop

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In 2022, Twice finally celebrated the 5th anniversary of their debut in Japan! Twice, who have prepared many thanks and gifts for their fans, will release the analogue version of Twice Japan 4th Album "Celebrate" this winter, a much talked about work to celebrate the 5th anniversary of their Japanese debut in a grand way. The memorial piece will be a limited-quantity production disc!

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Réséda

LP | FR | Original (Not On Label)

79,99 €*

Release: FR – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 2018 | CA | Original (Not On Label (Michelle Gurevich Self-released))

Michelle Gurevich

Exciting Times

78,99 €*

LP | 2023 | EU | Original (Fone')

Release: 2018 / CA – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Sealed, Cover: VG+

Sealed copy.
Cover as new with slightly dented corners.

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Musica Nuda

Live At Museo Piaggio

76,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves, Pop

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Chloë And The Next 20th Century

Father John Misty

| 2022 | EU | Original (Bella Union)

74,99 €*

Whitney Houston SuperVinyl 180g 33rpm LP Edition

Release: 2022 / EU – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Complete box. With download card (status unknown).

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Whitney Houston

LP | 1985 | US | Reissue (Mobile Fidelity Sound Lab)

73,99 €*

Merry Christmas Numbered 180g 45rpm 2LP Vinyl Edition

Release: 1985 / US – Reissue

Genre: Pop

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SOURCED FROM THE ORIGINAL MASTER TAPES AND LIMITED TO 4,000 NUMBERED COPIES:

MOBILE FIDELITY'S 180G SUPERVINYL LP PRESENTS 1985 BLOCKBUSTER IN AUDIOPHILE SOUND, PLAYS WITH EXCEPTIONAL CLARITY
PCM digital master to analogue console to lathe

Whitney Houston’s self-titled debut album has few parallels. Viewed solely through the lens of sales numbers, Whitney Houston is a watershed statement on par with the most commercially successful and culturally dominant LPs ever released. Having sold more than 14 million copies in the U.S. and upwards of 25 million units worldwide, the 1985 LP became the equivalent of the television show or blockbuster film that everyone collectively experiences and discusses. Nearly four decades later, it’s lost none of its appeal or magnetism — and its artistic significance and historical import have only grown.

Sourced from the original master tapes, pressed at RTI on MoFi SuperVinyl, and strictly limited to 4,000 numbered copies, Mobile Fidelity's 180g SuperVinyl LP of Whitney Houston presents the breakthrough in audiophile sound for the first time. The signature traits Houston exhibits on every song — her three-octave range, radiant warmth, personal conviction, impossibly controlled register — come across with exceptional clarity, focus, and presence. Free of artificial ceilings and constricted dynamics, this reissue plays with an openness, airiness, and balance that put the singer’s once-in-a-lifetime instrument and immortal artistry into proper perspective.

It does the same for the songs’ cascading melodies and captivating arrangements. Individually produced by one of four renowned industry veterans — Kashif, Micheal Masser, Jermaine Jackson, and Narada Michael Walden — each composition feels grander, closer, more genuine. A vocal spectacular, Whitney Houston benefits from the high-end characteristics of SuperVinyl, which include a nearly inaudible noise floor, superb groove definition, and dead-quiet surfaces. This is how an album that changed the direction of popular music — opening previously inaccessible doors for Black artists; bringing smooth-singing vocalists back into the mainstream; kickstarting a movement that soon included several “divas” who would command the charts through the early 21st century — should look and sound.

Though Houston’s seemingly effortless performances suggest otherwise, creating the record Rolling Stone ranks as the 257th Greatest Album of All Time wasn’t easy. Nearly 18 months were required to identify songs suitable for a still-unknown singer who did not fit into the conventional frameworks of the mid ‘80s. Confident, powerful, and prodigiously talented, Houston would forge her own parameters with Whitney Houston. In the process, she obliterated the stubborn lines between R&B and pop, Black and white radio. She dared to reimagine who could be a superstar and then went out and defined the role. Recorded for nearly $400,000 and released on Valentine’s Day, the LP exceeded the wildest expectations of those most closely associated with it — save for Houston and her family.

Having made her first public appearance at the age of 11 singing at a Baptist church, Houston understood pressure and knew her way around, inside, and through a song. The invaluable guidance and support she received from her mother, Cissy, an accomplished gospel vocalist who backed Aretha Franklin and Elvis Presley, are on display throughout Whitney Houston. They arrive in the types of authoritativeness, discipline, and diction rare for even most seasoned veterans — and unheard-of for a 21-year-old newcomer. Houston brings a soulful elegance, understated glamour, and in-the-moment rapture to every note. Moving up, down, or staying in the middle of the vocal ladder; channelling softness or sweetness; showing restraint or increasing the volume, she is a marvel of emotionalism, a dynamo who can seamlessly transition from one mood to another within a verse.

Though the 10-track LP largely concerns itself with the ballad tradition, Houston covers the bases, getting into an R&B groove on the fleet “Thinking About You,” turning up the heat on the duet “Take Good Care of My Heart,” and investing the contagious dance-pop confection “How Will I Know” with all the anxiety, hope, energy, and enthusiasm its lyrics demand. Featuring her mom on background vocals and Houston’s pitch-perfect tone, uncanny precision, and skyscraper highs (no AutoTune here, friends), the synth-based anthem propelled Whitney Houston into the stratosphere, the vocalist into regular MTV rotation, and the term “crossover” into popular parlance. The double-platinum single reached No. 1 on the Hot 100, Hot R&B, and Adult Contemporary charts — a trifecta that foreshadowed accomplishments that would ultimately crown Houston as the most-awarded female artist of all time.

Whitney Houston became the first album by a Black female performer to top the Billboard charts. It remained there for 14 non-consecutive weeks en route to claiming the title of the best-selling LP of 1986. It stands as the first debut and first album by a solo female artist to spawn three No. Hits, as well as the first album by a Black female artist to top the year-end charts in Australia and Canada. These are just a handful of the accolades — along with four Grammy nominations — that surround a set that also contains the unforgettable ballad “Saving All My Love,” string-accompanied “Greatest Love of All,” and sensual “You Give Good Love.”

As TIME observed in an article written two years after the album took the world by storm: “This is infectious, can't-sit-down music, and her performance dares the listener not to smile right back.” We’re still smiling.

SACD

Sourced from the original master tapes and strictly limited to 3,000 numbered copies, Mobile Fidelity's hybrid SACD of Whitney Houston presents the breakthrough in audiophile sound for the first time. The signature traits Houston exhibits on every song — her three-octave range, radiant warmth, personal conviction, impossibly controlled register — come across with exceptional clarity, focus, and presence. Free of artificial ceilings and constricted dynamics, this reissue plays with an openness, airiness, and balance that put the singer’s once-in-a-lifetime instrument and immortal artistry into proper perspective.

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Mariah Carey

2LP | 1994 | WW | Reissue (Mobile Fidelity Sound Lab)

69,99 €*

LP (Not On Label (Duran Duran))

Release: 1994 / WW – Reissue

Genre: Pop, Christmas

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Duran Duran

Faster Than Light

69,99 €*

2LP | 2020 | US | Original (Capitol)

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Close to Mint.

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John Lennon

Gimme Some Truth

69,99 €*

Release: 2020 / US – Original

Genre: Pop

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LP | 1989 | JP | Reissue (Warner Music Japan)

Dip In The Pool

Retinae

66,99 €*

LP | 1991 | JP | Reissue (Warner Music Japan)

Release: 1989 / JP – Reissue

Genre: Pop

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On Retinae' was released in 1989 by Dip in the Pool, which has been re-discovered from around the world, as proven by a reissue of the album from an overseas labels two years ago. This has been a long-awaited reissue! In addition to Masyako Koda and Tatsushi Kimura, members of MARIAH, Yasuaki Shimizu, etc. participated in this work through the album. The genre of New Wave, Ambient alone can not be stopped, the present has caught up with the style that was ahead of its time. Listen to this masterpiece now!

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Dip In The Pool

Aurorae

66,99 €*

LP | 2024 | JP | Original (Beats On Wax)

Release: 1991 / JP – Reissue

Genre: Pop

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Aurorae' was released in 1991 by Dip in the Pool, which has been re-discovered from around the world, as proven by a reissue of the album 'On Retinae' from an overseas labels two years ago, which was the first on vinyl! Incorporating the essence of various genres in the age of change in the 90's in terms of music, the hybrid pop is still alive with the arrangement's eclecticness, changing from the typical style of Dip in the Pool.

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Sweet William

Sonoras

64,99 €*

Release: 2024 / JP – Original

Genre: Pop

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Boas Festas2 -Feliz Natal-

Lisa Ono

LP | JP | Original (Universal Music Japan)

63,99 €*

Release: JP – Original

Genre: Pop

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LP | JP | Original (Universal Music Japan)

Lisa Ono

Boas Festas

63,99 €*

Release: JP – Original

Genre: Pop

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Best Of 25 Jahre Sdp (Ltd. Ultra Fan Edition)

SDP

CD Box | 2024 | EU | Original (Chapter One)

62,99 €*

Release: 2024 / EU – Original

Genre: Pop

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LP | 1992 | JP | Reissue (Sony Music Japan)

Akiko Yano

Super Folk Song

61,99 €*

Release: 1992 / JP – Reissue

Genre: Pop

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LP | 1981 | EU | Reissue (Music On Vinyl)

Yellow Magic Orchestra

BGM

60,99 €*

Steve Wynn & The Miracle 3

Release: 1981 / EU – Reissue

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

2016 reissue on clear vinyl. with booklet. PVC sleeve. tiny wear. Numbered Limited edition.

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Static Transmission

2LP | 2003 | DE | Original (Blue Rose)

60,99 €*

2LP | 2022 | JP | Original (Kissing Fish)

Release: 2003 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl is close to NM.

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Ann Sally

Hajimari No Toki

2LP | 2022 | JP | Original (Kissing Fish)

Release: 2022 / JP – Original

Genre: Organic Grooves, Pop

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Three CDs sold exclusively on the artist's official website and at live venues, are now available on vinyl! The long-awaited analog version in 2LP / Gatefold jacket is now available!

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Ann Sally

Bon Temps

2LP | 2022 | JP | Original (Kissing Fish)

Release: 2022 / JP – Original

Genre: Organic Grooves, Pop

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Three CDs sold exclusively on the artist's official website and at live venues, are now available on vinyl! The long-awaited analog version in 2LP / Gatefold jacket is now available!

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Ann Sally

Fo:Rest

2LP | 2002 | EU | Original (One Little Indian)

Release: 2022 / JP – Original

Genre: Organic Grooves, Pop

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Three CDs sold exclusively on the artist's official website and at live venues, are now available on vinyl! The long-awaited analog version in 2LP / Gatefold jacket is now available!

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Björk

Greatest Hits

Release: 2002 / EU – Original

Genre: Electronic & Dance, Pop

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2LP | 2014 | UK | Original (Tin Angel)

John Southworth

Niagara

Release: 2014 / UK – Original

Genre: Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2020 | GR | Original (Won Ton)

Regressverbot

Dubna's Dance

Release: 2020 / GR – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

Pacific Breeze Volume 3 Japanese City Pop, AOR & Boogie 1975-1987 HHV Exclusive Tropical Love Trip Vinyl Edition

2LP | 2023 | EU | Original (Light In The Attic)

57,99 €*

Thanks, I'll Eat It Here Record Store Day 2024 Vinyl Edition

Release: 2023 / EU – Original

Genre: Pop

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Limited to 500 copies, worldwide, exclusively available at HHV. The latest chapter in the acclaimed Pacific Breeze series!

Artwork by renowned illustrator Hiroshi Nagai

Compiled by Yosuke Kitazawa and Mark “Frosty” McNeill (dublab)

Newly remastered audio

2xLP housed in a deluxe wide spine jacket with full color inner sleeves and custom die-cut OBI

Extensive artist bios by Yosuke Kitazawa

Digital mockups are not an exact representation of colors

Light in the Attic’s Pacific Breeze series has supplied the world’s growing legions of Japanese music fans with an expertly curated selection of the most sought-after City Pop recordings—the mesmerizing and nebulous genre of Japanese bubble-era music of the ‘70s-’80s that encompasses AOR, R&B, jazz fusion, funk, boogie and disco. These familiar sounds are spun through the unique lens of optimistic, cosmopolitan fantasy colored by Japan’s affluence at the time. Much of the music has previously been nearly impossible to acquire outside of Japan and continues to captivate listeners with its unique blend of groove-laden escapism, even birthing wholly new genres such as Vaporwave.

Pacific Breeze 3: Japanese City Pop, AOR & Boogie 1975-1987 marks the latest chapter in the famed series and features holy grails plus under-the-radar rarities. The collection bursts at the seams to reveal some of the greatest Japanese tracks ever laid to tape, pushing towards the edge of City Pop to reveal glimmers of the next waves of styles to spring forth from the country’s creative minds. The appearance of Pizzicato Five hint at the emergence of Shibuya-kei while the influence of hip hop and electro as an emerging global trend are also evident here through the prevalence of heavier programmed drum beats on tracks such as “Heartbeat” by Miho Fujiwara.

This volume of Pacific Breeze, like its predecessors, is a female-forward offering, with many tracks being voiced by women who would become household names in Japan as actresses and pop idols. Their songs here subvert the norm and brim with an innovative spirit that shatters gender roles in favor of sonic transcendence. Techno-pop classics from Susan, Miharu Koshi and Chiemi Manabe sit alongside sublime funk from Atsuko Nina and Naomi Akimoto, while Teresa Noda slides into the mix with a sultry reggae jam. The genre span is stretched wider with hypnotic jazz fusion by Parachute and Hiroyuki Namba, a synthesizer fantasy from Osamu Shoji, and magnetic pop by Makoto Matsushita and Chu Kosaka.

Although not front and center, the visionary members of Yellow Magic Orchestra are still very present on Pacific Breeze 3, with Haruomi Hosono, Ryuichi Sakamoto, and Yukihiro Takahashi taking up producer and musician roles on many of these tracks. Pacific Breeze 3 serves up a captivating musical journey that adds an essential chapter to the iconic compilation series.

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Lowell George

LP | 1979 | Reissue (Rhino Warner)

57,74 €* 76,99 € -25%

Release: 1979 / Reissue

Genre: Pop

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45th anniversary of cult classic solo album from Little Feat founder Lowell George, released weeks before his untimely death in 1979. Includes original album cut AAA from original master tape and bonus album including previously unreleased alternate versions and outtakes from recording sessions.

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4LP | 2020 | EU | Original (Mercury)

Jewel Box: Deep Cuts

57,66 €* 72,99 € -21%

Release: 2020 / EU – Original

Genre: Pop

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2LP | 2023 | FR | Original ([Pias] Le Label)

Jean-Louis Murat

Best Of

56,99 €*

LP | 1984 | DE | Original (Not On Label)

Release: 2023 / FR – Original

Genre: Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with hype sticker. Clear vinyl Limited edition.

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Magica

People

55,99 €*

LP | 2016 | EU | Reissue (Music On Vinyl)

Release: 1984 / DE – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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Jamiroquai

Synkronized

54,99 €*

Phases And Stages Record Store Day 2024 Vinyl Edition

Release: 2016 / EU – Reissue

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Copy close to NM

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Willie Nelson

LP | 1974 | Reissue (Rhino Atlantic)

53,19 €* 55,99 € -5%

4LP | 2008 | EU | Reissue (Music On Vinyl)

Release: 1974 / Reissue

Genre: Pop

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Nelson’s 1974 classic, celebrating its 50th Anniversary in March, just prior to RSD If Shotgun Willie played a bit like a concept album, Phases and Stages was a full-blown one, tracing the dissolution of a marriage and devoting one side to the wife's perspective, the second to the husband's….Phases and Stages is easily the equal of its remarkable predecessor, a wonderful set of music that resonates deeply, as deeply as the words. Make no mistake -- the deceptively relaxed arrangements, including the occasional strings, not only highlight Nelson's clever eclecticism, but they also heighten the emotional impact of the album. And this is a hell of an emotional record, where even each side's celebratory honky tonk numbers (the medley "Sister's Coming Home/Down at the Corner Beer Joint" and "Pick Up the Tempo," respectively) are muted by sadness. Then, there are the centerpieces: "Walkin'," where the woman decides it's time to move on; "Pretend I Never Happened," perhaps the coldest ending to a relationship ever written; "Bloody Mary Morning," a bleary-eyed morning-after tale that became a standard; "It's Not Supposed to Be That Way," a nearly unbearably melancholy account of a love gone wrong; and "Heaven and Hell," a waltz summary of the relationship. Any two of these would have formed a strong core for an album, but placed together in a narrative context, their impact is even more considerable. As a result, this is not just one of Willie Nelson's best records, but one of the great concept albums overall.

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John Mayer

Where The Light Is

52,99 €*

Start Walkin' 1965-1976 Black Vinyl Edition

Release: 2008 / EU – Reissue

Genre: Pop

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Exclusively remastered from analog tapes.
Pressed on 180g audiophile vinyl.

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Nancy Sinatra

2LP | 2021 | US | Original (Light In The Attic)

51,99 €*

Fragile Atlantic 75 Series Sacd

Release: 2021 / US – Original

Genre: Pop

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Definitive compilation spans solo recordings, rarities and duets with Lee Hazlewood
Newly remastered from the original analog tapes by GRAMMY®–nominated engineer John Baldwin
New interviews with the legendary singer, actress, and activist, Nancy Sinatra
Extensive essay by Amanda Petrusich
Q&A interview with Nancy & GRAMMY®–nominated reissue co-producer, Hunter Lea
Never–before–seen photos from Nancy Sinatra’s personal archive
Beautifully packaged Double LP (pressed at RTI) featuring a 24–pg book
Images are mock-ups and subject to change

Light In The Attic Records is proud to present Nancy Sinatra: Start Walkin’ 1965–1976. The definitive new collection surveys Sinatra’s most prolific period over 1965–1976, including her revered collaborations with Lee Hazlewood, over 23 tracks.

Remastered from the original analog tapes by GRAMMY®–nominated engineer John Baldwin, the collection is complemented by liner notes penned by Amanda Petrusich (author and music critic at The New Yorker), featuring insightful new interviews with Sinatra, as well as a Q&A with archivist and GRAMMY®–nominated reissue co-producer, Hunter Lea. The CD edition comes housed in a 7”x7” hardcover book (featuring 64–pages) and the two-disc vinyl set is presented in a gatefold jacket (featuring a 24–page booklet).

Nancy’s performance of the Lee Hazlewood–penned song “These Boots Are Made for Walkin’” was a huge hit in 1966 and became her signature tune. The pair began a three year run of successful albums, duets, and singles including “Sugar Town,” “Some Velvet Morning,” “Summer Wine,” “Sand,” “Jackson,” and the title track to the 1967 James Bond film “You Only Live Twice.”

Start Walkin’ explores Nancy’s recordings with Lee, her inspired collaborations with songwriter Mac Davis (“Hello L.A., Bye Bye Birmingham”), producer Lenny Waronker (“Hook and Ladder”), and the “should’ve been hit” song with arranger/producer Billy Strange (“How Are Things In California.”)

Over the years, she has been cited as an influence by countless artists, including Sonic Youth, Morrissey, Calexico, U2, and Lana Del Rey. Her haunting song “Bang, Bang” gained a new legion of fans when it appeared in the opening credits of Quentin Tarantino’s 2003 film, Kill Bill Volume 1.

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Yes

CD | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

50,99 €*

3LP+7" | 2021 | EU | Original (BBE Music)

Release: 2023 / US – Reissue

Genre: Pop

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Analogue Productions (Atlantic 75 Series)

Celebrating the 75th Anniversary of Atlantic Records!

Yes' breakthrough album!

Includes hit singles "Roundabout" and "Long Distance Runaround"

Hybrid Stereo SACD

Mastered by Chris Bellman at Bernie Grundman Mastering direct to DSD from the original master tape

Fragile was Yes' breakthrough album, propelling them in a matter of weeks from a cult act to an international phenomenon. Not coincidentally, it also marked the point where all of the elements of the music (and more) that would define the group's success for more than a decade fell into place fully formed, writes AllMusic, giving Fragile a 5-Star rating.

Propelled by the timeless hit "Roundabout," Yes' fourth album, Fragile, became an instant classic and is undoubtedly one of prog-rock's finest moments. It was the first Yes record to feature Rick Wakeman on keyboards and the first to display the inimitable artwork of Roger Dean. Here's the ultimate way to enjoy one of Yes's most popular and enjoyable albums.

Dream on, on to the Heart of the Sunrise!

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Jasper The Vinyl Junkie

Vinyl Junkie Thangs

50,99 €*

Release: 2021 / EU – Original

Genre: Pop

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Over 2 decades since his last compilation on BBE Music, Jasper The Vinyl Junkie returns to the label with ‘Vinyl Junkie Thangs’ a bumper collection of effortlessly cool, eclectic grooves for heads and feet. Vinyl collector, DJ and music writer, Jasper The Vinyl Junkie has been with BBE since the very beginning, curating our second ever label release, 1997’s ‘Stop & Listen Vol. II’. It seems only right for him to rejoin us in our 25th year with another stash of funk-filled, jazzy cuts and edits, many of which are almost impossibly hard to find. “Even all the digital interference hasn’t stopped vinyl being a fantastic way to get your groove on. When I put together compilations like this back in the day, there were just 3 formats: Vinyl, CDs and Cassette Tapes. Now there’s a whole heap of ways to get your favourite tunes: downloads, streaming, youtube etc. etc… Even so, when I put an album together, I always do it with the analogue in mind, so it has a certain feel to it.” – Jasper The Vinyl Junkie Featuring sounds from all-time music heroes like Fred Wesley, The Fatback Band and D-Train’s Hubert Eaves alongside lesser known artists like Exile One, Ashantis and Funkshone, Jasper takes ‘Vinyl Junkie Thangs’ above and beyond the norm for this type of collection by also including a smattering of contemporary edits, remixes and new creations. Material by the likes of Basement Freaks, OPOLOPO, Jkriv & Free Magic and Mr Scruff, much of which has never been available on vinyl before, blends in perfectly with the classic material, giving this album extra depth and fresh dimensions.

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Joni Mitchell At Newport Clear Vinyl Edition

2LP | 2023 | EU | Original (Rhino)

50,99 €*

Release: 2023 / EU – Original

Genre: Pop

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Fetty Wap Record Store Day 2024 Vinyl Edition

Fetty Wap

LP | 2016 | EU | Reissue (Multiple)

50,24 €* 66,99 € -25%

LP | 2024 | Original (Beats On Wax)

Release: 2016 / EU – Reissue

Genre: Pop

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Fetty Wap rose to popularity after his debut single, “Trap Queen,” featured on this album, reached #2 on the Billboard Hot 100 and helped him secure a deal with 300 Entertainment. He followed that up with two Top 10 hits, “679,” and “My Way,” which are also included on this debut record. This debut on vinyl has been out of print since original release in 2016 and will include additional bonus tracks new to vinyl.

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Ayatake Ezaki

Hajimari No Yoru

Release: 2024 / Original

Genre: Pop

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Thriller Limited Edition Numbered Hybrid SACD

Michael Jackson

CD | 1982 | US | Reissue (Mobile Fidelity)

LP | 2019 | EU | Reissue (Music On Vinyl)

Release: 1982 / US – Reissue

Genre: Pop

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Macy Gray

On How Life Is

2LP | 2019 | EU | Reissue (One Little Indian)

Release: 2019 / EU – Reissue

Genre: Hip Hop, Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Blue translucent vinyl.. Copy n°000884. Vinyl with a couple of light scuffs

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Björk

Medulla

Release: 2019 / EU – Reissue

Genre: Pop

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2LP | 2010 | EU | Reissue (Music On Vinyl)

Michael Jackson

Dangerous

Release: 2010 / EU – Reissue

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2020 | EU | Reissue (Music On Vinyl)

Modern Talking

The 1st Album

Release: 2020 / EU – Reissue

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Lee Hazlewoodism - Its Cause And Cure

Lee Hazlewood

LP | 2015 | US | Reissue (Light In The Attic)

Release: 2015 / US – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2015 | US | Original (Light In The Attic)

This Record Belongs To

Release: 2015 / US – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Mary Turner / George Thorogood

Off The Record Specials With Mary Turner

2LP | 1991 | US | Original (Westwood One)

2LP | 2021 | UK | Reissue (Forever Living Originals)

Release: 1991 / US – Original

Genre: Rock & Indie, Electronic & Dance, Pop, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG

Writing and small sticker stain on cover.
Includes original insert.

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Cleo Sol

Mother

48,99 €*

LP | 2023 | EU | Original (Music On Vinyl)

Release: 2021 / UK – Reissue

Genre: Pop

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Last chance, last repress.

Cleo Sol - Mother is the second studio album by British singer-songwriter Cleo Sol, released on August 20, 2021. The album is deeply personal, with themes centered around motherhood, family, healing, and self-discovery. As part of the Sault collective, Cleo Sol had already established herself as a key figure in the neo-soul and R&B world, but Mother showcases her vulnerability and emotional depth in a more intimate, reflective setting.

The album blends elements of soul, jazz, R&B, and folk, creating a serene, acoustic soundscape that complements its introspective lyrics. Mother features lush, soulful arrangements, with gentle strings, piano, and acoustic guitar forming the backbone of many tracks. The overall sound is calming and meditative, allowing Sol's vocals to take center stage.

Lyrically, the album reflects on Cleo Sol's experience with motherhood and the emotional changes it brings. She addresses themes of unconditional love, personal growth, and the challenges of raising a child while also navigating her own self-healing. Songs like "Don’t Let It Go to Your Head" and "We Need You" express a sense of nurturing and tenderness, while "Promises" speaks to the weight of responsibility and the desire to protect loved ones.

Key Tracks:
"Don’t Let It Go to Your Head" – A standout track that offers both encouragement and advice, encapsulating the nurturing spirit of the album.
"We Need You" – A deeply emotional song that explores themes of connection, support, and the importance of being present for those you love.
"Build Me Up" – A soulful ballad that speaks to vulnerability and the need for support and growth within a relationship.
Critical Reception: Mother received widespread acclaim for its emotional honesty and soothing production. Critics praised Cleo Sol for her vocal performance and the way she was able to capture the complexity of motherhood and personal transformation. The album’s stripped-down production was also commended for allowing her voice and storytelling to shine.

While Mother is a personal solo project, it is clear that Cleo Sol’s work with Sault influences its sound, especially in terms of the introspective lyricism and the use of minimalist, organic instrumentation. Producer Inflo, who has worked extensively with Sault, was also heavily involved in the production of Mother, contributing to its cohesive and intimate sound.

Overall, Mother is a deeply personal and emotionally rich album that solidifies Cleo Sol's place as a standout voice in contemporary soul and R&B

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Josh Homme

OST In The Fade

48,99 €*

Release: 2023 / EU – Original

Genre: Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Purple Marble vinyl. Copy n° 000019

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Pacific Breeze: Japanese City Pop, AOR & Boogie 1976-1986 Pink Vinyl Edition

2LP | 2019 | US | Original (Light In The Attic)

LP | 2015 | EU | Reissue (Music On Vinyl)

Release: 2019 / US – Original

Genre: Organic Grooves, Rock & Indie, Pop

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**Note: Silver and black vinyl may or may not have audio distortion intermittently during playback, depending on your system. This was discovered after the press had been completed and packed, so we have included a red repress without audio issues. All purchases will ship with both silver and red copies.

After a busy 2018, which saw worriedaboutsatan release a steady stream of new material, the Yorkshire based duo start the new year with the release of their fourth full length album, ‘Revenant’.

The record marks a slight departure from their previous critically acclaimed album Blank Tape, by venturing into more synthesiser heavy pieces, based around dark brooding atmospheres, and switching from the bouncing arpeggios and slow hypnotic rhythms like the 10 minute album opener ‘Skylon’, to the jittering, cinematic rush of ‘Making Your Masks’.

Six tracks recorded over three weeks in Tom’s rural Yorkshire studio. The band channelled their signature post-rock guitars and skyscraping atmospherics into something more synthetic, but without losing what makes them the band that garnered attention for soundtracking Adam Curtis’ Hypernormalisation documentary back in 2016.

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Natalia Lafourcade

Hasta La Raiz 1 Colored

Release: 2015 / EU – Reissue

Genre: Pop

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Preorder shipping from 2024-11-22

Pacific Breeze Volume 3: Japanese City Pop, AOR & Boogie 1975-1987 Pink Vinyl Edition

2LP | 2023 | US | Original (Light In The Attic)

LP | 2024 | EU | Original (Music On Vinyl)

Release: 2023 / US – Original

Genre: Pop

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* The latest chapter in the acclaimed Pacific Breeze series! * Artwork by renowned illustrator Hiroshi Nagai * Compiled by Yosuke Kitazawa and Mark “Frosty” McNeill (dublab) * Newly remastered audio * 2xLP housed in a deluxe wide spine jacket with full color inner sleeves and custom die-cut OBI * Extensive artist bios by Yosuke Kitazawa * Digital mockups are not an exact representation of colors * Available in two vinyl variants: Pink or Black Vinyl

Light in the Attic’s Pacific Breeze series has supplied the world’s growing legions of Japanese music fans with an expertly curated selection of the most sought-after City Pop recordings—the mesmerizing and nebulous genre of Japanese bubble-era music of the ‘70s-’80s that encompasses AOR, R&B, jazz fusion, funk, boogie and disco. These familiar sounds are spun through the unique lens of optimistic, cosmopolitan fantasy colored by Japan’s affluence at the time. Much of the music has previously been nearly impossible to acquire outside of Japan and continues to captivate listeners with its unique blend of groove-laden escapism, even birthing wholly new genres such as Vaporwave.

Pacific Breeze 3: Japanese City Pop, AOR & Boogie 1975-1987 marks the latest chapter in the famed series and features holy grails plus under-the-radar rarities. The collection bursts at the seams to reveal some of the greatest Japanese tracks ever laid to tape, pushing towards the edge of City Pop to reveal glimmers of the next waves of styles to spring forth from the country’s creative minds. The appearance of Pizzicato Five hint at the emergence of Shibuya-kei while the influence of hip hop and electro as an emerging global trend are also evident here through the prevalence of heavier programmed drum beats on tracks such as “Heartbeat” by Miho Fujiwara.

This volume of Pacific Breeze, like its predecessors, is a female-forward offering with many tracks being voiced by women who would become household names in Japan as actresses and pop idols. Their songs here subvert the norm and brim with an innovative spirit that shatters gender roles in favor of sonic transcendence. Techno-pop classics from Susan, Miharu Koshi and Chiemi Manabe sit alongside sublime funk from Atsuko Nina and Naomi Akimoto while Teresa Noda slides into the mix with a sultry reggae jam. The genre span is stretched wider with hypnotic jazz fusion by Parachute and Hiroyuki Namba, a synthesizer fantasy from Osamu Shoji, and magnetic pop by Makoto Matsushita and Chu Kosaka.

Although not front and center, the visionary members of Yellow Magic Orchestra are still very present on Pacific Breeze 3, with Haruomi Hosono, Ryuichi Sakamoto, and Yukihiro Takahashi taking up producer and musician roles on many of these tracks. Pacific Breeze 3 serves up a captivating musical journey that adds an essential chapter to the iconic compilation series.

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Nick Cave & Warren Ellis

Mars

Release: 2024 / EU – Original

Genre: Pop

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Pacific Breeze Volume 3: Japanese City Pop, AOR & Boogie 1975-1987 Green Vinyl Edition

2LP | 2023 | US | Original (Light In The Attic)

Release: 2023 / US – Original

Genre: Pop

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* The latest chapter in the acclaimed Pacific Breeze series! * Artwork by renowned illustrator Hiroshi Nagai * Compiled by Yosuke Kitazawa and Mark “Frosty” McNeill (dublab) * Newly remastered audio * 2xLP housed in a deluxe wide spine jacket with full color inner sleeves and custom die-cut OBI * Extensive artist bios by Yosuke Kitazawa * Digital mockups are not an exact representation of colors

Light in the Attic’s Pacific Breeze series has supplied the world’s growing legions of Japanese music fans with an expertly curated selection of the most sought-after City Pop recordings—the mesmerizing and nebulous genre of Japanese bubble-era music of the ‘70s-’80s that encompasses AOR, R&B, jazz fusion, funk, boogie and disco. These familiar sounds are spun through the unique lens of optimistic, cosmopolitan fantasy colored by Japan’s affluence at the time. Much of the music has previously been nearly impossible to acquire outside of Japan and continues to captivate listeners with its unique blend of groove-laden escapism, even birthing wholly new genres such as Vaporwave.

Pacific Breeze 3: Japanese City Pop, AOR & Boogie 1975-1987 marks the latest chapter in the famed series and features holy grails plus under-the-radar rarities. The collection bursts at the seams to reveal some of the greatest Japanese tracks ever laid to tape, pushing towards the edge of City Pop to reveal glimmers of the next waves of styles to spring forth from the country’s creative minds. The appearance of Pizzicato Five hint at the emergence of Shibuya-kei while the influence of hip hop and electro as an emerging global trend are also evident here through the prevalence of heavier programmed drum beats on tracks such as “Heartbeat” by Miho Fujiwara.

This volume of Pacific Breeze, like its predecessors, is a female-forward offering with many tracks being voiced by women who would become household names in Japan as actresses and pop idols. Their songs here subvert the norm and brim with an innovative spirit that shatters gender roles in favor of sonic transcendence. Techno-pop classics from Susan, Miharu Koshi and Chiemi Manabe sit alongside sublime funk from Atsuko Nina and Naomi Akimoto while Teresa Noda slides into the mix with a sultry reggae jam. The genre span is stretched wider with hypnotic jazz fusion by Parachute and Hiroyuki Namba, a synthesizer fantasy from Osamu Shoji, and magnetic pop by Makoto Matsushita and Chu Kosaka.

Although not front and center, the visionary members of Yellow Magic Orchestra are still very present on Pacific Breeze 3, with Haruomi Hosono, Ryuichi Sakamoto, and Yukihiro Takahashi taking up producer and musician roles on many of these tracks. Pacific Breeze 3 serves up a captivating musical journey that adds an essential chapter to the iconic compilation series.

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Pacific Breeze: Japanese City Pop, AOR & Boogie 1976-1986 Black Vinyl Edition

2LP | 2019 | US | Original (Light In The Attic)

Release: 2019 / US – Original

Genre: Organic Grooves, Rock & Indie, Pop

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• Cover art by famed artist Hiroshi Nagai
• Extensive liner notes and bios
• Compiled by Andy Cabic (Vetiver), Zach Cowie (DJ & music supervisor) and Mark “Frosty” McNeill (dublab)
• 2xLP housed in a deluxe wide spine jacket with over sized fold-out booklet, full color printed inner sleeves, and custom die-cut obi card
• Remastered audio

Pacific Breeze documents Japan’s blast into the stratosphere. By the 1960s, the nation had achieved a postwar miracle, soaring to become the world’s second largest economy. Thriving tech exports sent The Rising Sun over the moon. Its pocket cassette players, bleeping video games, and gleaming cars boomed worldwide, wooing pleasure points and pumping Japanese pockets full of yen.

Japan’s financial buoyancy also permeated its popular culture, birthing an audio analog called City Pop. This new sound arose in the mid ’70s and ruled through the ’80s, channeling the country’s contemporary psyche. It was sophisticated music mirroring Japan’s punch-drunk prosperity. City Pop epitomized the era, providing a soundtrack for emerging urbanites. An optimistic spirit buzzed through the music in neon-bathed, gauzy tableaus coated with groove-heavy strokes.

Pacific Breeze is an expertly compiled collection of choice cuts that range from silky smooth grooves to innovative techno pop bangers and everything in between. Long-revered by crate diggers and adventurous music heads, this music has never been released outside of Japan until now. Including key artists like Taeko Ohnuki and Minako Yoshida, as well as cult favorites Hitomi Tohyama and Hiroshi Sato, the long-awaited release also features newly commissioned cover painting by Tokyo-based artist Hiroshi Nagai, whose iconic images of resort living have graced the covers of many classic City Pop albums of the 1980s.

Many of the key City Pop players evolved from the Japanese New Music scene of the early ’70s, as heard on Light In The Attic’s acclaimed Even a Tree Can Shed Tears: Japanese Folk & Rock 1969-1973, the first release of the ongoing Japan Archival Series. In fact, you could say City Pop set sail with a champagne smash from Happy End, the freakishly talented subversives who included amongst their ranks Haruomi Hosono and Shigeru Suzuki, both featured on this compilation. As Michael K. Bourdaghs noted in his book, Sayonara Amerika, Sayonara Nippon, this music was, “Deconstructing the line between imitation and authenticity.” Some of the best City Pop teeters in this zone—easy listening with mutant exotica, tilted techno-pop, and steamy boogie bubbling beneath the gloss.

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Pacific Breeze Volume 3: Japanese City Pop, AOR & Boogie 1975-1987 Black Vinyl Edition

2LP | 2023 | US | Original (Light In The Attic)

2LP | 2023 | JP | Original (P-Vine)

Release: 2023 / US – Original

Genre: Pop

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For Tracy Hyde

Ethernity

Traffic And Weather Black Friday Record Store Day 2022 Gold & Black Swirl Vinyl Edition

Release: 2023 / JP – Original

Genre: Pop

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Originally released digitally and as a CD in February of 2021, For Tracy Hyde’s critically acclaimed fourth album “Ethernity” is finally getting an analog release! Envisioned around the concept of “America”, this album saw the band incorporate the sound of the 90s US Alternative scene into their iconic shoegaze sound, with the influence of emo, grunge, and slowcore apparent throughout. Songs such as “Desert Bloom” even hint at Sonic Youth-esque noise rock leanings, with guitar feedback and extended riffs trading with catchy vocal melodies. With their highly anticipated fifth album being heavily teased in live shows, there’s no better time to listen to their fourth album!

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Fountain Of Wayne

LP | 2007 | EU | Reissue (Real Gone)

LP | 2024 | US | Original (Sony)

Release: 2007 / EU – Reissue

Genre: Pop

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Black Friday Record Store Day 2022 Reissue. Color: Gold. Limitation: 3500.

Not since Ray Davies has a songwriter been able to craft such sharply observed vignettes in the space of a three-minute pop song like the late Adam Schlesinger. And on 2007’s Traffic and Weather, Fountains of Wayne’s fourth album, Schlesinger took his art to a new level, singing short stories as varied as crushing on a DMV clerk (“Yolanda Hayes”), celebrating the sexiness of a car not generally considered sporting (“92 Subaru”), being broke (“Strapped for Cash”), and having luggage lost by an airline (“Michael and Heather at the Baggage Claim”). And while it lacks a radio-friendly hit like “Stacy’s Mom”—it should be mentioned that Chris Collingwood only contributed three songs to this record—there are still earworms aplenty, particularly on “I-95,” Collingwood’s “Seatbacks and Traytables,” and the title tune. Finally out on vinyl, our Real Gone release comes with a printed inner sleeve featuring lyrics and in a gold with black swirl pressing limited to 4000 copies, exclusive for Black Friday!

Side A:

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Ana Gabriel

Mi Mexico

Release: 2024 / US – Original

Genre: Pop

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OST The Godfather Part III

Carmine Coppola

LP | 2024 | EU | Original (Music On Vinyl)

Release: 2024 / EU – Original

Genre: Pop

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30- We Doen Wat We Kunnen

Blof

3LP | 2022 | EU | Reissue (Music On Vinyl)

Release: 2022 / EU – Reissue

Genre: Pop

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Oktober April Pickering Sessies

Blof

3LP | 2023 | EU | Original (Music On Vinyl)

Release: 2023 / EU – Original

Genre: Pop

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OST Killer Klowns From Outer Space

John Massari

2LP | 2023 | EU | Original (Waxwork)

Release: 2023 / EU – Original

Genre: Pop

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2LP | 2022 | EU | Original (Warner Music International)

Johnny Hallyday

Mon Nom Est Johnny

Release: 2022 / EU – Original

Genre: Pop

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Rester Vivant Tour Ltd.Deluxe Edition

Johnny Hallyday

3LP | 2016 | EU | Reissue (Warner Music International)

Release: 2016 / EU – Reissue

Genre: Pop

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2LP | 2024 | EU | Original (Music On Vinyl)

John Williams

Stepmom

Release: 2024 / EU – Original

Genre: Pop

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2LP | 2023 | EU | Original (Music On Vinyl)

OST Kingdom Eighties

Release: 2023 / EU – Original

Genre: Pop

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LP | 2023 | EU | Original (La Canzonetta)

Lello Savonardo

Bit Generation

Release: 2023 / EU – Original

Genre: Pop

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Love Will Make A Better You

Love Live Life+One

LP | 2023 | JP | Original (Lawson)

Release: 2023 / JP – Original

Genre: Pop

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Don't Shoot Me I'm Only The Piano Player Record Store Day 2023 Edition

2LP | 1973 | EU | Reissue (EMI)

John Fred & His Playboy Band

Release: 1973 / EU – Reissue

Genre: Pop

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Limited to 4000 copies worldwide. RSD first release.
2023 marks the 50th anniversary of Elton John’s sixth studio album Don’t Shoot Me, I’m Only The Piano Player featuring lead single Crocodile Rock and major hit Daniel. Exclusive to Record Store Day 2023, the album will be repackaged on splatter /propeller 2LP Vinyl, with an expansive bonus disc of the album’s session demos recorded at the infamous Château d’Hérouville.

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Judy In Disguise Record Store Day 2022 Edition

LP | 1967 | US | Reissue (Liberation Hall)

Natsu Summer & Dub Sensation

Release: 1967 / US – Reissue

Genre: Pop

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Record Store Day 2022 Drop 1 Release. On “psychedelic purple” vinyl. Limited to 1,000 copies. First re-release since the 1960s.

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Natsu Summer

LP | 2023 | JP | Original (P-Vine)