Search "record store day" 17352 Items

What To Do When You Are Dead

Release: 2024 / US – Original

Genre: Rock & Indie

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Limited edition "Coke Bottle Cloud" color vinyl with etched b-side. Australian duo Armlock make music for having your head in the clouds. On new album Seashell Angel Lucky Charm, Simon Lam and Hamish Mitchell bring you on a steady ascension throughcompressed and heavenly sonic realms. The band's second properrelease, and first for Run For Cover Records, showcases thesongwriters' experimental electronic roots through an indie rock lens. Free from distortion or overindulgence, Seashell Angel Lucky Charm is a collection of consistent rhythms decorated with clean guitar tones and eccentricities. Through playful layers of vocal harmony and minimal arrangements, Armlock capture the inventive and uncomplicated essence of Pinback or Alex G. Self-described as "indie rock with a touch of spirituality and emo", Armlock's journey into a higher realm is seeped with the looming confusion that comes with exploring the unknown. With an introverted demeanor, Armlock explores the human desire to find guidance in a world much bigger than its people. Every sound on Seashell Angel Lucky Charm feels precise and intentional, making the anthemic choruses on tracks like "Fear" and "El Oh Ve Ee'' feel expertly placed and pop-oriented. These two songs show Armlock's savvy with harmony as they use octaves of angelic sounds to stretch a simple one-word chorus until it soars with meaning. Unlike most indie rockers, Armlock use guitar as a tool in their belt rather than a vessel for songwriting. Where their 2021 EP Trust set foundations in downtempo acoustic guitar, Lam and Mitchell's evolved songwriting is a testament to where an electric guitar can amplify a song's groove, or usher in sonic space.

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Armor For Sleep

2LP | 2005 | US | Reissue (Equal Vision)

44,99 €*

LP | 2024 | EU | Original (Metal Blade)

Release: 2005 / US – Reissue

Genre: Rock & Indie

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Lead singer Ben Jorgensen shares: “We are very excited to include some previously unreleased B-sides on the deluxe, 15-year anniversary vinyl pressing of What To Do When You Are Dead. The B-sides we chose to include were demos written and recorded around the same time as the album that we never got to formally polish and fully produce for one reason or another. After a certain amount of time we shelved the songs from this particular era in our history, but over the years we’ve listened back to some of them and thought that one day it would be cool to share them with the people who were fans of the album. We think these extra songs might share some of the same DNA as the songs on the album itself, and we hope they might evoke a similar sense of nostalgia in listeners who might be listening back to the album. We also chose to include some early demos of songs that we wound up re-recording for our first two albums for any of our fans who are interested in rough/early recordings.”

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Armored Saint

La Rza

39,99 €*

LP | 2022 | EU | Original (Dying Victims)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Limited smoke colored vinyl LP pressing. La Raza is the sixth studio album by heavy metal band Armored Saint, originally released in 2010. Armored Saint reformed the entire Symbol of Salvation lineup to record La Raza in 2009 after an eight-year hiatus.

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Armory

Mercurion

20,69 €* 22,99 € -10%

Release: 2022 / EU – Original

Genre: Rock & Indie

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Hailing from Gothenburg, Sweden’s Armory started out in 2012 and have been delivering hyper-speed metal ever since. After two demos, the debut album World Peace… Cosmic War was released via High Roller Records in 2016, and it garnered great reviews from all around the world. The band then got to share the stage with bigger bands such as Pentagram and Nifelheim.

With all the new experience, Armory went into the studio again in late 2017 to record their second album. That album, The Search, was released in July 2018 via High Roller and again did it garner great reviews and proved that the songwriting had developed in the right direction. The band was also able to break new ground outside of Sweden with gigs in Germany, Belgium, and Denmark.

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12" | 1985 | EU | Reissue (Onderstroom)

De Sfeer Van Grote Dagen

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.

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LP | 1986 | EU | Reissue (Onderstroom)

Harde Feiten

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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LP | 1984 | EU | Reissue (Onderstroom)

Koude Oorlog

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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LP | 1987 | EU | Reissue (Onderstroom)

Koudvuur

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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12" | 1984 | EU | Reissue (Onderstroom)

Voor De Dood

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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12" | 1986 | EU | Reissue (Onderstroom)

Zonder Omzien

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Box Set | 2022 | EU | Original (Onderstroom)

Zwarte Doos

144,99 €*

You Don't Know What Chiptune Is

Release: 2022 / EU – Original

Genre: Rock & Indie

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Comprehensive box-set of 6 LPs / EPs and their first rare 7inch.

Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.

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Arottenbit

LP | 2024 | EU | Original (Time To Kill)

Arrington De Dionyso's Malakait Dan Singa

Release: 2024 / EU – Original

Genre: Rock & Indie

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arottenbit is an electronic music project born in 2008 by Alessandro 'Otto' Galli (FOH Sound Engineer for Messa, Deafheaven, Pallbearer, Truckfighters, Bongzilla, Fuoco Fatuo).Playing solo with a 1989 NINTENDO GAME BOY or accompanied by hardcore punk drummer Guido Montanarini (PARADISE LOST, IMPLORE, THE SECRET), he soon found himself opening for some of his favorite bands like MELVINS, ATARI TEENAGE RIOT, THE BODY, MELT BANANA, AUTHOR & PUNISHER, FULL OF HELL and performing at major international festivals like ROADBURN 2022, HELLFEST 2022."You Don't Know What Chiptune Is" is a bold exploration of the chiptune genre, pushing the boundaries of 8-bit music with an experimental and innovative approach. Each track on the album is a unique specimen, meticulously crafted to showcase the versatility and depth of chiptune sounds.The album is characterized by its inventive use of 8-bit sound chips, evoking the essence of vintage gaming consoles like Game Boy. arottenbit skillfully manipulates these sounds to create a wide range of textures and atmospheres. The lo-fi, raw quality of the 8-bit era is preserved, while contemporary production techniques enhance the overall listening experience.

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Open The Crown

LP | 2013 | US | Reissue (K)

23,99 €*

Worrier Turquoise / Black Marble Vinyl Edition

Release: 2013 / US – Reissue

Genre: Rock & Indie

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You may have experienced ARRINGTON DE DIONYSO'S MALAIKAT DAN SINGA as an unexpected live force, pushing up through the earth like daffodils in late winter; or maybe you're familiar with their previous exploits in the studio, "Malaikat dan Singa" [KLP215] and "Suara Naga" [KLP226], which burn clean with fragrant traumas. "Open the Crown" is similarly passion-filled, with new vistas (channeled hallucinations) exploring English (previously only the Indonesian language was employed) as their stomping ground to expand parallel themes anew. Open the Crown conveys tendrils of raw energy emanating from the head - dream visions translated directly to audio outrage. Heavy. And sexy. To be expected from ARRINGTON DE DIONYSO and his molten collection of MALAIKAT DAN SINGA who manipulate the "form'd and the formless" to create from within this broken system.

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Arrow Minds

LP | 2022 | EU | Original (Dead Serious)

22,94 €* 26,99 € -15%

The Lurking Shadow Of Death

Release: 2022 / EU – Original

Genre: Rock & Indie

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ARROW MINDS are a melodic Metalcore / Hardcore band from Rostock, Germany. They were formed in a cold winter night back in 2016. The same year they released the digital EP "Big Kahuna Jams". In 2018 those guys released their first full length record "Alcatraz Affairs".If you love bands like Strike Anywhere, Avail or Architects this band will turn your world upside down. Their new album is a major step up from their last one and you can tell this band has found their musical stride. Arrow Minds are maybe the next big thing and are ready to pave their way for future glories. Their power- and meaningful songs represent everything a moderrn melodic metalcore band should stand for - fast positively aggressive tunes leading to catchy hooks; with lyrics that do not try to be empty paroles, but rather raise necessary questions about today's absurd ideals, ideas, and issues.The band brings a high-energy live-set wherever they are put on the bill, and have already shared the stage with Wisdom In Chains, Terror, All For Nothing, Evergreen Terrace and many more all around Germany during their first couple of years.

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Ars Veneficium

LP | 2024 | EU | Original (Immortal Frost Productions)

37,99 €*

Arse Moreira, Eucalypt, Amalthea , Orbit Cinta Benjamin, Dodewaard, Hiro

Release: 2024 / EU – Original

Genre: Rock & Indie

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Ars Veneficium, one of Belgium’s most prominent black metal acts is back with their 3rd full length album “The Lurking Shadow of Death”, 4 years after the release of their 2nd full length album “Usurpation of the Seven”. With their new album The Lurking Shadow of Death it is clear that Ars Veneficium has not taken the song writing for granted and managed to overthrow their previous work once more with delivering only the best of their best on this record. From the compositions to the production to the artwork, one can undoubtedly say that this is their best work thus so far. The lead guitars by Ronarg deliver some amazing melodies variated with some aggressive chords where the bass guitar (once again) plays some beautiful underlaying solo notes to create that extra atmosphere which is more or less the Ars Veneficium signature by now. The drum work has been delivered by no one else than Flo Musil (Theotoxin) who blasts his way throughout the album with some outstanding, highly skilled details giving the extra punch that this album absolutely deserves. The vocals by S. are more furious than before and deliver a much wider range and diversity which lifts the whole album to a new level. With The Lurking Shadow of Death, Ars Veneficium has delivered an absolute beast of a black metal album that every fan of old school, satanic or melodic black metal would appreciate! Raging black metal filled with atmosphere, melodies and pumping energy! A must have! 1. Death is Light2. Eye to Eye with the Devil 3. De Glorie van Dood 4. One with the Cosmos5. Into the Void 6. My Tomb Under the Stars7. Pale Image of I

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Connections - A Sixway Split Record

LP | 2008 | DE | Original (Moment Of Collapse)

8,99 €*

Arsene Obscene & The Loozers

Release: 2008 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Purple vinyl. Copy n° 319 / 468

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Don't Pay The Price!

LP | 2022 | EU | Original (Mono-Tone)

LP | 2020 | EU | Original (Western Vinyl)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Fast as the Ramones, raw as the early Saints, poppy as the Nerves, brief as The Briefs, and with that inimitable " French punk " touch! Fourteen songs, all except one under the two minutes tag, fourteen instant hits! Melodic and crude at the same time, ultra-energic and full of catchy hooks, Arsene Obscene's songs are the kind you sing under the shower AND on the terraces! With previous members of famous French garage and punk bands such as the Electric Mormons, Flaschen, Motarlozer and Veines.

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Art Feynman

Half Price At 3:30

LP | 1973 | JP | Original (CBS/Sony)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Art Feynman (aka accomplished recording artist and producer Luke Temple) stitches art pop, Nigerian highlife, worldbeat, and other lesser-known genres into a musical quilt that displays his unmistakable guile and eccentric songcraft. On his sophomore album Half Price at 3:30 he delivers songs that side-smile while pointing out the emotional sinkholes that whirl beneath the most overlooked, seemingly commonplace scenarios. As effortlessly as he inhabits his Art Feynman character he also slips into the lives of other personalities, both living and fictional. Where previous entries in the Luke Temple discography -- including his well-liked former group Here We Go Magic -- have utilized organic timbres even while sailing far from the guitar-and-drums shore, Half Price sees him employing drum machines, slightly glossier production, and even autotune with a tasteful balance that suggests these tools have been in his kit all along. The result affectionately evokes guerrilla recording predecessors like Francis Bebey, Arthur Russell, and Haruomi Hosono in musicological detail, yet it's Temple's hard-won creative voice that resounds over top of it all facing Half Price forward instead of nostalgically backward.

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Art Garfunkel

Angel Clare

3,99 €*

LP | 1988 | EU | Original (CBS)

Release: 1973 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

No Obi, with insert. Record has light foxing.

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Art Garfunkel

Lefty

7,99 €*

LP | 2022 | EU | Original (Anti)

Release: 1988 / EU – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Record is close to NM. Cover has slight water damage, closer to VG+

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Art Moore

Release: 2022 / EU – Original

Genre: Rock & Indie

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2LP | 2003 | JP | Reissue (Monchént)

Art-School

Love/Hate

67,99 €*

2LP | 2002 | JP | Reissue (Monchént)

Release: 2003 / JP – Reissue

Genre: Rock & Indie

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The first LP release of Art-school's classic albums, which continue to lead Japan's alternative music scene, is being reissued for the first time in their career to celebrate the 20th anniversary of their release! The two albums will be released simultaneously as "Record Day 2023" limited editions! The band's sound textures are post-grunge and shoegazing, with a slow and steady progression of roaring guitars and beautiful melodies. The second album by Art-school, which confirms their position as a one-of-a-kind band through the fragile and dangerous worldview of vocalist Riki Kinoshita, is now being released on LP for the first time in their career, as a double-vinyl!!

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Art-School

Requiem For Innocence

67,99 €*

Ethik White Vinyl Edition

Release: 2002 / JP – Reissue

Genre: Rock & Indie

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The first LP release of Art-school's classic albums, which continue to lead Japan's alternative music scene, is being reissued for the first time in their career to celebrate the 20th anniversary of their release! The two albums will be released simultaneously as "Record Day 2023" limited editions! The major label debut album by Art-school, which shocked the scene with its sweet melodies and sharp, dynamic, roaring guitar sound that creates a sense of intoxication and a sense of speed, has been released on LP for the first time in their career as a double-vinyl!!

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Artefuckt

2LP | 2023 | EU | Original (Metalville)

36,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 1982 | EU | Reissue (Spittle)

Artery

Oceans

LP | 2009 | DE | Original (Contra)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Formed in Sheffield in 1978 and originally known as just "The", Artery is a band that saw several changes in the line-up throughout the '80s. Supported by John Peel and often compared to Joy Division their music incorporates various fundamental elements of the British post-punk aesthetic. Originally released in 1982 on Red Flame records, "Oceans" was Artery's debut mini-LP including some absolute gems such as "into the Garden" and "Afterwards" infectious anthemic tracks of the post-punk era.

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Arthur And The Spooners

All Spooned Up

22,99 €*

Long Long Road Black Vinyl Edition

Release: 2009 / DE – Original

Genre: Rock & Indie, Reggae & Dancehall

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Used Vinyl

Medium: Near Mint, Cover: VG+

Slightly bumped bottom left corner, otherwise NM. Comes with bonus CD.

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Arthur Brown

LP | 2022 | UK | Original (Prophecy / Magnetic Eye)

37,99 €*

Long Long Road Clear Red Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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Pretty much everyone into rock music knows Arthur Brown – and not just because of his iconic, career-defining transatlantic hit single 'Fire' from the 1968 album "The Crazy World of Arthur Brown" but also through his many collaborations with other outstanding artists, such as a cameo in the cult film "Tommy", in which his dramatic vocals were backed by Eric Clapton and THE WHO, as well as working with THE Alan Parsons Project, David Gilmore, THE Prodigy, Bruce Dickinson, THE Stranglers, Kula Shaker, DIE Krupps, and many others. Scheduled for release on Arthur's 80th birthday on June 24, 2022, "Long Long Road" effortlessly shifts from progressive rock and soul to pristine blues rock, with the much-loved singer summoning his full vocal range with a mature mastery that comes only with the experience of a lifetime. Wild, vibrant, and crammed with rich musical textures, this album is quintessentially Arthur Brown, and can easily be construed as the apex and summary of a fascinating career that has spanned several decades. Arthur is widely credited as a pioneer of shock rock and progressive rock, and a significant influence on heavy metal. His live performances include iconic classics, dance, poetry, visuals and a subliminal soundtrack of new electronic music. Whenever he plays, Arthur still brings the dramatically elegant and always extravagant style that he established as the gold standard onstage. With each note on "Long Long Road", Arthur Brown makes the impressive statement that he remains as authentic, challenging, creative, and compelling as he was at his career's fiery beginning. This record is not a swansong, but the thrilling beginning of the final phase of an utterly singular career.

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Arthur Brown

LP | 2022 | UK | Original (Prophecy / Magnetic Eye)

41,99 €*

Coming Through You Red Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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Arthur Lee & Love

2LP | 2018 | US | Original (Rockbeat)

43,99 €*

2LP | 1993 | EU | Reissue (Be With)

Release: 2018 / US – Original

Genre: Rock & Indie

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Limited edition for Record Store Day 2018!

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Arthur Russell

Another Thought

33,99 €*

CD | 1993 | EU | Reissue (Be With)

Release: 1993 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Another Thought was the first collection of Arthur Russell’s music to be released after his death in 1992. Released on CD by Point Music in 1993 it marked the beginning of nearly 30 years of work to let the world hear the enormous archive of unreleased recordings Arthur left behind. Be With revisits this first compilation for a new gatefold double vinyl version and a triple-fold digipak CD re-issue. This is the only place where you can hear some of Arthur’s most recognisable music, like the title track Another Thought, A Little Lost, This Is How We Walk On The Moon, Keeping Up and the woozy disco of In The Light Of The Miracle and My Tiger, My Timing. Though technically a compilation, the whole of Another Thought comes together as a consistent, coherent, wonderful album. Thanks to Janette Beckman for helping reproduce her iconic photograph of Arthur in his newspaper boat hat for the new vinyl sleeve. And thanks also to Tom Lee for giving permission to include his liner notes from the original CD booklet, together with Arthur’s lyrics. Another Thought is absolutely essential for even the most casual Arthur Russell collection. In fact it’s essential for any fan of non-obvious pop music.

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Arthur Russell

Another Thought

16,99 €*

2LP | 2019 | US | Original (Audika)

Release: 1993 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Arthur Russell

Iowa Dream

48,99 €*

Event To Come Red Vinyl Edition

Release: 2019 / US – Original

Genre: Rock & Indie

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Over the past decade, the visionary musician ARTHUR RUSSELL has entered something close to the mainstream. Sampled and referenced by contemporary musicians, his papers now open to visitors at the Performing Arts Library at Lincoln Center in New York, and his name synonymous with a certain strain of tenderness, Russell is as widely known as he’s ever been. Thanks to Russell’s partner Tom Lee and to Steve Knutson of Audika Records, who have forged several records from Russell’s vast archive of unfinished and unreleased work, the world now hears many versions of Arthur Russell. There’s the Iowa boy, the disco mystic, the singer-songwriter and composer, and the fierce perfectionist deep in a world of echo. While all of these elements of Russell are individually true, none alone define him. Now, after ten years of work inside the Russell library, Lee and Knutson bring us Iowa Dream, yet another bright star in Russell’s dazzling constellation. Blazing with trademark feeling, these nineteen songs are a staggering collection of Russell’s utterly distinct songwriting. Features contributions from downtown NYC musicians ERNIE BROOKS, RHYS CHATHAM, HENRY FLYNT, JON GIBSON, PETER GORDON, STEVEN HALL, JACKSON MAC LOW, LARRY SALTZMAN and DAVID VAN TIEGHEM, along with PETER BRODERICK, who makes a contemporary addition to this list: more than forty years after Russell recorded several nearly finished songs, Broderick worked diligently with Audika to complete them, and performed audio restoration and additional mixing. At once kaleidoscopic and intimate, Iowa Dream bears some of Russell’s most personal work, including several recently discovered folk songs he wrote during his time in Northern California in the early 1970s.

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Article 58

7" | 1981 | EU | Reissue (Optic Nerve)

LP | 2024 | US | Original (Feel It)

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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Limited to 750 copies. Pressed on Red Vinyl. Includes postcard and poster. Article 58, named after the Soviet classification for counter-revolutionaries, were formed in Scotland by Gerri McLaughlin (vocals), Douglas MacIntyre (guitars) and Ewan MacLennan (bass), with Stephen Lironi (drums) on these recordings. The group existed for a short period of time, burning brightly before burning out. A single, ‘Event To Come’, was produced by Postcard Records’ Alan Horne and Malcolm Ross and released on Josef K manager Allan Campbell’s Rational label. Article 58 were the opening group on many bills in Scotland, including support slots circa 1981 with A Certain Ratio, Scars, Josef K, Delmontes, Bauhaus, Restricted Code, among others. Josef K invited Article 58 to support them on some dates in England to promote their only album, ’The Only Fun In Town’, after which Article 58 recorded tracks for an as-yet unreleased album. One track, ‘Reflection’, did surface on a cassette/ zine product (‘Irrational’) released by Rational Records. However the teenage tension and strain of all that accompanies being in a group proved too much and Article 58 split up at the end of 1981. ‘Event To Come’ was to be the only single released by Article 58. The B side, ‘Icon’, is a previously unreleased recording. Both tracks are presented in a brand new sleeve designed by The Creeping Bent Organisation for release on the Optic Nerve label.

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Artificial Go

Hopscotch Fever

Complete Session November 1981 Transculent Orange Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Artificial Go is a new four piece hailing from the DIY post-punk scene of Cincinnati, Ohio. Local labels Feel It and Future Shock have teamed up to co-release Artificial Go's debut album, Hopscotch Fever. Consisting of eight tight tracks, this debut is just that: an introduction. A little bit mercurial, a little bit iconic. Artificial Go is operating out of their own genre - not quite post-punk, not quite pop. Hopscotch Fever seems to have been recorded just outside of the collective-genre-periphery to form some sort of extraterrestrial kind of music. With angular guitar breaks, bouncing rhythms, and jolting vocals, Artificial Go is truly here on their own terms."—Jacob Mouser

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Artificial Peace

LP | 2010 | US | Reissue (Dischord)

Tape | 2022 | US | Original (Slumberland)

Release: 2010 / US – Reissue

Genre: Rock & Indie

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“artificial Peace lasted barely a year, but in that short time managed to become a leading band in the early DC hardcorepunk scene. Pete Murray had played in the short-lived RED C while Mike Manos, ROB Moss and Steve Polcari were in a band called Assault & Battery. Towards the end of 1981 they formed A.P. and began playing around town. They were tight, fast, and aggressive, prerequisites for most of the DC bands of the time, but also had a unique sound and surprisingly catchy songs. I loved the band and offered to record them at Inner Ear Studios. In November 1981 the studio was still a 4-track in the basement of DON ZIENTARA’s family house. The ‘live’ room was actually his children’s playroom, and the mixing desk and tape machine were set up next to the furnace in what could be described as spacious closet. A.P. knocked out their 17 songs in almost no time. I think we recorded, mixed, and sequenced the tape in two or three days and were very happy with the results. There may have been some discussion about putting a few of these songs on a 7” EP, but at that time all of the label’s resources had been put into releasing Flex Your Head, our first full-length album. FYH was a compilation documenting the DC punk scene and since A.P were one of the great young bands coming up at that time, we included three songs from their session. There never was an opportunity to do anything with the other 14 songs as Dischord was poor and, like many of the bands in DC at that time, A.P. was not long for this world. However, before breaking up in the latter half of 1982, A.P. recorded again at CAB studios in Rockville, MD and released those recordings on a split 7” (w/The Exiled). This was the fi rst release on the Fountain of Youth label. After A.P. disbanded, Pete, Steve, and Mike started playing with Kenny Inouye and Andre LEE to form Marginal MAN. That band would release a 12” on Dischord as well as two full-lengths on Gasatanka and Giant respectively and continued playing for seven years. While working on the Dischord Archives, we came across the Artificial Peace November 81 session and decided that the tape should be finally and properly released in its entirety. Artificial Peace may well be an obscure band, but their effect on the DC scene was signifi cant and played a sure role in the evolution of the music.”—Ian MacKaye, 2010

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Artsick

Fingers Crossed

Fingers Crossed Light Blue Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Artsick was formed in June 2018 when Christina Riley was feeling "artsick" and writing songs, but missing the inspiration and excitement of collaborating with her old band, Burnt Palms. Christina was soon joined by Mario Hernandez (Kids On A Crime Spree, Ciao Bella) on drums and Donna McKean (Lunchbox, Hard Left) on bass and a band was born. Following up their terrific 2018 7" single they are back with their debut album "Fingers Crossed," a thrilling, compelling and downright fun record that surveys a vast swathe of indie and indiepop history, from DIY progenitors like Dolly Mixture through the punkier side of C86 (think Talulah Gosh, Fat Tulips) to the 90s K Records-centered International Pop Underground and straight through more recent exemplars like Vivian Girls and Colleen Green. Across its 11 songs "Fingers Crossed" is packed with great songs and memorable moments, indelible melodies and heartfelt lyrics. Christina says that she was "always been drawn to fuzzy guitars, melodies with emotion and songs with urgency" and that is readily apparent on every moment of this excellent album.

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Artsick

LP | 2022 | US | Original (Slumberland)

14.11.90 An Acoustic Psychogram

Release: 2022 / US – Original

Genre: Rock & Indie

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Arurmukha

LP | 1993 | EU | Reissue (Karl)

LP | 2024 | EU | Original (Discreet Music)

Release: 1993 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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A download code is included. Re-release of the album which Marc Weiser (rechenzentrum, zeitkratzer) and Jürgen Hendlmeier (producer for The Flaming Sideburns, Thee Ultra Bimboos) created as Arurmukha. With the use of soundbites, field recordings, and stylistically diverse tracks, they reprocess the clearing of 13 squats on Mainzer Straße in Berlin-Friedrichshain in November 1990, forming it into an acoustic scenography in the style of the “Maifestspiele” by Einstürzende Neubauten. 14.11.2020 marks the 30th anniversary of the clearing of 13 squats on Mainzer Straße in Berlin-Friedrichshain. The violent confrontation between the police and about 500 squatters, involving armored vehicles, helicopters, and 10 water cannons, was the biggest police operation in Berlin’s post-war history, with 4000 officers deployed, and is deemed to be the last big “battle” of left-wing squatters in Germany. The insert for the LP provides a detailed chronicle of the events (taken from the book “Berlin Mainzer Straße: Wohnen ist wichtiger als das Gesetz [Berlin Mainzer Straße: Housing is more important than the law]”, published in 1992 by Basis-Druck).

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Arv & Miljö

Jorden Först

22,79 €* 23,99 € -5%

The Timeless Nowhere - Box Set

Release: 2024 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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An emotionally charged and bizarrely evocative look at radical environmental advocacy groups, mainly Earth First! and Earth Liberation Front, channeled through the memories of the Swedish Plogbill-movement and their actions throughout the early 90's. Monologue, snippets of interview segments, protest songs and site recordings are mixed up with the rather raw kosmische synth music Arv & Miljö has explored during the last couple of years. The result is a mesmerizing and multi-faceted audio collage; charmingly disorienting and chaotic but also harmonic and oddly soothing. Ultimately, Jorden Först is not so much about a certain cause or organization as it is about dedication, passion and the spirit of change. Originally released as a very limited CDr on Förfall in 2021, Jorden Först was quickly hailed as one of the absolute highlights in the vast Arv & Miljö discography among the ones that heard it. The recording was extended and slightly reworked and remixed for vinyl in July 2022. Edition of 500 copies, printed on brown kraftboard covers with insert. Mastered by Lasse Marhaug. Discreet Music 17.

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Arve Henriksen

4LP | 2019 | EU | Original (Rune Grammofon)

74,99 €*

Happier. Record Store Day 2024 Orange Splatter Pink Vinyl Edition

Release: 2019 / EU – Original

Genre: Rock & Indie

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In a world where being loud seems to be the only ticket for attention, Arve Henriksen has somewhat quietly and without much ado established himself as an important, major player on the European jazz scene. In his 20 years with Rune Grammofon we're counting 11 solo albums (including one for ECM) and 12 albums with Supersilent (including two for Smalltown Supersound), in addition to four albums with Food as well as numerous collaborations, far too many to mention here. During these years he has also performed quite extensively in Europe, in later years being more picky, often preferring more unique venues and locations. Consisting of unreleased material from around ten years back and up until 2019, "The Timeless Nowhere" is not a compilation in the traditional sense, but can still be seen as a career overview including many facets of his work, at the same time portraying an artist on an unstoppable quest for discovery through exploration. Indeed, these are also four individual albums that could easily have justified separate releases, but at this stage in Arve's artistic journey it also made perfect sense to assemble them as a box set. The common denominator is about inspiration drawn from composers, collaborators, new discoveries and more specifically; spontaneous interaction with other musicians without other purposes than the music itself. No talk, no demands, no intentions, no explaining; just music in a timeless nowhere. "Captured Under Mountainsides" points to the wild landscape scenery of the area where Arve grew up in the western part of Norway; overwhelming and often strikingly beautiful, but also isolated and with a sense of melancholy. "Acousmograph" is Arve on his own, inspired by compositions and musicians, more experimental in nature and partly based on sketch recordings in odd locations. "Cryosphere" is a co-production with long time collaborator Jan Bang re-modelling material from a series of evolving concert performances. "Towards Language - Live at Punkt" could be seen as a departure from Arve'...

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As December Falls

LP | 2021 | EU | Reissue (Adf)

25,99 €*

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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Lightless Yellow Vinyl Edition

As Friends Rust

LP | 2024 | EU | Original (End Hits)

LP | 2023 | EU | Original (Edged Cirlce)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Solid Yellow Vinyl, limited to 150 copies.Comes with a sticker sheet. The 'Lightless' EP sees AS FRIENDS RUST confronting existential and cosmic loneliness with intensity, imagination and, of course, hooks. Picking up where 2023's Any Joy LP left off, and now joined permanently by bassist Andrew Seward (Against Me!), the band presents five urgent rockers that rage through both inner and outer space, leaving only earworms in their wake. Writing for Lightless began immediately upon the band's return from their tour of Europe in support of 2023's Any Joy LP. Picking up where the album left off, the Lightless EP is a massive, catchy work focusing largely on cosmic loneliness -- a theme echoed in its airbrushed, 70s/80s sci-fi artwork. The EP was mixed by long-time collaborator James Paul Wisner (Further Seems Forever, Paramore, Dashboard Confessional), and mastered by Will Killingsworth at Dead Air, and will be released on November 1st, just days ahead of the band's tour supporting QUICKSAND and HOT WATER MUSIC.'Lightless' will be strictly limited to 500 copies across five vinyl variants, each including a sci-fi/spaced travel sticker sheet. The exclusive END HITS RECORDS/EVIL GREED variant will feature a limited patch, perfect for your 80s satin bomber jacket or heavy metal jeans vest.

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Asagraum

Veil Of Death, Ruptured

49,99 €*

Ascension Of The Watchers

Release: 2023 / EU – Original

Genre: Rock & Indie

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From shadows of black magic metal Edged Circle Productions is proud to present the new album from the satanic witches Asagraum. This new offering has been manifested into the realm of flesh under his will by the title "Veil of Death, Ruptured" and features brand new material which has been highly anticipated by the fans for years after the previous album "Dawn of Infinite Fire". Asagraum are bigger than ever, but not in the sense measured by the common critics or by that of fame, but by the being of More. Everything has been elevated to a higher state of being and the outcome is as deadly as it is intoxicating. Once again, like it's previous offering, the new album has been projected from it's vision by Obscura and A. Morthaemer, but there are several assisting elements at play within the folds of "Veil of Death, Ruptured": Drums recorded by Dirk Verspaget, Mixing by Bas de Rooy, and Mastering by Tide Studio London.

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Apocrypha Clear Vinyl Edition

2LP | 2020 | EU | Original (Back On Black)

The Cost Black Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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Industrial Gothic Rockers Ascension Of The Watchers, are set to release their brand new album "Apocrypha". "Apocrypha" has been a decade long journey of writing and recording, from California, Pennsylvania, New York and Wales. In 2018 the band decided to utilize the crowdfunding platform PledgeMusic to jumpstart the project. After a very successful campaign, raising 124% of their goal, PledgeMusic went into administration, eventually declaring bankruptcy! and in turn, would never release any of the funds dedicated to Ascension of the Watchers. Nevertheless, Ascension of the Watchers persevered to complete the album. After ten years of writing and recording, along with reflection on the very personal nature of this project, Ascension of The Watchers will renew it’s journey in 2020! A creative, and innovative journey of pioneering vocalist Burton C. Bell (Co founder and vocalist of Fear Factory). Their latest recording Apocrypha is a vision untold!

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Aseethe

LP | 2024 | US | Original (Thrill Jockey)

31,99 €*

The Cost Natural Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Aseethe, the trio of guitarist Brian Barr, drummer Eric Diercks, and bassist Noah Koester, carve their own path in the world of heavy music. A singular blend of seismic weight, mesmeric drone, and gripping tension is the Midwestern band"s musical signature. Driven by an exploratory ethos, Aseethe warp sounds into emotionally potent songs that are as detailed as they are immense. The Cost is an album shadowed by devastating losses, a visceral study in aftermaths, centered around how life moves forward after personal and universal traumas. Recorded by acclaimed producer/engineer Sanford Parker (Pelican, Eyehategod, Yob, Voivod) at Electrical Audio in Chicago, The Cost is more focused and elaborate than anything the band have crafted before, expanding Aseethe"s dynamic palette with more nuance and transforming their battering sound into cathartic arcs.

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Aseethe

LP | 2024 | US | Original (Thrill Jockey)

34,99 €*

Aselefech Ashine & Getenesh Kebret

Release: 2024 / US – Original

Genre: Rock & Indie

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Beauties

LP | 2023 | US | Original (Domino Sounds)

31,99 €*

Be What You Want Record Store Day 2022 Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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For many years, this has been on the Domino Sound reissue wish list, and finally the wish has been granted. A reissue in cahoots with Mississippi Records of a 1976 gem of a record from Ethiopia. Aselefech Ashine and Getenesh Kebret met in Addis Ababa at the Hager Fikir Theater, a music and dance icon of Africa. They released one 45rpm single, and this album under the musical direction of Tishome Sisay. Ten beautiful songs, each of them sung as closely intertwined duets between the two “beauties”, backed by the tip top sounds of the Army Band. The LP comes in a Stoughton “Tip-On” sleeve with lyrical translations and a short interview with Aselefech Ashine. A split release with Mississippi Records, we are ecstatic to have more copies for the world to enjoy. Dig in!

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Asexuals

LP | 1984 | CA | Reissue (Return To Analog)

LP | 2023 | EU | Original (Out-Sider Music)

Release: 1984 / CA – Reissue

Genre: Rock & Indie

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Label: Return To Analog
Format: LP

First ever reissue of this classic punk album. That went on to become The Doughboys. comes with 20 page booklet on coloured vinyl. 1000 numbered copies

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Asgard

For Asgard

Join Inn 50th Anniversary Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Previously unreleased heavy acid-rock / proto-prog album from 1972!

Asgard (initially known as Osgoode, named after the street where Blue Cheer had their headquarter) was a San Francisco band featuring ace guitar player Bob Hardy (a veteran of many Bay Area bands since the early 60s) and Jake ‘Gelon’ Lau (Gideon & Power, Mary McCreary, Tribe…) on electric violin and vocals.

This is their lost album, registered at Roy Chen Recorders in 1972, now released for the first time.

“For Asgard” features nine original tracks, perfectly recorded and played, dominated by Bob Hardy’s outstanding fuzzy lead guitar and the cool touch of Gelon’s Lau electrified violin that recalls UK prog-psych bands like the similar named Asgærd or High Tide at times. Hard to believe that such a pro-recorded, top quality album like this was never released at the time. After playing a celebrated free concert at the Provo Park in Berkeley alongside bands like Mother Cat and Summerhill, the band slowly disintegrated.

Download card includes one studio track from the same album sessions plus three raw rehearsal tracks.

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Ash Ra Tempel

LP | 1973 | EU | Reissue (MG.Art)

Schwingungen 50th Anniversary Edition

Release: 1973 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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After the 2021 Re-Release of “Schwingungen” (MG.ART612) and together with “Seven Up” (MG.ART613) we proudly announce “JOIN INN” as Part3 of the authorised 50th Anniversary “A.R.T.” Re-Edition Series. “JOIN INN” is the fourth album by Ash Ra Tempel. It was recorded at Studio Dierks and originally released on LP by Ohr Musik-Produktion, catalogue number OMM 556032. Each side of the LP comprises one long track.

In 1972 ASH RA TEMPEL teamed up again with Klaus Schulze during the recording of Walter Wegmüller's Tarot album, and after one of the recording sessions, ASH RA TEMPEL members: Enke, Göttsching and Rosi, together with Klaus decided to "play it again" in a late night session. This recording led to the birth of the “JOIN INN” album, as well as two legendary last concerts in February 1973 in Paris and Cologne.

Manuel Göttsching recalls Hartmut Enke on bass and Klaus Schulze on drums being a dream-team rhythm section for him to play his guitar, especially here to hear on “Freak'n' Roll”, that was ingenious and not to replace ever since. It was the last recording ever where Klaus Schulze (who sadly passed away this Year) played the Drums and also Hartmut (the Hawk) Enke soon after quit the Bass and music forever. Join Inn marks the end of the collaboration with Klaus Schulze. However, together with Ash Ra Tempel, their eponymous first album, which will be released in 2023 as the final edition of our Series, it is considered a highlight of the Krautrock movement. As for the music itself we again refer to Julian Cope´s review from his book “Krautrocksampler” (published by Head Heritage, 1st ed. 1995):
""Freak’n’roll” fades in like it never started - just was always there from the beginning of time, a dry wah-guitar freerock riff-out unlike any of the other Ash Ra Tempel LPs, and not much like any other music. Yes, there are bluesy riff but none of them have a blues context. Manuel Gottsching’s guitar is so confident that he sometimes drops down to a simple major chord groove, whilst the Hawk pushes that round woody bass into strange overlapping rumbling melody. And ... it’s the return of Klaus Schulze on drums which propels “Freak’n’roll” to its height. No-one but Klaus has the ability to transcend rock’n’roll in such an on-the-beat non-groove-y way and still send sparks of light into the cosmos as he does it. "Freak’n’roll” is so egoless that it even works at a quiet volume as meditational music. Themes rise from the high tempo pulse beat, then are carried along the muscles of the song into the main area where the riff actually becomes real and expressionist for just long enough before slipping back into the musical fabric of the song. As usual with Ash Ra Tempel, the other side is an enormous drift piece called “Jenseits (The Next World)”, a beautiful Klaus Schultze meditation of haunting synthesizer chords over which Rosi Muller tells the story of the Cosmic Couriers’ meeting with Timothy Leary. Gradually, the pulsing guitar becomes increasingly intense and turbulent, but Rosi never sounds less than freaked out. Essentially, “Jenseits” is a precursor to Klaus Schulze’s later spacey minor-key grooves. Unfortunately, this was the last Ash Ra Tempel album in its particular ‘series. After “JOIN INN”, Manuel Gottsching took over the Ash Ra Tempel mantle alone.”

Ashra Tempel – Join Inn
HARTMUT ENKE - Gibson bass
MANUEL GÖTTSCHING -guitar
KLAUS SCHULZE-drums, synthesizers & electronics
ROSI MÜLLER-voice

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Ash Ra Tempel

LP | 2021 | EU | Original (MG.Art)

Seven Up 50th Anniversary Edition

Release: 2021 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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50th Anniversary Re-Edition - Includes Original Releasesheet Inlay - Original Release: 1972 - 2021 Re-Cut carefully overseen by Manuel Göttsching. We proudly announce the authorised 50th Anniversary Edition 2021 of the 1972 Original release , one of the most important German Krautrock albums in a 2021 Re-Cut carefully overseen by Manuel Göttsching himself. As for the info we refer to Julian Cope´s review in his “Krautrocksampler” Book, Publisher : Head Heritage (1 Oct. 1995) : “Beware of Schwingungen!” That should be the large sticker on the front of all copies of this record. For it is dangerous to be casually introduced to something that is life-changing, as I found out to my cost when first listening to this record. It all starts fairly simply and without any cause for alarm - “Look at Your Sun” begins with a Doorsy lone groover guitar begins a pedestrian blues, beautiful. Then the most crushed voice, a cross between Johnny Rotten and Tiny Tim, preaches its way into the proceeds. God, it is beautiful - John L. repeats over and over, “We are all one, we are all one”, until a howling fuzztone solo guitar blows the whole onechord “Signed D.C.” ringing-cymbals torture to an end. And then the most far out track of all begins. This is called “Flower Must Die” and it is a free-rock giant that transcends everything else in its field (there are no contenders.) As I’ve written before, PIL sounds like this. John L. was John Lydon in a previous incarnation. After a slow weird build, a frantic streamlined one-chord mantra kicks in and it’s like the Stooges’ Funhouse period but in a Righteous Vision Zone that fucks them right off.

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Ash Ra Tempel

LP | 1973 | EU | Reissue (MG.Art)

Race The Night Transparent Violet Vinyl Edition

Release: 1973 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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After the 2021 Re-Release of “Schwingungen” (MG.ART612) we proudly announce “Seven Up” as Part 2 of the authorised 50th Anniversary “A.R.T.” Re-Edition Series. “Seven Up” is the third studio album by Ash Ra Tempel and their only album recorded in collaboration with American Ph.D. in psychology, Dr. Timothy Leary. The Coverart for “Seven Up” was designed by famous Swiss Artist Walter Wegmüller. Recorded in August 1972 at Sinus Studio in Berne, Switzerland, remixed September 1972 at Dierks Studios in Stommeln, Germany.

First release in spring 1973 by OHR Musik - the first release on the new sub-label "Kosmische Kuriere", Kat-Nr. KK 58001. We release “Seven Up” in a Re-Cut carefully overseen by Manuel Göttsching himself, on September 9th 2022, also being Manuel Göttsching´s 70th Birthday. Our Edition features the full original text for the “7 levels of consciousness” by Timothy Leary in English, i.e. “Instruction Manual for Pleasure Panel” plus a previously unreleased glimpse view of the original scripts incl. notes and mark ups as well as partly unreleased photos from the recording session.

As for the music itself we again refer to Julian Cope´s review and remarks from his book “Krautrocksampler” (published by Head Heritage, 1st ed. 1995): “When the Leary Mob met the Kaiser Gang, the sparks flew ever Up-wards. 7up is a stone classic in every way. Yes, it is unlikely to find Timothy Leary singing lead vocal in a cosmic group, but even weirder that he chose to sing a wild yelping freaked out blues ! Manuel Göttsching and Hartmut Enke had begun their careers in The Steeple Chase Blues Band back in the mid-'60ies, and they quickly felt their way through what Barritt and Leary were aiming for. They reconciled it all as a kind of West Coast chordless psychedelia, where blues riffs sparkle out of nowhere and the sheer weight of synthesizers renders everything with an unreal Pere Ubu/early Roxy Music quality. The greatness of Ash Ra Tempel burned so brightly on 7Up that there is really nothing else like it.

Hartmut Enke and Manuel Gottsching here returned to their riffy roots. It can hardly be called a retro act, though, as the context of music is everything. And with Dierks at the controls, even the New Kids on the Block would have sounded psychedelic. 7Up is like a late night radio show glimpsed through a shattered tuner where all but the most truly dangerous sounds have been allowed to stay, to drift and to dance around the performers. The result is an extreme gem, a flash of hysterical white lightning, and a pre-punk Technicolour yawn in the grandest of traditions. In typical Ash Ra Tempel style, the record is divided into two pieces, “Space” and "Time”. Within this, though, Timothy Leary’s ideas are allowed to free-flow and the two sides are therefore divided into mini-songs all segued together. The highlight of Side 1 is “Power Drive”, a West Coast burn-up that transcends any W. Coast music I ever did hear. Leary and Barritt present the greatest twin-vocal of all time, coming on like Jagger and Morrison but too caught up in their own maelstrom to be anything less than Heralds of the Punkfuture still five years away. In chaos it was conceived and in chaos it was recorded. Yet Dieter Dierks, the great Aural Architect of the Cosmic Couriers, turned 7Up into a personal triumph and a Kosmische dream.”

Ash Ra Tempel – “Seven Up”
TIMOTHY LEARY - voice
BRIAN BARRITT - voice
MICKY DUWE - voice & flute
LIZ ELLIOTT - voice
BETTINA HOHLS - voice
PORTIA NKOMO - voice
HARTMUT "HAWK" ENKE - bass, guitar & electronics
MANUEL GÖTTSCHING - guitar & electronics
STEVE A. - organ & electronics
DIETMAR BURMEISTER - drums
TOMMY ENGEL - drums
DIETER DIERKS - synthesizer & Radio Downtown

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Ash

LP | 2023 | EU | Original (Fierce Panda)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Race The Night Transparent Violet Vinyl Edition

Ash

LP | 2023 | EU | Original (Fierce Panda)

27,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Endless Skies Evergreen Vinyl Edition

Ashbury

LP | 1983 | EU | Reissue (High Roller)

LP | 2024 | US | Original (Ba Da Bing!)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, reissue 2023, evergreen vinyl, ltd 500, insert printed on uncoated paper, 425gsm heavy cardboard cover, poster, mastered from a new source by Patrick W. Engel at TEMPLE OF DISHARMONY in May 2018. New vinyl cutting by SST! Ultimate audiophile edition of this eternal classic!

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Asher White

Home Constellation Study

LP | 2023 | US | Original (Ba Da Bing!)

Release: 2024 / US – Original

Genre: Rock & Indie

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Asher White’s third album in two years (and fifteenth overall), Home Constellation Study is less a refinement of last year’s sly, quaint New Excellent Woman, and more an explosion of it. Her meticulous chamber pop has given way to resplendent swells of horns and squeals of noise, throbbing bass and queasy orchestral loops. The cover, painted by White, frames a burst of flowers against a dark blue abyss, mimicking the music: over-frenzied sambas, bleary slacker rock, hushed ambient meditations, and surprisingly slick disco, White mines her personal minutiae for tokens of political decay, alienation, and religious rapture.

The past year has found the prolific Providence-based singer-songwriter ascending through her city’s fertile experimental rock scene alongside the breakout synth-punk act babybaby_explores and her labelmates Or Best Offer. Live, White’s band plays riotous, unpredictable noise rock that nods to their city’s storied DIY scene; on Home Constellation Study, mid-album highlights like “Downstate Prairie” and “Hymn” nod to Providence’s bands of yore with their blistering sheets of feedback and pummeling drums, placing White, improbably, within the lineage of local heroes Les Savy Fav or the broken pop dispatches of Black Pus.

At its core, however, Home Constellation Study is the product of studied, monastic auteurism. Like New Excellent Woman, it was arranged, performed, recorded and mixed by White alone in her basement studio in Providence. “Happy Birthday” is an earnest psalm, a paean of devotion and remorse to God a la Beverly Glenn-Copeland that drifts along with Panda Bear haziness. White’s concept of “toxic femininity” undergoes further investigation on “Good Luck!” and “Runes,” both with Elliott Smith-like chord changes and the barbs of cynical romantics like Aimee Mann. Asher White’s vision has never been so expansive and unpredictable.

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Asher White

New Excellent Woman

Ashley Mcbryde Presents:Lindeville

Release: 2023 / US – Original

Genre: Rock & Indie

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Asher White’s music is a complex and heartfelt reaction to the churn of the modern world. With tender intimacy and resounding anxiety, White takes a wide view through the lens of her own queer sexual politics and transgender identity; what does it mean to renew, to progress, to transform? What is lost, gained, or irreversibly altered?

At 22 years old, White has developed a massive self-released discography: over a dozen albums since 2015, each one started the moment the last one was finished. New Excellent Woman is a distillation of these experiments and discoveries, a new achievement in songwriting that stands astride the cracks in the earth and lopsided ground. Songs jump between styles like a pubescent sex drive, all locked together by White’s ability to pull melody out of chaos.

New Excellent Woman wanders a meticulous cut-and-pasted path paved by forebears like The Books and Animal Collective. It sounds like a live band, bursting with kinetic energy, but the album was constructed alone in her Providence, RI studio, where she arranged, performed, recorded, and mixed the record herself. The ingenuity of Dirty Projectors is laced with the catchiness and warmth of The Kinks, and maybe a dash of Elephant 6. It’s like an Adhd party and the listener is the first to arrive.

New Excellent Woman is built from detritus, often quite literally: from the thrift store amplifiers and scavenged keyboards she uses to her penchant for discovering and sampling obscure YouTube videos into her songs. The thick fog of “Bedsong” is made up of little more than a Hammond organ found on craigslist and a few muffled drums piled with rags; opener “Ptolemy” uses a seemingly random video of teenage boredom as its textural and rhythmic backdrop.

The ceaseless march of the modern world can feel both awe-inspiring and abysmal. New highways and condominiums are erected in a matter of weeks as historic burial grounds are demolished. Even short TikToks seem to expire in real time. Asher White won’t change things, but New Excellent Woman gives one a fresh and poignant perspective of the shifting world around through her eyes—and maybe a connection is the best one can hope for.

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Ashley McBryde

LP | 2022 | EU | Original (Warner)

31,99 €*

LP | 2021 | US | Original (Felte)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Inspired by the writing methods of legendary Nashville songwriter Dennis Linde ("Goodbye Earl," "Burning Love," "Bubba Shot the Jukebox"), Ashley McBryde set out with a group of her favorite co-writers to work up a project they had no intention of ev-er recording or releasing. What came from that week-long exercise in a rural cabin outside Nashville is a distilled version of everything that listeners have come to appre-ciate from Ashley: Raw, honest, specific portraits of small town America and the many characters that you may encounter in any one of them. Produced by John Osborne, Ashley McBryde Presents: Lindeville includes performances from McBryde, Brothers Osborne, Brandy Clark, Aaron Raitiere, Pillbox Patti, Caylee Hammack and Benjy Davis.

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Ashley Shadow

Only The End

Only The End Blue Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Ashley Shadow winks at darkness, but she won't lead you towards it. It's easy to fall under the spell of Ashley's haunting voice. The Vancouver, B.C. based songwriter forged her own identity as a songwriter with 2016's eponymous self-titled debut. Her sophomore effort, Only the End, maintains the moody introspection that is ingrained in Pacific Northwest life, but now comes armed with a palpable hope complementing her signature melancholy. Ashley explains, "I wanted to make a more upbeat album, something you could play with some friends over. Some of the songs I wrote were initially bummers, but when we went to record them, we lightened them up." Balancing a couple of jobs and navigating life and love in increasingly unstable times, the album was written over two years by Ashley at her apartment. Her confident vibrato above lightly, distorted guitars mirrors the album's theme of resilience, if not triumph, over adversity. There is comfort in these warm songs that endorse the realism of contented acceptance, rather than the naïve search for non-existent utopias. While the songs were conceived in contemplative solitude, Ashley invited some very capable collaborators for their journey into the studio. Ashley's first album saw her take center stage after more than a decade of gracing friends' projects in a supporting role. The move to the front was a cautious one. "First record was, can I do a solo album? This time, I know what I'm doing. It's way more clear." "Don't Slow Me Down" reunites Ashley with Bonnie "Prince" Billy for the first time on record when she sang vocals on Bonnie's Lie Down In Light album in 2018. The album also includes contributions from Paul Rigby (Neko Case), Colin Cowan (Elastic Stars), Joshua Wells (Black Mountain, Lightning Dust) and Ryan Beattie (Himalayan Bear). It's clear to anyone listening. It's Only the End. If only all endings were so glorious.

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Ashley Shadow

LP | 2023 | US | Original (Felte)

LP | 2021 | EU | Original (Blue Tapes And X-Ray)

Release: 2023 / US – Original

Genre: Rock & Indie

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Ashtray Navigations

Before You Play This

34,99 €*

LP+CD | 2020 | US | Original (Vhf)

Release: 2021 / EU – Original

Genre: Rock & Indie

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"We Were Always Too Rock For The Art Crowd And Too Artsy For The Rock & Roll Crowd," Phil Todd - The Musician Behind Yorkshire Kosmische Institution Ashtray Navigations For The Past 30 Years - Explained To The Quietus In A Recent Career-Examining Feature. "I've Always Been A Big Fan Of Playfulness. I Take Great Pleasure In The Unexpected And Illogical Aspects Of Recording Music." The Music Of 'Ash Nav', As The Project Is Known To Its Devoted Admirers, Has Traversed The Fields Of Drone, Noise, Krautrock, Lo-Fi, Psychedelia And Ambient Across 180 Or So Releases Since 1994. But As Phil Indicates, One Of The Determining Characteristics Of This Project Is A Sharply-Honed Sense Of Playfulness. These Sonic Explorations Might Be Dedicated To Exploring The Weirdest Of Unnamed Feelings And Perverse Half-Thoughts Scuttling Around The Back Of Our Minds, But It Is Never Not Joyful. And Ash Nav's New Lp, Before You Play This, Might Well Be The Most Joyful Of The Lot. Before You Play This Is Such An Unashamedly Pleasure-Embracing Album That It's Hard Not To Think Of It As A Kind Of Psychedelic Pop Music. Its Textures Are Bright And Shiny, Its Structures - For A Band Sometimes Mistakenly Thought Of As Creating Formless, Abstract Splurges Of Sound - Are Concise, Catchy, And, On Tracks Like The Case At Least, Almost Danceable. Sure, It Still Feels Like Your Eyeballs Are Melting And Your Brain Is Fizzing, But In A Happy Way? Thanks To 2020's Universally Acclaimed Greatest Imaginary Hits Retrospective, Compiled By Long-Time Celebrity Fans Including Henry Rollins, A New Generation Of Music Fans Are Discovering Ashtray Navigations For The Very First Time. Before You Play This Proves That Ash Nav Continues To Confound, Surprise, And Innovate - That This Is Modern, Forward-Looking Music, Forever Pointing Out Possible New Futures For Sound.

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Ashtray Navigations

Greatest Imaginary Hits

26,99 €* 35,99 € -25%

7" | EU | Original (La Agonia De Vivir)

Release: 2020 / US – Original

Genre: Rock & Indie

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27th Anniversary set for the multi-dimensional midlands-crew, led by Phil Todd and Melanie O’Dubhslaine. Nearly six hours of cosmic, psychedelic, mind-boggling sounds, featuring a newly recorded LP plus four max-length CDs curated by AshNav connoisseurs Rob Hayler, Henry Rollins, Pete Coward, and Neil Campbell. The CDs are drawn from the band’s massive back catalog of mostly small run / private releases, covering activity dating back to 1994. Mining a deep well of thousand-yard stare psychedelia, Ashtray Navigations possess of one of the most exciting outré music catalogs of the contemporary era, matching the classics from any era in originality and straight-up bonkers fun. This epic release includes a full range of hypnotic jams, including sequencer-led cosmic workouts, drifty ambience, and a heavy dose of Phil Todd’s ripping, laser guitar leads. The gatefold LP also includes pithy liner notes from Matt Valentine, Henry Rollins, Jon Dale, and more.

“Phil. Well I am glad you’re finally back from your place in Monaco and getting to work. The pictures of you with the polo mallet and the horses you sent were impressive, sure but when you sell yourself as an artist type and then are seen cavorting with those over tanned Euro trustfunders, it is alienating to your audience. You are, however, the only person I have ever met who has actually cavorted and that’s why you will always be a mid-level god to me.” —Henry Rollins

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Asinus / Venganza

Split

7,99 €*

Release: EU – Original

Genre: Rock & Indie

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2LP | 2021 | EU | Original (Home)

Half A Hundred Years

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Golde)

Havin' A Party Live

15,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2014 | EU | Reissue (Golden Lane)

Havin' A Party - Live

23,99 €*

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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LP | 2018 | EU | Original (Bismeaux)

New Routes

21,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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Asocial And The Bedrövlers

How Could Hardcore Be Any Worse? Volume 1 Black Vinyl Edition

LP | 1984 | EU

16,99 €*

Asocial And The Bedrövlers

Release: 1984 / EU

Genre: Rock & Indie

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The Swedish hardcore punk scene of the early 1980s was vibrant and wide, with underground movements yielding surprising extremities. This ultra-scarce cassette-only release, limited to 300 copies in 1984, was the first of the legendary Uproar label, pitting the blast-beat proto-grindcore of Asocial, from the small town of Hedemora, against the classical thrash of Bedrövlers, from the equally small town of Fagersta, whose name roughly translates to Miserablerz, a term assigned them by a bus driver that disliked their discordant noise. Subverting Bad Religion’s How Could Hell Be Any Worse for their own purposes, Asocial’s tracks are blindingly fast and Bedrövlers’ down and dirty-rare Swedish hardcore, at its best!

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How Could Hardcore Be Any Worse? Volume 1 White Vinyl Edition

LP | 1984 | EU

20,99 €*

Embrace The Death Picture Disc Edition

Release: 1984 / EU

Genre: Rock & Indie

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Asphyx

LP | 1996 | EU | Reissue (Kankana)

27,99 €*

Release: 1996 / EU – Reissue

Genre: Rock & Indie

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"Embrace the Death", originally recorded in 1990 but released in 1996, is a crucial album in the discography of Asphyx, an iconic band in death metal. This album is an early testament to the brutal, raw sound the band is known for. The album shows the essence of death metal in its purest and unfiltered form. Characterized by heavy, gut-wrenching riffs, deep guttural vocals, and a crushing rhythm section, “Embrace the Death” is a journey into the darker, heavier side of metal. The production, although crude, perfectly captures the oppressive and somber atmosphere. This album is essential for any extreme metal fan looking to understand the roots and evolution of death metal. It's a fantastic Picture Disc edition limited to 475 copies!!

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LP | 2022 | UK | Original (Kitchen Label)

A Little Fable

Release: 2022 / UK – Original

Genre: Rock & Indie

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“I went mourning without the sun; I am a companion to owls.”

In the autumn/winter of 2010, Singapore-based April Lee and Ricks Ang of Aspidistrafly (also founders of Kitchen. Label) embarked on the recording of their second album A Little Fable in Japan in collaboration with several artists. Fascinated by the patina of time and themes of folklore, A Little Fable narrates a surrealist procession of tales, twelve compositions simmering one into the other lyrically and picturesquely. This album sees the duo returning to a warm, organic palette of closely-whispered vocals, fingerpicked guitar, string arrangements and their trademark texture-focused arrangements. Featuring guest collaborators Kyo Ichinose, Seigen Tokuzawa, haruka nakamura, Junya Yanagidaira (ironomi), honagayoko, Akira Kosemura, Janis Crunch and more.

A dusty bottom drawer of forgotten memoirs is unlocked, and the album opens with a mourning, solitary cello while a harmonium drone forebodes an oscillating motif of glockenspiel tones, or sprinkled stars if you will. In Landscape With A Fairy, a tale of loss and longing during the earliest dawn mist – the world in its daily transition – is daubed in the hues of intensified sunlight, foliage or shadows, only to be diffused and faded by time, not unlike Andrei Tarkovsky’s polaroids of the Russian countryside. April Lee’s intimate vocals and acoustic guitar gently break the silence of a cold morning, backed by graceful string flourishes arranged by Kyo Ichinose. Kitchen. Label’s very own haruka nakamura and Junya Yanagidaira (ironomi) add harmonizing colors of the guitar and piano respectively.

Tracing the mysterious migration routes of nocturnal animals, Homeward Waltz skips home along a breadcrumbed-path with ephemeral glimpses of forest sights, ornamented by violins and other curious sounds before fulminating into a amorphous guitar drone, as Seigen Tokuzawa’s improvised cello strokes drift and wander with split-second apparitions in the night sky. Sounds of wooden creaks and early morning spoon-in-coffee stirrings permeate the spontaneous atmosphere of Cocina. honagayoko’s quaint and chopped piano phrases waltz with spliced vocals and flute.

Emerging from the darkened foliage into a vast, cryptic hemisphere, the second half of the album teeters on the frailty and transitoriness of the world. A Little Fable’s voyage reaches a turning point by SEA OF Glass. Ricks Ang constructs a prolonged arpeggio of sonorous looping guitar motifs that float in and out of focus, reverberating almost like a narcotic percussion across tumultuous oceans. Now distanced and gauzy, sounds of surging waves open Countless White Moons in a misty indefiniteness, yet held together charmingly by Akira Kosemura’s luminous piano. The elusive narration in Language OF Flowers tells of a deliberate escape from the passage of time with a folkloric enchantress who wordlessly casts her spells. In Gensei, April Lee relates an unspoken anguish in her tender, wavering vibrato while Janis Crunch’s somber piano and chorus vocals loom like a harbinger of death. The last chapter Twinkling Fall, the second track to feature haruka nakamura, now shuts the drawer of secrets, dissipated monochrome colours restored once again to full bloom.

A Little Fable is available on CD and the digital format on 15th December 2011. The physical CD copy comes in a 48-page artbook edition (21 x 15cm) featuring photographs and collages by April Lee and Miu Nozaka, with styling by Rika M. Orrery, who have, from their expeditions during the making of this album, directed a dream sequence around the encompassing atmosphere of a secluded hilltop cottage, a forest hued in the splendor of autumn and distant, rocky shores.

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Tape | 2022 | UK | Original (Kitchen Label)

Altar Of Dreams

15,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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Aspidistrafly, the Singaporean duo comprising April Lee and producer Ricks Ang, return with Altar of Dreams, their first studio album in a decade.

While their last album A Little Fable introduced the world to their bucolic and wispy brand of folk songwriting, Altar of Dreams sees the duo – also the founders of Kitchen. Label – harness their experiences over the past decade to create a wholly new and inspired vision. In this new and third album, they drew upon a rich palette of shapes, sounds and movement: straddling between the visionary photography of Serge Lutens and Dora Maar, 80s Japanese ambient pop, musique concrète and the mournful strings of Béla Bartók.

The world in which Aspidistrafly once inhabited was foggy and awash in faded memory. A feeling of being suspended in time felt inescapable with each listen. In Altar of Dreams, the fog is clearing up. At nine songs under 35 minutes, the album possesses all the defining hallmarks of Aspidistrafly – poetic lyricism, cosmic introspection, lush strings, surrealism, tenderness and texture. But what was once seemingly inscrutable has now been explored with astounding clarity, the duo maneuvering through a space-time continuum with delicate leaps.

‘How To Find A Marblewing’, the opening track, is a heady sound collage of early internet sounds, film, anime, and chopped-and-screwed 90s J-pop. It’s a presence deeply embedded throughout the record, a method Lee describes as “a form of environmental/tape treatment”.

The compositions glimmer with sincerity, addressing all at once destruction, mystery, uncertainty, hopes and dreams. The resulting music is backed by an opulence only possible with a line-up of guest musicians. ‘The Voice of Flowers’ is stirring in its balance of flute, clarinet, tenor saxophone and piano, bolstered by a string quartet. Kitchen. Label artist haruka nakamura features on the track alongside Kyo Ichinose (who arranged the strings for the album) and wind instrumentalist Araki Shin.

‘Interlude: Chrysalises and Larvae’ takes the heavy path downward, adopting its name from the 1973 surrealist odyssey The Hourglass Sanatorium. It leads into ‘Companion to Owls’, a gothic pop paean to mortality inspired by the Book of Job.

Before the namesake centrepiece of the album, another interlude arrives in ‘A Ceremonial Ode’, both of which were stirred by a series of regal Shiseido ads from the 1980s starring model Sayoko Yamaguchi. ‘Altar of Dreams’ is haunted by the lucid dreams that once provided escapism for Lee. Its tranquility belies a simmering tension, just as how a lucid dream would offer control in the face of the unknown. “In one of them, I was floating in a vast darkness safe and secure, and then I fell into a turbulent mirage where I willingly allowed myself to be swept away further and further from reality, hoping that I would never wake up,” she says. “Needless to say I did, and ended up writing this song on one of these dead nights.”

If the title track replicates the feeling of falling deep into that spiral, ‘Silk and Satins’ is a direct analysis of the phenomenon. Warped frequencies collide with nature and television sound effects – the latter sourced from 80s Singaporean horror series Mystery – within an inter-dimensional music world. The track was made with featured artist Sugai KEN, whose own work is an endless scroll of intoxicating found sounds.

‘Quintessence’, the sweeping closing track, distills all the elements scattered across the album into a coda that beautifully refuses to resolve. At first an exercise in guitar looping, the song was then written without a beginning and end in mind. “I’d like to think of it as poetry that’s sung,” says Lee.

In Altar of Dreams, Aspidistrafly are renewed and hopeful. They’ve emerged from a decade spent reframing the world they see through vivid dreams and memories. Now, it’s all yours to experience.

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CD | 2022 | UK | Original (Kitchen Label)

Altar Of Dreams

25,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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LP | 2022 | UK | Original (Kitchen Label)

Altar Of Dreams

LP | 1971 | EU | Reissue (Cosmic Rock)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Assagai

Interstellar Experience Black Vinyl Edition

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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South-african jazz-rock worshippers alert ! Assagai was an Afro-rock band, active in the early 1970s in London, whose relatively short career produced two albums recorded in 1971. It has been described as "the second best-known African group of the late 60s/early 70s in Britain" after Osibisa. The original band consisted of five members, three from South Africa and two from Nigeria: drummer Louis Moholo, trumpeter/flautist Mongezi Feza, alto saxophonist Dudu Pukwana, tenor saxophonist Bizo Mngqikana, and guitarist/bassist Fred Coker Assagai's self-titled debut album was released in 1971 on Vertigo; among the African musicians who played with the group on the recording was Terri Quaye. Previously, in the 1960s Pukwana, Feza and Moholo had been members of the jazz band The Blue Notes alongside Chris McGregor.

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Assassin

LP | 1988 | EU | Reissue (High Roller)

28,99 €*

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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The Year That Never Came Red Vinyl Edition

Assassins

LP | 2023 | UK | Original (Machines Make Us)

32,99 €*

Assim Assado Purple Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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Assassins did what many bands do: they grabbed a moment out of the air and slammed it onto tape machines and hard drives with relentlessness, cunning, and an attitude.

It was in Chicago, mid 2000’s, and though there was energy in the music scene, it wasn’t coalescing into anything you could use as a heading in the musical encyclopedia. Drag City, Thrill Jockey, Bloodshot, Tortoise, Andrew Bird, 90 Day Men – amazing labels and bands, but discrete and siloed and separated by boundaries that weren’t very real.

In the midst of that complicated morass, Assassins generated a collection of songs that became the album YOU Will Changed US. And it did.

There was confidence built into the fabric of the project: 5 members, 2 singers, massive synced video walls and samples streaming from laptops swirling in three dimensions around the stage. They could go from subtle atmospheric moments to a gargantuan wall of sound instantly. It was hard to do- months in cold practice rooms troubleshooting sections of songs or reworking synthesizer patches put the band through a self-imposed boot camp. And it brought them together as a sort of hive-mind focused on one thing: that these songs could connect. They could cut through the noise and share a state of mind with other human beings.

And it worked. Those early shows were mind bending. It was fun, loud, drunken, and rewarding- that time together, before the record deal, before the tragic let down of being traded and gobbled up by the major label system. The years after that got more difficult, more complicated, more human.

Leading us here: the musical journey of the Assassins has ended. With the up-coming release of their second and final album THE Year That Never Came, we finally get to hear, and feel, the final statements of their inspiring chemistry.

In July of 2021, founding member, songwriter and singer Joe Cassidy unexpectedly passed away. THE Year That Never Came is the culmination and end point of a collaboration that started in the early 2000’s with a chance meeting and excited conversation with Aaron Miller at a gig in Chicago. Quickly joined by David Golitko on keyboards, Merritt Lear on vocals and guitar, and Alex Kemp on bass.

It was Miller who saw Joe Cassidy’s song writing in a new context. Cassidy had been known for his beautiful, post- pop inflected Butterfly Child, a thoughtful, regal project where Joe’s emotions could soar. Miller saw a different context for that voice- not dreamy, but immediate, not just hopeful, but demanding. He took Joe’s open hand and suggested that it could be a fist, raised in the air, with a crowd of other people doing the same.

At the time of his death legendary composer and songwriter Jimmy Webb (who wrote such hits as ‘Wichita Lineman and MacArthur Park) said Joe ‘was a creative and generous producer but, more importantly, he was a creative and generous friend.’

With the release of THE Year That Never Came, this band, this relentless creative force, has to finally relent. No one in the band could see a future Assassins that doesn’t include Cassidy. So in one last act of will, for the love of their friend, they did the rigorous work of finishing the songs that they had started together for the second album.

Assassin’s obsession with the notion of time, from YOU Will Changed US to THE Year That Never Came, flows from the most natural question we all have to ask ourselves: what do I do now? Because: how we react today to life’s unpredictability - that is the tomorrow we build for ourselves.

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Assim Assado

LP | 1974 | EU | Reissue (Groovie)

26,59 €* 27,99 € -5%

Covers Record Store Day 2022 Vinyl Edition

Release: 1974 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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The name of the band and the cover of the disc explicitly reveal the influence: Secos&Molhados. Investing in androgenia, progressive rock and samba-soul, Assim Assado tried to be a response of the small CID label to the enormous success that the Secos&Molhados did to the young public.

Led by Miguel de Deus (formerly Os Brazões), who signed most of the compositions and assumed the guitar and vocals, the group never took off, leaving only this LP, now almost forgotten. Curiosity: in 1977 Miguel de Deus falls headlong into funk, casting the rather interesting (and rare) "Black Soul Brothers" Also repressed on Groovie Records.

Band formed by Miguel de Deus in 1974, inspired by the Secos&Molhados and making clear both in the name, which is copied from a song of Secos&Molhados, both on the cover of the band's only album. Also the visual was well androgen but the music, a mixture of psychedelic, Progressive and a strong touch of Brazilian Soul music. The only album that had the same name as the band, did not get repercussion despite presenting a lot of quality.

Now the repress of this rare pearl brings to the light the huge talent of Miguel De Deus.

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Associates

7" | 2022 | US | Original (Union Square Music)

25,99 €*

LP | 2021 | EU | Original (Whale Watch)

Release: 2022 / US – Original

Genre: Rock & Indie

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Ahead of the 40th Anniversary of ‘Sulk’, this brand new Associates Covers collection, collated by Michael Dempsey, ranges from David Bowie's 'Boys Keep Swinging', Diana Ross' 'Love Hangover' and rare single 'Kites'. Brand new artwork, designed by Philip Marshall on 140g Clear Vinyl.

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Assorted Orchids

22,99 €*

2LP | 2023 | US | Original (Sentient Ruin Laboratories)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Released on Whale Watch Records, which previously released albums by Mariee Sioux and Bingo Club and recorded in the Autumn of 2020 at Wonka Sound Studio in Lowell, Massachusetts, Assorted Orchids’ self-titled debut album consists entirely of steel and nylon-stringed acoustic guitar inspired by the ornate and intricate yet rhythmic and pulsating fingerpicking patterns of Mississippi John Hurt, Donovan, and Nick Drake. Additional instrumentation is kept to a bare minimum and vocals are up front in the mix, fragile but forceful, delicate but precise. With a total running time just shy of 30 minutes, the album was designed and sequenced like a short story: a pure distillation of a single mood. As Pete Seeger would say, it’s “sit-down music”.

Whale Watch Records (Mariee Sioux, Bingo Club) is proud to present these first ten songs of Assorted Orchids. It is music best paired with driving alone at night or sitting in a circle with friends, drinking, smoking, and talking. Don’t forget to dim the lights.

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Assumption

Hadean Tides

41,99 €*

LP | 2019 | EU | Reissue (Bang!)

Release: 2023 / US – Original

Genre: Rock & Indie

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Italian death-doom titans Assumption return with "Hadean Tides", their colossal new full-length album and first new work of new material in four long long years. "Hadean Tides" sees the Italian quartet take their dismal experimental slow moving death metal formula into a realm of absolutely soul-disintegrating majesty, unfolding nearly an hour of abysmal downtuned crawling carnage immersed in contemplative dirges and mesmerizing ambience. Few underground extreme metal bands these days are capable of evoking such grandiose visions of aphotic dimensions and of shifted states of consciousness as Assumption can conjure through the hallucinatory immensity of their transformative death-doom. Yet, "Hadean Tides" sees the Italian band seemingly dwell on a plain of creative clairvoyance unto its own, once again shattering boundaries and exalting an endless stream of influences and boundless sonic exploration to reaffirm themselves as absolute prophets of this visionary death metal transcendence where cavernous gargantuan riffs and supernatural ambient soundscaping interweave each other and are trapped within an inextricable time dilation to form a monstrous aural hallucination adrift unto the abyss. The massive album displays an unseen plethora of chromatics and manifestations of self, adding keys, strings, choral chants and flutes to the absolute crush-depth to mutate effortlessly between the dismal bleakness of bands like Evoken or Esoteric, the comatose encrusted cavernous rot of death-doom legends like Winter or Disembowelment, and the enigmatic ambience abstractions of ethereal experimental bands like Dead Can Dance and Trial of the Bow. The band's masterful melding of styles and transformative approach to the death-doom style incarnates as an absolute colossus of enveloping atmospherics enshrouding a magma of monumental death metal riffs that faces the listener with a deeply spiritual and cinematic listening experience with an immense apocalyptic aura.

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Asteroid B612

LP | 2022 | EU | Original (Club AC30)

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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At Last! Asteroid B-612 Self-Titled First Album Is Released For Its Very First Time On Vinyl!Limited Edition Of 500 Copies.This Is The Very First Album Of Legendary Australian Band Asteroid B-612. Originally Recorded And Released In Melbourne, Australia In 1993, This Album Was Produced By Dave Thomas From Bored!... All In One Take!!! So, You Can Assume It Is A Monster Piece Of Sonic Hazard And Guitar Army Sound Mixing Detroit's Wildest With Australian Classics. This Album Was Their Rawest And Most Extreme Violent Sound, And It Was Released Only On Cd And Only In Australia, And It's Been Remastered In Order To Deliver The Most Brutal Sound Of This Band, As It Was. A Total Must For All Fans Worldwide Of Mc5, Stooges, Dark Carnival, Sonic's Rendezvous Band, Radio Birdman, The New Christs, Bored!, Hellacopters, Etc.

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Asteroid No.4,The

Tones Of The Sparrow

27,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Asteroid Witch / Greenseeker

Split LP Black Vinyl Edition

LP | 2023 | EU | Original (Electric Valley)

Asteroid Witch / Greenseeker

Release: 2023 / EU – Original

Genre: Rock & Indie

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Asteroid Witch: Forged in the nucleus of a distant black hole and teleported to Portland Oregon in 2021 AD, Asteroid Witch is a conduit for the psychic communication of celestial Demi-Gods from deep space. Since first making contact, they have been transmitting cosmic doom metal from the stars to enchanted live audiences throughout the Pacific Northwest. Greenseeker: Greenseeker worships the hallowed ground of psychedelic proto-metal giants such as Rainbow, Uriah Heep and Atomic Rooster, with music steeped in classic riffs and mystical lyrics. Formed in 2019, Greenseeker hit the ground running and the band recorded its first demo, the self-titled Greenseeker, in the spring of 2020. Their demo caught the ear of the doom underground, nabbing the band a record deal which would lead to their debut full-length album The Wish releasing in May of 2022 on StoneFly Records.

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Split LP Pink Vinyl Edition

LP | 2023 | EU | Original (Electric Valley)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Astio

Bocche Stanche

LP | 2023 | EU (Agipunk)

Magical Kingdom Yellow White Splatter Vinyl Edition

Release: 2023 / EU

Genre: Rock & Indie

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It's always a big pleasure for us to announce the release of an Italian new band. Astio come from Trento (veeeeryyyy Northern Italy) and have members who already destroyed our eardrums with bands like Left In Ruins, Impulso, Tuono and so on. This brand new combo delivers something really far from the fast/crusty/old schoolish noise we were used to, indeed this is totally catchy Peace/Post-Punk sung in Italian with hints of saxophone here and there. Imagine Wipers playing Gang Of Four (or vice versa) after having listened all day to Chain Cult.

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Astral Magic

LP | 2022 | EU | Original (Tonzonen)

35,99 €*

Across The Aeons Celestial Rust Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Astral Magic is a new solo project by Santtu Laakso aka Dj Astro. He used to play bass and Moog in Finnish psychedelic space rock band Dark Sun. Astral Magic has no definitive style or form, but everything is and will be spacey and psychedelic. Since the project was started in March 2020, around 300 tracks have been created. Some of the tracks are cosmic, ambient excursions into other dimensions, some are more space/kraut/psych/prog rocking in the vein of Hawkwind, Gong, Eloy, Pink Floyd, NEU! etc.

Many international musician friends have participated in the recordings.

"Magical Kingdom" can be considered as the first psychedelic prog rock album by Astral Magic. The listener is taken into another mysterious, magical world. Other musicians on the album include multi-instrumentalist Jay Tausig (US, drums, guitar, saxophone, flute), Gregory Curvey (US, guitar, glockenspiel), Peter Dingham (UK, guitar), Markku Helin (FI, guitar), Anton Barbeau (US, guitar) and Perttu Lindberg (FI, drums). The album was mastered by Eroc for maximum sound quality.

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Astralborne

LP | 2023 | EU | Original (Prosthetic)

LP | 2022 | UK | Original (Duophonic Super 45s)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Celestial rust vinyl, limited to 300 copies.Melodic death metal trio ASTRALBORNE are set to release their sophomore full-length, Across the Aeons, via Prosthetic Records on July 28. Across the Aeons sees the Midwest,US band dauntlessly grapple with humanity's cosmic indifference within the universe, pulling influence from philosophical cosmicism and fantasy fiction. After their 2020 debutalbum, Eternity's End, introduced ASTRALBORNE as accomplished purveyors of both compellingly intricate melodicism and dexterous brutality in equal measure, Across theAeons' creative process began immediately following their lauded first full-length release.Across the Aeons' 12 tracks chart a journey of acceptance in the face of humankind's impermanence within a cosmic void, be it Fuzinski's bellowing promise of hell itself, "chaos,death and fire" on lead single War Vessel or interdimensional overlap on Gemini's celestial death metal pomp. Elsewhere ASTRALBORNE team up with labelmates Steve Redmond(Foretoken, The Day of the Beast) and Yegor Savovin (Fires in the Distance) on December Flower and the resplendent mid-album instrumental Promethean Fire respectively.ASTRALBORNE's interstellar voyage is visually brought to life in evocative fashion by Spanish artist Juanjo Castellano (The Black Dahlia Murder, Voidceremony, Coffins). For asalone as we may be in the cosmos of ASTRALBORNE's second full-length, Across the Aeons shirks the nihilistic connotations of such a realisation, opting instead to revel in the totality of all beings and things.

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Astrel K

Flickering I

Volume II 3 Color Striped Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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Astrel K is Rhys Edwards of Ulrika Spacek. Astrel K's debut single 'You Could If You Can' was released via Duophonic Super 45s - a label which has a history of releasing limited edition abstract releases from Stereolab, Broadcast & Yo La Tengo. 500 copies of the 7" were made, hand stamped and numbered, quickly selling out in selected record shops. Following the loss of KEN, a shared house in which Ulrika Spacek band members lived and worked from, Edwards relocated to Stockholm, Sweden where he began making music on his own: "At this time, I didn't really know anyone in Stockholm so kinda retreated into making music just by myself. The album title definitely reflects this period; I was on my own making music and sometimes nothing would be happening and sometimes there would be little sparks of ideas that could keep me going" Edwards would spend nights writing and recording in a shared rehearsal space producing music rich with layers and texture, synonymous with the work of Ulrika Spacek but with perhaps a greater focus on the art of 'song writing'. Tracks with verse's and chorus's are surrounded by instrumental interludes; inspired by old library music and compositions for film as well as being reminiscent of bands such as Broadcast. The album doesn't sound like one made in either London or Stockholm, rather somewhere in the nether region. Written pre pandemic but mixed in the past year, the music led Edwards to finding like minded musicians from the Stockholm music scene: "Though I'm now glad I can say I wrote an album by myself, I was definitely confronted with my own musical strengths and weaknesses. Sometimes when you have an A/B decision you want some perspective and you'd be in the studio, turn around and no one is there. It really made me curious to bring in more people into the fold, not to compromise any original vision or anything, but to have other energy in the room, to exorcise out any lazy tricks I may fall into". Stockholm musicians (including Lili Holényi, Milton Öhrström, Niklas Mellbe...

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Astrodeath

LP | 2023 | EU | Original (Heavy Psych Sounds)

36,99 €*

Volume Ii Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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ASTRODEATHare pleased to announce their brand-new album VOL.2 is looming and will be available through Tuff Cuff Records in Australia and Heavy Psych Sounds Records in Europe. Astrodeath will tour nationally in support of the release, leaving no stone unturned on their quest to bring sonic mayhem to audiences all over Australia. VOL. 2 continues a mountainous sound borne of madness and revelation, ASTRODEATHreport back from the precipice, bringing us haunting visions of a blind and indifferent universe and the hideous, mindless creations that lie in wait, insatiable in their desire to dominate and devour. Hailing from Cadigal Land in the Eora Nation (otherwise known as Sydney), singer/guitarist Tim Lancken and drummer Yoshi Hausler weave an otherworldly musical alchemy that belies their earthly origins and underpins the ritualistic hypnosis of Astrodeath's furious and intimidating sound, a titanic reverberation that far exceeds the sum of its twin parts.

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Astrodeath

LP | 2023 | EU | Original (Heavy Psych Sounds)

22,99 €*

Volume Ii Neon Orange Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Astrodeath

LP | 2023 | EU | Original (Heavy Psych Sounds)

7" | 2022 | CH | Original (Ish)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Astronauts, Etc.

Cherry Plum / Nature 45

16,99 €*

LP | 2017 | US | Original (Rise)

Release: 2022 / CH – Original

Genre: Rock & Indie

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Both of the songs found here were released digitally by Tony in 2021 in a loosey goosey fashion, "while the music industry figures itself out" - he wrote. Stepping away from the broader band format, Tony recorded and mixed everything himself on these two songs, and the result feels very intimate and warm. Unconsciously or not, the added retro sound aesthetic of the two songs are instantly charming and the warm tones are transporting us back a little - think Bill Withers goes George Franklin Smallwood. The way he poured Soul into the Pop makes these two outstanding songs a perfect fit for a 45 drop.

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At The Drive-In

in•ter a•li•a

in.ter a.li.a Colored Vinyl Edition

Release: 2017 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Bone / Black With Bone Splatter Split

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At The Drive-In

LP | 2017 | EU | Original (BMG)

Slaughter Of The Soul Record Store Day 2024 Orange & White Splatter Vinyl Edition

Release: 2017 / EU – Original

Genre: Rock & Indie

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With praise still reverberating from December's unveiling of 'Governed By Contagions', At The Drive In has issued another clarion call from its first album in 17 years: 'Incurably Innocent' is the second track to be released in advance of that record, titled in
• ter a
• li
• a, now available for pre-order and confirmed for release May 5th on Rise Records.Pitting spacey phaser and thrash-y riffing against a sidewinder hook and siren wail, "Incurably Innocent," described by vocalist Cedric Bixler-Zavala as "a song about sexual abuse and being able to finally speak out," reveals additional facets of the kaleidoscopic in
• ter a
• li
• a (Latin for "among other things"). Produced by Omar Rodriguez-Lopez and Rich Costey at Hollywood's Sound Factory, the 11-song 41-minute in
• ter a
• li
• a picks up where 2000's Relationship of Command left off... and rockets off into myriad other trajectories as unpredictable as they are intense.

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At The Gates

LP | 1995 | EU | Reissue (Earache)

34,99 €*