Search "record store day" 17360 Items

LP | 2024 | Original (Cd-R)

Release: 1974 / Reissue

Genre: Rock & Indie

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Probably the most astonishing hard rock LP out of 1970s Spain, repressed by popular demand and this time offering a very limited transparent blue colour run.

THE STORM hailed from Sevilla and were acclaimed by both audience and press reviewers as one of the best rock bands from Spain. The combo was formed by the Ruiz Geniz brothers (Angel and Diego), on guitar and drums respectively, plus Luis Genil (organ) and José Torres (bass).

Their debut album, originally released on Basf in 1974, is one of the Crown jewells of Spanish hard rock, and changes hands for a small fortune among collectors all over the world, especially since its inclusion in Hans Pokora's 'Record Dreams' books.

This LP really rocks. It's high energy hard rock that follows the line marked by the big organ outfits of the era such as DEEP PURPLE, ATOMIC ROOSTER, BRAM STOKER, MEGATÓN...

It has also a deep classic prog sound root, which reaches the top on 'Un Señor Llamado Fernández De Córdoba'.

We are talking of one of the seminal Spanish hard rock LPs.

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Cassie Ramone

Sweetheart

Samtvogel Transparent Yellow Vinyl edition

Release: 2024 / Original

Genre: Rock & Indie

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Sweetheart is the first Cassie Ramone album in ten years, a crowning glory for a singular artist who has forged a unique path through the underground. Breaking out in the late 00s with the revered Vivian Girls, to her current status as a traveler on the
heartworn highway, Cassie Ramone has survived and thrived. Sweetheart is Ramone's greatest recorded statement to date:
focused songwriting shot through with American tragedies, distorted guitars and tear-stained fretboards. Recorded with
collaborator Dylan White in Richmond, VA in the latter's Valley Structures barn studio between December 2023 and March
2024, Sweetheart is Ramone's songwriting rendered direct but with a sweeping cinematic quality. Smeared with reverb and
scintillating like stars in the pitch black night, these songs fulfill the promise of Ramone's songwriting prowess.
Ranging from heart-stealers like I'm Going Home or Joy to the World to the riotous guitar scree of the titular Sweetheart,
Ramone's songwriting here is raw and direct, bolstered by White's perfectly balanced instrumentation. White's work on
Sweetheart blows up Ramone's songs to epic proportions, with waves of shoegazed guitars crashing and cresting with
emotion. As a result, Sweetheart fits effortlessly in with the best of Ramone's work with Vivian Girls and The Babies. With the
emotional vulnerability at its core, Sweetheart is Cassie Ramone emerging as one of the most honest and vital songwriters of
the underground.
Sweetheart, released on White and Ramone's new CD-R Records, builds on Cassie Ramone's legacy as a DIY pioneer. With Vivian Girls, Ramone and her bandmates forged a distinctive sound from 80s Punk, Shoegaze and 60s Girl Groups, delivering it with a dedication to world-building and Do It Yourself pragmatism. CD-Records and this first release are a continuation of Ramone's mission to maintain creative and aesthetic control over her art, communicating directly and honestly. Sweetheart may
also be the best record of her career.
Released on Cassie Ramone and Dylan White's label CD-R Records

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Günter Schickert

LP | 1974 | Reissue (Wah Wah - Supersonic Sounds)

37,99 €*

The Storm 50th Anniversary Black Vinyl Reissue Edition

Release: 1974 / Reissue

Genre: Rock & Indie

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’Samtvogel’ has been out of stock for a while but it is still one of more requested releases, so here is an updated pressing with availability in ultra limited 100 only runs of 3 different colored vinyl options. And because we do love old black vinyl, also a limited run in black. Chose your colour or collect the whole set! ;-)

By far one of the most important Krautrock experimental albums made during the ’70s. There are records that come from the soul. No matter how primitive may be the recording techniques the musician has access to, the soul gets its way to the heart and mind of the listener. “Samtvogel” is one of those records. Günter Schickert recorded that amazing piece of human greatness in 1974, using the media he had at the time, putting his brain at work to find the best way of taping everything he had to say. “When I was recording “Samtvogel” in 1974 I had only 2 Taperecorders. I played one track and while listening I added the second one. And so on. Four times. When I mixed all together I borrowed a 3rd taperecorder. And still added the last track to the master. I had a small mixer with 2 stereo and 1 mono but it was possible to pan tracks. No equalization. It all came out of my still living G2000 Dynacord guitar amplifier, of course valve, with no master, even the voice recorded through it. If I made a mistake in 1 track I had to repeat it from the beginning. And if while mixing I was not fast enough in changing the tape I had to start again. So it took me more than 3 months to get ready.”

Thanks to these three months of work, between June and September of 1974, ‘Samtvogel’ was privately issued that same year. It would later be issued on the Brain label, with a small change in the artwork –titles added to the front cover, which weren’t on the original private pressing. Brain also reissued it on the label’s “Rock On Brain” LP series, this time with a completely different sleeve. The album contained two tracks on side one and just one on side two, and its sound has often been compared to the most explorative works of Syd Barret – however it must be pointed that Schickert did not need any mind spreading substances to allow his sounds float out of his mind & soul, they just came out in the most natural way. It will also appeal fans of the echoed athmosferic guitar work of other kraut innovators such as Ash Ra Tempel, Manuel Götsching or A.R. & The Machines, and some may find on the vocal passages certain resemblances to Damo Suzuki on Can's 'Tago-Mago’ era.

The Wah Wah reissue is housed in a quality sleeve that reproduces that of the original 1974 private pressing and features a 4 page insert with liners and photos - sound remastered at Eastside mastering Berlin. Get this bird now, before it flies away again!

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The Storm

LP | 1974 | Reissue (Wah Wah - Supersonic Sounds)

Do You Know Who You Are: The Complete Collection Opaque Brown Vinyl Edition

Release: 1974 / Reissue

Genre: Rock & Indie

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Texas Is The Reason

2LP | 2015 | US | Reissue (Revelation)

36,99 €*

Indecision Records 30th Anniversary

Release: 2015 / US – Reissue

Genre: Rock & Indie

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This new, expanded version of Texas Is The Reason's groundbreaking album includes the last two songs the band wrote before splitting up, but had never released. These two songs, which fit right into the band's canon, were finally put to tape this year with "Do You Know Who You Are?" producer J. Robbins - making this, for the first time, a complete career retrospective. Fully remastered by Vlado Meller (Muse, Jeff Buckley, Kanye West, Weezer). New pressing now available on opaque brown vinyl with a gatefold cover.

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V.A.

2LP | 2024 | US | Original (Indecision)

51,99 €*

10" | 2024 | UK | Original (Feral Child)

Release: 2024 / US – Original

Genre: Rock & Indie

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One-time pressing on neon orange vinyl, Includes 70+ page booklet, Housed in gatefold jacket

Last summer, to commemorate 30 years of Indecision Records, a weekend of shows were held in the label’s adoptive hometown of Garden Grove, California. With quite a few reunions on hand as well as a line-up of bands that spanned across the label’s entire existence, the show was recorded for posterity, and now a small sampling of that is being released on this double LP collection. One track from every band that played as well as a 70+ page booklet with hundreds of photos from the weekend. This will not be pressed again.

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Neon Lemon

Hypnagogic Visions

Release: 2024 / UK – Original

Genre: Rock & Indie

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Next up on Feral Child comes the debut vinyl release from Austin Tx psych outfit NEON LEMON. Having caught the eye of label head Dom on some cool looking, local Spacemen 3 themed nights’ posters; further digging revealed this incredible, richly melodic, yet deep psychedelic beauty with -seemingly- no home for a release on wax, so it was pretty easy to step in and offer to release it.

“Hypnagogic Visions” is a superb, fuzz n’ drone drenched 6 track 10” LP in a sleeve designed by the legendary Jim Franklin (a friend of the band) who famously designed beautiful posters, flyers and gig tickets for the Elevators, Shiva’s Headband and Canned Heat amongst others, in his role as owner of the Vulcan Gas Company, a revered 60s Austin psychedelic club and concert hall.

As Ben Siebert from the band explains: “This record was mostly written and recorded in a warehouse space outside of Austin (that no longer exists) called The Inner Chamber. We tried best to capture our live sound in this space, and with most band members in a state of constant turmoil at the time of its recording, this space offered a refuge from our personal lives and a place to transcend reality through creation of this music.”

Neon Lemon blends together mind altering psychedelic sounds of the 60's with transcendent space rock of the early 70's. Finding their own balance between free form psychedelia and a mainline of roots rock and roll.

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LP | 2024 | US | Original (Enjoy The Ride)

Damned Things

Ironiclast

Release: 2024 / US – Original

Genre: Rock & Indie

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You're Gonna Miss It All Half Cloudy & Half Green Vinyl Edition

Modern Baseball

LP | 2014 | US | Reissue (Run For Cover)

I Like You A Lot Getting Older

Release: 2014 / US – Reissue

Genre: Rock & Indie

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Modern Baseball was formed in 2011 by friends and guitarists Jacob Ewald and Brendan Lukens, who were soon joined by Ian Farmer on bass and Sean Huber on drums. The band self-released their first EP The Nameless Ranger in 2011 while still in high school. Shortly after the members relocated to Philadelphia to attend college and quickly gained a strong following in the Philadelphia music community, teaming up with locals Marietta to release the Couples Therapy split in the spring of 2012. Modern Baseball released their debut full-length Sports later that year on Lame-O Records, which they self-recorded and produced. After spending the summer of 2013 touring heavily across the US, the band headed into Studio A in Philadelphia to self-record You're Going to Miss It All. Mixed by Jonathan Low at Minor Street Recordings and mastered by Will Yip, You're Going to Miss It All features 12 tracks that showcase the band's signature witty indie-pop.

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The Hard Ons

LP | 2024 | UK | Original (Cheersquard)

Release: 2024 / UK – Original

Genre: Rock & Indie

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The Hard-Ons were – still are - amazing. Musically, but also for what they were. This multi-cultural band. They were fearless. Ray and Blackie always came to Dirty Three shows in Sydney early on, and I always felt that we were somehow aligned attitude-wise. They were awesome live, with that power that only a trio can have. They also wrote the best singles! Beyond that, they always did whatever they wanted. “ – Warren Ellis (Dirty Three/Nick Cave & The Bad Seeds)

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Elected / Don't Bring Me Down (Ruby Red Vinyl)

The Loveless

7" | 2024 | UK | Original (Cadiz)

16,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Avant!)

Plastic Estate

Code D'Amour

Ivan The Tolerable & Bhajan Bhoy

Release: 2024 / EU – Original

Genre: Rock & Indie, Pop

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Plastic Estate is a contemporary synth-pop act from Wales, UK.

With an onus placed on atmosphere and refinement, the duo evoke a rich palette of romance and lustre with their polished marque of pop music.

They have garnered support from the likes of Simon Le Bon of Duran Duran, KEXP and BBC Radio, and played sold-out shows with the likes of LA Priest, Home Counties, and Real Lies, as well as playing at large regional festivals like Ritual Union and Sŵn Festival.

Having previously released a 7” and LP with Avant! Records, they are now releasing their second album on 11th October with new tracks gaining critical acclaim being added to BBC Radio Wales’s ‘Welsh A-List’.
Their sophomore album hails a new era for the act; moving away from darker sonic roots, their sound has progressed to a brighter, more polished aesthetic with fresh influences from the ‘Hi-Fi luxury’ of West Coast Sound, and the gloss of 2010s Chillwave.

What’s more, ‘Code d’Amour’ makes you wonder: What is Pop today?

For many years it has been synonymous with melody, harmony and emotions. These days it seems to be still about emotions but not very good ones, probably because the world is as ugly as it’s ever been, have you noticed?

But what about the fundamental role of popular music which is to represent and at the same time to celebrate and enforce the ties of social living? What about the good times?

Yes, there is a lot to be changed and to fight for but good vibes are not just for recreational use, they can literally build a sense of community among people. If you are looking for that kind of sound right now, you should look no further.

FFO: Talk Talk, Blue Nile, Spandau Ballet, Ian Broudie’s Care, Small Black, Alan Palomo of Neon Indian, Wild Nothing.

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Infinite Space

LP | 2024 | UK | Original (Stolen Body)

A New Day Now - 20th Anniversary

Release: 2024 / UK – Original

Genre: Rock & Indie

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Ivan The Tolerable Trio are back with an alternate version to the amazing Infinite Peace. 2 epic tracks to take you away into infinite space! "When we went in to ATA studios in Leeds to record the Infinite Peace LP - it was always the plan to have two versions of the album - a straight mix that documented what we actually recorded there in its pure form and another version that would rearrange everything into a new shape. Once the LP was out, I passed all the stems to my old pal/former bandmate and frequent collaborator Ajay Saggar (Bhajan Bhoy/King Champion Sounds/University Challenged) and asked him to remix it in a way that sounded nothing like the original record. Its a much more ambient and floaty affair - more Popol Vuh than Sun Ra a full drift spread across two 22 minute suites. This is what he did - infinite space - we hope you like it." Oli Heffernan, September 2024

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Joe Bonamassa

2LP | 2020 | EU | Reissue (Mascot Label Group)

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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2LP | 1979 | IT | Original (Harvest)

Pink Floyd

The Wall

49,99 €*

2LP | DE | Reissue (Track)

Release: 1979 / IT – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Records is close to NM. Cover has ringwear and slight discoloration.

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The Who

Quadrophenia

LP | 1976 | UK | Original (United Artists)

Release: DE – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Record is close to VG+. Cover has shelf and ring wear, no seam splits.

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Hawkwind

Roadhawks

LP | 2007 | DE | Original (Staubgold)

Release: 1976 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Record is close to NM.

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Alejandro Franov

Khali

14,99 €*

LP | 2009 | DE | Original (Contra)

Release: 2007 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Light corner damage, otherwise NM cover. Record looks barely ever played.

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Arthur And The Spooners

All Spooned Up

There's A Rhinoceros In The Mega Church

Release: 2009 / DE – Original

Genre: Rock & Indie, Reggae & Dancehall

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Used Vinyl

Medium: Near Mint, Cover: VG+

Slightly bumped bottom left corner, otherwise NM. Comes with bonus CD.

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Unicorn Ship Explosion

LP | 2024 | UK | Original (Sound)

Tape | 2024 | UK | Original (Doyenne Books)

Release: 2024 / UK – Original

Genre: Rock & Indie

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“There’s A Rhinoceros In The Mega Church” is their debut LP released on Sound Records. U.S.E. (also often expressed as Unicorn Ship Explosion, but feel free to interpret this yourself), are unfortunately two boys known to their mums as Rob & Sash. Since we last saw Rob he has been working really hard as a multi-instrumentalist. He’s almost mastered the drums (he’s even been to jazz school), and he’s near to the final chapter of piano lessons. He’s really talented. He has his own music studio where he produces & writes music for the likes of, The Staves, Holysseus Fly & other fantastic acts that are well worth a listen if you have the time. Sash (or Sasha) is a great guy. Everyone loves working with him. He’s an average musician with big ideas, which is why he uses modular synths. He has written much music for many artists you’ve probably not heard of and has collaborated with some musicians you’ve definitely heard of. He sometimes works as a sound designer for some fashion brands you can’t afford, but you wouldn’t want to wear them anyway (so don’t feel bad for not being successful enough to spend £400 on a t-shirt). Sometimes a really cool woman called, Agnieszka Szczotka, collaborates with these two loveable boys. She is a performance artist of great skill. She studied art at the Royal Academy and chose to abandon her supreme painting and sculpture skills to dedicate her life to confrontational live performance art. Big respect. Together they are Unicorn Ship Explosion (not yet known as U.S.E. as it hasn’t caught on yet). It’s a creative attempt to be in the present and not overwork music as is often the norm these days.As a result an exciting new genre is emerging from this album. The genre hasn’t a name yet, but what is certain is that A.I. can’t recreate it, and wouldn’t want to either. Let’s be human together and accept and appreciate we can’t always be great. Enjoy the good moments with the bad. And together, yes together, you the reader and us(e) your new best friends, shall show A.I. that humanity is beautiful.

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Bios Contrast

Red River

15,99 €*

LP | 2024 | UK | Original (Nine X Nine)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Kolkata-based musician Nilotpal Das aka Bios Contrast's new album 'Red River', arrives as a narrative sequel to his 'Dragon Rising' LP on Hong Kong DIY label Mouhoi. The concept behind the record is a speculative historical drama and myth taking place during the deadly Kalinga War in the Mauryan Empire of India.

Following his intensive 24-hour harmonium drone compositions, Das's 'Red River' uses recordings of Bell 407, a civil utility helicopter as the main body of the record together with a 47-year-old harmonium, field recordings at Chandraketugarh, custom built woodwind prototype instruments together with guitar, violin & vocal improvisations.

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The Room

The Telling

27,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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Liverpool post-punk pioneers The Room are back with a new album. Theirs is a melodic blend of progressive, alternative pop and sultry post-punk, which is just as fresh and relevant now as it was when they first broke up in 1985. Firm favourites of the late, great John Peel; they have been compared to Joy Division, The Fall and fellow Liverpool band Echo & the Bunnymen.

Following 2023’s warmly recieved ‘Restless Fate’ is new album ‘The Telling’. Consisting of 11 songs that tell a continuous folk-horror story set in a mythical 17th-century European forest. A traveling storyteller mesmerizes an isolated village with macabre tales of wonder, mystery, and the supernatural. The idea was conceived as an aural movie told in self-contained songs that represent chapters in a complete narrative and has no lyrical choruses that repeat its themes. The album comes with a full lyric sheet influenced by the layout of the Guttenberg Bible. Frontman and lyricist Dave Jackson’s interest in folklore and myths is absolutely apparent, the story is effortlessly conveyed through his spirited yet acerbic vocals. The album features: the welcome return of original The Room drummer Clive Thomas and his fluid open-handed drumming; the haunting backing vocals of Helena Jacks; founder-member Becky Stringer (bass guitar); Ethan Kyme (keyboards); Darren Brown (guitar). A magical sonic adventure for fans of 80s post-punk and folk-horror aesthetics.

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LP | 2024 | JP | Original (Fivelater / Lawson Entertainment, Inc.(Hmv Record Shop))

Odotte Bakari No Kuni

On The Shore

40,99 €*

Release: 2024 / JP – Original

Genre: Rock & Indie

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"On the Shore," the latest full-length album by Odotte Bakari no Kuni, is now complete and set for release on vinyl. It features 10 tracks, including live-performed songs like "Kyoudai" and "ZION," as well as a re-recorded version of the early track "Muk

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CD | 2024 | JP | Original (AWDR/LR2)

Satoko Shibata

My Favorite Things

Release: 2024 / JP – Original

Genre: Rock & Indie

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The acoustic version of "Your Favorite Things," titled "My Favorite Things," has been announced by solo artist Satoko Shibata. This release features ten tracks in acoustic versions, co-produced by Takuro Okada, and recorded at Ideal Music Fabrik studio.

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CD Box | 2024 | UK | Original (August Day)

Berlin

Strings Attached

47,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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King Gizzard & The Lizard Wizard

Acoustic Gizzard - Live In Detroit 2024

LP | 2025 | US | Original (Reverberation Appreciation Society)

55,99 €*

Release: 2025 / US – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Thump)

Thee Midniters

Greatest

55,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | CA | Original (Mac's Record Label)

Johns.Daryl

Daryl Johns

30,99 €*

Release: 2024 / CA – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Baroque Folk)

Susanna Hoffs

Lost Record

Release: 2024 / US – Original

Genre: Rock & Indie

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Sharon Van Etten & The Attachment Theory Amber Galaxy Vinyl Edition + Laptop Sticker

Sharon Van Etten

LP | 2025 | US | Original (Jagjaguwar)

30,99 €*

Sharon Van Etten & The Attachment Theory Amber Galaxy Vinyl Edition

Release: 2025 / US – Original

Genre: Rock & Indie

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Awareness Edition: Amber Galaxy Vinyl + Laptop Sticker.From the off, Sharon Van Etten & The Attachment Theory issonically different from Van Etten's previous work. Writing andrecording in total collaboration with her band for the first time,Van Etten finds the freedom that comes by letting go. The resultof that liberation is an exhilarating new dimension of sound andsongwriting. The themes are timeless, classic Sharon - life andliving, love and being loved - but the sounds are new, whollyrealized and sharp as glass.Reflecting on this new artistic frame of mind, Van Etten muses,"Sometimes it's exciting, sometimes it's scary, sometimes you feelstuck. It's like every day feels a little different - just being at peacewith whatever you're feeling and whoever you are and how yourelate to people in that moment. If I can just keep a sense ofopenness while knowing that my feelings change every day, thatis all I can do right now. That and try to be the best person I can bewhile letting other people be who they are and not taking itpersonally and just being. I'm not there, but I'm trying to be thereevery day."Sharon Van Etten & The Attachment Theory is a quantum leap inthat direction.- Lol Tolhurst

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Sharon Van Etten

LP | 2025 | US | Original (Jagjaguwar)

30,99 €*

LP | 2025 | EU | Original (FatCat)

Release: 2025 / US – Original

Genre: Rock & Indie

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Awareness Edition: Amber Galaxy Vinyl.From the off, Sharon Van Etten & The Attachment Theory issonically different from Van Etten's previous work. Writing andrecording in total collaboration with her band for the first time,Van Etten finds the freedom that comes by letting go. The resultof that liberation is an exhilarating new dimension of sound andsongwriting. The themes are timeless, classic Sharon - life andliving, love and being loved - but the sounds are new, whollyrealized and sharp as glass.Reflecting on this new artistic frame of mind, Van Etten muses,"Sometimes it's exciting, sometimes it's scary, sometimes you feelstuck. It's like every day feels a little different - just being at peacewith whatever you're feeling and whoever you are and how yourelate to people in that moment. If I can just keep a sense ofopenness while knowing that my feelings change every day, thatis all I can do right now. That and try to be the best person I can bewhile letting other people be who they are and not taking itpersonally and just being. I'm not there, but I'm trying to be thereevery day."Sharon Van Etten & The Attachment Theory is a quantum leap inthat direction.- Lol Tolhurst

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Heavy Lungs

Caviar

28,99 €*

Release: 2025 / EU – Original

Genre: Rock & Indie

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Sharon Van Etten & The Attachment Theory Black Vinyl Edition

Sharon Van Etten

LP | 2025 | US | Original (Jagjaguwar)

LP | 2025 | UK | Original (Soul Jazz)

Release: 2025 / US – Original

Genre: Rock & Indie

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From the off, Sharon Van Etten & The Attachment Theory issonically different from Van Etten's previous work. Writing andrecording in total collaboration with her band for the first time,Van Etten finds the freedom that comes by letting go. The resultof that liberation is an exhilarating new dimension of sound andsongwriting. The themes are timeless, classic Sharon - life andliving, love and being loved - but the sounds are new, whollyrealized and sharp as glass.Reflecting on this new artistic frame of mind, Van Etten muses,"Sometimes it's exciting, sometimes it's scary, sometimes you feelstuck. It's like every day feels a little different - just being at peacewith whatever you're feeling and whoever you are and how yourelate to people in that moment. If I can just keep a sense ofopenness while knowing that my feelings change every day, thatis all I can do right now. That and try to be the best person I can bewhile letting other people be who they are and not taking itpersonally and just being. I'm not there, but I'm trying to be thereevery day."Sharon Van Etten & The Attachment Theory is a quantum leap inthat direction.- Lol Tolhurst

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Brown Spirits

Cosmic Seeds

31,99 €*

Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition

Release: 2025 / UK – Original

Genre: Rock & Indie

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Unbelievably killer and super, super heavy brand-new Psyche/Krautrock album coming out of nowhere from Brown Spirits, new on Soul Jazz Records!Brown Spirits are from Melbourne, Australia. Their stripped down and tight musical unit is a trio (think Cream or Hendrix!) of raw bass, drums and shared guitar/keyboards meets the D-I-Y attitude and punk/post-punk intensity, giving them a unique hi-octane sound. Sounds like Can meets Hawkwind!

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V.A.

2LP | 2024 | US | Original (Light In The Attic)

58,99 €*

Khaled Barkat, Cheb Tati & Asif

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”

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Maghreb K7 Club - Disco Singles Volume 3

12" | 2024 | EU | Original (Sofa / Les Disques Bongo Joe)

Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Here's the third installment of Sofa Records' Disco Single series! Featuring four standout tracks from Algeria's 1980s music scene, this collection showcases the cultural diversity and creativity of the country. Listen here. Galouli Enshara (a1) and Zourini (b1) are two captivating pop-boogie-funk tracks by Khaled Barkat, a self-taught multi-instrumentalist from Algiers. Produced by Khaled himself in 1983, and recorded at the esteemed brothers Torki’s studio in Algiers along with his friends—and talented musicians —Yazid Fentazi, Redouane Ayoub, Mustapha Mekerkeband Mhenni Benlala. The album, if he had a certain success (Khaled Barkat is considered as a pop music iconin his country)was somewhat overshadowed by the popularity of other genres in Algeria, such as raï music. We're thrilled to put if for the first time on vinyl! And spread this music to a wider audience. Dub El Hammam (a2) is by raï vocalist Cheb Tati, hailing from Oran. In the 1980s, as raï gained recognition in the global music industry, Tati was brought to London in 1989 to record an album with reggae/dub producer Denis Bovell. Among other tracks, this heavy, top-notch 1980s digital dub track resulted from their collaboration. Last but not least, the final track on the single is sourced from the only known recording of Asif, a Kabyle band from Lille formed by three brothers. The band was created in the late 1970s, and the selected track, Tafsut (b2), was recorded in 1985. A beautiful pop-boogie tune that we considered a marvelous conclusion to this single. This record was made in collaboration with Les Disques Bongo Joe. All tracks are fully licensed.

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V.A.

2LP | 2024 | US | Original (Light In The Attic)

53,99 €*

2LP | 2024 | US | Original (Many Hats)

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic, in cooperation with Laurie Anderson and the Lou Reed Archive, is thrilled to announce the forthcoming release of Why Don’t You Smile Now: Lou Reed at Pickwick Records 1964-65. Due out September 27th, the latest installment in LITA’s critically acclaimed Lou Reed Archive Series is a compilation of pop songs penned by Reed during his mid-60s stint as a staff songwriter for the long-defunct label Pickwick Records. The compilation follows on the heels of Lou Reed’s Hudson River Wind Meditations (2023) and Words & Music, May 1965 (2022).

One of the most original and innovative figures in music history, Reed (1942-2013) first gained recognition as co-founder and frontman of the massively influential Velvet Underground. Over the course of his five-decade career, the two-time Rock & Roll Hall of Famer brought his singular vision to an eclectic expanse of musical endeavors, including era-defining albums like 1972’s Transformer and wildly experimental works like the 1975 avant-garde noise classic Metal Machine Music. But before establishing himself as an enduringly iconic singer, songwriter, musician, and poet, Reed got his start as an in-house songwriter (and occasional session guitarist/vocalist) for Pickwick Records—a label specializing in sound-alike recordings that emulated the major pop hits of the day. Encompassing everything from garage-rock and girl-group pop to blue-eyed soul and teen-idol balladry, Reed’s output for Pickwick ultimately offers a fascinating early glimpse at his ever-evolving and truly limitless artistry.

The album has been restored and remastered by GRAMMY®-nominated mastering engineer John Baldwin. Both the 2xLP & CD editions feature in-depth booklets with unseen photos, liner notes by Richie Unterberger (renowned music journalist and author of such acclaimed titles as White Light/White Heat: The Velvet Underground day-by-day), and an essay by Lenny Kaye (the legendary guitarist, Patti Smith Group co-founder, writer, producer, and curator of seminal garage-rock anthology Nuggets). The double-LP package is designed by multi-GRAMMY®-winning artist Masaki Koike and pressed at world-renowned plant Optimal (Germany). A special color vinyl edition is pressed on “Oxblood” wax (a/b side) and “Gold” wax (c/d side). This release marks the first official anthology of Lou Reed’s work for Pickwick Records and features rarities, cult classics (The Primitives’ “The Ostrich”), & previously unreleased material (The Beachnuts’ “Sad, Lonely Orphan Boy”).

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Los Campesinos!

All Hell

38,99 €*

Agaetis Byrjun Vinyl Me, Please Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Lunar Rays Vinyl. Double LP. Limited colourway, 1000 copies worldwide. The UKs first and only emo band Los Campesinos! Return with their highly-anticipated seventh album, All Hell. It is perhaps their most ambitious and assured album yet, whilst simultaneously recalling everything we've come to love about LC! #over their faultless discography. Recorded between October 2023 and February 2024, it is the first album to be wholly self-produced by band member Tom Bromley (having co-produced previous albums Sick Scenes and NO BLUES). The album is also self-released on the bands own Heart Swells record label. In the bands words All Hell is an album about Drinking for fun and drinking for misery // adult acne // adult friendship // football // death and dying // love and sex // late-stage capitalism // Orpheus // day dreaming // night terrors // the heart as an organ and as a burden // Tears of the Kingdom // the punks on the playlist // increments of time // climate apocalypse // the moon the moon the moon///

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Sigur Ros

2LP | 1999 | US | Reissue (Vinyl Me, Please)

43,99 €*

Quicksand Transculent Orange Vinyl Edition

Release: 1999 / US – Reissue

Genre: Rock & Indie

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Lasting two seconds short of 72 minutes, Ágætis byrjun was a seismic shift from their previous record, Von: more melody, drama and tone, more accessible and anthemic. Twenty-one years after its release, it hasn’t remotely dated, lacking any relationship to grunge, industrial, ambient, pop or any other genre — not even Godspeed You! Black Emperor and Mogwai, points of comparison that cropped up in reviews. Perhaps the album’s unique DNA is simply Iceland’s environment, the community, the people. This, after all, was not a band, just music. Or just, perhaps, a force of nature. And like the aftermath of a hurricane, the landscape out there is very rarely the same again.

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Quicksand

7" | 1990 | US | Reissue (Reveleation)

13,99 €*

And Then There Was Ruby Red With Lemon Yellow Swirl Vinyl Edition

Release: 1990 / US – Reissue

Genre: Rock & Indie

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The debut, self-titled release from New York City’s Quicksand came out in 1990 and is the 18th release from Revelation Records. It includes four songs including an instrumental entitled “Hypno Jam With Dan”. Frontman/ guitarist Walter Schreifels, the main creative force behind Gorilla Biscuits and bassist for Youth OF Today, assembled the band’s lineup from his dissolved project called Moondog. Guitarist Tom Capone had founded Long Island’s Beyond, and had previously played in Bold, writing their album Looking Back. Drummer Alan Cage had been in Burn and played with Capone in Beyond. Bassist Sergio Vega arrived from the short-lived Collapse and a later incarnation of Absolution.

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Chubby And The Gang

LP | 2024 | US | Original (Flatspot)

34,99 €*

The Doldrums (Friendly City) Blue Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Charlie Manning is Chubby AND THE Gang. The 30-something-year-old born-and-bred Londoner kicked off the project in 2019 with the intention of blending hardcore punk with the most infectious elements of ’70s rock ‘n’ roll and doo-wop. Charlie brought in a “gang” of rotating instrumentalists performing on the albums Speed Kills (2020) and The Mutt’s Nuts (2021), both released through Partisan Records. Fast forward to now, and for the release of the upcoming album And Then There Was..., Chubby AND THE Gang joins long-running hardcore label Flatspot Records. The album is 16 songs written and performed by Charlie, produced by Jonah Falco, and recorded and mixed by James Atckinson. It’s a mix of control and chaos, love and loneliness, rage and vulnerability. The songs scream to be heard in a live setting, but feel just as at home playing over the speakers of a dimly lit local pub. “There’s A Devil In The Jukebox” is a roaring punk track. “The Bonnie Banks” storytelling nature leads to repetitive refrain that is begging to be shouted along with. There’s the raucous and simply put “Anticop.” An expansive, drawn-out moment of facing mortality on “To Fade Away.” And the record ends with an emotive piano ballad in “Cocaine Sunday.” Throughout And Then There Was..., Charlie exposes his prowess for melody and exposition of true self.

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Ceremony

7" | 2021 | US | Original (Bridge Nine)

11,99 €*

Tennessee Fire: 20th Anniversary Blue Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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A new Ceremony 7” single to help commemorate 10 years of their landmark album Rohnert Park. Rohnert Park cemented Ceremony’s legacy as a once-in-a-generation California punk band, and indeed one of the all-time great, quintessentially California bands, period. It’s no wonder that, ten years on, its reputation has only grown. This 7” single features “The Doldrums (Friendly City)” on side A and an unreleased track unearthed from the original Rohnert Park recording session on side B.

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My Morning Jacket

3LP | 2024 | US | Original (Darla)

59,99 €*

LP | 1978 | DE | Original (Reprise)

Release: 2024 / US – Original

Genre: Rock & Indie

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Darla Records is happy to offer a 20th anniversary deluxe, expanded edition of The Tennessee Fire, the debut album by My Morning Jacket with 16 previously unreleased bonus tracks selected from the archives by Jim James. In February, 1999, Darla Records received a charming Valentine's Day love letter with artwork and 4-track cassette tape demo in the mail from Jim James with the very first My Morning Jacket recordings. Early one Sunday morning, I popped the tape in and fell instantly in love. I could not find the accompanying letter with contact info! Chandra soon found it after I raved at her that she must get out of bed come hear what I was hearing. I called Jim and we began to plan the work. Weeks later, after we'd established a track list, including four songs re-recorded in a real studio, and had artwork together for a debut album, I thought to myself, "I really love this. There's nothing like it in the marketplace. I hope it can sell 1500." And the rest is history. - Mr. Darla Limited edition red vinyl 3xLP in triple gatefold with 16 previously unreleased bonus tracks. Clearwater Blue Vinyl.

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Neil Young

Comes A Time

13,99 €*

LP | 1977 | EU | Reissue (Munster)

Release: 1978 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Both cover and record are really close to NM.

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The Zeros

Don't Push Me Around

Bubble Tea And Cigarettes

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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The Zeros is a pioneer punk rock band formed in 1976 in Chula Vista, California. Comparisons with The Ramones are often made when describing the energetic and fierce guitar driven sound of the group. The first singles recorded by the band instantly catapulted The Zeros into a top draw on the local scene and have become legendary. Unfortunately, the band never cut an album during these days.Their debut single was released in 1977 on Greg Shaw's very own Bomp! Records. It included 'Don't Push Me Around' and 'Wimp', two of the greatest punk rock songs of all time, both written by Javier Escovedo. It was followed by another single in 1978, "Wild Weekend" and a third one in 1980, "They Say That (Everything's Alright)". This release compiles all their early singles, some rare tracks (including the previously unreleased 'Left to Right') and songs taken from a 1978 live show. Munste is thrilled to reissue this essential '80s power pop gem as part of a series of releases celebrating Bomp! 50th anniversary.

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We Should've Killed Each Other

LP | 2024 | US | Original (Lauren)

Corridos De Los Felix Y Los Quintero Vinyl Me, Please Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Seattle based duo Bubble Tea and Cigarettes is known for their dreamy, massive soundscape and emotionally charged lyrics. Featuring Kat’s angelic, whispering vocals and Andi’s masterful songwriting and production, their music can be described as atmospheric, psychedelic, bittersweet, and nostalgic, often accompanied by emotionally charged their music make people shed tears but heal at the same time, connecting deeply with fans around the globe. Their unique sound has resonated worldwide - their debut album, “There’s Nothing But Pleasure,” immediately drew in those seeking healing and solace through music. The album’s success was marked by thousands of vinyl and CD sales, over 20 million streams across platforms, and a sold-out 14-stop US & Asia tour, with venues as large as 600 capacity. This success demonstrated how their art captured listeners' hearts worldwide, despite their predominantly DIY approach. With a new album titled "we should’ve killed each other" set for release on November 1, 2024, and a planned tour featuring large festivals and venues, Bubble Tea and Cigarettes continues to bridge the gap between artful indie and commercial pop, capturing listeners' hearts worldwide.

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Chalino Sanchez

LP | 2002 | US | Reissue (Vinyl Me, Please)

LP | 2011 | US | Reissue (Warner)

Release: 2002 / US – Reissue

Genre: Rock & Indie

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Like the words of a hit song, the story of Chalino Sánchez’s life has been repeated over and over again, as well as the theories about who killed him and why; more than 30 years later, fans and reporters still obsessively analyze the clues. Corridos de los Félix y Los Quintero features songs that were not played on the radio, nor were they of commercial interest to any major label during Sánchez’s lifetime. It wasn’t until a decade after his death that they were compiled by the powerhouse Mexican label Musart Records for CD, copies of which are now collector-coveted as well. Here, they appear on vinyl for the very first time.

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The Grateful Dead

44,99 €*

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

2x12" | 2013 | Original (Matador)

...Like Clockwork

Release: 2013 / Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

2LP | 2020 | EU | Original (Ear Music)

Al Di Meola

Across The Universe

44,99 €*

LP | 2023 | DE | Original (Glitterbeat)

Release: 2020 / EU – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

180 gram vinyl. Original inner sleeves included. Front cover signes by artist.

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Altin Gün

Aşk

An Autumn For Crippled Children

Release: 2023 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Red Vinyl Edition.
Small light scuff on side A.
Record is slightly warped but still enjoyable.

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Try Not To Destroy Everything You Love

LP | 2019 | EU | Original (Prosthetic)

...And You Will Know Us By The Trail Of Dead

Release: 2019 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Limited White Vinyl Edition.
Still shrink wrapped but opened.
Includes original insert.
Record is slightly warped but still enjoyable.

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Source Tags & Codes

LP+LP+All Media | 2017 | US | Reissue (Interscope)

LP | 1983 | DE | Reissue (Elektra)

Release: 2017 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Both cover and records super close to NM.

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The Doors

Release: 1983 / DE – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

2LP | 2021 | UK | Original (Weird World)

Richard Dawson & Circle

Henki

44,99 €*

LP | 1986 | EU | Reissue (Munster)

Release: 2021 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Exclusive limited light green double LP in spined gloss UV sleeve which comes with an exclusive embroidered Henki patch!

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The Primates

We Are The Primates

Moving Fast!!! Selected Recordings 77/79

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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This 1986 album by The Primates remain as the only recording ever released by these four 60s r&b and garage fans. Originally published on Greg Shaw's very own Voxx (Bomp! sublabel focused on revival garage/psychedelia) and produced by Shaw himself, this valuable musical document that portraits the essence of the L.A. 80s garage scene, has been out of print for more than 20 years! So we thought it would be a perfect record to reissue as part of our Bomp! reissue series. The Primates were formed in 1984 and cut their teeth at L.A. spots such as the Cavern Club, as part of a growing scene of devoted Nuggets/Pebbles fans, fascinated with 1960s garage punk classics. The core of the band were Brett Miller and Ted Edlefsen, sporting Vox guitars, and Erik Bluhm as front man, with different drummers, mostly Brian Corrigan but then also Eric from Threw the Looking Glass and Gene from The Miracle Workers. The opener 'I Ain't Like You', 'Bad Luck' or the fun cover of Neil Sedaka's 'I Go Ape' reflect the wild, party-driven mood of the entire album, making you wonder how crazy their shows were in the golden era of the L.A. 80s garage scene. Combining originals and versions (check their great take on Q65's 'I Got Nightmares'), "We Are The Primates" remains as a wild, raw, party album that every fan of garage music should own. Munster is thrilled to reissue this essential '80s garage gem as part of a series of releases celebrating Bomp! 50th anniversary. Our issue includes a booklet with liner notes and rare photos and ephemera.

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The Accelerators

LP | 2024 | EU | Original (Beat Generation)

20,99 €*

LP | 2024 | EU | Original (Beast)

Release: 2024 / EU – Original

Genre: Rock & Indie

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The only EP (and more studio recordings!) by one of the first 77 punkrock bands from Liverpool.Released in 1979 and long out of print, The Accelerators S/T EP was the only vinyl output released by this pioneering Liverpool punkrockin' band. A soulful, prime example of from pubrocl originating first wave punk that sounds as fresh and powerful today as the day it was recorded and is presented here in its totality with a B side consisting of juicy demos and alternative mixes. A mandatory gem for fans of garage rock, punk, pub rock and hi-energy rock 'n' roll in general!

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Dion Lunadon

Memory Burn

LP | 2009 | EU | Original (Young Turks)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Dion Lunadon (THE D4, A PLACE TO BURY STRANGERS...) is a musician who writes, performs and records his own rock 'n' roll records. Born in New Zealand and residing in New York City he has a 4 piece band who TCB live. Raw, real and off the chain! The art on the jacket of the record is unique, as both the front and back side serve as the front cover, or back cover. Confused?! Snag a copy and untwist your brain!

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The xx

At The End Of Paths Taken

Release: 2009 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Sealed copy!

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Cowboy Junkies

LP | 2021 | DK | Reissue (Wouldn't Waste)

14,99 €*

2LP | 2019 | EU | Reissue (Reprise)

Release: 2021 / DK – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG

Record Store Day 2021 Edition on brown vinyl! Cover with bent corner!

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Green Day

American Idiot

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

LP | 2007 | UK | Reissue (4AD)

Bon Iver

For Emma, Forever Ago

Release: 2007 / UK – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2009 | US | Reissue (Reprise)

Green Day

Dookie

Release: 2009 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

2LP | 2016 | EU | Reissue (Virgin EMI)

The Verve

Urban Hymns

36,99 €*

Release: 2016 / EU – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

Sealed copy!

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LP | 2008 | EU | Reissue (Interscope)

Release: 2008 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2009 | US | Original (XL)

The xx

14,99 €*

LP | 2014 | US | Original (4AD)

Release: 2009 / US – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: G

Die cut cover is torn. Original inner sleeve. With poster.
Record is close to NM.

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Future Islands

Singles

Release: 2014 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

2x12" | 2013 | Original (Matador)

...Like Clockwork

Release: 2013 / Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

2LP | 2013 | EU | Reissue (Epic)

Incubus

Morning View

27,99 €*

2LP | 2017 | EU | Original (Xo)

Release: 2013 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Cover with tiny tear at opening side.
Records have some hairlines.

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The Weeknd

Starboy

36,99 €*

LP+CD | 2012 | EU | Original (Young Turks)

Release: 2017 / EU – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

Red translucent vinyl Sealed copy!

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The xx

Coexist

28,99 €*

Release: 2012 / EU – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

Roll It Out Vinyl Me, Please Edition

The Deslondes

LP | 2024 | US | Reissue (Vinyl Me, Please)

Feel Good Vinyl Me, Please Edition

Release: 2024 / US – Reissue

Genre: Rock & Indie

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The Deslondes are a five-piece group of dudes from New Orleans. The band splits up songwriting and lead vocal duties among its five members, continuing its democratic ethos and musical versatility. Now, with their latest record, Roll It Out the band continues to build on their inventive take on New Orleans country and R&B. Roll It Out finds the band leaning on the country-folk of their debut along with the sometimes-psychedelic, electrified gospel-soul sound of their previous records. The sound will continue to draw comparisons to the country-funkiness of The Band, Link Wray, and others but Roll It Out is the sound of a band that understands the history of American music, while embracing their own contemporary approach.

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Jamie Wyatt

LP | 2024 | US | Reissue (Vinyl Me, Please)

Revival Vinyl Me, Please Edition

Release: 2024 / US – Reissue

Genre: Rock & Indie

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Jaime Wyatt's third studio album Feel Good, recorded with Black Pumas' blurs the lines between classic roots, southern soul, and vintage R&B. "A lot of us grow up feeling like we have to hide who we are just to be accepted, but that comes from a place of fear and judgment,” Wyatt explains. “I wrote these songs as a way of letting go of all that, as permission to feel good."

Limited to 500 copies, the VMP exclusive version of Jaime Wyatt's Feel Good is pressed on White vinyl at The Vinyl Lab. The 1LP will arrive in a gatefold, direct-to-board, foil-stamped and numbered jacket. It was mastered by Pete Lyman at Infrasonic Mastering.

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Annahstasia

LP | 2024 | US | Reissue (Vinyl Me, Please)

LP | 2021 | EU | Original (Kat Von D)

Release: 2024 / US – Reissue

Genre: Rock & Indie

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Revival is a folk EP showcasing Annahstasia’s uncompromising vision, recorded live by the artist and her band over a one-week period in a Joshua Tree Airbnb. She sought a DIY recording experience in order to center the ‘’human aspect'' of her music, something she was missing in her previous work — like the less stripped-back collaborative album Sacred Bull she made with Jay Cooper (which led to her opening for Lenny Kravitz throughout Europe in 2019).

‘’Folk as a genre is rooted around the essentials, there’s no fluff, there’s just the expression of your life experience in your standing and the world and your cultural viewpoint,'' Annahstasia said in an interview with VMP. ‘’I’m borrowing aspects from places that I might not even know that are just subconsciously in my space that to me elicit power, strength, this feeling of capability and warmth. All of those things symbolize power to me, so when I’m making my music as a folk artist, my folk music is directionally guided, inspired and motivated by making people and myself feel empowered.''

Each song on Revival, recorded in a single take, is driven by that self-determination and goal of empowerment. As the title implies, it’s a sort of rebirth for the artist, whose name even translates to ‘’resurrection'' in Greek. The result is a stunning and serendipitous project built to stand the test of time.

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Kat Von D

Love Made Me Do It

Release: 2021 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Meaty, Beaty, Big & Bouncy

The Who

LP | 1971 | EU | Reissue (Polydor)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

It Won/t Be Like This All The Time

The Twilight Sad

2LP | 2019 | EU | Original (Rock Action)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Bruce Springsteen & The E Street Band

Hammersmith Odeon, London '75

2LP | 2017 | EU | Original (Columbia)

34,99 €*

Release: 2017 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Small light scuff on side 2, the rest is VG+.
Includes original inner sleeves.

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2LP | 2021 | UK | Reissue (Matador)

...Like Clockwork

66,99 €*

Release: 2021 / UK – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

White vinyl version! Still sealed!

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Like Clockwork Opaque Red Vinyl Edition

2LP | 2013 | EU | Reissue (Matador)

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

LP+CD | 2012 | DE | Original (Tapete)

Me And Cassity

Appearances

5,99 €*

The Golden Age Of Rock 'N' Roll

Release: 2012 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Top left corner is damages, otherwse NM. Record is super close to NM.

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Mott The Hoople

2LP | 2019 | UK | Reissue (Madfish)

2LP | 2018 | US | Original (Hub)

Release: 2019 / UK – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Orange vinyl vesion! Cover is close to NM!

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Dawes

Passwords

LP | 2021 | SE | Reissue (Black Star Foundation)

Release: 2018 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Clear vinyl. Tiny top left corner bump. Records look like new.

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Atlas Losing Grip

Shut The World Out

LP | 2023 | EU | Original (Hayk)

Release: 2021 / SE – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Limited Turquoise Vinyl Edition.
Record is slightly warped but still enjoyable.
Includes original insert.

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Musa Dagh

No Future

LP | 2012 | EU | Reissue (Proper)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Turquoise Vinyl Edition.
Still shrink wrapped but opened.
Cover with a beginning seam split at the upper edge.

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Ten Years After

Stonedhenge

LP | 2019 | EU | Original (4AD)

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Cover with a beginning seam split at the upper edge.
Record is slightly warped but still enjoyable.

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Gene Clark

No Other

23,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2022 | UK | Original (Back On Black)

Jungle Rot

War Zone

Album | 2013 | US | Original (Translation Loss)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Red Vinyl Edition.
Still shrink wrapped but opened.
Cover with a beginning seam split at the upper edge.
Record is close to VG+.

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Mouth Of The Architect

Dawning

Shiny And Oh So Bright - Vol.1 / LP - No Past, No Future, No Sun

Release: 2013 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Metallic gold coloured vinyl. Insert included.

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The Smashing Pumpkins

LP | 2018 | Original (Napalm)

28,99 €*

Between The Buried And Me

Release: 2018 / Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Light corner damage, otherwise NM. Booklet included.

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The Parallax II: Future Sequence

2LP | 2021 | EU | Reissue (Metal Blade)

59,99 €*

2LP | 2021 | EU | Original (Weird World)

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Violet with black and white splatter vinyl version!

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Richard Dawson & Circle

Henki

39,99 €*

LP | 1979 | UK | Original (Automatic Record Co.)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Sealed copy!

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Doll By Doll

Remember

6,99 €*

Release: 1979 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1990 | UK | Original (Island)

The Christians

Colour

3,99 €*

Original Sun Sound Of Johnny Cash

Release: 1990 / UK – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Minor writing on back cover.

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Johnny Cash

LP | 2024 | US | Original (Sun)

32,99 €*