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Ian Dury & The Blockheads - Ten More Turnips From The Tip 20th Anniversary Remaster Record Store Day 2022 Vinyl Edition
Ian Dury & The Blockheads
Ten More Turnips From The Tip 20th Anniversary Remaster Record Store Day 2022 Vinyl Edition
LP | 2002 | UK | Reissue (BMG)
31,99 €*
Release: 2002 / UK – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
We’re celebrating the 20th Anniversary of the fourth and final studio album by IAN Dury & THE Blockheads. TEN More Turnips From THE TIP was first compiled and released in 2002, two years past Ian Dury’s passing in 2000. For the first time ever this album is being released on vinyl, exclusively for Record Store Day 2022. The album has been remastered for the occasion and is being released not just on vinyl, but on white vinyl!
Motorpsycho - Neigh!!
Motorpsycho
Neigh!!
LP | 2024 | EU | Original (Det Nordenfjeldske Grammofonselskab)
33,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
There are songs that makes friends with anyone and do great at parties, doling out compliments left, right and center. And then there are those songs that just don’t seem to fit in, songs that knock over glasses and makes awkward comments to the host as they stubbornly refuse to adapt and adjust to whatever larger setting you needed them to work in; these are songs that seemingly insist on remaining outside your control no matter how many stylistic or production tricks you try to pull.

Usually, for a band such songs eventually fall by the wayside, are left behind or butchered for parts a few years later. But sometimes quite a few of them show up at the door, at the same time, unruly & ready to shake things up a bit. Sometimes there is trouble.

These are the songs that makes up Neigh!!* Not merely a companion piece to last year’s Yay!, not a collection of B-sides or simply leftovers from that same period, but a reaction, a party for those not invited to parties, consisting of troubled, sometimes weirdly clothed outcasts that refused to go away and instead languidly found their place in the post-plague world while the tunes from Yay! were being pampered and sing-along’ed by band and fans alike.

So, then, it’s not a Nay! These songs care not that the band didn’t notice their potential at first. They know who they are, what their purpose is and what they’re capable of. They proudly wear their ‘lo-fi/no-fi’ and ‘recorded in rehearsal room/home studio’ as embroidered patches on jackets you only now realize are pretty cool. Granted, they had a tough upbringing, some of them come from broken homes and they learned the hard way to ‘Turn a frown upside down’, but here they are, together + strong!

Neigh!! is an album of ‘songs that won’t fit on an album’ – the non-concept of all concepts – a home for strays and runaways perhaps, but more importantly a bunch of tunes Motorpsycho are finally happy with, that found their purpose and now have a home: songs that the band are proud to finally being able to present to the world.

- Dr. Th. Kneipp
The Cold Stares - The Southern - Limited Edition Marble Clear Vinyl Edition
The Cold Stares
The Southern - Limited Edition Marble Clear Vinyl Edition
LP | 2024 | EU | Original (Mascot Label Group)
26,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Sacred Skin - Born In Fire
Sacred Skin
Born In Fire
2LP | 2024 | EU | Original (Midnight Mannequin)
35,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie, Pop
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Sacred Skin is back! Their sophomore album Born in Fire hits turntables everywhere September 2024. Pre-order now to reserve your copy! This latest effort builds off the band’s full-length debut (2022’s The Decline of Pleasure) and takes their sound to a completely new level. Painting a blackened, dystopian vision of life in modern-day Los Angeles, Born in Fire is a movie soundtrack inspired by a forgotten era. Anthemic pop music steeped in romanticism and melancholy and drenched in layers upon layers of new wave nostalgia. For fans of ’80s soundtracks, Tangerine Dream, INXS, Depeche Mode, and New Order.

Midnight Mannequin Records is proud to present this deluxe pressing of Born in Fire on 2xLP colored vinyl and housed in a gatefold jacket, complete with OBI strip.
Velvet Underground - Loaded Atlantic 75 Series
Velvet Underground
Loaded Atlantic 75 Series
2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)
86,99 €*
Release: 2023 / US – Reissue
Genre: Rock & Indie
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180g 2LP 45rpm

Analogue Productions (Atlantic 75 Series)
Celebrating the 75th Anniversary of Atlantic Records!
Final Velvet Underground album featuring founding member and songwriter Lou Reed
180-gram 45 RPM double LP
Pressed at Quality Record Pressings
Tip-on old style gatefold double pocket jacket by Stoughton Printing

After The Velvet Underground cut three albums for the jazz-oriented Verve label that earned them lots of notoriety but negligible sales, the group signed with industry powerhouse Atlantic Records in 1970.

Label head Ahmet Ertegun supposedly asked Lou Reed to avoid sex and drugs in his songs, and instead focus on making an album "loaded with hits." Loaded was the result. It was the group's swan song, with Reed leaving the group shortly before its release. With John Cale long gone from the band, Doug Yule highly prominent (he sings lead on four of the ten tracks), and Maureen Tucker absent on maternity leave, this is hardly a purist's Velvet Underground album. Still, AllMusic gives the album 5 Stars and Pitchfork calls it a "perfect rock 'n' roll record — 40 minutes long, five songs to a side, and not a single wasted note."

Loaded is the sort of proper album that feels like a greatest hits collection, with each track thoroughly inhabiting and mastering a dominant rock archetype. Although the songs "Sweet Jane" and "Rock & Roll" distinguished the band as a "seminal proto-punk" act, "The trifecta of 'Who Loves the Sun,' 'Sweet Jane' and 'Rock & Roll' is among the best three-song openings on any rock and roll record," wrote Paste contributor Jeff Gonick

Analogue Productions has given Loaded the deserving full reissue treatment: Pressed on 180-gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
Quicksand - Distant Populations Red & Yellow Splatter Vinyl Edition
Quicksand
Distant Populations Red & Yellow Splatter Vinyl Edition
LP | 2021 | EU | Original (Epitaph)
27,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Distant Populations, just the fourth full-length album of Quicksand's career, comes as a comparatively swift follow-up to Interiors--which itself came a full 22 years after its predecessor, 1995's Manic Compression. Critically lauded and deemed very much worth the wait, Interiors succeeded in reestablishing the band as the powerful and contemporary entity they had always been. Distant Populations has a punchier, more up-tempo sound than its predecessor; its 11 songs are concise, carved sonic jewels boasting not a single wasted note; and its raw power, its gripping lyricism, leaps out from the very first listening. It is a striking step up for the band. The songwriting itself had been no minor process: Following the release of Interiors, the band successfully toured around the world and in the process fully re-established their chemistry together. Looking forward to making the next album, the three of them-frontman/ guitarist Walter Schreifels, bassist Sergio Vega, and drummer Alan Cage-had methodically recorded various soundchecks, improvisations, and show rehearsals, and compiled the results. "Eventually, when it came time to make a record," Schreifels says, "we would just edit down to the ones that were most exciting to us all, and then refocus on them and see if we could recapture the magic from it." There may be a final irony in the title of Distant Populations. Practically speaking, that's precisely whom Quicksand recorded it for: Listeners very far away. Not a single one of these songs has ever been played live onstage. The band has dates on hold for the fall, notes Schreifels, and fingers are crossed Quicksand will be out there performing very soon. They will likely be the most memorable shows of the band's career.
Makoto Kubota & The Sunset Gang - Sunset Gang
Makoto Kubota & The Sunset Gang
Sunset Gang
LP | 1973 | EU | Reissue (Wewantsounds)
34,99 €*
Release: 1973 / EU – Reissue
Genre: Rock & Indie
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Wewantsounds is closing its Makoto Kubota reissue series with the release of "Dixie Fever" recorded in Hawaii in 1976 and co-produced by Haruomi Hosono. Like its predecessors, 'Sunset Gang' and 'Hawaii Champroo', 'Dixie Fever' continues to explore American and Island music through a Japanese prism with a skilful mix of blues, swamp funk and America adding an exotic edge to the whole. It is the first time the album is released outside of Japan and the LP features original artwork with OBI and insert plus remastered audio by Makoto Kubota himself.

A year after the release of their highly-acclaimed album 'Hawaii Champroo' in 1975, Makoto Kubota and The Sunset Gang reunited at Sounds of Hawaii studios with co-producer Haruomi Hosono to record a new album, 'Dixie Fever'. They used pretty much the same ingredients that had made the success of Champroo - an effortless mix of Japanese folk and american roots music with some tropical influences. The same mix that Haruomi Hosono was applying to his own albums, especially ''Tropical Dandy which was experimenting with the same ideas - In fact the front cover of both 'Tropical Dandy' and 'Dixie Fever' are illustrated by Yasuo Yagi. ?As per 'Hawaii Champroo' and 'Sunset Gang', 'Dixie Fever' includes a mix of original compositions and covers. On the album, you spot The Lovin' Spoonful's 'Wild About My Lovin' and a funked up version of UK singer songwriter Ralph McTell's song 'When i Was a Cowboy'. They feature the Gang's usual musicians (Keni Inoue on guitar, Yosuke Fujita on slide guitar and Takashi Onzo on bass and keyboards) complemented by a handful of guests including Tin Pan Alley drummer Tatsuo Hayashi, Motoya Hamaguchi on percussion and New Orleans pianist and Dr. John friend, Ronnie Barron. Together they play a superb brew made of blues, soul, Hawaiian music and southern swamp rhythms. One of the highlights of the album is undoubtedly 'Hoshikuzu' (Stardust) which has become a cult classic over the years on the international City Pop scene and whose sunshine mid-tempo vibe is the perfect reflection of the group's musicianship. The track perfectly adds to the album's charm which Wewantsounds is happy to release for the first time internationally.
Modern Baseball - You're Gonna Miss It All Half Cloudy & Half Green Vinyl Edition
Modern Baseball
You're Gonna Miss It All Half Cloudy & Half Green Vinyl Edition
LP | 2014 | US | Reissue (Run For Cover)
26,99 €*
Release: 2014 / US – Reissue
Genre: Rock & Indie
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Modern Baseball was formed in 2011 by friends and guitarists Jacob Ewald and Brendan Lukens, who were soon joined by Ian Farmer on bass and Sean Huber on drums. The band self-released their first EP The Nameless Ranger in 2011 while still in high school. Shortly after the members relocated to Philadelphia to attend college and quickly gained a strong following in the Philadelphia music community, teaming up with locals Marietta to release the Couples Therapy split in the spring of 2012. Modern Baseball released their debut full-length Sports later that year on Lame-O Records, which they self-recorded and produced. After spending the summer of 2013 touring heavily across the US, the band headed into Studio A in Philadelphia to self-record You're Going to Miss It All. Mixed by Jonathan Low at Minor Street Recordings and mastered by Will Yip, You're Going to Miss It All features 12 tracks that showcase the band's signature witty indie-pop.
The Strokes - Room On Fire Transparent Blue Vinyl Edition
The Strokes
Room On Fire Transparent Blue Vinyl Edition
LP | 2003 | EU | Original (Sony Music Catalog)
26,99 €*
Release: 2003 / EU – Original
Genre: Rock & Indie
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The Beatles - Revolver Special Edition Standard Vinyl
The Beatles
Revolver Special Edition Standard Vinyl
LP | 1966 | CZ | Reissue (Apple)
27,99 €*
Release: 1966 / CZ – Reissue
Genre: Rock & Indie, Pop
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Narrow Head - 12th House Rock Blue Vinyl Edition
Narrow Head
12th House Rock Blue Vinyl Edition
LP | 2020 | US | Reissue (Run For Cover)
26,99 €*
Release: 2020 / US – Reissue
Genre: Rock & Indie
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"Nobody has riffs anymore," says founding member/vocalist/guitarist Jacob Duarte when asked about his approach on 12th House Rock. "That's the kind of band we are and to me, that's just how you write songs. Drums, bass, guitar, vocals. Nothing else. There are no other instruments on the record." The Houston-based band's latest entry is the distillation of the greatest moments in 90's alternative and hard rock with a fresh set of ears, thirteen tracks of their signature brand of bludgeoning lullabies bursting at the seams with creative ideas, new directions and yes, massive, monolithic riffs. In between the sparkle and smash, open-hearted and emotionally naked songwriting showcases a core piece of the band's identity- showcasing 12th House Rock as one of the best rock releases of 2020. "It's the definitive work of Narrow Head," proudly explains bassist Ryan Chavez. "Recorded in a studio over a month's span, the way they used to do it. Not just for the sake of making it that way, but because it was the right way for us." Delving into deep-seated themes of self loathing, desolation, self-medication, the loss of loved ones and hopeful redemption,12th House Rock is, as the title suggests, a rock-focused LP themed on transition- exploring the vast abyss of darkness just before the sun cracks upon the horizon. Using distorted guitars as their primary vehicle, Narrow Head's wall of riffs add stark contrast to their best quality- deceptively sweet pop melodies that channel the lessons of My Bloody Valentine, Cocteau Twins, Helmet, Deftones and Guided by Voices all at once. Yet despite whatever comparisons that can be made to guitar tone, mood, songwriting, timbre or virtually anything else, Narrow Head are quick to credit their native Houston, TX as the primary source for it all. Rising from the Texas underground scene, Narrow Head formed in 2013 but became fully realized as a band in Houston with the release of their 2016 debut LP Satisfaction and the lineup of Duarte, Menjivar and drummer Carson Wilco...
King Crimson - In The Court Of The Crimson King 50th Anniversary Edition
King Crimson
In The Court Of The Crimson King 50th Anniversary Edition
2LP | 2019 | UK | Original (Panegyric)
34,99 €*
Release: 2019 / UK – Original
Genre: Rock & Indie
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50th anniversary edition of one of rock music’s seminal debut albums
2LP set pressed on 200 gram audiophile vinyl
LP1 features all new, 2019 stereo mixes as approved by Robert Fripp
LP2 features all new, 2019 alternate takes & recordings with five pieces mixed by Steven Wilson and two pieces mixed by David Singleton.
artwork derived from the original paintings, as meticulously restored for the limited edition full sized, signed prints
Cut by Jason Mitchell at Loud Mastering from original 24/96 high-resolution source files.
Godspeed You Black Emperor! - Asunder, Sweet & Other Distress
Godspeed You Black Emperor!
Asunder, Sweet & Other Distress
LP | 2015 | US | Original (Constellation)
24,99 €*
Release: 2015 / US – Original
Genre: Rock & Indie
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Back in 2012, the shadowy, majestic Canadian post-rock collective Godspeed You! Black Emperor released Allelujah! Don’t Bend! Ascend!, their first album after a decade-plus hiatus, and it was just as thundering and grand and powerful as everything else they’ve ever done. The band won Canada’s Polaris Music Prize for the album, and they issued a statement about the “tone-deaf” ceremony, but that story should not overwhelm the gut-grabbing power of the album itself. And now they’ve announced that they’ll have another album for us in about a month, which is just excellent news. The new album, Asunder, Sweet And Other Distress, clocks in at an overwhelmingly brief 40 minutes, which is pretty surprising coming from a group whose individual tracks often inch past the 20-minute mark. The album only has four songs, but 10-minute songs are still concise by Godspeed standards. The band recorded the album with Electrical Audio engineer Greg Norman at studios in North Carolina and Montreal.
The Hard Ons - I Like You A Lot Getting Older
The Hard Ons
I Like You A Lot Getting Older
LP | 2024 | UK | Original (Cheersquard)
25,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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The Hard-Ons were – still are - amazing. Musically, but also for what they were. This multi-cultural band. They were fearless. Ray and Blackie always came to Dirty Three shows in Sydney early on, and I always felt that we were somehow aligned attitude-wise. They were awesome live, with that power that only a trio can have. They also wrote the best singles! Beyond that, they always did whatever they wanted. “ – Warren Ellis (Dirty Three/Nick Cave & The Bad Seeds)
Straight Arrows - Suface World Blue Vinyl Edition
Straight Arrows
Suface World Blue Vinyl Edition
LP | 2024 | UK | Original (Agitated)
24,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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Sydney 4-piece Straight Arrows have returned with their 4th studio album ‘Surface World’ today via Rice Is Nice Records in Australia, Agitated Records in the Uk/eu and Lolipop Records in the US on the 9th of August. Since forming back in 2007, Straight Arrows have been a force on the Australian indie scene; with 10x 7”s, 3x studio albums, a live LP and countless shows domestically and internationally under their belt, the band have developed a devoted fan-base, and praise from the likes of Henry Rollins and Iggy Pop along the way. Recorded at Marrickville’s Golden Retriever Studios with Nick Franklin (Polish Club, The Buoys), their 4th LP ‘Surface World’ is a whirlwind of fuzzy riffs and infectious hooks. Thematically, ‘Surface World’, as explained by the band, is a “reflection of the plane of existence we’re all currently trapped upon”, taking an introspective look at modern life and the world around them.
Magick Brother & Mystic Sister - Tarot Pt. I
Magick Brother & Mystic Sister
Tarot Pt. I
LP | 2024 | EU | Original (Sound Effects)
32,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Magick Brother & Mystic Sister, the mysterious band from Barcelona, return with not one, but 2 albums! 'Tarot Part I' and 'Tarot Part II' (follows ca. 2 months after #1) is a concept album in 2 parts, a psychedelic record, a kaleidoscope of songs based upon the Major Arcana of the Tarot, a cross-cultural dream language. With their signature imaginative compositions, featuring space-age keys and spiraling synthesizers, intricate guitar mosaics and bass lines, powerful drums, tribal percussion and exotic instruments carving textures for atmospheric feminine vocals, Mbms merge a kind of dream-prog, of the Canterbury variety, with retro-futuristic sounds and magic folk atmospheres, shaping up their own universe, thus turning the 'Tarot' concept into an unmissable experience! The band decided to release the record in two parts, giving the listener more time to meditate upon the music. This is an album that is meant to be listened to and experienced visually on vinyl, its sleeve recalling the bold designs of the late 1960s - early 1970s - when the two records are combined, the interior gatefolds form an astrological mandala, a planetary wheel. For this album Mbms, (Eva Muntada (synthesizers, mellotron, organ, piano), Xavier Sandoval (bass and guitar), Alejandro Carmona (drums) and, new member of the band, Toni Jagwar (sitar) are joined by Maya Fernandez (flute) on two songs, Glenn Brigman (vocals) and Didac Fernandez (percussion).
The Exploited - Punks Not Dead Vinyl Edition
The Exploited
Punks Not Dead Vinyl Edition
LP | 1981 | Reissue (Cherry Red)
37,99 €*
Release: 1981 / Reissue
Genre: Rock & Indie
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Mabe Fratti - Sentir Que No Sabes
Mabe Fratti
Sentir Que No Sabes
LP | 2024 | Original (Unheard Of Hope)
26,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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A sense of destiny hangs over Sentir Que No Sabes, Mabe Fratti’s fourth solo-credited album released in a five year span. Her work has always possessed a finely tuned sense of drama capable of expressing a range of emotional states, and across this new album, she conveys the struggle to process various relationships or situations–and the actions that come next. Sentir Que No Sabes is urgent and clear, poppy, generous and approachable, while showcasing a considerable emotional hinterland. It is also, as Fratti is quick to mention, “groovy.”

Written and recorded with her partner, multi-instrumentalist, and co-composer Héctor Tosta (I.La Católica, Titanic), Sentir Que No Sabes is the result of an intense, detail-oriented process. Fueled by a new confidence gained in their collaborative project, Titanic, and its critically acclaimed 2023 LP, Vidrio, the two hunkered down in the familiarity of their studio (aka Tinho Studios) to bash out the initial sonic coordinates of her new record. “We talked and talked, and discussed ways of playing and recording, until things became inevitable,” Fratti explains. “We recorded a bunch of demos at our home studio and that meant we had a lot of time to re-edit and experiment. We really dug in. We were super focused on detail.” Tosta also took up the controls as producer and arranger-in-chief for all additional instruments. The album was later completed at Willem Twee Studios in Den Bosch in the Netherlands, and Pedro y el Lobo Studios and Soy Sauce Studios, in Mexico City.

For the final studio recordings, the pair were joined by drummer Gibran Andrade and trumpetist Jacob Wick to fill out and expand on Tosta’s percussion and brass arrangements. This small group of friends were able to work quickly and openly, and without fear: a testament to the exhaustive groundwork put in at Tinho Studios.

Sentir Que No Sabes is a record full to the brim with a modern pop sensibility, invoked by the sort of magpie spirit that ensnares anything it can find, repositioning sounds for the here and now. The keys and melody on the melancholy “Pantalla azul” (“Blue screen error”) transport us back to the glossy mid-1980s.

The lyrics, for their part, have a stop-start quality to them, and hint at the small, incremental emotional taxes we pay through just living our lives. They circle around the music like birds waiting to swoop. There is something of the spiritual in all of Fratti’s work that expresses itself in a form of yearning: she looks to new horizons while personal dramas find themselves internalized, contextualized, and then dealt with through metaphor.

So what to make of Sentir Que No Sabes? High gloss Pastoralism? The sound of a city-bound, post-post modern soulscape? No matter the emotions evoked, it's the work of an artist coming into their own, and creating a benchmark record.
Say She She - Silver Transparent Pink Vinyl Edition
Say She She
Silver Transparent Pink Vinyl Edition
2LP | 2023 | US | Reissue (Colemine)
38,99 €*
Release: 2023 / US – Reissue
Genre: Rock & Indie
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The female-led discodelic soul band Say She She, named as a silent nod to NileRodgers (C'est chi-chi!: It's Chic!"), release their sophomore album `Silver' on theheels of an epic break-out year that grows brighter by the day.The three strong voices of Piya Malik (El Michels Affair staple feature, and formerbacking singer for Chicano Batman), Sabrina Mileo Cunningham and Nya GazelleBrown front the band.This harmonizing trio was formed in a classic New York taleof friends that met by following the music: the downtown dancefloors, through theLower East Side floorboards and up to the rooftops of Harlem.`Silver' wasentirely written and recorded live to tapeat Killion Sound studio inNorth Hollywood earlier this year and produced by Sergio Rios (of Orgone).Whilethese analog recording techniques help root Say She She's sound in a bedrock oftonal warmth that only tape can achieve, it is also their process of cutting the trackin the moment and capturing the magic of communal creativity that has seen theirsound described as"a glorious overload of joyful elation and spiritualelevation" (MOJO)and"infused with the wonky post-disco spirit of early'80s NYC" (The Guardian).Silver, the element, is known as the metal of self-confidence and the mirror of thesoul. With that, the16-song double-LPprojects not only their growth in writingwith confidence, but also reflects a deeper exploration into their punk-chic, femme-forward sensibility.Ultimately,`Silver' oozes with quirk and adventure and embraces themultifaceted nature of what it means to be a modern femme.The She She'sfully embrace their role as beauticians, actively reminding people of the inherentbeauty in the world. They skillfully employ double entendres and humor toencourage open dialogue and fearlessly address important matters that demandattention.
AC/DC - High Voltage Gold Nugget Vinyl Edition
AC/DC
High Voltage Gold Nugget Vinyl Edition
LP | 1975 | EU | Reissue (Sony)
30,99 €*
Release: 1975 / EU – Reissue
Genre: Rock & Indie
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The Raconteurs - Broken Boy Soldiers
The Raconteurs
Broken Boy Soldiers
LP | 2024 | EU | Original (Sony Music Catalog)
35,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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The White Stripes - Elephant UHQR Vinyl Deluxe Limited Edition Box Set
The White Stripes
Elephant UHQR Vinyl Deluxe Limited Edition Box Set
Box | 2023 | US | Reissue (Analogue Productions)
201,99 €*
Release: 2023 / US – Reissue
Genre: Rock & Indie
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The Strokes - Angles Purple Vinyl Edition
The Strokes
Angles Purple Vinyl Edition
LP | 2011 | EU | Reissue (Sony Music Catalog)
26,99 €*
Release: 2011 / EU – Reissue
Genre: Rock & Indie
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Poets Of The Fall - Signs Of Life Limited Curacao Vinyl Edition
Poets Of The Fall
Signs Of Life Limited Curacao Vinyl Edition
2LP | 2023 | EU | Original (Insomniac)
31,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Nirvana - Songs Of Love And Praise
Nirvana
Songs Of Love And Praise
LP | 1972 | EU | Reissue (Wah Wah)
24,99 €*
Release: 1972 / EU – Reissue
Genre: Rock & Indie
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Once again a work by Patrick Campbell-Lyons without Alex Spyropoulos, this time Songs Of Love And Praise showed a return to a more classic Nirvana sound. Campbell-Lyons revisited two of the most loved songs by the band, Pentecost Hotel from their debut LP and Rainbow Chaser from their second one. The album opens precisely with the amazing uptempo beat of Rainbow Chaser, which while sounding faithful to the original recording, it comes with a totally different approach on the arrangements. Campbell-Lyons states on the liners that he went for a step further in that field, and looked for a jazzy atmosphere. It sets the tone of the album: upbeat good vibrations songs that differ from the dark mood of the previous Local Anaesthetic LP and that besides these two songs revisited presents all new material.

Uplifted and positive, Songs Of Love And Praise gives what the title promises to take the classic Nirvana sound from their first three albums one step further with the collaboration of Bobby Harrison (Procol Harum, Snafu) Lesley Duncan, Maggie Bell and Sylvia Schuster (who had already played live with Nirvana at the time of their debut album).

The Wah Wah edition is the first ever official vinyl edition since 1971. Housed in a glossy textured reproduction of the original sleeve and featuring two bonus tracks not on the original release. 500 copies only!
Nirvana - Dedicated To Markos III (A.K.A. Black Flower)
Nirvana
Dedicated To Markos III (A.K.A. Black Flower)
LP+7" | 1970 | EU | Reissue (Wah Wah)
28,99 €*
Release: 1970 / EU – Reissue
Genre: Rock & Indie
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Nirvana's third LP is a masterpiece of late UK sixties popsike turning into symphonic pop, but not having received proper promotion despite being equally good as, if not better than their previous releases, it also marked the end of the collaborations between Patrick Campbel-Lyons and Alex Spyropoulos back in 1969.

Nirvana presented it to Island boss Chris Blackwell under the title of Black Flower. Blackwell, however, decided to turn it down for release, but gave the masters to Campbell-Lyons and Spyropoulos so they could find a new label to release the album. That was to happen in the USA through Metromedia Records in 1969. At that time, the label's owner went through a scandal due to the payola days, which left Nirvana's third offering without any promotion - as a result of that, very few copies were pressed. There was also a UK release on PYE and it was even released by Metromedia in Japan. However, for years it remained as "the lost" Nirvana release, with the added fact that none of the released editions launched the album under its original title of Black Flower but under the rather cryptic Dedicated To Markos II (read why in the liner notes!).

Musically, this is Nirvana at their best. The tune that should have been the title track, Black Flower, is an incredible piece of symphonic psychedelia and probably the best produced Nirvana track ever. Campbell-Lyons and Spyropoulos were backed for the occasion by Spooky Tooth, who played on many tracks of the album, and big orchestral arrangements mesmerize the listener in one of the duo's darkest offerings. This song aside, the rest of the album was deemed as sounding too much like a French soundtrack by Island, which may do at some points –without that being a bad thing,– but there is a lot more to it, since Nirvana have not lost that popsike edge that characterised their sound in their two previous outings.

This is also a record that was widely acclaimed in the hip hop scene. And samplers of it have been used by several artists, most notably DJ Shadow used Love Suite in his 1996 debut album Endtroducing.

The Wah Wah edition has been remastered from the original tapes by Roger Prades @ Prades Mastering and comes with a bonus 7" EP and a four page colour insert with liner notes by Malcom Dome, plus a sheet with the lyrics of the songs. First ever official vinyl reissue since 1970 in a limited edition of 500 copies only!
Ellen Arkbro & Johan Graden - I Get Along Without You Very Well Light Blue Vinyl Edition
Ellen Arkbro & Johan Graden
I Get Along Without You Very Well Light Blue Vinyl Edition
LP | 2022 | US | Original (Thrill Jockey)
34,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Ellen Arkbro & Johan Graden embody the limitless curiosity and fearless innovation of the Swedish and Berlin new music scenes they inhabit. Arkbro is a composer and musician whose work has been presented around the globe at prestigious institutions such as the Barbican in London, GRM in Paris and the Kölner Philharmonie in Köln, and has studied under legendary minimalists such as La Monte Young, Marian Zazeela, and Jung Hee Choi. Graden is one of Sweden"s most sought-after pianists, moving freely between classical music and the European contemporary jazz scene. Currently living in Amman Jordan, he is an active member of the Jordanian experimental pop scene. I get along without you very well is a daring statement from two of the most progressive voices in contemporary music. In allowing themselves to be at their most vulnerable - with each other, their collaborators and with listeners - they have created some of their most powerful work to date. Following their collaboration on the acclaimed For Organ and Brass released on Subtext, new album I get along without you very well expands on the duo"s intoxicating exploration of meditative, spiritual sonics in unexpected ways. It is a beautiful meeting of two friends and inventive musical minds, resulting in the most affecting and surprising of pop albums. From its opening notes, I get along without you very well delights in subtle tensions and contradictions. While no song lasts more than a few minutes, the album feels distinctly unhurried, its atmospheric textures and sparse rhythms seemingly distorting the flow of time. The duo"s arrangements conceal an incredible amount of compositional detail paired with a distinctive sonic pallet, of brass, woodwinds, upright bass and synthesizer. Timbres in a similar register create an incredible depth of sound while paradoxically giving the impression of sparseness with individual instruments blending with one another seamlessly. Arkbro"s ephemeral vocals, entirely absent from her solo works, provide a perfect counterpoint to the album"s rumbling low-end, magnifying the intimacy and vulnerability of the music. On the opening track, described by Arkbro as "the most naked song on the record", the composer"s breathy vocals curl in ribbons around murky brass, as delicate blue vapors evaporate, underpinned by featherlight percussion
Colosseum - Elegy / The Kettle
Colosseum
Elegy / The Kettle
7" | 2022 | UK | Original (Dynamite Cuts)
16,99 €*
Release: 2022 / UK – Original
Genre: Rock & Indie
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Dynamite Cuts takes a different move from the funk & soul and is proud to be able to press for the first time on 7” vinyl, two killer rock club tracks. Our A side is the powerful up-tempo “Elegy” a funky love song, with steaming guitars and heavy groove, massive club track back in the day! On the flip is the “The Kettle” heavy rock groove sampled by Fat boy slim for “Ya Mama”

Perfect for all good music collectors
The Courettes - Back In Mono (B-Sides & Outtakes)
The Courettes
Back In Mono (B-Sides & Outtakes)
EP | 2022 | EU | Original (Damaged Goods)
16,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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10" Mini LP featuring outtakes and re-recorded B-sides from the 'Back In Mono' sessions! Back in Mono, The Courettes' third album, was critically acclaimed worldwide and made it onto numerous best -of -the-year lists in 2021. If, like us, you can't get enough of Back in Mono, here's some good news! Back in Mono - B-sides & Outtakes is bringing some more "spit 'n' snarl garage-meets-Phil Spector pop" (Mojo) in three brand new unreleased tracks. Look forward to hearing the three new smash tunes 'Daydream', 'Tough Like That' and 'Talking About My Baby', all wrapped in a new mix by Wall of Sound aficionado Seiki Sato (Japan) and produced by the hit wizards Soren Christensen & C.T. Levine. Also included are the three non-album B-sides from the band's most recent singles. These B-sides have been newly spruced up with extra instrumentation. Making up the eight tracks is the inclusion of a Courettes rarity - 'So What' was previously only available on a split single with The Jackets released on Chaputa Records.
The White Stripes - Get Behind Me Satan
The White Stripes
Get Behind Me Satan
2LP | 2005 | EU | Reissue (Sony)
29,99 €*
Release: 2005 / EU – Reissue
Genre: Rock & Indie
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El Michels Affair - Stack The Deck Feat. Bobby Oroza
El Michels Affair
Stack The Deck Feat. Bobby Oroza
7" | 2021 | US | Original (Big Crown)
12,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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Big Crown Records is proud to present this rock solid two-sider from El Michels Affair. This 7" is part of a new Big Crown X El Oms collaboration that includes a custom deck of playing cards and a t shirt series illustrated by El Oms. The labels of this 45 are pulled from some of the King & Queen illustrations contained in the deck.To go with this project, El Michels teamed up again with Bobby Oroza for the A side tune which plays along with the collab theme called "Stack The Deck". These two proved their chemistry on 2020's "Reasons" which became a fast favorite around the globe. This time El Michels comes with a heavier more orchestrated track that Bobby finds the perfect groove on as he plays up the gamble of love.The B side is a speaker smashing cover of the late, great, Notorious B.I.G.'s "Things Done Changed" from his Ready To Die album. El Michels Affair stays close to the tone of the original Easy Mo Bee production but makes it their own with their signature horns and cinematic grit.
Zeal & Ardor - Zeal & Ardor Black Vinyl Edition
Zeal & Ardor
Zeal & Ardor Black Vinyl Edition
LP | 2021 | EU | Original (MVKA)
24,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Swiss firebrand alchemists Zeal & Ardor are excited to announce forthcoming, self-titled new album!

Hissing and seeping justifiable rage from every pore - yet not an unrelenting musical battering - the 14-track opus was recorded by Marc Obrist and Manuel Gagneux at Hutch Sounds and mixed and mastered by Will Putney at Graphic Nature Audio. All songs were written by the softly spoken, multilingual frontman Gagneux, with some German lyrics intermixed with the English. Gagneux declares, “With the self-titled record, we have arrived at where I imagined this project should sound like. It’s the longest we’ve worked on a single record and I believe it shows. The most important thing for an album of ours to do, is transport you instantly into our mood, our world. Even though this might not be the one you might expect from us, this record certainly delivers on that front. We had time to hone in to what we think makes us interesting and what sounds we would like to explore through this we have found our home. Home is burning. Welcome home.”
Cactus Lee - Angel / Train Song
Cactus Lee
Angel / Train Song
7" | 2021 | EU | Original (Mapache)
11,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Cactus LEE presents his new single with two exclusive tracks. Angel is an alternate version of the song from forthcoming album Texas Music Forever and Train Song is a great cover of Vashti Bunyan. A welcome present to a great band that will bring their Texas songwriting style to Mapache Records. Let’s Welcome them with this special and very limited release. Limited to 200 records.
Iron Maiden - Senjutsu Black Vinyl Edition
Iron Maiden
Senjutsu Black Vinyl Edition
3LP | 2021 | EU | Original (Parlophone)
43,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Wooden Shjips - V. Red Vinyl Edition
Wooden Shjips
V. Red Vinyl Edition
LP | 2020 | US | Original (Thrill Jockey)
34,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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Bring Me The Horizon - Post Human: Survival Horror
Bring Me The Horizon
Post Human: Survival Horror
LP | 2020 | EU | Original (RCA)
26,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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Steppenwolf - Gold - Their Greatest Hits 45rpm, 200g Vinyl Edition
Steppenwolf
Gold - Their Greatest Hits 45rpm, 200g Vinyl Edition
2LP | 2020 | US | Original (Analogue Productions)
75,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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Get your motor runnin' baby — Steppenwolf's "Gold: Their Great Hits" took its title literally. The towering rock album success rang in at No. 24 on the Billboard Pop Albums chart and became certified gold for record sales in excess of 500,000 units by the Record Industry Association of America (riaa) in April 1971. AllMusic praised the production and engineering of most of the tracks and called it a »nearly perfect introduction« to the band. Acoustic Sounds and Analogue Productions want to introduce you to the most sonically perfect version of this historic album you've ever heard on vinyl. Our 200-gram reissue was remastered from the original analog tapes by Kevin Gray at Cohearent Sound and plated and pressed by Gary Salstrom and his crew at Quality Record Pressings, makers of the world's finest-sounding LPs. And now — we've upped the ante even more for true audiophile bliss — the 45 RPM 2LP version reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. Natural tonalities, superb balances, pristine clarity and more are all revealed. The Canadian-American rock band, named for Hermann Hesse's mystical novel, rocketed to worldwide fame after their third single "Born To Be Wild" dropped in 1968. The song and Steppenwolf's version of Hoyt Axton's "The Pusher" figured prominently in the 1969 counterculture cult film "Easy Rider", and both show up on "Gold's" track list. Two other singles on this stunning album compilation also cracked the Top 10 on the charts: "Magic Carpet Ride" and "Rock Me". "Magic Carpet Ride" was released in 1968 on the album "The Second". It was written by band members John Kay and Rushton Moreve, peaked at No. 3 in the U.S. and stayed on the charts for 16 weeks, longer than any other Steppenwolf song. You also get the Don Covay soul cover "Sookie, Sookie", which got airplay on some soul stations nationwide, as well as rock 'n' roll radio. "Gold" also includes "Hey Lawdy Mama" the hit studio single from Steppenwolf Live. Steppenwolf enjoyed worldwide success from 1968 to 1972, when clashing personalities ultimately broke up the core group after a farewell concert in Los Angeles on Valentine's Day, 1972. Today, John Kay remains as the only original Steppenwolf member.
The Picturebooks - The Hands Of Time
The Picturebooks
The Hands Of Time
LP+CD | 2019 | EU | Original (Century Media)
21,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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J Mascis - Elastic Days
J Mascis
Elastic Days
LP | 2018 | US | Original (Sub Pop)
23,99 €*
Release: 2018 / US – Original
Genre: Rock & Indie
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Wynder K. Frog - Out Of The Frying Pan
Wynder K. Frog
Out Of The Frying Pan
LP | 1968 | EU | Reissue (Wah Wah)
20,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

OUT OF THE FRYING PAN
Released at the end of the summer of 1968, and with a host of session musicians that included the brass section of John Mayall's Bluesbreakers, producer Gus Dudgeon helped Weaver / Wynder K Frog to improve the results obtained on the debut LP and get one step closer to the live action. The formula was more or less the same, instrumental hammond a go go covers of hits from the era, including The Rolling Stones' "Jumping Jack Flash", a funked up version of the classic Tommy Tucker blues number "Hi Heel Sneakers", an exploding cover of "Tequila" or the standard "Green Door", but it also included the sensational Weaver-penned "Harpsichord Shuffle".
Howe Gelb - Future Standards
Howe Gelb
Future Standards
LP | 2016 | UK | Original (Fire)
25,99 €*
Release: 2016 / UK – Original
Genre: Rock & Indie
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Howe Gelb does not stand still. His next solo album 'Future
Standards' sees him fulfil a long time aspiration to play jazz
standards. Inspired by the classics, his piano songs have found a
clearer shape as “future standards” but have always been a
central element to his creativity. Sitting neatly against his huge
back catalogue of solo records, these compelling and timeless
songs are alluringly melancholic and reflective.
Blue Öyster Cult - Agents Of Fortune
Blue Öyster Cult
Agents Of Fortune
LP | 1976 | EU | Reissue (Music On Vinyl)
29,99 €*
Release: 1976 / EU – Reissue
Genre: Rock & Indie
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The hit song "(Don't Fear) The Reaper" is just one of the wonderful tunes on Blue Öyster Cult's fifth album from 1976. This record rocks 'n thunders, with a sensual boogie permeating these 10 great tracks.

180g vinyl.
The Cure - Pornography
The Cure
Pornography
2LP | 1982 | EU | Reissue (Vinyl Lovers)
33,99 €*
Release: 1982 / EU – Reissue
Genre: Rock & Indie, Pop
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180 gram gatefold cover double vinyl reissue incl. 8 bonus tracks!
The Allman Brothers Band - At Filmore East Limited Edition
The Allman Brothers Band
At Filmore East Limited Edition
2LP | 1971 | Reissue (Island)
42,99 €*
Release: 1971 / Reissue
Genre: Rock & Indie
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Master Boot Record - Hardwarez
Master Boot Record
Hardwarez
LP | 2024 | EU | Original (Sony Music/Metal Blade)
26,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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The Doobie Brothers - What Were Once Vices Are Now Habits Clear Vinyl Edition
The Doobie Brothers
What Were Once Vices Are Now Habits Clear Vinyl Edition
LP | 2013 | Reissue (Rhino)
34,99 €*
Release: 2013 / Reissue
Genre: Rock & Indie
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Steve Cropper & The Midnight Hour - Friendlytown
Steve Cropper & The Midnight Hour
Friendlytown
LP | 2024 | EU | Original (Mascot Label Group)
26,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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The Georgia Thunderbolts - Rise Above It All Transparent Orange Vinyl Edition
The Georgia Thunderbolts
Rise Above It All Transparent Orange Vinyl Edition
LP | 2024 | EU | Original (Mascot Label Group)
26,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Tenacious D - Post-Apocalypto
Tenacious D
Post-Apocalypto
LP | 2018 | EU | Reissue (Sony Music Catalog)
26,99 €*
Release: 2018 / EU – Reissue
Genre: Rock & Indie
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Lord Buffalo - Holus Bolus Ice & Aqua Blue Galaxy Marble Vinyl Edition
Lord Buffalo
Holus Bolus Ice & Aqua Blue Galaxy Marble Vinyl Edition
LP | 2024 | EU | Original (Blues Funeral)
24,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Third album proper by LORD BUFFALO!New Lord Buffalo album Holus Bolus takes its name from an antiquated phrase meaning "all at once." It materializes instantly from the first opening notes, a grey haze drawing listeners in with deft juxtapositions of droning violin, guitars, drums and vocals.While the quartet wades into the same murky waters as dark emotive brethren David Eugene Edwards/Woven Hand, All Them Witches, Emma Ruth Rundle, Earth/Dylan Carlson, Chelsea Wolfe and Nick Cave, the creative interplay of Middle Eastern influences and Western folk Americana takes the record in its own enveloping, meditative direction.Embarking on a sleep-deprived road trance through High Plains iconography, Holus Bolus is bleak yet hopeful, a mix that is by now Lord Buffalo's established custom blend.Gatefold sleeve, ice & aqua blue galaxy marble effect vinyl!
La Banda Chuska - Bar Secreto
La Banda Chuska
Bar Secreto
7" | 2024 | UK | Original (Names You Can Trust)
18,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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You may ask yourself what lies beyond the cumbia? What psychedelic permeations reveal themselves in the breaks of the modern day tropical wave? La Banda Chuska's debut single on Names You Can Trust provides a glimpse into the broad benchmarks of this new noise and language, channeling and surfing through a barrel of rip-roaring guitar licks to create something decidedly distinct and du jour at the same time. Just imagine if the B-52s got trapped in some sort of demented Pacific-Peruvian time warp and were forced to shred their way back into existence, bongos in tow. Come along for this excellent adventure and experience for yourself, the tropical waviness of La Banda Chuska's colorful crush.
N'zeng - The Trip
N'zeng
The Trip
LP | 2024 | EU | Original (Parigo)
24,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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The Trip is the first solo album by N'Zeng, better known as Sébastien Blanchon. It has to be said that he hid behind his (hollow) nose to sniff out the right projects (ex Le Peuple de l'Herbe, member of Entourloop). His nose is hollow, but not for the trumpet, and yet it's with this instrument that he started out. And he reinvents it, giving it a subtle place on this musical road trip we call The Trip. A journey open to all, with no tolls and no filters, apart from the cinematic filter of this lover of original soundtracks and trip hop. Beautiful images flash before our eyes, and in our ears, the smooth voice of Charlotte Savary (Wax Tailor). An album, a very good trip for lovers of Portishead, Gorillaz, and well-felt scratches in the form of controlled skids. He's making a name for himself as N'Zeng, with his smooth arrangements.

N'Zeng's father played trumpet with his grandfather in the Feurs brass band in the Loire department. When he arrived in Saint Etienne, young Sébastien started out with a cornet à pistons at the Conservatoire. His teacher at the time, Marcel Heyte, had won a prize in Paris at the same time as a certain Maurice André.

His father took lessons in orchestral conducting, accompanying the offspring's budding musical career, which included a course at the Festival de Cuivre in Monastier-sur-Gazeille, where he met the soloists of the Radio France orchestra. A new awareness, a new confidence: off to Lyon, not for a soccer derby, but to "beef up his game". In 1997, he was awarded a gold medal for trumpet by a unanimous jury at the Conservatoire National de Lyon.

Lyon, capital of the Gauls, was the starting point for N'Zeng, who went on to become a member of the group Le Peuple de l'Herbe. 15 years later, with several successful records to his credit, a concert in 2003 at the Transmusicales with Beth Gibbons (Portishead), and a Victoire de la Musique award, it was time for N'Zeng to move on to other things.

Arrival in the City of Light, the place where dreams come true. Nzeng's dreams are not only sonic, but also visual, for Sébastien is not only a friendly presence and a talented musician, but also a cinephile. His knowledge of music theory, acquired during his years at the conservatory, enables him to tackle music for pictures.

He created a soundtrack for the cult film Alien - The 8th Passenger, and worked with musician Rone (collaborating with Baxter Dury) and his bandmates from Le Peuple de l'Herbe, composing 2 tracks for the soundtrack of Virginie Despentes's hard-hitting film "Baise-moi". On the album "Hollywood Hustlers", with the group "Mustang Force", he pays tribute to the soundtracks of Lalo Shiffrin, Ennio Morricone... The album is also well received by the critics. He conducts the arrangements and orchestrations for the Degiheuga Orchestra, and composes the original music for the Hôtel Bellevue dance show, another success!

2019 sees the birth of "The Trip" project. On this record, no masks, but a female voice, that of Charlotte Savary (Wax Taylor), laid on a carpet of strings. With this musical voyage, trip hop takes pride of place, with a balance between the body of the instruments and the mechanics of beatmaking.

There's no getting off track on this well-balanced record, with its silky orchestrations. N'Zeng accompanies us elegantly, with his trusty trumpet as GPS, here used subtly. The album cover is a photograph taken by Sébastien Blanchon's mother, in 1973, a year when Saint Etienne was about to become French champion for the 7th time.
Apocalyptica - Worlds Collide Record Store Day 2024 Purple Vinyl Edition
Apocalyptica
Worlds Collide Record Store Day 2024 Purple Vinyl Edition
2LP | 2024 | CZ | Original (Harmageddon)
37,99 €*
Release: 2024 / CZ – Original
Genre: Rock & Indie
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Worlds Collide (Deluxe Edition) including all singles and bonus tracks, 2LP marbled vinyl
Miss May I - Curse Of Existence
Miss May I
Curse Of Existence
LP | 2022 | EU | Original (Sharptone Inc.)
27,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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The Rolling Stones - Live At The El Mocambo Limited Neon Vinyl Edition
The Rolling Stones
Live At The El Mocambo Limited Neon Vinyl Edition
4xLP | EU | Reissue (Universal)
110,99 €*
Release: EU – Reissue
Genre: Rock & Indie
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Topographies - Interior Spring
Topographies
Interior Spring
LP | 2024 | US | Original (Dark Entries)
24,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie, Pop
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Bay Area post-punk outfit Topographies deliver their sophomore LP, Interior Spring, via Dark Entries. Formed in 2018 in San Francisco by Justin Oronos, Jeremie Ruest, and Gray Tolhurst, Topographies link the icy riffs and gloomy atmosphere of early coldwave with the textural depth and warmth of classic shoegaze, emerging with a style that’s both contemporary and timeless. On Interior Spring, Topographies explore themes of guilt, inherited trauma, and recovery. The meaning of its title is triplicate: a submerged river carrying hope, an anxiously wound clock, and a season where wildflowers bloom on the graves of the past. While the work of Tolhurst’s father - Laurence Tolhurst from The Cure - provides a clear influence, Topographies expertly channel acts like Asylum Party or The Chameleons on anthemic pearls like “Night Sea” and “Chain of Days”. Tolhurst’s lyrics draw on his own experience in recovery from substance abuse to examine the cycle of use and hopelessness that characterizes addiction. Through these ten songs, the group hopes to present the idea that freedom is not an escape but an embrace of the quotidian beauty of human life.
J Mascis - What Do We Do Now
J Mascis
What Do We Do Now
Tape | 2024 | US | Original (Sub Pop)
14,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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What Do We Do Now is the fifth solo studio LP recorded by J Mascis since 1996. This is obviously not a very aggressive release schedule, but when you figure in the live albums, guest spots, and records done with his various other bands (Dinosaur Jr., The Fog, Heavy Blanket, Witch, Sweet Apple, and so on), well, to paraphrase Lou Reed, "J's week beats your year." What Do We Do Now began to come together during the waning days of the Pandemic. Utilizing his own Bisquiteen Studio, J started working on writing a series of tunes on acoustic with a different dynamic than the stuff he creates for Dino. "When I'm writing for the band," he says, "I'm always trying to think of doing things Lou and Murph would fit into. For myself, I'm thinking more about what I can do with just an acoustic guitar, even for the leads. Of course, this time, I added full drums and electric leads, although the rhythm parts are still all acoustic. Usually, I try to do the solo stuff more simply so I can play it by myself, but I really wanted to add the drums. Once that started, everything else just fell into place. So it ended up sounding a lot more like a band record. I dunno why I did that exactly, but it's just what happened." Two guest musicians are playing this time out; Western Mass local Ken Mauri (of the B52s) plays piano on several tracks. Since J himself has some experience with keys, when asked why he needed a hired gun, he says, "Ken is great, and he plays all the keys. I tried playing some keyboards on the first Fog album, but I'm really only comfortable playing the white notes, so it's kind of limiting. [laughs] Nowadays, I could just turn the pitch on a mini Mellotron to play different sounds, but black keys just seem hard. For whatever reason, I just like banging on the white ones. Seems like it's harder to figure out how to stretch your fingers around the other ones." Mauri has no such qualms and plays all the keys very damn well. He sounds especially great on "I Can't Find You," where he is Jack Nitzsche to J's Neil Young, creating one of the album's loveliest tunes. The other guest musician, Matthew "Doc" Dunn, is also prominent on this track. Dunn's steel guitar manages to both widen and soften the musical edges of the music, giving it a full classicist profile. Dunn is an Ontario-based polymath who J met through Matt Valentine. After J played on Doc's great 2022 Sub Pop single, "Your Feel," he figured it was time for payback. Both Dunn and Mauri add beautifully to the songs here, helping to transform them from acoustic sketches into full-blown post-core power ballads. What Do We Do Now is the finest set of solo tunes J has yet penned, and the way they're presented is just about perfect. Asked if he would be touring to support the album, J says he'll be doing some weekend dates, but he probably won't be putting a band together. And I'm sure these songs will sound great solo and acoustic, but the arrangements on this album are truly great and put a cool, different spin on Mascis' instantly Recognizable approach to making music. So, what do we do now? Not sure. But apparently, what J does is to make one of his most killer records ever. Hats off to him. - Byron Coley
J Mascis - What Do We Do Now Black Vinyl Edition
J Mascis
What Do We Do Now Black Vinyl Edition
LP | 2024 | US | Original (Sub Pop)
26,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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What Do We Do Now is the fifth solo studio LP recorded by J Mascis since 1996. This is obviously not a very aggressive release schedule, but when you figure in the live albums, guest spots, and records done with his various other bands (Dinosaur Jr., The Fog, Heavy Blanket, Witch, Sweet Apple, and so on), well, to paraphrase Lou Reed, "J's week beats your year." What Do We Do Now began to come together during the waning days of the Pandemic. Utilizing his own Bisquiteen Studio, J started working on writing a series of tunes on acoustic with a different dynamic than the stuff he creates for Dino. "When I'm writing for the band," he says, "I'm always trying to think of doing things Lou and Murph would fit into. For myself, I'm thinking more about what I can do with just an acoustic guitar, even for the leads. Of course, this time, I added full drums and electric leads, although the rhythm parts are still all acoustic. Usually, I try to do the solo stuff more simply so I can play it by myself, but I really wanted to add the drums. Once that started, everything else just fell into place. So it ended up sounding a lot more like a band record. I dunno why I did that exactly, but it's just what happened." Two guest musicians are playing this time out; Western Mass local Ken Mauri (of the B52s) plays piano on several tracks. Since J himself has some experience with keys, when asked why he needed a hired gun, he says, "Ken is great, and he plays all the keys. I tried playing some keyboards on the first Fog album, but I'm really only comfortable playing the white notes, so it's kind of limiting. [laughs] Nowadays, I could just turn the pitch on a mini Mellotron to play different sounds, but black keys just seem hard. For whatever reason, I just like banging on the white ones. Seems like it's harder to figure out how to stretch your fingers around the other ones." Mauri has no such qualms and plays all the keys very damn well. He sounds especially great on "I Can't Find You," where he is Jack Nitzsche to J's Neil Young, creating one of the album's loveliest tunes. The other guest musician, Matthew "Doc" Dunn, is also prominent on this track. Dunn's steel guitar manages to both widen and soften the musical edges of the music, giving it a full classicist profile. Dunn is an Ontario-based polymath who J met through Matt Valentine. After J played on Doc's great 2022 Sub Pop single, "Your Feel," he figured it was time for payback. Both Dunn and Mauri add beautifully to the songs here, helping to transform them from acoustic sketches into full-blown post-core power ballads. What Do We Do Now is the finest set of solo tunes J has yet penned, and the way they're presented is just about perfect. Asked if he would be touring to support the album, J says he'll be doing some weekend dates, but he probably won't be putting a band together. And I'm sure these songs will sound great solo and acoustic, but the arrangements on this album are truly great and put a cool, different spin on Mascis' instantly Recognizable approach to making music. So, what do we do now? Not sure. But apparently, what J does is to make one of his most killer records ever. Hats off to him. - Byron Coley
The Courettes - Here Are The Courettes Black Vinyl Edition
The Courettes
Here Are The Courettes Black Vinyl Edition
LP | 2021 | EU | Reissue (Damaged Goods)
18,99 €*
Release: 2021 / EU – Reissue
Genre: Rock & Indie
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Recorded In Only Two Days By Kim Kix From The Iconic Powersolo In A Small, Cramped Studio In Denmark. Unpolished Tunes - Fresh, Raw And Alive Tunes - And The Garage Is Shaking! Minimal Overdubs, No Editing, No Auto Tune, No Bullshit. Punk Straight Out Of The Garage And A Lot Of Riot Grrrl Charisma.Mixed By Kim Kix And Nikolaj Heyman. The Album Features Eightoriginal Songs All In Mono. Now It's Reissued With A New Sleeve, Colored Vinyl And New Mastering Making It Sound Better And Louder Than Ever!The Courettes Are An Explosive Garage Rock Duo From Denmark/Brazil, Highly Praised By The World's Coolest Musicmagazines. Their First Single For Damaged Goods, 'Want You! Like A Cigarette', Was Released In 2020 In The Middle Of The Covid-19 Pandemic. "This Extraordinary 45 Marries A Super-Charged Pop Top Side To A Charging, Rampaging Flip" Wrotekieron Tyler (Mojo). A Brand New Single, 'Hop The Twig',Followed In Spring 2021. Back In Mono, The Duo's Third Album Is Being Mixed Now In Japan By Wall Of Sound Aficionado Seike Sato And Shows The Band In Top Form, With Great Songwriting And Spector-Esque Arrangements.
Legss - Fester
Legss
Fester
12" | 2023 | UK | Original (The state51 Conspiracy)
13,99 €*
Release: 2023 / UK – Original
Genre: Rock & Indie
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Merging a dynamic curio of melodic guitars, disconcerting monologues and a rhythm section both technical and unruly, London’s Legss create a wholly unique and mesmerising sound. New EP Fester is a literary and disarmingly lyrical collection of art-rock songs laden with ideas and sun-licked beneath the bus smog of anxious skies.

Even when leaning into more melodic territory, there’s a pervasive uneasiness that underpins both the vocals and instrumentation. Just as you drift into the relaxing arpeggio flow, vocalist Ned Green’s soft soliloquy accelerates to an exasperated yelp and we’re jolted by discordant noise-rock stabs dragging us into Legss’ deliciously feverish and poetic world.
The Fall - Marshall Suite Red Vinyl Edition
The Fall
Marshall Suite Red Vinyl Edition
2LP | 2023 | EU | Original (Music On Vinyl)
33,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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180 GRAM AUDIOPHILE VINYL
FEATURES 3 SIDES OF MUSIC (BLANK D-SIDE)
INCLUDES THE TRACK “FINALE: TOM
RAGGAZZI” & A COVER VERSION OF THE

SAINTS “THIS PERFECT DAY”

LIMITED EDITION OF 1500 INDIVIDUALLY
NUMBERED COPIES ON TRANSLUCENT RED

COLOURED VINYL
Show Me The Body - Trouble The Water
Show Me The Body
Trouble The Water
LP | 2023 | US | Original (Concord)
28,99 €*
Release: 2023 / US – Original
Genre: Rock & Indie
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Bruce Springsteen - Hollywood Fm 92 Crystal Clear Vinyl Edtion
Bruce Springsteen
Hollywood Fm 92 Crystal Clear Vinyl Edtion
LP | 2024 | EU (The Vinyl Champ)
18,99 €*
Release: 2024 / EU
Genre: Rock & Indie
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This is a beloved broadcast of Bruce Springsteen; a rehearsal show for his 1992 - 1993 world tour for the albums Lucky Town and Human Touch. Backed by his impressive band, Bruce belts out earlier hits of his career like ‘Born in the Usa’ and ‘Glory Days’. His then new wife Patti Scialfa takes center stage and joins her husband on ‘Human Touch’. The smash hit of this Springsteen era, ‘Hungry Heart’, gets the unplugged treatment during this performance, with Bruce playing the acoustic guitar and harmonica.
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Coming Soon
The Loveless
Elected / Don't Bring Me Down (Ruby Red Vinyl)
7" | 2024 | UK | Original (Cadiz)
16,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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Plastic Estate - Code D'Amour
Plastic Estate
Code D'Amour
LP | 2024 | EU | Original (Avant!)
24,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie, Pop
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Plastic Estate is a contemporary synth-pop act from Wales, UK.

With an onus placed on atmosphere and refinement, the duo evoke a rich palette of romance and lustre with their polished marque of pop music.

They have garnered support from the likes of Simon Le Bon of Duran Duran, KEXP and BBC Radio, and played sold-out shows with the likes of LA Priest, Home Counties, and Real Lies, as well as playing at large regional festivals like Ritual Union and Sŵn Festival.

Having previously released a 7” and LP with Avant! Records, they are now releasing their second album on 11th October with new tracks gaining critical acclaim being added to BBC Radio Wales’s ‘Welsh A-List’.
Their sophomore album hails a new era for the act; moving away from darker sonic roots, their sound has progressed to a brighter, more polished aesthetic with fresh influences from the ‘Hi-Fi luxury’ of West Coast Sound, and the gloss of 2010s Chillwave.

What’s more, ‘Code d’Amour’ makes you wonder: What is Pop today?

For many years it has been synonymous with melody, harmony and emotions. These days it seems to be still about emotions but not very good ones, probably because the world is as ugly as it’s ever been, have you noticed?

But what about the fundamental role of popular music which is to represent and at the same time to celebrate and enforce the ties of social living? What about the good times?

Yes, there is a lot to be changed and to fight for but good vibes are not just for recreational use, they can literally build a sense of community among people. If you are looking for that kind of sound right now, you should look no further.

FFO: Talk Talk, Blue Nile, Spandau Ballet, Ian Broudie’s Care, Small Black, Alan Palomo of Neon Indian, Wild Nothing.
Ivan The Tolerable & Bhajan Bhoy - Infinite Space
Ivan The Tolerable & Bhajan Bhoy
Infinite Space
LP | 2024 | UK | Original (Stolen Body)
33,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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Ivan The Tolerable Trio are back with an alternate version to the amazing Infinite Peace. 2 epic tracks to take you away into infinite space! "When we went in to ATA studios in Leeds to record the Infinite Peace LP - it was always the plan to have two versions of the album - a straight mix that documented what we actually recorded there in its pure form and another version that would rearrange everything into a new shape. Once the LP was out, I passed all the stems to my old pal/former bandmate and frequent collaborator Ajay Saggar (Bhajan Bhoy/King Champion Sounds/University Challenged) and asked him to remix it in a way that sounded nothing like the original record. Its a much more ambient and floaty affair - more Popol Vuh than Sun Ra a full drift spread across two 22 minute suites. This is what he did - infinite space - we hope you like it." Oli Heffernan, September 2024
Joe Bonamassa - A New Day Now - 20th Anniversary
Joe Bonamassa
A New Day Now - 20th Anniversary
2LP | 2020 | EU | Reissue (Mascot Label Group)
33,99 €*
Release: 2020 / EU – Reissue
Genre: Rock & Indie
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Steely Dan - Can't Buy A Thrill 200g Clarity Vinyl Uhqr 45rpm Vinyl Deluxe Limited Edition Box Set
Steely Dan
Can't Buy A Thrill 200g Clarity Vinyl Uhqr 45rpm Vinyl Deluxe Limited Edition Box Set
Box | 1973 | US | Reissue (Analogue Productions)
201,99 €*
Release: 1973 / US – Reissue
Genre: Rock & Indie
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Analogue Productions are giving us the Ultimate Steely Dan experience. Their first seven classic albums are being released on Uhqr vinyl. You will never have had heard these recordings sounding so good, period! They are super deluxe packages with booklets, pressed on clarity vinyl using the best techniques to extract the maximum analogue information. They will be strictly Limited to 20,000/15,000 respectively worldwide. Expect huge demand. Pre-order now! The first two titles are due to ship in November/December with the rest to follow next year. Can't Buy A Thrill — Steely Dan's platinum-selling debut studio album now on Uhqr! Definitive reissue Ultra High Quality Record, the pinnacle of high-quality vinyl! 45 RPM LP release limited to 20,000 numbered copies Mastered directly from the original master tape by Bernie Grundman Pressed at Quality Record Pressings using 200-gram Clarity Vinyl® Purest possible pressing and most visually stunning presentation and packaging! Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing

Steely Dan's platinum-selling debut studio album Can't Buy A Thrill, released in November 1972, was a commercial success, peaking at No. 17 on the Billboard chart. It later appeared on many professional listings of the greatest albums, including Colin Larkin's All Time Top 1000 Albums (2000) and Rolling Stone magazine's "500 Greatest Albums of All Time" (2003)

The album was written by band members Donald Fagen and Walter Becker, recorded in August 1972 at The Village Recorder in Los Angeles, and produced by Gary Katz. Its music features tight song structure and sounds from soft rock, folk rock, and pop, alongside philosophical, elliptical lyrics. Two songs recorded during the Can't Buy A Thrill sessions were left off the album and released as a single: "Dallas" b/w "Sail the Waterway." This is the only Steely Dan album to include David Palmer as a lead vocalist, having been recruited after Donald Fagen expressed concerns over singing live. Drummer Jim Hodder also chips in lead vocals on one song, "Midnite Cruiser" (sometimes spelled "Midnight Cruiser"), as well as singing the "Dallas" single. By the time recording of the next album began, the band and producer Gary Katz had convinced Fagen to assume the full lead vocalist role.

AllMusic gave the album 4.5 stars, with reviewer Stephen Thomas Erlewine praising the core duo Walter Becker and Donald Fagen as "remarkable craftsmen." Erlewine noted that "there are very few of the jazz flourishes that came to distinguish their (later) albums", but added that the first single from the album, "Do It Again," incorporates a tight Latin jazz beat, while the second single, "Reelin' In the Years," features jazzy guitar solos and harmonies.

Rolling Stone, in its review, said the debut album was a collection of some of the group's best jazz/rock songs.

"Two of Fagen's four (vocal solo) songs were the singles, ‘Do It Again' and ‘Reelin' In The Years,' the later starting off (and continues throughout) with a ripping solo by session player, Elliot Randall, and in fact, was rated by Led Zeppelin's Jimmy Page as his favourite guitar solo of all time. That's quite an endorsement. The song peaked at No. 11 on the Billboard Charts. ‘Do It Again' charted at No. 6, making it their second highest chart for a single. ‘Dirty Work,' another great song from the record features Palmer. The album is tight, with some of the best musicianship money can buy." — Rolling Stone

The album cover features a photomontage by Robert Lockart that includes an image of a line of prostitutes, standing in a red-light area from Rouen in France waiting for clients. The image was chosen because of its relevance to the album title. Walter Becker and Donald Fagen themselves commented on the album art in their liner notes to the reissued The Royal Scam, saying that The Royal Scam album possessed "the most hideous album cover of the seventies, bar none (excepting perhaps Can't Buy A Thrill)." The cover was banned in Francisco Franco's Spain and was replaced with a photograph of the band playing in concert.

After a brief battle with esophageal cancer, Walter Becker died on September 3, 2017 at the age of 67. Steely Dan has sold more than 40 million albums worldwide and were inducted into the Rock and Roll Hall of Fame in March 2001. VH1 ranked Steely Dan at No. 82 on their list of the 100 Greatest Musical Artists of All Time. Rolling Stone ranked them No. 15 on its list of the 20 Greatest Duos of All Time.

This stereo Uhqr reissue will be limited to 20,000 copies, with gold foil individually numbered jackets, housed in a premium slipcase with a wooden dowel spine.
Grant-Lee Phillips - Yuletide Black Friday Record Store Day 2021 Edition
Grant-Lee Phillips
Yuletide Black Friday Record Store Day 2021 Edition
10" | 2021 | US | Original (Redeye)
19,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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Acclaimed singer-songwriter and multi-instrumentalist Grant-Lee Phillips has unwrapped a new gift for the Christmas season: an EP of Americana-crooning holiday tunes, titled Yuletide. The EP showcases Phillips' original "Winterglow" (popularized by his Town Troubadour character on Gilmore Girls) and some covers that Grant breathes new life into, such as Nat King Cole's "Take Me Back to Toyland" and Frank Sinatra's "An Old-Fashioned Christmas." The holiday doesn't end at Christmas, however, as Grant puts a spin on the New Year's staple "Auld Lang Syne," adding a topical new verse to inspire hope towards days of peace. This is the first time any of these songs have been available on vinyl. Pressed on green vinyl.
Jimi Hendrix - Smash Hits
Jimi Hendrix
Smash Hits
LP | 2016 | EU | Original (Sony)
26,99 €*
Release: 2016 / EU – Original
Genre: Rock & Indie
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Limited edition for Record Store Day 2016!
Matthew & The Atlas - Temple
Matthew & The Atlas
Temple
LP | 2016 | EU | Original (Caroline)
20,99 €*
Release: 2016 / EU – Original
Genre: Rock & Indie
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This cathartic second album mesmerises.
Pink Floyd - The Wall
Pink Floyd
The Wall
2LP | 1979 | IT | Original (Harvest)
49,99 €*
Release: 1979 / IT – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG
Records is close to NM. Cover has ringwear and slight discoloration.
The Who - Quadrophenia
The Who
Quadrophenia
2LP | DE | Reissue (Track)
24,99 €*
Release: DE – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Record is close to VG+. Cover has shelf and ring wear, no seam splits.
Hawkwind - Roadhawks
Hawkwind
Roadhawks
LP | 1976 | UK | Original (United Artists)
26,99 €*
Release: 1976 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Record is close to NM.
Alejandro Franov - Khali
Alejandro Franov
Khali
LP | 2007 | DE | Original (Staubgold)
14,99 €*
Release: 2007 / DE – Original
Genre: Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: Near Mint, Cover: VG+
Light corner damage, otherwise NM cover. Record looks barely ever played.
Arthur And The Spooners - All Spooned Up
Arthur And The Spooners
All Spooned Up
LP | 2009 | DE | Original (Contra)
22,99 €*
Release: 2009 / DE – Original
Genre: Rock & Indie, Reggae & Dancehall
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Used Vinyl
Medium: Near Mint, Cover: VG+
Slightly bumped bottom left corner, otherwise NM. Comes with bonus CD.
Unicorn Ship Explosion - There's A Rhinoceros In The Mega Church
Unicorn Ship Explosion
There's A Rhinoceros In The Mega Church
LP | 2024 | UK | Original (Sound)
25,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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“There’s A Rhinoceros In The Mega Church” is their debut LP released on Sound Records. U.S.E. (also often expressed as Unicorn Ship Explosion, but feel free to interpret this yourself), are unfortunately two boys known to their mums as Rob & Sash. Since we last saw Rob he has been working really hard as a multi-instrumentalist. He’s almost mastered the drums (he’s even been to jazz school), and he’s near to the final chapter of piano lessons. He’s really talented. He has his own music studio where he produces & writes music for the likes of, The Staves, Holysseus Fly & other fantastic acts that are well worth a listen if you have the time. Sash (or Sasha) is a great guy. Everyone loves working with him. He’s an average musician with big ideas, which is why he uses modular synths. He has written much music for many artists you’ve probably not heard of and has collaborated with some musicians you’ve definitely heard of. He sometimes works as a sound designer for some fashion brands you can’t afford, but you wouldn’t want to wear them anyway (so don’t feel bad for not being successful enough to spend £400 on a t-shirt). Sometimes a really cool woman called, Agnieszka Szczotka, collaborates with these two loveable boys. She is a performance artist of great skill. She studied art at the Royal Academy and chose to abandon her supreme painting and sculpture skills to dedicate her life to confrontational live performance art. Big respect. Together they are Unicorn Ship Explosion (not yet known as U.S.E. as it hasn’t caught on yet). It’s a creative attempt to be in the present and not overwork music as is often the norm these days.As a result an exciting new genre is emerging from this album. The genre hasn’t a name yet, but what is certain is that A.I. can’t recreate it, and wouldn’t want to either. Let’s be human together and accept and appreciate we can’t always be great. Enjoy the good moments with the bad. And together, yes together, you the reader and us(e) your new best friends, shall show A.I. that humanity is beautiful.
Bios Contrast - Red River
Bios Contrast
Red River
Tape | 2024 | UK | Original (Doyenne Books)
15,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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Kolkata-based musician Nilotpal Das aka Bios Contrast's new album 'Red River', arrives as a narrative sequel to his 'Dragon Rising' LP on Hong Kong DIY label Mouhoi. The concept behind the record is a speculative historical drama and myth taking place during the deadly Kalinga War in the Mauryan Empire of India.

Following his intensive 24-hour harmonium drone compositions, Das's 'Red River' uses recordings of Bell 407, a civil utility helicopter as the main body of the record together with a 47-year-old harmonium, field recordings at Chandraketugarh, custom built woodwind prototype instruments together with guitar, violin & vocal improvisations.
The Room - The Telling
The Room
The Telling
LP | 2024 | UK | Original (Nine X Nine)
27,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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Liverpool post-punk pioneers The Room are back with a new album. Theirs is a melodic blend of progressive, alternative pop and sultry post-punk, which is just as fresh and relevant now as it was when they first broke up in 1985. Firm favourites of the late, great John Peel; they have been compared to Joy Division, The Fall and fellow Liverpool band Echo & the Bunnymen.

Following 2023’s warmly recieved ‘Restless Fate’ is new album ‘The Telling’. Consisting of 11 songs that tell a continuous folk-horror story set in a mythical 17th-century European forest. A traveling storyteller mesmerizes an isolated village with macabre tales of wonder, mystery, and the supernatural. The idea was conceived as an aural movie told in self-contained songs that represent chapters in a complete narrative and has no lyrical choruses that repeat its themes. The album comes with a full lyric sheet influenced by the layout of the Guttenberg Bible. Frontman and lyricist Dave Jackson’s interest in folklore and myths is absolutely apparent, the story is effortlessly conveyed through his spirited yet acerbic vocals. The album features: the welcome return of original The Room drummer Clive Thomas and his fluid open-handed drumming; the haunting backing vocals of Helena Jacks; founder-member Becky Stringer (bass guitar); Ethan Kyme (keyboards); Darren Brown (guitar). A magical sonic adventure for fans of 80s post-punk and folk-horror aesthetics.
Hives - Lex Hives And A Midsum Record Store Day 2024 Vinyl Edition
Hives
Lex Hives And A Midsum Record Store Day 2024 Vinyl Edition
2LP | 2012 | US | Reissue (Disques Hives)
37,99 €*
Release: 2012 / US – Reissue
Genre: Rock & Indie
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Undisputed icons of rock and roll The Hives serve up a garage-rock masterpiece for this year’s Record Store Day, reissuing the undeniable Lex Hives. Originally released in 2012, this new and remastered version boasts previously unreleased bonus tracks “High School Shuffle” and “Insane”, alongside all-time classics such as “Come On!”. In addition, this incredibly special package comes with the live album A Midsummer Hives Dream, capturing the band in red-hot form as they tear through an iconic performance at New York’s Terminal 5. For the first-time ever, this essential piece of Hives history is available to own on 12-inch.
Jaubi - Nafs At Peace 6th Press
Jaubi
Nafs At Peace 6th Press
LP | 2021 | EU | Reissue (Astigmatic)
23,99 €*
Release: 2021 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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JAUBI continue the Nafs journey, which commenced with the single “Satanic Nafs” (featuring the remix by legendary LA producers The Gaslamp Killer & Mophono) released in March 2021. Now JAUBI draw on the elements of North Indian classical music, Hip-Hop and modal/spiritual jazz in their debut LP entitled “Nafs At Peace”.

The journey officially began back in April 2019 when London’s multi- instrumentalist and 22a Record label boss Ed “Tenderlonious” Cawthorne and Polish pianist/composer Marek “Latarnik” Pędziwiatr of EABS/Błoto, visited the group to record in Lahore.

Together they channelled their personal struggles at that time into the two recording sessions allowing the musicians to find a spiritual path to transcendence through this musical purge.

Nothing whatsoever was written down during the recording sessions - no sheet music and no song titles, which allowed the six musicians to forget about their worldly issues. In many ways, the journey represents a struggle for purity, an expression of gratitude, and an acknowledgement that the musician's inspiration comes from a higher power.

The album cover portrays the mother of JAUBI’s bandleader, tearfully praying to God to get her son through that dark period of his life, which is what the mothers of the other musicians also did for their children.
The first step of the journey can be heard on “Satanic Nafs” which refers to the lowest level of the Self which was released 26th March 2021 through Astigmatic Records.

The album title ‘Nafs At Peace’ refers to the last purification step the self has been through. At this level, the Self no longer struggles because one has complete love of God, by becoming at peace and tranquil with God’s will. We hope all can achieve the stage of “Nafs At Peace” … Inshallah.
Gorilla Biscuits - Start Today Translucent Green Vinyl Edition
Gorilla Biscuits
Start Today Translucent Green Vinyl Edition
LP | 1989 | US | Reissue (Revelation)
25,99 €*
Release: 1989 / US – Reissue
Genre: Rock & Indie
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Gorilla Biscuits' "Start Today" is one of the most influential records in hardcore. Hailing from NYC, Gorilla Biscuits carved a niche within the NY hardcore scene. Blending the aggression and energy of bands like Agnostic Front with a sense of melody likened to Dag Nasty, Gorilla Biscuits still stands as a unique reference point for many hardcore bands that have come after them.
Signs Of The Swarm - Amongst The Low & Empty
Signs Of The Swarm
Amongst The Low & Empty
LP | 2023 | EU | Original (Century Media)
23,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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V.A. - Even The Forest Hums: Ukrainian Sonic Archives 1971-1996
V.A.
Even The Forest Hums: Ukrainian Sonic Archives 1971-1996
2LP | 2024 | US | Original (Light In The Attic)
55,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”
V.A. - Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition
V.A.
Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition
2LP | 2024 | US | Original (Light In The Attic)
58,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”
Khaled Barkat, Cheb Tati & Asif - Maghreb K7 Club - Disco Singles Volume 3
Khaled Barkat, Cheb Tati & Asif
Maghreb K7 Club - Disco Singles Volume 3
12" | 2024 | EU | Original (Sofa / Les Disques Bongo Joe)
18,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves, Rock & Indie, Electronic & Dance
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Here's the third installment of Sofa Records' Disco Single series! Featuring four standout tracks from Algeria's 1980s music scene, this collection showcases the cultural diversity and creativity of the country. Listen here. Galouli Enshara (a1) and Zourini (b1) are two captivating pop-boogie-funk tracks by Khaled Barkat, a self-taught multi-instrumentalist from Algiers. Produced by Khaled himself in 1983, and recorded at the esteemed brothers Torki’s studio in Algiers along with his friends—and talented musicians —Yazid Fentazi, Redouane Ayoub, Mustapha Mekerkeband Mhenni Benlala. The album, if he had a certain success (Khaled Barkat is considered as a pop music iconin his country)was somewhat overshadowed by the popularity of other genres in Algeria, such as raï music. We're thrilled to put if for the first time on vinyl! And spread this music to a wider audience. Dub El Hammam (a2) is by raï vocalist Cheb Tati, hailing from Oran. In the 1980s, as raï gained recognition in the global music industry, Tati was brought to London in 1989 to record an album with reggae/dub producer Denis Bovell. Among other tracks, this heavy, top-notch 1980s digital dub track resulted from their collaboration. Last but not least, the final track on the single is sourced from the only known recording of Asif, a Kabyle band from Lille formed by three brothers. The band was created in the late 1970s, and the selected track, Tafsut (b2), was recorded in 1985. A beautiful pop-boogie tune that we considered a marvelous conclusion to this single. This record was made in collaboration with Les Disques Bongo Joe. All tracks are fully licensed.
V.A. - Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Black Vinyl Edition
V.A.
Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Black Vinyl Edition
2LP | 2024 | US | Original (Light In The Attic)
53,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Light in the Attic, in cooperation with Laurie Anderson and the Lou Reed Archive, is thrilled to announce the forthcoming release of Why Don’t You Smile Now: Lou Reed at Pickwick Records 1964-65. Due out September 27th, the latest installment in LITA’s critically acclaimed Lou Reed Archive Series is a compilation of pop songs penned by Reed during his mid-60s stint as a staff songwriter for the long-defunct label Pickwick Records. The compilation follows on the heels of Lou Reed’s Hudson River Wind Meditations (2023) and Words & Music, May 1965 (2022).

One of the most original and innovative figures in music history, Reed (1942-2013) first gained recognition as co-founder and frontman of the massively influential Velvet Underground. Over the course of his five-decade career, the two-time Rock & Roll Hall of Famer brought his singular vision to an eclectic expanse of musical endeavors, including era-defining albums like 1972’s Transformer and wildly experimental works like the 1975 avant-garde noise classic Metal Machine Music. But before establishing himself as an enduringly iconic singer, songwriter, musician, and poet, Reed got his start as an in-house songwriter (and occasional session guitarist/vocalist) for Pickwick Records—a label specializing in sound-alike recordings that emulated the major pop hits of the day. Encompassing everything from garage-rock and girl-group pop to blue-eyed soul and teen-idol balladry, Reed’s output for Pickwick ultimately offers a fascinating early glimpse at his ever-evolving and truly limitless artistry.

The album has been restored and remastered by GRAMMY®-nominated mastering engineer John Baldwin. Both the 2xLP & CD editions feature in-depth booklets with unseen photos, liner notes by Richie Unterberger (renowned music journalist and author of such acclaimed titles as White Light/White Heat: The Velvet Underground day-by-day), and an essay by Lenny Kaye (the legendary guitarist, Patti Smith Group co-founder, writer, producer, and curator of seminal garage-rock anthology Nuggets). The double-LP package is designed by multi-GRAMMY®-winning artist Masaki Koike and pressed at world-renowned plant Optimal (Germany). A special color vinyl edition is pressed on “Oxblood” wax (a/b side) and “Gold” wax (c/d side). This release marks the first official anthology of Lou Reed’s work for Pickwick Records and features rarities, cult classics (The Primitives’ “The Ostrich”), & previously unreleased material (The Beachnuts’ “Sad, Lonely Orphan Boy”).
Elliott Smith - Roman Candle
Elliott Smith
Roman Candle
LP | 1994 | EU | Reissue (Universal)
22,99 €*
Release: 1994 / EU – Reissue
Genre: Rock & Indie
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Back in print!

"Roman Candle" is the debut studio album by American singer-songwriter Elliott Smith.

Steven Paul "Elliott" Smith (1969 –2003) was an American singer, songwriter, and musician. Smith was born in Omaha, Nebraska, raised primarily in Texas, and lived for much of his life in Portland, Oregon, where he first gained popularity. Smith's primary instrument was the guitar, though he was also proficient with piano, clarinet, bass guitar, drums, and harmonica. Smith had a distinctive vocal style, characterized by his "whispery, spiderweb-thin delivery", and used multi-tracking to create vocal layers, textures, and harmonies.

Smith began his solo career in 1994, with releases on the independent record labels Cavity Search and Kill Rock Stars (KRS). In 1997, he signed a contract with DreamWorks Records, for which he recorded two albums. Smith rose to mainstream prominence when his song "Miss Misery"—included in the soundtrack for the film Good Will Hunting (1997)—was nominated for an Oscar in the Best Original Song category in 1998.

Smith had trouble with alcohol and other drugs throughout his life, while suffering from depression, and these topics often appear in his lyrics. In 2003, aged 34, he died in Los Angeles, California, from two stab wounds to the chest. The autopsy evidence was inconclusive as to whether the wounds were self-inflicted. At the time of his death, Smith was working on his sixth studio album, “From a Basement on the Hill”, which was posthumously completed and released in 2004.
Tom Misch - Quarantine Sessions
Tom Misch
Quarantine Sessions
LP | 2023 | EU | Original (Beyond The Groove)
21,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Mazzy Star - Seasons Of Your Day Black Vinyl Edition
Mazzy Star
Seasons Of Your Day Black Vinyl Edition
2LP | 2013 | US | Reissue (Rhymes Of An Hour)
28,99 €*
Release: 2013 / US – Reissue
Genre: Rock & Indie
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Reissue der letzten Mazzy Star-LP aus 2013 auf schwarzem 180g Doppelvinyl.
The Cure - Seventeen Seconds
The Cure
Seventeen Seconds
LP | 1980 | EU | Reissue (Polydor)
22,99 €*
Release: 1980 / EU – Reissue
Genre: Rock & Indie
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Finally this classic album is available again. All recordings have been mastered by Robert Smith himself.
Los Campesinos! - All Hell
Los Campesinos!
All Hell
2LP | 2024 | US | Original (Many Hats)
38,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-01
Lunar Rays Vinyl. Double LP. Limited colourway, 1000 copies worldwide. The UKs first and only emo band Los Campesinos! Return with their highly-anticipated seventh album, All Hell. It is perhaps their most ambitious and assured album yet, whilst simultaneously recalling everything we've come to love about LC! #over their faultless discography. Recorded between October 2023 and February 2024, it is the first album to be wholly self-produced by band member Tom Bromley (having co-produced previous albums Sick Scenes and NO BLUES). The album is also self-released on the bands own Heart Swells record label. In the bands words All Hell is an album about Drinking for fun and drinking for misery // adult acne // adult friendship // football // death and dying // love and sex // late-stage capitalism // Orpheus // day dreaming // night terrors // the heart as an organ and as a burden // Tears of the Kingdom // the punks on the playlist // increments of time // climate apocalypse // the moon the moon the moon///
The Stooges - The Stooges
The Stooges
The Stooges
LP | 1969 | NL | Reissue (Elektra)
25,99 €*
Release: 1969 / NL – Reissue
Genre: Rock & Indie
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Ozan Ata Canani - Warte Mein Land, Warte Black Vinyl Edition
Ozan Ata Canani
Warte Mein Land, Warte Black Vinyl Edition
LP | 2021 | EU | Original (Fun In The Church)
20,99 €*
Release: 2021 / EU – Original
Genre: Organic Grooves, Rock & Indie
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Bohren & Der Club Of Gore - Patchouli Blue
Bohren & Der Club Of Gore
Patchouli Blue
2LP | 2019 | DE | Original (Pias)
31,99 €*
Release: 2019 / DE – Original
Genre: Rock & Indie
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Elia Y Elizabeth - La Onda De Elia Y Elizabeth
Elia Y Elizabeth
La Onda De Elia Y Elizabeth
LP | 2014 | EU | Original (Vampisoul)
25,99 €*
Release: 2014 / EU – Original
Genre: Rock & Indie
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The recordings that the sisters Elia and Elizabeth Fleta made, hand in hand with music arranger Jimmy Salcedo in the early seventies in their native Colombia, remained hidden like lost pearls in the undervalued musical pop history of Latin America until today. Their concise and natural mix of styles sways between soft-pop with a touch of tropical-pastoral funk, singer-songwriter sweetened by the subtle perfume of Caribbean music and the psychedelia of a world in the midst of discovering all the possibilities offered by the recording studio. These elements blended graciously and fortuitously, brimming with freshness, in a perfect partnership of sharp melodies with lyrics inspired by a genuine juvenile curiosity about life's mysteries, love and nature in their simplest forms.
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