Search "record store day" 17324 Items

Uncollected Noise New York '88-'90 Colored Vinyl Edition

Release: 2018 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Reissue of the breakthrough sophomore album by the rising Belarussian post-punk/synthpop band - Previous vinyl pressings have sold out instantaneously // The second LP by Belarussian trio Molchat Doma, Etazhi, meaning "Floors", was first released in 2018 on Berlin-based Detriti Records. It became a viral hit, garnering over one million views on YouTube and becoming a legitimate phenomenon on Bandcamp. The band may fly under the radar in their native Belarus, but they've reached huge audiences across Europe and beyond. Six separate vinyl pressings of the album have sold out in quick succession, and Sacred Bones Records is now thrilled to bring the record back in print for good. Molchat Doma (translated as "Houses Are Silent"), founded in 2017 in Minsk, Belarus, stands at the intersection of post-punk, new-wave and synth-pop. Dark yet danceable, and with a heavy dose of goth ethos, their music is reminiscent of the masters that predate them, but make no mistake: Molchat Doma creates a sound and meaning that is immediately recognizable as all their own. The band is comprised of Egor Shkutko, who sings the Russian lyrics in his deep monotone, Roman Komogortsev on guitar, synths, and drum machine, and Pavel Kozlov on bass and synths. RiYL: Depeche Mode, New Order, Drab Majesty, Black Marble

Go to Item

Galaxie 500

2LP | 2024 | US | Original (Silver Current)

39,99 €*

Uncollected Noise New York '88-'90 Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The complete uncollected Noise New York studio recordings of Galaxie 500. A twenty-four track chronological journey through rarities and outtakes including never-before-heard songs, from the start of their incendiary career to their final studio session. Uncollected Noise New York ’88-’90 marks Galaxie 500’s first release of new archival material in nearly thirty years and their most comprehensive collection of unreleased and rare material ever. Produced and engineered by Kramer at Noise New York 1988-1990.

Go to Item

Galaxie 500

2LP | 2024 | US | Original (Silver Current)

34,99 €*

2LP | 2024 | UK | Original (Riaz)

Release: 2024 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

Jaubi

A Sound Heart

Kid A Mnesia Black Vinyl Edition

Release: 2024 / UK – Original

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The core members of Jaubi are true masters of their craft, coming from a rich lineage of accomplished musicians. Kashif Ali Dhani is a classically trained tabla master from the Punjab gharana, and is the accompanist of choice on the local scene for some of Pakistan's great classical vocalists and instrumentalists, as well as in Europe and the USA. Zohaib Hassan Khan is a 7th generation sarangi master, who has performed globally, and is one of only 3 professional sarangi players left in Pakistan. Multi-instrumentalist, composer and Jaubi bandleader Ali Riaz Baqar aka Ila Zair began his musical journey as a hip-hop enthusiast, evolving into a jazz guitarist following the exposure to the genre’s rich sampling culture. He then became a disciple of the Senia-Shahjahanpur gharana, a lineage of musicians specialising in the sarod. His playing now focuses on merging North Indian classical music with modern jazz harmony on a traditional, unaltered 6-string electric guitar.

The collaborative relationship between the core group and wider collaborators dates back to April 2019, when 22a label founder and multi-instrumentalist Tenderlonious and EABS/Bloto keyboard and synth maestro Marek ‘Latarnik’ Pędziwiatr travelled to Lahore, Pakistan to take part in some improvised recording sessions with Jaubi. Nothing whatsoever was written down during the recording sessions – no sheet music, no song titles. It was sincere, bottled lightning. All egos were left behind, with hearts and souls being opened and poured into the music. The result has been described as spiritual jazz-fusion meets psychedelic Hindustani classical with nods to golden era hip hop.

An adventurous and absorbing record ‘A Sound Heart’ is the next chapter for Jaubi, both sonically and spiritually. The title is inspired from a verse in the Holy Qu’ran (26:89), where one comes to God with a spiritual or sound heart (Qalb) which is sincere, without doubts and free of materialistic attachments. Importantly it refers to a state where the heart is spiritually healthy and content with only God. A Sound Heart’s basis is goodness, rooted in love. In this case, it is the love for one’s creator. The album also acts as a tribute to fallen heroes, paying respect to the greatness that has come before, casting new light via cross-cultural collaboration and improvisation.

Throughout this incredible journey, meditative ragas blend with Herbie Hancock-esque motifs, joined by lament-filled contemporary melodies intertwining with the intricate sounds of the sarangi and earthy layering of the tabla. A true masterpiece of composition from start to finish.

Go to Item

Radiohead

3LP | 2021 | UK | Original (XL)

43,99 €*

2LP | 2024 | EU | Reissue (Earmusic)

Release: 2021 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Radiohead announces KID A Mnesia, a multiple format triple-album release marking the 21st anniversary of Kid A and Amnesiac, out November 5th via XL Recordings. KID A Mnesia collects Radiohead’s fourth and fifth albums alongside the debut of a newly compiled third disc titled Kid Amnesiae. Exclusive to this release, Kid Amnesiae is comprised of unearthed material culled from the Kid A / Amnesiac sessions. Along with alternate versions and elements of Kid A and Amnesiac album tracks and B-Sides, Kid Amnesiae features the never-before-heard "If You Say the Word” (available now as a digital single) and a previously unreleased studio recording of "Follow Me Around.”

Go to Item

The The

Ensoulment

34,99 €*

Release: 2024 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 2024 | EU | Original (Muddy Water)

Peter Cat Recordings Co.

Beta

35,99 €*

2LP | 1988 | US | Reissue (Goofin)

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

After a near decade spent in obscurity, Peter Cat Recording Co. or PCRC, emerged from the toxic winter smog of Delhi to enter the global Krishna consciousness with the release of 2019's "Bismillah", the culmination of years of refining their unique vision of 21st century pop music. Seeking a transcultural sound, centered around the song writing of Suryakant Sawhney, PCRC's music mines ideas from both time and space, across centuries and continents, extracting and transforming them into modern hymns and timeless folk, something you could perhaps imagine hearing in the holo-deck of a ship from Star Trek. As the name suggests, Peter Cat Recording Co. is less a band and more of a self-sufficient factory of music and art. With 3 potent song writers in Suryakant, Dhruv & Kartik, the group is building a legacy informed and echoing the spirit of groups like The Velvet Underground and The Beatles. The next chapter of this entity began with the announcement of their new album, "BETA", a name inspired by the birth of Karan Singh's son. PCRC is Suryakant Sawhney on vocals and guitars, Karan Singh on drums, Dhruv Bhola on bass and samples, Rohit Gupta on keys, horns and woodwind, and Kartik Sundareshan on guitars, horns and woodwind.

Go to Item

Sonic Youth

Daydream Nation

On The Intricate Inner Workings Of The System Red & Orange Marbled Vinyl Edition

Release: 1988 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Daydream Nation was Sonic Youth’s sixth full-length, their first double-LP, and their last for an indie label before signing with Geffen. Widely considered to be their watershed moment, the album catapulted them into the mainstream and proved that indie bands could enjoy wide commercial success without compromising their artistic vision. More recently, Daydream Nation has been recognized as a classic of its time: Pitchfork ranked it #1 on their “100 Greatest Albums of the 1980s”; Spin listed it at #13 on their “125 Best Albums of 1985-2010”; Rolling Stone put it at #45 on their “100 Best Albums of the Eighties” list and #328 on their “500 Greatest Albums of All Time.” It was one of 50 recordings chosen by the Library of Congress to be added to the National Recording Registry in 2006.
2007 saw the release of an expanded four-disc vinyl box set, but now the album is back in its original form after years of being out of print and highly sought after. As a special 21st century bonus, the vinyl now includes a digital download card—radical adults rejoice!

Go to Item

The Bug Club

LP | 2024 | EU | Original (Sub Pop)

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2010 | US | Original (Goner)

Ty Segall

Melted

Release: 2010 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

No Obligation Galaxy Green Vinyl Edition

The Linda Lindas

LP | 2024 | EU | Original (Epitaph Europe)

God's Children / Spanish Doors

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Here comes No Obligation, the second full-length release from THE LINDA LINDAS further advances their unironic, joyful, and exciting trajectory of mashing up L.A. punk with alt-rock, garage rock, power pop, new wave, rock en español. No Obligation was written and recorded by the band during spring breaks, winter breaks, and long weekends (Lucia and Eloise are still in high school, Mila just finished middle school, and Bela is patiently waiting for them to get done with it already) and was produced by Carlos de la Garza (Paramore, Best Coast, Bleached).Known for their incredible musicianship and live performances, the band who has shared stages with and opened for Paramore, Japanese Breakfast, Jawbreaker, and Yeah Yeah Yeahs, are about to embark on a massive two-month tour across America with Green Day. Look for headlining shows at small clubs in between-including a sold-out gig at the famously DIY Gilman Street in Berkeley. The new album, No Obligation, is out on October 11 .No Obligations. No expectations. No limits for THE LINDA LINDAS.

Go to Item

The Gutter Twins

7" | 2008 | US | Reissue (Sub Pop)

10,99 €*

Release: 2008 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2024 | Original (Flatsport)

Chubby And The Gang

And Then There Was.

Release: 2024 / Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

We Are Winter's Blue And Radiant Children

"No More Apocalypse Father"

LP | 2024 | CA | Original (Constellation)

Show Remastered Limited Edition

Release: 2024 / CA – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

WE ARE WINTER'S BLUE AND RADIANT CHILDREN (WAWBARC) is the new quartet of Mat Ball(BIG|BRAVE), Efrim Manuel Menuck (Godspeed You! Black Emperor, Thee Silver Mt. Zion),and Jonathan Downs and Patch (both Ada). On "NO MORE APOCALYPSE FATHER" they presentsix modal lullabies drenched in seared distortion, slathered across striding electronic pulses.Ball and Menuck began creating music in and for the bleakest moments of Montréal winters:"We're honoring that idea of winter, when you come inside and your house is warm, a placethat only exists because of how cold it is outside," says Menuck. They later recruited Downsand Patch to flesh out their initial ideas. Menuck met them in 2015 when recording Ada'sfinal album at Montréal's Hotel2Tango _ where they reconvened to make this record."NO MORE APOCALYPSE FATHER" is an album about witnessing bleakness from a place ofsafety. Carrying newfound descriptive depth, thanks to the quartet's open-ended songsfreeing him from writing in meter, Menuck likens his lyrics to photorealism. On opener `Ratsand Roses' he sings of an unnamed city struck by an unknown cataclysm, but the details arelocal: specifically, his neighbors inadvertently poisoning birds when tackling a rat infestation.It's backed by blown out synths and guitars reaching a soaring crescendo. "Seeing thingsfrom a distance and not being able to intervene happens a lot on the record," Menuckexplains. "If you're a feeling and thinking person, that's just part of the human condition.We watch horror unfolding from afar, unable to do anything concrete to change it."A powerless witness, able to describe but not intervene. `Dangling Blanket From A Balcony(White Phosphorous)' references Michael Jackson holding his child over a hotel balcony in2002_the bizarre media spectacle still lodged in Menuck's psyche. This and the album'sclosing track also elegize white phosphorous, a technology of war designed to light upbattlefields but capable of inflicting horrific burns on those it touches...

Go to Item

The Cure

2LP | 1993 | CZ | Reissue (Universal)

Release: 1993 / CZ – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2023 | EU | Original (Glitterbeat)

Altin Gün

Ask

25,99 €*

LP | 2022 | CA | Original (Constellation)

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The first thing that grabs you about Altin Gün"s new album is the energy. With Ask, the Amsterdam-based sextet turn away from the electronic, synth-drenched sound of their 2021 albums, Alem and Yol. While those two, created at home during the pandemic, paid homage to the electronic pop of the 80s and early 90s, Ask, marks an exuberant return to the 70s Anatolian folk-rock sound that characterised Altin Gün"s first two albums, On (2018) and Gece (2019). But there’s development here too. Ask is the closest the band have come so far to capturing the infectious energy of their live performances. "It"s definitely connecting more with a live sound - almost like a live album," says bassist Jasper Verhulst. "We, as a band, just going into a rehearsal space together and creating music together instead of demoing at home." "We didn't record it like we did the last album," agrees vocalist Merve Dasdemir. "We basically produced that one at home because of the pandemic. Now we've gone back to recording live on tape." How many more worlds do Altin Gün visit in this joyful expedition? "Rakiya Su Katamam" is glowering space rock, as though Gong had taken a stopover on the Bosphorus. "Canim Oy" is a psychedelic freak-beat stomper from a world where Istanbul's Kadiköy district was the Carnaby Street of the east. "Güzelligin On Para Etmez" is a dreamy acid-folk anthem. And the finale, "Doktor Civanim," is an irresistible slice of sci-fi disco camp with lava-lamp synth squiggles that wouldn't sound out-of-place next to Baris Manço"s "Ben Bilirim." Fresh yet timeless. Rooted in antiquity yet yearning for heavenly futures. Ask wants to take you places.

Go to Item

Black Ox Orkestra

Everything Returns

Nick Cave & The Bad Seeds

Release: 2022 / CA – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Everything Returns reunites the original Black Ox Orkestar lineup following a 15-year hiatus. Arising from the fertile Montréal post-punk agit-prop scene of the early 2000s, the band comprises Scott Gilmore, Jessica Moss and Thierry Amar of Thee Silver Mt. Zion (Amar also continues to compose and play bass for Godspeed You! Black Emperor) and Gabriel Levine of Sackville. Black Ox made two acclaimed albums of roiling acoustic avant-folk in the mid-2000s, exploring Eastern European and North African folkways through the lens of a gritty, resonant indie rock sensibility, juxtaposing interpretations of instrumentals from various Jewish, Romani and Arabic traditions with originals led by Gilmore's politically-charged Yiddish vocals. These early albums have since become lodestars for many among a new generation of Yiddish, Klezmer and radical Jewish diasporic music practitioners and fans. First revealing its resurrection in February 2022 with a surprise flexi 7" single issued by left journal Jewish Currents as a gift to its thousands of subscribers, Black Ox has indeed fully and fruitfully reunited. Exquisitely recorded by Greg Norman (Jason Molina, Nina Nastasia, Electrical Audio), Everything Returns picks up right where the band left off: an incisively atmospheric, melancholic yet resolute album of uniquely modern Jewish folk music, with piano, violin, upright bass, clarinet and cymbalom making up the core instrumentation, and the vocal tunes sung primarily in Yiddish, alongside album centerpiece "Viderkol" and closer "Lamed-Vovnik" where English also features. This is not fusion music, but diaspora music: a cross-cultural call and response of musical lexicons, emerging from the history of Jewish persecution and displacement, the musicology of 19th century repertoire from Jewish shtetls , the improvisational traditions of nusakh in Jewish music and taqsim in Arabic music, and a wider polyglot dialogue of Jewish, Slavic, Arabic, and Central Asian musical traditions. Lyrically and stylistically, Everything Returns connects key current issues_from refugees forced to leave their homes, to the return of fascism and exclusionary nationalism_with the legacy of modernist Yiddish poetry and song. The new Black Ox Orkestar album is a sublime, poetic, politically-informed statement of re-energized diasporic musical intent, where Gilmore's voice and the band's simmering arrangements conjure an ardent, doleful balladry that echoes the sound and sensibility of artists like Tindersticks, The National, Nick Cave and Leonard Cohen. Everything Returns is a haunting, richly textured, darkly sparkling song cycle at once from a vanished world and very much of our time and place. Thanks for listening.

Go to Item

Henry's Dream

LP | 1992 | EU | Reissue (Mute)

Johnny & The Heartbreakers Thunders

Release: 1992 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

180 gram vinyl with download code!

Go to Item

L.A.M.F. - The Lost '77 Mixes Transparent Purple Vinyl Edition

LP | 2024 | Original (Jungle)

Fetch Jde Blue Vinyl Edition

Release: 2024 / Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

In 1977 this classic punk album had a sound flaw and wasn"t heard properly until it was recompiled in 1994 - after both former New York Dolls Johnny Thunders and Jerry Nolan had died. Now songs like Born to Lose and Chinese Rocks are acclaimed as punk anthems. The album was remastered and repackaged in 2017 to celebrate its 40th anniversary, but has only ever been in black vinyl since then. "That "L.A.M.F.", the only studio album by Johnny Thunders" swaggering, smacked-up post New York Dolls outfit, The Heartbreakers, is one of New York punk"s defining artefacts (despite being recorded in Britain), is beyond dispute. 12 songs that put the guitarist"s abiding passions - Chuck Berry, The Rolling Stones, Phil Spector and Shadow Morton girl groups, glam, garage, trash and junk - in perfect, speedy collision." - Damien Love, Uncut mag, 9/10.

Go to Item

Melt-Banana

LP | 2013 | US | Reissue (Azap)

No Obligation Galaxy Orange Vinyl Edition

Release: 2013 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Received a 7.8 rating from Pitchfork. From the whip-like crack of Yako’s signature staccato vocals and impossible-to-memorize lyrics to the relentless overdrive tempo of their one-of-a-kind prog-core, Melt-Banana have long resided in a cybertopia of their own devising where the limits of technology and human capability are old-world concerns as quaint and cumbersome as bartering with a blacksmith. The demos for Fetch, their first studio album since the severely fried pop-punk of 2007’s Bambi’s Dilemma, were completed in March 2011, but the Fukushima earthquake changed everything, including their ability to concentrate on recording. Which stopped completely. Once they felt ready to return to their music, they decided to approach the songs on a sound-by-sound basis, choosing each tone with meticulous attention to detail, affirming their personal connections, being themselves naturally and openly. Fetch scrapes glam shimmers off punk’s outermost fringes and forges them into a rather intensely technical Deanscape packed with fantastical hybrids. Agata’s guitar riffs, seemingly composed in tandem with skipping CD players, are more bad-ass than ever, bright and fractured like the soundtrack for a CC-Hennix-scored biker flick. The album is juiced with electronics and post-rock production, tempering what could easily be a tiresome and predictable frenzy, yielding unexpected associations: Kate Bush climaxing on Walter White’s blue meth; demos of late-period Wire playing metal run through Wasp synthesizers and Autotune; unripe wild lychees keeping time on an Ankgor Wat tin roof during a monsoon. They’ve been performing live as a duo since summer 2012, and will do the same for their “2 do what 2 fetch” tour in support of the album. After nearly 20 years of playing with a live rhythm section, their use of a PC, while opening possibilities for a variety of drum and synth voicings, does not signal a move away from the traditional live band sound, as heard, for example, via the future transmissions from downtown Noiseapolis on 2009’s Lite Live: Ver. 0.0. Yako and Agata say they need to feel real band sounds onstage as much as someone in the audience. This is a group that routinely excels at several kinds of impossible simultaneously, so of course any new challenge they come up with for themselves is sure to blow the doors off your Mini Cooper.

Go to Item

The Linda Lindas

LP | 2024 | EU | Original (Epitaph Europe)

The Earth Is Not A Cold Dead Place Red Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

Explosions In The Sky

2LP | 2003 | US | Reissue (Temporary Residence)

38,99 €*

Mahal Black Vinyl Edition

Release: 2003 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Anniversary Edition, first time ever on colored vinyl for this release. Originally released in the fall of 2003, "The Earth Is Not A Cold Dead Place" was a watershed moment for Explosions In The Sky, and a landmark album for underground and experimental music. Its iconic sound would become a touchstone in film and television as it inspired a generational sea change towards introspective art rock in lieu of traditional orchestral scores. Artfully remastered by Bob Weston at Chicago Mastering Service, "The Earth Is Not A Cold Dead Place - Anniversary Edition" is packaged in a stunning triple gatefold with restored and expanded original artwork, housed in a heavyweight slipcase. Exquisitely pressed onto colored vinyl for the first time ever, this is the soundtrack to our everyday lives in full panoramic wonder.

Go to Item

Toro Y Moi

LP | 2022 | US | Original (Dead Oceans)

LP | 2015 | EU | Original (Bureau B)

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Toro y Moi's seventh studio album, Mahal, is the boldest and most fascinating journey yet from musical mastermind Chaz Bear. The record spans genre and sound_encompassing the shaggy psychedelic rock of the 1960s and `70s, and the airy sounds of 1990s mod-post-rock_taking listeners on an auditory expedition, as if they're riding in the back of Bear's Filipino jeepney that adorns the album's cover. But Mahal is also an unmistakably Toro y Moi experience, calling back to previous works while charting a new path forward in a way that only Bear can do. Mahal is the latest in an accomplished career for Bear, who's undoubtedly one of the decade's most influential musicians. Since the release of the electronic pop landmark Causers of This in 2009, subsequent records as Toro y Moi have repeatedly shifted the idea of what his sound can be. But there's little in Bear's catalog that will prepare you for the deep-groove excursions on Mahal, his most eclectic record to date. The second the album begins we're immediately transported into the passenger seat, jeep sounds and all, ready for the ride Chaz and company have concocted for us. Seeds of some of Mahal's 13 songs date back to the more explicitly rock-oriented What For? from 2015. Mahal was mostly completed last year in Bear's Oakland studio with the involvement of a host of collaborators, Sofie Royer and Unknown Mortal Orchestra's Ruban Neilson to Neon Indian's Alan Palomo and the Mattson 2. "I wanted to make a record that featured more musicians on it than any other record of mine," he explains. "To have them live on that record feels grounded, bringing a communal perspective to the table." As a result, Mahal is lush and surprising at every turn, from the cool-handed "The Loop," which recalls Sly and the Family Stones, to the elastic psych rock of "Foreplay" and the dizzying Mulatu Astatke-recalling of "Last Year." Lyrically, the album zooms in on generational concerns, picking up where the Outer Peace standout "Freelance" effectively left off. Bear seems to be surveying the ways in which we connect with technology, media, each other, and what disappears as a result. Cuts like the squishy "Postman" and the "Magazine" take a deep dive into our relationship with media in a changing digital world. "It's interesting to see how we adapt to this new age. We're so connected, but we're still missing out on things," Bear ruminates while discussing the album's themes. It's not all introspection. Bear cools things down near the album's end with the Mattson 2-featuring "Millennium," a laid-back jam with tricky guitar licks about ringing in new times even when everything else seems upside down. "It's about enjoying the new year, even when it's been shitty," Bear explains. "There's nothing else to do." Finding a sense of joy in the face of adversity is embedded in Mahal's DNA, right down to the jeepney that literally and figuratively brings the music out into the community. "We know that touring is messed up for now, and large gatherings are a fluke," he explains. "It's about the notion of us going out to the people and bringing the record to them." And with the wide-open atmosphere of Mahal, Toro y Moi stands to connect with more listeners than ever before.

Go to Item

Die Wilde Jagd

7" | 1966 | US | Reissue (Slovenly)

Release: 2015 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Die Wilde Jagd (The Wild Hunt) is a joint project of Ralf Beck and Sebastian Lee Philipp, named after an ancient Germanic myth. Beck is a musician and producer from Düsseldorf. He has released several albums as part of the duo Nalin & Kane, as well as under the name Unit 4. Philipp is part of the Berlin-based electro-wave duo Noblesse Oblige. They joined forces after meeting in Düsseldorf's club Salon des Amateurs. It seems no coincidence that Düsseldorf is the duo's founding city: their music is full of subtle references to local acts, such as Kraftwerk, NEU!, DAF, Liaisons Dangereuses, Pyrolator, the Krupps and Propaganda. Using numerous analog keyboards and recording devices, and combining them with a diverse range of percussion instruments, they create their own "hunting music", which at times sounds unsettling, like swampland or a dark forest, but also urgent and pressing, like incandescent lasers or a hypnotic dance.

Go to Item

Gökcen Kaynatan

Moda / Firtina EP

My Side Of The Mountain Red Vinyl Edition

Release: 1966 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Slovenly is proud to present the first ever official reissue of a Turkish holy grail—the 1966 tripped-out surf 45 by Istanbul’s Gökçen Kaynatan. Originals of this record—his first ever release, and from 1966—are so rare that none of our Turkish pals have ever seen a copy, and believe us, they’ve been on the hunt! “Moda / Fırtına” is the platter from his early years as a teenage rock’n’roller, and these two tracks each offer a compelling listen and demand motion. While mostly drenched in the twang of his custom built guitar with relentlessly swinging beats, his budding experimentation with electronics steals the show. Imagine the sought-after Countdown! LP by legendary session man Jimmy Haskell with an Anatolian lean during the peak of modernism and you’re starting to get the point. Gökçen Kaynatan was recently honored by Finders Keepers with an LP reissue of his 70s-era pioneering in electronic realms that reminds of Suicide and Mort Garson, but with the pungent tang of Turkey. This dancefloor ready 7-inch, however, fills a glaring gap for the Wild, and satisfies the raw global itch that is the Slovenly Recordings modus operandi.

Go to Item

Kat Von D

LP | 2024 | UK | Original (Kat Von D)

28,99 €*

Trashcan Records 07: Hello Earth People

Release: 2024 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Limited to 1000 copies worldwide!

Taking the album name from the famous adventure novel ‘My Side of the Mountain’, Iconoclastic artist Kat Von D explores themes of love and sobriety in her sophomore album release.

Created whilst covering her iconic tattoos and finding a new faith to live by, this synthwave, goth, post-punk album was created whilst finding peace amongst the chaos and written from Kat’s own experiences of love, darkness and vulnerability with collaborations from respected songwriters Shep Solomon (Enrique Iglesias, Kelly Clarkson, Natalie Imbruglia) Fernando Garibay (Lady Gaga, Bruno Mars, and Kylie Minogue) and guest vocalist Alissa White-Gluz (Arch Enemy).

Kat Von D has an impressive résumé. She has done everything from shaking up the tattoo industry to starring in hit TV shows, writing best-selling books, and creating a beauty empire. But before all of that, her first love was music. She poured her heart into melodies and songwriting before she became known for her work in tattoos and makeup. With a background in classical music and an eclectic appreciation for different genres, it is clear that ‘My Side of the Mountain’ is an impressive follow up album from Kat.

Go to Item

V.A.

LP | 2024 | EU | Original (Stag-O-Lee)

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Transaction De Novo Grey, Silver Or Natural Vinyl Edition

Bedhead

LP | 1998 | US | Reissue (Numero Group)

Munki (Remastered) Black Vinyl Edition

Release: 1998 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Original 1998 album remastered and pressed on 180 gram virgin vinyl."I met them in full flower, in the depths of their mania, pursuing contemplative music with the kind of intensity normally found in psychopaths. No detail was too small to sweat, no crack in the veneer not worth gluing and clamping. We built a common language, equal parts philosophy, rock music, and disdain for the dullness around us." - Steve Albini, on recording Transaction De Novo.

Go to Item

The Jesus And Mary Chain

2LP | 1998 | EU | Reissue (Fuzz Club)

LP | 2024 | EU (Cult Legends)

Release: 1998 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

To celebrate the album"s 25-year anniversary, The Jesus And Mary Chain are reissuing their long-sold-out sixth studio album "Munki". Out on Fuzz Club, the reissue arrives on CD and gatefold double LP. The vinyl has been remastered by Pete Maher (The Rolling Stones, Jack White, Liam Gallagher). Originally released June 2nd 1998 on Sub Pop / Creation Records, "Munki" was - up until the Mary Chain"s reformation in 2007 - an experimental rock"n"roll masterclass turned swan song for the Reid brothers, whose fractious in-fighting culminated in the band"s break-up less than a year after its release. It was perhaps fitting, then, that "Munki" is argued by some as the definitive Mary Chain record in the way it seemed to chart the full array of musical directions the band had ploughed over the five records that came before.

Go to Item

Depeche Mode

Paradiso Amsterdam 1983

16,99 €*

Scum Record Store Day 2023 Edition

Release: 2024 / EU

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Modern day Amsterdam is a bit of an oxymoron. On the one hand, the city proudly brandishes its reputation for alternative and sub cultures, pushing back against lawmakers and their incoherent policies to adopt approaches that are more realistic and levelheaded. On the other, its a place of such rampant commercial development the local government actively discourages visitors and new hotel developments. Look closely, though, and you can still feel the spirit of what, during the latter half of the 20th Century, made this place so special. Paradiso is one of those spots. A waterside cultural venue with a history first as a church, then an illegal squat, before becoming what it is today, the walls themselves seem to pervade a sense of brave, adventurous heritage. An ideal place to catch one of the most defining bands of the 1980s in their heyday, then, here Depeche Mode deliver an astounding set in a space with the atmosphere to match.

Go to Item

Bark Psychosis

12" | 1992 | US | Reissue (Rolling Heads)

37,99 €*

Strong Forever Record Store Day 2023 Edition

Release: 1992 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

This 12" 'single' by post rock legends Bark Psychosis, is a beautifully haunting masterpiece, with an incredibly cool sleeve to accompany. Improvised and recorded live in the band's 'home' of St John's Church in 1992, SCUM experimented with the use of space and extreme dynamics, with music that varied between minimal jazzy chording, airy acoustic drums, clamorous noise guitar, space-ambience and random vocal snippets. You can hear why the band have been credited as genre defining. Now a complete reinvention of the original 1992 release on 3rd Stone Records, and the first ever release on Rolling Heads. With updated artwork true to the original, SCUM has been fully remastered at Abbey Road Studios by Miles Showell, with the help of frontman Graham Sutton. Luxury 300gsm card sleeve, boasting something a little different to the original.

Go to Item

Blitz Vega

LP | 2023 | Original (Cen)

12" | 2023 | US | Original (Minimum Table Stacks)

Release: 2023 / Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Blitz Vega is Andy Rourke of The Smiths and Kav from Happy Mondays’ touring band. Strong Forever is new recordings and remixes, with guest Johnny Marr

Go to Item

Violin Sect

Violent Sect

LP | 2023 | US | Original (In The Red)

Release: 2023 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Minimum Table Stacks is proud to present the first ever reissue of the ultra-rare sole 7” by the Wales, UK post-punk four-piece Violin Sect, expanded to 12” 45rpm vinyl with two additional previously unreleased bonus tracks from the same recording sessions, all remastered from the original 1⁄4” studio tapes. Self-released by the band themselves in 1981, the 7” was of the type only whispered about among hardcore collectors of obscure British “diy” punk and post-punk, even slipping past the compilers of the mighty “45 Revolutions” book. After years of mystery, band member Steve Walker dug up the original 40-year-old tapes and had them remastered by a friend, digitizing for the first time two additional songs from the same sessions not heard since 1981. Violin Sect’s dub-inflected post-punk/spaced out guitar funk places them firmly in the presence of contemporaries like the Raincoats, Public Image Limited, the Pop Group, Scritti Politti and many of the other early Rough Trade bands. Included with this release are liner notes by bassist Steve Walker along with photos and ephemera from his personal archive, including a full reprint of a Violin Sect interview that appeared in a small UK zine in 1980. One of the best discoveries of forgotten UK DIY/post-punk since the “Messthetics” compilation series!

Go to Item

Skull Practitioners

Negative Stars

LP | 2022 | US | Original (Hozac)

Release: 2023 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Hard-hitting new collection succeeds the trio’s rampaging 2019 In The Red Debut EP Death Buy! Proving once again that “power trio” isn’t just a descriptive handle from the distant past but a louder-than-God 21st-Century reality, the devastating New York band Skull Practioners' bow Negative Stars, their first full-length album for In The Red Records. The eight-track collection is the second release for Los Angeles-based trio—guitarist Jason Victor, bassist Kenneth Levine, and drummer Alex BAKER—who collectively produced the record, with TED Young engineering (and Baker handling engineering on vocal sessions). Brooklyn Vegan said, “If you dig early ’80s L.A. dusty punk like Gun Club, X and Flesh Eaters, or the many works of Jon Spencer, you will want to check out these four ripping, ripped-up tracks.” Rock And Roll Globe described the music as “Gun Club fugues played by anxious Amphetamine Reptile Records ghosts deciding they’d prefer to continue to walk the earth.” Negative Stars is the culmination of years of work in New York’s clubs and studios.

Go to Item

The Revelons

1977-82

25,99 €*

John Diva & The Rockets Of Love

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Available on vinyl for the first time anywhere, THE Revelons are known to punk prevaricators one of best “lost bands” of the Cbgb era who simply released one earth-moving 7” single on Ork Records in 1979, didn’t get signed to a major, and shuffled back into the shadows of an ever-growing scene. Fronted by Gregory LEE Pickard, the band dug into the trenches of New York City’s seedy Bowery life and were frequent players alongside most of the top-tier punk bands of the time, becoming mainstays at not only Cbgb but Mudd Club, Danceteria, Hurrah’s and Max’s as well as incorporating a rotating cast of members that, at times featured Richard Lloyd of Television and JAY DEE Dougherty of THE Patti Smith Group in the lineup. Incorporating a brash and aggressive pop sound with a vicious edge, The Revelons teetered between Television-like sparkling minimal artistic flourishes, but with more raw & primitive delivery. To which, they solidified their street-level prowess with a tenderized toughness not many other bands could match. The Revelons also were pretty hard to pigeonhole sound-wise then as they are now, with Talking Heads comparisons generally falling short, but there were some genuine Doo Wop moments that sneak in as well, showing their deeper roots to the NYC of days long past. But the real crime here is that this previously unreleased collection of recordings has never appeared in the vinyl LP format, as it surely would have escalated The Revelons’ profile much higher in the timeline of New York Punk, and in the minds of rock’n roll historians across the globe. Its a fully-realized album overloaded with massive cuts that’s sadly been forgotten for far too long, so of course, we felt like it was our responsibility to make that happen, and we hope you enjoy this instant-classic album of 1977-82 material from one of New York City’s overlooked gems.

Go to Item

The Big Easy

2LP | 2023 | EU | Original (Steamhammer)

32,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

How Much Works Oxblood Vinyl Edition

Sweet Whirl

LP | 2022 | EU | Original (Chapter Music)

LP | 2022 | EU | Original (Blues Funeral)

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Esther Edquist is Melbourne artist Sweet Whirl. She is also one of the best songwriters you have heard in a very long time.How Much Works is her debut album proper, after a handful of releases acclaimed by the likes of Gorilla Vs Bear, The Guardian and Clash Magazine. How Much Works arrives fully formed, a classic ten song album from an artist with both a command of history and a drive for new expression.The album is a beautifully crafted triumph over bleak moments. It's the love-addled confessions of a seasoned party girl, romantic yet sardonic, a troubadour who sings of the heart with a knowing sense of the timeless victory of song. Esther dissects experiences with wit and depth, emerging as a powerful, indomitable voice.Musically and lyrically, How Much Works draws on wells as deep as Bob Dylan, Joni Mitchell, Jean-Paul Sartre and Sheryl Crow. It distils personal, reflexive narratives into something universal and wondrous. Esther plays almost everything on the album, with guitar and therevox from engineer Casey Hartnett (Sui Zhen, Sleep Decade) and drums from Monty Hartnett (Dreamin Wild, Sleep Decade). Fellow Chapter Music recording artist Gregor contributes backing vocals to Make That Up For Me and Conga Line.Esther has previously served in Melbourne duo Superstar, who released two delay-drenched albums during the mid 10s. She has also been a member of Scott & Charlene's Wedding.

Go to Item

Dead Meadow

Force Form Free

LP | 2023 | EU | Original (Playground)

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The new record from one of the founding pillars of modern heavy psych rock: Spacey and dreamy yet grimly propulsive, Force From Free sees Dead Meadow continuing to explore transporting, astral-gazing heavy psychedelia.Force Form Free, the new record from Dead Meadow, is spacey and dreamy at times, grimly propulsive at others, and captures one of the most important bands in modern heavy psych continuing their effortless exploration of the transporting, astral-gazing form they've spent their entire existence pushing forward.Dead Meadow has toured such far-reaching places as Russia and Australia, performed at renowned festivals including Roadburn and Levitation fest, and had their music featured on acclaimed HBO show The WireThe band has released 7 studio albums, 3 live records, and the only Peel Session ever recorded outside the BBC studiosFor Fans of Black Mountain, King Gizzard & the Lizard Wizard, GYBE, Black AngelsSleek limited LP on bright red vinyl!

Go to Item

Dina Ögon

OAS

LP | 2022 | EU | Original (Skep Wax)

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Dina Ögon is like a bumblebee - big and fluffy, and it should be impossible for it to fly, but it does it anyway - quite simply as well. Anna Ahnlund, Christopher Cantillo, Daniel Ögren and Love Örsan have had forty fingers involved in an unnumerable amount of Swedish rock, jazz, soul and pop projects, recordings and tours and all kinds of hush hush. Between themselves they've played in different constellations and played back up for each other, assisted even more in one form or another for more than a decade. But now they've formed a more remarkable quartet than what transpired from any of all the shenanigans they've previously been involved with. When such seasoned musicians themselves get a shot at it, it's not supposed to be able to fly or cause sensation according to conventional ways of marketing scheming, but this_ well for one thing it's so self-evidently great, secondly the new album Oas sounds exactly like the sum of what's lacking in Sweden musically in the 2020ies. And for too many decades before that as well, one could add, at least in this natural form. Oas is bubbling in a way few albums do, but without bursting. It's held together by their curiosity, they're searching through so many musical corners without going astray, and the skillful playing welds it together. Dina Ögon are checking all the nutrients from black music and pop, but it's no pretentious show off, only a hella rewarding listen.

Go to Item

Heavenly

Heavenly Vs Satan

LP | 2022 | UK | Original (Fire)

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Heavenly released four albums in the early 1990s. Skep Wax Records are going to re-issue all four of them over a two year period. Classic black vinyl. The albums will include a 7" booklet with lyrics and new sleeve notes by the members of the band. Heavenly were one of the pioneers of indiepop. Formed from the smouldering ashes of Talulah Gosh, they took all that energy and attitude and used it to fuel catchy, infectious pop melodies. The influence of 60s girl groups was never far from the surface. This was girl-pop, but with the girls in control. Loved by many but derided as 'twee' by some, Heavenly ignored the increasingly macho environment of the contemporary UK scene and forged a separate path, along with other bands on the Sarah Records label. Later, having co-released their albums on K Records in Olympia, Heavenly toured the US, hooking up with bands in the embryonic riot grrrl scene. Heavenly's quiet feminism became louder and more articulate, and the hostility of the UK music press became irrelevant. Heavenly came to an abrupt and tragic end when drummer Mathew Fletcher took his own life in 1996. After a year's hiatus, the group reformed as the short-lived Marine Research, before going their separate ways musically. Amelia Fletcher and Rob Pursey currently play in The Catenary Wires and Swansea Sound. Peter Momtchiloff plays in Would-Be-Goods and Tufthunter. HEAVENLY vs SATAN - THE FIRST LP. Recorded in the Oxfordshire countryside, the first Heavenly album was a bid to make a pure pop record. The punk noise of Talulah Gosh had exploded and expired. Amelia had had a go at making a disco hit ('Can You Keep A Secret', subsequently released on Fierce Recordings), which was fun, but wasn't going to trouble the charts. Unbothered by critical or popular reactions, the new band decided to immerse themselves in the creation of a sweet, tuneful pop record. It's true that the punk influences aren't hard to discern (Mathew's favourite band was The Ramones), but it's Pete's elegant guitar and Amelia's m...

Go to Item

Giant Sand

Heartbreak Pass

2LP | 2013 | EU | Reissue (Eptaph)

Release: 2022 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Ltd edition on white Vinyl, Gatefold sleeve, DL card. "Gelb's semi-surreal observations lace things together perfectly." UNCUT. Filled with loud and lucky abandon; heady steady and direct singalongs for the heart in constant turmoil. Giant Sand's esoteric journey to 'Heartbreak Pass' is an exotic journey through hails of Youngian guitars, off-the-cuff jazz piano rounds and beautiful alt-country yearning. While containing only new songs for this album, this feels like a greatest hits and as such is a perfect entry point for Giant Sand neophytes. Fire Records give 'Heartbreak Pass' a long overdue repress on white vinyl, with new liner notes and updated artwork. There's a roll of the tongue, a couplet and some convolution underpinning Giant Sand's 2015 opus 'Heartbreak Pass'. So the story goes, so legend has it, a mere 30 years into their career, almost ten years ago, Giant Sand were regrouped and, for a fleeting second, someone made sense of it all (the words, the genre swapping sound, the roll call of friends and accomplices, the majesty of polar opposites attracting). On 'Heartbreak Pass' the result from this lengthy travelogue is a memoir filled with trinkets exchanged along the way. Sure, the Arizona desert is there, gritty and unforgiving but Howe's one-man-band is joined by a throng of well-wishers, this time around including Steve Shelley (Sonic Youth), Grant-Lee Phillips and Ilse DeLange (Common Linnets), The Voices Of Praise Choir, oft-time collaborator John Parish, Grandaddy's Jason Lytle, Maggie Bjorklund on pedal steel, Italian singer/songwriter Vinicio Capossela and many more. It's an album that travels far and shows its road weariness in places but it's a celebration in all its ragged glory. In his original sleevenotes Howe pondered the fact that "The album is roughly broken into three volumes - loud and lucky abandon; heady steady and direct (Gelb's vision of Americana); and the heart in constant turmoil and something about a transponder." He summarised: "I can't recommend it, nor do I r...

Go to Item

A Day To Remember

Common Courtesy

LP | 2022 | US | Original (Mississippi)

Release: 2013 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Common Courtesy is the fifth album from A Day to Remember and is reissued on both CD and double LP vinyl for the first time since 2016. The newly packaged vinyl includes updated cover art and pressed on lemon and clear color in color vinyl with die-cut album packaging. Since its initial release in 2013 Common Courtesy has gone on to amass over 500k in total consumption and includes some of the bands biggest hits including “Right Back At it Again” and “Sometimes You’re the Hammer, Sometimes You’re the Nail”. Over the course of the past several years, each of A Day To Remember’s releases have hit No. 1 on Billboard’s Rock, Indie and/or Alternative Charts, they’ve sold more than a million units, racked up over 400 million Spotify streams and 500 million YouTube views, garnered two gold-selling albums and singles (and one silver album in the UK) and sold out entire continental tours, amassing a global fanbase whose members number in the millions.

Go to Item

Markos Vamvakaris

Death Is Bitter

Hardcore 81 Limited White Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

HEAVY, ENTRANCING TRANSMISSIONS FROM THE GREEK UNDERWORLD.Rebetika is the sound of Greece and Asia Minor clashing amid civil war, mass population exchange, and the anarchy of the late 19th and early 20th centuries. Poetic, mournful, and bitter, rebetika music was born in the hash dens (tekes) of Mediterranean ports, its verses whispered in Greek prisons before spilling out to the greater population in the 1930s, propelled in no small part by a series of remarkable recordings by Markos Vamvakaris.Markos, as he's known to this day, sang heady, drugged out songs of love, pain and yearning at brothels, bars and hash dens in the port of Piraeus. He arrived as a youth in 1917, working as a skinner in a tannery. By the time he picked up the bouzouki around 1924, he was fully taken by the life of the manges, the lowest rungs of the Greek social ladder. They lived by their own code and in total opposition to the rest of the population, and rebetika was their music. On these twelve early tracks, recorded in Athens between 1932 and 1936, Markos was already a master of the bouzouki. His forceful, clean playing compliments his hoarse voice and his stunning rhythmic sensibility, the result of his years as a champion zebekiko dancer. Tracks build and spiral outward, his open-note drones and melodic lines drawing calls of ecstasy and encouragement from his fellow musicians. Translations of songs like "Hash-Smoking Mortissa" and "In The Dark Last Night" provide a glimpse into the life and language of the manges - Ottoman cafe music, the calls of displaced Greeks of Smyrna, the chaos and suffering of port life, it all comes through Markos' songs.These recordings, incredibly rare and expertly remastered,mark the height of rebetika, the brief periodbetween the music's emergence on the recording scenein the early 1930s and government censorship of alllyrics starting in 1936. During the Axis occupation therewas no rebetika recording, and though Markos had somehits in the years after the war, he never again attai...

Go to Item

D.O.A.

LP | 1981 | US | Reissue (Sudden Death)

32,99 €*

Release: 1981 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2007 | US | Original (Sub Pop)

The Shins

Wincing the night away

Night & Love Black Vinyl Edition

Release: 2007 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

... incl. coupon for free download of the entire album

Go to Item

Kekht Aräkh

LP | 2022 | US | Original (Sacred Bones)

Devil And The Almighty Blues

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Këkht Aräkh is the Ukrainian project founded in 2018 by Dmitry Marchenko. The debut album Night & Love was initially released on the Finnish label Livor Mortis in 2019 and it's now seeing a worldwide reissue via Brooklyn label Sacred Bones.Dmitry's intent to experiment with standard black metal canons previously seen at play in Through the Branches to Eternity EP (2018) solidify further on Night & Love, he mentions "back then I had an idea of combining Darkthrone's Transilvanian Hunger type of black metal with early Internazionale or Croatian Amor vibe."Described as ambient or atmospheric black metal, this debut presents Këkht Aräkh's signature dichotomy of harsh traditional early Norwegian black metal and the more ethereal and delicate melodies. On the other hand the lyrics are romantic and melancholic, clearly influenced by a stark Gothic imagery, and serve as an extra layer of mystery to the already suggestive body of work. The album beings with a soft acoustic intro in "As the Night Falls_" before descending into the raw and raucous "Elegy for the Memory of Me" and "Den Venstre Hånd På Den Hoyre", both songs that are drenched in the more traditional black metal style of raspy, high-pitched vocals, dense, tremolo- picked riffs and fast paced drums. It is however songs like "Night" and "Love" that really set this album apart. "Night" is a softly spoken word ambient track that with a beautiful piano synth work that permeates throughout it aids in the romantic delivery and conjuring of imagery of the night. "Love" is a spellbinding and melancholic song, equal in its romanticism but one that displays a deeper sorrow and tenderness supported by calming field recordings of trickling water.The intertwining of black metal, dark folk and ambient repeats itself, culminating in a quietly hummed outro "...And Never Ends (Eternal Love)" that alludes to and completes the album's first track.

Go to Item

2LP | 2022 | EU | Original (Time Ruins)

32,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

What Do You See In Here /Remeber The Summer

Inell Young

7" | 2022 | UK | Original (Soul Jazz)

Exister Crystal Clear Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

One of three Monster New Orleans Funk 45s released by Soul Jazz Records only ever exclusively available on their site and Long out of print, these new 45s are limited edition pristine, loud dancefloor fillers housed in Soul Jazz recycled card house bag! A stone-cold Classic tune! Simply one of the most soulful New Orleans tunes Ever to come out on record from Eddie Bo vocalist Inell Young.

Go to Item

The Soft Moon

LP | 2022 | US | Original (Sacred Bones)

Praise Armageddonism Orange / Purple Split Vinyl Editoin

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"The whole point of this record was to share every emotion that I feel," says The Soft Moon's Luis Vasquez. "No two songs are the same. It's about existing in the world as a human being and experiencing many emotions and experiences throughout life." And so hence the title Exister, a record rooted in the ecstatic joys and crippling lows that life can throw up and how just hanging on and existing is sometimes all we have. "Exister is my way of saying `I'm here, deal with it.'" Vasquez says. Sonically, this expression is a vast, expansive and potent one. The opening `Sad Song', which unfurls with a dense brooding atmosphere, Vasquez describes as almost a ballad, while tracks such as `The Pit' capture the opposite end of the musical spectrum, exploding as a thundering piece of industrial techno complete with gut-churning levels of bass. `Monster' - a song that follows a human metamorphosis into an unrecognizable and destructive being - seamlessly combines a deeply melodic, almost electro pop, vocal hook with a slow build atmospherics to create something equally beautiful and unsettling. `Become the Lies' explores the devastating consequences of being lied to by your own family and is a post-punk stomper, merging charging basslines, pummelling drums and snaking guitars, all of which combine explosively. Elsewhere the album runs the gauntlet of everything from ambient to dark wave - features ferocious guest contributions from fish narc and Special Interest's Alli Logot on `Him' and `Unforgiven' - all while retaining that distinct tone that unmistakably The Soft Moon.

Go to Item

Blood Command

LP | 2022 | EU | Original (Hassle)

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1999 | US | Reissue (1-2-3-4 Go!)

Pinhead Gunpowder

Shoot The Moon

25,99 €*

Guilt Show Clear With Grey Splatter Vinyl Edition

Release: 1999 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The fourth album by Pinhead Gunpowder. The sound is a confluence of the members’ other groups—CLEVELAND Bound Death Sentence, THE Influents, and Green DAY—plus “all the sugar and twice the caffeine” of their combined force. Features haunting cover art by Aaron Cometbus, and a cover of the Replacements’ “Achin’ to Be.” Originally released in 1999 on Adeline Records, this 9-song LP—featuring two previously unreleased tracks—is cut at 45 RPM

Go to Item

The Get Up Kids

LP | 2004 | EU | Reissue (Vagrant)

31,99 €*

Alchohol Fueled Brewtality Live Record Store Day 2022 Splattered Vinyl Edition

Release: 2004 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Guilt Show' was The Get Up Kids fourth studio album, originally released in 2004. This is the first new pressing since 2016, this time on a clear vinyl with grey splatter detail. Comes with a lyric insert and housed in a hand-numbered sleeve; limited to 500 copies for Uk/eu.

Go to Item

Black Label Society

2LP | 2001 | US | Reissue (Mnrk)

LP | 2022 | EU | Original (Revolver)

Release: 2001 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Limited to 2600 copies for Record Store Day 2022 on splattered vinyl. Pressed on 180g.

Go to Item

Baby Of The Bunch

Pretty But It Has No Use

20,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2022 | EU | Original (Fat Possum)

John Doe

Fables In A Foreign Land

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Look At It In The Light Dark Blue Marbled Vinyl Edition

Kate Bollinger

LP | 2022 | US | Original (Ghostly International)

21,99 €*

Posse EP Volume 1 Record Store Day 2022 Purple Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Kate Bollinger's songs tend to linger well beyond their run times, filling the negative space of ordinary days with charming melodies and smart phrasings. She writes them at home in Richmond, Virginia, letting her subconscious lead, an open-ended process she likens to dreaming. From a chord progression appears a line, maybe a syllable will start to stick, enough to pursue, but she says sometimes the words don't feel likeher own, more like shapes that form in the mind's sky. Bollinger's musical universe is relaxed, tender, and unassuming; within lives a timeless sensibility, a songwriter's knack for noticing the little things and their counterpoints. Darkness and light, pain and pleasure, reality and escape. Her new EP, Look at it in the Light, her first project on Ghostly International, is collaborative; she shoots music videos with her friends and colors each of her folk-pop songs with musicians in her community. The title Look at it in the Light is a reference to the aspects of Bollinger's life that she knows need examining. For one, there's her persistent resistance to change _ she chooses to ignore it on the title track ("I try not to notice / I deny my fate"), as wiry strums sync with crisp drums. She surrenders to comfort on "Who Am I But Someone," a light and softly psychedelic number. "Yards / Gardens" finds Bollinger in full swing, skipping verses of uncertainty above a bright and nimble bassline and kick. Guitar riffs unravel across the bridge, trailing her lines like ellipses. The string-backed "Lady in the Darkest Hour" is the set's most luxuriant statement, recorded during a session at Matthew E. White's Spacebomb Studios with in-house arranger Trey Pollard (Natalie Prass, Helado Negro). Here her lines ring bittersweet yet reassuring, uplifted by swells of golden-hued instrumentation. From the hushed abstractions of "I Found Out" to the biting suspicions of closer "Connecting Dots," Kate Bollinger uses every inch of this dazzling EP to find her footing amidst the ever-present sways of life

Go to Item

Metronomy

12" | 2022 | Original (Because Music)

LP | 2022 | US | Original (12XU)

Release: 2022 / Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Prior to their new album "Small World" (february 18th, 2022) ,Metronomy just released digitally only as surprise a 5 original track collaborative EP .Each song featuring a rising artist of the next generation . This very first physical Edition done exclusively for the RSD , as Purple Vinyl, also includes as bonus instrumental version of all songs.

Go to Item

Winged Wheel

No Island

28,99 €*

Entering Heaven Alive Black Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Winged Wheel is made up of four musicians whose worlds have intersected for years without them ever all being in the same room. Cory Plump (Spray Paint, Expensive Shit), Whitney Johnson (Matchess, Damiana), Fred Thomas (Tyvek, Idle Ray), and Matthew Rolin (Powers/Rolin Duo, solo) have been longtime participants in various d.i.y. communities, crossing each others’ paths through shared gigs, working on releases, or taking the stage at Cory's small upstate NY bar. Each player has developed their own personal practice of improvisation and home-recording, and Winged Wheel began by chance when Cory asked Fred to send over some rawly-recorded drum loops to jam over. Cory tracked rangy guitar and bass parts over these repetitive loops and songs slowly started taking shape. Matthew's guitar layers took these foundations to a whole new level, and Whitney's submerged vocal tracks solidified everything, elevating the project from a soup of partially formed ideas into something intelligible. The entire album was written, recorded, and mixed in remote collaboration, eventually turning into a balancing act of precisely arranging sonic details and maintaining the formless excitement the music began as. This paradoxical process can be heard in the final form of the album, a continuous zone that manages to be strange and amorphous while still carving out space for four distinctive musical personalities. It’s a sound that hovers and stumbles as often as it takes declarative turns in unexpected directions, the circles getting smaller the closer you zoom in.

Go to Item

Jack White

LP | 2022 | US | Original (Third Man)

2LP | 2021 | US | Original (No Quarter)

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Entering Heaven Alive is the fifth studio album from Jack White, founding member of The White Stripes, The Raconteurs, and The Dead Weather. True to his DIY roots, this record was recorded at White's Third Man Studio throughout 2021, mastered by Third Man Mastering, pressed to vinyl at Third Man Pressing, and released by Third Man Records.

Go to Item

Endless Boogie

Admontitions

Benjamin Lew / Steven Brown

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Endless Boogie rejoins with its fifth proper studio album. It contains and is called Admonitions. Seven tracks of unrefined wisdom, mostly put to tape in improvised fashion with little to no warning. Recorded over two years and two sessions - at the pastoral tranquility of the Stockholm inland archipelago in 2018, and in the dank, cramped basement of a Fort Greene, Brooklyn studio in February 2020. Eklow on crude direction, Sweeney on stealth glamour, the obscurantist clarity of Paul Major is, as always, as ever, on full display, the fierce reality of Mike Bones is crucial, and the stoic solidity of The Harry Druzd lays beneath it all. Old pal Kurt Vile hovers over Counterfeiter. Full grease, delivered with ease. It is the band's humble wish that you immerse yourself and this offering.

Go to Item

Douzième Journée: Le Verbe, La Parure, L'amour Remastered Edition

LP | 2021 | EU | Original (Crammed)

19,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1990 | US | Reissue (Chunklet)

Tar

Roundhouse

LP | 1989 | US | Reissue (Chunklet)

Release: 1990 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Tar were an uncompromising prolific Chicago four piece band from 1988 to 1995 who put out many records and toured the US and Europe frequently with the likes of The Jesus Lizard, Arcwelder, Unsane, Surgery, and Jawbox. Over thirty years since the original releases, Tar’s first three 12" records are being reissued. Co-released by the band’s No Blow Records and Chunklet Industries, the Handsome EP and full length LPs Roundhouse and Jackson are being rediscovered. All three records were remastered and cut to lacquer by Bob Weston at Chicago Mastering Service. The artwork was painstakingly reimagined and recreated by the band’s drummer, Mike Greenlees. This music has withstood the test of time. With the stunning remastering and 180gm pressing at Chicago's Smashed Plastic pressing plant, this is no regular reissue. With exacting detail, the highest quality and attention to detail, the listener and fans are invited to truly reexperience these releases anew. It’s time to celebrate Tar. Again.

Go to Item

Tar

Handsome

How Long Do You Think It´S Gonna Last? Red Vinyl Edition

Release: 1989 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

Big Red Machine

2LP | 2021 | US | Original (Jagjaguwar)

LP | 2021 | EU | Original (Tiny Global Productions)

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Ever since childhood, learning to play various instruments in a suburban Cincinnati basement alongside his brother Bryce, Aaron Dessner has consistently sought an emotional outlet and deep human connection through music _ be it as a primary songwriter in The National, a founder and architect of beloved collaboration-driven music festivals, or collaborator on two critically acclaimed and chart-topping Taylor Swift albums recorded in complete pandemic-era isolation at his Long Pond Studio in upstate New York, among many other projects. Through it all, Dessner has brought together an unlikely community of musicians that share his impulse to connect, celebrate and, most of all, process emotion and experience through music. This generous spirit and desire to push music forward has never been more deeply felt than on Big Red Machine's "How Long Do You Think It's Gonna Last?," the second album from Dessner's evermorphing project with Bon Iver's Justin Vernon. In 2008, while assembling material for the charitycompilation "Dark Was the Night," Dessner sent Vernon a song sketch titled "big red machine". Vernon interpreted "big red machine" as a beating heart and finished the song accordingly _ a metaphor Dessner says "still sticks with me today. This project goes to many places and is always on some level about experimentation, but it shines a light on why I make music in the first place, which is an emotional need. It's one of my therapies and one of the ways I interrogate the past." Released in 2018, Big Red Machine's self-titled debut album evolved from improvisation and what Dessner calls "structured experimentalism," with an ear toward building tracks that would work well in a live setting alongside visual elements. When Dessner and Vernon started the Eaux Claires Music Festival in 2015, they staged the original "Big Red Machine" as an improvisation-based performance piece. They later took that show to the People collective's Berlin residency and festival, and to Dessner's Haven Festival in Copenhagen. "Big Red Machine started as this thing we would do for fun, and we fell in love with the feeling of it," says Dessner." Vernon agrees: "I remember it feeling really easy, but we never knew what would happen. It was exciting. As time went on, we just kept doing things together. And our friendship has grown strong, alongside all the collaborative stuff." New Big Red Machine material began taking shape in spring 2019, when Vernon came to visit Dessner at Long Pond. The first week produced songs such as "Reese," "8:22am" and eventual album opener "Latter Days," a haunting number sung by Vernon and Anaïs Mitchell that set the emotional tenor for what was to come. "It was clear to her that the early sketch Justin and I made of Latter Days was about childhood, or loss of innocence and nostalgia for a time before you've grown into adulthood _ before you've hurt people or lost people and made mistakes. Anaïs defined the whole record When she sang that, as these same themes kept appearing again and again," Dessner says. In the ensuing months, Vernon and Dessner would meet up when they could, and in the meantime, Dessner developed the existing material and wrote new instrumental tracks which he sent Vernon, always eager to hear what he would receive back. "Justin is incredibly gifted, but he's also disruptive in the best way," says Dessner, pointing to the first note of the song "Birch" as a prime example. "It's absolutely brilliant, but it was very surprising when I heard it the first time. I can't tell you what that interval is. There are many moments working with him where your head hits the wall in amazement like that." In the early stages of the pandemic, Swift approached Dessner to work with her on what would become the sister albums "folklore" and "evermore." Dessner describes this period as a "creative blur," during which he'd be writing material for Swift and Big Red Machine simultaneously. "I think this was an intense growing period for me, I was learning so much from Taylor and the process. Along the way, I shared all of our unfinished Big Red Machine songs with her and she really found them inspiring and gave me so much positive feedback and encouragement," he says. "I think that helped me realize how connected this Big Red Machine music was to everything else I was doing and that I was always supposed to be chasing these ideas. I was finding new sounds and ways of working through these songs. I just hadn't been able to finish them. So, I did." Beyond Vernon and Swift's encouragement, many of Dessner's previous collaborators and friends show up for him here, continuing the reciprocal exchange of ideas that has come to define his creative community. Songs feature guest vocals and writing contributions from artist friends including Fleet Foxes' Robin Pecknold ("Phoenix"), Ben Howard and This Is The Kit ("June's a River"), Naeem ("Easy to Sabotage'), Sharon Van Etten, Lisa Hannigan and My Brightest Diamond's Shara Nova ("Hutch," a tune inspired by Dessner's late friend, Frightened Rabbit frontman Scott Hutchison) and Swift herself ("Birch" and "Renegade," the latter an instant-classic Taylor earworm summed up by the poignant lyric "Is it insensitive for me to say / get your shit together so I can love you." The song was recorded in Los Angeles at the Kitty Committee studio in March 2021, the same week when Swift and Dessner took home the Grammy for Album of the Year for "folklore.") "This is all music I generated, but it is interesting to hear how different people relate to it, or how different voices collide with it," Dessner says. "That's what makes it special. With everyone that's on this record, there's an openness, a creative generosity and an emotional quality that connects it all together." As he continued writing prolifically on his own, Dessner noticed a theme emerging -- the idea of sitting with the uncomfortability of personal and family darkness from his childhood and reflecting on how emotional issues he dealt with growing up have reverberated through his adult life. It became clear that some of these he'd need to sing himself; songs such as "The Ghost of Cincinnati" and "Magnolia" address the disintegration of marriage and family and mental health, asking pointed questions of himself and those closest to him. "Brycie" is an ode to his aforementioned twin and National bandmate, who picked up on the musical vibes immediately when Dessner played the song for him for the first time backstage at a National show in Washington D.C. "He picked along to it with me and it immediately sounded like Aaron and Bryce playing the guitar in the basement as kids, which was my intent," Dessner remembers. "The words mean a lot to me. It's about my childhood with Bryce, and how I had pretty severe depression in high school. He was the one who kept me going and took care of me until I was back on my feet. I've lost close friends to depression and this song is about how important it was that Bryce was there for me at that time and is still here." In addition to being one of the more lyrically significant tracks on the album, Dessner says singing it himself felt like an important act of self-acceptance. "I always sing under my breath when I write music, but I usually hand it off to [National vocalist] Matt [Berninger] or others" he says. "When you're in a band for so long and somebody else is that person, you come to rely on it and I've always loved Matt's voice and his words. But singing `Brycie' myself helped rewire my brain to realize that maybe Big Red Machine is the project that not only enables me to create songs with other people, but also sometimes finish songs on my own." Recalling sessions at Sonic Ranch in Texas when Dessner recorded his vocal takes, Vernon says, "Aaron showed me `Brycie' a couple years ago now. I was like, this is beautiful, and you should do more singing. Not only would it be good for the future of your songwriting, but your voice sounds really good to me. It was exciting to see him flourish in that way _ to now be a part of that process and realize the hardships in that and also the victories. On this record, he's leading the charge, wholly and completely." Musically, "How Long Do You Think It's Gonna Last?" features what Dessner calls maybe the "clearest distillation" of his varying songwriting and production styles. Songs like "Reese," the Dessner-sung "Magnolia" and the elegiac "Hutch" are built on the kinds of tear-jerking piano melodies millions of fans have come to love from The National, but then move at their own pace toward unusual sonic destinations. "Aaron's greatest gift as a collaborator is his ability to evolve and experiment with the emotional sound that is so natural to him," Vernon says of the material. Elsewhere, the dream-like "Hoping Then" sets layered vocals by Vernon, Dessner and Hannigan ("It's the on the edge of why I can't sleep soundly") atop chopped and phased violin lines, programmed drums and countermelodies played on a rubber bridge guitar. His brother Bryce's orchestration ebbs and flows throughout this song and many others. The main instrumental track of the chugging, groovy "Easy to Sabotage" was stitched together from two different live recordings and later enveloped in warm keyboard textures and the head-nodding vocals of Naeem. "It just feels alive and electric, and it just happened," Dessner says of the song. That sense of shared experience extended to the new album's title, which was coined by Swift after Dessner told her he wasn't sure what to call the new album. Intuitively summing up the themes, she suggested titling it "How Long Do You Think It's Gonna Last?," a question which she pointed out could refer to multiple subjects addressed therein: "childhood, family, marriages, a depression, a losing streak, a winning streak or a creative streak. Taylor saw it all so clearly," Dessner says. "A year ago, we'd never even worked together. It's so cool that this community keeps extending and that everyone who contributed to this album connected so naturally to the emotions at the heart of the music."

Go to Item

Band Of Holy Joy

Dreams Take Flight

The Brian Jonestown Massacre

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Apotheosis Of Band Of Holy Joy's Bile Toward Today's Pathetic State Of Affairs Will Be Released Shortly - A Blistering Remix Of "The Devil Has A Hold On The Land" From Their Last Album, Neon Primitives. Remixed By Youth (Killing Joke Bassist, Paul Mccartney Collaborator, Producer Of Melanie C And U2!), Who Was So Taken By The Song As To Remix It Gratis, The Remix Will Be Part Of A Series Of 23 Discrete 7" 45s By Jon Langford Of The Mekons And An Assortment Fellow Travellers From Around The Globe. Dreams Take Flight Transitions From Political Discourse Into A Post-Virus Rebirth Of Human Relationship And The Inevitable Fumblings Of The Society's Psychological Reconstruction Over The Forthcoming Year. Have You Ever Wondered What Purpose Your Joy Or My Pain? All Those Moments Shared Together To Be Washed Away By The Rain . . . Have You Ever Doubted Our Super Hipster Being Love-In At All? Just A Pair Of Urbane Fools Passing Through Waiting For Our Call . . . Take A Leap Into The Great Unknown. Almost Perversely Heart-On-Sleeve, Johny Brown And Compatriots Have Never Fitted Well Within A Particular Scene - Nor Have They Ever Seem To Try. Although Recorded Under The Existence Of Quarantine And A Healthy Amount Of Paranoia, In Search Of The Joy Of Greatly Hindered Collaboration, The Band Has Opted To Turn Over Each Song To A Different Visionary Video Artist For An Exhibition Which Will Take Place For A Week At London's Gallery 46 Beginning At The End Of February And Open To The Public. The Video Exhibition Will Subsequently Be Available Online, Before The Album's Release.While Still Featuring Some Of The Band's Strongest Songs, Dreams Take Flight Has A Strange Film-Like Ambience In Parts, Almost As If Planned As A Soundtrack, A Thought Mirrored In Inga Tillere's Sublime, Dream-Like Sleeve, Best Seen In Real Life. "A Leap Into The Great Unknown" And "Notes From A Gallery" Will Likely Be Heard As Too Disarmingly Direct For Radio, And The Videos Will Likely Never See The Entry Door To Mtv, But Dreams Tak...

Go to Item

LP | 2019 | EU | Reissue (A)

Panther Rotate Black Vinyl Edition

Release: 2019 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Superb Deluxe Packaging Heavy Board 180g Clear Vinyl And Printed Plastic Sleeve. Brian Jonestown Massacre Burst Into 2019 With The Release Of Their 18th Full-Length Album, Just 7 Months After Their Last One. It Was Recorded And Produced At Anton's Cobra Studio In Berlin.The Album Was Originally Going To Be Released In September, But Due To A Hugely Successful Global Tour - Taking In Usa, Canada, Australia,...

Go to Item

Osees (Thee Oh Sees)

LP | 2020 | US | Original (Castle Face)

19,99 €*

LP | 2004 | UK | Reissue (4AD)

Release: 2020 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

“In the swirling and undulant warm mud of jettisoned reels of magnetic tape, blurps up the fog of reinvention. Every night I would parley with my pilots and run and rerun the recordings. Right up until the moment sleep slips its veil over eyes and ears and you drift back without a sound. Protean Threat dream haze becomes Panther Rotate in the other dimension. A companion LP of remixes, field recordings, and sonic experiments using all sounds generated by the him and crackle of the desert farm. “A second version of our Protean Threat if you will, but barely conspicuous in its relation. Forward, never straight! Sunrise, sunset. Two lives connected by a cosmic thread, One for your feet and one for your head. For fans of Thee Oh Sees, Oh Sees, OCS, The Oh Sees, Osees...etc etc etcetcetc…be well.” —John Dwyer

Go to Item

The National

Cherry Tree EP

16,99 €*

The Beat Scene Record Store Day 2020 Edition

Release: 2004 / UK – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Released a year before The National broke through with their third album Alligator, 2004’s Cherry Tree EP is a thrilling record which - thanks to ist collection of delicate ballads and anthemic crowd-pleasers - sums up what they do best in under 30 minutes. Now a fi rm fan-favourite, among Cherry Tree’s seven tracks are now National classics ‘About Today’ and ‘All The Wine’, plus a thrilling live version of ‘Murder Me Rachael’ that reminds of the band’s fearsome early live performances. Cherry Tree can be seen as the record that marks the moment when The National had truly found themselves, a bridge from what went before to a band ready to conquer the World. And with this new master, it’s never sounded better too.

Go to Item

V.A.

2LP | 2020 | UK | Original (Deram)

21,99 €*

LP | 2020 | US | Original (Goner)

Release: 2020 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Record Store Day 2020 Release.

Go to Item

The Archaeas

LP | 2020 | UK | Original (4AD)

Release: 2020 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"Tension, anxiety, ominous energy, and the release that comes from vanquishing those mental foes. Specifically, vanquishing them with rock and roll.” That’s how Violet Archaea, guitarist, singer, and leader of Louisville’s THE ArchaeaS describes the themes of their new self-titled album on Goner Records. Beginning as a one-witch band, they now perform as a perfectly-balanced rock trio with frightening power, reflecting punk rock ’n’ roll from the last fifty years—AC/DC, Johnny Thunders’ Heartbreakers and The Dead Boys through The Reatards and Carbonas, even early Ty Segall—but The Archaeas are young enough to soak up sounds, attitudes, riffs and turnarounds from other bands and songs and still push them into their own Battle Royale. The result is one of the most explosive debut albums in recent memory. In the midst of the mud and blood and the riffs, a rhythm starts up. Then guitar and bass blast as one thick bulldozing wall of distortion. The drums kick ass, and the vocals express a yearning, an anguish, and hopefully a release, with all the parts racing until the song is over… quickly. Violet can really play some guitar, but don’t look for solos long enough to get the lighter out for. Some razor cuts and she’s done with it. The Archaeas are the real deal. LP version to follow.

Go to Item

Purity Ring

Womb Red Vinyl Edition

Release: 2020 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Aloha Black Vinyl Edition

Son Little

LP | 2020 | EU | Original (Anti)

Half Smiles Of The Decomposed-Colored Vinyl

Release: 2020 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

That was certainly the case with his new album, aloha, his third studio album. Recorded at Paris's iconic Studio Ferber, the entire project was an exercise in letting go, in ceding control, in surrendering to fate. While SON LITTLE (the stage name of songwriter, producer, and multi-instrumentalist Aaron Livingston) still plays nearly every instrument on the album himself, he put his songs in the hands of an outside producer for the first time here, collaborating with French studio wizard Renaud Letang (Feist, Manu Chao) to create his boldest, most self-assured statement yet.Equal parts vintage and modern, the collection blends classic soul, old-school R&B, and adventurous indie sensibilities into a timeless swirl fueled by gritty instrumental virtuosity and raw, raspy vocals. It's an ambitious work of vision and reflection, to be sure, but more than that, it's an ecstatic testament to the freedom that comes from torching the map and trusting the currents of life to carry you where you belong.

Go to Item

Guided By Voices

LP | 2004 | EU | Reissue (Matador)

Designer Black Vinyl Edition

Release: 2004 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Blue Colored Vinyl - Indie Store Edition.The final Matador album from Dayton, Ohio's legendary geniuses Guided By Voices, which at the time was set to be their last ever. After twenty-odd years, twenty-odd line- ups, and twenty-odd albums, EPs, singles, triples, stolen bases, misdemeanor convictions, and broken hearts, Dayton, OH's fortunate sons took a leave of absence only to reemerge in 2010 at a certain label's 21st birthday celebrations in Las Vegas. Back in print for the first time since 2008, this translucent edition limited to 1,700 marks the first time Half Smiles has been pressed onto Colored Vinyl.

Go to Item

Aldous Harding

LP | 2019 | UK | Original (4AD)

Release: 2019 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

I Am Easy To Find Clear Vinyl Edition

The National

2LP | 2019 | UK | Original (4AD)

36,99 €*

Season Iv: Some T#Ings Wrong

Release: 2019 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

On 3rd September 2017, director Mike Mills emailed Matt Berninger to introduce himself and in very short order, the most ambitious project of the National’s nearly 20-year career was born and plans for a hard-earned vacation died. The Los Angeles-based filmmaker was coming off his third feature, 20th Century Women, and was interested in working with the band on... something. A video maybe. Berninger, already a fan of Mills’ films, not only agreed to collaborate, he essentially handed over the keys to the band’s creative process.

The result is I Am Easy to Find, a 24-minute film by Mills starring Alicia Vikander, and I Am Easy to Find, a 68-minute album by the National. The former is not the video for the latter; the latter is not the soundtrack to the former. The two projects are, as Mills calls them, “Playfully hostile siblings that love to steal from each other” -- they share music and words and DNA and impulses and a vision about what it means to be human in 2019, but don’t necessarily need one another. The movie was composed like a piece of music; the music was assembled like a film, by a film director. The frontman and natural focal point was deliberately and dramatically sidestaged in favour of a variety of female voices, nearly all of whom have long been in the group’s orbit. It is unlike anything either artist has ever attempted and also totally in line with how they’ve created for much of their careers.

Go to Item

Die Kammer

LP | 2018 | US | Original (Delicious)

Release: 2018 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2018 | US | Original (In The Red)

Ty Segall

Fudge Sandwich

2LP | 2018 | UK | Original (Invada)

Release: 2018 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Take a tour through Ty Segall’s musical psyche with his new solo album, Fudge Sandwich, a collection of Segall’s take on eleven songs that were originally done by other people. These aren’t just cover versions. Cover versions happen at weddings and high school band battles. The songs here are what happens when someone loves a song so much, they need to get inside it and let it propagate and transform into what it would have been if they had actually written it.

Equal parts reverence and reimagination, this album shows Segall inhabiting the world of a song’s intent, filtering it through the muse that drove this year’s exceptional Freedom’s Goblin. Cluttered, passionate and inspired, the songs are barely recognizable, irresistible and by album’s end, present a cohesive collection that stands proudly alongside the best of Segall’s considerable output.

Go to Item

The KVB

Only Now Forever

Release: 2018 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Sakla Samani Gelir Zamani

Baris Manco

LP | 2008 | EU | Reissue (Türküola)

21,99 €*

LP | 2017 | UK | Original (Domino)

Release: 2008 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Türküola continues Manço Mania with the release of Sakla Samanı Gelir Zamanı (Waste Not Want Not) for the second time after 10 years with a fantastic cover that reflects its eclectic aesthetics. The album was originally released by Yavuz Records in Turkey and was actually a compilation of songs previously released in 45 rpm singles. However, Türküola preferred to remove two original songs and place 6 songs like Hal Hal (1980), İşte Hendek İşte Deve (alternative version of Kurtalan Ekspres in 1973) Eğri Büğrü (Recorded in 1979, released as flipside of Hal Hal) and Vur Ha Vur (as flip side of Rezil Dede) and Gülme Ha Gülme (flip side of nazar Eyle-1974 and first time in Sakla Samani LP because it has not been used in the tracklist of 2008 release) instead which made the LP more fascinating than ever. In fact this LP is not the identical reissue of Sakla Samani but Türküola’s interpretation of how it really should be.

Go to Item

Sandy Alex G

Rocket

2LP | 2014 | EU | Reissue (Universal)

Release: 2017 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Rocket is Philadelphia-based artist Alex G’s eighth full-length release—an assured statement that follows a slate of humble masterpieces, many of them self-recorded and self-released, stretching from 2010’s RACE to his 2015 Domino debut, Beach Music.

Amid the Rocket recording process, Alex made headlines for catching the attention of Frank Ocean, who asked him to play guitar on his two 2016 albums, Endless and Blonde. More than any stylistic cues, what Alex took from the experience was a newfound confidence in collaboration. Rocket wears this collaborative spirit proudly, and in its numerous contributors presents a restless sense of musical experimentation - effortlessly jumping from distorted sound collage to dreamy folk music to bouncing Americana.

Rocket illustrates a cohesive vision of contemporary American experience; the cast of characters that Alex G inhabits have fun, fall in love, develop obsessions, get in trouble, and—much like rockets themselves—ultimately they burn out. Alex, though, in a collection of songs that’s both his tightest and most adventurous, is poised only for the ascent.

Go to Item

Fall Out Boy

Infinity On High

38,99 €*

The Golden Voice Sessions 1970-1974

Release: 2014 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Fall Out Boy is an American rock band formed in Wilmette, Illinois, a suburb of Chicago, in 2001. The band consists of lead vocalist and rhythm guitarist Patrick Stump, bassist Pete Wentz, lead guitarist Joe Trohman, and drummer Andy Hurley. The band originated from Chicago's hardcore punk scene, with which all members were involved at one point. The group was formed by Wentz and Trohman as a pop punk side project of the members' respective hardcore bands, and Stump joined shortly thereafter. The group went through a succession of drummers before landing Hurley and recording the group's debut album, “Take This to Your Grave” (2003). The album became an underground success and helped the band gain a dedicated fanbase through heavy touring, as well as some moderate commercial success. “Take This to Your Grave” has commonly been cited as an influential blueprint for pop punk music in the 2000s.
Now, their album “Infinity On High ” is finally back in print on limited vinyl.

Go to Item

Remedy

LP | 2016 | US | Original (Alona's Dream)

LP | 2015 | UK | Original (4AD)

Release: 2016 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Straight from the vaults of the legendary Golden Voice Recording Co. comes REMEDY's funky hard-rock boogie sound. Remedy was one of the top live rock bands in Illinois in the early 1970s and their recorded legacy has remained largely unheard until now. This previously unreleased album was created from the restored four-track masters. It includes an insert with a in-depth bio and pictures of this nearly forgotten Pekin, IL band.

Go to Item

Beirut

No No No

Release: 2015 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2014 | EU | Original (This Charming Man)

DIE NERVEN

Fun

Release: 2014 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2010 | US | Reissue (Dischod)

Faraquet

View From This Tower

Animal Piss It's Everywhere

Release: 2010 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Faraquet began as a side project featuring Smart Went Crazy members Devin Ocampo and Jeff Boswell, along with Devin's high school friend Chad Molter. Faraquet stepped up as a full-time band after the demise of SWC and started playing more shows, releasing a couple of singles as well as appearing on a split CD with Akarso. Due to their non-traditional time signatures and off-kilter arrangements the band was often described as “math-rock”—a description they never warmed up to. Faraquet felt more aligned with the Minutemen and both the passion of their live performance and their advanced sense of melody set them well above and apart from the basement scientist crowd. The View from This Tower was recorded by J. Robbins and released in November of 2000. In 2003 core Faraquet members Devin and Chad reunited to form Medications, who continue to release new music on Dischord Records. Remastered from the original tapes. LP includes a download.

Go to Item

Grace

LP | 2024 | US | Original (Sophomore Lounge)

34,99 €*

A Place To Bury Strangers

Release: 2024 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

It's Cocktail Time, America! That’s right—Grace, the sophomore effort from Planet Earth's favorite Western Mass bar band Animal Piss, It's Everywhere, is officially upon us. And indeed, there is a certain grace present amidst the rambles and ambles of this particular trip around the gramophone. Picking up where 2022’s self-titled LP left off (deemed an "all-star romp through early West Coast country rock a la Moby Grape, Sons of Champlin, & Byrds" by Byron Coley), this latest full-length further explores such collectively road-tested themes as mortality, partying, doomed celebrity, and wasted-days-turned-regrettable-nights with equal parts stardusted mania and genuine pathos. Sorta like if an early Jimmy Buffett LP took a wrong turn down a dark alley somewhere between the poolside cabana and neighborhood crab shack, or if Brewer & Shipley tripped with the Meat Puppets in a tour van together. Sophomore Lounge and Half A Million Records are happy to co-present this aural truckstop feast from the experimental northeast, and it arrives just in time to squeeze in a few more shoreline drives with what's left of these hazy summer daze. Jump in!

Go to Item

Live At Levitation

LP | 2023 | WW | Original (The Reverberation Appreciation)

Release: 2023 / WW – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Jason Isbell And The 400 Unit

Live From The Ryman, Vol. 2

2LP | 2024 | WW | Original

Release: 2024 / WW – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Kentucky Derby Is Decadent And Depraved

Hunter S. Thompson

LP | 2024 | EU | Original (Shimmy Disc)

LP | 2024 | US | Original (Sophomore Lounge)

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Clear Vinyl.For the first time ever released on vinyl, this brilliant2012 LP features an all-star cast of musicians andactors lead by Tim Robbins, Dr. John, Bill Frisell,Ralph Steadman, Annie Ross, John Joyce III and WillForte. Hunter S. Thompson's classic Gonzo reportageon the 1970 Kentucky Derby is summoned brilliantlyto life through spoken word and musicalcomposition. Conceived by executive producerMichael Minzer for his Paris Records label, the projectwas produced by Hal Willner, who brought BillFrisell in as composer/arranger/conductor. Bill thenasesmbled a stellar group of musicians includingCurtis Fowlkes (trombone), Ron Miles (trumpet),Eyvind Kang (viola), Doug Weiselman (woodwinds),Jenny Scheinman (violin), Hank Roberts (cello) andKenny Wolleson (drums, percussion). Ralph Steadmandoes double duty portraying himself in the narrationand contributing original artwork for the project.In 2021, Kramer re-Mastered the original audiofor this historic re-release on limited-edition'Horse-Shit Brown' vinyl for his Shimmy-Disc label.

Go to Item

Styrofoam Winos

Real Time

LP | 2024 | Original (Dear Life)

Release: 2024 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"The Styrofoam Winos are that band that we love to have in our lives because they transcend the language of music, not by their individual parts, but by their oneness. On Real Time, Styrofoam Winos 2nd full length of originals for the Sophomore Lounge label, you imagine—and firmly believe—that their relationship extends beyond studios and stages. You believe they not only play music together, but eat meals together, live down the street from one another, practice three days a week because it’s fun, read the same books, and that they’ve agreed in some wordless, musical bond that this is who they are. As a listener, and inevitable fan, you wonder if they found each other by a stroke of luck or the hand of destiny. You believe that they can probably read each other’s minds and that their music is as joyous to them as it is to you. After all, this is what we love about early R.E.M. records, the brainier grooves of Pavement, and the discographies of Yo La Tengo and The Breeders. The Springwater Supper Club and Lounge in Nashville has been a dive bar since before a dive bar was a brand; a place where, in the early 2000’s, everyone would wonder if David and Dave (Berman and Cloud) would be sitting at the bar and a write-up in a weekly paper could fill the room. It seemed like everyone that bought you a beer was either in Lambchop or The Cherry Blossoms. This wasn’t a world that wanted to keep great music a secret. This was a world where great music was born and championed, when a community didn’t have metrics or boardrooms. The members of Styrofoam Winos were in elementary school back then, but they carry on this scene’s shaggy-dog torch that deserves a bigger audience. Real Time was cut live to tape at The Bomb Shelter studio by Andrija Tokic (Alabama Shakes, The Ettes, Margo Price) with few overdubs and over just 5 days, whenever the band had enough money to record. The members – Lou Turner, Trevor Nikrant, Joe Kenkel – all make wonderful solo albums on labels like Dear Life, Earth Libraries, and Spinster, as well as excellent self-releases. But unlike most bands where members compose alone before bringing a song to the table, the Winos write the music and lyrics together. Their van life, which has included tours with MJ Lenderman, has solidified this chemistry. They switch instruments in the studio, too, and allow the friend who found the seed of the song to sing the lead. Between the 3 of them (and a couple visits from pedal steel buddy, Will Ellis Johnson), Styrofoam Winos trade off on guitars, drums, bass, synths, vibraphone, percussion, and all the lovely vocals, like they’re on a cross-country road trip, taking turns behind the wheel, and singing along with each other because they all know the words. And Real Time is just that: a celebration of the present-tense and its ever-shifting moments of living. They’re going down the road, not feeling bad, but feeling. On the opener, “Angel Flies Over,” it sounds like the Styrofoam Winos wind-up a melodic memory from their 2020 all Michael Hurley covers album for their own tuneage. And then, a left turn, and the road trip detours into a feel-good head-trip with the Feelies-ish “Magic Mind.” And on “Don’t Mind Me,” the Winos crib a riff from Little Feat to indulge the tempo-shifting storm clouds mid-song. Over the course of the record, the Winos continue to step on the gas and tap the brakes until “Found Round,” an improvisational finale, where they each take turns singing us the summary, “these are the things that we found,” like they forgot we’ve been listening the whole time. And, yes: I’m wearing my bright yellow, size medium, Styrofoam Winos tee shirt as I type this."—Jerry David DeCicca, Bulverde, Texas

Go to Item

Nina Ryser

Water Giants

The Zaragoza Tapes 1981-1982

Release: 2024 / Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Nina Ryser's music has always inhabited its own world; a singular and cohesive collection of Keyboard-centric home recordings that marry her undeniable pop sensibilities with a truly bizarre dreamlike aesthetic. With a solo career spanning 7 releases as well as her work in the highly influential art-punk trio Palberta, Nina's artistic voice has been a staple in the American underground for over a decade, her distinctive and consistent sound earning a cult following. Her latest effort Water Giants signifies a departure in both sound and artistic practice - her first solo release recorded outside of her home studio, with a myriad of first time collaborators, it's Nina's most lavish and expansive offering to date, honing in on the heartfelt songwriting at the core of her work.After completing her usual process of demoing the songs for Water Giants, Nina felt that she wanted to try something new, escaping the confines of her minimal studio setup and the limitations of working alone. At the recommendation of several friends, she began working with Lucas Knapp, a Philly based producer who has contributed work to many Dear Life releases (including Florry's The Holey Bible, Hour's Ease the Work, and Joey Nebulous's Joey Spumoni Creamy Dreamy Party All the Time ). Lucas and Nina's recording sensibilities aligned quite seamlessly, breathing new energy into the songs in what she describes as an "effortless collaboration". The result is some of her most pristine experimental pop offerings to date, centering Nina as a dynamic performer and lyricist without foregoing the surreal qualities of her previous work. The album features contributions from many of her peers in the Philly music community, including Jill Ryan (Great Time), Victoria Rose and Nino Soberon (@, Brittle Brian), Eli Kleinsmith (The Knee Jerk Reaction), and her husband Gabe Adels, whom she frequently collaborates with in the synth-pop duo Data. Even the cover art is a departure for Nina, who has previously crafted it herself or with longtime friend/visua...

Go to Item

Bona Dish

LP | 2024 | US | Original (Captured Tracks)

East My Love Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP + Downloadcode.BONA DISH were a scratchy pop punk group from Hertfordshire villages, brought together by their love of the Velvets, Supremes and each other. They were cool, handsome and gorgeous. The songs are simple but at the same time complex. The two girls, two boy's line-up added a tension that was both sexual and musically fragile. You felt it might all fall apart any second but it rarely did. After their "cassette in a tube" ploy worked for John Peel play, the band released a cassette on InPhaze and disbanded not long after. Collected here is a rediscovered gem showcasing the zest and spontaneity that gripped the UK DiY scene of the time, standing up to their contemporaries like TELEVISION PERSONALITIES, THE HOMOSEXUALS and MARINE GIRLS. This release marks the first vinyl and cd release for Bona Dish, their complete recorded output compiled and newly mastered.

Go to Item

Current Joys

LP | 2024 | US | Original (Secretly Canadian)

LP | 2024 | DE | Original (Campary)

Release: 2024 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

East My Love, the resplendent, country-tinged 12th album byCurrent Joys, feels familiar. It's meant to: the 12 songs contained...

Go to Item

The Ramonas

High On Life

Deathconsciousness Mint Vinyl Edition

Release: 2024 / DE – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Ramonas are probably the best tribute band to the legendary The Ramones, the New York forefathers of punk. Formed in the UK in 2004, the all-female band perfectly captures the ultimate garage punk rock sound of 1976 and brings it to the stage in energetic performances. True to their motto "Touring, touring is never borning", the Ramonas' constant touring in recent years has earned them a reputation as one of the hardest-working bands in the scene. And rightly so: since 2016, Die Ramonas have also been writing their own songs, which they mix in with the Ramones classics at their shows. This is clearly recognisable from singer Lisa's stage outfit: while she wears the obligatory sunglasses for the Ramones covers in the style of Joey Ramone, she takes them off when performing her own songs. For the new LP "High on life", the band has put together a magnificent selection of these original comp...

Go to Item

Have A Nice Life

2LP+Book | 2008 | US | Reissue (The Flenser)

47,99 €*

Tape | 2024 | US | Original (Drag City)

Release: 2008 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Have a Nice Life released their debut double-album Deathconsciousness in 2008 to a whimper and critical non-interest; six years later, the band followed it up with 2014’s stunner The Unnatural World. In the meantime, Deathconsciousness has become a cult classic whose seamless blend of shoegaze, post-punk, new wave, industrial and noise influences inspires fanatic obsession. Now, longtime Have a Nice Life collaborator The Flenser reissues Deathconsciousness on colored vinyl with deluxe packaging. The band commented, “Working with Flenser lets us keep things comfortable on our end, while also pressing enough copies to actually meet the need and not creating an artificially inflated collector’s market, as happened with some of our past releases.”

Rhythmic, primal and expansive, Deathconsciousness offers a meditation on death, loss and unrequited love, with repeated listens revealing new layers of depth and meaning. The Flenser’s reissue is accompanied by a 75-page booklet detailing the dark and forgotten history of the Antiochean cult—an engrossing narrative that blurs the lines between liner notes, novella and academic text.

Go to Item

Bill MacKay

Locust Land

16,99 €*