Search "record store day" 17335 Items

Bougainvillea Suite Mustard Colored Vinyl Edition

LP | 2022 | EU | Original (Heavy Psych Sounds)

31,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Once again Brant Bjork is back with a wonderful new album “Bougainvillea Suite” !! He’s never missed a shot in the last 20 years. His discography is connected by an imaginary line which crosses different sounds and melodies, but always with the same attitude. In the background you can imagine the Mojave desert where everything started many years ago, but his last record sounds fresh as his debut Jalamanta! Brant says about this album: “This is a bitter sweet record for me. So much change in my life. Some stuff more positive than others. But it’s always a blessing to be able to make a record and get the music out and to the fans. This is the last record to be recorded in my Joshua Tree studio. I’m saying good bye to an era and looking down the road toward new beginnings”

“Bougainvillea Suite” is composed by 8 songs. Produced by Yosef Sanborn and Brant Bjork. Recorded at The Rad Cabin, Joshua Tree, CA. Engineered and mixed by Yosef Sanborn.

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Bougainvillea Suite Yellow-Black-Blue Vinyl Edition

LP | 2022 | EU | Original (Heavy Psych Sounds)

39,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Brant Bjork Black Viny Edition

LP | 2020 | EU | Original (Heavy Psych Sounds)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Even before you know it’s self-titled, and even before you read the LP liner notes, you know it’s all Brant Bjork.
The man who has become the ambassador of Californian desert rock indeed plays every instrument across his 13th studio full-length, Brant Bjork. This in itself is something of a departure from recent offerings, as on 2018’s Mankind Woman, Bjork worked closely with guitarist Bubba DuPree (Void), and both 2016’s Tao of the Devil and 2014’s Black Power Flower were constructed around the Bjork-led Low Desert Punk Band. Maybe revisiting his 1999 debut, Jalamanta, for a Heavy Psych Sounds 20th anniversary reissue last year had some effect on Bjork’s mindset in terms of working solo, but he’s come too far in the ensuing decades to repeat himself, and the songs on Brant Bjork – recorded and mixed by Yosef Sanborn in Joshua Tree and mixed by John McBain (ex-Monster Magnet) – show that, whether it’s the mellow roll of “Duke of Dynamite” or the signature take on classic heavy rock in “Jesus Was a Bluesman” and percussion-backed funk of opener “Jungle in the Sound.” There’s no mistaking Brant Bjork, and on Brant Bjork, he strips his songwriting style to its core and brings out the organic vibe that’s made him desert rock’s most crucial practitioner.

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Keep Your Cool Transparent Yellow Vinyl Edition

LP | 2003 | EU | Reissue (Heavy Psych Sounds)

29,99 €*

Release: 2003 / EU – Reissue

Genre: Rock & Indie

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Keep Your Cool' is the third solo album by the Kyuss- and Fu Manchu-legend, originally released back in 2003 with Duna Records. Full of the soul and funky laid-back grooves Brant Bjork is known and loved for, tongue-in-cheek lyrics and sweet guitar licks oozing from the great 70's era vibes, 'Keep YourCool' is still considered as one of Brant Bjork's accessible and catchiest records to date. Tracks such as 'Hey, Monkey Boy', 'Johnny Called' or 'Gonna Make The Scene' became classics in the stoner rock scene, taken from an album that belongs to every well-sorted Brant Bjork record collection. Heavy Psych Sounds is now giving new life to this gem with a brand new cover and coloured vinyls !!

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Punk Rock Guilt Yellow Vinyl Edition

LP | 2008 | EU | Reissue (Heavy Psych Sounds)

Release: 2008 / EU – Reissue

Genre: Rock & Indie

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Re-issue ! Produced by Dave Raphael.Recorded And Mixed December 2005 By Dave Raphael At Glide On Fade Studios N.J. Mastered By Dave Collins Los Angeles, CA. Cover art by Dirty Donny Gillies (www.dirtydonny.com). 100% Analog Recording

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Saved By Magic Again Orange Vinyl Edtion

LP | 2005 | EU | Reissue (Heavy Psych Sounds)

Saved By Magic Again Black Vinyl Edition

Release: 2005 / EU – Reissue

Genre: Rock & Indie

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Remastered Reissue of Brant Bjork's legendary album in brand new colored vinyl and artwork. “I had just got off the road and went right into the studio out in the desert at Rancho de La Luna. I was living in the house just behind at the time making sessions super convenient. I was set to record with my band the Bros in a couple weeks but I decided to go into the Rancho early and get some sounds. Tony and I ended up recording a bunch of songs that I was writing on the fly. A week later the Bros showed up and we recorded another batch of songs with the band playing live in the front room. After we wrapped I combined both my solo session and the Bros session and released in as one record called Saved By Magic on my label Duna records. That was 2005. Now I’m rereleasing this record on HPS and I’ve decided to separate the two sessions into their original bodies of work. My solo session and the Bros session. I mostly did this because I feel the Bros deserve to have something of their own as they were a magical band. I also just thought it would be cool. I call both records Saved By Magic Again.” New album cover by Maarten Donders. Remastered by John McBain !!

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Brant Bjork & The Bros

LP | 2005 | EU | Reissue (Heavy Psych Sounds)

Saved By Magic Again Golden Nugget Vinyl Edition

Release: 2005 / EU – Reissue

Genre: Rock & Indie

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“I had just got off the road and went right into the studio out in the desert at Rancho de La Luna. I was living in the house just behind at the time making sessions super convenient. I was set to record with my band the Bros in a couple weeks but I decided to go into the Rancho early and get some sounds. Tony and I ended up recording a bunch of songs that I was writing on the fly. A week later the Bros showed up and we recorded another batch of songs with the band playing live in the front room. After we wrapped I combined both my solo session and the Bros session and released in as one record called Saved By Magic on my label Duna records. That was 2005. Now I’m rereleasing this record on HPS and I’ve decided to separate the two sessions into their original bodies of work. My solo session and the Bros session. I mostly did this because I feel the Bros deserve to have something of their own as they were a magical band. I also just thought it would be cool. I call both records Saved By Magic Again.” New album cover by Maarten Donders. Remastered by John McBain !!

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Brant Bjork & The Bros

LP | 2005 | EU | Reissue (Heavy Psych Sounds)

7" | 2014 | FR | Original (Not Dead Production)

Release: 2005 / EU – Reissue

Genre: Rock & Indie

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Brassen's Not Dead, Spi

Les Passantes

Pottymouth Indie Exclusive Lemon Yellow Vinyl Edition

Release: 2014 / FR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Poster picture sleeve.
Orange Vinyl.
Record is close to NM.

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Bratmobile

LP | 1993 | US | Reissue (Kill Rock Stars)

Pottymouth Pink Vinyl Edition

Release: 1993 / US – Reissue

Genre: Rock & Indie

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Along with Bikini Kill, Bratmobile spearheaded the riot grrrl revolution of the early 1990s, battling the long-standing dominance of men within the punk rock community to help empower a new generation of female musicians and fans. Comprised of singer Allison Wolfe, guitarist Erin Smith, and drummer Molly Neuman, Bratmobile made their debut at 1991’s International Pop Underground convention; after a handful of singles—with members spread out between California, Washington, and Maryland, recording was a logistical nightmare—the trio finally released Pottymouth in 1993. – By Jason Ankeny, Allmusic.com

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Bratmobile

LP | 1993 | US | Reissue (Kill Rock Stars)

Impressions On Reading Aldous Huxley

Release: 1993 / US – Reissue

Genre: Rock & Indie

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Brave New World

LP | 1972 | EU | Reissue (Wah Wah)

LP | 2023 | UK (Elektra Catalog Group)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Conceived as a studio project and conceptually inspired by the world of sci-fi novelist Aldous Huxley, Brave New World was created by Reinhart Firchow (recorders, flutes, ocarina, Stylophone, percussion, vocals), John O'Brien-Docker (guitars, organ, percussion, vocals, wind chimes) and Herb Geller (flutes, cor anglais, saxophones, organ). They where aided by Dicky Tarrach (drums, percussion), Lucas Lindholm (bass, bass fiddle, organ, piano) and Esther Daniels (voice). Irishman John O'Brien-Docker had previously played on Die City Preachers and Marcel, and also recorded as Inga & John - Inga was, of course, Inga Rumpf of Frumpy fame. He also played with Dagmar Krause and Anthony Moore, who would later be known as Slap Happy. Reinhart Firchow had also been around for a while and would later form Kaarst. Herb Geller was an accomplished jazz musician who had been playing and recording in several jazz outfits since 1954. Their album, originally released on Vertigo in 1972, featured an eclectic mixture of styles, blending medieval music, folk, electronics, jazz and rock in pure krautrock eclectic lore in the line of Annexus Quam, Achim Reichel or Tomorrow's Gift.

First ever reissue, housed in a glossy laminated gatefold cover reproducing the phenomenal original artwork and an insert with notes, and it's limited to only 500 copies!

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Bread

Now Playing

Nothin' But Time Black Vinyl Edition

Release: 2023 / UK

Genre: Rock & Indie

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Part of Rhino's "Now Playing" Series! - Remember soft rock? Fifty years ago, it floated onto the AM airwaves via airy melodic songs with earnest lyrics and major 7th chords. And no one was softer - and fresher - than Bread. Between 1970 and '77, the L.A.-based quartet, led by David Gates and James Griffin, logged 13 chart hits. This collection of original recordings features a generous helping of those plus choice deep cuts.

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Breanna Barbara

LP | 2022 | UK | Original (Fuzz Club)

27,99 €*

Nothin' But Time Deluxe Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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NYC-based artist Breanna Barbara's second album 'Nothin' But Time' is a raw and immersive trip through the sounds of psychedelic rock and blues, anchored by her forceful vocals and unforgettable songwriting. Sporting a sound that feels classic and of-the-moment at the same time, 'Nothin' But Time' sees Barbara plumb new emotional depths as she bursts through every sonic barrier put in her way. Seeking to create mind-expanding music that's also firmly rooted in the real, 'Nothin' But Time' reflects Barbara's headlong journey into the world of psychedelic pop by way of hard-driving blues-rock, warped theramin tones and celestial synths. Out November 11 on Fuzz Club, 'Nothin' But Time' arrives following Breanna's 2016 debut 'Mirage Dreams', a trio of critically acclaimed singles (most recently 'New Moon') and a number of collaborations with legendary trip-hop vanguard Tricky. As well as joining his US touring band as lead female vocalist, Barbara also did an official rework of his 'When We Die' track and featured on the 2021 Lonely Guest album, 'False Idols'. Recorded at Nashville's Bomb Shelter studio with Andrija Tokic (Alabama Shakes, Hurray For The Riff Raff), the album features musical contributions from Jack Lawrence (The Dead Weather), Tall Juan, Derry DeBorja (Jason Isbell), and Champagne Superchillin's Ben Trimble and Charles Garmendia.

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Breanna Barbara

LP | 2022 | UK | Original (Fuzz Club)

29,99 €*

LP | 2022 | UK | Original (Apollon)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Breidablik

Alduorka

LP | 2022 | EU | Original (Schnitzel)

Release: 2022 / UK – Original

Genre: Rock & Indie, Pop

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With “Alduorka”, their fifth full-length studio album, Norwegian Breidablik dives even deeper into the world of progressive electronic and ambient music. Now signed on Apollon Records Prog, the band’s latest release is even richer and wide-ranging than its predecessors, with judicious use of synthesizers, guitar, flute, and drums. “Alduorka” is a concept album about waves, here understood as “a sudden occurrence of or increase in a phenomenon, feeling, or emotion”. The title “Alduorka” is from Faroese and can be translated to “wave energy”. Through six varied tracks, “Alduorka” explores different facets of waves through both sounds and emotions.

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Brendan Benson

Low Key

Brendan Croker & The 5 O'clock Shadows

Release: 2022 / EU – Original

Genre: Rock & Indie

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Not every two-year period measures out the same, noted Brendan Benson, the 51-year old Grammy-nominated singer-songwriter and co-founder of The Raconteurs. Benson had just finished his well-received seventh album, "Dear Life" in 2019 when his world came to a stop. "I was rehearsing for South-By-Southwest and gearing up for a tour and had a band ready and then, of course, the world shut down," he said in a recent interview. The lockdown then began to reroute lives, societies and ambitions worldwide. "Everything changed," Benson said. "I went to work on some songs so I'd have new material when things opened up." Over months with minimal interactions, those songs coalesced and took on lives of their own, he said. Two years of semi-isolation, of fading relationships, of the natural inward turn that comes with less human contact unexpectedly pushed Benson's song-writing into new places. Instead of being an afterthought, Benson's solitude evolved into, "Low Key" the eighth album by the idiosyncratic songwriter who has enjoyed both world-wide popularity with the Raconteurs and a devoted cult following for his numerous solo projects. Low Key, the Nashville-based artist said, was his chance to explore how lives and relationships changed during the lengthy isolation from the normal interactions of everyday life. Benson might not have written songs such as "People Grow Apart" and "Whole Lotta Nothing" prior to 2019, he said. "The lockdown afforded people the opportunity to cut ties - or maybe it caused people to do that," he said. "Whatever the case may be, a lot of people fell out." "But then relationships ending is one of my favourite topics for song writing," he said with a laugh. This isn't to say that the 8-track effort recorded in Benson's own Readymade Studio in Nashville is a grim look at the state of human condition. Just the opposite. The catchy, upbeat lead track "Ain't No Good," pokes fun at destructive self-absorption while the guitar-heavy "Whatever's On My Mind" skewers Benson's own hyperkinetic, stream-of-consciousness thinking. And then there's the most unlikely track of all: A cover of Gerry Rafferty's smooth 1978 hit, "Right Down the Line." The cover was suggested by a friend. "She's always been saying I should do that song. I don't normally pay attention when people say that stuff. But then I happened to hear it one day and I said, 'Dang. This is good.' " Low Key concludes with "Something A Little Like Home," a song that surprised Benson because it turned to the loneliness of being on the road and what people will do - one-night-stands, bad behaviour -- simply to stave off the solitude of their environment. But that said, Benson added that he is excited to tour again, not just in support of Low Key but Dear Life as well. Low Key, he said, works as a coda for "Dear Life," almost a sequel. And because Dear Life never had its own tour moment in front of a live audience, he'd like to build some shows around supporting both. Or as Greg Calbi, the album's mastering engineer at Sterling Sound put it: "Brendan combines the classic 80's style song-writing in the Squeeze, Crowded House vein with some incredible contemporary sonic magic, the kind of album which entices the listener to get tickets to a live show immediately." The fact is, it's been a long, rough two years for everyone, Benson said. He knows that this wait for normal times, whatever that is, might be a long one. But he's hardly new at this. Benson has been in the industry for decades and has produced his own eight solo records as well as many others. The lockdown that left him mostly with himself, professionally speaking. Confined to his Nashville studio, Benson played every instrument on Low Key and handled all of the initial production. Michael Ilbert then mixed the album at Hansa Mixroom, Berlin, Greg Calbi and Steve Fallone mastered it at New Jersey's Sterling Sound. The end result was exactly what Benson had been searching for - even if he didn't know it at the time. Those years spent honing his craft as a songwriter, producer and touring musician, turned what could have been a liability of isolation into something far deeper, a body of work he described as the best of his career.

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LP | 2024 | EU | Original (Music On Vinyl)

31,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Eye Of The Hunter / Live At The I.C.A.

Brendan Perry

LP+LP+All Media | 2023 | EU | Reissue (4AD)

39,99 €*

Eye Of The Hunter / Live At The Ica Reissue

Release: 2023 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Transparent Blue and green vinyl.
Still shrink wrapped but opened.
Cover as new with slightly dented corners.
Records are close to VG+

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Brendan Perry

LP | 2023 | EU | Original (4AD)

44,99 €*

Brennen Leigh Featuring Asleep At The Wheel

Release: 2023 / EU – Original

Genre: Rock & Indie

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Out of print since release in 1999, Dead Can Dance"s Brendan Perry"s debut solo album "Eye of the Hunter" is being reissued this summer and has been expanded to now also include his 1993 live show as part of 4AD"s infamous 13 Year Itch week of concerts at London"s ICA, a live show that has to date only been available as a very rare promotional cassette.Having mutually disbanded Dead Can Dance so he and Lisa Gerrard could focus on their own material (a hiatus that would last seven years between live shows and sixteen between albums), Brendan"s debut built on his renown as a solo performer, having often played just he and an acoustic guitar during his band"s otherworldly live shows. Indeed, Dead Can Dance"s first official live album, 1994"s Toward The Within, captures just this with three Brendan solo tracks helping to set the scene for what came next.Backed by the band of Liam Bradley (drums), Glen Garrett (bass guitar) and Martin Quinn (pedal steel), Brendan performs the guitar, a 12-string guitar, mandolin and keys to achieve a rich, gothic sound while the album"s incredible production elevates his vocals to Scott Walker and Tim Buckley levels of delivery; two clear influences, the latter"s "I Must Have Been Blind Here" is thoughtfully covered here.A record that has been out of print on vinyl since its release in 1999, people have been asking for it to be repressed for long enough. Having been remastered at Abbey Road, fans will be delighted to hear that not only is Eye of the Hunter finally being reissued but that it"s also being expanded to include Live at the I.C.A.. A true collectible, this extra album has previously only been available on a rare as hen"s teeth promotional cassette, recorded during the 4AD label"s infamous 13 Year Itchresidency at the storied London venue in 1993. Chris Bigg"s fantastic art remains front and centre, upgraded to a gatefold sleeve for the LP with the transparent teal Colored Vinyl matching the album"s palette.

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Obsessed With The West

LP | 2022 | US | Original (Signature Sound)

7" | 1966 | EU | Reissue (Wah Wah)

Release: 2022 / US – Original

Genre: Rock & Indie

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I've been obsessed with western swing since I was a kid, and it's always been an influence, but my records in the past have ranged from bluegrass to hard country to folk, So I've never fully explored it.' So says genre-busting Fargo-born, Austin- incubated, Nashville resident Brennen Leigh, whose new collaboration with the kings of modern-day western swing, Asleep at the Wheel, Obsessed With The West (out on May 6, 2022), is a showcase not just for the Bob Wills fans, but for anyone who's ever curled up with Loretta Lynn, Hank Sr., Cindy Walker, Billie Holiday, or Willie Nelson. On twelve all original songs, Leigh's supple winking voice and multi-instrument fluency, her interplay with Ray Benson, and the undeniable chops of the Wheel serve up a treat on Leigh's seventh album. With cameos from Emily Gimble and Katie Shore, and all the players getting their moments in the sun, Leigh - a two-time winner of the Texas Music Awards Best Female Vocalist award - demonstrates on the terrific jump 40's rhythm and blues, 'Comin' in Hot' and the lonesome cowboy musing of 'Riding Off Onto Sunset Boulevard' why Rodney Crowell and Lee Ann Womack have recorded her songs. Obsessed With The West is a celebration of music for music's sake in 2022, not just an exercise in looking back on times gone by.

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Brenner's Folk

Daurat Oest +3

12,99 €*

Brent Loveday & The Dirty Dollars

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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The most elusive Edigsa 7" gets its first ever vinyl reissue on Wah Wah. An unsung moody garage folk-rock act, Brenner's Folk where the embryonic Pic-Nic (of "Cállate niña" fame) and featured a very young Jordi 'Toti' Soler right after he had gone through Els Xerracs (who also had released an EP on Edigsa), drummer Jordi Barangé (also from Els Xerracs) and brothers Vytas and Haakon Brenner. The Brenner brothers were born in Germany but grew up in Venezuela, where their family had emigrated after the devastation of World War II. The Brenner family would return several years later to establish in Europe, first in Italy and later in Barcelona. The new band started to rehearse under the name of The Vytas Brenner Quartet, and their main influences came from american modern folk acts like Peter Paul and Mary or The Mamas & The Papas, a.o. Not long after they started rehearsing, a very young Jeanette joined them thus becoming Brenner's Folk. Edigsa approached them and offered a contract for the recording of their only EP, sung in catalan and issued in 1966. A showcase of their folk and folk rock influences, the Brenner's Folk 7" is a lo fi garagey jewel that has become an elusive piece due to the importance that its band members would gather in years to come. Toti Soler became the biggest master of guitar, he went to psychedelic and progressive / jazz rock with Om prior to trading in his electric for a Spanish guitar and pioneering instrumental flamenco jazz rock fussion sound on his early solo albums. He is still active nowadays, he is one the biggest Catalan geniuses of modern guitar. The Brenner brothers returned to Venezuela where Vytas became a big solo act, recording the sought after LPs "La Ofrenda de Vytas" and "Hermanos" with his brother Haakon on production duties. Vytas continued a solo carrer that would last until his premature death in 2004 at only 57 due to a heart attack. Jeanette, of course, went on to lead the successful Pic-Nic along with Toti Soler and later enjoyed a successful solo career in the 1970s and 1980s, plus a come back in the early 2000s.

The 4 original Catalan sung tunes will appeal to lovers of Catalan sixties aborigen sounds, Euro & Nederbiet or American teen moody folk rock garage a la Rising Storm, Dovers, Nightcrawlers, Tormentors and the likes.

A facsimile reproduction of this mega rare EP, originally released on Edigsa in 1966, coming with remastered sound and an insert with lyrics, photos and notes.

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Hymns For The Hardened Heart Purple Vinyl Edition

LP | 2023 | EU | Original (Wolverine)

19,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2022 | US | Original (Sub Pop)

Bret McKenzie

Songs Without Jokes

LP | 1970 | US | Original (Kama Sutra)

Release: 2022 / US – Original

Genre: Rock & Indie

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Initial vinyl pressing on Blue Curacao Transparent Vinyl! As you can probably glean from the title, Bret McKenzie-whom you know from such modern musical treasures as comedy duo Flight of the Conchords, the Muppets movie reboots and other ace kid-film soundtracks, Lord of the Rings fan blogs, guest songs for The Simpsons, cycling around the streets in his native New Zealand, and more- has a new solo record coming out filled with songs that ARE NOT Comedy Songs! There. Doesn't that feel better? Sometimes it helps just to get it out in the open. So, yeah, Bret's a ridiculously funny dude, and you might even call him one of the best comedy songwriters in the biz. (In Bret's own words, there are fewer than a dozen people in the world writing comedy songs today, but who's counting?) He's had smash hits, he's won major awards, he's the better-dressed part of his duo...he's got a good thing going! So, what gives with this whole "songs without jokes" solo stuff, man? The Conchords landed McKenzie and Jemaine Clement a hit HBO TV show, a BBC Radio series, chart-topping records, world tours, a Best Comedy Album Grammy, and a 2018 "reunion" special. McKenzie transitioned to Hollywood, writing songs for 2011's The Muppets (winning a Best Original Song Oscar for "Man or Muppet"), 2014's Muppets Most Wanted, and films in the Pirates! and Dora canons. While he enjoyed and excelled at the work, he wondered where his songs might go if set free of all that plot-bound specificity. And so, while in Los Angeles a few years back, recording movie music with a crack assemblage of legendary session musicians, McKenzie started playing around with a tune or two he had written simply as songs-songs without any external direction, songs without plot-pushing concerns, songs without jokes. The results reveal McKenzie's talents on multiple instruments (he's a veteran of several non-comedy bands in New Zealand back in the day, most notably the reggae-based fusion group The Black Seeds), and his affinity for wry, literate artists like Harry Nilsson, Steely Dan, Randy Newman and Dire Straits. Written mostly during the quieter moments of 2019, with his life split between work in Los Angeles and his family in Wellington, the songs of Songs focus on themes of escape, the perpetual search for peace, and navigating a life being pulled in multiple directions at once. There are also simple meditations on driving through a city, and the weather. McKenzie was inspired by the path icons like Newman and Nilsson had paved, where a silly or playful number could be sandwiched directly between a song about heartbreak or an earnest redemption and a scathing satire or character commentary. He threw a bit of everything into the mix, recording ideas on his phone at home in New Zealand after the kids had gone to sleep. Back in LA, he fine-tuned the songs with his longtime producer and collaborator, Mickey Petralia, and longtime film collaborator Chris Caswell created charts for that same ensemble of session players with whom they'd recorded so many pieces for film. The majority of songs were then recorded at United Studio in Los Angeles in just a few takes. While the album may be free of traditional punch lines, it doesn't lack a sense of humor. It showcases a new stage of McKenzie's career, to be sure, but one that isn't so far removed from his past work and true artistic self. Like Jim Henson before him, who made a career of blending the silly with the sincere and the playful with the profound, McKenzie also aims to connect rainbows to the ridiculous.

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Brewer And Shipley

Tarkio

8,99 €*

LP | 2023 | US | Original (Sub Pop)

Release: 1970 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: G+

Cover with seam split.

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Bria

Cuntry Covers Volume 2

12" | 1986 | EU | Reissue (Thank You)

Release: 2023 / US – Original

Genre: Rock & Indie

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As its name suggested, the intimate and sultry Cuntry Covers Vol. 1 was always going to have a follow-up. Led by the brooding vocals of Bria Salmena, Cuntry Covers Vol. 2 is every bit as potent as its predecessor whose noir-inflected alternative country-rock stood in sharp contrast to the singer's commanding delivery as leader of post-punk revivalists Frigs. Debuting the project in 2021, the languid, reverb-drenched Cuntry Covers Vol. 1 saw her artfully collaborating with multi-instrumentalist Duncan Hay Jennings and reimagining a carefully picked collection of Americana anthems. Vol. 2 pushes the envelope further and harder. Encompassing feverish takes on tracks by Gillian Welch, Paula Cole, Mary Margaret O'Hara, Robert Lester Folsom, Glenn Campbell - by way of Nick Cave - and the late, great Loretta Lynn, Bria's deliciously dark approach shimmers through these six startling songs. Created during a break from Salmena and Jennings' work in Orville Peck's world-conquering backing band, Vol. 2 was recorded directly after Peck's second album and Bria's US tour supporting Wolf Alice. Embracing contrast, the sunny circumstances in which Vol. 1 was made were flipped on their head. Instead of a bucolic barn in the Canadian countryside, they recorded the new tracks in chilly Toronto, huddled together in their tiny makeshift home studio, with Jennings at the controls. They enlisted the help of local Toronto musicians Lucas Savatti (Frigs), Simone Baril (US Girls, The Highest Order, Darlene Shrugg, Partner), Andrew Manktelow, and frequent collaborator Jaime Rae McCuaig. While Vol. 1 was Bria's attempt at subverting country music's conservative roots and primarily white and heterosexual agenda, here the emphasis was on experimentation. While Vol. 2 might be less personal, it's just as idiosyncratic, with half of the reversions staying true to the originals and others taken to a different universe entirely. Building on the tried-and-true/bold-and-new duality of Cuntry Covers' first offering, Vol. 2 delivers a deeper dive into the duo's brilliant alchemy of traditional and contemporary reinterpretations. The added experimental flourishes, from dizzying electronica and pulsing bass to sax-driven soul, take Bria's new EP into previously uncharted territory, signalling a thrilling new step in Bria's adventurous evolution.

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Brian Auger

Night Train To Nowhere

15,99 €*

Brian Auger & The Trinity

Release: 1986 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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It's not because one might have worked with people like Jimi Hendrix, John McLaughlin and Rod Stewart throughout their career that Italo-Disco wouldn't get the best of your work. A great example of the Italian phenomenon's infectiously widespread grip is British rock keyboardist Brian Auger's path, when he found himself in a Milanese recording studio during the mid 80's and recorded his last known release in that decade. Powerfully fusing decades of rock and jazz education with the synthetic hysteria of the time (and culture), the result is a classic downtempo number that has found its way into some of our favorite DJ sets for a while now. Vocal and instrumental are featured on the A-side and in addition the B-side offers a new remix where things take somewhat of a catastrophic turn into what sounds like Brian getting on the wrong train to a K-hole, probably not for most dance floors. Meticulously remastered at manmade mastering in Berlin.

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Definitely what!...

LP | 2022 | EU | Reissue (Soul Bank Music)

18,99 €*

The Happy Hammond Plays Great Western Movie Themes

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover with small beginning of seam split on top spine

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Brian Dee

LP | 1974 | UK | Original (Hallmark)

Release: 1974 / UK – Original

Genre: Rock & Indie, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG

Brian Eno, Holger Czukay, J. Peter Schwalm

Sushi. Roti. Reibekuchen

2LP | 2024 | EU | Original (Grönland)

34,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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LP | 2021 | EU | Original (Bang!)

Brian Henry Hooper

I Won't Bend For You

Brian Poole & The Tremeloes

Release: 2021 / EU – Original

Genre: Rock & Indie

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"I Won't Bend For You", The New Posthumous Album By Brian Henry Hooper, Is Packed With The Darkest And Most Intimate Melodies In His Solo Career. Released Now Almost Three Years After His Passing.Gatefold, 140 Gram Vinyl, Limited To 500 Copies! Almost Three Years After The Death Of Brian Henry Hooper (The Beasts Of Bourbon), We Find This New Posthumous Album That He Recorded At The End Of His Days With The Collaboration Of Friends Of The Stature Of: - Kim Salmon (The Beasts Of Bourbon, Scientists, Surrealists, Salmon, Etc.) - Spencer P. Jones (The Beasts Of Bourbon, The Johnnys, The Green Mist, The Butcher Shop, Etc.) - Mick Harvey (Nick Cave And The Bad Seeds, The Birthday Party, The Wallbangers, Etc.) Among Others. The Album Goes A Step Beyond His Previous Album "What Would I Know?" Revealing A Final Period In The Musical And Personal Evolution Of The Artist, Where The Darkest And Most Intimate Melodies Intersect, Announcing The Subsequent Outcome, As Well As The Genius And Creativity Of The Musical Musculature Of This Group Of Unique Musicians Of Their Kind. Open Folder Edition Limited To 500 Units, Edited Courtesy Of Ninevah Hooper.

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Twist & Shout Record Store Day 2024 Edition

7" | 1963 | EU | Reissue (Analogue October)

17,09 €* 18,99 € -10%

Release: 1963 / EU – Reissue

Genre: Rock & Indie

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Bridge And Tunnel / Young Livers

Bridge And Tunnel / Young Livers Split Record

7" | 2009 | US | Reissue (No Idea)

LP | 2023 | Original (Wanda)

Release: 2009 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Blue Vinyl.

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Briefs , The

Hit After Hit

Release: 2023 / Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Power It Up)

Brigade Fozzy

Jetzt Erst Recht

18,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 1973 | EU | Reissue (Out-Sider)

Brigg

LP | 2002 | US | Original (Independence Day)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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First ever legit vinyl reissue, sanctioned by the band members, of this collectable psych/folk/hard-rock album from 1973. Brigg were a rural Pennsylvania folk-tinged psychedelic band formed by three high school friends: Rob Morse, Jeff Willoughby and Rusty Foulke. In 1973, they borrowed the money to record their first album together. They called it Brigg after one member saw the name in a dream. It was recorded at a grocery store converted into a 4-track studio. The photos for the cover were taken in a purportedly haunted house in Danville. The band members pressed 1000 copies and sold some to their friends but never played a live show together. They divided the remaining copies between them and went their separate ways. Several decades later, the Brigg album became a collector’s item and was bootlegged all over the world.

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Bright Calm Blue

Asymmetry Set

9,99 €*

Release: 2002 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl closer to VG+ and cover to NM

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A Christmas Album Vinyl Me, Please Edition

LP | 2024 | US | Reissue (Vinyl Me, Please)

33,99 €*

Release: 2024 / US – Reissue

Genre: Rock & Indie, Christmas

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Why you'll love it...

Traditional Christmas songs performed and arranged by Bright Eyes' Conor Oberst and Maria Taylor along with the help of Jake Bellows, Gretta Cohn, Armand Costanzo, Denver Dalley, Stefanie Drootin, Orenda Fink, Neely Jenkins, Jiha Lee, Andy LeMaster, Mike Mogis, Matt Oberst, Stephen Pedersen, Blake Sennett, Macey Taylor and Nick White.

Limited to 2000 copies, the VMP exclusive version of Bright Eyes' A Christmas Album is pressed on Blue Seafoam Wave vinyl at Independent Record Pressing (IRP). The 1 LP will arrive in a single direct-to-board, foil-stamped and numbered jacket.

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A Collection Of Songs Written And Recorded 1995-1997 Black Vinyl Edition

2LP | 1997 | US | Reissue (Dead Oceans)

30,99 €*

Release: 1997 / US – Reissue

Genre: Rock & Indie

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Dead Oceans' 2022 reissue of the debut album by Bright Eyes. A Collection of Songs Written and Recorded 1995-1997 was the first commercial release by Conor Oberst and features his vocals and guitar. The album saw Oberst beginning to experiment with drum machines, keyboards and other instruments. The sound of the album ranges from bleating vocals to acoustic guitar songs and techno-style synthesizer instrumentals.

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Digital Ash In A Digital Urn

LP | 2005 | EU | Reissue (Dead Oceans)

Release: 2005 / EU – Reissue

Genre: Rock & Indie

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"The first three are innocent in a way, because we didn't have an audience when we were making them," Oberst says. "But from Lifted on, I was definitely aware of an audience. Lifted was well-received right away, and then everything happened with Wide Awake and Digital Ash." Those two albums came out simultaneously. And their lead singles - "Take It Easy (Love Nothing)," from the austere, remote Digital Ash, and "Lua," from the warm, folky Wide Awake - debuted in the top two slots on the Billboard Hot 100. "First Day of My Life," also from Wide Awake, would later be voted the Number One love song of all time by NPR Music's reader's poll. Bright Eyes had officially broken through. It was a heady, exciting time, but also fraughtand tense, both because of the band's careening new fame, and because of the state of the world. When Bright Eyes made their Tonight Show debut in 2006, they chose to perform none of their shiny new hits, instead delivering a searing, harrowing rendition of their caustic anti-Bush anthem, "When The President Talks To God."

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Digital Ash In A Digital Urn: A Companion EP Opaque Gold Vinyl Edition

LP | 2022 | EU | Original (Dead Oceans)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Opaque Gold Vinyl! "The first three are innocent in a way, because we didn't have an audience when we were making them," Oberst says. "But from Lifted on, I was definitely aware of an audience. Lifted was well-received right away, and then everything happened with Wide Awake and Digital Ash." Those two albums came out simultaneously. And their lead singles - "Take It Easy (Love Nothing)," from the austere, remote Digital Ash, and "Lua," from the warm, folky Wide Awake - debuted in the top two slots on the Billboard Hot 100. "First Day of My Life," also from Wide Awake, would later be voted the Number One love song of all time by NPR Music's reader's poll. Bright Eyes had officially broken through. It was a heady, exciting time, but also fraughtand tense, both because of the band's careening new fame, and because of the state of the world. When Bright Eyes made their Tonight Show debut in 2006, they chose to perform none of their shiny new hits, instead delivering a searing, harrowing rendition of their caustic anti-Bush anthem, "When The President Talks To God." These days, Oberst is still amusing himself by messing with the extremes Bright Eyes baked into this era's releases, extremes that reflected the polar, with-us-or-against-us, fractious feel of the times. The reworked Digital Ash tracks, originally so clean and elegant, are, on the companion EP, full of "harmonica and mandolins - folky vibes," Oberst says. While the analogue sweetness of the Wide Awake songs have been put through a detached nihilism filter.

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Down In The Weeds, Where The World Once Was

Tape | 2020 | US | Original (Dead Oceans)

16,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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A lone pair of footsteps meanders down a street in Omaha, into the neighborhood bar and then into a near-imperceptible tangle of conversations - about wars, sleepless nights - a surrealist din pushing against the sound of ragtime. Then, as the background quiets, a line rings out clearly: "I think about how much people need - what they need right now is to feel like there's something to look forward to. We have to hold on. We have to hold on." Thus we enter the fitting, cacophonic introduction to Bright Eyes' tenth studio album and first release since 2011. Down in the Weeds, Where the World Once Was is an enormous record caught in the profound in-between of grief and clarity - one arm wrestling its demons, the other gripping the hand of love, in spite of it. The end of Bright Eyes' unofficial hiatus came naturally. Conor Oberst pitched the idea of getting the band back together during a 2017 Christmas party at Bright Eyes bandmate Nathaniel Walcott's Los Angeles home. The two huddled in the bathroom and called Mike Mogis, who was Christmas shopping at an Omaha mall. Mogis immediately said yes. There was no specific catalyst for the trio, aside from finding comfort amidst a decade of brutal change. Sure, Why now? is the question, but for a project whose friendship is at the core, it was simply Why not? The resulting Bright Eyes album came together unlike any other of its predecessors. Down in the Weeds is Bright Eyes' most collaborative, stemming from only one demo and written in stints in Omaha and in bits and pieces in Walcott's Los Angeles home. Radically altering a writing process 25 years into a project seems daunting, but Oberst said there was no trepidation: "Our history and our friendship, and my trust level with them, is so complete and deep. And I wanted it to feel as much like a three-headed monster as possible." As a title, as a thesis, Down in the Weeds, Where the World Once Was functions on a global, apocalyptic level of anxiety that looms throughout the record. But on a personal level, it speaks to rooting around in the dirt of one's memories, trying to find the preciousness that's overgrown and unrecognizable. For Oberst, coming back to Bright Eyes was a bit of that. A symbol of simpler times, vaguely nostalgic. And even though it wasn't actually possible to go back to the way things were, even though there wasn't an easy happy ending, there was a new reality left to work with. And here, there is a bleary-eyed hopefulness - earnest, emotive recommitments to love appear on "Dance and Sing" and "Just Once in the World." And throughout, Down in the Weeds features snippets of Oberst's loved ones speaking, in late-night conversations. The fleeting loveliness of intimate moments punctuates the bleakness of the record's existential crisis, crackling like lightning bugs illuminating the long night. Down in the Weeds is a distillation of a prolific, enduring canon. It's immediate and urgent, the product of its creators' growth across a decade apart, as well as the need to make a record together to find solace from loss. Through deliberate, fearless experimentation in process, the trio made the truest Bright Eyes sound: the sound of a deep bond, of a band coming home, but also a seamless continuation, like Bright Eyes never went away. It's the impossible, sprawling mess of human experience that Bright Eyes has always sought to put to tape, since the beginning - the sound of holding on. Why now? Why not?

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Down In The Weeds, Where The World Once Was Black Vinyl Edition

2LP | 2020 | US | Original (Dead Oceans)

Release: 2020 / US – Original

Genre: Rock & Indie

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2xLP packaging features die-cut jacket and Side 4 phenakistoscope etching!

A lone pair of footsteps meanders down a street in Omaha, into the neighborhood bar and then into a near-imperceptible tangle of conversations - about wars, sleepless nights - a surrealist din pushing against the sound of ragtime. Then, as the background quiets, a line rings out clearly: "I think about how much people need - what they need right now is to feel like there's something to look forward to. We have to hold on. We have to hold on." Thus we enter the fitting, cacophonic introduction to Bright Eyes' tenth studio album and first release since 2011. Down in the Weeds, Where the World Once Was is an enormous record caught in the profound in-between of grief and clarity - one arm wrestling its demons, the other gripping the hand of love, in spite of it. The end of Bright Eyes' unofficial hiatus came naturally. Conor Oberst pitched the idea of getting the band back together during a 2017 Christmas party at Bright Eyes bandmate Nathaniel Walcott's Los Angeles home. The two huddled in the bathroom and called Mike Mogis, who was Christmas shopping at an Omaha mall. Mogis immediately said yes. There was no specific catalyst for the trio, aside from finding comfort amidst a decade of brutal change. Sure, Why now? is the question, but for a project whose friendship is at the core, it was simply Why not? The resulting Bright Eyes album came together unlike any other of its predecessors. Down in the Weeds is Bright Eyes' most collaborative, stemming from only one demo and written in stints in Omaha and in bits and pieces in Walcott's Los Angeles home. Radically altering a writing process 25 years into a project seems daunting, but Oberst said there was no trepidation: "Our history and our friendship, and my trust level with them, is so complete and deep. And I wanted it to feel as much like a three-headed monster as possible." As a title, as a thesis, Down in the Weeds, Where the World Once Was functions on a global, apocalyptic level of anxiety that looms throughout the record. But on a personal level, it speaks to rooting around in the dirt of one's memories, trying to find the preciousness that's overgrown and unrecognizable. For Oberst, coming back to Bright Eyes was a bit of that. A symbol of simpler times, vaguely nostalgic. And even though it wasn't actually possible to go back to the way things were, even though there wasn't an easy happy ending, there was a new reality left to work with. And here, there is a bleary-eyed hopefulness - earnest, emotive recommitments to love appear on "Dance and Sing" and "Just Once in the World." And throughout, Down in the Weeds features snippets of Oberst's loved ones speaking, in late-night conversations. The fleeting loveliness of intimate moments punctuates the bleakness of the record's existential crisis, crackling like lightning bugs illuminating the long night. Down in the Weeds is a distillation of a prolific, enduring canon. It's immediate and urgent, the product of its creators' growth across a decade apart, as well as the need to make a record together to find solace from loss. Through deliberate, fearless experimentation in process, the trio made the truest Bright Eyes sound: the sound of a deep bond, of a band coming home, but also a seamless continuation, like Bright Eyes never went away. It's the impossible, sprawling mess of human experience that Bright Eyes has always sought to put to tape, since the beginning - the sound of holding on. Why now? Why not?

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Down In The Weeds, Where The World Once Was Red & Transparent Orange Vinyl Edition

2LP | 2020 | US | Original (Dead Oceans)

Release: 2020 / US – Original

Genre: Rock & Indie

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First pressing on limited edition Transparent Red + Transparent Orange vinyl - 2xLP packaging features die-cut jacket and Side 4 phenakistoscope etching!

A lone pair of footsteps meanders down a street in Omaha, into the neighborhood bar and then into a near-imperceptible tangle of conversations - about wars, sleepless nights - a surrealist din pushing against the sound of ragtime. Then, as the background quiets, a line rings out clearly: "I think about how much people need - what they need right now is to feel like there's something to look forward to. We have to hold on. We have to hold on." Thus we enter the fitting, cacophonic introduction to Bright Eyes' tenth studio album and first release since 2011. Down in the Weeds, Where the World Once Was is an enormous record caught in the profound in-between of grief and clarity - one arm wrestling its demons, the other gripping the hand of love, in spite of it. The end of Bright Eyes' unofficial hiatus came naturally. Conor Oberst pitched the idea of getting the band back together during a 2017 Christmas party at Bright Eyes bandmate Nathaniel Walcott's Los Angeles home. The two huddled in the bathroom and called Mike Mogis, who was Christmas shopping at an Omaha mall. Mogis immediately said yes. There was no specific catalyst for the trio, aside from finding comfort amidst a decade of brutal change. Sure, Why now? is the question, but for a project whose friendship is at the core, it was simply Why not? The resulting Bright Eyes album came together unlike any other of its predecessors. Down in the Weeds is Bright Eyes' most collaborative, stemming from only one demo and written in stints in Omaha and in bits and pieces in Walcott's Los Angeles home. Radically altering a writing process 25 years into a project seems daunting, but Oberst said there was no trepidation: "Our history and our friendship, and my trust level with them, is so complete and deep. And I wanted it to feel as much like a three-headed monster as possible." As a title, as a thesis, Down in the Weeds, Where the World Once Was functions on a global, apocalyptic level of anxiety that looms throughout the record. But on a personal level, it speaks to rooting around in the dirt of one's memories, trying to find the preciousness that's overgrown and unrecognizable. For Oberst, coming back to Bright Eyes was a bit of that. A symbol of simpler times, vaguely nostalgic. And even though it wasn't actually possible to go back to the way things were, even though there wasn't an easy happy ending, there was a new reality left to work with. And here, there is a bleary-eyed hopefulness - earnest, emotive recommitments to love appear on "Dance and Sing" and "Just Once in the World." And throughout, Down in the Weeds features snippets of Oberst's loved ones speaking, in late-night conversations. The fleeting loveliness of intimate moments punctuates the bleakness of the record's existential crisis, crackling like lightning bugs illuminating the long night. Down in the Weeds is a distillation of a prolific, enduring canon. It's immediate and urgent, the product of its creators' growth across a decade apart, as well as the need to make a record together to find solace from loss. Through deliberate, fearless experimentation in process, the trio made the truest Bright Eyes sound: the sound of a deep bond, of a band coming home, but also a seamless continuation, like Bright Eyes never went away. It's the impossible, sprawling mess of human experience that Bright Eyes has always sought to put to tape, since the beginning - the sound of holding on. Why now? Why not?

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Fevers And Mirrors Black Vinyl Edition

2LP | 2000 | US | Reissue (Dead Oceans)

30,99 €*

Release: 2000 / US – Reissue

Genre: Rock & Indie

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2022 Dead Oceans' reissue of the third album by the Nebraska indie band Bright Eyes. Fevers and Mirrors was recorded in 1999 and released on May 29, 2000. The album begins with a recording of a little boy reading Mitchell Is Moving, a book by Marjorie Weinman Sharmat. On this album the band used new instruments such as the flute, piano, and accordion introduced into the song arrangements. After "An Attempt to Tip the Scales", there is a mock radio interview that features Todd Fink of The Faint doing an impression of Oberst while reading a script that Oberst wrote. In this interview, the fake Oberst presents a strange, contradictory explanation of his attitude towards his music.

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I'm Wide Awake, It's Morning: A Companion EP Opaque Gold Vinyl Edition

LP | 2022 | CA | Original (Dead Oceans)

Release: 2022 / CA – Original

Genre: Rock & Indie

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Lifted Or The Story: A Companion EP Opaque Gold Vinyl Edition

LP | 2022 | EU | Original (Dead Oceans)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Lifted Or The Story Is The Soil, Keep Your Ear To The Ground

2LP | 2002 | EU | Reissue (Dead Oceans)

Bright,Gerry And The Stokers

Release: 2002 / EU – Reissue

Genre: Rock & Indie

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Lifted or The Story Is in the Soil, Keep Your Ear to the Ground Originally released 2002. "The first three are innocent in a way, because we didn't have an audience when we were making them," Oberst says. "But from Lifted on, I was definitely aware of an audience. Lifted was well-received right away, and then everything happened with Wide Awake and Digital Ash." Those two albums came out simultaneously. And their lead singles - "Take It Easy (Love Nothing)," from the austere, remote Digital Ash, and "Lua," from the warm, folky Wide Awake - debuted in the top two slots on the Billboard Hot 100. "First Day of My Life," also from Wide Awake, would later be voted the Number One love song of all time by NPR Music's reader's poll. Bright Eyes had officially broken through. It was a heady, exciting time, but also fraughtand tense, both because of the band's careening new fame, and because of the state of the world. When Bright Eyes made their Tonight Show debut in 2006, they chose to perform none of their shiny new hits, instead delivering a searing, harrowing rendition of their caustic anti-Bush anthem, "When The President Talks To God." These days, Oberst is still amusing himself by messing with the extremes Bright Eyes baked into this

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Stand Up! This Is...

LP | 2022 | EU | Original (Soundflat)

19,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2013 | UK | Original (The Ghost Is Clear)

Brighter Arrows

Dreamliner

15,99 €*

Brigid Dawson & The Mother's Network

Release: 2013 / UK – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Green vinyl. tiny wear. With insert

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Ballet Of Apes

LP | 2020 | US | Original (Castle Face)

21,99 €*

Head Above The Water Gold Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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Tip-top of Castle Face’s osmosis list is the first quiver of tunes from Brigid Dawson and her newly minted Mothers Network: wise warnings dyed in dark hues, knotted and hard-won torch songs from the edge of a turbulent sea, bittersweet balladry spun in defense against evils familiar and unknown. Lovely though it may seem from a distance, the striation of loss quicksilvered throughout provides weighty balance to her contralto lilt. Those familiar with her harmonic counterpoint from her time in Thee Oh Sees or in OCS know she can belt as well as lullaby but there’s a fresh and smolderingly heavy swing in her step on display here that Castle Face mightily digs. Ballet Of Apes tapestries together sessions that read like a who’s who from outside the label’s castle walls—in Australia with Mikey Young (Total Control / Eddy Current Suppression Ring), in San Francisco with Mike Donovan (ex-Sic Alps), Shayde Sartin (ex-Fresh & Onlys / lifetime ringer) and Mike Shoun (ex-Oh Sees / Peacers), and in Brooklyn with instrumental heavy-weights Sunwatchers—and the results are spellbinding. At the focal point of this maelstrom, the lady, as if illumed by candlelight, intones, pleads, consoles—white magic perhaps, but it carries with it the anodized tang of blood.

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Brigid Mae Power

LP | 2021 | UK | Original (Fire)

The Future Is Our Way Out

Release: 2021 / UK – Original

Genre: Rock & Indie

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Lp Ltd Edition Gold Vinyl (500 Copies) + Bonus Fire Records Compilation Cd. Brigid Mae Power Paints Expansive Songs That Are Effortless, Hypnotic And Folk-Oriented Like Judee Sill, Bill Callahan And Sharon Van Etten. The Third Album From The Celebrated Singer/Songwriter, 'Head Above The Water' Is A Coming Of Age Opus Featuring A Ground-Breaking Amalgamation Of Traditional Folk And Country - An Engaging Blend Of Strings, Bouzouki, Piano And Power's Distinctive Vocal Make This An Achingly Beautiful Body Of Work. Recorded In Analogue Studio The Green Door In Glasgow With Alasdair Roberts Co-Producing Alongside Brigid And Peter Broderick. It's A Continuing Tale Of Everyday Survival; More Diverse, Different, A Bigger Canvas, With Broader Brushstrokes_ Country And Traditional Folk Rub Shoulders, Making For A Juxtaposition Of Threads, With Added Instrumentation From Five Musicians Lured Into The Studio To Provide Larger Dynamics. 'Head Above The Water' Continues In That Vein Becoming More Ethereal, More Personal And Even More Alluring. After Two Lauded Albums For Tompkins Square, Brigid Mae Power Released Her New Album On 5th June Via Fire Records. Now Available On Ltd Edition Gold Vinyl. "Power Meditates On The Dichotomy That's Always Existed In Her Work, Melding Atmospheric Bliss And Stark Desperation." Pitchfork "Power Invokes The Elements, Either In Contrast To Internal Weather Or In Sympathy With It." The Guardian. "Haunting And Haunted" (The Line Of Best Fit) // "Stunning" ???? Pitchfork // "A Triumph" ????½ Uncut // "Remarkable" ???? Mojo // "Extraordinary" Sunday Times // "Ethereal" The Guardian // "Power At Her Finest" ???? The Line Of Best Fit // "Enthralling" The Metro // ???? Financial Times // ????? Hi Fi Choice // ???? The Guardian // ???? Irish Times // ???? Record Collector // ???? Music Omh //

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Brigitte Calls Me Baby

LP | 2024 | UK | Original (ATO)

Release: 2024 / UK – Original

Genre: Rock & Indie

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LP | 1985 | EU | Reissue (The Gramophone Company Of India)

Brij Bushan Kabra

Lure Of The Desert

21,99 €*

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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LP | 2023 | US | Original (Ghostly International)

Brijean

Angelo

Tape | 2022 | EU | Original (Knife Hits)

Release: 2023 / US – Original

Genre: Rock & Indie

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Angelo is an EP, named after a car, featuring nine songs Brijean have crafted and carried with them through a period of profound change, loss, and relocation. It finds percussionist and singer Brijean Murphy and multi-instrumentalist/producer Doug Stuart processing the impossible the only way they know how: through rhythm and movement. The months surrounding the acclaimed release of Feelings, their full-length Ghostly International debut in 2021 which celebrated tender self-reflection and new possibilities, rang bittersweet with the absence of touring and the sudden passing of Murphy's father and both of Stuart's parents. In a haze of heartache, the duo left the Bay Area to be near family, resetting in four cities in under two years. Their to-go rig became their traveling studio and these tracks, along with Angelo, became their few constants. Whereas Feelings formed over collaborative jams with friends, Angelo's sessions presented Murphy and Stuart a chance to record at their most intimate, "to get us out of our grief and into our bodies," says Murphy. They explored new moods and styles, reaching for effervescent dance tempos and technicolor backdrops, vibrant hues in contrast to their more somber human experiences. Angelo beams with positivity and creative renewal _ a resourceful, collective answer to "what happens now?". Angelo the car is a 1981 Toyota Celica they got off Craigslist during their first stint in Los Angeles, where Murphy and Stuart have since settled. "Such a bro-y, `80s dude car, it's been super fun to drive around in a new town," Murphy says. "He's older than us, he's a classic, he's got a story." It is a spiritual vehicle with a cinematic appeal, first dropping them off in an alleyway for the scene-setting intro, "Which Way To The Club." The question is quickly resolved by "Take A Trip" as a cruising basslinemingles with crowd sounds, hand-claps, cuíca hiccups, whip-cracks, even a horse neigh. Brijean have found some club on this cross-dimensional trip - the kind of imagined space or cham...

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Bring Her

Comfort In The Shame

9,34 €* 16,99 € -45%

LP | 2023 | UK | Original (Rodina Music)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Sorrow Wave duo BRING HER return with their second LP and first album since 2019, Comfort In The Shame. Based out of Pittsburgh, BRING HER play a distinctive brand of somber darkwave, defined by haunting and magnetic vocals over pounding and obsessive drum machines, penetrating guitar chords, and eerie and harrowing synths. Using DIY recording methods coupled with sound shaping, heavy layering, and meticulous editing the new album sees the two-piece at a new height, adding to the urgency and crushing weight of their already brooding sound. Elements almost industrial in nature shine through these 10 new tracks, yet the duo stays as gloomy and dismal as the self-described Sorrow Wave moniker implies.

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Bring Me The Hearts

21,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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"Cream of the crop" - BBC Introducing

Formed during lockdown in the beautiful Peak District near Manchester, with a shared love of close vocal harmonies and soulful acoustic grooves, Bring Me The Hearts release their eponymous debut album on October 27th on Vinyl / CD and online on Rodina Music.
'Cream of the Crop' - BBC Introducing
Aoife Hearty - vocals, Huw Jacob - Guitars and vocals, Matt Ryan - Drums and vocals and Joe Tatton - keys and vocals

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2LP | 2019 | US | Original (Sony)

Amo

Release: 2019 / US – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (RCA International)

Post Human: Nex Gen

29,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Post Human: Nex Gen Recycled Cream White Vinyl Edition

LP | 2024 | EU | Original (RCA International)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Post Human: Survival Horror

LP | 2020 | EU | Original (RCA)

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2013 | EU | Original (RCA)

Sempiternal

Release: 2013 / EU – Original

Genre: Rock & Indie

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LP | 2023 | UK | Original (Lovely)

Bring The Hoax

Single Coil Candy

Release: 2023 / UK – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Pelagic)

Briqueville

IIII Black Vinyl Edition

LP | 2020 | EU | Original (Pelagic)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Shrouded in darkness for over a decade, ever since the disturbing events that lead to the band's inception, B R I Q U E V I L L E have been bewitchingaudiences with a hypnotizing dirge that evokes the heaviest elements of doom metal and post-rock before mixing them with eerie field recordings, found sounds and haunting traditional instrumentation.On November 3rd, 2023, as winter takes back the night, B R I Q U E V I L L E will unveil `IV' - their latest exploration into the darkest depths of the soul. The Belgian collective's pulsating, repetitive rhythms and penetrating, guttural guitar work return alongside a more prominent vocal presence with ethereal melodies and brooding lyricism further exploring the deeper, richer sonic palette first heard on 2020's `Quelle.' Drawing from members of different local scenes, B R I Q U E V I L L E first assembled with the ambition of improvising around a single, droned note. Having latched onto something raw and powerful, the band suddenly found themselves confronted by a stranger telling tales of a hatred years in the making. Floored by such a fateful meeting, B R I Q U E V I L L E have anonymised themselves behind sweeping black robes and occult golden masks ever since; unifying the collective as one sound, a singular faceless force hellbent on converting audiences around the world.With `IV' however, B R I Q U E V I L L E are beginning to lift the veil. Alongside the aural despair that the band have been handcrafting ever since their eponymous debut full-length in 2014, `IV' is imbued with an intriguing duplicity. Within the mournful melancholy and grinding, icy orchestration is the faintest glimmer of hope as the collective explores the idea of creativity free from the confinement of morals, expectations and time. `IV' sees subtle, tonal shifts and brief periods of warmth and richness now intersperse the band's fearsome outbursts of unrivalled heaviness in a new, intoxicating transformation of their formidablesound. DO be careful though, B R I Q U E V...

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Briqueville

Quelle

27,99 €*

The Decline Of British Sea Power Yellow Vinyl Edtion

Release: 2020 / EU – Original

Genre: Rock & Indie

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Classic black vinyl!The contemporary Belgian music scene keeps spawning awesome bands, and B R I Q U E V I L L E - the spaces in between the letters are part of their moniker are among the most intriguing and compelling of them. The meditative heaviness of their sound and the carefulengineering of the visual aspects of their mesmerizing live-performance rituals are awe-inspiring and challenging in equal measure.After 2017's dazzling instrumental opus ,II", the Flemish 5-piece finally return with their 3rd studio album, one of the first real pandemic-albums to be released on Pelagic. The band members had to finish the album in separation, which worked outbetter than they had initially expected: the forced distance allowed them to take distance not only to each other, but alsotowards their own song material. Some pieces grew larger than originally intended, others were stripped down to the essentials and reinvented.The end result is a staggering album that is sophisticated and smothering at the same time, made up of altogether shorter songs as compared to the previous release, and there is a more prominent focus on those tasty electronics, which have always been an integral part of B R I Q U E V I L L E 's sound. The album is also the first one with an album title: Quelle means ,source" in German, and ,which" in French. ,We strongly feel that this record keeps all the ingredients of previous recordsand explores them further than we ever did before. The theme of a 'source', and the 'which' linking it reflexively to our previous album artwork gave us the feeling that we stayed true to our original concept, music, artwork and clips. Water and sand as a source of life and death. How an isolated soul deals with these elements", says a nameless band member... What? Yes, B R I Q U E V I L L E is a band shrouded in mystery. The black Nazgûl-robes and golden masks that all members wear on stage give their presence the air of an occult ritual... butthe band is not chasing (a) Ghost; in fact t...

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British Sea Power

LP | 2003 | UK | Reissue (Golden Chariot)

LP | 2020 | US | Original (Red Scare Industries)

Release: 2003 / UK – Reissue

Genre: Rock & Indie

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Released on the band’s own Golden Chariot Records label comes this lovingly rendered reissue of ‘The Decline of British Sea Power’, the band’s debut album, originally released in June 2003 to huge critical acclaim and available now on Colored Vinyl for the first time.

Over the course of their 5 studio LPs and three award winning film soundtracks, British Sea Power have become a true British institution: Top 10, Mercury nominated LP, 3 UK silver discs and renowned for their astonishing live shows in unique and unlikely locations – National History Museum, Great Wall of China, Cutty Sark, Cern Hadron Collider, Chelsea Flower show, down a Cornish mine, up in the hills in the highest pub in England, Jodrell Bank and at the John Betjeman centenary with Nick Cave, Barry Humphries, Ronnie Corbet and Prince Charles – as well as hundreds of more traditional sell out tours and festivals around the world.

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Broadway Calls

Sad In The City

17,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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We’ve been fans of Broadway Calls for a while now and after years of pestering they finally gave in and joined the team. Their exact words were, “It would take a catastrophic act of god that destroyed the music industry for us to consider working with Red Scare.” And what do ya know! Thank you, 2020. (Ironically, the record is about the impending civil war and apocalypse… so maybe this is all their doing?!) Then we sent ‘em down to the Bay Area to work with Scott Goodrich (Culture Abuse, Direct Hit!, etc.) and they emerged with the best 11 songs we’ve ever heard from this Oregon trio. Sad In The City is fast, it’s loud, and most of all it is catchy as hell. It’s their finest full length and it’ll likely go down as one of the top releases in our entire catalog.

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Festival Of Death Black Vinyl Edition

LP | 2001 | EU | Reissue (Season Of Mist)

36,99 €*

Release: 2001 / EU – Reissue

Genre: Rock & Indie

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Brutal death metal entity BRODEQUIN is now reissuing all three of its full-length records on LP format via Season of Mist! The trilogy of 'Instruments of Torture' (2000), 'Festival of Death' (2001), and 'Methods of Execution' (2004) is a cohesive collection of the relentless, neck breaking brutality that define the Tennessean's vicious sound.
FFO: Devourment, Mortician, Disgorge, Internal Bleeding

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Festival Of Death Gold Vinyl Edition

LP | 2001 | EU | Reissue (Season Of Mist)

25,99 €* 39,99 € -35%

Release: 2001 / EU – Reissue

Genre: Rock & Indie

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Instruments Of Torture Black Vinyl Edition

LP | 2000 | EU | Reissue (Season Of Mist)

36,99 €*

Release: 2000 / EU – Reissue

Genre: Rock & Indie

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Instruments Of Torture Crystal Clear Vinyl Edition

LP | 2000 | EU | Reissue (Season Of Mist)

39,99 €*

Release: 2000 / EU – Reissue

Genre: Rock & Indie

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Methods Of Execution Black Vinyl Edition

LP | 2004 | EU | Reissue (Season Of Mist)

36,99 €*

Release: 2004 / EU – Reissue

Genre: Rock & Indie

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Methods Of Execution Gold Vinyl Edition

LP | 2004 | EU | Reissue (Season Of Mist)

25,99 €* 39,99 € -35%

Puro Amor Black Vinyl Edition

Release: 2004 / EU – Reissue

Genre: Rock & Indie

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Broilers

LP | 2021 | EU | Original (Skull & Palms)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Puro Amor Limited Digipak

Broilers

CD | 2021 | EU | Original (Skull & Palms)

19,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2023 | US | Original (Red Scare Industries)

Brokedowns

Maximum Khaki

Broken Bells (James Mercer of The Shins & Danger Mouse)

Release: 2023 / US – Original

Genre: Rock & Indie

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You know The Brokedowns have a new record on the way when songs like “Honk If You’re Horny” and “Osama Van Halen” are afoot. Chicagoland’s best-kept secret has once again emerged to collaborate with producer Joe Gac (Meat Wave, The Reaganomics, etc.) and delivered 14 new bangers. Every few years they surprise us with a batch of aggressive/catchy punk songs (imagine George Carlin fronting a band that sounds like Dillinger Four meets Hot Snakes), and we’re always honored to work with these irreverent rockers. This is their fourth album for Red Scare, and we’re doing “khaki” colored vinyl for the landmark occasion. It was either that or a tiny pair of Dockers inserted into each LP...

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Broken Bells

LP | 2013 | EU | Original (Music On Vinyl)

Broken Bells (James Mercer of The Shins & Danger Mouse)

Release: 2013 / EU – Original

Genre: Rock & Indie

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180g vinyl!

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Into The Blue

LP | 2022 | EU | Original (30th Century)

Release: 2022 / EU – Original

Genre: Rock & Indie

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I..O..U... Nothing + Live 100 Club Splattered Record Store Day 2021 Edition

Broken Bones

LP | 1984 | EU (Radiation Reissues)

22,99 €*

CD | 2010 | UK | Original (4AD)

Release: 1984 / EU

Genre: Rock & Indie

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Record Store Day 2021 Release. Reissue for the 1984 mini LP by Stoke On Trent’s own Broken Bones, originally out on the AggressiveRockproduktionen label and collecting their first two singles. This enhanced 2021 edition also features the full 1985 ‘Live 100 Cub’ LP added as bonus.

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Broken Records

Let Me Come Home

Release: 2010 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Until The Earth Begins To Part

Broken Records

CD | 2009 | UK | Original (4AD)

Release: 2009 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

CD | 2010 | Original (City Slang)

Broken Social Scene

Forgiveness Rock Record

Release: 2010 / Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2020 | EU | Original (Third Man)

Broken Social Scene

Live At Third Man

17,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Guerssen)

Bronco Bullfrog

Oak Apple Day

LP | 2024 | EU | Original (Guerssen)

Release: 2024 / EU – Original

Genre: Rock & Indie

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First ever vinyl release of the final Bronco Bullfrog album, originally released as a CD only edition in 2004.

Recorded in Spain with Joe Foster (Creation, Rev-Ola Records) as co-producer and with Fausto Martín (of Spanish power-pop band The Winnerys) at the mixing desk (and also on searing 12-string Rickenbacker guitar on a couple of tracks), “Oak Apple Day” saw the band combining their 60s-70s influences in a stellar way, offering a cohesive collection of brilliant pop songs: “Sunday Wheeling”, “I Don’t Need The Sunshine”, “Mock Orange Innocence” and more!

You can expect the usual doses of three-part vocal harmonies, overdriven guitars á la 70s Who, mid-‘60s folk-rock, vintage power-pop, freakbeat, psychedelic-pop…it’s all here!

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Bronco Bullfrog

Seventhirtyeight

The Sidelong Glances Of A Pigeon Kicker

Release: 2024 / EU – Original

Genre: Rock & Indie

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Originally a CD-only edition released in 2000, the second album by British psych-pop wonders Bronco Bullfrog finally gets a deserved vinyl edition with new artwork. Brilliant songwriting, three-part harmonies, walls of guitars, hard-rockers, sentimental ballads, studio weirdness…it’s all here. Including classic Bronco songs such as “Sweet Tooth”, “Blow Yourself Up”, “Jigsaw Mind” and “One Day With Melody Love”. “…With a pretty wide influence-spectre starting from the mid-’60s through the Frisco-sound to the power-pop pioneers from the beginning of the ’70s, they made a sound-mutant called “technicolor power-pop”!” – Goran Obradovic (PopDiggers)

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Bronco Bullfrog

LP | 2002 | EU | Reissue (Guerssen)

Confirmed Bachelor Crystal Clear Vinyl Edition

Release: 2002 / EU – Reissue

Genre: Rock & Indie

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Recorded at the now famous Liam Watson’s Toe Rag Studios (White Stripes, Tame Impala, Billy Childish…), “The Sidelong Glances…” was the third album by British pop-psychers Bronco Bullfrog. For a band clearly influenced by late 60s / early 70s sounds, to be surrounded by vintage sixties equipment felt like a dream.

As bass player Louis Wiggett recalls: “…the general ‘old school’ approach lent itself to our belief (probably a desire) that we sounded like some obscure noisy pop band who’d recorded one 45 for Immediate, and then one for Deram, and then a final one for Hit-Ton Schallplatten, all within three months in late 1966”. Here you’ll find the classic Bronco sound (inventive songwriting, memorable hooks, three-part harmonies, hard guitars…) mixed with cool studio experimentation in the best 60s style (tape phasing, piano strings played with plectrums…).

Including iconic songs like “Barnaby Slade”, “Octopus”, “Look at Me”, “Sunday”… Originally released by Spanish label Mushroom Pillow in 2002 and out of print for many

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Brontez Purnell

LP | 2023 | UK | Original (Upset The Rhythm)

18,99 €*

LP | 2023 | US | Original (Dark Entries)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Hot on the heels of recent 7” singles for Sub Pop, PPM and his first solo electronic record ‘No Jack Swing’ (Dark Entries / Papi Juice), Brontez returns in DIY-punk band formation for a new album entitled ‘Confirmed Bachelor’, out Sept 15th on Upset The Rhythm. These twelve songs presented are of the no-time-wasted variety. Fuzzed-out pop songs, hotly delivered from the heart, often sassy, sometimes sappy, always snappy! Brontez’s band includes the multifaceted talents of Vice Cooler (who also produced and mixed the album), Sean Teves (of Younger Lovers) on drums, Kevin Preston (Prima Donna, Green Day) on guitar, Aaron Minton (Prima Donna) on piano and saxophone, and Laena Myers-Ionita on violin. The album was recorded in Los Angeles at The VCR earlier this year.

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Brontez Purnell

No Jack Swing

13,19 €* 23,99 € -45%

LP | 2022 | US | Original (Castle Face)

Release: 2023 / US – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Dark Entries and Papi Juice Records team up for No Jack Swing, the solo electronic debut of multi-hype man Brontez Purnell. The Southern-raised, Oakland-based musician and writer has centered his queerness and Blackness in projects Gravy Train and Younger Lovers as well as in his award-winning books 100 Boyfriends and Since I Laid My Burden Down. On No Jack Swing, Purnell gives us a love letter to the most beloved (and secularized) of drum patterns - that is, the electronic 808 “Amen Break”. Beginning recording in 2020, Purnell conceived of No Jack Swing as an audio zine of found sound materials: chain letters of instrumentals recorded in bedrooms, poems from boys in France, found gospel tapes from his childhood family Baptist Choir, and the sound of records skipping on his bedroom turntable. No Jack Swing is as much a homage to No Wave and New Jack Swing as it is an answering to the gods of Indie, Electroclash, Disco, and Gospel. Amidst all this background noise, the unexpected occurs: all the niche pretensions collapse to a singularity - the sound of High Pop! No Jack Swing was produced by Nightfeelings. Each copy of includes a lyric sheet with a photo of Brontez.

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Bronze

Absolute Compliance

LP | 2012 | US | Reissue (Rvng Intl.)

Release: 2022 / US – Original

Genre: Rock & Indie

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The folks at Castle Face dig a good trance. Hypnosis, mesmerization, and brain trickery are some of their favorite results of deep listening and it is a suggestive, ritualistic and dreamlike vibe that Bronze ooze like pheromones all over their excellent new record. Absolute Compliance is a truly hypnogogic group of tunes from Bronze on their best and weirdest behavior and it hits all Castle Face’s favorite things about them immediately and repeatedly: insistently strange synth voicings emanating from Miles Friction’s mad scientist’s lab worth of equipment, controlled by a homemade-looking oversized knob; Brian Hock’s throbbing, woolly, hall-of-mirror grooves; and above it all Rob Spector’s thousand yard croon, the vaguely familiar touchstone amongst these Lynchian, mutated surroundings—these are songs of dreams and nightmares, hidden rituals observed, futuristic coliseum entertainments displaced in time, sci-fi jams of an uncertain future. Bronze are one-of-a kind great and if unfamiliar, go find their other records (including their great live record for Castle Face) and get caught up. They are real-deal weirdo kings of San Francisco and their spell is not easily dissipated once cast.

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Bronze

Copper

14,99 €*

LP | 2022 | EU | Original (Playground)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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BRONZE is an exercise in impulse. BRONZE is also the San Francisco based trio of Brian Hock, Rob Spector, and Miles Friction the latest addition to the RVNG Intl. family with their debut album, "Copper". Stream-of-consciousness lyrical cooing and restrained analog trickery rest atop constant cog rotation grooves on "Copper". These elements yield a truly conductive album, abundant in compositions that beg for a listener's oxidizing ear. Commencing with "A Showdown Of Sorts", the record assumes a vague narrative aided by the allure of Tuxedomoon / Ralph Records-y exoticism, albeit less claustrophobic. "Showing Them" staggers into even Wierd-er territory, with eye flashes and spots of Legendary Pink Dots. "So Slow" and "The Rouge Became" are sister tracks fallen not far from the same Silver Apple(s) tree. "Wits" and "Fumes In Suits" counter clockwork like a high-pressure Units track and place Copper in the lexicon of San Fran synthesized and syncopated anti-stardom. Each vinyl copy of Copper comes with a copper ring. The ring is intended to be worn to BRONZE performances or even during daily rituals. While wearing the ring, you, the ring bearer, are encouraged to speak informally - if not offensively - with fellow ring mates. When overheard or confronted, blame it on the ring - i.e. "It was the copper talking." The ring will initially turn your finger green. The ring will also heal your wounds, correct your balance and is a fashionable accessory to boot.

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Bror Gunnar Jansson

20,99 €* 27,99 € -25%

LP | 2022 | EU | Original (Pilz)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Re-release. Comes with a different front cover.Random coloured recycled vinyl.Bror Gunnar Jansson's debut solo album. Six original songs, one traditional murder ballad and a version of Richie Hart's rhythm and blues song "Heartaches and Troubles". This was recorded live-in-studio by Christoffer Johansson during a weekend in 2012.The song "William Joseph Dean" featured in the Netflix movie "The last days of American crime" (2020).

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Bröselmaschine

Fimbulvinter Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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What an amazing improvement in the sound of this 50-year-old recording. With the help of the original analogue master tapes and state-of-the-art technical equipment, the sensitive melodies of the original cast appear in a wonderful light of romance and empathy.Remastered at Dierks Studios, where the recordings were also made. Produced with the assistance of Dieter Dierks.

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Brothers Of Metal

2LP | 2024 | EU | Original (Afm)

31,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-01

Fimbulvinter Crystal Clear Vinyl Edition

Brothers Of Metal

2LP | 2024 | EU | Original (AFM)

35,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Fimbulvinter Transparent Sunyellow Vinyl Edition

Brothers Of Metal

2LP | 2024 | EU | Original (Afm)

33,99 €*

LP | 2022 | EU | Original (Dead Serious)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Swedish power metal heavyweights BROTHERS OF METAL are back with their new album ‘Fimbulvinter’! 4 years have passed since the release of ‘Emblas Saga’ and now the wait is finally over, as their latest work ‘Fimbulvinter’ will be released on 01.11.2024 via AFM Records and unstoppably continues the steep rise of the BROTHERS OF METAL. This juggernaut of an album is packed with fiery & multi-faceted new hits. The 13 brand new songs blend epic power metal anthems with gritty guitar riffs, thunderous drum sounds & fantastic vocals that can be heard in Valhalla. Since their debut album ‘Prophecy of Ragnarök’, BROTHERS OF METAL have developed from an insider tip to a permanent fixture. This unique power metal saga is now set to continue with ‘Fimbulvinter’ and will be duly celebrated on the release tour in winter 2024. 1. Sowilo2. Flight of the Ravens3. Giantslayer4. Heart of Stone5. Rivers of Gold6. Blood Red Sky7. Ratatosk8. Chasing Light9. Heavy Metal Viking10. The Other Son of Odin11. Berserkir12. Nanna's Fate13. Fimbulvinter

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Brothers Till We Die

Reincarnation