Search "record store day" 17352 Items

LP | 2016 | US | Reissue (20 Buck Spin)

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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Re-issue of the Third album from Wobbler - Rites at Dawn! “Rites at Dawn” it was time for a change. Wanting to up their game both musically and sonically, the band took their sweet time to hone their new material and to record things as pristinely as they could. A major factor in the "new" Wobbler sound that would appear on the band's 3rd album, “Rites at Dawn” (2011), was the arrival of new singer Andreas W. S. Prestmo. Since Andreas is also a songwriter and lyricist, he brought the band up to a new level where vocal melodies, lyrics, arrangements and performances came together in a cohesive whole. “Rites at Dawn” reflected Andreas' preoccupations with nature and spirituality in words and music that took on a luminous, mystical nature. It was also an album where Lars' production skills came to the fore, with a mix that was crystal clear, showcasing each individual musician's newfound maturity. Martin's drums had never sounded better, and the intricacies and grooves of his playing were perfectly married to Kristian's Rickenbacker, that wove its way between Lars and Morten's labyrinthine chords and leads in a remarkably melodic, yet inventive way.

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Wode

Wode Black Vinyl Edition

Wode Kelly Green Vinyl Edition

Release: 2016 / US – Reissue

Genre: Rock & Indie

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"Six tracks of apocalyptic black metal, Wode's newest record unleashes five years of outstanding potential, finding the band on deadly form, wielding enough surprises to suggest that its work in service to the counter-cosmos is far from done."

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Wode

LP | 2016 | US | Reissue (20 Buck Spin)

LP | 2024 | Original (Brutal Planet)

Release: 2016 / US – Reissue

Genre: Rock & Indie

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Woe Of Tyrants

Kingdom Of Might

37,99 €*

LP | 2024 | Original (Brutal Planet)

Release: 2024 / Original

Genre: Rock & Indie

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Introducing the reissue of Woe of Tyrants' "Kingdom of Might" on Sage Green Vinyl, limited to 300 units by Brutal Planet Records. Hailing from Ohio, Woe of Tyrants brings a unique blend of thrash-influenced melodic death metal to the table, and this reissue is a testament to their raw talent and relentless energy. Despite initial reservations due to the band's religious label, listeners are encouraged to set aside preconceptions and delve into the musical prowess showcased in "Kingdom of Might." While the album retains a strong religious undertone in it's lyrics, it steers clear of overt preachiness, allowing the music to speak for itself. From the outset, "Kingdom of Might" grabs the listener by the throat and refuses to let go. Guitarists Chris Burns and Matt Kincaid deliver blistering riffs that seamlessly traverse between thrash and melodic death metal realms, accompanied by captivating melodies that punctuate the intensity of each track. The album is propelled forward by relentless drumming and a driving bassline, providing a solid foundation for the sonic onslaught. Vocalist's diverse range, from raspy growls to standard death metal vocals, adds depth to the album's sonic landscape, complementing the ferocity of the instrumentation. Despite their relative obscurity, Woe of Tyrants' talent shines through on "Kingdom of Might," leaving listeners eager for more. With hopes for increased recognition in the future, this reissue reminds the metal world to the band's skill, which places them at the top of the metal world musically. "Kingdom of Might" is a relentless onslaught of thrash-influenced melodic death metal that demands attention. Set aside any preconceptions and dive headfirst into the sonic chaos - you won't be disappointed. Mastered for vinyl by Rob Colwell and includes a 12x12 lyrics insert - metal fans can rejoice this classic album has finally found a way on vinyl! Only 300 units, so grab them faster than the riffing on this album - if you can.

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Woe Of Tyrants

Threnody

37,99 €*

LP | 2023 | UK | Original (Last Night From Glasgow)

Release: 2024 / Original

Genre: Rock & Indie

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Unveiling the Ultimate Vinyl Reissue: Woe of Tyrants - Threnody! Attention Metalheads and Vinyl Enthusiasts! Prepare yourselves for a relentless onslaught of musical fury as Brutal Planet Records proudly presents the long-awaited reissue of Woe of Tyrants' monumental album, "Threnody," now available in a limited edition orange vinyl pressing! Originally unleashed upon the world in 2010 by Metal Blade Records, "Threnody" has since solidified it's status as a timeless masterpiece of the metal genre. But that's not all! This exclusive reissue, limited to just 300 units, comes packed with a stunning 12x12 lyrics insert, making it an essential addition to any discerning collector's arsenal. What sets Woe of Tyrants apart from the pack, you ask? Well, brace yourselves, because these titans of metal dwell in the realm of Drop D flat tuning - a staggering 4 steps higher than the norm! This unique tuning unleashes a sonic assault where guitars reign supreme, showcasing unparalleled precision and unrivaled shredding prowess. Prepare to be blown away by the sheer virtuosity of their musicianship! But that's just the tip of the molten iceberg. "Threnody" delivers a relentless barrage of speed, technicality, and thrashy mayhem, accompanied by atmospheric keyboards that add a haunting depth to the sonic landscape. From blistering blast beats to lightning-fast solos and spine-tingling bass drops, every track is a testament to the band's unwavering dedication to the craft. Led by lower/mid-range vocals that exude raw power and intensity, Woe of Tyrants will transport you to a realm where metal reigns supreme. So, if you crave the adrenaline rush of speed metal, the intricacy of technical mastery, and the sheer adrenaline-pumping energy of a live show, look no further than "Threnody." This limited run vinyl reissue, meticulously mastered for vinyl by the esteemed Rob Colwell, is not just an album - it's a sonic journey, a testament to the enduring power of metal music. Don't miss your chance to own a piece of metal history. Pick up your copy of Woe of Tyrants' "Threnody" today, and unleash the fury within!

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Wojtek The Bear

Heaven By The Back Door

Release: 2023 / UK – Original

Genre: Rock & Indie

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Echoes Of The Second Sun Clear Orange Vinyl Edition

Wolf Prayer

LP | 2019 | EU | Original (Barhill)

23,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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In Darkness You Feel No Regrets

Wolfbrigade

LP | 2023 | EU | Original (Destructure)

LP | 1984 | DE | Original (Jeton)

Release: 2023 / EU – Original

Genre: Rock & Indie

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The second album from the fiercest Swedish hardcore punk band has been unavailable for more than a decade and we're very happy to bring it back in 2023, 20 years after its inception. « In Darkness » was one of the most influential records in the very prolific crust / hardcore scene of the early 2000s, ten songs of a perfect mix of brutality and melody and a cover of Poison Idea's Say Goodbye. We were very honored to be able to release the European version of this record in 2003 and the enthusiasm is still real to be able to offer you this reissue 20 years later. The disillusioned rage and urgency of this album remain intact after two decades.

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Wolfhound

Another Moon Song

15,99 €*

LP | 2023 | US | Original (In The Red)

Release: 1984 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Small sticker on cover.
Includes original inner sleeve.
Record is close to NM.

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Wolfmanhattan Project

Summer Forever And Ever

Complete Recordings 1996-1999 Box Set Black Friday Record Store Day 2022 Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Summer Forever And Ever succeeds Blue Gene Stew, 2019’s debut by the Wolfmanhattan Project, a collective unit co-starring three musicians familiar to In The Red listeners: singer-guitarist Mick Collins, front man of the seminal Detroit-bred garage units the Dirtbombs and the Gories, singer-guitarist Kid Congo Powers who played in such legendary bands as the Gun Club, the Cramps, and Nick Cave and the Bad Seeds, and drummer-vocalist Bob Bert, whose skin work has distinguished albums by Sonic Youth, Pussy Galore, Lydia Lunch’s Retrovirus, and Jon Spencer and the HITmakers. The group was founded as a studio project by three musicians who are kept busy by their primary bands. Blue Gene Stew was written and recorded quickly. Powers says, “I think that the new record was much more a group effort. I think there’s more of a group kind of sound, as eclectic as it is. I feel like we all played together, as opposed to playing on each other’s songs.” Bert notes that the band’s music is grounded in spontaneity: “Me and Mick went in and had a couple of rehearsals, and I would come up with a beat, he would come up with a riff. I still have a cassette Walkman, believe it or not, and we’d put it down on that. It wasn’t even a full song. We’d just put down a bunch of ideas. When it came to recording we’d lay down the basic tracks and work out different things, and a lot of it was made up on the spot. It really is a great collaboration.” Recorded and engineered by Mark C. of Live Skull at his studio, Summer Forever And Ever finds Powers playing piano and the Kaoss touch-pad effects unit and Collins playing synthesizer, in addition to their usual instruments. The album reflects the same eclectic mix of musical styles heard on the debut. References and sometimes even direct quotes from sources as diverse as the Andrea True Connection, Captain Beefheart, the Count Five, and Eurythmics leap out of the speakers.

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Wolfpack

Box | 2022 | US | Original (Southern Lord)

170,99 €*

LP | 2022 | EU | Original (Sensory)

Release: 2022 / US – Original

Genre: Rock & Indie

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Black Friday Record Store Day 2022 Edition. Color: unknown. Limitation: 800 copies.

Highly sought-after collection of crucial ‘90s D-Beat! Limited edition vinyl box set of all Wolfpack releases. Absolutely essential collection of Wolfpack recordings spanning the group’s existence from 1996-1999, all remastered by Brad Boatright. Deluxe box set with anti-scratch lamination finish + metallic foil embossing on the box top/cover. All vinyl is grey and limited to 500 units.

Contents of the box:
-A New Dawn Fades LP (Clear vinyl)
-Lycanthro Punk LP (Clear vinyl)
-All Day Hell LP (Clear vinyl)

The following items are exclusive to the box:
-Hellhound Warpig 7” (Clear vinyl)
-Bloodstained Dreams 7” (Clear vinyl)
-Embroidered circular patch ( silver thread )//Hellhound Warpig cover (Celtic wolf) design

CLASSIC, CRUCIAL D-BEATH CRUST FROM THE MASTERS!

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Wolverine

A Darkened Sun

28,04 €* 32,99 € -15%

Release: 2022 / EU – Original

Genre: Rock & Indie

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Following the 2020 release of the award-winning short film A Darkened Sun, to which they supplied the score, Swedish dark progressive act Wolverine presents an official vinyl release of the moving soundtrack through Sensory Records. The four tracks on Wolverine’s A Darkened Sun score revolve around a common theme, but each piece of this concept release is open to its own interpretation. In its cinematic form, however, A Darkened Sun tells the story of a young and seemingly lonely woman in distress. Contemplating her existence, she realizes she has lost part of herself while succumbing to the expectations of modern society. Our protagonist embarks on a somewhat existential journey, and as the narrative unfolds across the story’s four chapters, she is forced to confront her inner self. The storytelling rests heavily on metaphorical expression, with some instances of intertextuality that pays homage to other works. A Darkened Sun was written, directed, filmed, and produced by Thomas Jansson, and features Rebecca Evans as the protagonist. The lush score created by Wolverine was recorded at SleepyTown Recording by the band’s Marcus Losbjer and Per Henriksson and mixed and mastered by Losbjer.

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Crypt Of Ancestral Knowledge Silver Vinyl Edition EP

LP | 2023 | EU | Original (Relapse)

21,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Century Media)

Primordial Arcana

17,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | US | Original (Relapse)

Primordial Arcana

Release: 2021 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Golden vinyl. cover is close to NM.

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Primordial Arcana Gold With Black Splatter Vinyl Edition

LP | 2021 | US | Original (Relapse)

32,39 €* 35,99 € -10%

LP | 2021 | EU | Original (Init)

Release: 2021 / US – Original

Genre: Rock & Indie

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Two decades into their journey as ritualistic black metal conjurers, Wolves IN THE Throne Room have emerged from the forest with Primordial Arcana, their most majestic album to date, and their first release via Relapse Records.

Primordial Arcana is the band’s first completely self-contained work: In addition to composition and performance, brothers Aaron and Nathan Weaver alongside guitarist Kody Keyworth handled all aspects of recording, producing and mixing at their own Owl Lodge Studios in the woods of Washington state.

The album’s title is a reference to the band’s ongoing reach back to the most ancient, archetypal energies.

Leadoff track “Mountain Magick” sets the august tone with alpine guitar melodies cresting skyward in triumph. “Spirit of Lightning” returns briefly to the earthly plane as a tribute to the human connections forged in music. Meanwhile, “Primal Chasm (Gift of Fire)” is an explosion of cosmic grandeur, a symphonic rendering of the hermetic maxim As above, so below as envisioned by Keyworth. In fact, Primordial Arcana is the first Wolves IN THE Throne Room record in which Kody was a part of the writing process from the start, so it benefits from his background in cosmic funeral doom.

Always uncompromising, Primordial Arcana sees Wolves IN THE Throne Room stay true to their unique vision. An album born out of the DIY ethos, Primordial Arcana proves to be the band’s most genuine and focused. One of the year’s most ambitious recordings, Primordial Arcana cements Wolves IN THE Throne Room’s legacy as one of US Black Metal’s most daring, unique, and quintessential bands.

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Woman Is The Earth

Dust Of Forever

LP | 2021 | EU | Original (Jagjaguwar)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Fourth Full-Length From Rapid City, Sd Atmospheric Black Metal Band!Woman Is The Earth Present Their Fourth Album, Dust Of Forever. Hailing From Rapid City, South Dakota, They Create A Unique Black Metal Sound Incorporating Atmospheric Soundscapes With Both Aggressive And Progressive Parts. Packaged In A Gatefold Lp With Either Gold Or Silver Foil Stamping And Gold Or Silver Vinyl To Match! Limited Edition Of 500 Copies!

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Women

Rarities 2007-2010

23,99 €*

LP | 2023 | US | Original (L.I.E.S.)

Release: 2021 / EU – Original

Genre: Rock & Indie

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To Celebrate The 10th Anniversary Of The Now Legendary Album 'Public Strain', Women Released A Special Limited Vinyl Pressing Of The Album And A New Five-Song Collection Of Material Titled 'Rarities 2007-2010' Featuring Material That Was Either Hard-To-Find Or Never Released, Now Properly Mastered And Available On Vinyl For The First Time.The Product Of An Intense And Difficult Year-Long Recording Process, 'Public Strain' Seems Without Any Clear Sonic Lineage - Equal Parts Velvet Underground, Deerhoof, And Television, But Distinctly Unique And Unprecedented. Just Over A Month After The Album's Release, The Short-Lived Band Was Finished; However, The Reverberations Of 'Public Strain' Were Widespread And It Became Regarded As A Modern-Day Masterpiece, A Vital Document Of An Inimitable Moment In Time, And A Clear Touchstone For Countless Albums Since Its Release.

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Women's Hour

24,64 €* 28,99 € -15%

2LP | 1988 | US | Reissue (Palto Flats)

Release: 2023 / US – Original

Genre: Rock & Indie, Electronic & Dance

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"A brittle metronome in a delirious tension landscape, Women's Hour are a Glasgow based experimental post-punk duo featuring Contort Yourself head honcho Murray CY and artist Jenny Wicks. Creating noise, harmony and disquiet washed in synth and repetitive guitar, rough beats and distorted vocals, Women's Hour are constantly trying to embrace the shouting in their heads." On this, their debut release, a 12 track lp, a true to form jagged 80s post-punk affair, the two piece bring to life the day to day in the grim North through their music. One can almost feel the chill coming from the brittle window panes of the dank drafty flats, filled with asbestos paint, busted heaters, and no hot water flowing for who knows how long. Desperate, urgent, coming close to falling apart, yet pulling it together to make it through to the next song...this is as "British" as it gets (yes we know Scotland is its own thing guys, don't shoot) The sun hasn't shown its face for many months, wind blows through the deserted streets, change jingles around in your pocket, a hungry dog barks. This is the music of Women's Hour. Limited to 300 copies, one time pressing. Includes insert and art by Jenny Wicks of Women's Hour.

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Woo

In The Heart Of Love

47,99 €*

LP | 2020 | US | Original (Thrill Jockey)

Release: 1988 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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Absolutely essential. Deluxe 2LP edition of this impeccable album from 1988. The spot glossed Gatefold jacket features artwork including archival photos & drawings from Woo’s archives as well as liner notes by Clive Ives.

Issued for the first time in its entirety on vinyl, spread over two LPs, and remastered from newly discovered hi-quality DAT sources, we’re thrilled to present the definitive version of Woo’s most fully-formed album. A cosmic testament to the healing power of love, utilizing vocoded clarinets, pastoral guitars, homespun folk lullabies, and lilting electronics, coalescing into a an hour plus long journey through their otherworldly soundscapes. A prime entry point to Woo’s sound, containing some of their most beloved songs, such as ‘Make Me Tea,’ ‘It’s Love,’ ‘Hopi’ and many others, and also including a never-before heard bonus track – the vocal version of ‘It’s Love.’

Into The Heart Of Love was originally self-released on cassette in 1988, with a wider cassette release in 1990. Compiled from home recordings from the preceding years, and released during a transitional point for the band, the Ives brothers see this album as their most complete work, offering space to the listener to stretch out and immerse themselves into the warmth of their sound.

Woo is the uncategorizable project of Clive and Mark Ives from Brighton, UK. Since the 1970s, the duo have been recording a plethora of eclectic sounds, most falling under the blanket genre of new age, but spiraling out toward notions of ambient sounds, jazz, and other spiritual takes on modern music. They received some acclaim for their early releases, including 1982's Whichever Way You Are Going, You Are Going Wrong and 1989's It's Cosy Inside, but their work began to receive renewed appreciation during the 2010s, when labels such as Drag City and Palto Flats reissued the band's albums. The brothers remained active all the while, digitally self-issuing material.

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Wooden Shjips

V. Red Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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LP | 2011 | US | Reissue (Thrill Jockey)

Wooden Shjips

West

Release: 2011 / US – Reissue

Genre: Rock & Indie

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West Colored Vinyl Edition

Wooden Shjips

LP | 2011 | EU | Reissue (Thrill Jockey)

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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Wooden Wand & The World War IV

Wooden Wand & The World War Iv

LP (Three Lobed)

Genre: Rock & Indie

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2LP | 2013 | EU | Original (Island)

Woodkid

The Golden Age

33,99 €*

Bad Days In Disguise Black Vinyl Edition

Release: 2013 / EU – Original

Genre: Rock & Indie

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Woodkid's debut out on Island Records. Nice one!

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Woodland

LP | 2019 | EU | Original (Crispin Glover)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Reflections Volume 1 (Bumble Bee Crown King)Black Vinyl Edition

Woods

LP | 2021 | US | Original (Woodsist)

Reflections Volume 1 (Bumble Bee Crown King)Colored Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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With no touring in 2020, and possibly this year, Woods decided to take a deep dive into their archives and put together the first volume of their much discussed archival series, Reflections. Featuring rare and unreleased recordings from 2009 - 2013, including a ghost town desert jam off the side of the highway, their first live performance in Big Sur, the first recorded version of “Bend Beyond” and some shelved diamonds in the rough that were finished up during quarantine. Their hope is that it plays like a “lost record” from an extremely strange and fruitful period in Woods history.

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Woods

LP | 2021 | US | Original (Woodsist)

Strange To Explain Black Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Woods

LP | 2020 | US | Original (Woodsist)

LP | 2024 | EU | Original (From Lo-Fi To Disco!)

Release: 2020 / US – Original

Genre: Rock & Indie

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“Dreaming doesn’t come easy these shadowed days, which is why Strange To Explain by Woods is such a welcome turning of new colors. It presents an extended moment of sweet reflection for the 15-year-old band, bouncing back to earth as something hopeful and weird and resolute. Like everything else they’ve recorded, it sounds exactly like themselves, but with subtly different shades and breaths and rhythmic feels and everything else that changes, the natural march of time and the intentional decisions of the musicians moving in what feels like an uncommonly organic alignment.
“Strange To Explain trades in a different kind of dependability, maintaining a steady connection to the voice on the other side of the record needle. After quickly recording and releasing 2017’s Love Is Love in response to the tumultuous events of their (and our) 2016, Jeremy Earl and company took their time with what came next. Parenthood arrived, as did a short songwriting pause. The band went bicoastal when Jarvis Taveniere headed west. And when they returned to their posts, there on the other side of this particular mirror, they made this, an album that not only catches and holds and shares the light in yet another new way, but recognizes that there’s still light to be caught, which is also no small thing.
“A bend beyond the last bend beyond, Woods keep on changing, thoughtfully and beautifully. The colors were always there, like trees blossoming just slightly differently each season, a synesthetic message coded in slow-motion. Recorded in Stinson Beach, the kind of place that seems like an AI simulation of an idyllic northern California coastal escape, the familiar jangling guitars recede to the background. John Andrews’s warm keyboards and twining Mellotron rise around Earl’s songs and dance across the chord changes like warm sunlight off the Pacific. The music feels a karmic landmass away from the creepiness of the uncanny valley.” —Jesse Jarnow

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Woog Riots

Collectors Of Pop

Release: 2024 / EU – Original

Genre: Rock & Indie

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Fear Fear Pink Vinyl Edition

LP | 2022 | UK | Original (Heavenly)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Songs created in the shadow of terror and loss, but that crackle and pop with defiance Fear Fear is a record made for agitating and dancing, for heart and soul, for here, now and tomorrow. It’s a record that explores juxtaposition; that of life and death, acceptance and isolation, environment and humanity, hope and despair, the real world and the digital world. That top to bottom rigour, the complete vision is what makes the second album from Working Men’s Club such a stunning and unique achievement.

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Fear Fear White Vinyl Edition

LP | 2022 | UK | Original (Heavenly)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Working Men's Club Black Vinyl Edition

LP | 2020 | UK | Original (Heavenly)

Release: 2020 / UK – Original

Genre: Rock & Indie

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Working Men's Club Picture Disc Edition

LP | 2021 | UK | Original (Heavenly)

22,99 €*

Release: 2021 / UK – Original

Genre: Rock & Indie

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LP | 2024 | DE | Original (Mansions & Millions)

World Brain

Open Source

Release: 2024 / DE – Original

Genre: Rock & Indie

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The Sucking Of The Missile Cock

World Burns To Death

LP | 2002 | EU (Agipunk)

16,99 €*

World Is A Beautiful Place & I Am No Longer Afraid To Die, The

Release: 2002 / EU

Genre: Rock & Indie

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20 Years after its original release, Agipunk and Sonarize Records team up together once again to deliver a restored version of this masterpiece of early new millennium hardcore crust punk. Remastered at Enormous Door Studios by Jack Control himself and with a new layout, this record is going to enter the gates of punk history as a true milestone on the path to destruction.

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Illusory Walls Olive Green Vinyl Edition

LP | 2021 | EU | Original (Epitaph)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Better Luck Next Time Gold Vinyl Edition

Worlds Greatest Dad

LP | 2024 | US | Original (Side One Dummy)

36,99 €*

Gloomlord Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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worlds greatest dad, the four piece of Maddie Duncan on vocals and guitar, Keagan Krogh on guitar and keys, Matt Hendler holding down percussion and Ben Etter on bass and backing vocals, recorded their sophomore album partially at Maze Studios in Atlanta, while filling in the rest in their respective homes in 2020. The band doesn’t shy away from the emo/pop-punk influences that permeate their earlier recordings, but on their second LP have embraced their roots and, as Duncan calls it, the redneck emo sound that is deeply influenced by their youth growing up in the backwoods of Florida.

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Worm

LP | 2023 | US | Original (20 Buck Spin)

Release: 2023 / US – Original

Genre: Rock & Indie

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Gloomlord Swamp Green Clear Vinyl Edition

Worm

LP | 2023 | US | Original (20 Buck Spin)

Release: 2023 / US – Original

Genre: Rock & Indie

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Liebe At The Unitarian Meeting House

Wormdoom

7" | 1997 | US | Original (Twisted Village)

7,99 €*

LP | 2022 | EU | Original (Earache)

Release: 1997 / US – Original

Genre: Rock & Indie

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"Wrapped inside a lovely parchment sleeve lies this documentation of 8 holy minutes during a rare live performance of Twisted Village's Christian Rock band. This line up includes Wayne Rogers, Kate Biggar, Tom Leonard and Jesus Malinowski. Preachy, heavy, devout." One track divided into 2 sides, recorded in Amherst, July, 1996.

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Wormrot

Hiss

29,99 €*

Arkivet Transparent White Vinyl Black Friday Record Store Day 2021 Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Wormrot return with their most stunning work to date! Following on from 2016's critically acclaimed album 'Voices', Wormrot's 4th studio album 'Hiss'. The Singaporean trio features the same line up as 2016's Voices with Arif (Vocals) Rasyid (Guitar) and Vijesh (Drums) and is without doubt their most ambitious and creative work to date. Having already made their mark as one of Grindcore's biggest names, Wormrot are intent on bringing Grindcore back to the masses with a sonically stunning record of wildly unhinged and downright feral noise.

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Wormwood

2LP | 2021 | EU | Original (Sound Pollution / Black Lodge)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Worst Ways Coke Bottle Clear Vinyl Edition

Worst Ways

LP | 2024 | US | Original (New Age)

Worst Ways Super Splatter Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Formed in 2023 from members of Time FOR Living (Rivalry Records), US Roughnecks (Hellcat/Epitaph Records), Five Victims Four Graves (New Age Records), Original State, Cold Trap and more, Worst Ways is bringing a fresh entry in the fast melodic-hardcore scene. Anchored by unrelenting energy, the band combines blistering intensity with melodic depth, creating a dynamic mix of sound that has surprising range.

Their debut, self-titled LP showcases Worst Ways’s ability to blend rapid- fire rhythms with introspective lyrics, bouncy grooves, and big melodies, all

interspersed throughout the record. Standout tracks like “Shattered,” with a guest vocal from Marshall Lichtenwaldt of THE Warriors (Pure Noise Records), and “White Horses” highlight their ability to merge intensity with thought-provoking themes, while “Never Know” and “Fade” hold down that speed and heavy end of the spectrum.

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Worst Ways

LP | 2024 | US | Original (New Age)

Absolute Power Bi-Colored Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Wraith

LP | 2022 | UK | Original (Redefining Darkness)

Absolute Power Clear Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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"..this translates as something like Skeletonwitch playing The Exploited or Dead Kennedys covers...With the longest of these ten songs clocking in at just three and a half minutes, including a Misfits cover, Wraith are certainly channeling the punk ethos into their pretty straight-up thrash. Indeed at times, including the start of first track “Devil’s Hour,” you could be forgiven for thinking you were actually listening to an out-and-out punk record. At least until the vocals kick in. Guitarist Matt Sokol also handles mic duties and his delivery owes a lot to Cronos, with a nod to something like Deströyer 666." - Angry Metal Guy

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Wraith

LP | 2022 | UK | Original (Redefining Darkness)

America Orange Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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Wreckless Eric

LP | 2017 | UK | Original (Fire)

Leisureland Black Vinyl Edition

Release: 2017 / UK – Original

Genre: Rock & Indie

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Orange vinyl, gatefold sleeve. Following on from a Fire Records reissue campaign which cast new light on a decades-long career, in 2015 Eric released his first solo album in over a decade - 'amERICa'. It's about Eric, it's about America - a country he has toured since the late 70's, and where he has lived since 2011.. Eric played electric guitars and bass throughout, strummed a scratchy 3/4 size Framus Teenager acoustic (bought from an old blues singer down in Georgia) against simplistic drum loops of his own creation. Here and there he called on friends and neighbours - Brian Dewan manned a malfunctioning Wurlitzer organ and other dodgy keyboards, bringing in cheap but magnificent synthetic choirs. Jane Scarpantoni played the cello. Alexander Turnquist guested on the e-bow guitar. Eric's wife Amy Rigby assisted on piano, banjo and vocal harmonies. Eric treated and manipulated the sounds the American musicians made as they were being recorded.

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Wreckless Eric

LP | 2023 | EU | Original (Tapete)

Leisureland Blue Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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As Wreckless Eric he needs little introduction - he wrote and recorded the classic Whole Wide World and had a hit with it back in 1977. Since then it"s been a hit for countless other artists including The Monkees, Cage The Elephant and Billie Joe Armstrong of Green Day. Eric"s version featured in the 2022 Expedia / Superbowl / Ewan MacGregor travel ad, and the Cage The Elephant version is the new theme tune for the podcast Smartless. This new album, Leisureland, marks a return to his more ramshackle world of recording - guitars and temperamentally unpredictable analogue keyboards, beat-boxes and loops in conjunction with a real drummer, Sam Shepherd, who he met in a local coffee shop in Catskill, New York. He was delighted to find that Sam lived around the corner and could easily drop by to put drums on newly recorded tracks. The recording methodology may have been Contemporary American but the subject matter is almost entirely British. It also contains more instrumentals than any of his previous albums.

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Wreckless Eric

LP | 2023 | EU | Original (Tapete)

LP | 2022 | US | Original (No Coast)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Wristwatch

Chart For The Solution Black Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Debut LP from Wisconsin punk band Wristwatch. Original hyper limited LP pressing from FDH Records sold out quickly in preorder. No Coast repress features updated artwork, center labels and jacket...and comes with a download code.

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Writhing Squares

LP | 2021 | US | Original (Trouble In Mind)

23,79 €* 27,99 € -15%

Release: 2021 / US – Original

Genre: Rock & Indie

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Riyl: Hawkwind, Suicide, King Crimson, Stooges, Contortions, Sympathy Nervous.Writhing Squares - The Philadelphia Duo Of Kevin Nickles (Sax, Flute, Synth) & Daniel Provenzano (Bass, Vocals) - Have Been Refining The Nuts & Bolts Of Their Sound Over Their Previous Two Albums. Their Latest (And Second For Trouble In Mind), "Chart For The Solution" Is A Double Album Chock Full What Makes Them Tick; Heady, Progressive, Psychedelic Space-Rock-Cum-Minimal Synth Slop, Punctuated By Mackay/Chance-Style Blasts Of Brass & Woodwinds That Definitely Scratch An Itch. Over The Course Of "Chart For The Solution"S Four Sides, Nickles & Provenzano Utilize The Extendedformat To Stretch Out & Settle Into A Groove All Their Own. From The Relentless Synth Pulse Of Opener "Rogue Moon", Thru The Aggro-Throb Of "Geisterwaltz" & Four-On-The-Floor Scree Of "Ganymede", The Squares Have No Mercy For Your Weary Ears. After A Brief, (Slightly) Mellow Respite Thru Three Tunes ("The Abyss Is Never Brighter"/"A Chorus Of Electrons"/"The Library"), The Band Ratchets Up The Intensity With The Cacophonous Clatter Of "Nfu" (Featuring Philly Legend "Harmonica" Dan Balcer Ripping Thru Runs On His Harp) Leading Right Into The Album's Centerpiece; All Of Side Three's"The Pillar", A Near-Nineteen Minute Epic Suite That Launches The Listener Straight Into The Maw Of A Black Hole & Thru The Other Side. Side Four Closes Out "Chart For The Solution" Starting With The Slinky Stomp Of "North Side Of The Sky" Into "Resurrect Dead On Planet Whatever"S Unsettling, Cosmic-Funeral Dirge. Fittingly, "Epilogue" Closes Out The Album, With Nickles' Sax Dive Bombing Around Provenzano's Bass Throb Like An Alien Interpretation Of "Funhouse"S Howling Anarchy,Augmented By Live Drums By John Schoemaker & Organ By Alex Ward. Recorded By The Band Themselves & Utilizing Recordings Made From 2015 All The Way Thru Earlier This Year, "Chart For The Solution" Really Is A Zone, & The Perfect Auditory Cleanser To Scrub Away The Stain Of The Previous Year.

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Wstr

Red, Green Or Inbetween

LP | Original (Hopeless)

Release: Original

Genre: Rock & Indie

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Wstr

Skrwd

LP | Original (Hopeless)

Release: Original

Genre: Rock & Indie

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Tape | 2022 | Original (Warp)

Wu-Lu

Loggerhead

12,59 €* 17,99 € -30%

Loggerhead Black Vinyl Edition

Release: 2022 / Original

Genre: Rock & Indie

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Leader of the punk-rap awakening, Wu-Lu pulls inspiration from personal hardship and the underrepresented on his latest for Warp entitled 'loggerhead'. Miles Romans-Hopcraft based his artistic moniker on the Amharic word for water, “wu-ha”. True to his fluid sound and nature, he decided to change it to something that felt more liquid. He ended up with Wu-Lu, a name he has been using since 2015. His first record Ginga opened the floodgates to a career that would take him to various places, people, and genres. From breaking bones at skateparks as a teenager, to DJing as one of the original members of Touching Bass, and eventually getting signed to Warp in 2021.

As an artist, Wu-Lu seems concerned with feeling and communicating the full spectrum of human emotion. Throughout his varied discography, he touches on disparate themes and sounds, straddling a divide between blissed-out beats and grungy guitar dirges, and often mixing both into one amorphous, unclassifiable sound of his own.

On ‘'loggerhead'’, Wu-Lu hones his unique sound. On ‘Take Stage’, a despondent spoken word intro opens with sombre strings and underlying bows dragged delicately across them. Then the lights flicker to life on ‘Night Pill’, and the mosh pit with them - the bassline approaches like a hungry shark and the guitars snarl with a homemade 90s grunge energy. This grunge drawl and punk spirit is peppered with dry old-school drum sounds of classic hip-hop, with laid-back beat-oriented tracks are spread amongst those with intermittent growls, scratches, and shrieks. Sonic elements are constantly rearranged and juxtaposed throughout the album, like on ‘South’ where the fluctuating pitch of squealing guitars and screaming vocals is contrasted with the steady flow of Lex Amor.

Listening through the album you are constantly greeted with about-turns, and through the element of surprise and deft use of contrast 'loggerhead' sits at an exciting point in Wu-Lu’s genre-defying artistry.

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Wu-Lu

LP | 2022 | Original (Warp)

Loggerhead Light Green Vinyl Edition

Release: 2022 / Original

Genre: Rock & Indie

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Wu-Lu

LP | 2022 | Original (Warp)

LP | 2023 | EU | Original (La Agonia De Vivir)

Release: 2022 / Original

Genre: Rock & Indie

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Wud

Meant To Collide

LP | 2024 | UK | Original (Communion)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Limited to 300 black copies. A few weeks ago, the first planetary defense test was successfully carried out: the Dart probe diverted the orbit of the asteroid Dimorphos. With this Nasa operation we know, once again, that when we humans play god we are unstoppable, that we are not going to become extinct like the dinosaurs as long as progress makes us move. However, while this space shock was brewing 11 million kilometers away, here, more specifically in Torelló (Barcelona), a disc was being created that is like the Trojan horse of asteroids. Sin has made a crater or is going to do so; we are talking about Meant to collide of Wud. The second album of the band arrives three years after the debut Okeanos (2019), three are also the nuclear components that currently form it (and not the five before) and, again, three are the letters with which the name of the band remains (wud), previously they were called Wood. It seems that many things have changed in three years and that's right, the group has grown while it has been reduced and this new album testifies to that. The eight songs concisely concentrate the soul of the project. Although what they continue to love is the structured edginess of math-rock, they want the work to have punk-rock and pop constantly on the horizon, which makes the computation more digestible for all kinds of ears that like sharp-guitars music. Behind the songs we find Marc Fernández, Aleix 'Jimmy' Vilarrasa and Rai Costa, three friends of Torelló who for the last, almost, two years have been carrying out the recording. A long and arduous process that has gone through different studios, such as Fontderola by Jordi Casadesús and Jordi Torrents, or Lluerna by Èric Fuentes, but above all it has been hatched in their rehearsal room where they themselves have persevered in the attack to record a good part of the instrumental. The trio's bizarre ideas have been grounded with millimeter precision, faithfully capturing the centennial hyperactivism that accompanies them wherever they go. On the one hand, the songs trot lively and directed with a hardcore soul and rounded pop, on the other, if we look a little, we notice how the details of each cut are infinite, that the structures could be applied to the Sagrada Familia, that, in definitely, there is a lot of hard work. That the process has been laborious is also noticeable in the guitarist's lyrics, words spat out with the impatience of someone who doesn't want to waste another minute in the loop of self-destructive thought. Meant to collide is a fight between the two opposite and complementary parts of oneself, and I say two to simplify. Between the adrenaline side that wants to end everything through romantic escape and the other, the one that wants to reconstruct the fragments of memory to heal from serenity. From this very personal dispute comes a more than possible collision which, deep down, is what makes the group's creative drive advance and, above all, what makes the feeling that the songs are alive because they are lived intensely. Are we talking about emotions? Yes, thank God, because there such of this on the album, all the time, even in the instrumental interludes. The dreamy piano of “Barnum’s Circus”, the spectral autotune of “Lost Stars” or the Queens-of-Stoneagian guitar solo of “Cul-de-Sac” are at the service of the emotional magma of the musicians. The influence of highly emotional groups such as Delta Sleep (the English band performed one of the most memorable concerts for the wud crew at Torelló’s Arundo Fest in 2018), Algernon Cadwallader or Faraquet is noticeable. Over the years we are discovering where exacerbated technological progress is leading us: that's right, to collapse. Meanwhile, but, this band warns us that they have already arrived there and that humanity can be taken in abundance from there, in fact, there is nothing more human than collapsing.

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Wunderhorse

Midas

LP | 2024 | US | Original (Happy Happy Birtday To Me)

Release: 2024 / UK – Original

Genre: Rock & Indie

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“I want it to feel like you’re right there in the room with us.” And in 10 songs and 40 minutes, Wunderhorse capture the raw power and energy that has set them apart as one of the most formidable live acts of recent years. With rugged hooks, unfiltered noise, and fierce melodic sensitivity, Midas rips up the script of traditional second albums and establishes the band as an endlessly addictive and rousing generational talent. In late 2022, the release of their debut album Cub saw singles ‘Purple’ and ‘Leader of the Pack’ dominate radio airwaves. Landmark performances filling Glastonbury’s Woodsies Tent (fka John Peel Stage) and selling out London’s Kentish Town Forum months in advance followed tours with Pixies and Fontaines D.C. and stadium appearances with Sam Fender, signalling the band’s arrival as one of the most prominent and exciting new guitar acts in the UK. With Grammy Award-winning producer Craig Silvey (The Rolling Stones, The National, Florence + The Machine) on board for their sophomore record, the band looked to do something different. Their goal – in the very same studio that Nirvana put In Utero to tape and PJ Harvey recorded the Mercury Prize-nominated Rid of Me – was to push themselves outside of their comfort zones. “There’s absolutely no faking on this record,” ends Slater, “it's not supposed to be perfect; it’s supposed to be a snapshot, even if it is a bit of an ugly portrait. That's how it was then, and that's how you're gonna see it.” And it sounds like you’re right there in the room with them.

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Wut

Mingling With The Thorns

Release: 2024 / US – Original

Genre: Rock & Indie

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Since 2018, Vancouver BC’s jangle-pop meets riot-twee trio WUT have been making a local name for themselves with their joyfully heartfelt live performances. In 2020, the trio released NOW, an energetic cassette accompanied by 10 DIY music videos. These earnest and often humorous videos reflect WUT’s playful yet sincere songwriting. Recently, WUT recorded Mingling With The Thorns, their sophomore full-length album. Mingling With The Thorns was created during two years of intermittent quarantines which caused guitarist Kaity McWhinney (Knife Pleats / Love Cuts), bassist Tracey Vath (Knife Pleats / Love Cuts), and drummer Lauren Smith (Tough Age / Jock Tears), to write songs independently, and share their ideas through countless emails, dropbox folders, and google drives. Long periods of isolation were consumed by experimentation with different arrangements, and often an idea would be re-worked over and over (and over) again. This resulted in a collection of carefully crafted pop songs that reflect the bands mutual love for c86 jangle pop and early Flying Nun Records bands. McWhinney’s longtime friend and musical collaborator, Christina Riley (Artsick, / Burnt Palms) joins WUT on the track “Your Feelings”, which pushes the band into the realms of garage rock with her raw and frenetic lead guitar. On a surface level, Mingling With The Thorns may seem fun and carefree. However, a dig deeper into the album’s lyrical content draws up themes that grapple with patriarchy and late stage capitalism; specifically the struggle to find personal autonomy within these social systems.

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Civilian + Cut All The Wires: 2009-2011

LP | 2021 | US | Original (Merge)

Release: 2021 / US – Original

Genre: Rock & Indie

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2lp Is Green Swirl Vinyl In A Gatefold Jacket.Ten Years After Its Release, Wye Oak's Civilian Remains A Raw, Sinewy Punch Of A Record _ Bleak And Intense And Lonely And Self-Assured All At Once. The Album Unravels With The Sort Of Selfquestioning And Uncertainty That Come With Youth, And Its Specific Confidence In Unflinchingly Probing All Of Those Emotions, Feeling Them To Their Deepest Extent Even When It's Tearing You Apart At The Seams. When Andy Stack And Jenn Wasner Released Civilian, It Marked Both The Ascension And Death Of Wye Oak, Or At Least A Version Of It. Now, A Decade Later, Civilian + Cut All The Wires: 2009-2011 Delves Back Into That Pivotal Record And Adds A Lost Album Of Unreleased Tracks And Demos To Civilian's Universe. Civilian Was Beloved Upon Release, Complete With Late-Night Tv Appearances, Sold-Out Concerts, And Glowing Reviews; It Was The A.V. Club's Favorite Album Of 2011. Cut All The Wires: 2009-2011, A 12-Song Collection Of Rare And Unreleased Tracks And Demos Culled From The Wye Oak Archives, Is An Extension Of The Bruised And Aching Civilian. Sonic Paradoxes Abound: The Mellow "Sinking Ship" Is Preceded By The Wall-Of-Sound Grunginess That Roars Through "Half A Double Man." A Pared-Down Acoustic Daytrotter Live Session Of "Two Small Deaths" Dovetails Into The Jangling "Holy Holy" Demo. The Closing Lyrics Over The Frenetic, Screeching Feedback Of "Electricity" Lend The Anniversary Release Its Title.

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Every Day Like The Last: Collected Singles 2019-20

LP | 2023 | EU | Original (Merge)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Every Day Like The Last Natural & Black Swirl Vinyl Edition

LP | 2023 | US | Original (Merge)

Release: 2023 / US – Original

Genre: Rock & Indie

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If Children Record Store Day 2022 Vinyl Edition

LP | 2022 | US | Original (Merge)

Release: 2022 / US – Original

Genre: Rock & Indie

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Limited Edition for Record Store Day 2022.

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Shriek + Vriations Orange Swirl Vinyl Edition

2LP | 2024 | US | Original (Merge)

42,99 €*

LP | 2023 | US | Original (Vampire Blues)

Release: 2024 / US – Original

Genre: Rock & Indie

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In 2014, Wye Oak released Shriek, their fourth album. It was a necessary departure for Jenn Wasner and Andy Stack, who found themselves on uncertain ground after two years of constant touring for 2011's Civilian, living on opposite ends of the country and trying to revitalize their creative partnership. Wasner set aside her guitar for a bass. Stack took on the band's upper register, playing syncopated, meditative keyboard parts that interacted with Wasner's voice, which was newly freed from its call-and-response relationship to the guitar - what had been, until then, a signature of Wye Oak's sound. "This idea and the ensuing creative reworking of our band did what it was meant to do," Wasner writes in 2024. "It ended a long, painful period of creative stagnancy and reconnected me with the joy of making music." During that period, Wasner and Stack were introduced to William Brittelle, the Brooklyn-based composer whose 2019 LP Spiritual America featured Wye Oak, the Metropolis Ensemble, and the Brooklyn Youth Chorus. His orchestral reimaginings of five songs from Shriek (Shriek: Variations, if you will) are the centerpiece of this package, which serves not only to mark the tenth anniversary of a great album, but to demonstrate the richness of Wye Oak's compositions. Stack says of Shriek: Variations: "It's like looking at the songs in a funhouse mirror. The songs on Shriek can be stripped down or embellished - this is maximal embellishment. William took the album and blew it to smithereens, looking at it in a weird, prismatic way." Through Brittelle, Wasner and Stack found themselves at the intersection of classical, experimental, and pop music. Further collaborations, like the Brooklyn Youth Chorus- featuring No Horizon and Paul and Michi Wiancko's string arrangements on "My Signal" from The Louder I Call, The Faster It Runs, followed, as this connection fundamentally changed the way Wye Oak approached making records, incorporating an entirely new palette of sound into their work. That shift began here. Shriek: Variations may feel like a startling take on the material, something like light bursting into a room through drawn curtains, but Brittelle's arrangements are largely original to his first collaborations with Wye Oak a decade ago, suggesting that his maximalist arrangements have lived comfortably within the framework of Shriek the whole time, waiting for the right moment to emerge. It's a fitting reintroduction to the album, which upon its initial release was pigeonholed into the easy one-note talking point of being the "no-guitar" record. But even so, as that happened, Shriek quietly started to become a staple among Wye Oak's core fans. Here, with help from Brittelle's expansive compositions, the release draws attention back to the songwriting - how, regardless of the instrumentation, Wasner and Stack's uncanny musicwriting partnership at the core is what makes both Shriek and Wye Oak excellent. Joined by the Metropolis Ensemble, Paul Wiancko, and Lizzie Burns, Wye Oak turn songs like "Logic of Color" inside out, reaching towards a kind of pastoral bombast, Brittelle's aesthetic with Wasner and Stack as an anchor. In fact, "Logic of Color" in this iteration takes that "no-guitar" script and flips it, with Wasner playing the synthesizer ostinato on acoustic guitar at its center. If Shriek is a record that charts the depths of solemnity and inner space, its Variations, roiling in a sea of winds, brass, and strings, recolors that space and complicates it, a gorgeous, unexpected response to the original's siren call.

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Wylde Rattz

Wylde Ratttz

41,99 €*

LP | 1970 | EU | Reissue (Wah Wah)

Release: 2023 / US – Original

Genre: Rock & Indie

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The Wylde Ratttz were formed in 1997 to record tracks by The Stooges for the film Velvet Goldmine. With Ron Asheton as the secret weapon, the songs were easily dispatched and the band quickly organized a second session that produced a mixture of originals brought in by the band members, covers by The Pretty Things (one of Ron’s fav bands), and 40 minutes of killer instrumental tracks. Ron Asheton: Guitar, vocals, piano, tympani. Mark Arm: Vocals. Thurston Moore: Guitar, vocals, electronics. Mike "Pipe" Watt: Bass, Beam, spiel. Steve Shelley: Drums, percussion. Don Fleming: Guitar, vocals. Sean Ono Lennon: Multitronics, guitar, vocals. Produced by Don Fleming for Instant Mayhem Productions Recorded and mixed by Bil Emmons in NYC, 1997

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Wynder K. Frog

Into The Fire

LP | 1968 | EU | Reissue (Wah Wah)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

INTO THE FIRE
The third Wynder K Frog album was released only in the USA in 1970, once Weaver had already abandoned the project and started his session musician career. Out Of The Frying Pan was doing well in the States, copies still selling steadily since it had appeared, and United Artists thought it'd be a good idea to release it under the Into The Fire title in order to present it as kind of a sequel to Frying Pan. The material, mostly written by Weaver and his side men for the sessions, takes the sound one step further adding heavier sounds and funkier rhythms, not far from what was being done in USA studios like Muscle Shoals at that time.

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Wynder K. Frog

Out Of The Frying Pan

LP | 1967 | EU | Reissue (Wah Wah)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

OUT OF THE FRYING PAN
Released at the end of the summer of 1968, and with a host of session musicians that included the brass section of John Mayall's Bluesbreakers, producer Gus Dudgeon helped Weaver / Wynder K Frog to improve the results obtained on the debut LP and get one step closer to the live action. The formula was more or less the same, instrumental hammond a go go covers of hits from the era, including The Rolling Stones' "Jumping Jack Flash", a funked up version of the classic Tommy Tucker blues number "Hi Heel Sneakers", an exploding cover of "Tequila" or the standard "Green Door", but it also included the sensational Weaver-penned "Harpsichord Shuffle".

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Wynder K. Frog

Sunshine Super Frog

II: Sojourn Clear With Purple Splatter Vinyl Edition

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

SUNSHINE SUPER FROG
Recorded mostly in 1966 and issued in 1967, Wynder K Frog's first LP came out of sessions produced by Chris Blackwell, Jimmy Miller and Syd Dale. Weaver was assuming more and more the identity of Wynder K Frog and was backed by session musicians rather than by his live band. It consisted in organ led instrumental covers of songs from the Island catalogue, some built over rejected backing tracks for other artists of the label like Jimmy Cliff, Jackie Edwards and Owen Gray and some new recordings of hits like Spencer Davis Group's "Somebody Help Me", plus some covers of american R&B hits by the likes of Sam & Dave, Willie Mitchell or Wilson Pickett. The end result gave an idea of the Wynder K Frog sound, resulting in a top mix of dance club go-go sounds, perfect for any allnighter at the Tiles or any Swingin' London venue of the 1960s. First ever vinyl reissue. Limited edition to 500 copies only. Bonus tracks not on the original LP. Remastered sound. Insert with liner notes by Nick Rossi and photos. Beautifully housed in three back-flapped 1960s UK style picture sleeve

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Wytch Hazel

LP | 2018 | UK | Reissue (Bad Omen)

LP | 2020 | EU | Original (Bad Omen)

Release: 2018 / UK – Reissue

Genre: Rock & Indie

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Wytch Hazel’s stellar 2016 debut Prelude confirmed these Lancastrian apprentice wizards to be Britain’s most promising new hard rock band. Two years on, that promise comes to abundant fruition on II: Sojourn, an album that moves Wytch Hazel on from the innocence and exuberance of the debut to a darker, more profound and complex place, carefully wrought into optimum shape by the band’s singer, guitarist, songwriter and mastermind Colin Hendra. “I’m really into the idea of an album,” notes Colin. “I don’t do mix-tapes, I don’t listen to singles, I’m interested in albums. I want to make a good, listenable, cohesive work, that is the whole thing.” Asked what inspirations were brought to bear this time, Colin has good news, and even better taste: “I was listening to plenty of Judas Priest, Thin Lizzy and Wishbone Ash last year,” remarks the frontman. “This seems to be more of a hard rock album, where the last one was more rock-folk. It’s definitely more rock than folk!” The most crucial influence fully expresses itself via Les Paul guitars in sweet twin harmony through cranked Super Lead Marshalls - “Exactly the same type of amp that Thin Lizzy would have used,” beams Colin - a benefit of working in James Atkinson’s Hand Of Law Studio, a converted gaolhouse in Leeds. “We knew there would be a lot more great gear, more amps, more options,” enthuses Colin of this productive new work environment. “We were more prepared, we planned better. I had a lot more vocals to record on this album, pretty much every song has at least three harmonies, but James is a really chilled out guy, he made it easy for us. I had a very clear idea of how I wanted each song to sound, I thought about every single aspect. I probably over-prepared for this album, and it paid off!” Wytch Hazel’s proud, avowed Protestant Christianity continues to set them apart from the occult hocus-pocus of their peers, and the very title Sojourn has a Biblical inspiration: “It’s used a lot in the Old Testament, people would travel somewhere to stay for a short period of time,” explains Colin, comparing the idea to Wytch Hazel’s development since Prelude. “We’re going to reside here with this sound for a while, and the next album might not sound the same. Come and have a listen to this aspect of Wytch Hazel - it’s a temporary stay. We’ll be here for a while, then there will be something else. I’m always writing, it’s a constant stream, but I’m always trying to raise the bar, because I don’t want the next album to be not as good as the other ones!”

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Wytch Hazel

III: Pentecost

Iii: Pentecost Spirit & Fire Marble Flame Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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Over the past near-decade, Lancashire’s medieval metal phenomenon Wytch Hazel have been honing an uncommonly wholesome, rustic and devotional brand of timewarped hard rock that’s all their own, with 2016’s Prelude and 2018’s II: Sojourn summoning to mind fevered images of Robin Hood and his Merry Men grooving to Jethro Tull and Thin Lizzy. Yet within moments of pressing play on their third LP, III: Pentecost, the musty mystical minstrelsy takes a back seat in favour of a rich, sumptuous, anthemic late-night drivetime vibe, passionately embracing the most high-end smash-hit classic rock and metal circa its late 1970s heyday. “I thought I put a lot into the second album, but this album has been an absolute obsession,” stresses the band leader, Colin Hendra. “Every aspect had to be as good as possible. We’ve gone back and forth, Ed was tinkering with it for months on end. There’s quadruple tracking going on with the rhythm parts, then we’ve doubled, tripled and quadrupled all our lead parts to get that richness and fullness of sound, all meticulously planned with pages and pages of organisational notes. It wasn’t just ‘get in the studio and see how it goes!’” he laughs. “One day I did 14 hours of vocal recording. All vocals are double-tracked, I can’t express how much hard work that is. The last album feels like a breeze compared to what we’ve done with this - and I don’t plan on ramping it down!” Musically, there are gorgeous self-professed touches of Black Sabbath, Blue Öyster Cult, Ac/dc and early Scorpions—“With the soloing I was trying to go for Michael Schenker” beams Colin—while the scampering headbanger I Will Not initially took a nod from Angel Witch, who Hendra was helping out on second guitar back in 2015 when the track was composed, before studio treatment made it sound “a lot more Wytch Hazelly”. But perhaps the most lateral comparison is to a band from the opposite spiritual realm, with Archangel an explicit homage to Swedish faux-Satanic devil cult Ghost. “I find them fascinating, Ghost; musically great, the songwriting is spot-on,” enthuses the frontman. “We share an intrinsic connection, with [Bad Omen honcho] Will Palmer being the person who discovered us both. “Music is created for all, it’s a common grace for everyone,” he affirms, “which is why the music that shows the glory of God the most, in my opinion, is not music created by Christians. It’s Black Sabbath!”

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Wytch Hazel

LP | 2023 | UK | Original (Bad Omen)

30,99 €*

Chain Yourself / New World

Release: 2023 / UK – Original

Genre: Rock & Indie

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Wytch Hazel & Spell

7" | 2022 | UK | Original (Bad Omen)

Wytch Pycknyck Green Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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Brand new recordings from two of the heavy rock underground’s most vital acts: "Chain Yourself" sees Wytch Hazel deliver a blistering slice of classic early eighties style heavy metal complete with 16’s on the "disco hats" and hooks that will lodge in your cranium from first hearing, while Spell’s “New World” is a riveting take on Strawbs’ gothic folk masterpiece. Rich mellotron and ghostly harmonies condemn violence in a delicate balance of fragile beauty and disquiet force.

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Wytch Pycknyck

LP | 2024 | UK | Original (Property Of The Lost)

Release: 2024 / UK – Original

Genre: Rock & Indie

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7" | 2024 | US | Original (Dirt Cult)

X (Austalia)

Hate City

13,99 €*

LP | 2024 | US | Original (Dirt Cult)

Release: 2024 / US – Original

Genre: Rock & Indie

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These four songs, recorded in 1977, are the only recordings of the original 4-piece line-up of the Australian band X featuring Ian Rilen (Rose Tatoo), Steve Lucas, Ian Krahe, and Steve Cafiero. Three of the songs (Home is Where the Floor Is, TV Cabaret Rules, and Hate City) were released on the 1985 compilation "Why March When You Can Riot" while Good On Ya Baby was later re-recorded for the X-Aspirations LP. While their debut LP, X-Aspirations, is rightly lauded as an Australian punk classic, this batch of songs is often overlooked because they never received a wide release. This is the band at their most snotty and rambunctious. This is an authorized one-time press of 500 copies on black vinyl by Dirt Cult and Green Noise Records

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X (Austalia)

X-Aspirations

25,64 €* 26,99 € -5%

LP | 1980 | EU | Reissue (Music On Vinyl)

Release: 2024 / US – Original

Genre: Rock & Indie

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X was formed in Sydney, Australia in 1977 by Ian Rilen (Rose Tattoo), Steve Lucas, Ian Krahe, and Steve Cafiero. After the sudden death of Ian Krahe in 1978, the band pushed on with a few other guitar players but struggled to find their footing. Then in late 1979, just a few months after singer Steve Lucas first picked up a guitar, the band recorded what would become X-Aspirations as a threepiece in 5 hours. Legend has it that the band went into the studio expecting to record a single. Once they loaded in, they decided to record every song they knew how to play and then pick a single from there. Most of the songs were first takes and they figured that the end result was good enough to release as an LP. In true DIY fashion, the band released the record on their own in early 1980. The album went on to be listed as one of the 200 Greatest Australian Records of All Time and called "one of the best punk records of all time" in Maximum Rock'n'roll. It's not often that those two publications agree, but it's hard to argue otherwise. After 10 years of being out of press in the United States, Dirt Cult Records and Green Noise Records will be releasing X-Aspirations with new cover art sanctioned by the band's only surviving member, Steve Lucas. Some praise for the record: "The bass lines are really good, the lyrics are really tight, the riffs are sick. (X-Aspirations) was an album I'd found after I heard The Ramones. Fell in love with it and it still gives me goosebumps" - Eamon from The Chats in Classic Rock Magazine "If you venture into The Tote in Melbourne on any given night, you're likely to hear a band that owes some semblance of influence to X - whether they know it or not. Such is the legacy of one of Australia's most well-loved underground classics (X-Aspirations).” -Rolling Stone "Fourteen vicious, out-for-blood punk tunes, all of which are steeped in some supremely heavy dark and daring shit. It's a legit classic and one of the best punk rock albums ever made." - Maximum Rock N Roll

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Los Angeles

Conscious Consumer Crystal Clear Vinyl Editoin

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Los Angeles is the debut album of the American Punk rock band X, released on April 26, 1980. In 2003, the album was ranked number 286 on the Rolling Stone's list of the 500 greatest albums of all time. Los Angeles is considered by many to be one of Punk's all-time finest recordings, and with good reason.

180g vinyl.

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X-Ray Spex

LP | 1995 | EU | Reissue (Do Yourself In)

36,99 €*

Release: 1995 / EU – Reissue

Genre: Rock & Indie

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Conscious Consumer Eco Mix Vinyl Edition

X-Ray Spex

LP | 2024 | EU | Original (Do Yourself In)

36,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Live At The Roxy Club White Vinyl Edition

X-Ray Spex

LP | 2024 | EU (Radiation Reissues)

LP | 2022 | EU | Original (Fabrika)

Release: 2024 / EU

Genre: Rock & Indie

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Recorded live at London’s legendary Roxy Club on April 2, 1977 just five short months before the release of their iconic debut single, call to liberation, prototypic “Oh Bondage, Up Yours!”. Remastered audio & reimagined artwork plus exclusive sleeve notes from original pioneering saxophonist Lora Logic. Limited edition “Spittle White” vinyl.

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Xam Duo

Xam Duo Ii

30,99 €*

EP | 2022 | EU | Original (Sonic Cathedral)

Release: 2022 / EU – Original

Genre: Rock & Indie

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XAM Duo - the Yorkshire-based pairing of Matthew Benn and Christopher Duffin - follow up their acclaimed self-titled 2016 debut with a new album. They have spent the past few years collaborating with Virginia Wing and releasing the fun single 'Tisch Tennis', as well as playing live with everyone from Stereolab, Sonic Boom and Michael Rother to Jessy Lanza, The Necks and Anna Meredith. They are also both members of Holodrum, the band formed from the ashes of Hookworms whose debut album came out earlier this year. Despite being over five years in the making, 'XAM Duo II' is a much more concise affair than their debut, clocking in at just under 30 minutes. The journey begins and ends with the beat-driven 'Blue Comet' and 'Cold Stones', taking in shorter ambient jams along the way, making use of saxophone, drawn out tape chords, floating Rhodes piano and spaced-out synths, alongside very precise and intentional, sequenced and punchy synth tones. With the digital approach it could feel cold and processed, but it's the opposite - warm and natural. This is something that is reflected in the striking artwork by long-time collaborator Jonathan Wilkinson which comes from a series of prints inspired by his time hiking around the Calder Valley in West Yorkshire. One thing that has stayed the same is the influence of The Sopranos, with three of the six tracks on the album named after episodes of the classic series.

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Xam Duo

Xam Duo Rmx

23,99 €*

Xander & The Peace Pirates

Release: 2022 / EU – Original

Genre: Rock & Indie

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A-side features a reworking of the album's closing track, 'Cold Stones', by legendary electronic artist and DJ, James Holden, WHO has taken the original's calming, comedown energy and transformed it into an epic, 11-and-a-half-minute journey, which somewhere around the five-minute mark comes right back up. "It's like the most rave thing I've done for ages and also not rave at all, like a blurry dream about a rave?" . Whatever it is, it's incredible, as are the two further reworkings on the B-side. The Early Years reframe 'LGOC' as a divine astral jazz / krautrock crossover, while Richard Pike (of PVT and Deep Learning) turns 'Blue Comet' into a glitchy and discordant soundtrack to the best 1980s computer game you never played. "It's lovely to hear three different interpretations of songs that we already tend to keep quite loose and elastic," says Matthew Benn. "These remixes feel like a natural extension of the music on the album, like they're from the same world, but perhaps in a different language."

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11-11

LP | 2016 | Original (V2 Benelux)

Release: 2016 / Original

Genre: Rock & Indie

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LP | 2023 | US | Original (Mt. St. Mtn.)

Xds

Bicycle Ripper

LP | 2021 | US | Original (Dais)

Release: 2023 / US – Original

Genre: Rock & Indie

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It started in a cafe in Chico, California, with a flier, covered in glitter, wires, feathers, and assorted melted items, with a three-word advertisement: “Noise person wanted.” It wasn’t a sign. It was a sample. A tiny piece lifted from the visionary environment that the band XDS would continue building over the next couple of decades, hoarding an eclectic stockpile of collage materials/influences/approaches for assembling psychedelic dance-punk jams played with homemade instruments, blown-out samples, off-kilter drumming and dub baselines. Shoko Horikawa had come from Japan to (the small, music-crazy college town) Chico for school, and responded to Jesse Hall’s mysterious flier and a pitch to collaborate on making interesting sounds. The partnership would end up featuring her syncopated polyrhythmic drums alongside his vocals (through a duct tape-and-PVC-pipe mic) and custom-built Guitar-o-bass, plus synths/samplers and various noise-making devices. The two-piece Experimental Dental School eventually morphed into XDS as the duo moved the operation from Chico to Oakland to Portland and back to Chico, touring the world (playing alongside the likes of Deerhoof and other innovators) and releasing 11 recordings (on Cochon Records, German label Tcwga, etc.) as they went. On the new XDS album, Bicycle Ripper, the band’s genre-bending roots are as deep as ever, but the goal now is to be less “noise” people and more “fun” people. The songs are weird yet cohesive, with jittery grooves and inventive hooks. Throw a dart at the album and hit “Hot Panther, Cold Moon” for one random sample: an unrelenting fuzzed-out bass dances with a insistent drums; a sharp turn into sparse tin-can-guitar break; then a return to the dance floor with a bonus overdriven bass riff and full-throttle drums. The Panther stays hot whether she’s under the “hot hot sun” or the “cold cold moon.” It’s all very irresistible and, yes, really really fun.

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Xeno & Oaklander

Vi/Deo

Via Negativa (In The Doorway Light) Black Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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East Coast Minimal Wave Institution Xeno & Oaklander's Seventh Full-Length Further Distills Their Iconic Noir Synth Pop Into A Streamlined Suite Of Gleaming, Graceful Retrofuturism. Inspired By Ideas Of Sy...

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Xeno & Oaklander

LP | 2024 | US | Original (Dais)

Via Negativa (In The Doorway Light) Ruby Red Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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The eighth and latest slate of refined retro-futuristic synth-pop by LizWendelbo and Sean McBride aka Xeno & Oaklander is named afterand inspired by "the study of what not to do, a negative image of apositive, the other side, the other:" Via Negativa (in the doorway light).Recorded in the fall of 2023 at their modernist Connecticut homefashioned into a two-story synthesizer laboratory and mixing studio,the album is uniquely visionary in spirit yet precision in execution, acontrast central to the duo's enduring chemistry. Embryonic pianosketches were translated to nuanced modular systems, whichMcBride weighted with "harmonic padding," tuned percussion, and aspectral transfer device capable of "rendering spasms of rhythmicovertonal filigree." Despite the technological complexity of their craft,emotively the songs require no deciphering - these are technicolorwidescreen anthems of the cybernetic age.The eponymous opening track sets the pace, soaring sleekly overglittering synths and call-and-response vocals about arias, shatteredlight, and faces in stereo. From there the record expands andcontracts, cycling through a gallery of moods and masks, animated bythe band's fascination with drama, "the idea of personae," andtheatrical characters. Track by track, a murky, tragic backstoryreveals itself: forlorn figures navigating a treacherous mercury mine,alternately poisoned by fumes or buried in collapsing caverns. Thetension between Teutonic, utopian synthetic pop and lyrical narrativesof ghosts in silos, ruined mills, and the traumas of mineral excavationcreates a compelling friction, alternately futurist and obsolete,elevated and subterranean. Wendelbo describes the music's polaritiesperfectly: "The heavy machinic din of extraction in contrast with theenchantment of the mined precious gems and metals."From bilingual odes to bloodstones ("O Vermillion") to cosmic chromedance floor classics ("Lost & There" "The present tense can never feelreal / So many pasts...

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Xeno & Oaklander

LP | 2024 | US | Original (Dais)

7" | 2022 | US | Original (Silver Girl)

Release: 2024 / US – Original

Genre: Rock & Indie

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Ruby Red Vinyl. The eighth and latest slate of refined retro-futuristic synth-pop by LizWendelbo and Sean McBride aka Xeno & Oaklander is named afterand inspired by "the study of what not to do, a negative image of apositive, the other side, the other:" Via Negativa (in the doorway light).Recorded in the fall of 2023 at their modernist Connecticut homefashioned into a two-story synthesizer laboratory and mixing studio,the album is uniquely visionary in spirit yet precision in execution, acontrast central to the duo's enduring chemistry. Embryonic pianosketches were translated to nuanced modular systems, whichMcBride weighted with "harmonic padding," tuned percussion, and aspectral transfer device capable of "rendering spasms of rhythmicovertonal filigree." Despite the technological complexity of their craft,emotively the songs require no deciphering - these are technicolorwidescreen anthems of the cybernetic age.The eponymous opening track sets the pace, soaring sleekly overglittering synths and call-and-response vocals about arias, shatteredlight, and faces in stereo. From there the record expands andcontracts, cycling through a gallery of moods and masks, animated bythe band's fascination with drama, "the idea of personae," andtheatrical characters. Track by track, a murky, tragic backstoryreveals itself: forlorn figures navigating a treacherous mercury mine,alternately poisoned by fumes or buried in collapsing caverns. Thetension between Teutonic, utopian synthetic pop and lyrical narrativesof ghosts in silos, ruined mills, and the traumas of mineral excavationcreates a compelling friction, alternately futurist and obsolete,elevated and subterranean. Wendelbo describes the music's polaritiesperfectly: "The heavy machinic din of extraction in contrast with theenchantment of the mined precious gems and metals."From bilingual odes to bloodstones ("O Vermillion") to cosmic chromedance floor classics ("Lost & There" "The present tense can never feel...

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Xenos

Left To Die

8,99 €* 9,99 € -10%

LP | 2021 | US | Original (Chunklet)

Release: 2022 / US – Original

Genre: Rock & Indie

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The band at the center of the indie thriller Fanboy (Gnarlsberg Productions/Amazon, 2021), San Diego’s Xenos jumps off the silver screen to record the 4-songs from the film and perform live. Comprised of Arabella 'araby' Harrison (jejune, And/ors), BEN Johnson (tourettes Lautrec on Swami Records), Alia Jyawook (hot Nerds on 31G Records), Thomas Kitsos (night Marchers on Swami Records) and John Cota (death Eyes on 31G Records). Xenos' post-punk songs is formed by the collective energy of important San Diego hardcore, post-hardcore, punk and emo history.

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Xerobot

LP+7" | 2010 | US | Reissue (Kill Rock Stars)

Release: 2021 / US – Original

Genre: Rock & Indie

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The mid-90s in Madison, Wisconsin wasn’t necessarily the best time to be a band like Xerobot, but thank the gods that they decided to become one. Spastic, hyperactive scrawl evoking the original New York No Wave scene, Xerobot’s recorded output consisted of a CD, a couple split singles and a handful of comp appearances. This self titled LP assembles 37 tracks in almost as many minutes and collects all their releases and even additional unreleased material recorded by none other than Steve Albini. This LP was mastered by none other than Weasel Walter and includes a 16pp booklet featuring photos, first person accounts of the band and lyrics! First edition of 150 copies.

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Xiu Xiu

Dear God, I Hate Myself

Unclouded Sky 10th Anniversary Edition

Release: 2010 / US – Reissue

Genre: Rock & Indie

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The two biggest constants throughout Xiu Xiu's catalog are honesty and evolution. This remains true with Dear God, I Hate Myself as it delivers a look at responsibility, fear, healing, and societal roles wrapped in rich gothic pop music. The sound is still distinctly Xiu Xiu, but Jamie Stewart's vocals are finally effortless paired with vibrant melodies full of subtlety and the distinct sonic accents expected of this anticipated Xiu Xiu release. The result is a record that proves that art can be pop and pop can challenge you to look inside yourself. Each new Xiu Xiu release has evolved alongside the lives of Jamie Stewart and company. On this record you'll find more intensity and introspection than ever before, but sonically and lyrically it continues to move forward with a subtly new perspective ' hyper-focused yet aware of a larger, external picture unfolding. The pace of the record grips you, the music offers layers of detail, and the themes focus on not just the past or stark present but hint towards vespers of the future as well. Dear God, I Hate Myself will challenge you and force you to look inside yourself, but only after you get lost in the music. It's passionate, it's energetic, and it affects you. Dear God, I Hate Myself is a beautiful piece of humanist art. It's an important addition to the growing body of intelligent music from Xiu Xiu. And it's a brilliant gothic pop record that can stand next to anything.

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Xiu Xiu

LP | 2024 | US | Original (Polyvinyl)

Release: 2024 / US – Original

Genre: Rock & Indie

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XTC as The Dukes Of Stratosphea

25'o Clock Remastered Edition

LP | 2019 | UK | Original (Panegyric)

Release: 2019 / UK – Original

Genre: Rock & Indie

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Xtc - As The Dukes Of Stratosphear

Psonic Psunspot

LP | 1987 | UK | Reissue (DGM Panegyric)

Release: 1987 / UK – Reissue

Genre: Rock & Indie

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Xtc - As The Dukes Of Stratosphear

Psonic Psunspot

LP | 1987 | UK | Reissue (DGM Panegyric)

29,99 €*

Release: 1987 / UK – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 1989 | EU | Reissue (Panegyric)

XTC

Orange & Lemons

38,99 €*

LP | 1986 | UK | Reissue (DGM Panegyric)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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The album is one of the most requested vinyl reissues as it was only on vinyl for a short period towards the end of the first vinyl era and was, as a result, never available as a decent quality pressing and poorly presented in a single sleeve. Brrraaannnngg!! – As brash, bright & vibrant as its Alan Aldridge influenced, pop art, outer cover art, Oranges & Lemons, XTC’s ninth studio album, issued in February 1989, arrived like a burst of audio summer at the end of winter. Eloquently answering the question: “How do you follow-up a classic album?” with the most obvious answer “with another great recording”, the album consolidated XTC’s position – especially in America – as one of the era’s finest recording outfits. Following the slow burn success of Skylarking, which by then had become the band’s biggest selling album to date, Virgin suggested the band should consider another American producer. XTC settled on session musician Paul Fox who was just establishing a name for himself as an up & coming producer – having remixed tracks for Yes & Culture Club. Recorded in Los Angeles over a lengthy period, the album allowed Andy Partridge & Colin Moulding to further hone a group of songs that had initially been worked on & rehearsed in the UK with Dave Gregory’s, rarely highlighted but often crucial, contributions to the arrangements apparent in the final mixes...

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XTC

Skylarking