Indierock | Alternative 143 Items

180 Gram, gatefold, download, indie advance exclusive Limited edition for Record Store Day 2015!

... 'guero's' little remixed companion 'guerolito' ... with remixes by Air, El-P, Subtle, Boards Of Canada and many more!

King Gizzard’s epic 3-night run is now available as a deluxe box set! 86 songs, with no repeats across all 3 nights. This epic 12-LP set features the complete concerts uncut, new artwork by Echo Barrett, and a photo booklet. Live at Red Rocks Amphitheatre, Morrison, CO, USA, – Oct 10, Oct 11 and Nov 2 2022.

180 gram vinyl

180 gram audiophile vinyl.

"Praegustator" is Kid Dakota's seventh album, however it it is the first to feature new drummer and guitarist Lars Oslund. The two musicians have continued to refine the highly orchestrated and lush sound featured on the last two albums, "Denervation" and "Age of Roaches." Not for the faint of heart, this dark brooding album focuses on themes of alienation, addiction, inequality, and environmental catastrophe.

The Endless Coloured Ways is a collection of songs by legendary singer/ songwriter, Nick Drake, performed and recorded by over 30 incredible artists from a range of different backgrounds, genres, age groups and audiences From Fontaines D.C. to Guy Garvey, Aurora to Feist, and Self-Esteem to David Gray, each artist has offered their own incredible take on a timeless classic "Nick Drake was not that concerned with promoting himself as an artist but I think he would have been overjoyed to hear his art promoted by so many vibrant and talented artists such as the ones we approached. Each track is an example of a fellow artist adopting Nick's art as if it was their own, submitting to the song, and the results prove to me that talent can so often win out over mere skill or 'personality'. We are honoured and so grateful to all our friends, old and new, who took part in the making of this set." - Cally Calloman, Bryter Music "Having initially exchanged a list of our favourite artists and realised how much our tastes overlapped, Cally and I set out on this venture with one simple brief - to ask the artists to ignore the original recording of Nick's in terms of arrangement, production and singing style; basically, we were asking them to reinvent the song. First of all, it was humbling to hear so many similar responses, saying how important Nick's music was to them, and how much they wanted to be part of this project. But as the results came in one by one, we were staggered by the brilliance and invention that each artist had shown. They had done what we asked - they had made the song their own." - Jeremy Lascelles, Chrysalis Records

2LP reissue of Current 93 classic. Originally released in 1998 in a vinyl edition of just 2,000 copies and on CD, this is the first official vinyl reissue since then. Remastered
by The Bricoleur, this album contains all the released versions of the album's final track, "Chewing On Shadows"_the original album track, as well as the 2 different versions used on the expanded CD release of 2004.In a full-colour sleeve, reproducing the original paintings by David Tibet, and a 2-sided full-colour insert.

A Lesson In Romantics is the 2007 debut album from the rock band, Mayday Parade. Upon it's original release, the album hit #8 on the Billboard Heatseekers chart and has since been certified gold. The album features the singles, "When I Get Home, You're So Dead," and the recently platinum-certified hit, "Jamie All Over." In 2022, fifteen years after it's initial release, The Eastern Echo stated, "Mayday Parade sure knows how to write an iconic record, and this will be on repeat for years to come." Coke Bottle Clear LP.

Repress in new colours of current Fu Manchu album!The Return Of Tomorrow is Fu Manchu's first new album in 6 six years, and they made sure that it was worth the wait. Their 14th album is their first double LP of new material and it was conceived of as a vinyl listening experience. The first LP features seven songs in their iconic heavy fuzz sound including the first single, "Hands Of The Zodiac" and the relentlessly catchy "Loch Ness Wrecking Machine." The second LP sees the band mellowing out with six slower tempo jams including the synth inflect...

Made in Czech Republick

Vinyl LP pressing. 2017 release. A dark soundtrack-like work from Lorenzo Esposito Fornasari (AKA Lef), performed by an all-star band featuring American bassist Bill Laswell, Norwegian guitar visionary Eivind Aarset, Norwegian jazz trumpeter Nils Petter Molvaer, thunderous Norwegian drummer Kenneth Kapstad (Motorpsycho), British saxophonist Rebecca Sneddon (Free Nelson Mandoomjazz) and Norwegian organist Ståle Storlokken (Supersilent, Motorpsycho).

2024 - INDIE RECORD STORE EXCLUSIVE YELLOW VINYL. 140 gram color vinyl with printed inner sleeve and marketing sticker. Although recorded in the band's hometown of New Orleans, Meet The Lostines - the full-length debut from songwriters Casey Jane Reece-Kaigler and Camille Wind Weatherford - is an album that charts it's own geography. This is where the swampland meets the sock hop. Where golden-age rock & roll crosses paths with old-school country. Where timeless American roots music drops it's anchor and climbs skyward, finding some balance between the earthy and the otherworldly. At the center of that sound are the entwined voices of Casey Jane and Camille, two longtime friends whose songs explore the uncharted territory between genres. There's rarely a melody on Meet The Lostines that the two don't sing together, stacking their lush harmonies against a backdrop of baritone guitar, spring reverb, orchestral strings, Cajun fiddle, upright piano, and Theremin. It's an immersive sound.

incl. Fun and Laughter EP!
etched 4th side !!!

On July 28, 2023, Merge Records will release I Am Not There Anymore, The Clientele's first new record in six years. Over The Clientele's 32-year career, critics and fans have described their songs with words like "ethereal," "shimmering," "hazy," "pretty," and "fragile." Their singer, guitarist, and lyricist, Alasdair MacLean, has his own interpretation of the effect his music creates. "It's that feeling of not being there," he says. "What's really been in all the Clientele records is a sense of not actually inhabiting the moment your body is in." I Am Not There Anymore, regularly evokes what MacLean calls "the feeling of not being real." Many of the songs were inspired by MacLean's memories of the early summer in 1997, when his mother died, but also represent The Clientele pushing towards a new sonic frontier as a band, experimenting over the course of a three-year recording period. Of this stretching out, MacLean says, "We'd always been interested in music other than guitar music, like for donkey's years." This time out, he and bassist James Hornsey and drummer Mark Keen incorporated elements of post-bop jazz, contemporary classical, and electronic music. According to MacLean, "None of those things had found their way into our sound other than in the most passing way, in the faintest imprint." With those elements in the foreground, I Am Not There Anymore reasserts The Clientele's standing among the great stylists of pop music, deftly shifting from image to image, mood to mood, in a way that feels both new and classically them.

Ltd Edition! Der Notwist Klassiker 'Neon Golden', original erschienen am 14.01.2002 gibt es jetzt erstmalig als farbige Vinyl Edition in blau!

Limited 180gm audiophile vinyl LP repressing of this classic album by the Southern rock legends. Though the Southern rock genre existed before and after Lynyrd Skynyrd, no other band personified the lifestyle quite like this motley crew. Released in 1973 Pronounced Leh-Nerd Skin-Nerd was Lynyrd Skynyrd's first album. There are few records that sound this raw and uncompromising, especially records by debut bands. The genius of Skynyrd is that they un-self-consciously blended album-oriented hard rock, blues, country, and garage rock, turning it all into a distinctive sound that sounds familiar but thoroughly unique. Includes 'I Ain't The One', 'Simple Man' and the legendary 'Free Bird'.

Trace is the debut album by the alternative rock band Son Volt, released in 1995. The album reached #166 on the Billboard 200 chart and was in the top 10 of Rolling Stone’s 1995 critics’ list. The band, which was formed by Jay Farrar after the split of Uncle Tupelo, recorded an album that is nearly impossible to separate from the time in which it emerged. “Drown” was a hit, charting at #10 on the Billboard Mainstream Rock Tracks chart and #25 on the Billboard Modern Rock Tracks chart. Trace retraces Tupelo’s trademark style with fiddles and banjos, fast rhythms and power chords. A must have for every alternative music fan

Pills ‘n’ Thrills and Bellyaches was Happy Mondays commercial peak, both a No.4 victory and a benchmark album in history. That year the Mondays made a generation feel like the freaks were winning again, the dreamers and schemers hurtling in from the shadows to park themselves, like grin-faced goblins, in the daylight glare of the mainstream. Artwork lovingly replicated by original Manchester designers Central Station Design.

Back in print!

“Tinderbox” is the seventh studio album by English alternative rock band Siouxsie and the Banshees, released in 1986. It was the first full-length effort recorded with new guitarist John Valentine Carruthers; Carruthers had previously only added a few parts on 1984's The Thorn EP. The first recording sessions for this album took place at Hansa Tonstudio by the Berlin Wall in May 1985.
Siouxsie and the Banshees were an English rock band, formed in London in 1976 by vocalist Siouxsie Sioux and bass guitarist Steven Severin. Initially associated with the English punk rock scene, the band rapidly evolved to create "a form of post-punk discord full of daring rhythmic and sonic experimentation". With the release of Juju in 1981, the group also became an important influence on the emerging gothic rock scene. They disbanded in 1996, with Siouxsie and drummer Budgie continuing to record music as the Creatures, a second band they had formed in the early 1980s. In 2004, Siouxsie began a solo career.

The Times cited the group as "one of the most audacious and uncompromising musical adventurers of the post-punk era".

Where the band attempted to put more song structures in place on Souvlaki, they began to incorporate more elements of ambient electronica on Pygmalion. Which resulted in a more complete album than the two previous albums.

180g vinyl!

The Rolling Stones returned to their blues roots on 1968's Beggars Banquet, which was immediately acclaimed as one of their landmark achievements. A strong, acoustic Delta Blues flavor colors much of the album, particularly "Prodigal Son" and Jagger/Richards' "No Expectations." Basic rock 'n' roll is not forgotten with "Street Fighting Man" and "Sympathy for the Devil." The lyrical bite of the material ensured it's place as one of the best blues-based rock albums of all time. 180-gram vinyl.

The ultimate Halloween-themed novelty rock 'n' roll soundtrack featuring vintage sides from the 1960s and audio of 3 horror movie trailersThe perfect soundtrack for celebrating Halloween with novelty rock 'n' roll. For fans of deep1960s vintage Halloween themed novelty rock 'n' roll: witches, teenage monsters, graveyards, haunted houses, devils, ghosts and zombies. While the track are mostly from the 1960s, there is a sampling from the late 1950s. Features 18 deep crate digger classics pressed on limited edition-colored vinyl.For fans of garage rock and horror movie, the ideal soundtrack for Halloween parties and festivities, features 18 scary themed underground crate digging tracks and cover illustration art by NYC cartoonist Cliff MottLimited edition LP pressed on orange vinyl!

Riderless Horse is my first solo record, and it's the first record my former partner, Kennan Gudjonsson, didn't produce. I haven't made an album since 2010. I decided to stop pursuing music several years after my sixth record, Outlaster, because of unhappiness, overwhelming chaos, mental illness, and my tragically dysfunctional relationship with Kennan. Creating music had always been a positive outlet during difficult times, but eventually it became a source of absolute misery. Riderless Horse documents the grief, but it also marks moments of empowerment and a real happiness in discovering my own capability. Steve Albini produced this record with me, and Greg Norman assisted. It was exactly the right environment to work on this record. We all had meals together, cried, laughed, and told stories. It was perfect. It made me realize how much I love writing, playing and recording music. Terrible things happen. These were some terrible things. So, what to do - learn something valuable, connect with people, move the fuck out of that apartment, remember the humor, find the humor, tell the truth, and make a record. I made a record.