US Hip Hop 253 Items

Why you'll love it...
An 18-year-old faced with the daunting task of creating a debut that lived up to the hype that only heightened during his hiatus, Earl Sweatshirt didn’t buckle under the pressure or rely only on the old tricks; he reinvented himself. More focused even in its messiness, Doris is a well-timed candid capturing one of the most brilliant hip-hop artists of our time making the first steps toward becoming the rapper he wanted to be.

Why you'll love it...
Released in December 2007, The Big Doe Rehab was a technical commercial success at the time, but it endures spiritually as an essential title in [Ghostface Killah's] own expansive, 13-album discography, let alone his larger body of work with other artists. While every Wu member’s solo project inevitably serves as a stage for the Clan, with The Big Doe Rehab, the spotlight never leaves Ghostface Killah in the dark, even with so many other big-name players entering and exiting — a level of artistry that could only be achieved by one of hip-hop’s top dart spitters.

Why you'll love it...
The Love Movement is the unfairly overlooked Tribe record; their fifth–and at the time final–LP, released after the group broke up, and after almost a decade as the leading lights of Native Tongues. But because it came so close to the group’s dissolution, and because it’s concept album trappings of love as the leading light for human existence were far removed from The Shiny Suit era that was starting in earnest, it’s rarely been reconsidered in their oeuvre. No longer, we say: Ride in the immaculate auras presented on this album; hear the Tribe vibe and glide across lush beats and laid back bars. Our edition is the deluxe 25th anniversary edition, on exclusive “Cobweb” vinyl, remastered by Ryan Smith, and with a deluxe heavyweight tri-fold jacket.

Why you'll love it...
Uncontrolled Substance, the acclaimed 1999 solo debut from Wu-Tang Clan's Inspectah Deck, is the VMP Hip-Hop Record of the Month for January 2023. The first-ever reissue of the record, our edition is here on exclusive 2LP "Cop Car Blue" colored...

Why you'll love it...
There was no other rapper like Lupe Fiasco making this much of a splash in the mainstream in 2006. Here was this bookish kid from the ’hood who could rap circles around Jay-Z and had the gall to pose with trinkets — a Wee Ninja doll, a Nintendo DS, a copy of the Quran, a copy of his first Fahrenheit 1/15 mixtape, a toy robot — on the cover for his debut. He may have been an anachronism in his time, but looking back, it’s easy to see how he laid the groundwork for other high-minded emcees with crossover potential.

There’s moments of brilliance packed into every Lupe Fiasco album, but the equilibrium of Lupe Fiasco’s Food & Liquor has been difficult for him to recreate. To this day, it remains the most potent and well-balanced of Lupe’s work, a case of the corner boy and the scholar living in an otherworldly talented rapper’s brain working in perfect harmony.

Why you'll love it...
The beats on Capital Punishment, from RZA, Rockwilder, Domingo, and other A-list maestros, are grimy, radio- friendly, yet low-ley cutting-edge, affirming its status as an undisputed classic. Big Pun was as much a visionary — conceptualizing every song — as a consummate pro in the booth. Citing Picasso and Baby Jesus while purporting to “twist your temples into pretzels,” Pun made Minute Rice out of multi-syllables. There’s no way to describe Pun’s febrile liberties with the king’s English. He doesn’t really breathe; when he does, it’s a sharp gasp for air that almost mimics his Ginsu-like wordplay. Pun’s habit of sucking wind before spitting an ill verse mimics the effect of a lit grenade about to land and decimate entire sections of the population. If Pun’s dense rhymes invoke mixed metaphors, that’s likely because he’s an impossible amalgam of wanton wooer and lyrical hitman, an overweight lover with a murderous mouthpiece.

Why you'll love it...
While fighting through label limbo and placing his budding film career on freeze, Antwan “Big Boi” Patton spent a couple years readying the artillery for his solo close-up. Sir Lucious Left Foot: The Son of Chico Dusty is both a testament to the maturation of Big Boi and a tribute to his late father; underneath, it’s a speakeasy at breakneck speed, sittin’ on 32s. Where many other formidable MCs would be eaten alive, Big Boi shapeshifts across every mood and landscape with his trademark tenacity. He’s an effortless showboat who can portray sleaze with ease, but he’s a true class act who’s got nothing left to prove, yet will never let it show. Flanked by his known co-conspirators and many more, Big Boi blesses the senses the way only an East Point playboy can; it’s an intergenerational time warp, and another funky ride in HD. The final product is a natural progression of his Organized Noize lineage, sent across dimensions to return with an assemblage of time-tested potent Black grooves, then pressure-cooked in the kitchen of thefinest booty club in Georgia.

Last August marked the 50th anniversary of the birth of Hip-Hop and we continue to honor the artists and albums that had a significant impact on the culture. In partnership with Sony's Certified, we are following up on our RSD reissue of BDP's Edutainment and KRS-One's Return of the Boom Bap with a long overdue reissue of KRS-One's 1995 self-titled album, KRS-One. Two years after the release of Return of the Boom Bap, KRS-One got back in the studio and behind the boards and enlisted for additional production DJ Premier, Showbiz, Diamond D, Norty Cotto, and Big French Production. In August of '95 KRS-One dropped the Preemo-produced lead single "MC's Act Like They Don't Know" with "Represent The Real Hip-Hop" featuring Das EFX on the B-side of the 12-inch, boasting KRS-One's lyrical skills and backing up his status as one of the best live performers in the game. KRS-One knocked it out of the park on his second solo effort with another Premier single about the current state of Hip-Hop on "Rappers R, N. Dainja" and straight-up Boom Bap rap on the Fat Joe assisted track "De Automatic." He offers political and social commentary on "R.E.A.L.I.TY.", "Hold", and "Free Mumia" with Channel Live and continues to diss sucker MCs on "Wannabemceez" with Mad Lion. Get On Down is proud to present this deluxe reissue packaged in a gatefold jacket with a new interview by Check The Technique author Brian Coleman, complete with a foldout lyrics sheet.

So so classic album by The Fugees' first lady!

"Cappadonna is one of the original members of Wu-Tang Clan absent from their debut album Enter The Wu-Tang
(36 Chambers) due to being locked up at the time of recording. Three years later he would get his chance to shine
on Ghostface's debut Ironman. In 1997 Cappadonna was prominently featured on Wu-Tang's second album
Wu-Tang Forever. The following year the spotlight was on Cappadonna for the release of his debut album The
Pillage. With production overseen by the RZA and Wu producers True Mathematics, True Master and Goldfinghaz,
The Pillage dropped on March 24th, 1998 and was certified Gold one month later. From the classic opening
track ""Slang Editorial"" reporting on the streets to the closing track ""Black Boy"" where Cappadonna spits lyrics
about being a free man and rejoining the Wu, The Pillage is another classic Wu solo debut.
To commemorate the 25th Anniversary of The Pillage, Get On Down is proud to present, for the first time on vinyl
since it was originally released in 1998, a limited edition pressing on double clear with black swirl colored vinyl in
printed inner sleeves with a 25th Anniversary commemorative OBI limited to 2000 numbered copies."

Why you'll love it...
Big Sleepover, the reissue of 2021 collab album by Big Boi and Sleepy Brown, features CeeLo Green, Killer Mike, Backbone, Big Rube, and RENEGADE EL REY and is available for the first time on vinyl. Lauded for its humor and dynamics, the pair lets you know from the very beginning that they "have nothing else to prove."

Limited to 2000 copies, the VMP exclusive version of Big Boi and Sleepy Brown's Big Sleepover is pressed on Cloudy Green vinyl at GZ Vinyl. The 2LPs will arrive in a double gatefold, rainbow foil board, foil-stamped and numbered jacket.

Why you'll love it...
Released on September 5, 1989, Stone Cold Rhymin’ contains 13 songs and zero curse words. The sepia-toned album cover depicts Young in profile, cradling an old broadcast microphone and looking more like a dapper doo-wopper than a hip-hop hero. In terms of playing it straight, the songs are shocking in their innocence. At the 1990 Grammy Awards, “Bust A Move” won for Best Rap Performance. It was clear that hip-hop wasn’t going to back the NY-or-nothing mentality, and New York’s ire was real. Grumpy Village Voice don Robert Christgau deigned to give Stone Cold Rhymin’ a “B+” in his letter-grade consumer guide. “His polysyllables and quick lips aren't as fresh as he thinks they are,” sniffed Christgau. Au contraire: Stone Cold Rhymin’ still sounds fresh after all these years.

A Tribe Called Quest - Q-Tip, Phife Dawg (who passed away on March 22nd, 2016), Ali Shaheed Muhammad, Jarobi White - the groundbreaking 90's group that forever transformed the urban music landscape reunited on their first and last studio album together in eighteen years. Guests on ''We got it from Here...Thank You 4 Your Service'' include, Kendrick Lamar, Elton John, Jack White, Andre 3000, Busta Rhymes, Consequence, Anderson.Paak, and Talib Kweli.

11 tracks feat. Bilal, Kanye West, Last Poets ...

Why you'll love it...
Centered on the different paths people choose in life or how they survive their different struggles, Atmosphere’s When Life Gives You Lemons, You Paint That Shit Gold is a very heavy series of short stories that share the voice of one author and the timbre of one composer. Lyrically and sonically, it’s clear that the words and rhythms were built together, instead of some Frankenstein piecemeal fashion like many other rap songs.

For those reasons, the tracks fit near-seamlessly together. But they also stand alone as episodes worthy of solo dissection.

No matter how you consume them, some of the songs will undoubtedly bite back, making you angry for or at the characters, their circumstances and the substances that push and pull them in different directions. And that emotion is the telltale sign of this album’s impact on those who hear it.

With the original UK 7” of this release now as rare as hen’s teeth, and with the group having recently ‘reformed’ for one last album together, the Mr Bongo replica re-release of this 1990 masterpiece by Gang Starr couldn’t be more timely.
The now-legendary duo of DJ Premier and Guru dropped this at the height of hip-hop’s sampling of jazz, which had led to a creative leap forward for the genre. Yet while others plundered in the dark, this instant classic wore its influences on its sleeve and paid verbal homage to the musicians they were sampling. The “melodious funk” of “Thelonious Monk” gets namechecked, while the track samples two of his records, including 1958’s Bop gem ‘Light Blue’.
While both versions presented here have common elements, the ‘Movie Mix’ – so-named for the song’s appearance on the soundtrack to Spike Lee’s mythic jazz biopic ‘Mo’ Better Blues’ – goes in a few different directions to the ‘Video Mix’. Rather than just drop in an instrumental for the B-side, DJ Premier instead shows his versatility by switching up the base track (Kool & The Gang’s 1971 ‘Dujii’) and layering in other samples. In more ways than one, his virtuosity here echoes the improvisation of a jazz musician, akin to Denzel Washington’s Bleak in the movie.
Of course, he’s not the only show in town. The late Guru’s voice is as mellifluous as an instrument itself here, his potted history of the genre and the artists of jazz delivered with his own unmistakable cadence. Without this record, would he have gone on to make his ‘Jazzmatazz’ projects.

Playboi Carti's 2017 debut album Playboi Carti. It includes Carti's platinum single "Magnolia". The album peaked at #12 on the Billboard Top 200 Chart. Playboi Carti, is an American rapper and songwriter from Atlanta, Georgia. He is also a member of Atlanta art collective Awful Records.

Why you'll love it...
‘’In spite of systemic challenges, there is some glory in Nappy Roots’ humble lot—at least, as they depict it. Anthems like ‘’Country Boyz,'' the down and dirty ‘’Slums,'' and ‘’Kentucky Mud'' show a kind of refreshing solidarity with people who might not have ever heard themselves in hip-hop before. That was the Nappy movement, as its creators saw it: finding the joy and beauty, where one could, in an unfair system instead of trying to cover it up. Taking qualities and status perceived as undesirable—''nappiness,'' rural living, being part of the working poor—and finding within them a sense of community and appeal without masking all the things that make them so awful.

As a new recession hit and the U.S. slid into yet another war, ‘’Po’ Folks'' reached #21 on the Hot 100; their message of humble resilience rang out everywhere. A new dimension of hip-hop had cut into the mainstream, one that was neither preachy nor apocalyptic but simply made in solidarity. As Deville put it, by way of explaining the album’s title, it’s ‘’the refreshment, the soul food—the shit that’s going to stick to you.''''

The contributions of the late Detroit producer James DeWitt Yancey -better
known to the world as J Dilla- to the world of hip-hop can't be overstated, and
nowhere is his legacy more apparent than his work as a member of Slum Village.
A founding member of the trio, (Alongside rappers T3 and Baatin) Dilla provided
the group's distinctly esoteric, free-wheeling sound, built around winding
basslines, quirky drumbeats, subtle low-end frequencies, and classic jazz & soul
samples. Against the backdrop of Dilla's rich production, T3 and Baatin's
free-flowing style of rhyming would also earn wide critical praise, leading to
comparisons as the successors to A Tribe Called Quest. (A label they themselves
have rejected.)
It's on Slum Village's 1997 studio debut, Fan-Tas-Tic Vol. 1, that all these
elements come together in the most proficient manner. An instant hit among
Detroit's underground hip-hop scene, the album seemed to combine all the best
elements of the reigning alternative and gangsta styles of hip-hop into one
cohesive style that was a hit among critics. Fan-Tas-Tic's influence extended far
beyond Detroit, as its sound heavily influenced the sounds of D'Angelo, Erykah
Badu, and The Roots just to name a few. (Roots drummer ?uestlove has even
declared that: "Hands down this album birthed the neo-soul movement.")
Ne'Astra Media Group now presents the album reissued on vinyl, for the first
time in several years. Every wobbling bass note of J Dilla's production has been
preserved and every freestyle line of T3 and Baatin has been re-created, to
maintain the legacy of a late-90s rap classic, and the legend of one of hip-hop's
greatest beatsmiths.

Get your ass up and let’s get ill! Yep, that’s right it’s Krash Slaughta and Phill – more accurately, it’s Phill and Krash because it’s that way round on what you get for your cash. Actually, face it, you’ll pay by card, though you won’t be bothered as these rhymes go hard. And you know it ain’t just them fat rhymes either, KS got the beats to give you a fever. That’s Side One, Definition Of Ill, but you know there’s another on the other side still. I Ain’t Playin’ With Y’All is what that’s called, more premium hip-hop to keep you enthralled. Phill says the music inspired the lyrics – apt because the finished tracks inspired this critic. Peace, I’m out! And if you don’t get your skates on, stores will be out too – of stock that is because while this one comes in two different cover & label versions, it’s strictly limited and there will be no re-press. Don’t sleep peeps!

KingUnderground & Delicious Vinyl present a lovingly re-issued version of this sought after & seminal hip-hop record, with all beats by J Dilla, featuring Common, Talib Kweli, Posdnuos, T-3 & Guilty Simpson, and the first time re-issued on vinyl since 2013.

Back in 2008, just two years after James Yancey aka J Dilla’s passing, Mike Ross, founder of Delicious Vinyl, presented J Dilla’s mother Maureen Yancey (aka Ma Dukes), with a vault of unreleased beats from her late son. Following Dilla’s childhood friend (and longtime collaborator) Frank Nitty (Of Frank N’ Dank) was a part of a group of confidants, who lovingly went through the treasure chest of music, formulating a tribute to their departed friend the best way they knew how. With hundreds upon hundreds of instrumentals to choose from, Nitty and Dilla’s brother Illa J narrowed the pile down to a collection of about 50 tracks, some of which would become the building blocks of their debut 2013 Yancey Boys album, ‘Sunset Blvd’. Upon its release in 2013, the LP (which featured appearances from Hip-Hop royalty including Common, Talib Kweli, Posdnuos, T-3 & Guilty Simpson) became an instant classic, gaining recognition from tastemakers across the world.

Even without J Dilla’s presence during the record’s creation, Frank & Illa J were able to harness Dilla’s omniscient creative energy during the production process of making Sunset Blvd. His contributions and spirit couldn't help but permeate the beats, the undeniable foundation for the tracks on the record. “Beyond the beats, his fingerprints were all over the record, in the guest artists we chose to ask for a feature, to the guys mixing and mastering. Most of whom he (J Dilla) worked with before he passed”, said Frank.

Why you'll love it...
By 2007, Aesop Rock was a decade into a career that had firmly established him as one of rap’s unreplicable auteurs, an artist who could be bitten only insofar as he could be understood. And still, when he sat down to write hisfifth full-length album, None Shall Pass, relics of his earliest work kept popping back up: the sorrow and salvation that can each be found in rigid structures, the horror of the ordinary, the tyranny of routine. Over a series of beats constructed in near-total by himself and Blockhead (El-P furnishes one track and co-produces another; Aes’ friend Rob Sonic handles the digital-gothic “Dark Heart News”), None Shall Pass argues for Aes as the chief correspondent of an American decline so smooth that it often felt comfortable.

To celebrate the 25 year anniversary of Camp Lo's classic debut album Uptown Saturday Night Get On Down presents a brand new 7-inch single for "Black Nostaljack (aka Come On)" with a Kid Capri produced remix on the B-Side featuring Rev Run of RUN DMC.

Czarface, Wu-Tang founding MC Inspectah Deck and veteran Boston duo 7L & Esoteric, isn’t concerned with the glitz and the B.S. that modern consumer culture is pushing. And neither are the group’s fans.

In 2013, the trio appeared relatively unassumingly with their self-titled debut, which was chiefly produced by DJ 7L and included guests ranging from Ghostface Killah and Cappadonna to Vinnie Paz, Action Bronson and Roc Marciano. The soon-to-be acclaimed group found out quickly that there was a groundswell of hip-hop fanatics thirsting for the lunchpail, lyrics-above-all-else rap they fell in love with in the ‘90s. Several pressings of the album on CD, 2-LP and even cassette later, they are back and ready to up the ante.

This time around the group is the same, but it’s fair to say that all three men have stepped up their game. “We knew how we felt about the last album, but weren’t sure how it would be received by listeners,” explains MC Esoteric. “But people really responded to it, even more than we had hoped. That gave us the confidence to really spread our wings and let loose on this one. The chemistry is even tighter this time around. We know exactly what lanes we are cruising in and what weight class we are fighting in for Round 2.”

Inspectah Deck adds, “Czarface is like the Danger Room for the X-Men, I can use all my weapons on there. When I’m in Wu-Tang, I have to come a certain way because we have a certain style of fan, when I’m here doing the Czarface projects, it allows me to actually be an MC, it allows me to actually just spit…I love that. I love when i can just spit freely and just be an MC.”

The fighting analogy – whether drawn from pugilism or ‘80s wrestling, both which figure into Every Hero Needs A Villain – is an apt one, considering the unrelenting lyrical attacks that Deck and Esoteric unleash on track after track, each trying to one-up the previous verse. Best of all, it is friendly camaraderie, based around a loose theme of renegade mutant MC talents running wild. DJ 7L explains, “All three of us are influenced by comics, sci-fi movies, TV, wrestling. Czarface encompasses all of that, and it helps with the visuals as well.”

On the production side, 7L shows yet again – as he did with the group’s debut – that he remains a formidable yet underappreciated musical force, constantly providing hard, funky and alternatingly ominous backdrops for the assembled MCs to use as lyrical luge paths.

One of those albums everybody is refering to! Classic beats by the one and only DJ Shadow!

Guest appearances from Talib Kweli, Krizz Kaliko, Masta Ace, Brother Ali, Tech N9ne, Hopsin, Vinnie Paz, Eamon, Sadat X and others … whoo!

Why you'll love it...
“The concept of Few Good Things is the realization of self after a search for exterior fulfillment,” shared Saba on the inspiration behind the album’s title. “It is the satisfaction and completeness you gain by simply living a life that is yours. Few is a small number, but few is not lonely. In the face of all adversity, a few good things is recognizing and accepting blessings. Few is to count them, one by one – an empty glass is full of air, an empty bank is full of lessons, and an empty heart is full of memories. Few good things is to grow comfortable with the empty, and despite that, finding your fullness.”

Limited to 2000 copies, the VMP exclusive version of Saba's Few Good Things is pressed on Tan vinyl at Precision Record Pressing (PRP). The 2 LPs will arrive in a gatefold, direct-to-board, foil-stamped and numbered jacket.

Official Mr Bongo reissue /// All-time classic hip-hop of the highest possible grade from A Tribe Called Quest, featuring that verse from Busta Rhymes. Replica reissue of the prized, Germany-only 7” from 1992, cut loud.

Includes download code! Janelle Monae, Vic Mensa, James Fauntleroy, Kaytranada and Tyler, the Creator are aboard!

After the collaboration in 2014 the two parties team up again for this full length, produced by Frank Dukes (Danny Brown, 50 Cent). Guestlist includes MF Doom!

180g vinyl.

Pressed ON Blue Swirl AND Orange Swirl Colored Vinyl Packaged IN A Gatefold Jacket With Printed Fold OUT Lyrics Sheet Originally released in the fall of 1993 Return of the Boom Bap is KRS-One's first official solo album. The album is pure 90's Hip-Hop filled with KRS-One's trademark conscious raps and storytelling with boom bap beats from the man himself, DJ Premier, Showbiz, and Kid Capri. The album kicks off with a Preemo trademark intro leading into "Outta Here", a tale about coming up in the 80s with a message to emcees not staying true to their roots. Throughout the album KRS-One tackles corrupt police, fake emcees, religion and provides some comical relief on "I Can't Wake Up" where he dreams about being a blunt passed around by a who's who of 90s emcees and Bill Clinton! The album was selected as one of The Source's 100 Best Rap Albums and received a 4 four mics rating in The Source in 1993. Get On Down is proud to present a limited edition pressing of Return of The Boom Bap to commemorate the 30th Anniversary of the blast master's classic debut solo album. Includes the bonus freestyle track "Hip-Hop vs Rap" that was on the original "Sound of Da Police" 12-inch.

Why you'll love it...
Available for the first time since originally released in 2006 via Stones Throw, Dudley Perkins & Madlib are pleased for the reissue of their sophomore collaborative LP, Expressions (2012 A.U.), their acclaimed follow-up to their 2003 debut effort, A Lil’ Light. And albeit the former can be accused of being excessively avant-garde, it’s Expressions where both Perkins and the Beat Konducta find a more fluid symmetry.
In everything from his collaborations with MF Doom and the late Jay Dee to his more recent pairing with Freddie Gibbs, Madlib is easily one of hip-hop's golden revolutionaries. At times his production has been accused of being sparse, but that's not the case with Expressions. This time around, Madlib's production is hitting all the funky corners with layered grooves that evoke the attitudes and emotions of A Tribe Called Quest's The Low End Theory.
Limited to 500 copies, the VMP exclusive version of Dudley Perkins Expressions (2012 A.U.) is pressed on Opaque Olive Green vinyl at Precision Record Pressing (PRP). The 1LP will arrive in a single, direct-to-board, foil-stamped and numbered jacket.

Summertime G-Funk brought to you by Big G-Mo from West Covina, California. Collector's Edition including the Original Mix of the Hit Single 'It's An Everyday Thing To Roll' and 4 additional Bonus Tracks on Double Vinyl.

For the third installment of his PeteStrumentals series, producer Pete Rock takes a departure from the sample-heavy style that has earned him recognition as a living Hip-Hop legend. This twelve-track project is instead a collection of beats crafted by the

We are proud to be reissuing Benny The Butcher and 38 Spesh's seminal joint album, Stabbed & Shot. These underground kings were both at their hungriest at the top of 2018 and this LP is the proof. Air Vinyl will also be releasing Stabbed & Shot II in early 2020, so this re-release should get fans ready.

Born in Oakland, California, the American underground hip hop MC Del tha Funkee Homosapien is the cousin of seminal west coast rapper Ice Cube, and began his career writing lyrics for Ice Cube's group, Da Lench Mob. In 1991, with the help of Ice Cube (also as executive producer) , Del released his debut solo album, I Wish My Brother George Was Here, at the age of 18. The album was a commercial success largely due to the popularity of the hit single, "Mistadobalina".

Everyone's favorite Punani connaisseurs are back with yet another deeply emotive and well-produced album. Tip!

Get your ass up and let’s get ill! Yep, that’s right it’s Krash Slaughta and Phill – more accurately, it’s Phill and Krash because it’s that way round on what you get for your cash. Actually, face it, you’ll pay by card, though you won’t be bothered as these rhymes go hard. And you know it ain’t just them fat rhymes either, KS got the beats to give you a fever. That’s Side One, Definition Of Ill, but you know there’s another on the other side still. I Ain’t Playin’ With Y’All is what that’s called, more premium hip-hop to keep you enthralled. Phill says the music inspired the lyrics – apt because the finished tracks inspired this critic. Peace, I’m out! And if you don’t get your skates on, stores will be out too – of stock that is because while this one comes in two different cover & label versions, it’s strictly limited and there will be no re-press. Don’t sleep peeps!

One of the greatest Hip-Hop singles to be released in 1993 is being reissued as a limited edition 7-inch vinyl single. "Down With The King" featuring Pete Rock and CL Smooth is pressed on Red and Clear Colored vinyl in a picture sleeve with "Come On Everybody" feat Q-Tip on the B-Side. Limited to 2000 copies worldwide.