Soundtracks 209 Items

This score is pound-for-pound the funkiest with its heavy bass and drum groove throughout each movement of the score. Most of the pieces from this soundtrack also include killer samples and breaks, my favourites being “The Diamond Fortress” with Ronnie Scott on solo sax and Chris Karan on Drums and “Thief On The Prowl” featuring Tubby Hayes and Daryl Runswick on Bass. This release also has an exclusive edit. The Main Theme (vocal by The Three Degrees) and instrumental scores have been combined to deliver an unforgettable version of this great title theme. Now for the first time, Dynamite Cuts brings you yet another exclusive 2x7” 45 collection featuring some of Roy Budd’s finest work.

180 Gram Colored Vinyl /// Disc 1: Green and Purple Sorcery Swirl /// Disc 2: Jack Lantern and Fire Swirl /// 12" Printed Insert /// Deluxe Packaging /// Waxwork Records in partnership with Back Lot Music is proud to present The House With A Clock In Its Walls Original Motion Picture Music by Nathan Barr. Directed by Eli Roth (Cabin Fever, Hostel) and scored by Nathan Barr (True Blood, Cabin Fever), The House With A Clock In Its Walls is a 2018 dark fantasy film based on the 1973 novel of the same name by John Bellairs. The film follows a young boy (Owen Vacarro) who, after his parents are killed in a car accident, is sent to live with his uncle Jonathan (Jack Black) in a mysterious, old creaky house. He soon learns that his uncle is a warlock, their neighbor (Cate Blanchett) is a witch, and that the house was previously inhabited by a sinister wizard (Kyle MacLachlan).

BMI Award Winning composer Nathan Barr returns to work with Eli Roth for the dark, yet whimsical score to The House With A Clock In Its Walls. Previous collaborations between the composer and director include Cabin Fever, Hostel, and Hostel: Part II. The thematic, haunting score features a 34 piece string ensemble, an 11 piece brass ensemble, and features a newly restored Wurlitzer pipe organ which was previously housed at the 20th Century Fox scoring stage from the 1920’s until the mid-1990’s.

Waxwork Records is thrilled to present the deluxe double LP album loaded with 180 gram colored vinyl, artwork by French fine artist Jérémy Pailler, a 12”x12” printed insert, and old style tip-on gatefold jackets with gloss coating.

The follow up to the 2014 blockbuster film, Guardians of the Galaxy, features original cast including Chris Pratt, Zoe Saldana and the voice of Bradley Cooper. Featuring a compilation of memorable tracks from the 60s and 70s which are played within key moments of the film. Written and directed by James Gunn

Tracklist:
1.Mr. Blue Sky,
2.Fox On The Run,
3.Lake Shore Drive,
4.The Chain,
5.Bring It on Home to Me,
6.Southern Nights,
7.My Sweet Lord
1.Brandy (You're A Fine Girl),
2.Come A Little Bit Closer,
3.Wham Bam Shang-a-Lang,
4.Surrender,
5.Father And Son,
6.Flash Light,
7.Guardians Inferno

The Dead Don't Die is writer/director Jim Jarmusch's unique, semi-comic take on the zombie apocalypse genre. As with his recent efforts Only Lovers Left Alive and Paterson, the film's score was composed and performed by SQÜRL, the band Jarmusch and producer Carter Logan founded in 2009. Sacred Bones Records, the same label that released the band's EP #260 in 2017, is releasing the LP edition of the score.The score to the The Dead Don't Die is a true expression of where SQÜRL stand at the center of a decade of sonic exploration. It is the culmination of their passion for analog synths, with guitar violence reverberating from the darker corners of Americana. It is at once a tribute to the classic sounds of horror and sci-fi, as well as a decapitation of traditional film scores. It is naturally supernatural.From their arsenal of tools, Jarmusch and Logan pulled electric guitars and basses made by Rick Kelly and Cindy Hulej at Carmine Street Guitars, an acoustic resonator, Moog Minitaur and Theremini synthesizers, Fender Rhodes electric piano, an old Ludwig drum kit, cheap vintage Casio and Yamaha keyboards and new synths from Critter and Guitari _ all sculpted through a collection of effects pedals, notably from Earthquaker Devices.The inspiration for SQÜRL's score for The Dead Don't Die came from some of the most iconic soundtracks of the past half-century of genre cinema _ Tangerine Dream's Sorcerer, Bebe and Louis Barron's Forbidden Planet, Ennio Morricone's The Thing and Once Upon a Time in the West, Goblin's Dawn of the Dead, and all things John Carpenter. The singular Theremin work of Samuel J. Hoffman on films like Spellbound and The Day the Earth Stood Still also made its way into Jarmusch and Logan's consciousness. The result is a new horror soundtrack that stands shoulder to shoulder with the great works of its genre.

Cover has slight ring wear.

Still sealed.

* The Complete Score By The Newton Brothers * 180 Gram 'Psychic Essence Steam' Colored Vinyl * New Artwork by Max Löffler * Comes with 12'x12' Booklet * Includes Behind The Scenes Scoring Photography

Waxwork Records is proud to present Doctor Sleep Original Motion Picture Score Music by The Newton Brothers. Doctor Sleep is a 2019 supernatural horror film written and directed by Mike Flanagan (The Haunting of Hill House, Midnight Mass). It is based on the 2013 Stephen King novel of the same name, and it serves as a sequel to Stanley Kubrick’s 1980 Horror film, THE Shining. Starring Ewan McGregor, Rebecca Ferguson as Rose The Hat, and Kyliegh Curran, the story follows a now adult Danny Torrance (McGregor) who possesses psychic abilities and is struggling with addiction. Still traumatized from his family’s horrific 1980 ordeal at the Overlook Hotel, Danny Torrance is guided by the ghost of Dick Hollorann to capture the ghosts of The Overlook in lockboxes. Meanwhile, a traveling cult of psychics called The True Knot led by Rose The Hat (Ferguson) extend their lifespans by consuming “steam”, a psychic essence released by torturing and killing those who have “the shining”.

The score by The Newton Brothers pays homage to the music heard in 1980’s THE Shining composed by Wendy Carlos (A Clockwork Orange, Tron) with tracks such as “Dies Irae / Violet” and “The Overlook”. Effectively capturing the feeling from parts of THE Shining, the score to Doctor Sleep also creates a new, unique world for the characters and story. To create the score of Doctor Sleep, The Newton Brothers used experimental recording methods and instrumentation to sculpt an original and terrifying new sonic landscape.

In addition to a large scale orchestra and choir, the composing duo used instruments such as a 90 ft. high Aeolian Wind Harp, The Hurdy Gurdy Grandé, chimes, various modular synthesizers, and a range of percussion. By usage of inventive and unorthodox instruments, The Newton Brothers effectively created a distinctive sound for Danny’s trauma, for the brutal and murderous traveling gypsies known as The True Knot, for Danny’s psychic connection to characters within the story, and for the Overlook Hotel itself.

Waxwork Records is thrilled to release the original score to Doctor Sleep by The Newton Brothers as a deluxe double LP featuring 180 gram “Psychic Essence Steam” colored vinyl (foggy clear with white smoke), high quality packaging with new artwork by Max Löffler, liner notes by the composers, a 12”x12” booklet with behind the scenes scoring photography, and old style gatefold jackets with matte satin coating.

Random coloured recycled vinyl. New artwork!"Black Screen Records, Videocult, Akupara Games and composer James Primate are excited to take you an aural journey into the strange land of Rain World ... again.After being sold out for a few years, the soundtrack to Rain World will finally be repressed - this time on 100% recycled & random-coloured "Re-Vinyl". The music was composed and produced by Videocult level designer and composer James Primate with a little help of Lydia Esrig (other half of Chiptune duo Bright Primate) and Rain World creator Joar Jakobsson. The soundtrack is housed in a beautiful gatefold sleeve with original artwork by Allegra "Del" Northern. This pressing comes with a 12"" art print with additional art by Del.

* Pressed on lilac colored vinyl
* Housed in Gatefold Sleeve

After a decade of creating pioneering puppet series made for children, Gerry & Sylvia Anderson took their first steps into live-action, with the 1969 feature film Doppelgänger (re-titled outside Britain as Journey To The Far Side Of The Sun). This science-fiction film approached its outer space subject matter with a gritty realism, and would set the tone for what was to be their first live-action television series: UFO. This new series took as a starting point the pioneering work of Dr Christiaan N. Barnard, the surgeon who performed the world’s first heart transplant operation. In UFO a dying race of aliens travel across vast distances of space to harvest organs from human beings to help ensure their own survival. To combat this threat the United Nations created SHADO, a top-secret organisation utilising the latest technology available to defend the Earth. To complement the series, the Andersons frequent musical collaborator Barry Gray created a multifaceted score that gave the programme its own musical identity. Elegantly crafted and a firm favourite with Barry Gray fans, the sound of UFO, particularly its ethereal “World Music” closing credits is, quite simply, a joy. Includes a bonus track, Trampoline performed by The Spencer Davis Group from the episode Ordeal.

RSD Exclusive. Limitation: 2000. Velvert Turner is largely known for being a protégé and student of Jimi Hendrix, who he met as a teenager in New York in the late ‘60s. The influence is immediately clear, with respect to both Turner’s guitar work and vocals. Some have even mistaken his only album for a "lost" Hendrix recording, and it’s hard to blame them. Velvert Turner Group’s self-titled 1972 release, which aptly closes with a tribute to Hendrix (a cover of “Freedom”), has been out of print for decades. Now it’s coming back to vinyl with a color pressing, mastered from original analog tapes, exclusively for RSD Black Friday.

The vinyl version contains twelve tracks! "Minecraft - Volume Alpha" is the work of German composer and musician Daniel Rosenfeld. Under his stage name C418, Rosenfeld created the sweeping soundtrack and vibrant sound design that brought the voxel-based universe of "Minecraft" to life. Fans and critics alike were blown away by his beatless, balanced electro pieces across the board. Popular gaming site Kotaku listed the soundtrack among its "Best Game Music" of 2011, calling the music "impressively soothing," while The Guardian compared Rosenfeld's fragile pieces of piano and minimalist ambient to legendary artists Erik Satie and Brian ENO. In an interview, Polygon distilled "Volume Alpha" down to its essence: "The soundtrack is not tied to the retro aesthetic of Minecraft graphics. The soundtrack overrides them. The album is an attempt to translate the combined game/music experience into something heavenly."

Copy is close to NM!

First official release ever for this unbelievable
giallo score by Roberto Nicolosi, composed for
the experimental thriller by Mario Caiano in
1972. Previously issued on Fontana in 1973 with
the title "Atmosfera", this is certainly one of the
top wanted Italian jazz LP for any serious
collector, featuring a five-star collective of marvelous musicians such as Giovanni
Tommaso (bass), Franco Tonani (drums), Angelo Baroncini (guitar), Antonello Vannucchi
(organ), Franco D'Andrea (piano), Gianni Basso (Tenor Saxophone), Dino Piana
(trombone), Cicci Santucci (trumpet). The result is a pysch and dark jazz- funk sound that
perfectly fits the anxious descent looking human psyche's labyrinth.
One of the best, still underrated, Italian soundtracks ever and one of the most
unforgettable Italian jazz sessions of the 70s. Another lost Italian score retrieved by Four
Flies Records.

Red Splatter On Green Vinyl! limited to 2500 copies! The Dead Don't Die is writer/director Jim Jarmusch's unique, semi-comic take on the zombie apocalypse genre. As with his recent efforts Only Lovers Left Alive and Paterson, the film's score was composed and performed by SQÜRL, the band Jarmusch and producer Carter Logan founded in 2009. Sacred Bones Records, the same label that released the band's EP #260 in 2017, is releasing the LP edition of the score.The score to the The Dead Don't Die is a true expression of where SQÜRL stand at the center of a decade of sonic exploration. It is the culmination of their passion for analog synths, with guitar violence reverberating from the darker corners of Americana. It is at once a tribute to the classic sounds of horror and sci-fi, as well as a decapitation of traditional film scores. It is naturally supernatural.From their arsenal of tools, Jarmusch and Logan pulled electric guitars and basses made by Rick Kelly and Cindy Hulej at Carmine Street Guitars, an acoustic resonator, Moog Minitaur and Theremini synthesizers, Fender Rhodes electric piano, an old Ludwig drum kit, cheap vintage Casio and Yamaha keyboards and new synths from Critter and Guitari _ all sculpted through a collection of effects pedals, notably from Earthquaker Devices.The inspiration for SQÜRL's score for The Dead Don't Die came from some of the most iconic soundtracks of the past half-century of genre cinema _ Tangerine Dream's Sorcerer, Bebe and Louis Barron's Forbidden Planet, Ennio Morricone's The Thing and Once Upon a Time in the West, Goblin's Dawn of the Dead, and all things John Carpenter. The singular Theremin work of Samuel J. Hoffman on films like Spellbound and The Day the Earth Stood Still also made its way into Jarmusch and Logan's consciousness. The result is a new horror soundtrack that stands shoulder to shoulder with the great works of its genre.

My Hero Academia: Heroes Rising is a film set in the My Hero Academia universe. After the events of Season 4 of the Anime, Izuku and Katsuki go from fighting against each other to fighting side by side as they face the biggest threat that dares to dominate the domain: Nine! Beautifully animated and written, My Hero Academia: Heroes Rising received enormous critical praise, as well as massive admiration from fans. Composed and performed by Yuki Hayashi, the music of My Hero Academia: Heroes Rising is a complete standout. The live wire pieces pulse with life and power, and have never sounded better than this vinyl pressing.

Vinyl with light scuffs and hairlines.

Pressed on 180g red vinyl /// Artwork by Eric Adrian Lee /// TRAUMA is the 1993 film by Dario Argento and one of two films he directed in the USA (The other being Two Evil Eyes) it stars Asia Argento and is a typically flamboyant Giallo from Argento featuring his trademark dizzying camerawork and gruesome over the top deaths. The score by Maestro Pino Donaggio (Carrie, Don’t Look Now & Body Double) who delivered a beautiful, nuanced & lush orchestral score which is absolutely outstanding.

Poké & Chill is a 16 track Pokémon remix album, with faithful lofi hip hop renditions of music from Nintendo's beloved Pokemon video game series. From the original Pokemon Red & Blue games, composed by Jun'ichi Masuda, to later installments like Pokemon Sun & Moon, Poké & Chill features a diverse collection of nostalgic and expressive game music.

Mikel is best known as the producer from Zelda & Chill, an album that may go down in history as the most popular game music record of all time. In less than a year from it's release, it's received over 20 million plays and sold thousands of copies. That's power of chill vibes and great game music!

Poké & Chill features compositions by Jun’ichi Masuda, Gō Ichinose, Minako Adachi, and Shota Kageyama. It features music from Pokémon Red & Blue, Gold & Silver, Sun & Moon, X & Y, Black & White, and Ruby & Sapphire.

This album brings some of Hammer’s greatest music to vinyl for the first time. It’s an evocative and diverse collection of themes that are just as memorable as the remarkable films they accompanied. The release showcases a selection of classic themes from the film company's varied soundtrack catalogue from composers that range from the great James Bernard to David Whitaker and spans Hammer's golden years between 1958 and 1974.

We're pleased to announce the release of a previously totally unreleased Italian soundtrack on 45. Claudio Tallino "SPELL – DOLCE MATTATOIO" from 1977, originally composed for the censored erotic thriller movie directed by the visionary genius Alberto Cavallone. A shocking, freaking and occult storyline set in the province of Rome, scene of shady affairs and private dramas that protagonists try to hide behind a respectable front. Stunning and booming Italian OST production with 2 killer sleazy Funk shots selected from the original recording sessions.

A Winged Victory For The Sullen, the otherworldly collaboration between Adam Bryanbaum Wiltzie and Dustin O Halloran, commence the New Year with their third full-length titled Iris available worldwide via Erased Tapes on January 13th 2017. Adam Bryanbaum Wiltzie and Dustin O'Halloran first met the director Jalil Lespert after he had discovered A Winged Victory For The Sullen on a music search online. After listening to their music, he immediately knew: "it was the sound of my new film". With an excellent cast of France s finest actors Romain Duris, Charlotte Le Bon, and the director himself, plus a script filled with tension, sexuality and darkness, they knew there was a lot of musical territory to mine. It was agreed that they wanted to explore more analogue electronique experiments as well as working with a large string ensemble, to create something that felt very modern and still cinematic. The recording sessions began with their long time sound collaborator Francesco Donadello in the form of some modular synth sessions in Berlin. Dustin and Adam began working from the script in their own studios, and after filming commenced they continued to create music that could be used for first edits of the film each day getting new scenes that triggered ideas that would become the base of the film score. Over the course of the next few months the two slowly crafted the music with weekly discussion from their studio to the editing room. The final sessions to what is now the score of Iris were recorded with a 40-piece string orchestra at Magyar Radio in Budapest.

An EP single (Rca TBBO 1114) was originally released with the songs "Blue Jeans" and "A final step," performed by the group Cyan, which open sides A and B. For this LP we used the original tapes in full stereo that were preserved in the RCA archives. Nico Fidenco composed a pleasant soundtrack with a pastoral flair which is dominated by the main theme, a romantic ballad we hear in a faster and slower vocal version. It is then reprised with different instruments: cheerful and rhythmic flute, harmonica and orchestra, harmonica and strings with a touch of country, harpsichord, and classic guitar.

Blue vinyl version!

Sealed copy.
Cover corners slightly dented.

Picture disc!

Shaped Picture Disc! Comes in plastic sleeve.

The soundtrack to critically acclaimed Flemish director Fien Troch's fourth film Home. Side A features pop music from Chromatics and Symmetry with Johnny Jewel's ambient score on the flip.

Only released in 1999 as it was thought it wasn’t a sellable soundtrack. Now for the first time Dynamite Cuts are making a 2x7” 45 collection of some of these gems. The Black Windmill is very much on the same vibe as Stone killers. When I first heard “No Co-Operation” I almost fell off my chair!! In particular, the drums and dark strings (by the National Philharmonic Orchestra) lift this into another zone. In addition, the deep bass groove (this time featuring Daryl Runswick on bass) and killer horns, featuring more of the finest players from Budd’s stable, take this piece into the stratosphere!

The Villainess received a fourminute standing ovation at the Cannes Film Festival. As a young girl, Sook-hee was trained to become a deadly assassin. A second chance is handed to her by South Korea’s Intelligence Agency Chief, Kwon, who recruits her and gives her a new identity as Chae Yeon-soo, a 27-year-old theatre actress.

With the promise of complete freedom after serving her country for 10 years, Sook-hee begins a new
chapter, but living a normal existence is no easy task for an ex-killer. When two men suddenly appear in
her life, she begins to uncover the secrets of her past.

The Villainess received a four-minute standing ovation at the Cannes Film Festival, cementing the worldwide growth and interest in South Korean action cinema. The explosive soundtrack from Ja Wan Koo perfectly complements the exquisitely choreographed fight sequences and the darkness of The Villainess’ ultra-violent world.

Grey and Yellow marbled vinyl version. Gatefold cover has a stuffed corner, close to NM.

1LP Std Orange/Yellow Galaxy Color This is the 636 from Season One of the hit DC Comics and Syfy television series, Krypton, which puts a new spin on the Superman story. Set two generations before the destruction of the legendary Man of Steel's home planet, Krypton follows Superman's grandfather, whose House of El was ostracized and shamed as he fights to redeem his family's honor and save his beloved world from chaos. Based on DC characters, Krypton is executive produced by David S. Goyer (Man of Steel, Batman v Superman: Dawn of Justice and The Dark Knight trilogy). The 636 was composed by Pinar Toprak (composer for the crazy hot video game Fortnite, the film Justice League, and the upcoming Captain Marvel movie for Marvel and Disney).
The album will be released on colored vinyl. The highly anticipated second season will premiere in Spring of 2019. -

Red vinyl. Copy close to NM

Nobody less than Adriano Celentano producer Detto Mariano plus his drummer Gianni Dall'Aglio recorded this previously unreleased Italian psychedelic, erotic, horror movie soundtrack in 1976! All in all 46 mega dope tracks on 2 LP's. Ranging between deep, dreamy and funky psych tunes. 1,5 million hits on the movie on Youtube! Classic in Italy. Be sure this 500 copies limited edition will be sold out soon. HQ collector edition.

Side A+B are the original songs as used in the movie. Side C+D are the uncut long versions of the best tracks as produced in the studio in 1976.

180 Gram Colored Vinyl.

Soundtrack for the 1972 Spanish-Italian crime film directed by José Luis Madrid (a sort of baroque revisiting of Jack The Ripper). The Maestro Piero Piccioni is in a rare groove mode here, lost between acid jazz breaks and deep funk rhythms in what is the first ever vinyl reprint of a minor classic. An impressive variety of themes, with the Hammond organ often doing the lion's share of the work, the climate reminds us of the compositions of the late 60's of the master; memorable sessions that would lead to the publication of the classic posthumous 'Camille 2000'. The glamorous arrangements are fascinating, incorporating Mediterranean warmth through the US's R&B demarcation lines.

Regular Official Authorised Vinyl Version, Original Soundtrack.

The first ever OFFICIAL vinyl release of the soundtrack for Mamoru Oshii’s legendary science fiction anime film GHOST IN THE SHELL (1995). - LP cut from the original master reels at Emil Berliner Studios, official Ghost in the Shell artwork Tracklisting LP : A1 ?I - Making Of Cyborg A2 Ghosthack A3 Puppetmaster A4 Virtual Crime A5 ?II - Ghost City B1 Access B2 Nightstalker B3 Floating Museum B4 Ghostdive B5 ?III - Reincarnation We Release Whatever The Fuck We Want Records is thrilled and honored to announce the first ever official vinyl pressing of the soundtrack for Mamoru Oshii’s critically acclaimed and all around legendary science fiction anime film GHOST IN THE SHELL (1995), adapted from Masamune Shirow’s groundbreaking manga series of the same name. Cut from the original master reels at Emil Berliner Studios (formerly the in-house recording department of renowned classical record label Deutsche Grammophon). The haunting score is composed by Kenji Kawai, one of Japan’s most celebrated soundtrack composers, alongside Joe Hisaishi and Ry?ichi Sakamoto, whose work includes Hideo Nakata’s Ring (1998) and Ring 2 (1999), Death Note (2006), Hong Kong films Seven Swords by Tsui Hark (2005) and Ip Man by Wilson Yip (2008), and countless others. Kawai’s compositions see ancient harmonies and percussions uncannily mesh with synthesized sounds of the modern world to convey a sumptuous balance between folklore tradition and futuristic outlook.

Clear vinyl seems unlayed. Hole in back cover. With stickers.

Available on 2X 180 Gram Black vinyl /// This first pressing features a limited Flexi disc featuring an unreleased remix

Mondo Music, in conjunction with Paramount Pictures, is proud to present the premiere vinyl pressing of Lorne Balfe’s score to the critically-acclaimed 2018 film MISSION: IMPOSSIBLE - FALLOUT, the sixth chapter of Tom Cruise's long-running, hugely successful spy franchise.

In a series defined by change, FALLOUT represents a first - the first in the long running series to carry its director (Christopher McQuarrie) over from the previous film. In a deliberate effort to keep this chapter fresh, McQuarrie decided to bring on a whole new group of talent behind the scenes - including composer Lorne Balfe. Crafting a modern, militaristic, melancholic soundscape with classic Schiffrin themes that have defined the franchise for nearly 50 years, Balfe’s score is a standout in the series, giving the film the weight and balance it needs to glide effortlessly from setpiece to setpiece.

Moonlight is the breathtaking soundtrack to the film of the same name Rolling Stone has called "A masterpiece" and won the Oscar 2017 for best movie. The album features the critically-acclaimed score by composer Nicholas Britell, as well as choice songs including "Every Nigger Is A Star" by Boris Gardner, "Cell Therapy" by Goodie Mob and "Hello Stranger" by Barbra Lewis. Britell is an award-winning composer, pianist, and producer. In 2015, Britell scored Adam McKay's Oscar-nominated film The Big Short, and his music also featured prominently in Steve McQueen's Oscar-winning film 12 Years A Slave, for which he composed and arranged the on-camera music including the violin performances, spiritual songs, work songs, and dances. As a producer, Britell produced Damien Chazelle's short film Whiplash, and subsequently co-produced the Oscar-nominated feature film. Britell's emotional and evocative score to Moonlight has resonated with audiences from early festival screenings, earning accolades from critics in their reviews of the film which underline how the music is wrapped into the very fabric of the film itself.