Soundtracks 204 Items

Based on the critically acclaimed video game of the same name developed by Naughty Dog for the PlayStation® platforms, The Last of Us is written and executive produced by co-creators Craig Mazin (Emmy® Award-winning creator of HBO’s “Chernobyl”) and Neil Druckmann (creator and writer of the award-winning “The Last of Us” franchise and Naughty Dog Co-President).

The Last of Us takes place twenty years after modern civilization has been destroyed by a viral outbreak. Joel, a hardened survivor, is hired to smuggle Ellie, a 14-year-old girl, out of an oppressive quarantine zone. What starts as a small job soon becomes a brutal, heartbreaking journey, as they both must traverse the U.S. and depend on each other for survival.

The vinyl release to the acclaimed series contains soundtrack highlights from the show. Featured are score tracks by composer Gustavo Santaolalla, with additional music by David Fleming as well as songs by Depeche Mode, Pearl Jam, Jessica Mazin & Nick Offerman.

The package contains 2x vinyl, standard weight at 140g, 1x green and 1x clear, a double-sided poster of the show’s key art, spot gloss and soft touch on the gatefold and an insert featuring liner notes by Neil Druckmann, Craig Mazin, Gustavo Santaolalla & David Fleming and images from the show.

“Labyrinth” is a soundtrack album by David Bowie and Trevor Jones, released on cassette and vinyl in 1986 for the film “Labyrinth”. The first audio CD release was in 1989. It was the second of three soundtrack releases in which Bowie had a major role, following “Christiane F.” and preceding “The Buddha of Suburbia”. The soundtrack album features Trevor Jones' score, which is split into six tracks for the soundtrack: "Into the Labyrinth", "Sarah", "Hallucination", "The Goblin Battle", "Thirteen O'Clock", and "Home at Last".

“Labyrinth” is a 1986 British-American adventure musical dark fantasy film directed by Jim Henson, executive-produced by George Lucas, and based upon conceptual designs by Brian Froud. The film revolves around 15-year-old Sarah's (Jennifer Connelly) quest to reach the center of an enormous otherworldly maze to rescue her infant brother Toby, who Sarah wished away to Jareth, the Goblin King (David Bowie). With the exception of Connelly and Bowie, most of the film's significant characters are played by puppets produced by Jim Henson's Creature Shop.

The most beautiful themes of the famous science fiction universe Star Wars created by the American director George Lucas are now gathered in this exclusive vinyl record! First conceived as a cinematic trilogy in 1977, the franchise now counts films, series, novels and other goodies taking place «a long time ago in a galaxy far far away» in which a conflict between Jedi knights and Sith warriors remains.

Classic Edition & Special Edition - Available Now on We Release Whatever The Fuck We Want !

Wrwtfww Records is delighted to unleash the complete uncut soundtrack for Lucio Fulci & Bruno Mattei's cult zombie-ploitation gem Zombi 3 (aka Zombie Flesh Eaters 2 aka Sanguelia 2, 1988) available on 2 different collector's edition vinyls for the first time ever.

The Classic Edition comes in red is dead colored vinyl with a red Japanese Sanguelia 2 VHS obi and has a helicopter pictured on the back cover.

The Special Edition has the same songs as the Classic Edition Plus bonus skits/interludes with DJ Blue Heart talking (taken from the movie) on the b-side and comes in green inferno colored vinyl with a green Japanese Sanguelia 2 VHS obi and DJ Blue Heart pictured on the back cover.

Both versions are housed in heavy old style Stoughton casebound tip-on jackets - pick your poison - get infected!

This future deluxe edition OOP classic is packed with menacing synths, ghoulish melodies, and contaminated anthems remastered directly from the rare original reels of maestro Stefano Mainetti which were found at an abandoned top secret research facility.

Copy closer to NM

The day has finally come! We have waited with eageranticipation to release Matthew Cooper's spellbindingsoundtrack to Some Days Are Better Than Others sincebefore his creative breakthrough album, Similes(released under his more widely known Eluviummoniker) was even made. The film stars James Mercer(Broken Bells, The Shins) and Carrie Brownstein(Portlandia, Sleater-Kinney) as strangers whose livesoccasionally intersect as they navigate their way throughthe struggles of personal attachment and disconnection.

This almost unheard score holds some never before heard Budd gems. Dynamite Cuts release for the first time a 7” 45 with a selection of original cues and dialogue taken from the Film. How, James Coburn as Professor Robert Elliot creates a masterful plan to get four people, who know too much, to kill each other is a fine example of a classic British thriller with a superb twist at the finale. This 45 is a journey through the film that includes some never before heard tracks. A must have!

John Carpenter is a legend. As the director and composer behind dozens of classic movies, Carpenter has established a reputation as one of the greatest filmmakers in the history of modern cinema, as well as one of its most influential musicians.

The minimal, synthesizer-driven themes to films like Halloween, Escape From New York, and Assault on Precinct 13 are as indelible as their images, and their timelessness was evident as Carpenter performed them live in a string of internationally sold-out concert dates in 2016.

"Anthology: Movie Themes 1974-1998" collects 13 classic themes from Carpenter's illustrious career together on one volume for the first time.

Each theme has been newly recorded with the same collaborators that Carpenter worked with on his hit Lost Themes studio albums: his son, Cody Carpenter, and godson, Daniel Davies.

Anthology is a near-comprehensive survey of John Carpenter's greatest themes, from his very first movie, the no-budget sci-fi film Dark Star, to 1998's supernatural Western, Vampires.

Those sit alongside the driving, Led Zeppelin-influenced Assault on Precinct 13 theme, Halloween's iconic 5/4 piano riff, and the eerie synth work of The Fog.

Carpenter and his band also cover Ennio Morricone's bleak, minimalist theme for The Thing.

Double LP on 180 Gram vinyl!

Pressed on 180g black vinyl
Housed in a deluxe heavyweight gatefold sleeve, with stunning artwork by Sander Brouwer printed on reverse board

* Includes download card / Invada Records & Lakeshore Records will co-release MONOS-Original Motion Picture Soundtrack, featuring original music by Ivor Novello Award winner and Academy Award-nominated Mica Levy (Jackie, Under the Skin).



The London-based composer, music producer and artist creates an indescribably hallucinatory, often menacing backdrop to the survivalist thriller set on a remote mountain in Latin America.

2x 180 Gram Black Vinyl /// The Lonely Island is proud to present the premiere vinyl release of the original soundtrack to POPSTAR: NEVER STOP NEVER STOPPING, courtesy of Mondo Music. Including nearly two dozen original, comedic pop and hip-hop songs performed by The Lonely Island and featuring artists such as P!NK, Adam Levine, Michael Bolton and Seal.

“Out of four possible stars, Rolling Stone has given it the sh*t emoji…” reads a scathing review from the venerable music magazine of Conner4Real’s fictional second solo album. In our world, however, the music of POPSTAR: NEVER STOP NEVER STOPPING would warrant a perfect four out of four sh*t emojis as The Lonely Island lovingly skewers pop music with brilliant glee. Catchy tracks like “Finest Girl (Bin Laden Song),” “Equal Rights”, and “I’m So Humble” have earned their place among the greatest music parodies of all time.

“The Lonely Island’s POPSTAR: NEVER STOP NEVER STOPPING is one of the funniest films of the last decade with a brilliantly executed soundtrack,” says Mondo Music Label Manager, Mo Shafeek. “It’s absolutely one of the best pop albums of the last five years… it just happens to also be one of the funniest comedy albums of the last five years as well. What Akiva, Andy and Jorma have achieved with this soundtrack is a thing of legends, and we are honored to be celebrating it.”

Wind River, the directorial debut from Sicario writer Taylor Sheridan, stars Elizabeth Olsen and Jeremy Renner.

'The soundtrack to the beautiful Wind River was first and foremost the incessant wind or the grieving silence of the snow,'' Cave and Ellis said in a press release. ''Amid those elemental forces, we made a kind of ghost score where voices whisper and choirs rise up and die away and electronics throb and pulse.'

This score is instantly reminiscent of Nick Cave & The Bad Seeds’ ‘Skeleton Tree’,

Limited to 400 copies. Two terrific shake signed by Sante Maria Romitelli, and taken from the original soundtrack of TOP SENSATION, also known as THE SEDUCERS. A late sixties giallo erotic cult movie starring Edwige Fenech and Rosalba Neri. Hammond groove a go-go!

A jazz & rock rumble! Nicholas Carras' powerhouse score for this angst-filled flick is a tapestry of sounds from fast, jazzy pieces, dark and suspenseful moments, breezy traveling music, and the optimistic ending. The soundtrack also features the earworm of a title cut that will have you pappa do do wah-ing along. Included here is a zine-style insert and a DVD of the outrageous original film, with a special Modern Harmonic edit made to sync with your LP! Another specimen from the glorious power triad of Modern Harmonic, Something Weird Video, and the Nicholas Carras estate. Date Bait joins Mr. Peters' Pets and High School Caesar as part of the Nicholas Carras Soundtrack Collection created from the vast collection of reels the estate preserved. All make their first LP soundtrack debut and all come from the Carras reels through Kevin Gray at Cohearent Audio and onto colored vinyl at Third Man Pressing.

12" 2xLP Rune Blue hand-poured color mix, two-pocked gatefold jacket, with glossy finish on vibrant colorful inside panels, and debossing of Rend logo. Includes full-color sleeves with credits and liner notes.

Rend is the official soundtrack to the debut game from Frostkeep Studios. Rend is a team-based survival game set in the fabled universe of Nordic myth. This epic fantasy world is a harsh domain where the strong ascend as gods.

Building the musical identity of the world from the ground up was a daunting task but I found inspiration in unexpected places. As the players start out in the afterlife with nothing and have to craft survival tools with the elements around them I found myself reaching for older and less refined sounding instruments like the Hardanger fiddle, Hurdy Gurdy, Viola Da Gamba and Nyckelharpa. The resonant qualities of these instruments gave the feeling of ancient machines built out of wood and string.

My favorite part about working on this soundtrack was getting to collaborate with Einar Selvik of the Norwegian folk band Wardruna. Einar not only provided some incredibly powerful vocals for a few of the songs but also set them to old Norse poetry. I had the privilege of working with quite a few incredible soloists on Rend, most if not all of whom had never worked on a video game score (at least not when I originally recorded them a couple years ago).

Over the two or so years I worked on this score the scope changed quite a bit. While the initial focus had been smaller, more crude sounding pieces, the world of the game continued to grow into a lush, beautiful and quite varied landscape. This led to the idea of adding the City of Prague Philharmonic as well as more celtic influenced instruments and Bulgarian choir. In the end this score isn't about one place or one cultural influence. It borrows from cultures around the world and gives them an otherworldly setting.

Rend is a very special score for me. One that gave me the opportunity to experiment in ways I hadn't before and to work with some really amazing musicians. I hope you enjoy this soundtrack and let it take you on a journey through the worlds of your imagination.

Zelda & Chill contains lo-fi- hip hop arrangements of music from the original LoZ, Link To The Past, Majora’s Mask, Wind Waker, Ocarina of Time, Skyward Sword, and Breath of the Wild.

The fantastic soundtrack of the new Tarantino comes in a double gatefold sleeve with inlay and poster.

A phenomenal soundtrack to a phenomenal movie. Tarantino once again proves that he not only has a great taste when it comes to music, but he also takes a good amount of time to dig through record collections to pick gems for his soundtracks and arrange the 22 songs 9 era-specific radio advertisements.
This should become a movie soundtrack classic.

Ennio Morricone wrote a monothematic score including several orchestral variations of the main theme, a brilliant and very romantic motif with Lounge flavour, vocalised by I Cantori Moderni di Alessandroni. Introduced first in “Titoli di Testa” and reprised with several variations throughout the score: a Classic style version with harpsichord, organ and mandolin, a slow and dreamy one with the voice of Edda and also including the choir I Cantori, a samba version, a beat-flavoured mysterious version, another version once again with the splendid magical voice of Edda and a slower variation with the whistle of Alessandro Alessandroni. The style of Ennio Morricone strongly recognizable in a second theme, very romantic and lounge, featuring a keyboard used by the author, frequently also in other scores like “Giu la testa”. A classic-style minuet with the opera vocalism of Edda enriches the score. The third theme is a brilliant orchestral samba introduced by the type machine and developed by the whole orchestra and then reprised with the performance of the wonderful Cantori Moderni. Our LP also contains three superb “shake” dancefloor music themes that bring us the unforgettable Beat atmospheres of those days’ discoteques.

“Guardians of the Galaxy Vol. 2: Awesome Mix Vol. 2” (Original Motion Picture Soundtrack) is the soundtrack album for the Marvel Studios film Guardians of the Galaxy Vol. 2.
Featuring the songs present on Peter Quill's mixtape in the film. A separate film score album, “Guardians of the Galaxy Vol. 2” (Original Score), composed by Tyler Bates, was also released.

Featuring songs by Electric Light Orchestra, Fleetwood Mac, Sam Cooke, Glen Campbell, George Harrison, Silver, Cat Stevens, Parliament and The Sneepers featuring David Hasselhoff.

Despite never achieving major mainstream success in his career, the scope of influence from cult comedian Rudy Ray Moore is palpable and far-reaching. A consummate performer and raconteur, Moore's comedy emphasized raw and explicit story-telling and wisecracking, often told in rhyme, and featuring a backing band; a style of performance that inadvertedly set a blueprint for early hip-hop music. Following in the footsteps of comic legends Redd Foxx and Moms Mabley, his stage presence would inspire the likes of Katt Williams and Snoop Dogg, find widespread underground success among inner cities in the 1970s, and would lead him to collaborate with a wide swath of artists into his later years, from Big Daddy Kane to Insane Clown Posse. His various bits and sketches would even become sampling fodder in tracks by Madlib, A Tribe Called Quest, DJ Shadow, 2 Live Crew, and innumerable others.

Above all else, Rudy Ray Moore's best known and most beloved claim to fame is his tales of the legend of Dolemite the pimp. Derived from various obscene stories he overheard while working in a record store, Moore's most famous routine saw him take on the role of Dolemite, and recount humorous stories and anecdotes which framed the hustler as something of a ghetto folk hero. These anecdotes proved to be incredibly popular in urban clubs and parties, and would later be adapted into the hit 1975 blaxploitation film Dolemite, of which Moore would produce and star.

In celebration of Rudy Ray Moore's extensive works, as well as the upcoming Eddie Murphy-starring Netflix biopic featuring him, Dolemite Records proudly presents this reissue of one of his 1975 release, The Return Of Dolemite. Coming just on the cusp of the feature film's release, Return sees Moore at the top of his game, spinning anecdotal yarns about sexual conquests, hustling stories, and in his own parlance: "F*ckin' up motherf*ckas!"

Abel Korzeniowski's elegiac, string-lead score to fashion designer Tom Ford's stylish directing
debut appears here on a limited run of gold vinyl. The score beautifully complements the film and
is supplemented by additional music from Shigeru Umebayashi. The source music included
eclectically ranges from opera to Booker T & The MG's and the soundtrack was nominated for a
2010 Golden Globe Award. Polish born Korzeniowski's credits include a new score for silent
classic Metropolis, Battle For Terra, Copernicus' Star and most recently the BAFTA nominated
Nocturnal Animals, Tom Ford's second critically acclaimed film. Shigeru Umebayashi has been
scoring Japanese and Chinese films for over 25 years including box office hits In The Mood For
Love and House Of Flying Daggers.

Bob’s Burgers premiered on the Fox network January 2011, and quickly became one of the most watched series on television. After enjoying the highest-rated new season premiere of the 2010-11 season, Bob’s Burgers quickly settled into an average viewership of over 4 million per episode. The show has won an Emmy award and been nominated five times, including a current nomination for Outstanding Animated Program. It has inspired many popular spinoff items, including a recent, best-selling cookbook. With the seventh season currently in progress and airing through May 2017, Bob’s Burgers’ cultural influence only grows.

Now comes The Bob’s Burgers Music Album, featuring 107 songs from the first 107 episodes (all six existing seasons), plus five special cover versions of songs from the show. Originally broadcast within the episodes – and often in abbreviated form – these songs appear here in their freestanding glory for the first time. The Bob’s Burgers Music Album – in both its affordable standard editions and its impressive deluxe edition – is sure to be a must-have for any fan of the show (and, really, any sentient life-form).

Previously unreleased full edition for this explosive jazz-funk score by Italian Maestro Riz Ortolani, created in 1973 for the crime-movie “Si può essere più bastardi dell'ispettore Cliff?” (also known as “Mafia Junction”). Only two tracks from this OST were published at the time in a now extremely rare C.A.M. 7-inch, but that was enough to create the legend... Four Flies is honored to had access to the original C.A.M. master tapes, so to present here, just your pleasure, the complete session for the first time! Just expect one of the funkiest piece of the whole Ortolani’s career: car chases, sex scenes, vicious kills are served here by amazing drum breaks, fat bass lines, captivating horn section and wonderful guitar effects. Totally outstanding session, and a real new classic for all crime-funk lovers!

If conceivable, imagine a collaboration between Brian Eno and Aphex Twin, both in their ambient periods, recording stock music for an Italian Library music label. If so, then behold Psycorama!, a collection of experimental music used to soundtrack a series of films and documentaries produced by the Italian filmmaker Roberto Rossellini. Composed by Mario Nascimbene, a name synonymous with the golden age of Italian film music, a composer whose grandiose scores of the 1950s and 60s defined the very essence of Cinecitta. While the widespread influence of these soundtracks is undeniable, it is beyond the commercial domain of the major studios where this compendium takes focus, revealing a deeper, darker and more complex composer. Forged on the 'Mixerama', a unique homemade sampling instrument, Nascimbene employed visionary techniques to deconstruct and render sound, sculpting pre-existing recordings into intense and evocative other-worldly soundscapes (most notably used for the 1971 existential TV drama Socrates and the 1969 Egyptian modernist film Al-Mummia (The Night Of Counting The Years). Previously unpublished except for a lone and mysterious Library music LP, the soundtrack cues are collected here for their first commercial release. Psycorama is a fascinating document of electro-acoustic music comparable to the beautifully dark music of fellow colleague Egisto Macchi. Including liner notes and rare photos.

Reissue of a rare Italian experimental Library LP.
Music used to soundtrack Roberto Rossellini films.
Pioneering sampling techniques and tape manipulation.
Brian Eno's Music For Airports meets Aphex Twin's Ambient Works II!

Scored by the legendary Italian film composer Armando Sciascia, Sea Fantasy is a conceptual suite of twelve exotic themes evoking the many moods and dramas of life under the sea. Recorded in 1972 for Sciascia's own Vedette label, the album is a key recording within the micro-genre of Italian underwater library music. A mosaic of evocative modern classical, flamenco textures and a surge of raw analogue synthesizers. Mysterious aquatic music that sits comfortably alongside other Italian Soundtrack and Library recordings including the lush bossa of Daniele Patucchi's Men Of The Sea (CAM) as well as the experimental electronics of Biologia Marina by Amedeo Tommasi & Alessandro Alessandroni (Rhombus). With several cues used for the English-version soundtrack to Harald Reinl's 1976 (Erich von Däniken inspired) mondo-documentary Mysteries Of The Gods, Sea Fantasy is reminiscent of the exotic mood-music scored for Folco Quilici's documentary Oceano composed by Ennio Morricone as well as Luigi Scattina's legendary tropical sexploitation film Il Corpo composed by Piero Umiliani. This new 2019 edition has been newly remastered and expanded with additional liner notes and photos.

2019 remastered and expanded edition.
Legendary Italian underwater Library recording
Replica vinyl reissue of the rare 1972 LP
Mysterious aquatic mood music

Super deluxe lo fi 7″ grape-colored vinyl housed in DIY low-budget sleeve, + includes “I love my VCR Sticker

Finally back on vinyl!

“Gladiator” is the original soundtrack of the 2000 film of the same name. The original score and songs were composed by Hans Zimmer and Lisa Gerrard and were released in 2000, titled “Gladiator: Music From the Motion Picture”. The Lyndhurst Orchestra performing the score was conducted by Gavin Greenaway.

The album won the Golden Globe Award for Best Original Score and was also nominated for the Academy Award and BAFTA Award for Best Score ("Anthony Asquith Award for Film Music").

“Gladiator” is a 2000 epic historical drama film directed by Ridley Scott and written by David Franzoni, John Logan, and William Nicholson. It stars Russell Crowe, Joaquin Phoenix, Connie Nielsen, Ralf Möller, Oliver Reed (in his final role), Djimon Hounsou, Derek Jacobi, John Shrapnel, and Richard Harris. Crowe portrays Hispano-Roman general Maximus Decimus Meridius, who is betrayed when Commodus, the ambitious son of Emperor Marcus Aurelius, murders his father and seizes the throne. Reduced to slavery, Maximus rises through the ranks of the gladiatorial arena to avenge the murders of his family and his emperor.

The film was released in the United States May , 2000, and grossed $457 million worldwide. The film won multiple awards, including Best Picture, Best Actor for Crowe and three other Oscars at the 73rd Academy Awards. It has also been credited with rekindling interest in entertainment centered around ancient Greek and Roman culture, such as Rome.

Soundtrack for the 1972 Spanish-Italian crime film directed by José Luis Madrid (a sort of baroque revisiting of Jack The Ripper). The Maestro Piero Piccioni is in a rare groove mode here, lost between acid jazz breaks and deep funk rhythms in what is the first ever vinyl reprint of a minor classic. An impressive variety of themes, with the Hammond organ often doing the lion's share of the work, the climate reminds us of the compositions of the late 60's of the master; memorable sessions that would lead to the publication of the classic posthumous 'Camille 2000'. The glamorous arrangements are fascinating, incorporating Mediterranean warmth through the US's R&B demarcation lines.

Fire Walk With Me is an altogether more brooding affair than the Twin Peaks series soundtrack. Badalamenti won a grammy for the title track of this LP and it's not hard to see why- it's dangerous, and bursting with smokey jazz thanks to Jimmy Scott. We went back to the master tapes in the Warner Archives and had this recut to fit across two LPs as the score clocks in at 51 minutes. It sounds incredible and punchy, but super nuanced too.

From the brooding opening bars of the main Fire Walk With Me Theme, Angelo Badalamenti's gorgeous, eerie score introduces us to a cinematic experience which significantly begins with the smashing of a television screen. Just as the Main Title from Blue Velvet echoed the Hitchcockian hues of Bernard Herrmann, so here we have just the slightest touch of Taxi Driver, as Jim Hynes' plaintive, keening trumpet soars above a landscape of melancholy keyboards, drawing us into a world which is at once alien and familiar.

This release is housed in a 425-gsm gatefold sleeve inside a bespoke black die cut outer jacket with black spot varnish finish, complete with obi strip and sleeve notes by film critic Mark Kermode (approved by David Lynch and Angelo Badalamenti The artwork got fully approved by the director as the audio got approved by the composer
The 180-gram „Cherry Pie“ vinyl 2LP got remastered by Tal Miller at Warner Archives, while laquers were cut by David Cheppa at Plush Vinyl.

Waxwork Records is proud to present the Us Original Motion Picture Soundtrack featuring a score by composer Michael Abels. Us, released in March 2019, is an original nightmare written, directed and produced by Academy Award®-winning visionary Jordan Peele (Get Out). Set in present-day Santa Cruz on the iconic Northern California coastline, the film, starring Oscar® winner Lupita Nyong’o and Black Panther’s Winston Duke, pits an ordinary American family against a terrifying and uncanny opponent: doppelgängers of themselves.

Abels featured a 30 person choir, a third of them children, in the “Anthem,” and implemented Eastern European instruments, violins, percussion, and a virtual instrument called a Propanium drum. “It makes this trashy metal sound, but you can also play melodies on it,” Abels said. “The Propanium drum has a sound that’s both otherworldly but not electronic or like science fiction. It’s a sound you can’t quite put your finger on, which is why it works well in this film.”

Also included on the soundtrack is the 1995 hip-hop hit “I Got 5 On It” by Luniz and the stand-out track “I Like That” by Janelle Monáe. Abels also helped with a new arrangement of the Luniz hit, which is featured on the soundtrack as the ‘Tethered Mix from Us’.

Waxwork is thrilled to present the soundtrack and score as a deluxe double LP featuring 180 gram "The Untethering" Red, Brass, and White split colored vinyl. The album artwork was created by illustrator Edward Kinsella. The interactive packaging includes die-cut inner gatefold jackets that require customers to use scissors to cut through family-member portraits to reveal their tethered doppelgängers lurking in the shadows on the printed inner sleeves housed within. More deluxe items include a die-cut mirror board back cover, a heavyweight 11”x11” art print, and an exclusive essay by UCLA Professor, scholar, and activist Shana L. Redmond Ph.D., author of Anthem: Social Movements and the Sound of Solidarity in the African Diaspora

Battlefield V Original 636 On A Picture Disc -

Still sealed. Tiny corner wear. Red/Black vinyl.

At The Movies is very proud to present this epic soundtrack on vinyl for the first time!
James Horner (Titanic, Braveheart, The Magnificent Seven) knew when he took on the scoring of Avatar that it would be the challenge of a lifetime. The music is both classic in its orchestral power, but also connects us to the soul of the Na'vi through the use of indigenous rhythms and vocals. Includes the Leona Lewis track "I See You" (Theme from Avatar).

The original double gatefold PLUS 16-page booklet containing the full script, lyrics, original paintings, and credits.

The relaunch of the Star Trek franchise in 2009 under J.J. Abrams was an astounding success, earning almost 400 million at the box office. The composing duties were turned over to Michael Giacchino, then know mostly for his Abrams TV work on Alias and Lost. The album was a success, moving almost 100k copies in the U.S. alone across CD and digital downloads. This is the first time the album has been made available on LP. Giacchino is the composer on the current Jurassic Park films, The Incredibles, Coco, Spider-man and Dr. Strange. It is the only Star Trek title from the rebooted franchise which has not appeared on vinyl, despite being the most successful of the films

Waxwork Records proudly presents the Original Motion Picture Soundtrack vinyl to the 1973 British-Italian Thriller, DON’T LOOK NOW. Directed by Nicolas Roeg and featuring Pino Donaggio’s very first effort as a film music composer, Don’t Look Now tells the story of a married couple (Donald Sutherland and Julie Christie) who travel to Venice, Italy for work following the recent accidental drowning-death of their daughter. The couple encounter two sisters, one of whom claims to be clairvoyant and informs them that their daughter is attempting to contact them to warn them of danger. The classic film dives deep and focuses on the psychology of grief and it’s effect on relationships while blending elements of the supernatural with vivid, impressionist imagery of flashbacks, colors, patterns, and editing techniques that have been known to alter even the viewer’s perception of what is actually occurring.

Waxwork Records is beyond excited to present the complete score by Pino Donaggio (Carrie, The Howling, Tourist Trap) on deluxe 180 gram vinyl with high quality packaging. Features include 180 gram “Red Raincoat” colored vinyl, old style tip-on gatefold jackets, printed inserts, and all new artwork by Jessica Seamans of Landland.

The Original 1973 Score by Pino Donaggio
180 Gram “Red Raincoat” Vinyl (Opaque Red and Translucent Red Swirl)
Printed Inserts
Deluxe Heavyweight Packaging
All new artwork by Jessica Seamans of Landland

Zelda & Chill contains lo-fi- hip hop arrangements of music from the original LoZ, Link To The Past, Majora’s Mask, Wind Waker, Ocarina of Time, Skyward Sword, and Breath of the Wild.

Musique Pour La Danse is proud to present Coil's unreleased soundtrack for the VHS only, pre-internet, sexual education documentary entitled "The Gay Man's Guide To Safer Sex" released in 1992. Members for this project are John Balance, Peter "Sleazy" Christopherson and Danny Hyde.

The OST, to quote John Balance's interview for Compulsion Online, "is [a] slightly new agey, progressive house type thing".

Another way to approach it is as a delightful collection of balearic beats, smoking jazz not far removed from Badalamenti's work with David Lynch, somewhat of an ambient house album for your home listening and early morning sunrise dances, Coil style.

Taken from the original masters provided by Danny Hyde, "The Gay Man's Guide To Safer Sex" features a new sexy edit of the main theme. Bonuses "Nasa-Arab" and "Omlagus Garfungiloops" are taken from the 1992 CD only "Stolen And Contaminated Songs", both being original versions of the radically reworked (for the Ost) "Nasa-Arab 2" and "Exploding Frogs" in order to balance the whole album and extend the listening pleasure.