Soundtracks 41 Items

Shelley pressing. Tear in spine.

2012 reissue. Still sealed with hype sticker.

Still sealed

2022 reissue. Still sealed with hype sticker.

Copy close to NM

Cover is close to NM.

Cover has strong ring wear. Records are slightly warped.
Multiple foldout die cut cover has shelf wear.

With booklet and comic. Vinyl with light scuffs ! Cover has slight edge wear. Excellent copy !

Clear wax! Cover close to NM

Vinyl look unplayed. Cover with beginning of seam split and damaged corners.

Limited Edition.
Includes booklet and poster.
Box set and cover are close to NM.

Sealed copy.
Cover corners slightly dented.

Japanese pressing.

“What a shadow in the instrument, and what a murmur, of the forests from whence issued its wood.” Rainer Maria Rilke

While reading the “Midnight Skin” script for the first time, Carla Pallone (Vacarme, Mansfield.TYA) in Nantes met Fanny in Athens. And the Eucalyptus trees. And it was at this same moment that she saw through her window, an Eucalyptus tree. Fact and fiction are already mixing, and Carla Pallone welcomes this sign with a smile. Then comes the meeting with filmmaker Manolis Mavris, and his work: first “Brutalia”, then “Midnight Skin”. The writing is chiseled and precise. Each frame is a painting. At the center of the film: Fanny's solitude which excludes her from humankind. This solitude requires a place for expression. Carla Pallone thus imagines an “organic” music, linked to the way that wood, strings and other materials live and resonate. A poetic and strange sound universe, close to Fanny, to her physical and psychological states. She has found the perfect junction between acoustic and electronic, highlighting a modern violin, out of the times. The result is a soundtrack similar to Fanny, inhabited, dark and moving. Human.

Somewhere between Mickaël Nyman and Mica Levi, Carla Pallone knows how to write atmospheres, create landscapes and draw lines of fiction. Her classical training and her taste for ancient music have nourished her path as a composer, to open the spectrum of her music to the widest possible audience. With a strong appreciation for the strings, she explores a sensitive sound universe, which unfolds between organic and analog materials. Acute sense of melody, neoclassicism, minimalism... repetitive pieces of music rub shoulders with ritornellos with great joy. And if the violin is king, synthesizers also find their proper place as disturbing basses or melodic sweeps. There is great sensivity in her sound research, at the crossroads of musical paths, from the most classical to the most experimental, improvised or meditative.

Blue translucent vinyl.

Limited Edition.
Coke Bottle Clear Vinyl.

Vinyl with a couple of light scuffs

Small sticker on cover.

Gatefold sleeve, with OBI strip, pressed on 140g eco-vinyl: violet marbled.

5 LP compilation in felt box.

Clear vinyl seems unlayed. Hole in back cover. With stickers.

Box with a bit of damage/scuffs on the front

Vinyl close to VG+

Vinyl is close to NM. Cover is missing.

Cover is close to NM.
Includes original insert and OBI.

Record is close to VG+.
Stickers on front cover.

Marks from an anti-static inner sleeve on otherwise NM record.