Soundtracks 40 Items

Small sticker on cover.

Copy close to NM

5 LP compilation in felt box.

Record is close to VG+.

2012 reissue. Still sealed with hype sticker.

With booklet and comic. Vinyl with light scuffs ! Cover has slight edge wear. Excellent copy !

Clear wax! Cover close to NM

Still sealed

Red / Black Marbled & Clear / Black Marbled vinyl. Limited edition.

Clear vinyl seems unlayed. Hole in back cover. With stickers.

Vinyl with a couple of light scuffs

Limited Edition.
Coke Bottle Clear Vinyl.

Gatefold sleeve, with OBI strip, pressed on 140g eco-vinyl: violet marbled.

Japanese pressing.

Vinyl is close to NM. Cover is missing.

Box with a bit of damage/scuffs on the front

Record is close to VG+.
Stickers on front cover.

180 gram vinyl.
Still shrink wrapped but opened.
Inlcudes booklet.
Records are close to VG+

180 gram vinyl.

Records with just a few paper scuffs.
Cover with slightly dented corners and a worn upper edge.

Record is close to VG+. Cover has slight water damage.

“What a shadow in the instrument, and what a murmur, of the forests from whence issued its wood.” Rainer Maria Rilke

While reading the “Midnight Skin” script for the first time, Carla Pallone (Vacarme, Mansfield.TYA) in Nantes met Fanny in Athens. And the Eucalyptus trees. And it was at this same moment that she saw through her window, an Eucalyptus tree. Fact and fiction are already mixing, and Carla Pallone welcomes this sign with a smile. Then comes the meeting with filmmaker Manolis Mavris, and his work: first “Brutalia”, then “Midnight Skin”. The writing is chiseled and precise. Each frame is a painting. At the center of the film: Fanny's solitude which excludes her from humankind. This solitude requires a place for expression. Carla Pallone thus imagines an “organic” music, linked to the way that wood, strings and other materials live and resonate. A poetic and strange sound universe, close to Fanny, to her physical and psychological states. She has found the perfect junction between acoustic and electronic, highlighting a modern violin, out of the times. The result is a soundtrack similar to Fanny, inhabited, dark and moving. Human.

Somewhere between Mickaël Nyman and Mica Levi, Carla Pallone knows how to write atmospheres, create landscapes and draw lines of fiction. Her classical training and her taste for ancient music have nourished her path as a composer, to open the spectrum of her music to the widest possible audience. With a strong appreciation for the strings, she explores a sensitive sound universe, which unfolds between organic and analog materials. Acute sense of melody, neoclassicism, minimalism... repetitive pieces of music rub shoulders with ritornellos with great joy. And if the violin is king, synthesizers also find their proper place as disturbing basses or melodic sweeps. There is great sensivity in her sound research, at the crossroads of musical paths, from the most classical to the most experimental, improvised or meditative.

Still sealed.

still sealed. Cover has slight ring wear.

Sealed copy.
Cover corners slightly dented.