Soundtracks Vinyl 301 Items

SEaled copy with bumped corners and slightly damaged OBI!

Coloured vinyl seems unplayed. With OBI. Seam splits in top spine.

Hey Dugee is the multiple BAFTA and Emmy award-winning preschool series winning preschool series devised by Studio AKA. Hey DuggeeDuggeewas the mostwas the most-watched kids' show of the year on BBC iPlayer in 2020 watched kids' show of the year on BBC iPlayer in 2020 with over 192 million requests. Year to date in 2021, Hey DuggeeDuggeecontinues to be continues to be a top performing children's show on BBC iPlayer and CBeebies each month. a top performing children's show on BBC iPlayer and CBeebies each month. Demon Music are proud to present the first ever release of Hey DuggeeDuggeeon vinyl. On vinyl. Music featured is from series 1, 2 and 3. Highlights from the album include: fan favourite 'Stick Song' which has been viewed over 10. 3 million times on YouTube, 'A Cappella', 'Raindance', 'Toothbrushing Song' and the brand new track 'Step By Step'Toothbrushing Song' and the brand new track 'Step By Step'. In a specially designed product by Studio AKA, the album is pressed on a double sided picture disc and presented in a die cut sleeve with Duggee'sDuggee'sface on the face on the cover. Side a and side b feature the Squirrels while side b is specially designed to create a zoetrope effect. a zoetrope effect. The zoetrope effect on side b is best experienced using a The zoetrope effect on side b is best experienced using a smartphone running a third party stroboscope app.

Since its creation in 2007, Hifiklub has led more than 150 collaborations which have allowed the Toulon trio to open its music to multiple artistic experiences revealing a constant desire for research and novelty. From unprecedented encounters to unique projects, Hifiklub has developed over the years a now substantial discography whose musical proposals range from pop to jazz through the most experimental sounds and even traditional music. One path, however, remained unexplored: contemporary music."Last Party On Earth" is organized around the association of three energies: contemporary composer Jean-Michel Bossini, singer Duke Garwood and the instrumental ensemble Hifiklub. Surrounded by mysticism and darkness, the creation has cinematographic dimensions. It positions the listener in a depth and disposition of soul where the voice - and the poetry - of Duke Garwood is carried by Hifiklub and Jean-Michel Bossini around cold and tormented atmospheres. The album seduces by the detail of its sounds, its apparent tranquility and its intimate atmospheres thwarted by harsh flashes. Mixed by Alain Johannes (Queens of the Stone Age, Them Crooked Vultures, Eleven), the album sees the exceptional participation of the string trio Anpapié (Alice Piérot, Fanny Paccoud and Elena Andreyev) who magnificently perform the score by Jean-Michel Bossini. All songs performed by Hifiklub, Duke Garwood and trio Anpapié (conducted by Jean-Michel Bossini)

Since its creation in 2007, Hifiklub has led more than 150 collaborations which have allowed the Toulon trio to open its music to multiple artistic experiences revealing a constant desire for research and novelty. From unprecedented encounters to unique projects, Hifiklub has developed over the years a now substantial discography whose musical proposals range from pop to jazz through the most experimental sounds and even traditional music. One path, however, remained unexplored: contemporary music."Last Party On Earth" is organized around the association of three energies: contemporary composer Jean-Michel Bossini, singer Duke Garwood and the instrumental ensemble Hifiklub. Surrounded by mysticism and darkness, the creation has cinematographic dimensions. It positions the listener in a depth and disposition of soul where the voice - and the poetry - of Duke Garwood is carried by Hifiklub and Jean-Michel Bossini around cold and tormented atmospheres. The album seduces by the detail of its sounds, its apparent tranquility and its intimate atmospheres thwarted by harsh flashes. Mixed by Alain Johannes (Queens of the Stone Age, Them Crooked Vultures, Eleven), the album sees the exceptional participation of the string trio Anpapié (Alice Piérot, Fanny Paccoud and Elena Andreyev) who magnificently perform the score by Jean-Michel Bossini. All songs performed by Hifiklub, Duke Garwood and trio Anpapié (conducted by Jean-Michel Bossini)

Hikaru Utada's debut single “Automatic/time will tell” released on December 9, 1998 sold over two million copies, catapulting her to top-artist-status at age 15. The first album “First Love” released a few months later and marked the highest number of CDs sold in Japan, a record that remains unbroken to this day. All of her albums that followed have topped the charts. The 2007 single “Flavor Of Life” set a world record for the highest number of digital downloads. She announced a hiatus from her music career in 2010 to focus on her "人間活動/ningen katsudo/career as a person," or personal growth, returning to her career of music in April 2016 with singles “Hanataba Wo Kimini” and “Manatsu No Tooriame.” Her sixth studio album "Fantome" followed in September 2016 to great success in both Japan and abroad with a #1 on the Oricon charts stretching four consecutive weeks for the first time, a #3 on the US iTunes chart, and over a million units total in sales of CD and digital downloads. Since March 2017, She has been with Epic Records Japan a division of Sony Music Labels Inc. The year 2018 saw the release of her 7th album "Hatsukoi" on June 27, 2018, marked her twenty-year anniversary from debut, and going on her first Japan-wide tour since recommencing her music career. Footage from the tour is available as a video release under the title "Hikaru Utada Laughter in the Dark Tour 2018." The theme song for video game KINGDOM HEARTS Ⅲ "Face My Fears" was released as a single in 2019. The track was co-created with Skrillex and marked Utada's first Billboard Top 100 in the US. An EP including the A.G. Cook co-produced single "One Last Kiss" and her first self-cover "Beautiful World (Da Capo Version)" is available March 10, 2021. The two tracks are both theme songs appearing in the feature film EVANGELION:3.0+1.0 THRICE UPON A TIME (SHIN EVANGELION).

Ship to Shore PhonoCo. is proud to announce the release of Darius II - Original Video Game Soundtrack on vinyl!

It was inevitable that a successful game like Darius would receive a sequel, and in 1989 lucky gamers were treated to Darius II cabinets in their arcades. It has since gone on to become a fan favourite, and rightly so: you can’t mention scrolling shooters without mentioning Darius II.The game was ported over to gaming consoles in Japan the following year, and reached U.S. shores in 1991, under the title Sagaia, with a re-arranged soundtrack and different level layouts. But for purists the arcade version remained top dog, and it is with this in mind that we have pressed the original arcade version soundtrack for Darius II onto vinyl, making this its debut on the format!

Featuring liner notes from composer Hisayoshi Ogura and journalist Anthony John Agnello, and decored with rare production artwork within, this gatefold release of a bona fide shoot ‘em up soundtrack classic is not one fans of video game music and quintessential cabinet gaming will want to miss!

Once more, Laced Records and Jagex clan up to bring fans a soundtrack from the RuneScape universe. God Wars Dungeon features 11 heroic tracks from the two high-level dungeons, composed by Adam Bond and Ian Taylor.

The vinyl edition contains two 180g, audiophile-quality vinyl discs in turquoise blue and purple — one for each dungeon. The deluxe gatefold sleeve artwork features Nex and the other God Wars Dungeon generals as they face off in battle.

* Pressed on 180 Gram Black Vinyl with artwork by Mo Shafeek * Manufactured in the Czech Republic

Mondo, in collaboration with Back Lot Music, is proud to present a vinyl pressing of James Newton Howard's Golden Globe Nominated score to Universal Pictures’ powerful new film from acclaimed filmmaker Paul Greengrass, News of The World.

Set five years after the end of the Civil War, News of the World follows Captain Jefferson Kyle Kidd (Tom Hanks), a veteran of three wars, who now moves from town to town as a non-fiction storyteller, sharing the news of presidents and queens, glorious feuds, devastating catastrophes, and gripping adventures from the far reaches of the globe.

In the plains of Texas, Kidd crosses paths with Cicada, aka Johanna Leonberger (Helena Zengel, System Crasher), a 10-year-old taken in by the Kiowa people six years earlier and raised as one of their own. Johanna, hostile to a world she’s never experienced, is being returned to her biological aunt and uncle against her will. Kidd reluctantly agrees to deliver the child to where the law says she belongs. As they travel hundreds of miles into the unforgiving wilderness, the two will face tremendous challenges of both human and natural forces as they search for a place that either can call home.

The film is a moving exploration of our present through the lens of our past, and the music by eight-time Academy Award® nominee James Newton Howard (The Hunger Games, The Sixth Sense, Signs, The Fugitive) is innovative, emotional, and beautiful, as it follows Captain Kidd’s journey from regret to redemption. A haunted, and healing sound of vintage Americana floods from your speakers as the tender strings and piano guide you over gorgeous landscapes.

Better the Mask

Better the Mask

Red/Green Split Vinyl.
Still shrink wrapped but opened.
Cover with a beginning seam split at the upper edge.
Record is slightly warped but still enjoyable.
Small light scuff on side B.
Includes original insert.

Ship to Shore PhonoCo. is proud to present the original soundtrack to the cult favorite Dial Code: Santa Claus (aka Deadly Games), for the first time on vinyl in over 30 years!

Mixing Christmas themes with hair-raising screams, Dial Code: Santa Claus concerns young Thomas - a kid with an IQ number as long as his mullet - whose infatuation with games of war and obsession of Father Christmas come together in a night of terror when his house is invaded by a maniac who believes he is Père Noël himself…

Composer Jean-Félix Lalanne mixes a range of styles to form a solid soundtrack, utilizing industrial & electro with traditional festive motifs and thriller stings, perfectly complementing the bold visual style of the movie.

Performance by full orchestra of New Japan Philharmonic in addition a chorus by Ritsuyukai. Including the main theme by Masako Hayashi, Fujiokafujimaki and Nozomi Ohashi.

Newly arranged and composed by Joe Hisaishi for children and adults who are exposed to an orchestra for the first time. It consists of two parts: an introductory version with an easy-to-understand explanation of the names and tones of the instruments, narrated by Shigesato Itoi as the father, and a suite without narration. Performed by the New Japan Philharmonic.

The USA version of the soundtrack was released on DVD in 2003. Joe Hisaishi re-recorded the soundtrack with new arrangements and also added new songs.

Performance by full orchestra of New Japan Philharmonic in addition a chorus by Ritsuyukai. Including the main theme by Masako Hayashi, Fujiokafujimaki and Nozomi Ohashi.

An album including 10 tracks created by Joe Hisaishi. 3 songs are based on a poetic note of inspirations written by Director Hayao Miyazaki. 6 songs, instrument 4song , total 10tracks. Including the main theme “Ponyo on the Cliff by the Sea”. Vocal: FujiokaFujimaki and Nozomi Ohashi, Little Carol, FujiokaFujimaki, Nozomi, Mai)

It has been 30years since “Nausicaä of the Valley of the Wind Symphony” was produced Isao Takahata. This is the first and last soundtrack by Movie Director Isao Takahata and Composer Joe Hisaishi collaborative work. Including the main theme by Kazumi Nikaido.

This is a 11st collaborative animated features works by Miyazaki and Hisaishi. “The Wind Rises” have released only soundtrack. Performance by full orchestra of New Japan Philharmonic. Folk instrument which are Balalaika and Bayan etc. are impressive. Including the main theme “hiko-ki Gumo” (vocal: Yumi Arai)

The soundtrack of "Pantai to Tamago Hime" at the Mitaka no Mori Ghibli Museum, Ghibli no Mori no Eiga. Joe Hisaishi reconstructed Vivaldi's "La Folia" with a modern approach. The music from the play is recorded so that it can be listened to as a suite.

Orange vinyl with a couple of light scuffs. Cover with bumped corner

In 2018, David Gordon Green's Halloween, starring icon Jamie Lee Curtis, slaughtered the box office, earning more than $250 million worldwide, becoming the highest-grossing chapter in the four-decade franchise and setting a new record for the biggest opening weekend in history for a horror film starring a woman. The film had the distinction of being the first film in the series with creator John Carpenter's direct involvement since 1982's Halloween III: Season of the Witch. Carpenter served as an executive producer, a creative consultant, and, thrillingly, as a soundtrack composer, alongside his collaborators from his recent solo albums, Cody Carpenter and Daniel Davies. Now the scream team is back for the highly anticipated follow up, Halloween Kills and Carpenter has returned to the studio with son Cody Carpenter and godson Daniel Davies to further expand on the iconic score that forever changed the course of horror cinema and synthesizer music. The 2018 Halloween movie soundtrack received unanimous praise and brought a rich and ominous depth to the original theme music that was famously recorded on a shoestring budget in 1978. The trio utilized an array of software synths, vintage analogue equipment, and live instrumentation including a Dave Smith Ob-6, bowed guitar, Roland Juno, Moog, Roland System 1, Roland System 8, different guitar pedals, mellotron, and piano. Now with the Halloween Kills score director Green has pushed the musicians to be more experimental and take their modern sound to a chilling new level.

In 2018, David Gordon Green's Halloween, starring icon Jamie Lee Curtis, slaughtered the box office, earning more than $250 million worldwide, becoming the highest-grossing chapter in the four-decade franchise and setting a new record for the biggest opening weekend in history for a horror film starring a woman. The film had the distinction of being the first film in the series with creator John Carpenter's direct involvement since 1982's Halloween III: Season of the Witch. Carpenter served as an executive producer, a creative consultant, and, thrillingly, as a soundtrack composer, alongside his collaborators from his recent solo albums, Cody Carpenter and Daniel Davies. Now the scream team is back for the highly anticipated follow up, Halloween Kills and Carpenter has returned to the studio with son Cody Carpenter and godson Daniel Davies to further expand on the iconic score that forever changed the course of horror cinema and synthesizer music. The 2018 Halloween movie soundtrack received unanimous praise and brought a rich and ominous depth to the original theme music that was famously recorded on a shoestring budget in 1978. The trio utilized an array of software synths, vintage analogue equipment, and live instrumentation including a Dave Smith Ob-6, bowed guitar, Roland Juno, Moog, Roland System 1, Roland System 8, different guitar pedals, mellotron, and piano. Now with the Halloween Kills score director Green has pushed the musicians to be more experimental and take their modern sound to a chilling new level.

In 2018, David Gordon Green's Halloween, starring icon Jamie Lee Curtis, slaughtered the box office, earning more than $250 million worldwide, becoming the highest-grossing chapter in the four-decade franchise and setting a new record for the biggest opening weekend in history for a horror film starring a woman. The film had the distinction of being the first film in the series with creator John Carpenter's direct involvement since 1982's Halloween III: Season of the Witch. Carpenter served as an executive producer, a creative consultant, and, thrillingly, as a soundtrack composer, alongside his collaborators from his recent solo albums, Cody Carpenter and Daniel Davies. Now the scream team is back for the highly anticipated follow up, Halloween Kills and Carpenter has returned to the studio with son Cody Carpenter and godson Daniel Davies to further expand on the iconic score that forever changed the course of horror cinema and synthesizer music. The 2018 Halloween movie soundtrack received unanimous praise and brought a rich and ominous depth to the original theme music that was famously recorded on a shoestring budget in 1978. The trio utilized an array of software synths, vintage analogue equipment, and live instrumentation including a Dave Smith Ob-6, bowed guitar, Roland Juno, Moog, Roland System 1, Roland System 8, different guitar pedals, mellotron, and piano. Now with the Halloween Kills score director Green has pushed the musicians to be more experimental and take their modern sound to a chilling new level.

Limited Edition.
Green & White Vinyl.

The original Soundtrack to Greek-German director Nikias Chrssos’ new feature, ‘A Pure Place’, scored by John Gürtler (Eigenlicht, Counter019), with his studio partner Jan Miserre, and featuring a track by chameleonic British artist Shackleton. Full Info: The script for A Pure Place had a dizzying effect on John Gürtler & Jan Miserre; their minds reeling with the possibilities. From Persian sheep bells, Chinese sheng, prepared trombone, quarter-tone piano, a beaten-up cembalo, hand percussion, and a room full of synthesizers, embryonic compositions and experiments came to life early on in the project. An electro-acoustic extravaganza, the soundtrack for A Pure Place takes a deep bow towards the many magnificent composers and scores from the late 60s and 70s where orchestral arrangements met with tape loops, psychedelia, and instruments from across the globe. Listening to that era of film music, anything seems possible. The minimalist tones of ‘Ritual Bells’ set the dial to weird in the opening sequence of the movie, whilst ‘The Island’ makes use of ambient vocals recorded through an oil drum, gently introducing one of the score’s main themes with a distant quarter-tone cembalo. Acclaimed British artist Shackleton’s eerie original version of ‘Fust’s Song’ (also included) was a tonal keystone for the entire soundtrack. Gürtler and Miserre translated his psychedelic electronic blueprint, layering acoustic instruments and bottom-heavy percussion in their ‘Paradox Paradise’ production style.

Memoirs Of A Geisha (2005) is the award winning drama film adaptation of the novel of the same name. The original score and songs were composed and conducted by John Williams. The album won the Golden Globe Award for Best Original Score, BAFTA Award for Best Film Music and the Grammy Award for Best Score Soundtrack for Visual Media. It was also nominated for the Academy Award for Best Original Score.

Coming together for their 4th feature length collaboration, composer Jonathan Snipes and director Rodney Ascher have descended even deeper into intentional disorientation with 'A Glitch in the Matrix'. For this film about, essentially, people who believe that the metaphysics of 'The Matrix' are real, Snipes has composed a score that is both smooth classic sci-fi and totally obtuse and broken. Just like your mind if you watch the film.

Composed by Juliane Andrezzo and Caio Lopez, produced by Juliane Andrezzo.

This is the fast paced, chippy soundtrack to the two button relentless metroidvania released by Cat Nigiri.

Estimated arrival! The date might change +/- 2-4 weeks.

In partnership with Milan Records and Netflix, we are thrilled to present the official score album to Zack Snyder's Army OF THE Dead as a deluxe double LP album featuring never before seen interactive packaging with new artwork and design by Oliver Barrett. Listeners must tear open the screaming visage of Zeus, the film’s zombie leader, to reveal a locked vault door. The packaging then expands into a neon pink and yellow soaked triple gatefold which unlocks the vault to reveal a horde of Las Vegas zombies inside. As you continue opening the album packaging, and all zombies are killed, you'll be greeted by Valentine, the film’s beloved (and first ever?) zombie tiger!

The score has been pressed to 180 gram neon pink and yellow vinyl and the album features exclusive liner notes from director Zack Snyder!

The long-awaited recurrence of the OP theme "I won't be your wife" from the TV anime "Kiteretsu Daihyakka"!

The opening theme of the TV anime "Kiteretsu Daihyakka" sung by Kaori Moritani, announced in 1988, has been reissued with a new analog 7-inch jacket design. On the B-side, the ending theme of the 90-minute special version that was broadcast the year before the start of regular broadcasting (1987), "Korosuke Machigou" composed and arranged by Haruomi Hosono is recorded.

Better known for his mixing and mastering of other people’s records, Ken Long has been working on a series of library/soundtrack inspired pieces involving instrumentation and programming. Version Control is one of these series. Produced and Recorded in NE London, 2020, it was self-released on limited compact cassette later that year. Fast forward a year and We Stay True are releasing this work for the first time on limited edition 12” LP and digital formats on the 13th of September. Expect thick electric pianos riding over Roland arpeggios, Sp1200 grooves and percussion, lashings of thunder reverb and space echos, all mixed and recorded analog and cut from the original tapes. With fresh new artwork, we’re ensuring further access to collectors, library music enthusiasts, and soundtrack lovers alike.

Wrwtfww Records is absolutely honored to announce the release of Kenji Kawai’s complete soundtrack to Mamoru Oshii’s 1993 superb political thriller science-fiction mecha anime Patlabor 2: The Movie, available on vinyl for the first time ever and housed in a beautiful heavy gatefold sleeve with obi, as well as on digipack CD. Both versions come with liner notes by the great Masaaki Hara. A true soundtrack maestro, Kenji Kawai is behind the legendary soundscapes of cult animes and movies such as Ghost in the Shell, Avalon, Ring, Ip Man, and Seven Swords among numerous others. Patlabor 2: The Movie (Original Soundtrack) is one of his most experimental offerings, an outstanding palette of emotion-filled ambient atmospherics and percussion mastery breathing beautifully through Kawai’s minimalism meets modern classical approach. His symphony of moods paints a delicate picture of urban isolation, a central theme in the movie, but doesn’t hide hints of hope for a joyful future. Patlabor 2: The Movie (Original Soundtrack) is an ideal companion to Kenji Kawai’s Ghost in the Shell soundtrack, already available on Wrwtfww Records. Points of interests - For fans of electronic, soundtracks, ambient, experimental, minimalism, synth, Kenji Kawai, Geinoh Yamashirogumi, Ghost in the Shell, Akira, anime music, Japan, robots, urban isolation, hope for the future. - First ever vinyl release of Kenji Kawai’s Patlabor 2: The Movie (Original Soundtrack), in full audiophile experience

Remastered for vinyl, ltd edition of 300 copies on 180g transparent pink vinyl. Previously released digital only via Lakeshore Records in 2020. Recorded and performed by Kid Moxie at her studio in Downtown L.A. Produced by Kid Moxie and Serafim Tsotsonis Mixed by Serafim Tsotsonis Mastered by Ekelon

The 'Pipeline' O.S.T. is the result of a collaboration between L'Ironie Du Son, Guillaume Peitrequin and Fabio Poujouly. It's an experimental soundtrack featuring material fitting in between ethnic and organic sounds, and electronic atmospheres giving birth to a splendid world of textures, ambiences and noises that are predominant in the movie. Limited to 400 copies in silkscreen printed cover with insert.

On vinyl, here's the previously unissued score to a mid-'60s Italian spy movie parody. The brilliant, but somewhat overlooked soundtrack master Lallo Gori created an impressive scat-jazz and beat masterpiece featuring the stunning vocal group I Cantori Moderni Di Alessandroni and Gino Marinacci on flute. The sound is taken from the original tapes. Limited to 500 copies on 180-gram vinyl.

This is the first-ever release of the soundtrack to Massimo Pirri’s 1977 film, which explores the controversial and then very current topic of left-wing armed struggle in Italy. By combining dark and haunting jazz-funk with ambient atmospheres and suspenseful electronic sounds, Lallo Gori creates a brilliant score that ends up sounding like an instrumental proto-hip hop record where Moog synths and drums take the lead.