Soundtracks Vinyl 301 Items

Red/Green Split Vinyl.
Still shrink wrapped but opened.
Cover with a beginning seam split at the upper edge.
Record is slightly warped but still enjoyable.
Small light scuff on side B.
Includes original insert.

Clear vinyl.
Records are slightly warped but still enjoyable.
Dogeared cover.

Lawa is the acronym for the duo of Austrian soundtrack wizards Alain Leonard and Alex Wank. Once again they are honouring the world of film music in their idiosyncratic, very personal way. After their first Cineploit release, "Omaggio a Lucio Fulci and Fabio Frizzi“ (Exploit 02, 2012, Vinyl only) and the follow up, "Omaggio a Riz Ortolani“ (Exploit 06, 2015, Vinyl only) Lawa now takes a ride through the furthest reaches of '70s and '80s French and Italian cinema. From Michel Colombier, Michel Legrand and Jacques Revaux to Alessandro Alessandroni, Daniele Patucchi, Nico Catanese and G & M de Angelis, every base is covered. And, of course, not to forget the Master of them all: Ennio Morricone (rip).

These very special tracks have been renewed in Lawa's dark electronic style, proving without a doubt the high-level craft of the composers extraordinaire that created them. Some versions are close to the original, but others have acted as springboards for new ideas and creations. This release is probably Lawa's final reinterpretation of classic obscure film scores, as Messrs Leonard and Wank are creating more and more of their own atmospheric soundtrack music for documentaries, shorts and feature films - hopefully soon to be released via Cineploit as well. Now take a deep dive into this dark ride through European cinema, brought to you in the inimitable Lawa way!

* 7” Vinyl with Screen Printed Wave B-Side * Featuring “Tell Me What You Want” from Wave Break * Music by Weezer * Album Art by Cory Schmitz

What we have here are three of the most obscure but still beautiful italian music libraries ever released.
Originally conceived in the early eighties as soundtracks for special tv shows about space, aliens and thrilling in general, the songs included in the three lp's are masterpieces of obscure
electronic music with hints of krautrock, electro-ambient and spacey suites a la Tangerine Dream. Obscure artists that played great music!!!

A must have for fans of Tangerine Dream, Brian Eno, Neu!…

Remastered from the original analog master tapes.

What we have here are three of the most obscure but still beautiful italian music libraries ever released.
Originally conceived in the early eighties as soundtracks for special tv shows about space, aliens and thrilling in general, the songs included in the three lp's are masterpieces of obscure electronic music with hints of krautrock, electro-ambient and spacey suites a la Tangerine Dream. Obscure artists that played great music!!!

A must have for fans of Tangerine Dream, Brian Eno, Neu!…

Remastered from the original analog master tapes.

Lawa is the acronym for the duo of Austrian soundtrack wizards Alain Leonard and Alex Wank. Once again they are honouring the world of film music in their idiosyncratic, very personal way. After their first Cineploit release, "Omaggio a Lucio Fulci and Fabio Frizzi“ (Exploit 02, 2012, Vinyl only) and the follow up, "Omaggio a Riz Ortolani“ (Exploit 06, 2015, Vinyl only) Lawa now takes a ride through the furthest reaches of '70s and '80s French and Italian cinema. From Michel Colombier, Michel Legrand and Jacques Revaux to Alessandro Alessandroni, Daniele Patucchi, Nico Catanese and G & M de Angelis, every base is covered. And, of course, not to forget the Master of them all: Ennio Morricone (rip).

These very special tracks have been renewed in Lawa's dark electronic style, proving without a doubt the high-level craft of the composers extraordinaire that created them. Some versions are close to the original, but others have acted as springboards for new ideas and creations. This release is probably Lawa's final reinterpretation of classic obscure film scores, as Messrs Leonard and Wank are creating more and more of their own atmospheric soundtrack music for documentaries, shorts and feature films - hopefully soon to be released via Cineploit as well. Now take a deep dive into this dark ride through European cinema, brought to you in the inimitable Lawa way!

What we have here are three of the most obscure but still beautiful italian music libraries ever released.
Originally conceived in the early eighties as soundtracks for special tv shows about space, aliens and thrilling in general, the songs included in the three lp's are masterpieces of obscure electronic music with hints of krautrock, electro-ambient and spacey suites a la Tangerine Dream. Obscure artists that played great music!!!

A must have for fans of Tangerine Dream, Brian Eno, Neu!…

Remastered from the original analog master tapes.

Orange vinyl.

Remastered for vinyl, ltd edition of 300 copies on 180g transparent pink vinyl. Previously released digital only via Lakeshore Records in 2020. Recorded and performed by Kid Moxie at her studio in Downtown L.A. Produced by Kid Moxie and Serafim Tsotsonis Mixed by Serafim Tsotsonis Mastered by Ekelon

The Nest is a 2020 thriller film written, directed, and produced by Sean Durkin. It tells the story of a family plunged into uncertainty upon relocation from America to England, as the tense isolation of their new home affects them differently. Its soundtrack was arranged by Richard Reed Parry, a Canadian multi-instrumentalist, composer, producer, best known as a core member of the Grammy Award-winning indie rock band Arcade Fire, where he plays a wide variety of instruments. The Nest is available as a limited edition of 500 individually numbered copies on crystal clear vinyl. The package includes an insert with pictures from the movie.

The telephone rings at midnight. The sound echoes through the halls of your home in the Hollywood hills. Nervously you pick up the heavy receiver only to hear the desperate breathing of a lunatic… The same lunatic that has been calling for months. Welcome to ‘Deranged Fan’ the score to an imagined American thriller by Tom Guycot. Laying somewhere between the Italian and French legends and Harold Faltermeyer, Deranged Fan is Beverly Hills Cop on mescaline and chloroform. Vintage strings sing over analog bass on a journey to the darkest places of your mind… Can you escape your fate as one of the highest paid stars in Hollywood? Or will you end up just another tabloid fable.

still sealed. Cover has slight ring wear.

Cave Interactive CO., LTD., in collaboration with Limited Run Games and Brave Wave Productions, is proud to unveil the 19th entry in the Generation Series of video game soundtracks, DoDonPachi SaiDaiOuJou The Definitive Soundtrack for CD and vinyl. Originally released for Arcade (2012) and on Xbox 360 (2013) in Japan, DoDonPachi SaiDaiOuJou is the latest arcade release in the DoDonPachi series in the legendary hardcore bullet-hell shoot-’em-up franchise, long respected by dedicated players for its frantic action and rewarding gameplay. The soundtrack features 13 memorable songs by acclaimed Japanese game composer Manabu Namiki. Whether players are scrolling through a relatively simple section or fighting for survival as they’re assaulted by enemies on all sides, this gem of a soundtrack is seeing its first release outside of Japan for the first time on physical formats.

The release comes with a download code. Betbeder, asked Sebastien Tellier to compose the music of his new film, "Marie et les naufragés" (Translated: "Marie and The Castaways"). For this score, Tellier chose a retro-futuristic electronic path in the tradition of Giorgio Moroder's music in keeping with the with free and off-the-beaten path tone of this film starring Eric Cantona. With the help of friend and fellow musician John Kirby, Sebastien has diffused film‘s languid themes with tributes to Marvin Gaye or to Ennio Morricone.

Since its creation in 2007, Hifiklub has led more than 150 collaborations which have allowed the Toulon trio to open its music to multiple artistic experiences revealing a constant desire for research and novelty. From unprecedented encounters to unique projects, Hifiklub has developed over the years a now substantial discography whose musical proposals range from pop to jazz through the most experimental sounds and even traditional music. One path, however, remained unexplored: contemporary music."Last Party On Earth" is organized around the association of three energies: contemporary composer Jean-Michel Bossini, singer Duke Garwood and the instrumental ensemble Hifiklub. Surrounded by mysticism and darkness, the creation has cinematographic dimensions. It positions the listener in a depth and disposition of soul where the voice - and the poetry - of Duke Garwood is carried by Hifiklub and Jean-Michel Bossini around cold and tormented atmospheres. The album seduces by the detail of its sounds, its apparent tranquility and its intimate atmospheres thwarted by harsh flashes. Mixed by Alain Johannes (Queens of the Stone Age, Them Crooked Vultures, Eleven), the album sees the exceptional participation of the string trio Anpapié (Alice Piérot, Fanny Paccoud and Elena Andreyev) who magnificently perform the score by Jean-Michel Bossini. All songs performed by Hifiklub, Duke Garwood and trio Anpapié (conducted by Jean-Michel Bossini)

The original Soundtrack to Greek-German director Nikias Chrssos’ new feature, ‘A Pure Place’, scored by John Gürtler (Eigenlicht, Counter019), with his studio partner Jan Miserre, and featuring a track by chameleonic British artist Shackleton. Full Info: The script for A Pure Place had a dizzying effect on John Gürtler & Jan Miserre; their minds reeling with the possibilities. From Persian sheep bells, Chinese sheng, prepared trombone, quarter-tone piano, a beaten-up cembalo, hand percussion, and a room full of synthesizers, embryonic compositions and experiments came to life early on in the project. An electro-acoustic extravaganza, the soundtrack for A Pure Place takes a deep bow towards the many magnificent composers and scores from the late 60s and 70s where orchestral arrangements met with tape loops, psychedelia, and instruments from across the globe. Listening to that era of film music, anything seems possible. The minimalist tones of ‘Ritual Bells’ set the dial to weird in the opening sequence of the movie, whilst ‘The Island’ makes use of ambient vocals recorded through an oil drum, gently introducing one of the score’s main themes with a distant quarter-tone cembalo. Acclaimed British artist Shackleton’s eerie original version of ‘Fust’s Song’ (also included) was a tonal keystone for the entire soundtrack. Gürtler and Miserre translated his psychedelic electronic blueprint, layering acoustic instruments and bottom-heavy percussion in their ‘Paradox Paradise’ production style.

In the cinema, the composer must go to meet the filmmakers, enter their world, but without giving up his own. This is the difficulty or the paradox of music for the image. By collaborating with directors from a wide variety of backgrounds, I think I have indirectly discovered a lot about myself. It helped me to progress, to explore territories that were not naturally mine. Cinema is a laboratory where I have sought to construct original orchestral formulas combining Corsican polyphonies, musicians from jazz, variety, classical, or even rappers. Like the world today, a fragmented world where all cultures mingle. So said Bruno Coulais, one of the most innovative composers of contemporary cinema, during the tribute paid to him in 2011 at the Cinémathèque de Paris

In 1978, Bruno Coulais, a young composer of concert works, discovered in film music a new means of expression, a way of bringing the demands of his writing to the masses. François Reichenbach, then Josée Dayan, Jacques Davila, Souleymane Cissé or Laurent Heynemann, first on television and then in the cinema, lead him of his own accord in the discovery of this new world.

In 1995, he composed the music for Microcosmos. This centimeter-scale initiatory journey offers him the opportunity to reveal the full dimension of his writing. He injects into his score a strange lyricism, between wonder and fantasy, confirming the lesson learned from François Reichenbach: "to any documentary image, music brings a part of fiction".

The success of Microcosmos established the musician and made him the indispensable composer of other natural tales, notably alongside Jacques Perrin (Le Peuple migrateur, Oceans, Les Saisons, etc.). Other long-term relationships will be forged, in particular with Benoît Jacquot, with whom he has worked for more than a decade, not to mention Frédéric Schoendoerffer, James Huth or Jean-Paul Salomé.

In addition to great popular successes such as Les Choristes, Brice de Nice or Sur La Piste Du Marsipulami, it is hardly surprising that this insatiable curiosity has found in the animated cinema the most inspiring playgrounds, in particular through his collaboration with two exceptional designers, Henry Selick and Tomm Moore.

The first, American director of The Nightmare Before Christmas produced by Tim Burton, invites Bruno Coulais to sign in 2009 the magnificent score of Coraline (film nominated for the Oscars). 10 years later, he is about to find him for a new and beautiful Wendell & Wild adventure. For Irishman Tomm Moore, Bruno Coulais has already composed the music for two Oscar-nominated films, The Secret of Kells (2009) and Song Of the Sea (2014), and in 2020 he will sign the score for Wolfwalkers.

Whether it is about author's films or more mainstream films, Bruno Coulais maintains the same standards, always considering his art as a window open to the world. Much less wise than it seems, he reveals in it a gift of a modern alchemist and a very personal way of mixing the most diverse cultures in universal harmony at work.

Tracklist :

A WolfWalkers Theme Wolves Running with the Wolves (WolfWalkers Version) Mechanical Wolf or Girl I’m a WolfWalker Howls the Wolf (Moll’s Song - Wolf Run Free) Our Forest

B What Are You Doing Here? This Is Intolerable Please Mummy My Little Wolf Our Victory Follow Me Mébh’s Tune Robyn’s Tune

Four years on from the debut album “Cinematic Lies”, the second release from Sospetto founder Christian Rzechak under the Pan/scan alias is heading your way. Inspired by old-school synthesizer soundscapes of the Berlin or Düsseldorf school, but with an atmospheric modern feel added, Kosmonauter is a pure electronic science fiction soundtrack to guide your dreams. Reminders of composers such as Jóhann Jóhannsson, Cliff Martinez or Steve Moore are quite intentional. The fusion of retro-futurism and contemporary electro-ambient innovations takes you on an exhilarating aural trip into the darkest, furthest reaches of infinite space! Who is the Kosmonauter? What is his mission? Does he defend us against danger or is he a threat himself? The six tracks on the album tell a story, but where this journey goes is up to the listener. The track titles hint at the true meaning, but who can interpret them? The Kosmonauter will invade your head; and, maybe, you will lose your mind...The Kosmonauter: Redemption or Apocalypse?

Russian occultists Old Komm collaborate with the south Californian dons of austere electronics German Army, bringing to life the made up soundtrack to a film that never was. 'Disquiet' tells the story of a child born to a desolate, post-apocalyptic world, war torn and fractured by greed. As far as the music is concerned, organ tones and broken exoteric bumps coexist with dark ambient themes and cavernous beats.

The Score to the short film "Ellis" starring Robert De Niro, written by Eric Roth and directed by (Street) Artist JR.

Music for animation cyber-noir film "Battlefield" (based on same-titled book by Stephen King). Animated films soundtrack is one of the most substantial aspects of Bystryakov's career. He masterfully balances between being a composer and a sound designer. A cartoon thriller for Stephen King's original story was created at the Kyivnaukfilm studio in 1986. The work itself reached the Soviet reader in 1981 for the first time and was King's first publication in the Ussr, as well as "Battleground" was the first and only film adaptation. "Battlefield" is a work that belongs entirely to its time. This soundtrack is a semi-conscious journey through the night TV network: from Italian horror movies and detectives to the movie Blade Runner on the last working channel well past midnight. Actually, in such a sequence, the fabric of the work is revealed. The atmosphere in the style of Goblin (Untitled I), thus echoing the work of Enno Morricone (Title theme, Theme of the boss). In addition to melodic fragments, he boldly creates minimalist pieces that undoubtedly sound like an early acid house (Untitled II), because the sounds of Roland Tb-303 and Tr-606 are instantly recognisable. Bystryakov's approach did not involve the use of many tools or effects. He worked with one Roland Juno-106 synthesiser, using the full palette of its sound. His new tool is a counterpoint. This is how the final theme (End Theme) is constructed, where a piercing solo on a saxophone changes the atmosphere to nostalgia.

Purple Vinyl Edition

The 'Pipeline' O.S.T. is the result of a collaboration between L'Ironie Du Son, Guillaume Peitrequin and Fabio Poujouly. It's an experimental soundtrack featuring material fitting in between ethnic and organic sounds, and electronic atmospheres giving birth to a splendid world of textures, ambiences and noises that are predominant in the movie. Limited to 400 copies in silkscreen printed cover with insert.

Splattered Vinyl Edition.

Clear Vinyl.

Deluxe Limited Edition.
Green Vinyl.
Small sticker on cover.

Blue vinyl is close to NM. Limited edition.

Record Store Day 2021 Release. White vinyl. Cover close to NM.

Limited Edition.
White Vinyl.
Sealed copy, cover with a dented corner.

Orange vinyl with a couple of light scuffs. Cover with bumped corner