Search "Stevie Nicks" 1771 Items

Release: EU – Reissue

Genre: Reggae & Dancehall

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Another killer and rare Reggae reissue by French imprint Jamwax !!!

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Genre: Reggae & Dancehall

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Give Thanks / I Pray Thee (Satta)

Big Youth

7" (Negusa Negast)

Genre: Reggae & Dancehall

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Facts Of Life / Medicine Doctor

Big Youth

7" (Negusa Negast)

Genre: Reggae & Dancehall

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George Nooks / Joe Gibbs & Professionals

Tribal War / The Sniper

7" | UK (Joe Gibbs)

Release: UK

Genre: Reggae & Dancehall

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Albert Malawi

Mercy Of Jah / Version

7" (Negus Music)

8,99 €*

Genre: Reggae & Dancehall

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Enos Mcleod / Jah Musso

Problem / Prophecy

7" | JM (Stew Mack)

12,99 €*

Donovan Kingjay / Stevie P

Release: JM

Genre: Reggae & Dancehall

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hardest digital cuss cuss dub

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Send Another Marcus / Dub

12" (Stevie P)

7,69 €* 13,99 € -45%

Genre: Reggae & Dancehall

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Couldn't Stand The Weather

Stevie Ray Vaughan

2LP | EU (Music On Vinyl)

33,99 €*

Release: EU

Genre: Organic Grooves

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Genre: Pop

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Steve Buscemi's Dreamy Eyes & Melby

Split

LP (Ramalama)

8,24 €* 14,99 € -45%

Genre: Rock & Indie

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Princess Simeon Levi / Crucial Steve

Who Is Rastafari, Whose Dub / Arab Spring, Dub

12" (Righteous Works)

Genre: Reggae & Dancehall

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Big Youth / Big Youth & The Ark Angel

Cant Take Wah Happen On A West / Flood Victim

7" | JM (Negusa Negast)

8,99 €*

Release: JM

Genre: Reggae & Dancehall

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12" | EU | Original (forTunea)

Nick Hanzo

Last Day, Miracle!

11,99 €*

Michael Blicher / Dan Hemmer / Steve Gadd

Release: EU – Original

Genre: Electronic & Dance

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Nick Hanzo came in contact with turntableism 14 year ago, during a study semester in Madrid. Back in Vienna he had to get his own vinyl decks and started to practice, play and organize monthly soirees called do.phunk. Over the years Hanzo became an integral part of the Viennese electronic music scene, founding club nights like Schmusesalon or the audio visual collective Wiener Endorphine. He organized parties across the whole city, in venues like Grelle Forelle, Pratersauna, Sass or Celeste and showed his dj skillz on even more occasions. Besides numerous actions, he recently established the label Belly Dance Services with his buddy Yaman and they released the EP “Sirisins” as “Hanzo & Yaman”. After Nick’s summer debut on the fortunea 10 compilation with the track „Veni Vide“, he returns with his first solo ep called „Last Day, Miracle!“ ~ because where there is great love, there will always be miracles.

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Get That Motor Runnin'

LP (C-Nut)

Genre: Rock & Indie

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Genre: Rock & Indie

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Walter Smith Iii Matthew Stev

In Common (Yellow Vinyl)

LP (Whirlwind)

30,99 €*

Genre: Organic Grooves

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Genre: Rock & Indie

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Michael Powell / Roots Radics

Christmas Time / Version, Dub

12" (Hot Stuff)

16,99 €*

Genre: Reggae & Dancehall

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LP | BR | Reissue (Motown)

OST The Woman In Red

14,24 €* 14,99 € -5%

Release: BR – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Washington Square Serenade

Steve Earle

Genre: Rock & Indie

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Steve Earle & The Dukes

Low Highway

Genre: Rock & Indie

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Steve Earle & The Dukes

Guy

2LP (New West)

31,99 €*

Genre: Rock & Indie

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Steve Earle & The Dukes

Terraplane

Genre: Rock & Indie

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Genre: Rock & Indie

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Ill Never Get Out Of This World Alive

Steve Earle

Genre: Rock & Indie

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Tape | EU | Original (The Get Down)

Staf Beats & Dee

Raw Earth

10,79 €* 17,99 € -40%

Release: EU – Original

Genre: Hip Hop

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LP | US | Reissue (Capitol)

Children Of The Future

Release: US – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

High Smile Hifi Feat Tenna Star / High Smile Hifi Feat Ras Negus I

Right Now

7" | EU (Top Smile)

8,54 €* 8,99 € -5%

Release: EU

Genre: Reggae & Dancehall

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Crooked Boy Ep Record Store Day 2024 Black W/ White Marbles Vinyl Edition

Ringo Starr

LP | Reissue (Ume)

Release: Reissue

Genre: Rock & Indie

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Written and Produced by Songwriter’s Hall Of Famer Linda Perry, “Crooked Boy” features four brand-new tracks from Ringo Starr with his trademark vocals and legendary drumming. The EP also includes compelling guitar performances on every song from Nick Valensi of The Strokes. Available exclusively at participating Record Store Day retailers on black and white marble custom vinyl.

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3LP | US | Reissue (Motown)

Anthology

29,99 €*

2x12" | IT | Original (Nite Stuff)

Release: US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover with faint ring wear and punch hole.
Includes booklet.

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Jovonn

Stump It

12,99 €*

Release: IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Vinyl 2 ONLY (Side C/D). Writing on labels.

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2LP | EU | Reissue (Tamla)

Original Musiquarium I

44,99 €*

Release: EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Still in shrink, but opened, with hype sticker

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Jason Markk

Leather Care Kit

54,95 €*

7" | JM | Original (Slam)

Available Sizes: EU One Size

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The Jason Markk Leather Care Kit includes everything you need to clean, condition and protect your leather goods. Leather is a durable luxurious, material that requires regular care and maintenance. When properly cared for, your precious leather goods will serve you well for years to come.

It’s incredibly important to keep your leather clean because dirt can clog its pores causing it to dry out and crack. Regular cleaning and conditioning will significantly extend the lifespan of your leather goods, so you can enjoy them for years to come. Leather is a natural material that if cared for properly, will gracefully age and take on a life of its own. As time passes, the leather will soften and wear in, evolve a unique character through its inevitable share of nicks and scratches, and develop a beautiful patina that can only come with years of use and loving care. However, to achieve this desired state, leather needs to be regularly cleaned and conditioned. The Jason Markk Leather Care Kit provides the one-two punch needed!

The Jason Markk Leather Care Kit includes:

• Premium Leather Balm (Sponge Applicator included): Jason Markk's natural 100% USDA Certfied Biobased and biodegradable blend of beeswax and coconut oil will help keep your premium leather supple and protect it from the elements. Preserve waxed and oiled leathers with regular application every few months or as needed. The Premium Leather Balm is not suitable for suede or nubuck.
• Premium Brush: The Jason Markk Delicates Brush is excellent for cleaning delicate materials such as premium leather, suede, nubuck, cotton and knits. The soft bristles effectively clean without damaging the material.
• 4oz Premium Ready-To-Use Foam Cleaner: Jason Markk Premium Ready-To-Use Foam Cleaner is precisely pre-mixed with the perfect ratio of cleaning solution to water. This product is a gentle, foaming solution that effectively cleans and conditions. It's safe to use on all leathers. Jason Markk does not recommend cleaning unsealed, painted leather. Use extra care when cleaning dyed suede as the color is likely to bleed with any contact with water.
• Premium Microfiber Towel: Jason Markk's Premium Microfiber Towel is extremely absorbent, quick drying, lint free and non-abrasive, which makes it the perfect material for wiping off excess liquid.

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Platynum / George Nooks

Thug Life / Taylor Made

3,99 €*

Release: JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

Wildman Steve

Midnight Snack

LP | US | Original (Raw)

The Melodians / George Nooks

Release: US – Original

Genre: Comics

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Used Vinyl

Medium: VG, Cover: VG+

US original.

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Rivers Of Babylon / Let Me Be Your Lover

7" | DE (collectable series)

6,99 €*

Release: DE

Genre: Reggae & Dancehall

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Used Vinyl

Medium: G+, Cover: Generic

George Nooks / Horace Andy

I Do Love You / We Are In The Mood

7" | JM | Original (On Top)

3,99 €*

Release: JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: G+, Cover: Generic

Man Child Recorded Live At The Blue Heaven Studios Dec 2007

Marquise Knox

LP | US | Reissue (Apo Records)

Release: US – Reissue

Genre: Organic Grooves

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Reflections Clear Vinyl Edtion

Steve Lacy

LP | 1959 | EU | Reissue (Sowing)

The Straight Horn Of Steve Lacy

Release: 1959 / EU – Reissue

Genre: Organic Grooves

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All of soprano saxophonist Steve Lacy's early recordings are quite fascinating, for during 1957-1964, aspects of his style at times hinted at Dixieland, swing, Monk, and Cecil Taylor, sometimes at the same time. Here, Lacy teams up with pianist Mal Waldron, bassist Buell Neidlinger, and drummer Elvin Jones for seven Thelonious Monk compositions. The typical standbys (such as "Round Midnight," "Straight No Chaser," and "Blue Monk") are avoided in favor of more complex works such as "Four in One," "Bye-Ya," and "Skippy"; the sweet ballad "Ask Me Now" is a highpoint.

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Steve Lacy

LP | 1962 | US | Reissue (Candid)

30,99 €*

Release: 1962 / US – Reissue

Genre: Organic Grooves

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The “straight horn” referred to in the title of this superb album from 1961 is the soprano saxophone, and Lacy is recognized as one of the greatest to ever play the instrument, ranking alongside John Coltrane and Sidney Bechet. Because of the difficulty involved in mastering it’s pitch challenges, very few jazzmen concentrated on it. Lacy is widely considered the first “modern” musician to specialize on the instrument. Lacy had long and prolific career and a fascinating style trajectory. At sixteen he began playing Dixieland with the likes of Pee Wee Russell. In the mid 1950’s he played free jazz with Cecil Taylor, and appeared with his groundbreaking quartet at the 1957 New Port Jazz Festival. He made a notable appearance on the 1959 Gil Evens, Great Jazz Standards album. Along the way, Lacy became obsessed with the music of Thelonious Monk, working with him several times including the 1963 Big Band and Quartet in Concert album, and devoted much of this life’s work to the interpretation of Monk’s materiel

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LP | 1962 | Reissue (Gm & Publishing)

Tribute To Uncle Ray

Release: 1962 / Reissue

Genre: Pop

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The 12 Year Old Genius - Recorded Live

LP | 1963 | US | Original (Tamla)

18,99 €*

LP | 1965 | US | Reissue (Antarctica Starts Here)

Release: 1963 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Bottom spine is torn. Original inner sleeve.

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Jackson C. Frank

Release: 1965 / US – Reissue

Genre: Rock & Indie

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Jackson C. Frank’s eponymous album is the embodiment of folk legend. Issued in late 1965 on the UK Columbia label, it was for many years more famous for its producer (Paul Simon) and the musicians who would go on to cover its songs (Nick Drake, Bert Jansch, Sandy Denny) than for the hauntingly beautiful music contained inside.

Frank’s backstory certainly adds to the legacy: born in Buffalo, New York, he used the settlement from a childhood accident to sail to London where he quickly became a fixture of the bustling folk scene. Performing a mix of blues standards and originals, he met fellow ex-pat Paul Simon who would put up the money to record Frank’s only LP.

For such a sparsely recorded work, Jackson C. Frank covers a lot of ground. From the rugged, world-weary opener “Blues Run The Game” to the stunning melancholy of “Milk And Honey,” Frank’s nimble acoustic guitar and passionate howls are all that is needed to power such authentic songwriting. Captured in a single-day session, these ten tracks are stark, gritty and seemingly out-of-place with time. There may be no ‘60s folk record that is simultaneously as rare and influential as Jackson C. Frank’s self-titled debut.

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LP | 1966 | US | Original (Tamla)

Up-Tight

11,99 €*

LP | 1967 | EU | Reissue (Wah Wah)

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

seam split, Writing on cover.

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Wynder K. Frog

Sunshine Super Frog

20,99 €*

LP | 1967 | EU | Reissue (Life Goes On)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

SUNSHINE SUPER FROG
Recorded mostly in 1966 and issued in 1967, Wynder K Frog's first LP came out of sessions produced by Chris Blackwell, Jimmy Miller and Syd Dale. Weaver was assuming more and more the identity of Wynder K Frog and was backed by session musicians rather than by his live band. It consisted in organ led instrumental covers of songs from the Island catalogue, some built over rejected backing tracks for other artists of the label like Jimmy Cliff, Jackie Edwards and Owen Gray and some new recordings of hits like Spencer Davis Group's "Somebody Help Me", plus some covers of american R&B hits by the likes of Sam & Dave, Willie Mitchell or Wilson Pickett. The end result gave an idea of the Wynder K Frog sound, resulting in a top mix of dance club go-go sounds, perfect for any allnighter at the Tiles or any Swingin' London venue of the 1960s. First ever vinyl reissue. Limited edition to 500 copies only. Bonus tracks not on the original LP. Remastered sound. Insert with liner notes by Nick Rossi and photos. Beautifully housed in three back-flapped 1960s UK style picture sleeve

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Hal Blaine

Psychdelic Percussion

23,99 €*

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Psychedelic Percussion definitely sticks to his title. With the help from Paul Beaver of Beaver & Krause (famous keyboard wizard and sound engineer for the likes of Stevie Wonder), vibe master Emil Richards (check is two fantastic album on Impulse! with The Microtonal Blues Band featuring Joe Porcaro, father of the famed Toto brothers) and Gary Coleman (percussionist in the famous Wrecking Crew), Blaine goes wild in the studio with drums, gong, xylophone, organ, bongos, congas and timpani. Unusual textures and tones lead the way to 12 instrumental exotic numbers similar in a way to Raymond Scott most visionary experiments. This is pure madness, a record full of breaks and still unsurpassed in many ways. Blaine was an American drummer and session musician, estimated to be among the most recorded studio drummers in the history of the music industry, claiming over 35,000 sessions and 6,000 singles. His drumming is featured on 150 US top 10 hits, 40 of which went to number one, as well as many film and television soundtracks. He became one of the regular players in Phil Spector's de facto house band, which Blaine nicknamed "the Wrecking Crew". Some of the records Blaine played on include the Ronettes' single "Be My Baby" (1963), which contained a drum beat that became widely imitated, as well as works by popular artists such as Frank Sinatra, Elvis Presley, the Beach Boys, Simon & Garfunkel, the Carpenters, Neil Diamond and the Byrds.

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7" | 1967 | NL | Original (Tamla Motown)

I'm Wondering

Release: 1967 / NL – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

taped spine. Writing on cover.

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LP | 1967 | US | Original (Tamla)

I Was Made To Love Her

King Tut Black Friday Record Store Day 2024 Edition

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Tears in to pspine. Original US Hollywood pressing.

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Steve Martin

12" | 1968 | US | Reissue (Rhino/Warner)

42,99 €*

LP | 1968 | EU | Reissue (Lion / Groovie)

Release: 1968 / US – Reissue

Genre: Soundtracks

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Coming Soon 2024-11-29, 12:00 CET

RSD Exclusive, Limitation: 3000

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Yays & Nays

22,99 €*

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Limited to 500 copies. Monster rare USA private pressing from 1968, rated with 6 stars in the Hans Pokora 3001 Record Collector's Dreams book. The Yays & Nays were a groovy, hip group (says so on the original LP jacket!) comprised of three guys and three girls. Theirs is a truly unique sounding album, full of creative songwriting and vocal arrangements and a style that defies categorization. There's garage folk-rock-the opening track 'Gotta Keep Traveling' is really astounding!, tracks with vocals in a kind of 'Kicking Against the Pricks"-era Nick Cave-channelling-Tony-Joe-White-meets-Johnny Cash vein, a little country flair, and some cuts of an ''Incredible Strange Music'' type. Weird and wonderful, in it's own peculiar way. Reissued for the first time, in collaboration with band members, and with original artwork.

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LP | 1968 | US | Reissue (Capitol)

Children Of The Future

37,99 €*

Release: 1968 / US – Reissue

Genre: Rock & Indie

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LP | 1968 | US | Reissue (Capitol)

Sailor

37,99 €*

Release: 1968 / US – Reissue

Genre: Rock & Indie

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LP | 1968 | EU | Reissue (Bonfire)

Siren

21,99 €*

LP | 1968 | EU | Reissue (Wiseraven)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Siren was the debut album by Kevin Coyne with Siren, the band he founded with former Bonzo Dog Band bassist Dave Clague and pianist/guitarist Nick Cudworth. The album was originally issued on John Peel’s Dandelion label in 1969. An artist who would later inspire John Lydon, Sting, Ben Watt and Will Oldham and would collaborate with Robert Wyatt, Andy Summers, Dagmar Krause, Brendan Croker, Gary Lucas and The Mekons’ Jon Langford, Kevin Coyne deserves a royal place between the likes of Syd Barrett, Peter Hammill and Daevid Allen. Standing on the verge of british blues, folk and rawk’n’roll Siren could have been easily labeled as the british answer to Canned Heat, but there’s even more. ‘And I Wonder’ is clearly an anticipation of what would happen next, with the solo career of Coyne, more focused on acid folk songwriting. “Most of the album is good time rock-on-out-music a la the Flamin’ Groovies… one of those (albums) you keep coming back to when the night gets cold and the wine is almost out. I play it a lot, and that’s the nicest thing I can say about an album.” Ed Ward – Rolling Stone “Siren just came as a breath of fresh air really, in the same way that like a generation later The Ramones did. When you just thought ‘Thank God for that!’ You hadn’t realised how bored you’d become…” John Peel.

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Tim Hollier

Message To A Harlequin

LP | 1969 | EU (Endless Happiness)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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An acid-folk masterpiece finally revealed ! When two worlds collide here’s where the legacy of Tim Hollier begins, his first album was released on United Artists in 1968 and this long overdue re-issue is a definitive statement of the master genius. Guest on the opening night of a Beckenham folk club run by his friend David Bowie, Hollier recorded ‘Message To A Harlequin’ with the assistance of Donovan arranger John Cameron. Hollier was also a regular on London's folk club circuit for several years alongside the likes of Paul Simon, Al Stewart and Nick Drake. Here’s your chance to finally grab his visionary songwriting.

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Jimmy Ruffin

Ruff 'N Ready

19,99 €*

LP | 1969 | EU (Trading Places)

Release: 1969 / EU

Genre: Organic Grooves

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All killers and no fillers on this fabulous 1969 Motown masperpiece. It is a shame that Jimmy lived in the shadow of those other Motown singers such as Marvin Gaye and Stevie Wonder. It really is one of Motown's best albums!

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Jasper

Liberation

20,99 €*

Lightnin' (The Blues Of Lightnin' Hopkins) Clear Vinyl Edtion

Release: 1969 / EU

Genre: Rock & Indie

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Before joining Dick Cuthell in jazz fusion act Trifle, keyboardist Alan Fealdman and drummer Chico Greenwood formed Jasper with bassist Jon Taylor, guitarist Steve Radford and singer/harmonica player, Nick Payne. On sole LP Liberation, released by Spark in 1969, Jasper skirts psychedelia, proto-prog and blues rock, the unusual hybrid a fluid sound that’s difficult to place. Along with unusual arrangements of ‘Baby Please Don’t Go,’ ‘St Louis Blues’ and Donovan’s ‘Cuttin’ Out,’ there are baroque motifs of the title track, repeated at varying intervals. For fans of multidimensional prog and cutting edge blues-rock.

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Lightnin' Hopkins

LP | 1969 | EU (Destination Moon)

16,99 €*

It's So Hard To Tell Who's Going To Love You...

Release: 1969 / EU

Genre: Organic Grooves

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Texan country blues kingpin Lightnin’ Hopkins was rated one of the top 100 guitarists of all time by Billboard, and was a notable influence on Stevie Ray Vaughan, among others. Recordings for Aladdin and Gold Star cemented his reputation, and after performing at Carnegie Hall with Pete Seeger and Joan Baez, ‘Mojo Hand’ was a breakthrough hit. The superb 1961 LP Lightnin’ (The Blues of Lightnin’ Hopkins) benefits from the understated presence of King Curtis’ drummer, Belton Evans, and jazz bassist Leonard Gaskin, placing Hopkins’ guitar licks and raspy voice at centre stage, playfully relating heartbreak and woe.

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Karen Dalton

LP | 1969 | EU | Reissue (Elemental)

29,99 €*

Idiosyncratics And Swallows Wings Black Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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My favorite singer in the place was Karen Dalton. She had a voice like Billie Holiday's and played the guitar like Jimmy Reed"- Bob Dylan This essential folk/blues classic, originally released in 1969, was the debut album by Karen Dalton. Dalton was discovered by singer/songwriter Fred Neil, who introduced her to producer Nick Venet (the man who signed The Beach Boys and took The Beatles to America). She cut most of the tracks with one take, and all in one night. A perfectionist, Dalton was hard to convince to record, and producers Venet and Neil were only successful by tricking her into thinking the tape wasn't rolling. "Some find Karen Dalton's voice difficult to listen to", wrote Al/Music critic Richie Unterberger. "But Dalton's vocals aren't that hard to take, and they are expressive; like Buffy Sainte-Marie, it just does take some getting used to because of their unconventional timbre." On this album, Dalton covers a wide range of styles, from lim Hardin, Jelly Roll Morton, and Leadbelly to the traditional folk song "Ribbon Bow" and the Eddie Floyd/Booker T. Jones penned soul tune "I Love You More Than Words Can Say." She also sings a couple of Neil tunes. After years of drug abuse, Dalton died in 1993, aged 55. Although she didn't enjoy commercial success during her lifetime, her work has gained significant recognition since her death, and artists like Nick Cave, Devendra Banhart, and Joanna Newsom have noted her as an influence.

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Jeremy Harmer

LP | 1969 | EU | Reissue (Sommor)

Idiosyncratics And Swallows Wings Orange Vinyl Edtion

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Mega rare UK private album (99 copies originally pressed in 1969) by singer/songwriter Jeremy Harmer, featuring David Costa of psych-folk band Trees on guitar.

Melancholic, introspective psych-folk with chamber/ baroque feel. Guitar, flute, viola, bass, drums…

Jeremy Harmer started singing and playing at school and university, where his circle of friends included aspiring folk musicians like Nick Drake and pre-Trees David Costa. Jeremy has a long history as a singer/songwriter and performer, along with his work in the field of English language teaching.

“Idiosyncratics and Swallows’ Wings” was recorded one night in 1968 at the studios of Anglia Television, Norwich, while Jeremy was at the University of East Anglia. Along with Jeremy singing and playing guitar, the album features a mini-chamber ensemble of flute, viola, bass and drums with orchestral arrangements written by John Trevitt from the School of Fine Arts. Jeremy’s friend David Costa (prior to forming the psych-folk band Trees) played guitar on several tracks and co-wrote “Tuesday P.M.”

Only 99 copies were pressed at the time and all were sold to people at the University, making it impossible to find now.

*Original artwork in hard cardboard sleeve *First ever vinyl reissue *Insert with liner notes and photos *Download card

Riyl: Nick Drake, John Cale, Bert Jansch, Incredible String Band, Will Malone…

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Jeremy Harmer

LP | 1969 | EU | Reissue (Sommor)

23,24 €* 30,99 € -25%

LP | 1969 | US | Original (Raw)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Wildman Steve

My Man! Wild Man!

3,95 €*

Release: 1969 / US – Original

Genre: Comics

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Used Vinyl

Medium: VG, Cover: VG

Here Come The Girls / Back Street Lover Record Store Day 2021 Edition

Ernie K. Doe

7" | 1970 | EU | Reissue (Janus)

11,39 €* 11,99 € -5%

LP | 1970 | Reissue (Be With)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Record Store Day 2021 Release. Most people will remember the Boots advert from 2007 which used Ernie K. Doe's infectious funky 'Here Come The Girls' and caused a surge of new interest in this killer 1970 New Orleans vintage groover. The Sugababes then nicked it and managed a Top 3 hit. However, accept no substiture for the original! An essential Allen Toussaint song and production which should be in everyone's 7Inch box as a staple. Instant flloor-filler anywhere and everywhere.

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Willie Hutch

Season For Love

Come To My Garden Clear Vinyl Edtion

Release: 1970 / Reissue

Genre: Organic Grooves

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A monumental force firmly rooted in the soul canon, Willie Hutch is most notable for recording two of the best Blaxploitation soundtracks, The Mack and Foxy Brown. Yet his legacy is much greater. Outside of Marvin Gaye, Stevie Wonder and Smokey Robinson, Hutch was arguably Motown's top male solo artist of the 70s. Prior to his association with Gordy et al, Hutch crafted his opening statements for RCA, two vital LPs that Be With Records is honoured to present today. Often-overlooked, his second album Season For Love (1970) is a must for all deep soul fans and has been sought-after by collectors of different stripes for decades. Whereas his debut featured thundering, gritty numbers, Hutch treats us to a mellower soul here - sumptuous, warm and string-led. He compared his approach to that of Otis Redding and there are definite parallels; from the raspy, rough-hewn vocals that tend to roam between sweet and deeply impassioned to the horn-heavy, emphatic sonic backdrops.

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Minnie Riperton

LP | 1970 | EU | Reissue (Soulgramma)

Steve Marcus, Miroslav Vitous, Sonny Sharrock & Daniel Humair

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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What a beauty here. A proper re-issue of Minnie Riperton debut album on GRT, originally puvlished in 1970. Her name came to prominence with the highly influential Chicago band Rotary Connection, forerunners of the rock & soul crossover. In addition to their own recordings, including their 1967 debut album Rotary Connection, the band is notable as the backing band for Muddy Waters on his 1968 psychedelic blues album Electric Mud. Standing on her own, Minnie cut a series of sublime albums moving in a more soulful way. Opening track ‘Les Fleur’ is a shiny cover of Ramsey Lewis – who is musical assistant and contributor here – classic number penned in 1968, literally a cornerstone for contemporary hip-hop and r&b being sampled by the likes of Jurassic 5 feat. Nelly Furtado, Damu the Fudgemunk, Dr. Octagon and Cut Chemist among others. Produced by Charles Stepney (already in with Rotary Connection and subsequently behind the desk with Earth Wind & Fire), the album benefits from is lushy orchestral arrangements, pushing the vocal duties of Minnie even forward (her five-octave vocal range, enabled her to sing in ‘whistle register’ nevertheless). The jazzy soft-pop feel overall will mark comparison with Stevie Wonder, Riperton’s future employer/mentor.

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Green Line

LP | 1970 | EU (Endless Happiness)

19,99 €*

Release: 1970 / EU

Genre: Organic Grooves

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LP | 1970 | US | Original (Raw)

Wildman Steve

Wild! Wild! Wild! Wild!

6,99 €*

Release: 1970 / US – Original

Genre: Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

LP | 1970 | EU | Reissue (Wiseraven)

Warhorse

LP | 1971 | EU | Reissue (Ascensionale)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Formed in early 1970 by Deep Purple bassist Nick Simper, Warhorse began as a backing band for singer Marsha Hunt. The group initially also featured Rick Wakeman, but he departed the band in April 1970 to join Strawbs. The band’s self-titled debut album was released on Vertigo in November 1970 and is a fine example of progressive hard rock of the era. With a heavy Hammond organ touch the group was in fact leading a new way of thinking, fusing neoclassical elements with heavy blues. Compared to label mates Black Sabbath, Warhorse were in the end much closer to Atomic Rooster and Quatermass. A truly welcomed re-issue in gatefold vinyl !

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Steve Kuhn

39,99 €*

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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It’s among the hardest of Kuhn’s albums to find so this reissue is most welcome. Luxuriate in the glow of Kuhn’s Fender Rhodes and the pliant funky bass of Ron Carter; immerse yourself in the percussive interplay of Moreira and Cobham, a pairing that has rarely sounded so good. This is such an exquisite album; you will lose yourself in its delicate power and find yourself coming back to it again and again.

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LP | 1971 | US | Reissue (Capitol)

Rock Love

37,99 €*

Release: 1971 / US – Reissue

Genre: Rock & Indie

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CD | 1971 | US | Reissue (Now-Again Reserve Series)

Mark Fry

Dreaming With Alice

19,99 €*

Tia Blake & Her Folk Group

Release: 1971 / US – Reissue

Genre: Rock & Indie

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The definitive reissue of one of rock’s rarest and most sought-after albums – “acid-folk” – equal parts pastoral folk and contemplative psychedelic. The first time since 1971 that this album has been run from the original master tapes, recently discovered in Italy. Mark Fry was 19 – recently graduated from high school and in Italy studying painting – when he walked barefooted into RCA’s Italian subsidiary, played some songs he’d written on his guitar and was signed to record the album that would become legend. The first recordings he made proved stuff, so he was paired with members of the Scottish band Middle of the Road, who were in Rome while under contract to RCA Italiana. Convening in a basement home studio with two 4-track reel-to-reel recorders, Mark’s visions coalesced in a dreamy, airy manner – “Nick Drake meets Dr. Strangely Strange with a touch of Lewis Carroll” The Word Magazine would later write. Pressed in small amounts for Vincenzo Micocci’s RCA sub-label It, Alice remained an out of reach masterpiece for many but its creator, who returned to England in 1971 and subsequently traveled the world, playing music, sometimes recording and painting. By the time of its rediscovery, its master tapes were assumed lost. The pristine source material reveals nuances not heard on anything but original It pressings and pairs Alice with previously-unreleased recordings from the mid-70s.

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Folksongs & Ballads

LP | 1971 | EU | Reissue (Ici Bientot)

LP | 1971 | EU | Reissue (Bonfire)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Folksongs and Ballads by Tia Blake & Her Folk-Group, is more than just a “lost classic”. As clear and honest as can be, Folksongs and Ballads is a magnetic record, a refuge like only Nick Drake, Nico, and a few others have been able to create. A graceful, delicately minimalist approach to classic Appalachian and British folk songs.The perfect balance between melancholy and daydream. Originally released only in France in 1971, Ici Bientôt is very pleased to present the first ever reissue on vinyl. When she recorded her only album, Tia Blake was nineteen years old and had just arrived in Paris a year and a half beforehand. She spent most of her time at Disco’Thé, a record shop in the Latin Quarter, a free space, peaceful and inspiring, a hub for students as well as the local artistic community. There, Tia would occasionally sing—when she managed to overcome her shyness. Two young guitarists who were passionate fans of folk music and regulars at the shop began to accompany her, forming “Her Folk Group.” One year later, they cut 11 tracks at Pierre Barouh’s Studios Saravah. Folksongs and Ballads is composed of traditional tunes that have been covered many times, but they’re not the best known folk standards. A collection of stories ranging from the Middle Ages to the 1960s, bringing together sublimely doleful ballads, lamentations for a lost lover, and an unexpected, brilliant version of the road anthem “Plastic Jesus.” Tia Blake's haunting, unaffected voice captivates and comforts us, wrapping us in its cool embrace. Meanwhile, the tasteful, stripped-down, mellow acoustic arrangements provided by the guitarists, reminiscent of Bert Jansch and John Renbourn, occasionally supported by a kena flute, have created the space Tia Blake needed to reinvent these traditional songs. Folksongs and Ballads is a timeless record, deep and unique, a longtime companion for repeated listening, in the vein of works by Sibylle Baier, Bridget St. John and Vashti Bunyan.

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Miller Anderson

Bright City

Som, Sangue e Raca Blue Vinyl Edtion

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Miller Anderson is a guitarist and vocalist, born on April 12, 1945, in Houston, Renfrewshire, Scotland. Since cutting his musical teeth in bands with Ian Hunter (pre-Mott the Hoople) and Bill Bruford (pre-King Crimson and Yes), Anderson has been a member of such bands as the Keef Hartley Band, Savoy Brown, T. Rex, Mountain, the Spencer Davis Group, and in groups led by Deep Purple's Jon Lord and folk-rock balladeer Donovan. His 1971 debut Bright City was released on the legendary Deram, sub-label of Decca that released new records from 1966 onwards for the likes of Moody Blues, Caravan, Camel and several british jazz-rock legends. The album is a brilliant example of modern folk with lush strings arrangements thanks to guitarist and producer William ‘Junior’ Campbell, leader of the Scottish pop-rock group The Marmalade. A brilliant songwriting alongside a pastoral feeling, gentle melodies and a solid background with several amazing players literally bridging the gap between contemporary pop and blues. Harold Beckett (John Surman, Graham Collier) on flugelhorn and Lyn Dobson (The Keef Hartley Band, The People Band, Third Ear Band) on flute were literally stalwarts of the british jazz-rock and experimental scene, their contributions is behind greatness. Same with keyboard player Mick Weaver another Keef Hartley alumni. The album - faithfully remastered - offers a vision of urban Scotland with a bluesy feel and it has to be ranked alongside the work of such luminaries as Donovan or Nick Drake

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Dom Salvador e Abolicao

LP | 1971 | EU | Reissue (Mad About)

29,99 €*

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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This isn’t just a seminal album. It is an estuary. All the black rivers that would form Brazilian funk/hip-hop flow through it. Led by Paulista pianist Salvador Silva Filho – Dom Salvador – “Som, Sangue, e Raça” from 1971, one year after the explosion of Tim Maia on the scene, catalyzed the bossa nova and jazz background of its leader with the rhythm and blues of its members like saxophonist Oberdã Magalhães, nephew of samba-enredo master Silas de Oliveira and future leader of Banda Black Rio, who since the group Impacto 8 (which had, among others, Robertinho Silva on drums and Raul de Souza on trombone) had already been trying to reconcile MPB with Stevie Wonder and James Brown.

Add to all this a mixture of samba, Nordestino accent, and even the black side of the Jovem Guarda represented by the authorial presence of Getúlio Cortes (older brother of Gerson King Combo, our James Brown “cover”) in ‘Hei! Você’. Alongside these elements and the presence of Rubão Sabino (bass), who still called himself ‘Rubens’, drummer Luis Carlos (another member of Black Rio), the record enlists the trumpet and flugelhorn of symphonic musician Darcy in place of the original Barrosinho (yet one more founder of Black Rio), who was traveling during the recording but would end up being a leading force of the band.

The album ‘Som, Sangue e raça’ paves the way for future generations of musicians and producers of the Carioca scene at the beginning of the 1970s. The lyrics that dealt with the question of race and the explosive fusion of samba, soul, jazz, and funk, elaborated by Dom Salvador and his troupe, Abolição, established the bases for the development of new sounds and tendencies in Brazilian music.

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LP | 1972 | EU | Reissue (Vinyl Lovers)

Talking book

27,54 €* 28,99 € -5%

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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180g remastered reissue

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LP | 1972 | US | Reissue (Motown)

20,99 €*

Release: 1972 / US – Reissue

Genre: Organic Grooves

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In My Own Time 50th Anniversary Edition 8-Track Cartridge Edition / 8-Spur-Kassette

Karen Dalton

8Track | 1972 | US | Reissue (Light In The Attic)

51,99 €*

In My Own Time 50th Anniversary Edition

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Karen Dalton’s 1971 album, In My Own Time, stands as a true masterpiece by one of music’s most mysterious, enigmatic, and enduringly influential artists. Celebrating the album’s 50th anniversary, Light in the Attic is honored to present a newly remastered (2021) edition of the album on LP, CD, cassette, and 8-Track.

All audio has been newly remastered by Dave Cooley, while lacquers were cut by Phil Rodriguez at Elysian Masters.

The Oklahoma-raised Karen Dalton (1937-1993) brought a range of influences to her work. As Lenny Kaye writes in the liner notes, one can hear “the jazz of Ella Fitzgerald and Billie Holiday, the immersion of Nina Simone, the Appalachian keen of Jean Ritchie, [and] the R&B and country that had to seep in as she made her way to New York."

Armed with a long-necked banjo and a 12-stringed guitar, Dalton set herself apart from her peers with her distinctive, world-weary vocals. In the early ‘60s, she became a fixture in the Greenwich Village folk scene, interpreting traditional material, blues standards, and the songs of her contemporaries, including Tim Hardin, Fred Neil, and Richard Tucker, whom she later married. Bob Dylan, meanwhile, was instantly taken with her artistry. “My favorite singer in the place was Karen Dalton,” he recalled in Chronicles: Volume One (Simon & Schuster, 2004). “Karen had a voice like Billie Holiday and played the guitar like Jimmy Reed.”

Those who knew Dalton understood that she was not interested in bowing to the whims of the record industry. On stage, she rarely interacted with audience members. In the studio, she was equally as uncomfortable with the recording process. Her 1969 debut, It’s So Hard to Tell Who’s Going To Love You The Best, reissued by Light in the Attic in 2009, was captured on the sly when Dalton assumed that she was rehearsing songs. When Woodstock co-promoter Michael Lang approached Dalton about recording a follow-up for his new imprint, Just Sunshine, she was dubious, to say the least. The album would have to be made on her own terms, in her own time. That turned out to be a six-month period at Bearsville Studios in Woodstock, NY.

Producing the album was bassist Harvey Brooks, who played alongside Dalton on It’s So Hard to Tell Who’s Going To Love You The Best. Brooks, who prided himself on being “simple, solid and supportive,” understood Dalton’s process, but was also willing to offer gentle encouragement, and challenge the artist to push her creative bounds. “I tried to present her with a flexible situation,” he told Kaye. “I left the decisions to her, to determine the tempo, feel. She was very quiet, and I brought all of it to her; if she needed more, I’d present options. Everyone was sensitive to her. She was the leader.”

Dalton, who rarely performed her own compositions, selected a range of material to interpret—from traditionals like “Katie Cruel” and “Same Old Man” to Paul Butterfield’s “In My Own Dream” and Richard Tucker’s “Are You Leaving For The Country.” She also expanded upon her typical repertoire, peppering in such R&B hits as “When a Man Loves a Woman” and “How Sweet It Is.” In a departure from her previous LP, Dalton’s new recording offered fuller, more pop-forward arrangements, featuring a slew of talented studio musicians.

While ‘70s audiences may not have been ready for Dalton’s music, a new generation was about to discover her work. In the decades following her death, a slew of artists would name Karen Dalton as an influence, including Lucinda Williams, Joanna Newsom, Nick Cave, Angel Olsen, Devendra Banhart, Sharon Van Etten, Courtney Barnett, and Adele. In the recent acclaimed film documentary Karen Dalton: In My Own Time, Cave muses on Dalton’s unique appeal: “There’s a sort of demand made upon the listener,” he explains. “Whether you like it or not, you have to enter her world. And it’s a despairing world.” Peter Walker, who also appears in the film, elaborates on this idea: “If she can feel a certain way in her music and play it in such a way that you feel that way, then that’s really the most magical thing [one] can do.” He adds, “She had a deep and profound and loving soul…you can hear it in her music.”

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Karen Dalton

Tape | 1972 | US | Reissue (Light In The Attic)

12,99 €*

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Karen Dalton’s 1971 album, In My Own Time, stands as a true masterpiece by one of music’s most mysterious, enigmatic, and enduringly influential artists. Celebrating the album’s 50th anniversary, Light in the Attic is honored to present a newly remastered (2021) edition of the album on LP, CD, cassette, and 8-Track.

Both the CD and cassette editions feature 9 bonus tracks, including 3 alternate takes from the In My Own Time album sessions, along with 6 previously unreleased tracks captured during Karen’s 1971 European tour, including live at The Montreux Golden Rose Pop Festival and Germany’s Beat Club.

All audio has been newly remastered by Dave Cooley, while lacquers were cut by Phil Rodriguez at Elysian Masters.

The Oklahoma-raised Karen Dalton (1937-1993) brought a range of influences to her work. As Lenny Kaye writes in the liner notes, one can hear “the jazz of Ella Fitzgerald and Billie Holiday, the immersion of Nina Simone, the Appalachian keen of Jean Ritchie, [and] the R&B and country that had to seep in as she made her way to New York."

Armed with a long-necked banjo and a 12-stringed guitar, Dalton set herself apart from her peers with her distinctive, world-weary vocals. In the early ‘60s, she became a fixture in the Greenwich Village folk scene, interpreting traditional material, blues standards, and the songs of her contemporaries, including Tim Hardin, Fred Neil, and Richard Tucker, whom she later married. Bob Dylan, meanwhile, was instantly taken with her artistry. “My favorite singer in the place was Karen Dalton,” he recalled in Chronicles: Volume One (Simon & Schuster, 2004). “Karen had a voice like Billie Holiday and played the guitar like Jimmy Reed.”

Those who knew Dalton understood that she was not interested in bowing to the whims of the record industry. On stage, she rarely interacted with audience members. In the studio, she was equally as uncomfortable with the recording process. Her 1969 debut, It’s So Hard to Tell Who’s Going To Love You The Best, reissued by Light in the Attic in 2009, was captured on the sly when Dalton assumed that she was rehearsing songs. When Woodstock co-promoter Michael Lang approached Dalton about recording a follow-up for his new imprint, Just Sunshine, she was dubious, to say the least. The album would have to be made on her own terms, in her own time. That turned out to be a six-month period at Bearsville Studios in Woodstock, NY.

Producing the album was bassist Harvey Brooks, who played alongside Dalton on It’s So Hard to Tell Who’s Going To Love You The Best. Brooks, who prided himself on being “simple, solid and supportive,” understood Dalton’s process, but was also willing to offer gentle encouragement, and challenge the artist to push her creative bounds. “I tried to present her with a flexible situation,” he told Kaye. “I left the decisions to her, to determine the tempo, feel. She was very quiet, and I brought all of it to her; if she needed more, I’d present options. Everyone was sensitive to her. She was the leader.”

Dalton, who rarely performed her own compositions, selected a range of material to interpret—from traditionals like “Katie Cruel” and “Same Old Man” to Paul Butterfield’s “In My Own Dream” and Richard Tucker’s “Are You Leaving For The Country.” She also expanded upon her typical repertoire, peppering in such R&B hits as “When a Man Loves a Woman” and “How Sweet It Is.” In a departure from her previous LP, Dalton’s new recording offered fuller, more pop-forward arrangements, featuring a slew of talented studio musicians.

While ‘70s audiences may not have been ready for Dalton’s music, a new generation was about to discover her work. In the decades following her death, a slew of artists would name Karen Dalton as an influence, including Lucinda Williams, Joanna Newsom, Nick Cave, Angel Olsen, Devendra Banhart, Sharon Van Etten, Courtney Barnett, and Adele. In the recent acclaimed film documentary Karen Dalton: In My Own Time, Cave muses on Dalton’s unique appeal: “There’s a sort of demand made upon the listener,” he explains. “Whether you like it or not, you have to enter her world. And it’s a despairing world.” Peter Walker, who also appears in the film, elaborates on this idea: “If she can feel a certain way in her music and play it in such a way that you feel that way, then that’s really the most magical thing [one] can do.” He adds, “She had a deep and profound and loving soul…you can hear it in her music.”

1–10: Originally released as Just Sunshine – PAS 6008, 1971 11–13: Alternate Takes from album sessions, 1970/71 14–15: Recorded live at Beat Club, Germany, April 21, 1971 16–19: Recorded live at The Montreux Golden Rose Pop Festival, May 1, 1972

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LP | 1972 | EU | Reissue (Motown)

31,99 €*

2LP | 1972 | US | Reissue (United Artists)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Finally back in print on 180g vinyl.
Limited vinyl LP repressing featuring Braille inscriptions originally available only on the album's rare first pressing. This reissue is newly remastered from original analog. Talking Book is the fifteenth album by Stevie Wonder, originally released in 1972. "You Are the Sunshine of My Life", hit #1 on Billboard's Hot 100 and earned Stevie his first Grammy Award. The album's first single, "Superstition", also hit #1 on Billboard's Hot 100 and Hot Soul Singles charts. Sandwiched between the release of Music of My Mind and Innervisions, Talking Book saw Wonder enjoying more artistic freedom from Motown. Guest appearances include Jeff Beck, Ray Parker, Jr., David Sanborn, and Buzz Feiten. The sound of the album is sharply defined by Wonder's keyboard work, especially with the synthesizers he incorporated, giving a funky edge to tracks like "Maybe Your Baby". His use of the Hohner clavinet model C on "Superstition" is widely regarded as one of the definitive tracks featuring the instrument.

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Steve Winwood

Winwood

4,99 €*

Release: 1972 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: Generic

Terre Haute Pressing.
Ships in a brand new plain sleeve.

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LP | 1972 | US | Original (Tamla)

16,99 €*

Release: 1972 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: G+

US original

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LP | 1972 | CA | Original (Tamla Motown)

14,99 €*

Release: 1972 / CA – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Sleeve has small tears.

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LP | 1972 | US | Reissue (Tamla)

30,99 €*

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

1972 reissue.

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LP | 1972 | US | Original (Tamla)

Bulletproof Black Vinyl Edition

Release: 1972 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Original US Hollywood pressing.

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Hard Stuff

LP | 1972 | EU | Reissue (Sommor)

Bulletproof Colored Vinyl Edition

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Hard ‘n’ heavy first album by Hard Stuff, originally released in 1972 on Purple Records (the label set up by Deep Purple’s management team). Quintessential British hard-rock / proto-metal, featuring the outstanding guitar playing of John Cann (Andromeda, Atomic Rooster…) and the powerful rhythm section of John Gustafson (Quatermass…) and Paul Hammond (Atomic Rooster). This first Hard Stuff album included a lot of reworked / newly recorded material from the early line-up of Hard Stuff under the Bullet name, with vocalist Harry “Al” Shaw, who also appears here on five of the tracks. “Sadly, all members of Hard Stuff have left this mortal plane, but their vast body of work and these supremely rocking LPs are testament to their absolutely bulletproof greatness” -Plastic Crimewave

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Hard Stuff

LP | 1972 | EU | Reissue (Sommor)

31,99 €*

Changing Man / I'm Just Your Clown

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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The Power Of Attorney

7" | 1973 | US | Reissue (Nicetown / Brewerytown Beats)

11,99 €*

LP | 1973 | EU | Reissue (Wah Wah)

Release: 1973 / US – Reissue

Genre: Organic Grooves

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In the early 1970s, the funk / soul band Power Of Attorney was formed at the Pennsylvania State Correctional Institution at Graterford (30 miles northwest of Philadelphia). The story of their formation is just as powerful as the music that they left behind. In late 1972, the prison’s Activities Director Theodore “Ted” Wing broke ground on a new recording studio. As part of the rehabilitative arts and music initiative, the space was built to offer a creative outlet for incarcerated individuals to express their musical talents. In November of ‘72, an audition was held throughout the prison to form a band. It has been reported that over 1,600 men auditioned for a spot in the band. Wing ultimately settled on a lineup that consisted of William Smith (lead guitar), Charles McDowell (bass), Merion Wilson (tenor saxophone), Edward J.X. Smith (guitar), and Otis Graham (drums). With a lineup of gifted musicians and a fresh new recording studio to practice and lay down tracks in, the band Power Of Attorney was officially born. In January of 1973, Power of Attorney got the chance to record at Sigma Sound Studios, the legendary space that helped birth the Philadelphia International sound as well as classic albums like David Bowie's Young Americans. Taking the routines that they had rehearsed for a reported five hours each day, the band laid down the tracks — including the reflective “Changing Man,” an original composition by McDowell. “It tells the story of a man who made a mistake, and after a while in jail, he gets his head together, and realizes it’s time to straighten it out,” the 21-year-old serving life for murder told The Philadelphia Daily News upon the single’s release. The 7-inch single was released on the Nicetown label in 1973. Sold directly from the prison activities office, 500 copies were originally made. After more practicing and recording, one year later James Brown & Polydor Records offered The Power Of Attorney’s lone full-length, 1974’s From The Inside… Between 1973 and 1975 the band played 400+ concerts outside of the prison walls. Even opening for Stevie Wonder at Lincoln University and also making a live appearance on the Mike Douglas show. Forward to 2020 – While digging through the Sigma tape archives at Drexel University, Brewerytown Beats owner Max Ochester – known for deep-dive Philly reissues by The Thompsons and Sounds Of Liberation – noticed two tapes, with only “P.O.A.” scribbled on the spines. Upon further inspection, it was discovered that these 2-inch multi-reels contained six songs, four of them previously unreleased, all from 1973. The full original studio tapes for Power Of Attorney’s “Changing Man” sessions had been found, 47 years later. Expertly mixed and remastered from the original reels, Power Of Attorney’s Changing Man (out now on Brewerytown Records) is a document of the joy and pain of a handful of men trying to make the best of an impossible situation. The bittersweet love ballad “I’m Just your Clown” is featured on the flip. The reissued single is available now on Brewerytown Records on vinyl and streaming platforms. The label will follow this up with the vinyl and streaming release of all 6 songs found on that long-lost Sigma tape, on vinyl & CD in late 2020.

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Rupert Hine

Unfinished Picture

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Recorded in 1973 at the Church of Saint Mary Magdalene in Paddington, London, Unfinished Picture is Rupert Hine's second LP. The songs where all composed by Hine with lyrics by David McIver and Simon Jeffries. On its sessions, Hine was surrounded by a host of outstanding musicians that included Simon Jeffes (Penguin Cafe Orchestra), Mike Giles (Giles, Giles & Fripp / King Crimson), Mick Waller (Cyril Davis, The Steampacket, Jeff Beck Group), Ray Cooper (Eric Clapton, Elton John) among others.

Rupert Hine's recording adventures started with the release of a 7" 45 by the folk duo Rupert & David "The Sounds Of Silence". In 1971 he was approached by Purple Records for the release of his debut solo LP Pick Up A Bone, which despite its lack of commercial success featured a strong collection of critically acclaimed compositions that made Purple Records want him to record a second album - Unfinished Picture, on which Hine showed a fantastic evolution to a more conceptual, cinematic approach. Echoes of Ray Davies, Kevin Ayers or hints of Nick Drake taken to a more 'happy' territoire mix with beautiful strings by The Martyn Ford Orange Ensemble and even some ARP synth explorations to build a fantastic collection of sounds that take the listener on a trip through the worlds of folk, psych and prog.

Hine's career would soon take off as a famed producer, he did work with Kevin Ayers, Milla Jovovich, Jonesy, Steve Tilston, Anthony Phillips, Camel, Saga, Rush, Tina Turner, Howard Jones, Bob Geldof, Suzane Vega, and many others. The Wah Wah reissue offers the original artwork in its gatefold cover & insert and is limited to 500 copies only!

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LP | 1973 | EU | Reissue (Motown)

Innervisions

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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"All in Love is Fair" sampled by Jedi Mind Tricks for "War Ensemble"

- "Too High" sampled by Alkaholiks for "All Night"

- "Living for the City" sampled by Public Enemy for "Black Steel in the Hour of Chaos",
Sylvester for "Living for the City" and
Wu-Tang Clan for "The City"

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LP | 1973 | EU | Reissue (Universal)

The Joker

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Reality Gates Record Store Day 2023 Edition

Steve Birchall

LP | 1973 | EU | Reissue (Soave)

19,79 €* 32,99 € -40%

LP | 1973 | EU | Reissue (Lantern)

Release: 1973 / EU – Reissue

Genre: Electronic & Dance

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Soave Records dusts off in limited edition the psych/synth album by Doctor Steven T. Birchall recorded in 1973 in Indiana, U.S.A. with the following equipment: Vcs-3 (The Putney) by EMS, Ampex Mm-1000 16 trk, dbx noise reduction, SpectrasSonics Console, Studer A80 Recorder, Eventide Clockworks, Instant Phaser, Cooper Time Cube, EMT Reverb. The absolutely penetrating high tones of the opening track 'Music Of The Spheres' announce us that we are on board, passengers in the hands, or perhaps better to say in the mind, of Birchall who aims to go beyond those "normal" boundaries that we call reality. It is a new world of music that still amazes after half a century. A higher stage of truth projected into the cosmos.

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Tapper Zukie

Man Ah Warrior

Release: 1973 / EU – Reissue

Genre: Reggae & Dancehall

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Brand new reissue for the epic Tapper Zukie's first album, originally released in 1973. Supervised by the original producer Clement Bushay! Zukie never expected these cuts to turn into an album, and was quite startled to discover this record in the London shops when he came to town in the spring of 1975. After 50 years “Man Ah Warrior” is still a lively and unique collection. The bassline and trademark guitar sound from The Temptations’ “Papa Was a Rolling Stone” is instantly recognizable in the title track with the riddim featuring just drum, bass, and riffing guitar. “I King Zukie” is a big tune, an interplay between the soulful vocal of “I Dont Know Why I Love You” (originally done by Stevie Wonder) and Tapper Zukie’s toasting. All in all a series of remarkable tunes such as the wicked “Viego”, the hypnotic “Cally Dolly” and “Zukie Fashionwear” with a big trombone and at the beginning Willie Williams (although Delroy Wilson is mentioned in the song) singing lines from the Temptations song “Get Ready”.

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LP | 1973 | EU | Reissue (Capitol)

Joker

21,99 €*

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Reality Gates Record Store Day 2023 Edition

Steve Birchall

LP | 1973 | EU | Reissue (Soave)

21,99 €*

Bolex Dementia Black Vinyl Edition

Release: 1973 / EU – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Limited Edition. Record Store Day.

Record is close to NM.

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Hard Stuff

LP | 1973 | EU | Reissue (Sommor)