Search "Stevie Nicks" 1772 Items

LP | 1985 | JP | Original (Motown)

In Square Circle

Release: 1985 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 1985 | JP | Original (Motown)

In Square Circle

Living In The 20th Century Limited Edition

Release: 1985 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Japanese pressing, comes with Obi and inserts. Embossed cover.

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Steve Miller Band

LP | 1986 | EU | Reissue (Capitol)

25,99 €*

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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LP | 1986 | EU | Reissue (Real Gone)

Steve Young

Rock, Salt And Nails

35,99 €*

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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LP | 1986 | EU | Reissue (Red)

Steve Grossman

Love Is The Thing

45,99 €*

Release: 1986 / EU – Reissue

Genre: Organic Grooves

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LP | 1986 | US | Reissue (Armageddon)

Hirax

Hate, Fear And Power

34,99 €*

12" | 1986 | DE | Original (Stiff)

Release: 1986 / US – Reissue

Genre: Rock & Indie

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Hirax is back in print as it was meant to be. Hirax returned in 1986 to deliver us their second album Hate, Fear and Power. A faster, more intense, more relentless speed metal release than their debut. Raging Violence. Hirax, rejuvenated with the addition of the formidable Eric Brecht on drums, the speed and intensity was kicked up a notch across the board. Hirax's second full length drops 8 tracks of great thrash in under 20 minutes. Hate, Fear And Power starts of with furious short blast that touches on DRI or Repulsion territory, and it doesn't let up until the end of the final track. No time is wasted, this album is exactly what thrash should be: straight to the point and played to maximum intensity. Returning with tighter songwriting, relentless riffing. barbaric drumming, and KATON's vocal delivery standing strong, Only a minute or so longer than Slayer's Reign In Blood, this a Hirax condensed and dialed in to it's rawest, fastest form. True raging speed/thrash from beneath the streets of L.A. Original front cover art photographed and restored by Hillarie Jason. Audio has been freshly mastered and cut for vinyl by Nick Townsend. Pressed on colored vinyl and housed in heavy board jackets with printed inner sleeve

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Spectrum

All Or Nothing

12" | 1986 | UK | Original (Island)

Release: 1986 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Cover and vinyl are very close to NM.

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Steve Winwood

Freedom Overspill

Release: 1986 / UK – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1986 | EU | Reissue (Minotauro)

Mox Nix

28,99 €*

7" | 1986 | JP | Original (Island)

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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This obscure 80's Texan band managed one album on the French Axe Killer label in 1986. One of several American bands finding homes on French record labels at that time. They mixed a traditional 80's metal base with some accessible hard rock tendencies and the occasional interesting guitar flourish

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Steve Winwood

Freedom Overspill

Release: 1986 / JP – Original

Genre: Pop

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Used Vinyl

Medium: VG, Cover: VG

Feedback '86 Vinyl Edition Re-Issue 2024

Steve Hackett

LP | 1986 | EU | Reissue (Insideoutmusic Catalog)

23,99 €*

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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The Jammin' National Anthem

Steve Arrington

12" | 1986 | DE | Original (Atlantic)

Release: 1986 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Friends White Vinyl Edition

The Bolshoi

2LP | 1986 | UK | Reissue (Beggars Banquet)

27,99 €*

The Jammin' National Anthem

Release: 1986 / UK – Reissue

Genre: Rock & Indie

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The Bolshoi were different. Their songs were dark and subversive, sufficient evidence for many critics to corral them under the"Gothic" banner at the time of their debut album Friends - but they really only "flirted" with Goth. They oozed dark, pensive lyrics supported with inventive pop-goth guitar making them nearly impossible to categorize.The suburban surrealism of the lyrics was rooted in the stories of characters onthe fringes of society rather than brooding romantics, with an undercurrent ofboredom, inadequacy, and violence. Not the usual themes for pop success! Based in London, the band consisted of Trevor Tanner (lead vocals, guitar), Nick Chown (bass), Jan Kalicki (drums), and Paul Clark (keyboards). With powerfullive shows The Bolshoi built a substantial following before disbanding in 1988.

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Steve Arrington

LP | 1986 | US | Original (Atlantic)

Release: 1986 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1986 | JP | Reissue (Motown)

In Square Circle

17,99 €*

7" | 1987 | EU | Reissue (Collar / Top Ranking Sound)

Release: 1986 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing with OBI!

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Steve Becker

War

10,99 €*

Release: 1987 / EU – Reissue

Genre: Reggae & Dancehall

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Novaphonia Clear Vinyl Edition

Antonio L. Newton

LP | 1987 | US | Reissue (Tidal Waves Music)

31,34 €* 32,99 € -5%

Novaphonia Black Vinyl Edition

Release: 1987 / US – Reissue

Genre: Organic Grooves

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Limited to 200 copies.
Antonio L. Newton AKA Tony Newton (born 1948) is a multi-instrumentalist from Detroit, MI who began his professional career at the age of thirteen, playing bass guitar with blues legends like John Lee Hooker and T-Bone Walker. Discovered by Motown executive Hank Cosby while playing the Detroit blues circuit at the age of 18, he became the touring bassist with Smokey Robinson and the Miracles on the famed 1965 European ‘Motown Review’ tour. Within two years, Newton became the Miracles’ musical director.

Tony Newton also toured and recorded with other Motown artists such as The Supremes, Marvin Gaye, Stevie Wonder, The Jackson 5…and countless others. Earning the nickname “the Baby Funk Brother” he left his trademark of solid, hard-driving and deftly clever grooves on such timeless hits as “Where Did Our Love Go,” “Baby Love,” “Stop In The Name Of Love,” “Nowhere to Run,” “ABC,” “Never Can Say Goodbye,” “Don’t Leave Me This Way,” and many others. Next to his impressive body of work for Motown, Newton can be heard on several hit singles from labels like Invictus-Hotwax and Stax. Later, Newton gained recognition as a member of both the acclaimed jazz-rock fusion group: The New Tony Williams Lifetime (headed by Miles Davis’ drummer Tony Williams) and the British hard rock group: G-Force (with veteran guitarist Gary Moore).

Tony Newton also recorded several solo albums during his impressive career, including the two total classics: ‘Mysticism & Romance’ (1978) and ‘Novaphonia’ (1987).

On the album, we are presenting you today (Novaphonia from 1987) the listener is treated to something Unique (and this is not an overstatement). Newton really puts the ‘multi’ into multi-instrumentalist, playing the synthesizers, the electric bass and the drum machine. Experimental is the keyword here, sounds vary from psych/trance (almost like a soundtrack from a space movie), to funk, fusion, rock, R&B, soul and jazz. Novaphonia has both elements of Tony Newton’s impressive musical past and his vision for the future.

Spacious synths, unusual instruments and an all-around cosmic approach make this an ‘out of this world’ and Very intriguing album. Resonant, sonically rich, sonorous, colorful, mind-expanding sounds are what one should expect from the 20th century Novaphonic sound developed to its greatest extent. These harmonies are innately pleasing to the human ear, mind and nervous system.

Explore new musical frontiers intended to catapult the listener towards new dimensions…this is an album that just begs for a special place in your record collection!

Tidal Waves Music now proudly presents the first-ever vinyl reissue of ‘Novaphonia’ since its release in 1987. This rare & private pressed album (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited 180g vinyl edition (500 copies) complete with the original artwork.

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Antonio L. Newton

LP | 1987 | US | Reissue (Tidal Waves Music)

19,99 €*

LP | 1987 | US | Original (Red Pajamas)

Release: 1987 / US – Reissue

Genre: Organic Grooves

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Antonio L. Newton AKA Tony Newton (born 1948) is a multi-instrumentalist from Detroit, MI who began his professional career at the age of thirteen, playing bass guitar with blues legends like John Lee Hooker and T-Bone Walker. Discovered by Motown executive Hank Cosby while playing the Detroit blues circuit at the age of 18, he became the touring bassist with Smokey Robinson and the Miracles on the famed 1965 European ‘Motown Review’ tour. Within two years, Newton became the Miracles’ musical director.

Tony Newton also toured and recorded with other Motown artists such as The Supremes, Marvin Gaye, Stevie Wonder, The Jackson 5…and countless others. Earning the nickname “the Baby Funk Brother” he left his trademark of solid, hard-driving and deftly clever grooves on such timeless hits as “Where Did Our Love Go,” “Baby Love,” “Stop In The Name Of Love,” “Nowhere to Run,” “ABC,” “Never Can Say Goodbye,” “Don’t Leave Me This Way,” and many others. Next to his impressive body of work for Motown, Newton can be heard on several hit singles from labels like Invictus-Hotwax and Stax. Later, Newton gained recognition as a member of both the acclaimed jazz-rock fusion group: The New Tony Williams Lifetime (headed by Miles Davis’ drummer Tony Williams) and the British hard rock group: G-Force (with veteran guitarist Gary Moore).

Tony Newton also recorded several solo albums during his impressive career, including the two total classics: ‘Mysticism & Romance’ (1978) and ‘Novaphonia’ (1987).

On the album, we are presenting you today (Novaphonia from 1987) the listener is treated to something Unique (and this is not an overstatement). Newton really puts the ‘multi’ into multi-instrumentalist, playing the synthesizers, the electric bass and the drum machine. Experimental is the keyword here, sounds vary from psych/trance (almost like a soundtrack from a space movie), to funk, fusion, rock, R&B, soul and jazz. Novaphonia has both elements of Tony Newton’s impressive musical past and his vision for the future.

Spacious synths, unusual instruments and an all-around cosmic approach make this an ‘out of this world’ and Very intriguing album. Resonant, sonically rich, sonorous, colorful, mind-expanding sounds are what one should expect from the 20th century Novaphonic sound developed to its greatest extent. These harmonies are innately pleasing to the human ear, mind and nervous system.

Explore new musical frontiers intended to catapult the listener towards new dimensions…this is an album that just begs for a special place in your record collection!

Tidal Waves Music now proudly presents the first-ever vinyl reissue of ‘Novaphonia’ since its release in 1987. This rare & private pressed album (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited 180g vinyl edition (500 copies) complete with the original artwork.

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Steve Goodman

Unfinished Business

12" | 1987 | EU | Reissue (ZYX Music)

Release: 1987 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Cover with sticker. Vinyl with scuffs and hairlines

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Steve Barrow

Look Around Me

16,99 €*

Release: 1987 / EU – Reissue

Genre: Electronic & Dance

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Reissue of this italo disco rarity from 1987 with Flemming Dalum & Rey David Diaz remixes.

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Release: 1987 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

US original.

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Release: 1987 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Copy close to VG+

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LP | 1987 | DE | Original (Motown)

Release: 1987 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Release: 1987 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original gatefold, embossed.

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Release: 1987 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Golden promo stamp on front cover.

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Fingertips (Part 2) / Blowin' In The Wind

7" | 1988 | UK | Original (Tamla Motown)

Release: 1988 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Steal My Love / Livin' For The Weekend

Steve Watson

12" | 1988 | NL | Original (Red Bullet)

Release: 1988 / NL – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Spring Love (Come Back To Me)

12" | 1988 | EU | Original (BCM)

14,99 €*

Release: 1988 / EU – Original

Genre: Hip Hop, Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Mark Wonder / George Nooks

Love Jah / Have Some Mercy

7" | 1989 | Original (Compaq Music)

Release: 1989 / Original

Genre: Reggae & Dancehall

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Scenes From The Dreams Of Angels

Outskirts Of Infinity

LP | 1989 | EU (Trading Places)

20,99 €*

Bim Sherman & Sound Iration

Release: 1989 / EU

Genre: Rock & Indie

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After debut LP Lord Of The Dark Skies, London-based acid psych trio Outskirts Of Infinity released Scenes From The Dreams Of Angels on their own Infinity imprint. Heading deeper into space rock, the album had bassist Nick Saloman on keyboards in places and front man Bari Watts on synth, but his ripping is really spectacular throughout and there’s a nod to the Hendrix influence on a killer cover of ‘Spanish Castle Magic.’ Arguably their best album, it has style, grace, and hallucinogenic power, this edition reproducing the inner gatefold lyrics.

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Dream

7" | 1989 | EU | Reissue (Partial)

13,99 €*

2LP | 1989 | DK | Original (Nexø Forlag)

Release: 1989 / EU – Reissue

Genre: Reggae & Dancehall

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Vocals courtesy of the late great Jamaican singer Bim Sherman, whose unique haunting voice made him a firm favourite throughout the 70s/80s/90s with the roots reggae crowd as well as On-U Sounds taking Bim to other worldy realms. Originally released on Youth and Alex Patterson’s WAU! Mr Modo label in 1989 and produced by Sound Iration (Nick Manasseh and Scruff). Originally recorded as `It Must Be a Dream’ in the 70s, on this cut, Bim revisits the track in `89 with a meditative part-digital rhythm from Sound Iration backed with a phased-out dub version on the flipside.

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Savage Rose

Ild Og Frihed

Release: 1989 / DK – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM. With insert

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Girl I Am Searching For You

12" | 1989 | EU | Original (BCM)

Release: 1989 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1989 | Original (BCM)

In My Eyes

Release: 1989 / Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

12" | 1989 | EU | Original (BCM)

I Wanna Be The One

Release: 1989 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Stevie Ray Vaughan & Double Trouble

In Step

LP | 1989 | US | Original (Epic)

49,99 €*

Release: 1989 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1990 | EU | Reissue (Universal)

Steve Winwood

Refugees Of The Heart

7" | 1990 | UK | Original (Island)

Release: 1990 / EU – Reissue

Genre: Pop

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“Refugees of the Heart” is the sixth solo studio album by Steve Winwood, released in 1990. The album contained the hit single, "One and Only Man", which topped the Mainstream Rock Tracks chart and saw the return of former Traffic bandmate Jim Capaldi to Winwood's songwriting team. By coincidence, a Traffic reunion followed in 1994. Because of that collaboration, Winwood would not record another solo album until late 1997. Also "I Will Be Here" and "Another Deal Goes Down" were released as singles. Winwood stated about the closing track, “In The Light Of Day”: 'When Will and I wrote the song (..) it was our idea of what Nelson Mandela's dream was, while he was in prison. It was really just a fantasy of ours, but that’s what we based the song on.'

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Stevie Salas Colorcode

The Harder They Come

Release: 1990 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1990 | UK | Original (Island)

Stevie Salas Colorcode

The Harder They Come

Release: 1990 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

12" | 1990 | UK | Original (Mercury)

Adventures Of Stevie V.

Body Language

Release: 1990 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

The Orb's Adventures Beyond The Ultraworld

The Orb

2LP | 1991 | EU | Reissue (Island)

38,99 €*

LP | 1991 | EU | Reissue (Afrosynth)

Release: 1991 / EU – Reissue

Genre: Electronic & Dance

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“The Orb's Adventures Beyond the Ultraworld” is the debut studio album by English electronic music group The Orb. Released in 1991, the double album is a continuous progressive composition consisting of several tracks advancing the "journey" concept. The album's framework is of a two-hour psychedelic trip through music genres and studio electronics, produced to "push the threshold" of live stage performance, and comprising vocal samples and sound effects interspersed with original music.

The Orb are an English electronic music group known for being the pioneers of ambient house. Founded in 1988 by Alex Paterson and The KLF member Jimmy Cauty, the Orb began as ambient and dub DJs in London. Their early performances were inspired by ambient and electronic artists of the 1970s and 1980s, most notably Brian Eno and Kraftwerk. Because of their trippy sound, the Orb developed a cult following among clubbers "coming down" from drug-induced highs. The Orb has maintained their drug-related and science fiction themes despite personnel changes, including the departure of Cauty and other Orb members Kris Weston, Andy Falconer, Simon Phillips, Nick Burton and Andy Hughes. Paterson has been the only permanent member, continuing to work as the Orb with the Swiss-German producer Thomas Fehlmann and, later, with Martin "Youth" Glover, bass player with Killing Joke.

Beyond recognition on their albums and concerts; his unauthorised use of other artists' works has led to disputes with musicians, most notably with Rickie Lee Jones. During their live shows of the 1990s, the Orb performed using digital audio tape machines optimised for live mixing and sampling before switching to laptops and digital media. Despite changes in performance method, the Orb maintained their colourful light shows and psychedelic imagery in concert. These visually intense performances prompted critics to compare the group to Pink Floyd.

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Citi Express

Living For The City

23,99 €*

Feel So Real / Dancin' In The Key Of Life

Release: 1991 / EU – Reissue

Genre: Electronic & Dance

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Cover versions of international songs have long thrived in South Africa’s music industry. Often unable to license the original tracks (until the early 90s the result of an international boycott of the country) labels instead hired producers and session artists to re-record them for the local market. Early house music in SA was no different.

When Ron ‘Robot’ Friedman, former bass player for local rockers Rabbitt, was winding down his label On Records in the early 90s, he reached out for new inspiration as the popularity of ‘bubblegum’ disco waned. For one of the label’s final releases he hired young DJ/producer Quentin Foster, obsessed with the new soulful house sound coming out of the US, to take the reins on a studio project dubbed Citi Express.

On Robot’s insistence it included a cover of Stevie Wonder’s ‘Living for the City’ (from 1973’s Innervisions) as the title track. Foster set to work in his home studio, dubbed Tone Def, selecting and re-working other US and UK tracks — ‘It’s Too Late’ (originally released in 1989 by Kelli Sae), ‘Love is the Message’ (influenced by the 70s soul anthem and credited to Gamble & Huff but bearing a closer resemblance to Better Days’ 1990 release written by Steve Proctor), ‘People of The World’ (recorded by Sorell Johnson in the UK in 1990) and ‘Victim of Your Love’ (released in 1990 by Gary Vonqwest as ‘Victim of Love’) — adding some signature South African touches in the process that foreshadow the imminent rise of kwaito. One original composition was added for good measure, ‘Open Invitation’.

The result offers a glimpse into those early days of house, a uniquely South African take on a global sound that still resonates today — reissued for the first time on Afrosynth Records.

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Steve Arrington

12" | 1991 | UK | Original (Old Gold)

3,39 €* 3,99 € -15%

Release: 1991 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

12" | 1991 | EU | Reissue (Back To Life)

Z-Formation

Brutal EP

14,99 €*

Shut Up And Die Like An Aviator

Release: 1991 / EU – Reissue

Genre: Electronic & Dance

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Back To Life deliver the second reissue of a Z-Formation's EP originally released in 1991. Four old school deep house and techno tracks. Chords progressions, lfo bass kick, melodic lines and italo house style piano are the elements that peoples likes from this stunning release by Nick Holder and Nick Fiorucci.

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Steve Earle & The Dukes

2LP | 1991 | EU | Original (MCA)

24,99 €*

Release: 1991 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Kalrshamns Punks 1981-1984 Black Vinyl Edition

Nyx Negativ

LP | 1991 | EU | Reissue (F.O.A.D.)

26,99 €*

Release: 1991 / EU – Reissue

Genre: Rock & Indie

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12" | 1991 | UK | Original (RCA)

Think About.. (Remix)

Release: 1991 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1991 | EU | Reissue (Thank You)

4 C Soul

S-Mile

16,99 €*

Release: 1991 / EU – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Mint, Cover: Mint

Side house music project by multi-instrumentalist Craig Fall originally involved with acts like Stevie Wonder and the Beach Boys. Originally released in 1991, both tracks sound like one of the most familiar tracks you've never heard before. A timeless exercise in Balearic nostalgia with sample based accents and catchy keys over downtempo latin percussive beats, guaranteed to change your summer.

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12" | 1991 | IT | Original (Wicked & Wild Records)

I Like It

Release: 1991 / IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

12" | 1992 | EU | Reissue (Sound Migration)

Nux Nemo

I Feel It

16,99 €*

Radical Stuff & Lo Greco Bros

Release: 1992 / EU – Reissue

Genre: Electronic & Dance

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A few years past the Technotronic hitmachine times, Belgian producer Jo Bogaert explored other outlets for big room club force to brew. Although his Nux Nemo project was more New Beat focused, “I Feel It” steps away from its roots and into the Rave/Techno realms. A powerful addition to the DJ's dancefloor arsenal, the Fast Forward Mix checks all the boxes for guaranteed dancefloor menace at peak time hour. Comes with the original beat-less “No Beat Mix” version and now for the first time with two additional new remixes by Berlin's finest Juan Ramos and Trent.

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Jazzy Rap Night Live

LP | 1992 | IT | Original (Flying)

41,99 €*

Release: 1992 / IT – Original

Genre: Hip Hop, Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with a couple of scuffs and hairlines. Cover with light wear.

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12" | 1992 | IT | Original (Wicked & Wild Records)

Come On Boy

Release: 1992 / IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Wide River Limited Edition

Steve Miller Band

LP | 1993 | EU | Reissue (Capitol)

Release: 1993 / EU – Reissue

Genre: Rock & Indie

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CD | 1993 | AU | Original (MCA)

Steve Earle

Essential Steve Earle

12" | 1993 | EU | Original (WEA)

Release: 1993 / AU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

CD comes in a soft case, instead of the original crystal case. All booklets included.

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Adventures Of Stevie V.

Push 2 The Limit

Release: 1993 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 1993 | IT | Original (Wicked & Wild Records)

You (Don't You Stop)

Release: 1993 / IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Street Angel Transparent Red Vinyl Edition

Stevie Nicks

2LP | 1994 | EU | Reissue (Atlantic)

47,99 €*

12" | 1994 | DE | Original (WEA)

Release: 1994 / EU – Reissue

Genre: Pop

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30th Anniversary Edition of Stevie Nicks’ fifth studio album, pressed on transparent red vinyl. Originally released in 1994, the album peaked at #45 in the US, and #16 in the UK. The Gold-certified album features the singles “Blue Denim”, “Maybe Love Will Change Your Mind,” & “Street Angel” featuring David Crosby.

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Adventures Of Stevie V.

Paradise

Release: 1994 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1994 | IT | Original (Wicked & Wild Records)

My Body

Datura Featuring Steve Strange

Release: 1994 / IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Ships in a label sleeve.
Stamp on label.

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Fade To Grey (Molella Remix)

12" | 1994 | IT | Original (Trance)

Wenn Der Abend Kommt + Circulus

Release: 1994 / IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Cover with seam splits

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Holger Biege

2LP | 1994 | EU | Reissue (BuschFunk)

35,99 €*

Release: 1994 / EU – Reissue

Genre: Organic Grooves

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LP | 1994 | EU | Reissue (Gazebo / Urban Pacifika Records)

Fuemana

New Urban Polynesian

39,99 €*

LP | 1995 | US | Reissue (Sub Pop)

Release: 1994 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Thirty years after it was released on CD and cassette, Fuemana’s cult classic New Urban Polynesian album is finally available on vinyl. Born from the blood, sweat and tears of the late great Polynesian renaissance man Phil Fuemana and his family and friends, Fuemana’s music transports the listener back to the autumn and winter days of 1994 in the antipodes, where they turned love, loss, grief and acceptance into the finest R&B/street soul album ever recorded in Aotearoa New Zealand.

Fuemana spent several late nights tracking one-take sessions at The Lab Recording Studio with engineers Simon Taylor, Chris Sinclair and Mark Tierney. From there, New Urban Polynesian came together quickly. Across the album, Phil showed off his prodigious skills as a multi-instrumentalist and producer, playing most of the smooth, sophisticated, and heartfelt music himself. In the studio, he shared the lead with Christina and Matty J, supported by a cast of backing vocalists, musicians and guest vocalists, including a young Carly Binding.

From the lush openings of their soulful Roberta Flack, Donny Hathaway, and Stevie Wonder covers ‘Closer’ and ‘Rocket Love’ to the misty new jack swing serenade of his original ‘Seasons,’ Phil’s goal was to craft material that would let the music industry know the Fuemanas had arrived while also inspiring the next generation.

In 1995, the Fuemana family’s youngest sibling, Pauly, borrowed the initials from Ōtara Millionaires Club and began performing as OMC. Not long after, he changed everything for New Zealand music by recording the feelgood guitar-laced Polynesian pop global mega-hit ‘How Bizarre’ with producer Alan Jansson.

Consumed by a desire to do more musically, Phil established Urban Pacifika Records, where he launched the careers of a new wave of Pacific hip-hop and R&B talent, including Lost Tribe, Moizna, AKA Brown, and Sani Sagala, aka Dei Hamo.

In 2005, Phil tragically passed away from a heart attack aged 41. Five years later, Pauly, equally tragically, joined him after an extended battle with a rare neurological disorder, leaving Tony and Chirstina to grieve and make sense of their family’s extraordinary story.

When New Urban Polynesian first hit record store shelves in 1994, the Fuemanas dedicated the album to their father, Takiula Fuemana. Three decades later, it has expanded in meaning to become a remembrance of their youngest brother Pauly and a celebration of the life and times of their big-hearted big brother, Mr. Fuemana, Mr. Phil Fuemana.

Words by Martyn Pepperell in conversation with Tony & Christina Fuemana.

Gazebo Records feel honoured for the opportunity to share this important album for our inaugural release, now available for the first time on vinyl with remastering by Mikey Young.

All proceeds from this record flowing to the Fuemana family.

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Sleater-Kinney

Sleater Kinney

23,99 €*

Nick Cave & The Bad Seeds

Release: 1995 / US – Reissue

Genre: Rock & Indie

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Sleater-Kinney was an acclaimed, American rock band that formed in Olympia, Washington in 1994. The band’s core lineup consisted of Corin Tucker (vocals and guitar), Carrie Brownstein (guitar and vocals), and Janet Weiss (drums). Sleater-Kinney were known for their feminist, left-leaning politics, and were an integral part of the riot grrrl and indie rock scenes in the Pacific Northwest.

Sleater-Kinney is the first effort from the group, recorded by Nick Carrol at 486 Victoria Street in Melbourne, Australia, and produced by Tim Green and the band at the Red House in Olympia, Washington. The album was originally released in 1995 by the independent queercore record label Chainsaw Records. The line-up featured Corin Tucker (vocals, guitar), Carrie Brownstein (guitar, vocals) and Lora Macfarlane (drums).

“While their same-sex one-on-ones aren’t exactly odes to joy, they convey a depth of feeling that could pass for passion.” [Grade: A-] - Robert Christgau, Consumer Guide

The album has been freshly remastered by Greg Calbi for this release.

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Murder Ballads

2LP | 1995 | EU | Reissue (Mute)

33,99 €*

LP | 1995 | UK | Reissue (Mute)

Release: 1995 / EU – Reissue

Genre: Rock & Indie

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180 gram vinyl

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Barry Adamson

Oedipus Schmoedipus

28,99 €*

Release: 1995 / UK – Reissue

Genre: Rock & Indie

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2LP | 1995 | EU | Reissue (Sticky Buttons)

Dennis Mpale

Paying My Bills

39,99 €*

12" | 1995 | CA | Reissue (Definitive)

Release: 1995 / EU – Reissue

Genre: Electronic & Dance

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Label Text "When one of South Africa’s most sought after trumpet players steps forward after a career alongside the very best in the International jazz scene, you know it’s going to be a special record. Dennis Mpale was one of South Africa's heavyweights. You’ll find his name springing up on every important South African jazz record and billing since the 1960’s. Chris McGregor’s iconic Jazz/The African Sound LP, Abdullah Ibrahim’s Dollar Brand, Barney Rachabane in the highly influential ensemble Roots, and early work in house bands appearing alongside Nick Moyake in The Soul jazz Men to name just a few. His trumpet playing had character, an extension of the body and amplifier of that great South African sound. Leaving South Africa during Apartheid as a strong supporter and member of the ANC, Dennis made London his home, joining the newly established SA Jazz scene and standing in solidarity against the oppressions back in Africa. Moving between London and South Africa during the 70’s and 80’s It wasn’t till the early 1990’s when Dennis finally settled again to make his biggest transition to solo artist, redefining his Jazz past and putting a heavy kwaito infused house slammer on the agenda. 1994s ‘Paying My Bills’ (a title maybe more appropriate now than it ever has been) is a mighty jazz kwaito house effort: From the heavy synth beat and

Gorgeous floating solo opener of ‘Paying My Bills’, to the highly infectious vocal phrasing on thumping house anthem ‘Take My Time’. Paying My Bills takes the sensibilities of a jazz maestro and pairs it with one of South Africa’s biggest producers Peter ‘Hitman’ Moticoe, creating the perfect recipe for a certified summer slammer.

Having previously only ever been released on CD, this is the first ever vinyl pressing of the album (hazy early test pressings lurk on a small number of lucky shelves). Vinyl mastering is handled by The Carvery’s very own Frank Merritt here in London, with the resulting tracks generously split over 2 discs to fully appreciate the swampy heavy dub bass drolls for full dancefloor effect. It’s loud and punchy and makes space for those glorious trumpet improvisations while keeping the synth refrains and heavy bass thumping. Early plays include resident NTS DJ’s and a feature on Palms Trax Radio 1 residency with surely more support to follow. "

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Nick Holder

Fruit Loops

13,99 €*

Kickin' Da Shit Outta Ya!!

Release: 1995 / CA – Reissue

Genre: Electronic & Dance

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Canadian deep house don Nick Holder's Fruit Loops EP is next to get the remaster and reissue treatment from Definitive Recordings. This label, now overseen by Get Physical Music, first released the EP back in 1995 when Toronto-based Holder had already become one of house music's most tasteful operators. He went on to release over 125 EPs and singles under countless aliases, in various groups, and on his labels DNH Records and Treehouse Records, as well as !K7 Records and NRK. His style spans house, disco loops and minimal Chicago grooves and is always high on immersive atmosphere. Opener 'Dance Dance Dance' brings together all those aspects of the Holder sound with its funky guitar riffs looping beneath raw drums and disco basslines. Classic Chic samples burst out of the mix to bring an air of celebration and party, and it makes for an irresistibly feel-good sound. 'Keep on Running' is a steamy and sweaty house jam with loopy drums and bass and more smartly chosen samples, this time from Roy Ayers, that bring the funk and never let up. It has long been a go-to anthem for house DJs, and the realness and rawness of the emotions in Holder's work also shine through with the filtered synths and jazzy keys of 'The Message of Love', which is complete with bumpy and irresistible drums. Last of all is the unfettered party spirit and diva vocals of the brilliantly lo-fi funk-house pumper that is 'Clap Ya Hands'. This EP hasn't aged one bit and remains a definitive piece of early Deep House history.

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Steve Shit

12" | 1995 | DE | Original (Dance Ecstasy 2001)

12,99 €*

2LP | 1996 | EU | Reissue (Be With)

Release: 1995 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Hardcore/Gabber! seam split

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Lewis Taylor

30,99 €*

Manasseh Meets The Equalizer

Release: 1996 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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D’Angelo lost his shit over it. Aaliyah’s 3rd favourite track of all time is on it. David Bowie rocked up with it to a TV interview, declaring it “the most exciting sound of contemporary soul music”. In 1996, Lewis Taylor released his self-titled masterpiece. A true modern classic, it’s an album that was years ahead of its time. Forget 25 years ago, it could easily have been made in 2021. An effortless blend of neo-soul, sophisticated pop, smart grooves and laid-back white funk, it enjoyed rapturous reviews from critics and music legends alike. But the album never managed to make an impact and given what was likely a token vinyl release at the time, the original records have long since been near-impossible to find. Lewis Taylor’s Lewis Taylor remains a holy relic for some and criminally unknown to most. Lewis Taylor’s impeccable influences created a dazzling sonic palette: the LP as a whole suggests the visionary brilliance of Prince; the vocal stylings evoke the yearning power of Marvin Gaye; the effortless guitar playing shares the virtuosity of Jimi Hendrix; the haunting tones conjure Tricky; the innovative production and engineering invite comparisons to studio mavericks like Todd Rundgren and Brian Eno; the multi-layered, complex harmonies flash on Pet Sounds-era Brian Wilson; the dark, drama is reminiscent of both Scott Walker and Stevie Wonder; the complex arrangements create textures and moods with the feel of Shuggie Otis on Inspiration Information; the bold experimentation is akin to progressive artists like Faust and Tangerine Dream; the atmosphere is in conversation with Jeff Buckley’s Grace and we could go on.

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Shining

LP | 1996 | UK | Reissue (Partial)

12" | 1996 | AT | Original (Morbid)

Release: 1996 / UK – Reissue

Genre: Reggae & Dancehall

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A classic dub set from Nick Manasseh & Jeremy The Equalizer, originally released on the Acid Jazz label in 1996, back on the streets courtesy of Partial Records. A balanced mixture of traditional roots dub - including a tasteful reworking on Bob Marley’s `Sun is Shining; rhythm - intwined with digital sounds and experimental leanings.

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D-Knox

Ar Jung-I

18,99 €* 37,99 € -50%

12" | 1996 | UK | Original (Sativae)

Release: 1996 / AT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

close to NM

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Adam X

100% Brooklyn EP

Release: 1996 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

12" | 1996 | NL | Original (Colors)

Tricky Stuff

True Devotion

Release: 1996 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1996 | EU | Reissue (Chiwax)

Steve Bug

12,99 €*

Lost Recordings #1 - Why? And For Whom?

Release: 1996 / EU – Reissue

Genre: Electronic & Dance

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OUT Soon VIA Chiwax Classic Edition: Cce042 - Steve BUG - HO (12") Re-issue From 1996!

Rawax proudly presents the upcoming Chiwax Classic Edition by Steve Bug! This beauty came out originally on Stickman Records in 1996. We are very happy to bring this fantastic record back to (remastered) life!

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Steve Bicknell

2LP | 1996 | EU | Reissue (System Revival)

26,99 €*

2LP | 1997 | EU | Reissue (World Circuit)

Release: 1996 / EU – Reissue

Genre: Electronic & Dance

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Steve Bicknell - Lost Recordings 1 This is a seminal double LP consisting of 8 tracks by Steve Bicknell (originally released in 1996) from one of UK's most influential techno / electronic labels Cosmic Records - to introduce the incredible series Lost Recordings Rich, raw and unpredictable - every single one of these tracks sounds Fresh as ever! In the 90/00's in London, Steve Bicknell was at the forefront of techno as a producer and DJ but also as a promoter (of the event series Lost)

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Afro-Cuban All Stars

A Toda Cuba le Gusta

33,99 €*

Release: 1997 / EU – Reissue

Genre: Organic Grooves

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2LP | 1997 | US | Reissue (Goner)

V.A.

OST The Sore Losers

25,99 €*

The Captain & Steve Thomas

Release: 1997 / US – Reissue

Genre: Soundtracks

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Reissue of an out-of-time and ahead-of-its time garage rock soundtrack to the typically out-of-his-mind Mike McCarthy aka JMM movie Sore Losers. The film is full of aliens, comic books, rednecks, zombies, boobs, gals, gals fighting, and rock ‘n’ roll. Starring the Oblivians’ Jack Oblivian, with Guitar Wolf, Mike Maker, the deliciously curvy D’Lana Tunnell, and a guest appearance by exploitation master David F. Friedman himself.

Anyone who has seen his movies can attest to the fact that Mike McCarthy always overdelivers. Sore Losers is as good / bad an example as any. Whole soundtracks would be filled out around just one of the acts on this thing—case in point, Greg Oblivian doing a toy instrument version of the much-loved “Bad Man” that is worth the price of the record by itself. Plus The Gories / Dirtbombs’ Mick Collins, The Makers, Jack Oblivian himself, and the mighty Guitar Wolf! Also New Orleans garage/ frat kings Royal Pendletons, Jeffrey Evans of the Gibson Bros with his ’68 Comeback, and also featuring Jack Taylor, the most amazing / fucked up guitar player ever. His guitar tone started with the legendarily messed-up solo in the Velvet Underground’s “I Heard Her Call My Name” and then added four fuzz pedals to it, creating modern art! RIP Jack Taylor. There is also Nick Diablo of Viva L’American Death Ray Music, The Drags, The Makers, Tim Feleppa, Gasoline… This is quality ’90s garage rock, still raw and vital as ever.

This rerelease coincides with McCarthy’s new edit of the film. Southern sci-fi trash has never looked or sounded so good.

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The Leader / Snap

12" | 1998 | UK | Original (Tinrib)

12" | 1998 | UK | Original (Thursday Club Recordings (TCR))

Release: 1998 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Ships in a label sleeve.

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Mr. Nex

B-Boy Shout

Release: 1998 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 1998 | UK | Original (Sativae)

Tobias Schmidt

We Teach Mistakes

7,99 €*

12" | 1999 | UK | Original (Eve)

Release: 1998 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

very close to NM

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Steve Gibbs

Run To The Future

Release: 1999 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: G+

Selected Essential Underground Beats

Steve Thomas

12" | 1999 | UK | Original (Intensiv)

Release: 1999 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

7" | 1999 | JM | Original (Roaring Lion)

George Nooks

It's Crazy

Release: 1999 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

Love Got A Hold On Me / Proud To Be Black

George Nooks / Wickerman

7" | 1999 | JM | Original (Pown Daddy)

Release: 1999 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

12" | 1999 | US | Original (D & D)

Mike Dreben / D-Knox

Untitled

Release: 1999 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: G+, Cover: Generic

Steve O'Sullivan & John Beer

Undercurrents

12" | 1999 | UK | Original (Mosaic)

34,99 €*

Valedictory Songs Record Store Day 2020 Edition

Release: 1999 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl with scuffs and hairlines

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The Bevis Frond

2LP | 2000 | US | Reissue (Fire)

30,99 €*

Ronnie Lane - Steve Marriott

Release: 2000 / US – Reissue

Genre: Rock & Indie

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Record Store Day 2020 Release.
Limitation: 1000 copies.

Recorded in Gold Dust Studios with a new sense of optimism and a fuller sound down to lots of extra energy (Nick believed it might be their last ever record) and the addition of piano and keyboards brings an instrumental direction. With former Hawkwind bassist Adrian Shaw and Ex-Marrillion tub thumper Andy Ward,

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The Legendary Majik Mijits

2CD | 2000 | UK | Original (NMC Music)

14,99 €*

Tir Na Nog Orange Marbled Vinyl Edtion

Release: 2000 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

CD comes in a soft case, instead of the original crystal case.
All booklets included.

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Steve Rachmad

12" | 2000 | EU | Reissue (Syncrophone)

15,99 €*

7" | 2000 | JM | Original (Hi Power Music)

Release: 2000 / EU – Reissue

Genre: Electronic & Dance

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Legendary Techno Producer Steve Rachmad's Iconic "Tir Na Nog" Ep Returns, Now Remastered and Released on Syncrophone. This Release Revisits and Revitalizes the Genre-Defining Tracks That Shaped an Era..

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George Nooks

Running Around

Release: 2000 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG+, Cover: Generic

7" | 2000 | JM | Original (Mixing Lab)

George Nooks

Joy And Pain

Release: 2000 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

12" | 2000 | DE | Original (Dessous)

Steve Bug

Soulin' Deep

15,99 €*

Trouble In Shangri-La Transparent Sea Blue Vinyl Edition

Release: 2000 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Label cover.

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Stevie Nicks

2LP | 2001 | EU | Reissue (Atlantic)

49,99 €*