Search "scream" 787 Items

Release: 2023 / UK – Original

Genre: Electronic & Dance

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2LP | 2023 | UK | Original (3Beat)

Sigma

Hope Deluxe Edition

36,99 €*

Release: 2023 / UK – Original

Genre: Electronic & Dance

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12" | 2010 | UK | Original (Breakbeat Kaos)

Sigma

Stand Tall E.P. Pt. 1

14,99 €*

Release: 2010 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

LP | 2024 | US | Original (Beach Impediment)

Sikm

Now I Must Comply

29,99 €*

Stay With Me Ep White Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-15

Hot on the heels of 2023's ass kicker of a demo, Atlanta's Sikm are back with their first 12" offering in the form of the Now I Must Comply EP! Here we have 6 offerings of Uk82 meets infectious French Oi filtered tastefully through a modern lens, yielding truly stand out tracks in a world that's quickly becoming full of monotony and color by the numbers bullshit. Recorded and produced in Paris, France at Château Vergogne by Maxime Smadja (of Rixe, Condor, Boss and many more), mastered by Will Killingsworth and featuring outstanding cover art and layout from the mind of Jeff Poleon—this is the full package!

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Simoncino

12" | 2021 | UK | Original (Just Jack)

13,29 €* 13,99 € -5%

Songs About Cuddles Black Vinyl Edtion

Release: 2021 / UK – Original

Genre: Electronic & Dance

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Next up on Just Jack recordings, Simoncino takes you on one hell of a journey, through two straight up dance floor destroyers... the lead tracks 'Come With Me Bebe' and 'Acid Life' which thump and twist along, with sparse synths and heavy baselines causing pure ecstasy as they pump their way into your blood stream! And then exploring more experimental territory with three shorter jams (Afrikan I, II & Iii) which take you through tribal rhythms, chants, screams and a hell of a lot of other weird and wordly shit, before he puts you to bed with the beautiful 'Ambient Deep'. You will need it after listening to this EP. Get ready to sweat!

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Siouxie & The Skunks

LP | 2024 | EU (Wild Honey)

18,04 €* 18,99 € -5%

Songs About Cuddles Blue Vinyl Edtion

Release: 2024 / EU

Genre: Rock & Indie

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Take 5 kids, put new toys in their hands and abandon them in a dirty garage with a fair amount of alcohol and rock 'n roll; a nice soak in punk, a smattering of good intentions and let them fry properly: these are Siouxie & the Skunks, (not too) healthy bearers of that sacred fire that only shamans and teenagers know how to guard. Screams, tearful ballads and lacerating songs. Get closer, warm yourself, but be careful to not burn. 'Songs about girls' the name of the debut EP, totally self-produced, which is a collection of bad luck and victories derived from the encounter/clash with the fairer sex. It could only end badly. It's possible to get a taste of their first DIY album, Songs about Cuddles, produced by Wild Honey Record, during their live shows. You can find them as performers in the best festivals, in the wildest parties, in characteristic taverns and in the homes of the most adventurous.

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Siouxie & The Skunks

LP | 2024 | EU (Wild Honey)

18,99 €*

Songs About Cuddles Red Vinyl Edtion

Release: 2024 / EU

Genre: Rock & Indie

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Siouxie & The Skunks

LP | 2024 | EU (Wild Honey)

18,99 €*

LP | 1978 | EU | Reissue (Polydor)

Release: 2024 / EU

Genre: Rock & Indie

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Preorder shipping from 2024-11-22

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Siouxsie & The Banshees

The Scream

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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LP | 2023 | EU | Original (Sea Note)

Skam

No Name

LP | 2021 | EU | Original (Petrichor)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Lost in time yet always in season, here"s a blast of that ol" perennial, the punk rock, representative of the swiftly changing times around Bailey"s Crossroads, just outside Washington DC, in the early 80s. Skam recorded this stuff in "82-"83, then broke up, leaving these songs to be released....maybe never?Though they didn"t release any records during their three years of existence, it"d be wrong to call Skam "never-was" - in addition to these recordings, there"s a trail of flyers for shows with Scream, No Trend, United Mutations and Media Disease, as well as the memories of the student alumni from Bishop O"Connell High, class of "83 or so.The conglomeration of scenes around the greater DC area at that time produced a variety of bands, but the prevailing recollection of the era is of the incendiary hardcore punk and subsequent straight edge values of the Dischord bands. The band that became Skam was a world apart; they were posited for the first time by 8th graders Vince Forcier and Jack Anderson at a Jackson Browne concert, and their initial rehearsals in their parents" basement were highlighted by covers of Beatles, Stones, Who and Led Zeppelin songs. Bad covers. It wasn"t until they"d been playing a bit that they discovered The Ramones, and it was then that the die was cast and pedal pressed to the metal for another frantic couple of years.The Skam recordings from "82 have an undeniably Clash-like countenance that sets them definitively apart from the "First Four" of Dischord - in some ways, prefiguring the pop-punk sound of Green Day at the dawn of the "90s instead - but subsequent recordings found them quickly evolving - or devolving - into a personal mastery of savage riffs and tempos, as well as post-punk conceptions. But even as they were verging into this new territory, their three years together had frayed their alliance and they soon broke up. Jack joined No Trend, Vince played in Racer X and then Second Wind. And life went on. But the rediscovered Skam tapes make for an incredible add...

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Skam

Sound Of A Disease

14,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Hayes Turner On The Run / A Bookie Named Janice

Skeme Richards

7" | 2024 | EU | Original (Redropped)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Skitzo Mania Black Vinyl Edition

Skitzo

LP | EU (Radiation Reissues)

17,09 €* 18,99 € -10%

Skitzo Mania Colored Vinyl Edition

Release: EU

Genre: Rock & Indie

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London psychobilly beasts Skitzo began in the mid-1980s as the Electros, when vocalist Phil O’Connor began screaming with bashing drummer, Rod Connor, bassist Tony Bronham and guitarist Tony McVey; by the time they signed to Nervous Records for this brilliantly ghoulish debut LP, drummer Steve Tomlinson was on board. Along with freaked-out originals like ‘Witching Hour,’ ‘Possessed’ and the crazed title track, there are fun covers of ‘Lonesome Train,’ ‘Caldonia’ and ‘Your Cheating Heart,’ all transformed the psychobilly way. If you like your psychobilly with the emphasis on the psycho, this one’s for you!

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Skitzo

LP | EU (Radiation Reissues)

18,89 €* 20,99 € -10%

Convolution (Levon Vincent Versions)

Release: EU

Genre: Rock & Indie

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Skudge

12" | 2023 | EU | Original (Skudge)

13,99 €*

Minotaur (Black Magic) - Ultimates! Action Figure

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Who would be better suited for remixing the Skudge classic? It's not a far-fetched idea, as we now see the remix 12" of Convolution featuring Levon Vincent. Classic late 00s Levon Vincent style of rhythm and pace meets Skudge's hallmark sound.

It's been over a decade since Skudge took charge and urged us to "Give it all up". 'Convolution' forged two distinct genres while avoiding the trap of losing the attitude of both. The track was a strong take on Techno and House simultaneously and brought something new and interesting to the table.

Fast forward a decade since this effort marked the beginning of the Skudge journey, which not only caught the middle ground between Techno and House but also the ears of fellow producer Levon Vincent. Levon is a prominent name in the oceanic underwater funk, touching strands of Dub, Techno, and House.

Levon delivers two versions, where the Scream Version captures the UK sound of anarchistic basslines similar to 'Basemental' from '95, on the A-side. Flipping over to the B-side, one can hear the 'Convolution' atmosphere echoing between Levon and Skudge respectively.

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Slayer

Super7

59,99 €*

7" | 1992 | US | Original (Vermin Scum)

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In 1983, Slayer burst onto the LA heavy metal scene like an angry Minotaur hell-bent on destruction! This 7” scale, highly articulated Slayer ULTIMATES! Minotaur is inspired by the Baphomet Minotaur on the Show No Mercy cover art and is rendered in a dark grayscale as an homage to the album track “Black Magic.” Featuring intricate sculpt and premium paint detailing, this figure also comes with an interchangeable head and multiple interchangeable hands, a removable soft goods cape, and sword accessory. This Black Magic variant of the Slayer ULTIMATES! Minotaur will be a killer addition to any heavy metal collection- pre-order yours today!

Accessories:
• 2x interchangeable heads
Neutral head
Screaming head

• 10x interchangeable hands
2x Gripping hands (horizontal hinge)
2x Gripping hands (vertical hinge)
2x Throwing Horns hands
2x Baphomet pose hands
2x Fist hands

• 1x Sword
• 1x Cape (soft goods)

Details and Specs:
• Product Material/Process: Injected Plastic & Paint
• Package Dimensions (in): 7"
• Weight (lbs): 2.0 lb

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Sleeping Body

Awaken

Release: 1992 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Tweez Black Vinyl Edition

Slint

LP | 1993 | Reissue (Touch And Go)

LP | 1993 | Reissue (Touch And Go)

Release: 1993 / Reissue

Genre: Rock & Indie

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It's almost always muddy in the lousy little shanty town by the river. All the children's toys are old and rusty, even the plastic ones. Jimmy and Mel fashioned their own toy out of a live chicken that they stole. A knot was tied around the bird's feet with a shoe lace. The two boys painted their plaything yellow and silver and swung it around like a lasso, screaming gibberish and laughing the whole time. Mel got so excited that he wet himself. So, Jimmy slugged him square in the eye. About five or eight miles south east of the shanty town all the fellows in SLINT were suffering from headaches, except the drummer, who only got them when the others didn't.

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Slint

Tweez Red Vinyl Edition

32,99 €*

LP | 2021 | EU | Original (Voodoo Rhythm)

Release: 1993 / Reissue

Genre: Rock & Indie

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Red Vinyl.It's almost always muddy in the lousy little shanty town by the river. All the children's toys are old and rusty, even the plastic ones. Jimmy and Mel fashioned their own toy out of a live chicken that they stole. A knot was tied around the bird's feet with a shoe lace. The two boys painted their plaything yellow and silver and swung it around like a lasso, screaming gibberish and laughing the whole time. Mel got so excited that he wet himself. So, Jimmy slugged him square in the eye. About five or eight miles south east of the shanty town all the fellows in SLINT were suffering from headaches, except the drummer, who only got them when the others didn't.

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Sloks

A Knive In Your Hand

19,99 €*

In The City / Jam Record Store Day 2019 Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Sloks !!!! Are A 'Super Raw Power Noise Garage Punk' Trio From Turin In Italy Their Riffs Are Reduced To The Max And Then Sent Straight Into Your Ears To Spread The Virus And Infect Your Brain Forever, Lead Singer Ivy Claudy Screams In Every Song As If It's About Her Life And As If It Were True The Last Time, Buddy Fuzz, On The Other Hand, Whips Her With His Guitars Riffs Then Throw Her Deep Into Hellfiere Where Tony Machete Maltreats His Drums In The Most Horrific Way.Since Their First Release In 2018 (Holy Motor - Voodoo Rhythm Records) They Tor-Toured A Lot In Europe And Then In The Pandemic Year They Traveled To Lolo Spider In Toulouse In France In His Swampland Studio To Recorded That Album, 11 Tracks Uncompromising Total Loser Garage Punk And Dirty Rock'n'roll ... More Noise Rock That Trashy Is Hard To Find.. So Grab Your Wax Right Now.

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Smuggler Brothers

7" | 2019 | EU | Original (Schema)

OST The King Of Fighters 2000 - The Definitive Soundtrack

Release: 2019 / EU – Original

Genre: Organic Grooves

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Hailing from Palermo, Smuggler Brothers deliver a unique sound, deeply rooted in the diverse and rich heritage of their island-Funk-prog flavoured Mediterranean library music with Arab and North Afrika influences. Produced by Massimo Martellotta (Calibro 35). This 45rpm anticipates the band’s full-length album with two non-LP new tracks, exclusive to this release!

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SNK Neo Sound Orchestra

CD | 2021 | EU | Original (Brave Wave)

Sophia Jani, Teresa Allgaier

Release: 2021 / EU – Original

Genre: Soundtracks

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KOF 2000 was composed by SNK veteran Hideki “sha-v” Asanaka as part of SNK NEO Sound Orchestra.

As a Generation Series release, the KOF 2000 soundtrack will feature newly remastered analog and digital tracks, as well as a booklet containing archival artwork and liner notes by Asanaka.

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Six Pieces For Solo Violin

CD | 2024 | EU | Original (Squama)

18,99 €*

Sophia Jani, Teresa Allgaier

Release: 2024 / EU – Original

Genre: Organic Grooves

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Contemporary classical composer Sophia Jani and violinist Teresa Allgaier announce their new collaborative work Six Pieces for Solo Violin on Squama Recordings. Characterized by its calmness and poise, each movement focuses on a particular technical aspect, bending the boundaries of the instrument while maintaining the illusion of simplicity.

Sometimes the most complicated thing anyone can do is to try to create something that feels uncomplicated. Arvo Pärt, ballet, a delicious meal we didn’t cook ourselves, Ella Fitzgerald, a safe place to lay our heads at night, a quiet pine forest – […] In all these things, it takes a lot of effort to make us feel as if something is effortless.
– David Lang (from the liner notes)

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Six Pieces For Solo Violin

LP | 2024 | EU | Original (Squama)

12" | 2021 | US | Original (Dusk & Haze)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Sophia Saze & Rdo/Atk

Stalker

14,99 €*

Anywhere But Here Black Vinyl Edition

Release: 2021 / US – Original

Genre: Electronic & Dance

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In collaboration with Brooklyn-based artist Rdo/atk, Sophia Saze makes her long-awaited return to her Dusk & Haze imprint with four slamming cuts on a release entitled ‘Stalker’. Born in Tbilisi and now residing in Philadelphia after years living a nomadic lifestyle, Sophia Saze began her creative journey in her formative years with classical music and dance training. With a solid and natural musical foundation, Sophia became engulfed by electronic music leading to the launch of her Dusk & Haze imprint in 2017, before dropping a remix of Heathered Pearls on Ghostly International and the release of her much lauded debut album on Kingdoms. ‘Stalker’ sees her team up with old friend Rdo/atk who has been soaking up the dancefloor since the early 90s. With much of his influence stemming from the early east coast rave and club scene, his sound maintains a homage to the past without getting stuck in it. A sucker for a dirty 303, a breakneck amen, or a crushed 909, Rdo/atk’s style spans across genres from jungle to acid to broken beat and everything in-between. The EP kicks off with a dynamic, jungle roller entitled ‘Stalker’ featuring old-school, amen breaks, stirring yet intriguing synths and hefty bass shatters balancing styles of glitch and funk together with pure class whilst ‘Fucking Crazy B’ lays focus on cold, syncopated grooves, chopped up shrieks and screams from a video of a traumatic personal incident and shimmering pads moving into ominous territories. On the flip, ‘Talk To You In Your Brain’ delivers relentless kicks and spiralling acid squelches peppered with chilling vocal samples and frazzled fx that pulsates strikingly throughout until ‘Acid B’ rounds off proceedings with an effervescent, warehouse techno cut as the electrifying modulations bounce gracefully off the menacing percussion and slashing, 303 tones.

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Sorry

LP | 2022 | UK | Original (Domino)

Release: 2022 / UK – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Sony Music Japan)

Soshi Sakiyama

Itsuka Mita Kuni

32,99 €*

Release: 2021 / EU – Original

Genre: Pop

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Soul Jazz Records Presents/Buch

Punk 45: The Singles Cover Art Of Punk 1976-80

Soul Jazz

35,99 €*

2LP | 2006 | EU | Original (Schema)

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Brand new edition of Soul Jazz Records" massive deluxe 400-page Punk 45s cover art book edited and compiled by Jon Savage (author of the seminal book on punk, England"s Dreaming) and Stuart Baker (founder of Soul Jazz Records). This new edition comes with a new introduction from Bobbie Gillespie, founder of Primal Scream (who has recently also published his memoirs Tenement Kid). Contributors include Peter Saville, Richard Hell, Richard H Kirk, Seymour Stein, Geoff Travis, Martin Moscrop, Glenn Branca, Jamie Reid, Dave Robinson, Roger Armstrong, Martin Mills, Gee Vaucher, Savage Pencil, Dennis Morris and more. This book is a revelatory guide to hundreds and hundreds of original 7" record cover sleeve designs - visual artefacts found at the heart of the most radical and anarchistic musical movement of the 20th century.

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Soulstance

Lead the way

Legacy Of The Anointed Clear Vinyl Edition

Release: 2006 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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10 tracks

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Spiral Grave

LP | 2021 | EU | Original (Argonauta)

LP | 2021 | EU | Original (Argonauta)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Spiral Grave, comprised of extraordinary vocalist Screaming Mad Dee, Iron Louis Strachan (bass), Mot Waldmann on drums and former Lord guitarist Willy Rivera, was born in 2018 after the tragic death of their longtime band mate, Alfred Morris III, founding member of iconic Iron MAN. Setting the mood for a classic heavy as hell and in your face doom, Spiral Grave quickly carved a place for themselves in North America’s heavy music scene, playing well-received sets at New England Stoner Doom Fest or the Maryland Doomfest. The Doom Legacy continues!

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Splendidula

Somnus

LP | 2014 | UK | Original (Harbinger Sound)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Big riffs meet pounding beats with atmospheric passages that will lead you into a wild, heavy and psychedelic wonderland, while the bewitched chants by vocalist Kristien and guitarist Pieter’s harsh screams create a unique vocal contrast.

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Spoils And Relics

Sins Of Omission

33,99 €*

2LP | 2022 | EU | Original (Leopard)

Release: 2014 / UK – Original

Genre: Electronic & Dance

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"a mutating web of feedback, choral echoes and lo-fi loops of various
squeaking, rattling found sounds, settling gently into certain texture
combinations before teasing the stasis through jolts of pitch bend or slow
fades into somewhere else. It's a real nightmare collage: one minute it's a
blast of screaming electronics, like someone tampering with the cockpit
controls, and the next it's tornado of factory noise and alien sex. Musique
concrete for the mind's darker, more paranoid recesses, with a gorgeously
sparse latter half of noise squeals fed through some sort of astronaut
intercom." - Jack Chuter, ATTN magazine

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St.Paul Peterson

Break On Free

13,59 €* 15,99 € -15%

Release: 2022 / EU – Original

Genre: Organic Grooves

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All Born Screaming Red Vinyl Edition

St. Vincent

LP | 2024 | EU | Original (Virgin Las)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Radar Love / Dead Of Night

Stacy Crowne

7" | 2023 | EU | Original (Screaming Crow)

11,99 €*

The Fire, The Wolf, The Fang

Release: 2023 / EU – Original

Genre: Rock & Indie

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Hailing from Cologne, Germany, Stacy Crowne got the attention of Screaming Crow Records with their killer track on A Fistful MORE of Rock N Roll, Vol. 3. Stacy Crowne hit hard with an amazing cover of Golden Earring's "Radar Love" and hit you even harder with their B side original, "Dead of Night."

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Starving Wolves

LP | 2024 | US | Original (Pirates Press)

LP | 2021 | EU | Original (Lovely)

Release: 2024 / US – Original

Genre: Rock & Indie

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Confronting the dark corners of our world with unflinching defiance comes Austin, Texas’s own Starving Wolves to flip the sound of punk upside down with their new LP, The Fire, The Wolf, The Fang. The kickoff track, “Nothing More,” opens with guitars and horns paying homage to traditional Mexican and Latin American music, and is soon joined by militaristic drums, evoking images of a coming showdown in a spaghetti western film. Then singer and lyricist David Rodriguez kicks into a raging punk-rock fury by tearing his throat raw singing for the downtrodden of the world: “Raised in fear! Bathed in blood! Crucified, we are reborn!” It sets an apocalyptic tone for a raw, relentless punk-rock record that confronts widespread social issues like police brutality (“Burn The Stations”), support for those struggling with their mental health or facing suicidal ideation (“Please Listen”), and personal issues of cultural identity (“Mixed Blood”). In the latter, Rodriguez draws upon his Mexican-American heritage, singing in both English and Spanish to articulate his experience to speakers of both languages, connecting racism faced by young people to the brutal history of colonialism in the Americas. In releasing songs from the record, Starving Wolves have literally put their money where their mouths are, donating to efforts to support mental health for indigenous youth by building skate parks on reservation land, and providing a positive athletic and creative outlet for kids in vulnerable populations. Forceful and dark, yet with an undying spirit of resilience, the journey of The Fire, The Wolf, The Fang is ultimately a cathartic experience, and a scream of survival and hope for those left behind in a world that can feel bleak.

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Statues

Holocene

20,39 €* 23,99 € -15%

OST Evil Dead Rise Deadite & Blood Hand Poured Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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90's Alternative Rock Was Never Anything Else Then Great Pop-Songs Filtered Through Screaming Guitars. The Swedish Based Power Trio Statues Can Be Filed Under Your Typical Sst Band. Simple, Impulsive, Eccentric, And Just Wonderful. They Could Be That Third Band That Played Somewhere In The Midwest Together With Hüsker Dü And Sonic Youth During The Late '80s. Rock Has Perhaps Never Been This Catchy. Statues Are A Tornado On A Collision Course With Your Hometown.

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Stephen Mckeon

2LP | 2023 | US | Original (Waxwork)

45,99 €*

Emerges Black Vinyl Edition

Release: 2023 / US – Original

Genre: Soundtracks

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Waxwork Records is beyond thrilled to announce the debut vinyl release of Evil Dead Rise Original Motion Picture Soundtrack by Stephen McKeon. Written and directed by Lee Cronin (“The Hole in the Ground”), the movie stars Lily Sullivan and Alyssa Sutherland.

Moving the action out of the woods and into the city, Evil Dead Rise tells a twisted tale of two estranged sisters, played by Sullivan and Sutherland, whose reunion is cut short by the rise of flesh-possessing demons, thrusting them into a primal battle for survival as they face the most nightmarish version of family imaginable.

Evil Dead Rise is produced by longtime franchise producer Rob Tapert (Ash vs Evil Dead, Don’t Breathe) and executive produced by series creator and horror icon Sam Raimi and cult legend and “Ash” himself, Bruce Campbell.

About THE Composer

Stephen McKeon has been composing music for film and television for more than 30 years. A highly versatile multi-instrumentalist, he has scored over 100 feature films and numerous award-winning international television drama series and documentaries, including Black Mirror (“Fifteen Million Merits”).

McKeon, an admitted ‘huge horror fan,’ discussed his approach to the film’s soundtrack. “Lee liked the idea of something offscreen laughing and delighting at the suffering and terror of the characters, so I recorded two female vocalists performing 'taunting' sounds and vocal effects.

(Lee) wanted a score that was visceral, immersive and confrontational, while still leaving room for an emotional theme. So, I began to create sounds and textures based on guitar feedback; guitar strings stretching and breaking; strings being ripped with knives and scissors; and many other weird effects. Many of these made it into the score as part of the texture and tapestry. But ultimately, for the signature, we hit upon an idea we called 'the meat grinder.' I spent a week creating lots of sounds using a variety of methods, but eventually, the one that worked was the result of me dragging carving knives along the strings of my beautiful grand piano and then chopping and stretching the audio into something that eventually sounded like a demonic meat grinder being revved up.”

McKeon also recorded various stringed and percussion instruments, “being tortured, broken and slowly dismembered. Then, these recordings were chopped up, bent and stretched before being fed, screaming for mercy, into the score.”

Evil Dead Rise Original Motion Picture Soundtrack Features:

The Complete Soundtrack By Stephen McKeon 2xLP 180 Gram "Deadite & Blood" Hand Poured Colored Vinyl Old Style Tip-On Gatefold Jackets with Built In Pages From The Book Of The Dead New Artwork By Steve Reeves Printed Inner Sleeves

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Stone Harbour

LP | 1974 | EU | Reissue (Out-Sider Music)

12" | 2021 | EU | Original (Abstrack)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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The absolute king of lo-fi basement psychedelia, originally released as a private pressing in 1974 by this duo from Ohio. From dreamy melancholic tracks to insane fuzzed-out heavy psych ones.

“Two multi-instrumentalists creating a melancholic dreamlike state with songs fading in and out of the speakers, cavemen drums, primitive electronics and murky fuzz lurking in the background. The best tracks go into places no other albums reach” Patrick Lundborg (Acid Archives). " ‘Emerges’ as in slowly from the primordial sludge of the universe. 'Emerges' like a slow, slouching spectre hauling itself out of the swamps. But then what's a boy to do?

It's 1974, you're young and have a head full of Hawkwind and Roky and the Elevators, old brutalist blues in the Hound Dog Taylor / Fred McDowell backwoods whisky-fucked mode, freakfolk and LSD; you're stuck in Hicksville, USA - that's Youngstown, Ohio to you lot; the music scene sucks; glam's dead or dying slowly; punk a good year of so from even starting to get itself born. Town's too damn small to even muster up a band in. It's just and your buddy and that's it, man.

So you grows your hair and wear satin, wander wide-eyed and tripping across small town railway tracks and hang loose at the weekend in your basement. You gather a bunch if cheapo instruments on the never-never and you start cutting low-fi bedroom demos. Slowly, slowly Stone Harbour emerge.

Stone Harbour were Ric Ballas - electric, acoustic and slide guitars; organ; piano; synthesizers; bass guitar percussion and voice - and Dave McCarty - lead vocals, drums and percussion... and out of nowhere and nothing, at entirely the wrong time, they cut an LP that will blow your head clean off. This is a trip into the true dark heart of psychedelia.

The music? What can I tell you? ‘You'll be a star’ shimmers and aches in the midnight; cymbals wash over you, Dave McCarty's vocals emerge from some subterranean cave and the keyboards flicker, flicker, flash across the periphery of the song; ‘Rock & Roll Puzzle’ is dark, twisted fried garage punk blues brutality in the same mould as 'White Faces' or 'Cold Night for Alligators', pre-empting The Gories and Pussy Galore by a good ten years!!

"Who invented rock & roll? And who invented soul? Was it you or was it me?" Indeed. Songs fade in and out; finger-picking blurs into screaming squeiching synths; guitars melt in the mid-summer heat. ‘Grains of Sand’ frazzles like The Stooges through a fucked-up amp and filtered through a transistor radio with the valves burning out.

‘Thanitos’ is the freak-out ending of ‘Julia’s Dream’ lost in suburban downtown US of A with the taillights cutting on the freeway... whilst ‘Summer Magic is Gone’ is the most haunted, haunting song I've heard in many a long strange moon. Shimmers like stars in the 2am fug and haze and bleeds lost and lonely and bruised into the heat-warped dawn. You're still awake though the brain don't work like it used to. Blurred and bleary and exhilarated and stoned the very core of the soul. Best record I've heard all year." Hugh Dellar (Shindig!)

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Strapontin

Sasnal Park EP

13,99 €*

LP | 2017 | US | Original (The Flenser)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Second release of the year already from the party music people of Abstrack. This time, it’s Brussels based artist Strapontin whose original production is on the menu, with re interpretation from several gifted companions. The multitude here is no excuse for genericity or easy recipes, rather a fertile playground for toying around with a wide range of vibes and moods. Matches is a poetic, sensual spoken-word piece. The song feels like a flower about to blossom, though with plenty of hybrid DNA in it. In the end it leaves the way wide open for further emotions to get through. And they do. Sasnal Park is the emotion of wander : looking for something forever, but for what? The drums make you believe that you found it but they turn out to be a mirage, and so does every tangible element of the track. A beautiful journey in the end even if you don’t know where you’ve been. Family Diner … no ambiguity this time : a mystical roller as dark as it is trippy. Or maybe more trippy. Either way, not sure you can resist dancing to this one played out loud. Lose yourself to screaming halfway through, but only to fall back well rooted in those dancing feet afterwards. On the flip, remixers put it where they’re expected to : A Strange Wedding takes the wandering “Sasnal Park” on the Edge of trancy club music, closer to the roots of Abstrack parties. Feon turns the belter “Family Diner” into a road roller : sirens and massive subs engage into a memorable fist fight. And home man Vidock choses the very dreamlike “Matches”, adding quite a touch of dancefloor but not removing one inch of dream.

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Succumb

LP | 2021 | US | Original (The Flenser)

Release: 2017 / US – Original

Genre: Rock & Indie

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San Francisco’s Succumb plumbs the depths of modern death metal with primitive elegance, but what sets them apart from their peers is vocalist Cheri Musrasrik. The juxtaposition of death metal riffing and propulsive drums with Musrasrik’s cavernous howl and sophisticated lyrics make a unique listening experience in today’s crowded landscape.

The band was formed in 2014 by a group of friends with diverse musical backgrounds who share a common love for Canadian death metal, war metal, and 1990s Napalm Death. That same year they released a demo under the name Cloak and played a handful of local shows, attracting the attention of The Flenser. The following year they were joined by Harry Cantwell (Bosse-de-Nage, ex-Slough Feg) on drums and got to work writing their self-titled debut album, recorded by Bay Area luminary Jack Shirley (Deafheaven, Bosse-de-Nage, Botanist, Oathbreaker, etc.).

Musrasrik cites authors and poets like Yeats, Genet and Zola as her primary lyrical influences. Throughout the album she tackles themes such as human experimentation, autoerotic asphyxiation, BDSM, prostitution, opium dens and dystopias with a literary flair.

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Succumb

XXI

LP | 2024 | US | Original (Sentient Ruin Laboratories)

Release: 2021 / US – Original

Genre: Rock & Indie

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Plumbing the depths of modern death metal with primitive elegance, Succumb have returned with their sophomore release XXI. One of the strongest up-and-coming metal bands in recent years, what sets Succumb apart from their peers is vocalist Cheri Musrasrik; the juxtaposition of death metal riffing and propulsive drums with Musrasrik’s cavernous howl and sophisticated lyrics make a unique listening experience in today’s crowded landscape. Musrasrik cites authors and poets like Yeats, Genet and Zola as her primary lyrical influences. XXI sees an allegorical look at the elements and their related mythologies. Talks about Lilith, the Orphic poems, ocean and nature deities, Dionysus, Arthurian literature, fly agaric as soma, the cosmic egg, and the Boxer Rebellion. Succumb was formed in 2014 by a group of friends with diverse musical backgrounds who share a common love for Canadian death metal, war metal, and 1990s Napalm Death. The band released their self-titled debut album in May of 2017 and received praise from publications around the globe. Blocland called it “one of the year’s most intriguing metal listens” and PopMatters named it one of the best metal albums of the year, citing: “Musrasrik’s insane delivery makes Succumb one of the strongest metal debuts to come out in 2017.” The eight new tracks that comprise XXI are sure to continue this arc of praise.

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Sulfuric Hatred

29,99 €*

Supreme La Rock & Skeme Richards

Release: 2024 / US – Original

Genre: Rock & Indie

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The debut self-titled album by emerging East Coast chaos-mongering warnoise terrorists Sulfuric Hatred (formed by vocalist Alexander Jones of Undeath, guitarist / bassist Liam McMahon of Vile Ritual, and Sam Shereck of Stabbed, Exsanguinated, Bowel Erosion, Blame God, ex-Pink Mass, ex-Reeking Aura etc.) brings a new meaning and purpose to the concept of dehumanizing music and of its forced transmutation into a weapon. Bringing the listener to their knees to surrender, succumb and dissolve before the omnipotency and immensity of absolute armageddon, across its eleven tracks and thirty four minutes of musical terrorism, Sulfuric Hatred experiment on human senses the limits and effects of complete audial insanity. Black metal, grindcore, and death metal in this context can be used as nothing more than simplistic references for the sake of generalization, as the actual and true fabric really materializing this abomination is something that can hardly be associated to music and which is actually closer to pure noise, to other forms of experimental sensorial warfare or to abstract idealizations of pure terror. An underlying contradiction that can not be overlooked defines this senseless display of audial savagery: where in most bands and subgenera of extreme music an antihuman aspect is sought out musically, in the case of Sulfuric Hatred, the formula of bass, guitar, drums and vocals is actually the last human thing standing. The incessant carpet-bombing blasting, the ear-splitting screams, and the mangled, chaotic guitar carnage, in the chaos-torn world of Sulfuric Hatred are nothing but the last shred of humanity left. Everything else being engulfed and devoured in this blown out, noise-broken abomination, is the embodiment of absolute, abstract, and conceptual antihuman bedlam.

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Masters Series: Four Red Vinyl Edition

7" | 2022 | US | Original (Preservation Project)

18,04 €* 18,99 € -5%

Cuffed Collared And Tagged

Release: 2022 / US – Original

Genre: Rock & Indie

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For this limited edition Masters Series release, we enlisted the help of two of the world's heaviest collectors and djs, and champions of the Preservation Project from day one, Supreme la Rock on Side-A, and Skeme Richards on the B-Side.

Both gentlemen tackled reworking and re-editing funky previously unreleased psych songs. Both songs, "Sad Country Boy" on Side A and "Your Mind" on Side B, are by unknown groups and both feature drum breaks intros - perfect for you to cut up, so you're gonna need two copies. We won't be mad at you if you feed the breaks and chop them up either. This one is for the heads.

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Swamp Dogg

LP | 2013 | US | Original (Fat Possum)

12" | 2020 | EU | Original (Kompakt Extra)

Release: 2013 / US – Original

Genre: Organic Grooves

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One of the great characters in rock and soul music is Jerry Williams, better known as the eccentric, idiosyncratic, and always entertaining Swamp Dogg (no relation to Snoop Doggy Dogg). A Virginia native, Williams invented his own legend by claiming that he had little proper schooling, only to wake up one day and find himself a musical genius (his words). Actually, Williams is very talented, and an early association with Jerry Wexler and Phil Walden led to him working for a number of years as a producer, engineer, and occasional songwriter with Atlantic in the '60s. At decade's end, however, he decided that the time was right to unleash Swamp Dogg's singular view of the world on an unsuspecting public. The initial result was one of the most gloriously gonzo soul recordings of all time, Total Destruction to Your Mind. The album's charm may have to do with Dogg's world view: part libertarian politics; part Zappa-style critiques of commerciality and capitalism; and part horny male, the latter defining for better and worse his view of women. Although he spent years working in the industry, Dogg was simply not the standard-issue soul type. And that was good. Dogg continued to make records, albeit infrequently, after 1969, some good, a few great, and most all extremely difficult to find. With contemporary soul sounding increasingly mannered and sterile, Dogg's yelling, screaming, and general craziness is missed. Thankfully, he hasn't disappeared for good, although he only makes records when he feels like it. It would be wise to not count him out; just when you think this Dogg is down and out, he sneaks up and bites you.

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Sycum

Speicher 116

12,99 €*

12" | 2019 | EU | Original (Tilly Jam)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Trends come and go, but our Speicher series has never been shy of releasing futuristic, renegade Trance. Though the hallowed grounds we inhabit may be on pause, we are always slaves to the rave. Welcome the debut from Sycum. An alias from a legendary Berlin musician who needs to remain faceless in order to let the music speak first. So let us dive in. “The Dream” whispers to the early days of UK rave. Ecstasy encoded transmissions are sent via a galactical groove, set out to space amid a constellation of euphoric sounds that make shapes. “Decoded” is built on the foundation of relentless progression – layered with synth built sorcery of the most profound kind.

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T.U.R.F.

Have A Nice Day EP

10,99 €*

Takesi Inomata & Sound Limited

Release: 2019 / EU – Original

Genre: Electronic & Dance

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T.U.R.F. is up next on Tilly Jam with an EP that screams summer. After releases on Exploited and Tensnake´s True Romance imprint the Dutch duo delivered three sample heavy tracks that make you wonder if they have been swindling us and actually hail from Paris. Hella funky jams for those who like their house muzak filtered and their grooves fresh. Enough of the talking, let’s do it like Mr. V once said, ‘Jus Dance Baby’.

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Innocent Canon Black Vinyl Edition

LP | 1971 | EU | Reissue (Cinedelic Orient Series)

Takesi Inomata & Sound Limited

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Original masters licensed by King Records Japan. Includes OBI and insert. 'Innocent Canon' is one of the hopelessly obscure Japanese underground albums that few people know about. It is a kind of unreleased delirious groovadelic soundtrack played by an acid-soaked Japanese big band with powerful drumming, heavy jazz fumes and delirious organ/guitar lines and luminary narration.Inomata was a well-known jazz musician at the time, but like many of his contemporaries, he went off the deep end with psychedelic music between 1970-1972. Upon the release of the record in 1970 there was a great debate among Japanese journalists who tried to catalog a genre to the record. The attempt was in vain. They couldn't figure out what it was. Rock? Jazz? They had to accept that you couldn't always label everything. Takesi Inomata & Sound Limited produce music that has nothing to do with stereotypical genres; they play to bring to life an expression of modern sensibility. The title of the album, "Innocent Canon," is particularly intriguing to analyze in relation to this concept of the fluidity of music. The same can be said of Kano Tenmei, a talented photographer and DJ, who participated in the sessions with the role of a narrator who improvises aloud, and it doesn't matter if you don't understand everything he says; what matters is being able to fit into this complex emotional quest. Sound Limited consists of 10 members, but this number varies often; Inomata always leaves the door open to anyone who wants to join the band founded on a very loose philosophy. The recording process took only 24 hours. Inomata eventually declared, "we managed to create something exciting and interesting (in such a short time)." The album opens with an acidic "Introduction," played with organ, guitar, bass and drums. It is followed by "Funeral," a flute-dominated track over an organ carpet; it is dedicated to Janis Joplin. In a triumph of brass riffs, guitar, sax and drums solos, Kano Tenmei screams "No, No..." in "Rebellion"; a psychedelic funk shake over 7 minutes long. "Toy" is reminiscent of samba, with prominent horns and an electric piano solo. "Melancholy" follows a sick guitar riff over a cha-cha rhythm, with piccolo, sax and organ solos. This is followed by the long "Lonesome" introduced by sitar. The beginning and end of the song are breathtaking, as is the schizophrenic middle section. Closing is the short "Return," a folk ballad with acoustic guitar, whistles, piano and recorders. It is fair to say that this improvisational session produced outstanding results. The artwork is original features some very strange erotic sketches.

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Innocent Canon HHV Exclusive White Vinyl Edition

LP | 1971 | EU | Reissue (Cinedelic Orient Series)

Where You Want To Be Vinyl Me, Please Edition

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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HHV Exclusive edition on white wax, limited to 80 copies worldwide.

Original masters licensed by King Records Japan. Includes OBI and insert. 'Innocent Canon' is one of the hopelessly obscure Japanese underground albums that few people know about. It is a kind of unreleased delirious groovadelic soundtrack played by an acid-soaked Japanese big band with powerful drumming, heavy jazz fumes and delirious organ/guitar lines and luminary narration.Inomata was a well-known jazz musician at the time, but like many of his contemporaries, he went off the deep end with psychedelic music between 1970-1972. Upon the release of the record in 1970 there was a great debate among Japanese journalists who tried to catalog a genre to the record. The attempt was in vain. They couldn't figure out what it was. Rock? Jazz? They had to accept that you couldn't always label everything. Takesi Inomata & Sound Limited produce music that has nothing to do with stereotypical genres; they play to bring to life an expression of modern sensibility. The title of the album, "Innocent Canon," is particularly intriguing to analyze in relation to this concept of the fluidity of music. The same can be said of Kano Tenmei, a talented photographer and DJ, who participated in the sessions with the role of a narrator who improvises aloud, and it doesn't matter if you don't understand everything he says; what matters is being able to fit into this complex emotional quest. Sound Limited consists of 10 members, but this number varies often; Inomata always leaves the door open to anyone who wants to join the band founded on a very loose philosophy. The recording process took only 24 hours. Inomata eventually declared, "we managed to create something exciting and interesting (in such a short time)." The album opens with an acidic "Introduction," played with organ, guitar, bass and drums. It is followed by "Funeral," a flute-dominated track over an organ carpet; it is dedicated to Janis Joplin. In a triumph of brass riffs, guitar, sax and drums solos, Kano Tenmei screams "No, No..." in "Rebellion"; a psychedelic funk shake over 7 minutes long. "Toy" is reminiscent of samba, with prominent horns and an electric piano solo. "Melancholy" follows a sick guitar riff over a cha-cha rhythm, with piccolo, sax and organ solos. This is followed by the long "Lonesome" introduced by sitar. The beginning and end of the song are breathtaking, as is the schizophrenic middle section. Closing is the short "Return," a folk ballad with acoustic guitar, whistles, piano and recorders. It is fair to say that this improvisational session produced outstanding results. The artwork is original features some very strange erotic sketches.

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Taking Back Sunday

LP | 2004 | US | Reissue (Vinyl Me, Please)

35,99 €*

LP | 2024 | EU | Original (Underground Pacific)

Release: 2004 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
For Taking Back Sunday, relationships were war. Those firefights with ex-friends and ex-lovers fueled the fury of Where You Want To Be, the band’s 2004 album. Crowds didn’t sing along to Taking Back Sunday; they screamed along, pointed fingers, and projected every ounce of hormonal angst in their teenage bodies along with the words Lazzara and Mascherino scream-sang. Even after the success of Tell All Your Friends, relationships remained battlegrounds for the band, and Where You Want To Be delivered marching song after marching song.

Rock history is littered with might-have-been’s, one-album wonders, creative differences, and bands that crumbled after one member’s departure. Where You Want To Be is the sound of a band defying the doubters. It’s the sound of being young, making mistakes, and fighting on. Of forgetting differences and chasing a dream. It’s what Lazzara and Mascherino shout together throughout the chorus of “Bonus Mosh Pt. 2”: “It’s love, it’s love, it’s love… make it hurt.”

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Talee

Waiting For Tomorrow EP

11,99 €* 14,99 € -20%

Stand By Your Man Vinyl Me, Please Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Immerse yourself into the psychedelic electronic pop of Talee, a rising Dutch artist weaving together the tapestry of contemporary indie dance with threads of early 90s British contaminated indie rock.

A multi-instrumentalist, previously championed by Disco Halal, Talee is set to unleash his debut EP “Waiting for Tomorrow” on the esteemed Californian label Underground Pacific, promising an unforgettable sonic journey.

Talee’s music transcends the boundaries of genre, seamlessly blending the warm rhythms and catchy melodies of Watherall’s Primal Scream and the lysergic groove of Happy Mondays with contemporary electronic textures.

This debut EP serves as a powerful statement of Talee’s artistic vision, showcasing his unique neo-romantic wave songwriting and great capturing riffs. The release also features an exciting collaboration with the acclaimed Irish Sullivan brothers SX2, who lend their signature touch to a captivating remix of “How High?” recalling the early irreverent and raving Underworld energy. Joining them is none other than Cantor, the musician and producer behind Underground Pacific himself, ensuring a Burning Man sunrise-inspired remix of “Be Here Now”.

The EP’s visual identity mirrors Talee’s artistic creativity with artwork conceptualized by the artist himself, complementing the music and offering a glimpse into Talee’s vibrant inner world.

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Tammy Wynette

LP | 1969 | US | Reissue (Vinyl Me, Please)

33,99 €*

Moongazer Colored Vinyl Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
“Knowing Tammy Wynette’s troubled history, and with 50-plus years of social change since the recording and release of Stand By Your Man, it’s difficult to hear the album and not want to scream: Tammy, get out of there; you’re so much better than him! But that’s not to say that the album, which ascended to No. 2 on Billboard’s Country Albums chart and earned a Country Music Association Album of the Year nomination in 1969, isn’t worth listening to. Wynette’s mournful voice, described by her longtime producer Billy Sherrill as ‘husky and soulful and tearful and dynamic,’ was made for songs like these; frankly, so were her real-life experiences. ‘She lived it, you know. She lived every tear every-body ever heard her sing,’ Sherrill once said of Wynette, and he assembled talented musicians to match her delivery in lush, Nashville Sound-era style.”

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Tenebra

LP | 2022 | EU | Original (New Heavy Sounds)

26,99 €*

LP | 2018 | EU | Original (Music From Memory)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Very limited vinyl pressing, 500 copies in a gatefold sleeve, a printed inner housing white and marbling effect vinyl with full download included. 2nd album by the 4 piece stoner rock powerhouse from Italy, TENEBRA. The band had already made waves on the scene with their debut album 'Gen Nero' before delivering 'What We Do is Sacred' their debut EP for New Heavy Sounds last year,. Moongazer takes the story a stage further with 9 slabs of crushing fuzzed up grooves, fuelled by 70's proto metal, hard rock, punk, psych-blues and noise, loaded with great riffs and melody and topped off by gutsy soulful vocals. Musically, you could say that TENEBRA occupy similar musical terrain to bands such as Graveyard, Witchcraft, Kadaver and other bands of that ilk, but TENEBRA are very much their own beast.. In fact the band bring a clutch of left field influences into their melting pot as well, from June of 44 and Love Battery to the Misfits and the psych grunge of Screaming Trees. Of the 4 members, Claudio (bass), Emilio (guitar) and Mesca (drums) came from the hardcore and post-hardcore squat scene that gathered around Bologna, whereas their formidable vocalist Silvia (the youngest of the crew) is immersed in the underground rock of the '60s and' 70s.. Think Maggie Bell meets Betty Davis with a smattering of Gillan, and you'll be in the right ballpark. So what you get with 'Moongazer' is a band revelling in the spirit of 70's rock rather than recreating it. 'Heavy Crusher' lulls you with its dreamy intro, but it's not long before the riffs hit with Silvia in full effect. This pretty much sets the tone for the record, coiling proto metal riffs, executed with gusto and joie de vivre. And as with every track on this album, Silvia belts it out like she absolutely means it man. 'Cracked Path' continues the journey and ups the heavy fuzz a notch or 2. First heard on 'What We Do Is Sacred' (full length album version). 'Black Lace' is a brooding beast, epic and melodic, almost a ballad, with a heap of soul lurking withi...

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Terekke

Improvisational Loops

LP | 2018 | EU | Original (Ostgut Ton)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Not much to say on this one: Terekke goes ambient for Music From Memory - scream and buy!

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Terence Fixmer

Through The Cortex

14,24 €* 18,99 € -25%

LP | 2022 | EU | Original (Psico)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Terence Fixmer’s path through the changing techno landscape of the past 20 years has been anything but direct. Indeed, the French born producer, musician and Planete Rouge label founder has long been influenced by the periphery of continental European dance music subgenres from electronic body music, new beat and acid, before combining them into his own pioneering hybrid of futuristic, EBM-inflected techno with classic releases such as 2001’s Muscle Machine or the collaborative Between The Devil LP with Nitzer Ebb’s Douglas McCarthy as Fixmer/McCarthy. While the sound in recent years has been rediscovered and recast in diverse contexts by a new generation of producers, Through The Cortex sees Fixmer gravitating toward a different kind of industrial-tinged electronics, led as much (or more) by analogue sequencers, melodies and ultra-saturated sounds of synthesizers than drums and percussion. Across eight tracks at a compact but varied 40 minutes, the LP touches on an aesthetic hinted at in recent Ostgut Ton releases (2016’s Beneath The Skin EP and 2017’s Force EP), revealing a sonic narrative through noisy, screaming synth/vocal riffs with a jagged, guitar- like post-punk sensibility. Through The Cortex is techno with a voice – or rather multiple voices – guiding listeners through hypnotic, space- and social-themed terrain as a kind of dark soundtrack to darker days. The result ranges from the slow John Carpenter-inspired Escape From Precinct 13 funk of “Expedition” and the patient yet muscular stomp of “Fury” to the mesmerizing Suicide-like pop of single “Accelerate”, where Fixmer, using his voice as an instrument, chants the track’s ambiguous title in an invocation of systemic change/collapse. Elsewhere, the story is told with more abstract and wailing vocals like on “Shout in A Black Hole”, or in the warm, entrancing chords floating across the stereo image in ostensibly changing time-signatures on “A Halo Somewhere” – the LP’s uncharacteristically kosmische musik come-down. The track, and Through The Cortex as a whole, reflect what can be described as Fixmer’s idiosyncratic take on both techno subgenres as well as the larger pool of electronic music in general. This broad approach translates into a sound that is not only difficult to pin down, but also one that lends itself to multiple listens.

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Terreno Baldio

32,99 €*

Thoughtless Cruelty Red Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Terreno Baldio is hailed as one of the leading progressive rock bands from the seventies in Brazil, from its surrealistic album art to its equally interesting music, translates the feeling of wasteland to an alternative world of beauty and complexity, achieving worldwide popularity over several essential albums lists. The homonymous work Terreno Baldio, released in 1976, was an active part of a whole scenario of youth suffering from strong political repression, representing in the song Grite (Scream) the desire of all Brazilian society that yearned to express its voice with freedom, being an impressive moment of collective catharsis in their live performances. Originating in Sao Paulo in the early 1970s, it released its debut album in 1976, recorded on 4 channels. Formed by Mozart Mello on guitars, Roberto Lazzarini on keys, Joao Ascençao on bass, Jô on drums and Joao Kurk (Fusa) on vocals and percussion. The band Terreno Baldio was born in 1974, when they got together in a group with the purpose of making progressive rock. Roberto Lazzarini was already playing with Joao Kurk and Joaquim in the Ilanders group, a dance band; Mozart Mello and Joao Ascensao joined there, having met on the recordings of Pete Dunaway's album. Everyone knew and liked King Crimson, Gentle Giant and Yes, wanting to make a more worked sound as a group, thus creating Terreno Baldio.

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Thank

LP | 2023 | EU | Original (Cracked Ankles)

Release: 2023 / EU – Original

Genre: Rock & Indie

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"Utilising phat grooves and electronic scrapings to bring noise rock kicking and screaming into the volatile 2020s, Thoughtless Cruelty is snotty and abrasive, fuelled by impotent rage." JR Moores, The Quietus "A kind of mad melding of Pissed Jeans and Lady Gaga." Dominic Haley, Loud and Quiet "This Leeds band pairs brawny arrangements with furious, bug-eyed vocals." Bandcamp Daily. Thank formed in 2016 out of Leeds' notorious DIY collective CHUNK, cycling through a few lineups before eventually settling on Lewis Millward, Cameron Moitt and Freddy Vinehill-Cliffe (3/4 of short lived riff machines Pink Rick), plus powerhouse drummer Steve Myles (Cattle, Groak, Khuda) and harsh noise/musique concrète polyglot Theo Gowans, better known as Territorial Gobbing. During this time they gained acclaim for the EPs 'Sexghost Hellscape' and 'Please', toured in mainland Europe, and caught the attention of heavy hitters like Idles. The band's debut full length 'Thoughtless Cruelty' was originally released via Box Records (Lower Slaughter, USA Nails, Psychic Graveyard) and Exploding In Sound (Pile, Big Ups, Krill) in February 2022. This release is a stark observation of human cruelty filtered through the band's grim fascinations including long term nuclear warnings, CNN's Turner Doomsday Video (opening song 'From Heaven' is a partial reworking of the Latin verse from 'Nearer My God To Thee', the hymn performed in that video), the writings of Saint Ignatius of Loyola, and the business-as-usual liberal politics which has given way to the global rise of the far right. Clear influences can be heard throughout the album; Xiu Xiu in the looped 808s of 'Plausible Deniability' and the chaotic xylophones of 'Paris Syndrome', The Body in the layers of dense distortion smothering 'A Social Contract' and 'Punching Bag', and These New Puritans in the blunt syncopation of 'From Heaven' and the sparse grandeur of 'No Funeral'. The initial run of 'Thoughtless Cruelty' sold out on vinyl almost immediately, with the cassette release...

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Daddy’s Groove / Let me Be Your Lover

7" | 2017 | EU | Original (Schema)

Release: 2017 / EU – Original

Genre: Organic Grooves

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The Afro Soul Prophecy project welcomes the Spring of 2017 with a series of two exclusive 7-inch records, for a total of four fully instrumental new compositions. This second 45rpm of the series consists of the main track “Daddy’s Groove”, a catchy funky song with wah-wah guitars and a long middle sax solo part, paired with the romantic slow-paced “Let Me Be Your Lover”. Once again Alex Puddu has lent his creativity and put his music signature on these tracks, for an exciting and charming result!

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LP | 2021 | EU | Original (Schema)

Heat In The City

22,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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Conceived and produced by Luciano Cantone, co-founder of Schema Records, and written by Alex Puddu, The Afro Soul Prophecy is a musical project that stands out of time and trends and that finally releases a full-length after some 2017 singles/Ep’s. “Heat in the City” is an almost completely instrumental black funk music-based album, that often indulges in afrobeat, latin, disco and urban blaxploitation music. The multi-ethnic nature of this project ensures a multifaceted work, where the music language has been able to unite musicians from all over the world.

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Red Light District / The Game Of Love

7" | 2017 | EU | Original (Schema)

Release: 2017 / EU – Original

Genre: Organic Grooves

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The Afro Soul Prophecy project welcomes the Spring of 2017 with a series of two exclusive 7-inch records, for a total of four fully instrumental new compositions. This first 45rpm consist consists of the main track “Red Light District”, a rare groovy funk effort tinged with catchy brass melodies, backed with the slower, mellow and sensual “The Game of Love” – yes, the title says it all! Once again Alex Puddu has lent his creativity and put his music signature on these tracks, for an exciting and charming result!

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10" | 2017 | EU | Original (Schema)

The Devil Made Me Do It

13,99 €*

7" | 2021 | UK | Original (Jalapeno)

Release: 2017 / EU – Original

Genre: Organic Grooves

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Inspired by the music of Fela Kuti and his Africa 70 project feat. drummer Tony Allenl, “The Devil Made Me Do It” is pure downtempo afro beat in its original version; the first remix here included, the “Invisible Cosmic Echoes”, has a slower pace and is characterized - as the title suggests - by reverberations and space sound, while the “Invisible Astral Wave” is perfect for a DJ remix and has got a slightly accelerated pace, with an emphasis on the percussive / tribal element.

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The Allergies

Lean On You

17,99 €*

This Constant Chase For Thrills

Release: 2021 / UK – Original

Genre: Hip Hop

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Despite the troubles globally faced in 2020, it's safe to say that The Allergies bucked the trend and came back by ultimately having a rather glorious year. Releasing their fourth stu-dio album, achieving the 'A List' on BBC Radio 6 Music and Radio Eins in Berlin, climbing high in the Nacc US college charts, and generally receiving critical acclaim from a world that had an understandable appetite for some joyful and fun music in their lives.

2021 shows no signs of things slowing down. The heat continues for their 2020 album Say The Word with Pioneer, Liptons and Iams all taking Allergies tracks for their global advertis-ing campaigns. Rather than rest on their laurels, though, the guys went full lockdown crea-tive and have their fifth album due for release in September, 2021.

"Jumping Off" was the first new track from the album to be debuted at the end of 2020 â€“ A self-sampling version of their 2018 track "Main Event". As with all Allergies tracks of late, the limited 7" release caused a Discogs feeding frenzy.

Now, The Allergies power forward with the first single of the 2021 album campaign â€“ An absolute dancefloor destroyer featuring legend of the mic, Dynamite MC, entitled "Lean On You".

The Allergies first hooked up with Dyna on previous album Say The Word for the fan favour-ite "Hot Sensation". But, scheduling clashes with Dynamite's own album release meant that a single outing for that track was not possible.

No such issues this time round means The Allergies kick off their 2021 album with a serious club and radio contender to move things to the next level.

It's a stylistic new lane for the Bristol-based beatmakers. Their trademark heavy drum chops now flowing on half time tempos, with blues guitars riffs front and centre. The perfect back-ing, then, for the UK rap legend to find his theme and raise the roof.

The 7" is backed by "Working On Me" â€“ A classic Allergies-style screamer with a taste of funky swamp rock, updated for your favourite dancefloor/kitchen/outside space, with five other peopleâ€¦

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The Aloof

2LP | 1999 | UK | Reissue (Acid Jazz)

The Beatles White Album 50th Anniversary Edition

Release: 1999 / UK – Reissue

Genre: Electronic & Dance

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The Aloof formed in 1990 and forged a reputation as one of the hardest working bands around. While other acts incorporated an electronica into a general rock sound in the early ‘90s, The Aloof were always a pioneering electronic act. Touring alongside the likes of Massive Attack and Leftfield, they released three albums with Warner’s EastWest label: Cover The Crime (1994), Sinking (1996) and Seeking Pleasure (1998). After parting ways with Warner, they were in charge of their own destiny, and formed their own ‘Screaming Target’ label as they set about making a new record.

The resultant album ‘This Constant Chase For Thrills’ has established a reputation as a cult classic, but internal struggles and the wider pressure of the industry meant it didn’t get the coverage it deserved. Despite this, ‘So Good’ became a radio hit after featuring on the US version of Queer As Folk, and remains a fan-favourite. In anticipation of the release, it has finally issued as a single, setting the tone for the full reissue of the LP on Acid Jazz Records.

Defined by a positive DIY spirit as the band moved on their own, This Constant Chase For Thrills, has an Ibiza and Balearic feel, alongside its dark, moody and atmospheric moments. Aside from ‘So Good’ – described as ‘a dark cloud being lifted’ by founding member Dean Thatcher – there is the late night intensity of ‘Doing It For Money’, describing the need to make ends meet in difficult circumstances, which gained attraction when first released. Meanwhile, closing tune ‘Painted Face’ is arguably the album’s standout, infused with wide-eyed psychadelia and open adventure.

“I think ‘Constant Chase For Thrills’ was a return to form for The Aloof and I’m really chuffed this album is going to see the light of day properly and finally get the exposure it deserves” - Dean Thatcher, The Aloof.

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The Beatles

2LP | 2018 | EU | Original (Apple)

50,99 €*

The Morning Papers Have Given Us The Vapours Record Store Day 2024 Yellow Vinyl

Release: 2018 / EU – Original

Genre: Rock & Indie

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Standard 2LP Vinyl:
- The Beatles (‘White Album’) 2018 stereo mix
- 180-gram 2LP vinyl in gatefold sleeve with faithfully replicated original artwork

In November 1968, millions of double LPs were shipped to record stores worldwide ahead of that tumultuous year’s most anticipated music event: the November 22nd release of The BEATLES (soon to be better known as ‘The White Album’). With their ninth studio album, The Beatles took the world on a whole new trip, side one blasting off with the exhilarating rush of a screaming jet escorting Paul McCartney’s punchy, exuberant vocals on “Back In The U.S.S.R.” “Dear Prudence” came next, John Lennon warmly beckoning his friend and all of us to “look around.” George Harrison imparted timeless wisdom in “While My Guitar Gently Weeps,” singing, “With every mistake we must surely be learning.” Ringo Starr’s “Don’t Pass Me By” marked his first solo songwriting credit on a Beatles album. For 50 years, ‘The White Album’ has invited its listeners to venture forth and explore the breadth and ambition of its music, delighting and inspiring each new generation in turn.

On November 9, The Beatles will release a suite of lavishly presented ‘White Album’ packages (Apple Corps Ltd./Capitol/UMe). The album’s 30 tracks are newly mixed by producer Giles Martin and mix engineer Sam Okell in stereo and 5.1 surround audio, joined by 27 early acoustic demos and 50 session takes, most of which are previously unreleased in any form.

“We had left Sgt. Pepper’s band to play in his sunny Elysian Fields and were now striding out in new directions without a map,” says Paul McCartney in his written introduction for the new ‘White Album’ releases.

This is the first time The BEATLES (‘White Album’) has been remixed and presented with additional demos and session recordings. The album’s sweeping new edition follows 2017’s universally acclaimed Sgt. Pepper’s Lonely Hearts Club Band Anniversary Edition releases. To create the new stereo and 5.1 surround audio mixes for ‘The White Album,’ Martin and Okell worked with an expert team of engineers and audio restoration specialists at Abbey Road Studios in London. All the new ‘White Album’ releases include Martin’s new stereo album mix, sourced directly from the original four-track and eight-track session tapes. Martin’s new mix is guided by the album’s original stereo mix produced by his father, George Martin.

“In remixing ‘The White Album,’ we’ve tried to bring you as close as possible to The Beatles in the studio,” explains Giles Martin in his written introduction for the new edition. “We’ve peeled back the layers of the ‘Glass Onion’ with the hope of immersing old and new listeners into one of the most diverse and inspiring albums ever made.”

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The Black Watch

LP | 2024 | UK | Original (Dell'orso)

22,99 €*

Quarta Pagina (Poliziesco) Deluxe Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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The Morning Papers Have Given Us the Vapours was made with the black watch bandmates and producers/engineers Rob Campanella (Brian Jonestown Massacre, The Tyde, The Warlocks) and Andy Creighton (The World Record, Parson Red Heads). Ben Eshbach, formerly of The Sugarplastic, arranged the strings. Kesha Rose guests on lead vocals on the second single, Oh Do Shut Up. And the great Lindsay Murray once again lends her beautiful backing vox to a number of tracks.

the black watch songwriter/frontman John Andrew Fredrick wrote the ten songs on this, his Los Angeles-based band's latest album, entirely unselfconsciously, with no set goal in mind other than to revel in the joy of songwriting, and, eventually, the luxury of recording his music with his more-than-accomplished band. The Morning Papers Have Given Us the Vapours, produced separately and together by Rob Campanella and Andy Creighton evinces the black watch's often stunning ability to, as Andy Gill once observed in The Independent, "find chaos in the calm, melody in the miasma."

Fredrick, who has also published four comedic novels and a book on the early films of Wes Anderson, jovially describes himself as "a recovering Anglophile--one who'll never, one hopes, fully recover." From his home studio in the Angeleno Heights district of L.A., he waxes eloquent about how being branded, as it were, as a too-ardent lover of British music, film, and literature has left him as bemused as has the tag "prolific" that is often affixed to reviews of his work.

"I just don't think it's all that interesting to note that we've made so many records. Looked at one way, it's a sort of deflection from talking about the timbre if not the quality of the individual songs. Though I know it can be intimidating for fans who've just discovered us--a sort of 'My goodness, where do I start with this band that has put out LPs since 1988?' I get it. I do. I picture someone standing at our slot at a bin at a record store becoming overwhelmed at the prospect of picking the 'wrong' title. And then walking away and not picking up anything from us!" Fredrick laughs. "What can you do indeed?"

He started his career as a songwriter as a result of an American Football injury that left him bedridden in the home he grew up in in Santa Barbara, California. The year The Beatles immortal double-album came out at Christmastime he broke his leg so badly that he had to be home-schooled for an entire year. His parents, ex-teachers themselves, refused to let him watch telly for more than an hour a day. He propped a Silvertone acoustic on top of the massive cast that screamed all the way up to his thigh from his toes, and began to write little melodies and lyrics that, doubtless, did not in the least mask his love for the Fabs, The White Album in especial.

And he read and read and read--histories of the American Revolution and Civil War, mostly, and as many Dickens novels as his mum and dad could bring him. "That year," Fredrick observes, "surely made me who I am today. Proof that intensely unfortunate-seeming events can prove most fortunate. As a sport-mad kid, it made me absolutely mental that I was exiled from the activities I loved most and the school teams I played on. What a blessing undisguised that injury was! Not that I'd like to experience anything like it ever again, mind you."

Fredrick can even recall a few of the melodies he wrote as boy ("Utterly trite, of course, completely jejune"); and in a way, The Morning Papers Have Given Us the Vapours showcases a kind of get-back-to-where-you-once-belonged sensibility. "I didn't intend, this time, to make an album per se. I write both songs and fiction in order to find out what happens, to find out what I might want to say," he notes. "Rob often asks me what a particular song is about; and I often reply that I either don't know, or would prefer that others say. Same thing goes for when people ask me where they should start with our discography. I never know what to say. Our LP from 2011, Led Zeppelin Five (remastered in 2021 for its tenth anniversary), has been our best seller, I think--but that may be because some stoned Zepheads thought their gods had perhaps put out a record they'd missed!"

Despite being deadly serious about music-making, TBW's been known to either whimsically or perversely title their albums. Examples: Jiggery-Pokery (an allusion to John Lennon assessing George Martin's productions), After the Gold Room (a pun on the Neil Young classic plus a local eastside L.A. watering hole), Sugarplum Fairy, Sugarplum Fairy (echoing Lennon's famous count-off to A Day in the Life), Fromthing Somethat (a garbled spoonerism/lyric while doing a vocal), Brilliant Failures (the 2020 release that, along with Fromthing Somethat, was named Album of the Year by venerable indie rock magazine The Big Takeover), and the aforementioned LZ5.

For the new LP, the band recruited longtime friends and allies Ben Eshbach (the Emmy-Award-winning frontman of The Sugarplastic) and Lindsay Murray (Gretchens Wheel) to compose and arrange strings and sing heaps of lovely backing vocals, respectively.

And the result? A collection of songs that Fredrick, in his quite-but-not-quite self-deprecatory way, might call another set of brilliant failures. "Every song, every LP we do, is a failure of sorts--no matter how powerful or beautiful or pleasing-to-us it turns out," John concludes. "I have often said that my aim is to write songs as good as anything on The Beatles... and I will never achieve my goal. And thus I'll have to keep at it, keep trying. And chin-chin to that!"

And now your attention's been brought to a band (or you've heard of them or heard a track or two down the years) that has been pegged by The L.A. Weekly as "a national treasure" as well as "the most criminally-neglected indie pop group imaginable."

So here's to the prospect of that ostensible neglect becoming as much of a thing of the past as John Andrew Fredrick's year-long stint in bed.

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The Braen's Machine

LP+CD | 2015 | EU | Original (Schema)

20,99 €*

LP+CD | 1973 | EU | Reissue (Schema)

Release: 2015 / EU – Original

Genre: Rock & Indie

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Quarta Pagina (Poliziesco) is an unique obscure recording by The Braen's Machine Now available for all music library lovers." - Despite a long series of reissues and rediscoveries that are throwing the ultimate light on one of the most fascinating and enigmatic periods of Italian music history - that of sonifications - the project that goes by the name Braen's Machine continues to evade categorization, and positive information. If you are among the many who got their hands on the beautiful "Underground", republished by Schema a few months ago, you will already know of the involvement of, among others, Piero Umiliani, Alessandro Alessandroni - the name Braen seems to be his alias - and Oronzo (Rino) De Filippi, real name of the other credited author, the mysterious Gisleri. For this new chapter from Braen's Machine, the beautiful and hard to come by "Quarta Pagina (Poliziesco)", published apparently in 300 copies, there are few available pieces of information, pointing to an involvement of Giuliano Sorgini, hidden under the name of Raskovich, and author of five out of the eleven tracks on the release.

The lack of reliable information and the enigmatic flavor surrounding the project Braen's Machine, as opposed to the ease with which the music allows us instant identification, are among the secrets that make their records unique. Unlike "Underground", "Quarta pagina" portrays with great skill some possible - who knows if they ever have been realized - crime scenes, with hard-boiled and dark atmospheres, alternating with the psych funk rides that have always characterized many of the projects related to the Italian cinematic genre. All this without excluding, however, avant-garde attitudes and atonal passages that makes "Quarta pagina (Poliziesco)" comparable to the best pages of the Gruppo d'Improvvisazione Nuova Consonanza.

The track titles, fascinating as usual, tell of "Fraud", "Shadowing", "Remorse", "Soliciting", and emphasize decisive moments as in the case of "The Victim", "On the Run" or "In Prison", while the indications that accompany the pieces will be a treat for fanatical collectors of sonifications. It's not that hard to imagine situations of "exotic full moon, preparation for a violent action, spiritualism, facing fear, sexual freedom, preparation for a revolt" while listening to these precious eleven tracks, which alternate between "slow and animated". And, believe it, you don't even need a dose of LSD (as per the advice of "The Den") in order to travel back to 1971, the year of the album's first release. A page 4 ("Quarta pagina") crime story perhaps, but a legacy of sound that largely deserves a nine-column headline on the front page ...

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The Braen's Machine

Temi Ritmici E Dinamici

The Brian Jonestown Massacre

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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“Temi ritmici e dinamici” offers brighter, less psychedelic atmospheres, leaving room to beat sounds,
to a swinging rhythm section, to the Hammond organ and even to moog and synthesizers. Despite a
lighter and an almost purely entertaining context, the album also allows for experimentation, as can be
heard in the two songs that close both sides: “Esercizi Ginnici” and “Aspetti Grotteschi”.

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Don't Get Lost Black Vinyl Edition

LP | 2017 | EU | Reissue (A)

Are You My Woman (Tell Me So) / Stoned Out Of My Mind

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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Now available again on 180 grm black Colored Vinyl 2LP .Don't Get Lost was fully recorded & produced at Anton's new Cobra Studio in Berlin. It is the 16th full length release from the Brian Jonestown Massacre recorded from March 2016 to October 2016. With band members Ricky Maymi, Dan Allaire, Collin Hegna & Ryan Van Kriedt. Also Emil Nikolaisen from the Norwegian band Serena-Maneesh & Pete Fraser (The Pogues, New Young Pony Club) on saxophone joins the band on this album, plus vocal performances from Tim Burgess (Charlatans), Tess Parks and Shaun Rivers. A new dynamic is heard on this album mixing the shoegaze/psychedelic sound with more experimental twists on some tracks you might hear PIL (Metalbox), Primal Scream, or even Ornette Coleman. 14 tracks that will twist and turn through the known and the unknown Brian Jonestown Massacre.

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The Chi-Lites

7" | 2019 | EU | Original

12,99 €*

Somewhere Beyond The Rainbow

Release: 2019 / EU – Original

Genre: Organic Grooves

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Serious ‘70s Chi-lites business, remastered officially from the Brunswick back catalogue.
Infamously sampled by Beyonce for her ‘Crazy In Love’ hit, ‘Are You My Woman (Tell Me So)’ is a huge slice of soulful, funk gold. Marrying Eugene Record’s falsetto alongside Creadel "Red" Jones' animated bass tones it screams flash, feel-good, funk - none more so than when the collective combine for those delectable vocal harmonies. Woven in behind - a heavy bassline, masterful drumming and that crazed horn section, creating a certified recipe for deep-seated desire.
The flip see’s the sumptuous ‘Stoned Out Of My Mind’ demonstrating, once again, Record’s magical falsetto, delivered in such a personal way you’ll leave thinking you’re the one who’s gone messed up his mind. Enhanced even further by the dazzling string and horn sections and those choice group harmonies, it’s got a psychedelic tinge to it that serves its namesake all too well.

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The Chords

EP | 2023 | UK | Original (Guns Of Brixton)

Parasite EP Limited Edition Colored Vinyl

Release: 2023 / UK – Original

Genre: Rock & Indie

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The second incarnation of the mythical band of the eighties mod revival, active since 2013 under the leadership of Chris Pope. The English band offers us 4 tracks full of power-pop, punk 77 rage and classic melodies. The Chords UK are back in action with a new EP that keeps the bar high when it comes to punk-influenced power pop. The title track of the EP was originally composed and worked on in 1985 for the Arista label, with the collaboration in production of Tony James (Generation X, Chelsea...). It finally remained unreleased and is now, at last, seeing the light of day once re-imagined, re-arranged and re-recorded in April 2023. It's a fearsome shock of rock'n'roll rhythm and sharp, angular guitars with more than a nod to late 70's The Clash, all wrapped up in infectious vocal harmonies and anthemic choruses. "Veronica Jones" is a new mix of the celebrated cut from the band's 2022 album "Big City Dreams". This track was born as a punchy modern folk song, as it tells the story of a girl who is clearly out to have a good time, but this version is elevated with a garage rock approach, ably assisted by the keyboard talents of Mick Talbot, formerly of The Style Council and Merton Parkas. "Before Elvis" has its origins in a 2014 demo that eventually remained unreleased and is a raging rock track with a Stones-style beat and amps pushed to the limit. The EP closes with "All I Want is Everything" a high-tempo rock'n'roll reworking of the song that previously appeared on their 2018 album "Nowhere Land", with the bass-driven beat rising several notches as the guitar screams and wails.

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The Coathangers

12" | 2017 | EU | Original (Suicide Squeeze)

12" | 2002 | DE | Original (Kontor)

Release: 2017 / EU – Original

Genre: Rock & Indie

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Parasite kicks off with the title track, a rowdy throwback to a younger, angrier
incarnation of the band. Crafted in the wake of the election and during a tumultuous
period in the band members' private lives, "Parasite" is pure catharsis. "During the
making of our last album, I didn't want to scream anymore, I just wanted to sing and
focus on melody. When we came to this recording, I just wanted to scream and
curse," says guitarist/vocalist Julia Kugel. If the EP is meant as a journey through the
various stages of the band's career, it certainly storms out of the gate with the same
kind of piss-and-vinegar of their eponymous debut. And while "Wipe Out" is another
rowdy venture, with bassist Meredith Franco taking over the lead vocal duties over a
steady barrage of pointed power-chords, it also showcases the rousing choruses that
elevated the trio from underground heroines to an internationally renowned garage
act. Despite the adverse times, The Coathangers' mastery of pop cannot be contained
forever, as is evident in the EP's single "Captain's Dead", with its sultry verses,
triumphant chorus, and a bombastic freak-out of noisy guitar. The journey through
The Coathangers' musical evolution leads to a revamped version of "Down Down" off
2016's Nosebleed Weekend LP and the smoky twang of "Drifter", in which
drummer/vocalist Stephanie Luke demonstrates her knack for solid Dusty Springfieldstyle
ballads.

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The Committee

Scream & Shout

3,99 €*

Release: 2002 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

12" | 2000 | BE | Original (Legato)

The Committee

Scream & Shout

3,99 €*

Release: 2000 / BE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

The Cutthroat Brothers & Mike Watt

The King Is Dead Black Vinyl Edition

LP | 2022 | EU | Original (Hound Gawd!)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Dressing The Corpse Clear & Blue Vinyl Edition

The Dark

LP | 2023 | US | Original (Scat)

Hello, We Love You! The Big Beat EPs

Release: 2023 / US – Original

Genre: Rock & Indie

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The Dark were a Cleveland hardcore / deathrock hybrid that in many ways was ground zero for The Guns, Spike in Vain, Knifedance, and several more beyond. For The Dark’s first ever vinyl album Dressing The Corpse, Scat has collected highlights from sessions recorded between 1981 and 1984 that range from savage post-punk (imagine Venom covering Warsaw), to raging exacto-knife thrashers, deathrock, and proto-black metal —there’s even the requisite creepy, atmospheric instrumental to open the album (“Beyond The Ice”)—which is naturally followed by “Fire In The Church.” Then things go other places, the group covered a lot of ground in its two and a half years and were always ahead of the curve.

Although the band’s median age ranges from fifteen to seventeen across these recordings, the rhythm section is second to none. The guitar playing is way further afield than most hardcore bands of the era. Namesake vocalist Tom Dark howls like a wolf, and could command a stage like few others. To be fair, the band’s youth does make itself known in some of the lyrics, but otherwise you’d never guess this was just a bunch of kids—it needn’t be graded on a curve.

The Dark had auspicious beginnings. They cut their teeth as The Decapitators in 1979, learning to play at the feet of the electric eels, Pagans, Dead Boys, and Cramps. After a year off, the four reformed to play only originals as The Dark, and almost immediately Mike Hudson of the Pagans wanted to manage the band. Included here is a demo Hudson recorded just three weeks after the band’s first practice. Hudson only lasted a year, but it was a hell of a start. The majority of the recordings on Dressing The Corpse are culled from the band’s 1984 album Scream Until We Die, which was not released until 2006 when Grand Theft Audio did a comprehensive double CD version of it. Included here are a few of the best non-album tracks from that release as well. Previously unreleased tracks include the aforementioned Hudson demo, as well as a previously unknown second demo from early 1982, ably representing the pre-thrash version of the band.

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The Delmonas

10" | 2021 | UK | Original (Big Beat)

22,99 €*

Release: 2021 / UK – Original

Genre: Rock & Indie

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The tracks from the group’s two 1984 EPs together on a swanky 10-inch vinyl LP. Inner bag features liner notes by Kris Needs incorporating new interviews with all three Delmonas and a series of great photos by Eugene Doyen.

Sarah Crouch, Hilary Wilkins and Louise Baker started singing together as a unique spark of spontaneous magic inextricably linked to their boyfriends in the Milkshakes, then rocking a garage-punk antidote to shiny synth-pop and brash chart stars with a direct lifeline back to rock’n’roll’s original simplicity and wildness. After Billy Childish and Bruce Brand formed the Pop Rivets in 1978, the guys hooked up with Micky Hampshire and Russell Wilkins to found the Milkshakes. Sarah shared a student house with boyfriend Micky plus Billy. After she and Hilary, then dating Russell, sang backing vocals on the Milkshakes’ rollicking Beatles-translated take on the Shirelles’ ‘Boys’, Louise’s arrival turned them into a girl group pretty much by accident.

“I loved the music the Milkshakes were playing,” Louise recalls. “Loved the small, intimate venues and most of the bands that played with them, especially the Prisoners. I’d gone with the Milkshakes to Belgium and was somehow persuaded to get up on stage and sing something. Next thing I knew, there was some kind of plan to get the three of us in the studio.” At first the three girls were called the Milk-boilers, renaming themselves the Delmonas by the time Ace Records’ Roger Armstrong and Ted Carroll suggested recording the EPs that furnish this collection. “I think we were asked to each think of three songs and turn up,” says Louise. “I mostly listened to music from the 60s: lots of girl groups, Irma Thomas, Dusty Springfield, Bo Diddley, Velvet Underground, Kinks. Bruce had the best record collection; Mel Tormé was in there somewhere and one of my faves. Sarah came up with doing the Doors cover.”

‘Comin’ Home Baby’ was written as an instrumental before Bob Dorough added lyrics and Mel Tormé recorded it in 1962. The Delmonas’ finger-clicking, noir-dynamic version kicked off their first EP with authentic-sounding 60s production resonance, iced with mysterioso organ. The Cookies scored a hit with Goffin & King’s ‘Chains’ in 1962, the Beatles’ version providing the Hamburg Star-Club template for the Delmonas’ energised rendition. The first EP, “The Delmonas Volume 1”, rounded off with two songs from the Childish-Hampshire songwriting partnership: ‘Woa’ Now’ and ‘He Tells Me He Loves Me’, the latter recalling the New York Dolls covering the Shangri-Las’ ‘Give Him A Great Big Kiss’, mainly because it has similar chords.

“The Delmonas Volume 2” opened with Sarah’s idea of covering the Doors’ hit. “We thought, ‘How would the Kinks have played it?’” she affirms. ‘Hello, I Love You’ had got the Doors into hot water with the Kinks’ publishers for its resemblance to ‘All Day And All Of The Night’. The Delmonas home in and highlight that similarity, adding bonkers psychedelic drop and evocative new coda. Their surf-tinged version of the Milkshakes’ ‘I’m The One For You’ is followed by the swampy screaming of ‘Peter Gunn Locomotion’, a cover of a 1963 single by Freddie Starr in his pre-stand-up comedian days as singer with the Midnighters. The set closed with the sultry organ-led vamp of the Milkshakes’ ‘I Want You’, the nearest the Delmonas get to the slowies Sarah helpfully points out they referred to as “shag songs”.

All these tracks would re-appear on their “Dangerous Charms” album, along with out-takes and recordings from a BBC session, before the original trio splintered, leaving Sarah and Hilary to return for further adventures as Ludella Black and Ida Red. The eight tracks here capture a moment when three fun-loving friends got to live out some musical fantasies and had a blast doing it. 37 years later, it sounds just as contagious.

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LP | 2020 | EU | Original (Schema)

Art Is A Cat

Release: 2020 / EU – Original

Genre: Organic Grooves

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After a 5-year long hiatus, cinematic music heroes The Dining Rooms are back with one of their most complete and innovative release ever, the 8th one made in collaboration with Schema Records.

This is probably one of the most interesting albums from the Milanese duo, that still carries the classic Dining Rooms trademark, but also sounds very contemporary and fresh.

Includes collaborations with Sean Martin, Georgeanne Kalweit, Lola Kola, Beatrice Velasco Moreno and Rahma Hafsi on vocals.

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Experiments in ambient soul

LP | 2005 | EU | Original (Schema)

21,99 €*

Release: 2005 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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9 tracks

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2LP | 2007 | EU | Original (Schema)

Ink

Release: 2007 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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LP | 2024 | EU | Original (Schema)

Songs To Make Love To

22,79 €* 23,99 € -5%

Release: 2024 / EU – Original

Genre: Organic Grooves

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“Songs to Make Love To” is the 10th studio album by The Dining Rooms (Stefano Ghittoni and Cesare Malfatti), extending the Milanese duo’s classic sound legacy among psychedelic folk, cinematic atmospheres and hip hop-inspired downtempo rhythms. As always divided into instrumental and vocal tracks, it is entirely played and produced by Stefano and Cesare and features guest appearances on vocals by Chiara Castello (I’m Not a Blonde), Egeeno (of the Roman collective Tropicantesimo) and labelmate Tomaz Di Cunto aka Toco. “Songs To Make Love To” talks about love and relationship dynamics in every aspect, but also explores anthropological and ethnomusicological themes by making use of field recordings. “Songs To Make Love To” talks about love and relationship dynamics in every aspect, but also explores anthropological and ethnomusicological themes by making use of field recordings.

“Songs To Make Love To”, whose artwork was made with works by artist Tatjana Zonca, talks about love and the explicit act of loving each other, but also and especially about the construction of love, the dynamics of love relationships inside and outside the couple, free and liberated love, without constraints and outside the concept of possession. A further peculiarity that contributes to the uniqueness of “Songs To...” is the in-depth exploration of anthropological and ethnomusicological themes, particularly dear to Alan Lomax: the classic TDR sound therefore blends, especially in the instrumental tracks, with classic field recordings of sounds from the Genoese carruggi, the Milanese dockyard, the Spanish quarters of Naples and cities such as Istanbul and São Paulo.

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Subterranean Modern Volume 1 25th Anniversary Edition

2LP | 1999 | EU | Reissue (Schema)

31,99 €*

Release: 1999 / EU – Reissue

Genre: Hip Hop, Organic Grooves

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This 25th anniversary commemorative reissue of The Dining Rooms’ debut album “Subterranean Modern Volume Uno” is an essential release of an album that has become a true classic of instrumental cinematic hip hop through the years, the very first step in a constant evolution of a unique music style conceived by Stefano Ghittoni and Cesare Malfatti. Thanks to this double LP release various songs of the original full album appear on vinyl for the very first time. This reissue also includes a 30x30cm insert and the bonus track “Education of a Scoundrel” featuring Sean Martin on vocals.

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LP | 2003 | EU | Reissue (Schema)

Tre 2024 Repress

31,99 €*

Release: 2003 / EU – Reissue

Genre: Hip Hop, Organic Grooves, Electronic & Dance

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“Tre” is cinematic/trip hop duo The Dining Rooms’ third re¬cord, and their first on Schema Records. Originally released in 2003, it contains songs that have been synchronized in popular TV series (C.S.I. Miami, Six Feet Under, Sex and the City) and it’s finally available again on vinyl!

For long time out of stock - finally a new reissue to give light to one of the most important albums by the Milanese duo Cesare Malfatti and Stefano Ghittoni aka The Dining Rooms “Tre” (3) was also released in America by Chicago's Guidance Records. One of the most represented albums of the trip hop scene again available in a double LP format

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When You Died Feat. Sean Martin

7" | 2019 | EU | Original (Schema)

10,99 €*

Scandinavian Thunder Black Vinyl Edition

Release: 2019 / EU – Original

Genre: Organic Grooves

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Four years after their latest release – SCEB925LP/CD / “Do Hipsters Love Sun (Ra)?” – the most cinematic duo in town is coming back in Autumn 2019 with a new full-length record called “Art Is A Cat”, anticipated by the first single “When You Died”, released as a 7-inch with two versions of the same song.
Side A contains the album version of “When You Died” and features singer Sean Martin on vocals – yes, the same one that sang on the band’s super classic number “Tunnel” back in 2003! A funk song with a ’70s psychedelic taste, with an emphasized groove typical of some American rock bands such as Black Merda.
Side B includes a rework of the same composition made by Massimo Martellotta (Calibro 35), who transformed the original track into a compelling disco soul midtempo tune.
Are you ready to dance?

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The Drippers

LP | 2022 | UK | Original (The Sign)

Scandinavian Thunder Transparent Red Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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Following the success of their praised debut album ”Action Rock” from 2019, the Gothenburg power trio returns with an album that’s more furious and action-packed than ever before. With all knobs turned to eleven, the band delivers an uncompromising discharge of raw power. An intense dual vocal attack with screaming guitars, thunderous bass and hammering drums. The Drippers second album Scandinavian Thunder delivers Action and Garage Rock like we have not heard in years.

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The Drippers

LP | 2022 | UK | Original (The Sign)

LP | 2023 | EU | Original (Pelagic)

Release: 2022 / UK – Original

Genre: Rock & Indie

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The Gorge

Mechanical Fiction

Mechanical Fiction Orange Red Marble Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Born from their shared love for heavy music and 20 years of experience in playing together, THE GORGE consists of four jazz musicians who use the project as a creative outlet besides their day jobs as session musicians and music educators. Triangulating the chaotic yet groovy energy and the guitar masterclass of Botch with the riffage of Mastodon and the nimble instrumental intricacy of Animals as Leaders or Intronaut, Mechanical Fiction is an immensely ear-pleasing collection of tasty riffs and complex compositions that are nonetheless free-flowing like a river smoothly carving its winding path through a rugged landscape.With their third full-length album, THE GORGE take you on a giant voyage of discovery from which an incredible amount of joy can be experienced. Besides being wizards at their instruments, the quartet from St. Louis also prove to be incredible composers who know when to shine and when to take a step back, which is a rare feat in progressive music these days. The final track «Wraith» offers a sublime moment in which the band's compositional skill and emotional lyrics come together to offer one last opportunity for respite and consideration. Among the giant synthesizers, slow syncopated riffing and dying screams we are all laid to rest with our faces towards the sunset. Having come to the end of a life's journey, THE GORGE ofer us the thing that we have all longed for: release from the bonds of our Mechanical Fiction.FOR FANS OF Mastodon, Intronaut, Botch, Between the Buried and Me, The Dillinger Escape Plan, Meshuggah, Animals As Leaders

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The Gorge

LP | 2023 | EU | Original (Pelagic)

God's Children / Spanish Doors

Release: 2023 / EU – Original

Genre: Rock & Indie

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Born from their shared love for heavy music and 20 years of experience in playing together, THE Gorge consists of four jazz musicians who use the project as a creative outlet besides their day jobs as session musicians and music educators. Triangulating the chaotic yet groovy energy and the guitar masterclass of Botch with the riffage of Mastodon and the nimble instrumental intricacy of Animals as Leaders or Intronaut, Mechanical Fiction is an immensely ear-pleasing collection of tasty riffs and complex compositions that are nonetheless free-flowing like a river smoothly carving its winding path through a rugged landscape. With their third full-length album, THE Gorge take you on a giant voyage of discovery from which an incredible amount of joy can be experienced. Besides being wizards at their instruments, the quartet from St. Louis also prove to be incredible composers who know when to shine and when to take a step back, which is a rare feat in progressive music these days. The final track «Wraith» offers a sublime moment in which the band's compositional skill and emotional lyrics come together to offer one last opportunity for respite and consideration. Among the giant synthesizers, slow syncopated riffing and dying screams we are all laid to rest with our faces towards the sunset. Having come to the end of a life's journey, THE Gorge ofer us the thing that we have all longed for: release from the bonds of our Mechanical Fiction.

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The Gutter Twins

7" | 2008 | US | Reissue (Sub Pop)

10,99 €*

Release: 2008 / US – Reissue

Genre: Rock & Indie

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2LP | 2016 | US | Reissue (Dreams Of Field)

The Hotelier

Goodness

43,99 €*

Birds Fly (Whisper To A Scream) / In The Cauldron Of Love

Release: 2016 / US – Reissue

Genre: Rock & Indie

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The cover artwork contains nudity that may find people offending. That's why it's displayed this way.

It is not enough to say that The Hotelier have grown older, or wiser, or more of anything. We can trace a progression, if we like, from the explosive empowerment of It Never Goes Out to the ashen disillusionment of Home, Like Noplace Is There. We can follow an awakening of youth in suburbia attempting to learn what is right, and what is ours, and what is possible and impossible, and maybe we can't save each other like we thought we once could. We're awake and we're tired and we want love in our lives again. And so we find ourselves now in Goodness, in the woods outside of the suburbs, trying to re-learn that love.

But we seek a space outside time. Once in a while we can feel it, like a clearing. Where our histories and our rhetorics blend into languages spoken and unspoken. Where the greatest awe comes upon us for the overlooked, the simple, the incomprehensible. Where things glitch as they solidify, repeat as they evolve, scream as they whisper. Where always and forever above us, in all of its natural, unnatural, supernatural love, shines the moon. Goodness is not this place -- goodness is nowhere -- but we are following it to where we have to be.

After all we've gone through, how young are we? What is age softening in us, what is it hardening in us? Are we getting better? Worse? How could we ever know, when capital forces us onward away from ourselves? Will the woods consume the suburbs; will the suburbs consume the woods? In the gaps between these monumental questions, in the tiniest details, in the infinitude of cycles outside of time, there is Goodness. We begin there.

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The Icicle Works

7" | 1984 | JP | Original (Beggars Banquet)

Release: 1984 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

EP | 2024 | UK | Original (Squirrel)

The / Knelt Before Axids

Split Screen

12,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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Midnight To 666 Gold Vinyl Edition

The Lords Of Altamont

LP | 2011 | EU | Reissue (Heavy Psych Sounds)

29,99 €*

LP | 2022 | EU | Original (Freaksville)

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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Originally recorded in 2010, the highly sought after Midnight To 666 sold out in record time. Quickly regarded as a garage punk classic, this album features thirteen dark seething tracks, full of ferocious vocals, grinding organ and a primitive rhythm section with the ever present fuzz guitar sound you've come to expect from the Lords of Altamont. From the painfully relatable F.F.T.S., through the stomping energy of "You're Gonna Get There",the crowd chanting anthem - and alternate version of - "Get In The Car" up until the moody closing track "Faded Black", this is a soul bearing, primal two wheeled scream into the void. Originally released on the French Fargo Records label, Midnight to 666, with Harry ' Full Tilt ' Drumdini from The Cramps on drums, now finds a new home on Heavy Psych Sounds Records. Featuring the original artwork the band intended before the blood red version went to print, as well as a bonus outtake of "Faded Black", this re-release is a sure bet.

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The Loved Drones

Conspiracy Dance

17,99 €* 23,99 € -25%

Sounds Of Green & Blue Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Their 4th album, Conspiracy Dance takes The Loved Drones for the first time to a fantasy land somewhere between the English dancing of Primal Scream and the poom-tchak Germany of Neu!

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The Lunar Effect

LP | 2024 | EU | Original (Svart)

26,99 €*

Sounds Of Green & Blue Transparent Orange Vinyl Edtion

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Lunar Effect, sonic architects known for their gravitational pull of fuzzy, snarling riffs and psychedelic visions, proudly announce the release of their latest album, "Sounds of Green & Blue," available to pre-order now through Svart Records. “Sounds of Green & Blue” is a galactic journey through sound that showcases The Lunar Effect’s evolution and marks a pivotal chapter in their musical odyssey.

Formed in 2016, The Lunar Effect burst onto the scene with a distinct blend of grunge and retro hard rock. With a flair for hair and a penchant for barbed and growling riff work, the London-based quartet quickly garnered attention for their dynamic sound and Blues rock reverence. In 2019, they crash-landed onto the Stoner Rock scene with their debut album, "Calm Before the Calm,” firmly establishing themselves as a force to be reckoned with.

"Sounds of Green & Blue" sees The Lunar Effect expanding their sonic scope and bending all the elements and eras of Classic Rock into their own unique mold. The album is a testament to their musical growth and willingness to explore new territories while maintaining the brooding vintage sound that defines them. Each track is propelled into orbit by the low-end buzz of distorted chords, powerful enough to blow the moon-dust off your amp.

The first single from the album, "Pulling Daisies," is a bristling sojourn that encapsulates the band's celestial rock influences. The track combines classic Blues tones, fuzzy guitars, swirling ethereal vocals, and a dusty, hypnotic rhythm that transports listeners from the past into a screaming, paisley, future wonderland. "Pulling Daisies" sets the controls for the heart of the moon, showcasing The Lunar Effect's ability to craft immersive and soul side musical experiences. From the heyday of The Beatles, Floyd, Zeppelin and Sabbath to newer artists like Graveyard, Radio Moscow and Red Fang, The Lunar Effect have created a masterclass in Psychedelic Rock that takes you firmly by the collar. With a palette that also includes shades of the 90s Grunge scene like Nirvana and Soundgarden into their heady mix, The Lunar Effect paint their own trippy world, where genres blur into their unique brew of heart-felt space rock.

"Sounds of Green & Blue" by The Lunar Effect is proudly released by Svart Records, a label known for its commitment to uncovering high-quality, diverse, and boundary-pushing music. Svart Records continues to be a platform for artists who defy conventions, push the boundaries of their respective genres, and break out of the underground.

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The Lunar Effect

LP | 2024 | EU | Original (Svart)

Monolithic Black Vinyl Editoin

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Magnificent

LP | 2022 | EU | Original (Lonestar)

26,99 €*