Search "scream" 787 Items

Release: 2023 / Original

Genre: Electronic & Dance

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Zov Zov (Oliver Ho & Tommy Gillard)

Songs Of Blood And Earth EP

12" | 2022 | EU | Original (Jezgro)

Stridulum Milky Clear Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Zov Zov, a musical project formed by London-based duo Oliver Ho and Tommy Gillard, create a raw soundscape that is very appropriate for the era we are currently living in. The human race depends on destruction, the annihilation of our fellow man and the devastation of our environment, peace and coexistence is just a condition we experience between one war and the next. Songs of Blood And Earth is an EP based on experimentation and the development of intense textures. Blessed Are The Killers opens the A-side of the album with a minimalist first sequence involving only a kind of deep bursts and a tinkling sound that can remind us of hunger queues and the isolation suffered when the aggressor force sweeps over a vast territory. Musically, however, the track intensifies with heart-wrenching textures that hover above a haunting and disturbing vocal. On the next cut, The Maim, a constantly interrupting rhythmic structure reigns, which gives the feeling that at some point it will have a proper continuity, however, and although that continuity never comes, these pauses perfectly define the main idea which is that of the splitting of one or more body parts. The B-side of the EP is entirely religious in nature. Amen 2.5 is an updated version of the atrocities committed in the name of religion, a harsh sonic tale, in which a crushing roar subdues the listener to the point of collapsing his or her capacity for reasoning. The Holy Murder takes a more sinister turn, this time there is an incessant dominance with an unstoppable base that advances without changing its tempo or its form, in which everything that is built on it ends up yielding to its grandeur and ferocity. Godess Of The Hunt, the last track of the album, denotes an enormous cruelty, represented by the terrified screams of the victims who succumb to its exterminating atmosphere.

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Zola Jesus

LP | 2017 | US | Reissue (Sacred Bones)

LP | 2023 | EU | Original (Nyege Nyege Tapes)

Release: 2017 / US – Reissue

Genre: Pop

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It was winter break at university in Madison, Wisconsin. There was a snowstorm that covered the city with a still white haze. Not a single person in the streets. I was sitting on my bed with a cheap keyboard and a computer, screaming into the void. I barely remember writing the songs. It was a chaotic point in my life. I had no time to think about process or intent. It was a purge. I do remember taking a break from recording, bundling up, and walking through the barren streets while listening to the demos I'd made. The world, at once, felt clear. These songs were a huge leap of faith back then. It was my first time singing without layers of distortion, echo, and reverb. It was the first time I peeled back the layers to find out what was at the core. I'm still on that path today, seeing how far I can push myself into unknown places, whether through clarification or destruction. It's like Stridulum's still here with me, underneath it all." -Nika Roza Danilova

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Ziur

Eyeroll

26,99 €*

LP | 2022 | UK | Original (Planet Mu)

Release: 2023 / EU – Original

Genre: Organic Grooves

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The world has changed, we shouldn't try and pretend otherwise. While we were shut away in isolation our routines shifted, social patterns evolved, and our hopes and dreams were twisted into cobwebs we're still trying to wipe from our fingers. Ziúr tentatively approached this on her last album Antifate, an ambitious and complex hybrid pop fever dream that looked back to a Medieval escapist fantasy as the scent of revolution seemed to hum in the air. But when restrictions were eased, she found herself staring down a discombobulated society that had trapped itself in a spiral of microwaved nostalgia and detached, narcotic repetition. Eyeroll then is Ziúr's musical panacea, a tincture to wake us from our creative slumber and prompt external connection and reflection. It's a polyphonous hex that demands human interaction, and Ziúr's hand-picked alliance of collaborators - Elvin Brandhi, Abdullah Miniawy, Iceboy Violet, Juliana Huxtable, Ledef, and James Ginzburg - each provide distinct voices that together herald a bewildering sonic epoch.Ziúr's palette had to evolve to match the scope of the project, but it was pure necessity that informed the album's defining tone. Recording mostly at night, Ziúr was conscious of the noise she was making so developed a unique way to record organic percussion. Using a set of rototoms - low profile tunable drums - she scratched, scraped and gently tapped the skins to build up the undulating and unstable rhythmic backdrop for each track. It's the first sound we hear on the opener 'Eyeroll', rattling like lost marbles against Elvin Brandhi's primal croaks and screams. And when Brandhi's twisted articulations form words, Ziúr matches the energy with chaotic thuds and serrated blasts of saturated electronics. "I roll the shittiest cigarette," she squeals like she's about to start a mosh pit at Paris's GRM Studios. Without pause, Abdullah Miniawy takes over on 'Malikan', building on the promise of material with Simo Cell, Carl Gari and HVAD with corrosive trumpet blasts and charged,...

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µ-Ziq

Hello

12" | 2021 | EU | Original (Serrano's Kitchen)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Planet Mu owner Mike Paradinas (a.k.a. µ-Ziq) wraps up 2022 with his 3rd release of new material this year. ‘Hello’ is the mirror image of the ‘Goodbye EP’. The intensity is heightened, the breaks more manic and melodies inhabit every corner. The material is the final chapter of the ‘Magic Pony Ride’ material and even includes another version of that track. 'Iggy’s Song’ has a slowed down sample of Mike’s son screaming, ‘Ávila’ is an ode to his father’s hometown in Spain and ‘Green Chaos’ even includes a nod to RP Boo. On Side B things get more interesting. ‘Pyramidal Mind Dispersion’ slows things down while amping up the tension, Modulating Angel is at drum & bass tempo but with a choir of angels from hell in the background, while the final two tracks recall the experimentation and melodies of Lunatic Harness.

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Zakem

Save Me EP

10,79 €* 11,99 € -10%

Young Rome Featuring Skeem

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Serrano's Kitchen launches its first vinyl reference with Moroccan dance music producer Zakem. This album contains 4 killer vocal tracks and a dub version. The remix for this album is by the Spanish producer and label manager Danny Serrano. Both original tracks and remixes are amazing for the dance floor.

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The War Is On

LP | 1997 | EU | Reissue (Grave Fillers Records And Tapes)

59,99 €*

LP | 2024 | EU | Original (Road Trip / Lawson Entertainment, Inc.)

Release: 1997 / EU – Reissue

Genre: Hip Hop

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Officially licensed reissue for the first time on vinyl! Limited to 100 copies only!!

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Yahho

Yahho No Tanoshimikata

30,99 €*

LP | 2024 | UK | Original (Discrepant)

Release: 2024 / EU – Original

Genre: Pop

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Preorder shipping from 2024-11-29

"Limited to 300 copies. Okayama's 8-bit hardcore punk band Yahho has released their 1LP, 45rpm, 39-track ""Yahho no Tanoshimikata"" on analog!

Okayama's Yahho, who has played numerous legendary live shows at the All Senses Festival hosted by Juusangetsu/GEZAN, Meteo Night hosted by Less Than TV, and more, will release their first album "" Yahho no Tanoshimikata "" (4-disc set: 3 CDs + 1 DVD)in August 2023. Despite not being distributed nationwide, they sold hundreds of copies through their own live merchandise and their own online shop. And one year after the release, "" Yahho no Tanoshimikata "" is finally being released on analog for nationwide distribution! The vinyl version also includes two new songs not yet released on CD! Limited to 300 copies pressed, so hurry up! ----------------------------------------------------------- We have received comments from everyone regarding the release of the vinyl version of YAHHO's "" Yahho no Tanoshimikata ""! ----------------------------------------------------------- (Yahho) That's why it's fun, and that's why it's lonely. (Together with someone) That's why it's fun, and that's why it's lonely.

Asano (wetnap, GAME&chips) ----------------------------------------------------------- My image of Yahho is him stumbling around on his own over 8-bit sounds, and he's also a friend who often invites me out. He recently performed overseas. I think he's an artist who doesn't fit into a box. It's great to archive his work! He makes me feel free. Yahho of the World

Moto Kawabe ----------------------------------------------------------- The first album by Yahho, the greatest punk rocker born at Kurashiki University of Science and the Arts, has finally been released on vinyl. Yahho is here to rewrite and update the view of Japanese punk history!

Kawakami Konosuke (Author of ""Punk no Keifugaku"") ----------------------------------------------------------- On ""How to Enjoy Yahho"" Hey, Yahho! Isn't this first album packed with the romanticism of Yahho, music, and love for friends? While laughing, I read the lyrics and it hits me hard, and there are various gradations of blue. Seriously, no matter what mood I'm in, Yahho always responds with the best Yahho at that time. He'll be stupid with me and get depressed with me. Yahho's Yahho is bottomless! Infinite! Look, just saying Yahho makes me feel like I'm floating. Then I hear Yahho! from far away. After that, I can jump really high. It's a dream to have this sound source become a record! Come a little closer, Yahho! Please keep shouting and letting us hear it to each other. I love you forever!

THE Guays Captain Ryosuke ----------------------------------------------------------- He may look ordinary, but he's a weirdo. I love Shintaro's way of life.

Goto(MASTERPEACE) ----------------------------------------------------------- Yahho Analog Record Release! I was asked to comment, but when I hear Yahho, it's just a nightmare.

Contrary to Hamai's appearance, Yahho's charm is its over-the-top performance and sound, but when they visited Miyazaki Prefecture on a live tour, this caused a disaster, and they were banned from both the live house they performed at and the bar where they had their after-party. Rumors about their performance and sound spread to the Chamber of Commerce, and they were banned from all live houses and bars in Miyazaki Prefecture, and on top of that, all the bands they played with that night were also banned, which was a nightmare-like bonus. The rumor spread like wildfire among the prefecture's residents, and if a hiker shouts ""Yahho"" at the top of a mountain, they are looked at with disdain and spat on, and they can't stand it anymore and rush down the mountain... It has developed into a situation like this.

Yahho, congratulations on the release of the analog record!

Hiroaki Sakai ----------------------------------------------------------- 「Don't Forget Youth Memories,Forever.」

Boredom is the reason why I'm constantly irritated. Boredom is also the reason why I'm constantly spacing out.

Of course, boredom is also the reason why any mathematical formula, no matter how important, slips in one ear and out the other. That winter when I was 16 years old. I wanted something to destroy the saturated negative emotions. And I found it. It was undoubtedly the music of ""Yahho"".

Loud 8-bit sound and booming guitar. Screaming vocals writhing on the rough waves of that sound. In ""Extra Yahho"", the 8-bit sound is transformed into a hardcore band sound, with blast beats and screaming vocals exploding. What follows are unique raps and acoustic pop masterpieces. A fast-paced legend of 47 songs and 40 minutes. (*These comments are based on the CD version. The LP version contains 39 songs.) From the day I pressed the play button on my player, ""Yahho"" music became a part of my life.

When I listen to ""Yahho"" music, I feel the urge to scream. I'm sure I'm not the only one who feels that way. ""Ya-ho"" shouts out the boredom and frustration we've been holding inside, using it as a springboard. The poetic, yet endlessly straightforward lyrics really bring that home.

I pack all my boredom and endlessly overflowing frustration into a backpack and start running. I don't need to decide where to go. Just look ahead. This album gives me the push I need. I hate it. No, I'm totally against it. It's okay if you're bad at it, just keep going. I'm convinced that becoming an adult isn't that hard. "" Yahho no Tanoshimikata"" taught me everything.

It was a winter when I was 16, not sure if I was an adult or a child. Alone in my messy room, I pumped my fist into the air and said, ""I hope this album will help me become an adult.""

Shokudou (door TO Door) ----------------------------------------------------------- Hitting your forehead on the strap. Earphones and sighs leaking out as the train moves slowly. The music that plays when you take that first step to transfer from one crowded train to the next.

Nishioka (Peoples) ----------------------------------------------------------- How to enjoy Yahho I said out loud, ""This is the ultimate Famicom hardcore punk!!!!!!!!!!!!!!""＼(^o^)／ I love how the song ends so quickly＼(^o^)／ I love how it's gentle and tenacious＼(^o^)／ More than anything, I love how it's fun＼(^o^)／ In the end, I was lucky to be able to listen to a variety of music＼(^o^)／

Nozawa Dive Kinshi (Niji no Tasogare) ----------------------------------------------------------- For the vinyl release of Yahho's ""How to Enjoy Yahho"", I asked people around Yahho who are close to me and have always looked after me for comments, and they all replied promptly and readily agreed, which really made me realize how charming Yahho is and how charismatic he is as an artist. *From the beginning, Yahho said he felt bad about asking for comments from everyone, so I took the initiative and did it on my own.

It wasn't easy to get to the point where we decided to release it, but I was driven by a mysterious sense of mission that even Yahho himself probably didn't want, that made me reach this project. Yahho released a CD last year and sold hundreds of copies individually without national distribution, so I took a selfish action that even he didn't want at all, in order to put him in a more interesting situation. Yahho has already established a solid position in the underground, but we approached Yahho with the idea of releasing this album with the sole desire that more people listen to their music, that they come to their live shows and get excited and laugh, and that we want them to become a part of everyone's lives.

This is a wonderful album that you should listen to and experience for yourself if something isn't going right every day and you're struggling and wondering if things are okay. Once you've listened to it, all that's left to do is gather in the mosh pit at the live venue.

Thank you Yahho!

Hiracchi (manga Shock) ----------------------------------------------------------- I think if you listen to this album on vinyl you'll want to run out the door as fast as you can. Awesome!! Mikuru (ANORAK!) ----------------------------------------------------------- To Hamai Congratulations on the release! The three of us used to go to coffee shops together Do you remember? Don't you remember? I hope we can go again someday

Y.I.M. Omiru Asu chan ----------------------------------------------------------- That packs a punch!

Watson (Dotsuitarunen) -----------------------------------------------------------"

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Wukir Suryadi

Siklus Dan Doa

20,99 €*

Loggerhead Light Green Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Born in 1977, in Malang, East Java, Wukir Suryadi began playing music for theatre at the age of 12 with the Idiot Thea-ter Studio, and later with the Rendra Theater Workshop. In his solo work, and as a member of Senyawa, Error Scream, Bendera Hitam Setengah, Potro Joyo and other groups, Wukir breaks the boundaries of traditional music, death metal and avant-garde performance. On this new release, “Cycle and Prayer,” recorded in 2023, he expands the edges of his unique artistic world further, by digging in to meditative improvisation, art, and community building in his home workshop in the mountains of central Java. These recordings vibrate inwards, toward the microcosmic ecolo-gies of forests and rivers; they distort outwards, resonating with global waves of apocalyptic change that are forcing all living beings to the edges of existence on earth. The result is a meditative poem that moves, as its titles announce, from phenomena to phenomena, praying that humans find a way out from the depths of the depths to the light that illu-minates the soul.

An essential mode of creative work for Wukir is the creation of unique instruments, using these sound sources as “bul-lets of expression.” In addition to the spear-like tube zither Bambu Wukir, he has created the Solet, Enthong, Garu, Luku, Arrows, and Industrial Mutant instruments, which in addition to being used in live performance, have been ex-hibited in the Instrument Builders Project and the 2017 Jakarta Biennale. In the past few years, Wukir has begun to collaborate with local guitar makers, carpenters, and suppliers of native endemic wood in the mountain region of Salati-ga. Using earthen bricks along with local woods (suren, coconut, mindi, and waru lengis) as building materials, he con-structed a new studio and workshop space in Tingkir, where this album was made. The trees, water and air of the local environment have exerted a powerful influence in Wukir’s documentations of instrumental sound. On this recording, he uses the simple Cetta guitar, an instrument designed in Bali and made for Indonesian children and local communities of folk and popular musicians, in order to explore the different sonic characteristics of a more “normal” instrument built from local wood.

The themes of the album -- cycle and prayer -- arise from a foreboding series of meta-events that shook Indonesia and the world over the past years, following one after the other: the Covid-19 pandemic, the Ukrainian-Russian war, the Kanjuruhan Stadium tragedy in which football supporters were gassed and killed by police, revelations of government failures and corruption, the rise of personal vehicles, the increasing disturbance of natural patterns of the rainy season and other ecological cycles. “In these waves of technology and narratives of truth made for certain interests, playing a sound at a certain frequency and repeating can try to bring images and feelings to a certain point of consciousness,” Wukir told me. “Sound is a prayer that creates a change, whether gradual or rapid, in the behaviour of living things, to face the demands of the time, as humans struggle to live according to what they believe.” The drawings and sketches used for the cover spontaneously emerged alongside the recordings, as an instinctive depiction of “time and sound, nature that is outside of oneself, and nature that is within.”

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Wu-Lu

LP | 2022 | Original (Warp)

Loggerhead Black Vinyl Edition

Release: 2022 / Original

Genre: Rock & Indie

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Leader of the punk-rap awakening, Wu-Lu pulls inspiration from personal hardship and the underrepresented on his latest for Warp entitled 'loggerhead'. Miles Romans-Hopcraft based his artistic moniker on the Amharic word for water, “wu-ha”. True to his fluid sound and nature, he decided to change it to something that felt more liquid. He ended up with Wu-Lu, a name he has been using since 2015. His first record Ginga opened the floodgates to a career that would take him to various places, people, and genres. From breaking bones at skateparks as a teenager, to DJing as one of the original members of Touching Bass, and eventually getting signed to Warp in 2021.

As an artist, Wu-Lu seems concerned with feeling and communicating the full spectrum of human emotion. Throughout his varied discography, he touches on disparate themes and sounds, straddling a divide between blissed-out beats and grungy guitar dirges, and often mixing both into one amorphous, unclassifiable sound of his own.

On ‘'loggerhead'’, Wu-Lu hones his unique sound. On ‘Take Stage’, a despondent spoken word intro opens with sombre strings and underlying bows dragged delicately across them. Then the lights flicker to life on ‘Night Pill’, and the mosh pit with them - the bassline approaches like a hungry shark and the guitars snarl with a homemade 90s grunge energy. This grunge drawl and punk spirit is peppered with dry old-school drum sounds of classic hip-hop, with laid-back beat-oriented tracks are spread amongst those with intermittent growls, scratches, and shrieks. Sonic elements are constantly rearranged and juxtaposed throughout the album, like on ‘South’ where the fluctuating pitch of squealing guitars and screaming vocals is contrasted with the steady flow of Lex Amor.

Listening through the album you are constantly greeted with about-turns, and through the element of surprise and deft use of contrast 'loggerhead' sits at an exciting point in Wu-Lu’s genre-defying artistry.

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Wu-Lu

LP | 2022 | Original (Warp)

Tape | 2022 | Original (Warp)

Release: 2022 / Original

Genre: Rock & Indie

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Wu-Lu

Loggerhead

12,59 €* 17,99 € -30%

World / Inferno Friendship Society

Release: 2022 / Original

Genre: Rock & Indie

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All Borders Are Porous To Cats

LP | 2020 | US | Original (Alternative Tentacles)

Poisoned Blood Royal Blue Cloudy Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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The World/Inferno Friendship Society’s long awaited new album dares one to try and decipher its multi-layered, encrypted message, while being dragged kicking and screaming through a succession of flashbacks, alternate realities and drug and alcohol induced delusions. While this ensemble is known for its utter disregard for boundaries of genre, All Borders Are Porous To Cats deliberately pushes the limits of what could possibly be perceived as punk rock. It scores tales of fugitives, arson, larceny, perjury, drug addiction and freedom with elements of soul, funk, latin, polka, and classical music, as well as the band’s signature punk cabaret sound. Three years in the making, five missed release dates, five lost band members, many a bridge burned, and a defamation lawsuit waiting to happen, The World /Inferno Friendship Society invites the listener to enjoy the fruits of their perpetual torment.

This seventh full-length album finds the collective reset and reinvigorated, behind the lyrics of Jack Terricloth, apparent possessor of the punk rock fountain of everlasting style and rage. The album follows Cat In The Hat (no relation), an undocumented refugee who is framed for a crime and requires the assistance of a ragtag gang of miscreants, academics, orchestra-caliber musicians, and radical insurgents—sometimes art does in fact imitate life!

The album’s release comes in tandem with the release of accompanying book One Smashed Window For Every Divided Soul, an illustrated combination tour journal and narrative exploration of Cat and his travails. The book acts as a companion piece to the album’s story, sifting through archival documents and fabulist accounts of the band’s East Coast tour of 2017.

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Witch Vomit

LP | 2017 | US | Reissue (20 Buck Spin)

Abhorrent Rapture Black Vinyl Edition

Release: 2017 / US – Reissue

Genre: Rock & Indie

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The subtly-monikered Witch Vomit from Portland, OR offered Thee obscure gem of the 2016 Death Metal underground with their A Scream From The Tomb Below full length. Many took note, and now 20 Buck Spin offers the first bloody taste of a new partnership with the band in the ‘Poisoned Blood’ MLP.

Offering four new tracks + intro over 20 minutes, put simply, ‘Poisoned Blood’ is one of the most brutal recordings to come out of the Northwest in recent memory. Ranging from blasting Deathgrind, foul Finnish obscurity and liquified cannibalistic necromancy, the riffs on this MLP bubble up like slimy green rot leaking from crypt walls.

Though the core membership of Witch Vomit also perform surgeries for barbaric persecutors Torture Rack, and the two bands share a propensity for blasting storms of seared flesh chunks and glistening old guts, Witch Vomit is mixing its mashed bone stew with a wider array of viscera, melting brains with ancient violence and intensity.

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Witch Vomit

LP | 2021 | US | Original (20 Buck Spin)

Release: 2021 / US – Original

Genre: Rock & Indie

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Soul Of Fire / Rip Van Winkle

Witch

7" | 2006 | Reissue (Damaged Goods)

9,99 €*

LP | 2024 | US | Original (Bombworks)

Release: 2006 / Reissue

Genre: Rock & Indie

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A limited edition 7" single featuring "Soul Of Fire" (taken from their debut album) and an exclusive b-side "Rip Van Winkle" (early version). The group WITCH was born from a marriage of apparently contradictory influences. J Mascis of DINOSAUR JR. renown and his long time friend Dave Sweetapple were interested in forming a hard rock band. They found willingand able conspirators in Kyle Thomas and Asa Irons, members New England avant-folk outfit FEATHERS. On their eponymous debut album, this line-up mounts a mighty sonic tumult that harkens back to classic heavy metal sound of early 70_s outfits while still sounding modern in it's assault. The eponymous debut album from WITCH is scheduled for release on TeePee Records March 7th, 2006. WITCH recorded their debut album for Tee PeeRecords with engineer John Agnello, who had already recordedDINOSAUR JR., J MASCIS + THE FOG, EARLY MAN, SON VOLT and SCREAMING TREES to name a few.

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Winter Solstice

Fall Of Rome

46,99 €*

Hey Jude Vinyl Me, Please Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Bombworks Records is proud to reissue on vinyl the 2005 Metal Blade Records album Winter Solstice - The Fall of Rome. Limited to just 300 copies worldwide, this first-ever vinyl release comes in stunning Sunflare color vinyl that looks amazing. Originally released in 2005 on Metal Blade Records, The Fall of Rome stands out in the metalcore scene for a couple of reasons. First, vocalist Matt Tarpey delivers a genuinely pained scream that virtually never let's up, adding a raw intensity to the music. Second, the production has a grainy and biting edge, eschewing the overly polished sound common in many metalcore albums. The Fall of Rome is as metalcore as it gets-harsh, claustrophobic, ferocious, and extremely dense, with no trace of musical subtlety. While the lyrics subtly promote Christianity, much like many bands on Solid State/Tooth & Nail, the music itself is as skull-crushing as that of Hatebreed, Throwdown, Deadsoil, Brick Bath, or Rotten Sound. The riffs draw heavily from the Melodic-Death/Gothenburg style, adding a melodic yet brutal edge to the sound. The 2024 Bombworks Records vinyl reissue includes a 12x12 full-color lyrics insert and has been meticulously mastered for vinyl by Rob Colwell (Sleeping Giant, Blessed by a Broken Heart, Iwrestledabearonce, In This Moment). Limited to just 300 Sunflare Vinyl units worldwide, this molten metal classic is a must-have. Grab your copy while you can!

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Wilson Pickett

LP | 1969 | US | Reissue (Vinyl Me, Please)

LP | 2023 | EU | Original (Reba's Ranch)

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
Let’s start with the scream. We tend to define our singers by how “great” their voice is, how deftly they can ascend and descend major and minor scales, and how they can turn up and turn down the emotion inherent in their voices. But when considering Wilson Pickett, it begins and ends with his scream. He could take you on a journey, he could butter you up, he could make you feel things in your vital organs, but you don’t get a nickname like “Wicked Pickett” because you’re a crooner.

Pickett’s “Hey Jude” forms the spiritual centerpiece and title track of hisfinal trip up to the mountain-top, his last true masterpiece LP. He’d take forays to Philadelphia for the new sound of soul, and even go vaguely disco in the late ’70s. But for his final album of the ’60s, a decade where he dominated the soul charts, he’d unwittingly help start southern rock, and scream his way across one of the most recognizable tunes in the history of song. Not bad for 31 minutes and eight seconds worth of music.

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Wild Child

End Of The World

26,99 €*

The Revenge Of Heads On Fire Splatter Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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After more than a decade of non-stop touring, acclaimed Austin songwriting duo, Kelsey Wilson and Alexander Beggins, quietly stopped touring as Wild Child. Headed in different sonic directions, the pair didn't know if they would ever make another Wild Child record. Then, what felt like the "end of the world" brought them back together. Pandemic lockdowns closed stages and drained bank accounts. As artists from all backgrounds took their shows to the internet, Wild Child was no different. Wilson and Beggins got together to practice for a series of online performances for devout fans, and within 30 minutes they wrote the first single for what would accidentally become Wild Child's fifth album, End of the World. Mixed by Matt Pence (Jason Isbell, Elle King) and including contributions from guitarist Charlie Wiles (Paul Cauthen, John Moreland, Orville Peck), End of The World sees the pair find catharsis in art amid compound disasters. As Wilson describes it, "I just started signing about things that were freaking me out. Wearing a mask for a year. Global warming. There's no heat, no water. It was like a dirge to begin with. But by the end we were all screaming and laughing that, yes, this might be the end of the world, but we're all together right now, making music in my living room by candlelight. It's all OK."

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White Hills

2LP | 2022 | UK | Original (Heads On Fire)

34,99 €*

The Revenge Of Heads On Fire Psych Swirl Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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"Pure psychotropic madness." A screaming head on fire penetrated my chest, jolting me from the universal plane back to earth." Guitarist/Singer/Sonic Alchemist Dave W's vivid fever dream ignited The Revenge of Heads on Fire, White Hills' latest release, which harnesses the energy of ferocious, hedonistic rock with blissful passages of dark ambience. Exploring themes of mortality, transformation and rebirth, the band reveals a spiritual depth unparalleled in previous works. The roar of fire, swirling of oceans and hallucinogenic visions can be heard throughout the 75-minute journey. From the intrepid prelude "The Instrumental Head" to the closing punk blaze of "Eternity", the album ebbs and flows, smoldering and seething in the middle with the 21- minute mammoth opus "Don't Be Afraid". "'Don't Be Afraid' alone makes this an essential listen for fans of contemporary psychedelia." -All Music The Revenge of Heads on Fire consummates Dave W's prototype for the 2007 release on Rocket Recordings, Heads on Fire, later picked up by Thrill Jockey. Six rediscovered songs accompany re-mixed versions of the original material, fulfilling the master arch of the pyre lit long ago. Recorded during the band's tumultuous early years, the music vibrates with the energy and volatility of a sonic boom.

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White Hills

2LP | 2022 | UK | Original (Heads On Fire)

34,99 €*

The Revenge Of Heads On Fire Black Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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White Hills

2LP | 2022 | UK | Original (Heads On Fire)

LP | 2023 | US | Original (Deathbomb Arc)

Release: 2022 / UK – Original

Genre: Rock & Indie

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"Pure psychotropic madness." A screaming head on fire penetrated my chest, jolting me from the universal plane back to earth." Guitarist/Singer/Sonic Alchemist Dave W's vivid fever dream ignited The Revenge of Heads on Fire, WHITE HILLS' latest release, which harnesses the energy of ferocious, hedonistic rock with blissful passages of dark ambience. Exploring themes of mortality, transformation and rebirth, the band reveals a spiritual depth unparalleled in previous works. The roar of fire, swirling of oceans and hallucinogenic visions can be heard throughout the 75-minute journey. From the intrepid prelude "The Instrumental Head" to the closing punk blaze of "Eternity", the album ebbs and flows, smoldering and seething in the middle with the 21- minute mammoth opus "Don't Be Afraid". "'Don't Be Afraid' alone makes this an essential listen for fans of contemporary psychedelia." -All Music The Revenge of Heads on Fire consummates Dave W's prototype for the 2007 release on Rocket Recordings, Heads on Fire, later picked up by Thrill Jockey. Six rediscovered songs accompany re-mixed versions of the original material, fulfilling the master arch of the pyre lit long ago. Recorded during the band's tumultuous early years, the music vibrates with the energy and volatility of a sonic boom. The album will be released on Heads on Fire Industries, distributed worldwide via Cargo Records UK.

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White Boy Scream

Remains

LP | 2021 | US | Original (Deathbomb Arc)

Release: 2023 / US – Original

Genre: Electronic & Dance

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Deathbomb Arc is proud to unearth White Boy Scream aka Micaela Tobin's album 'Remains' (2018), previously only available on a limited run cassette. Both a trained opera singer & composer and highly involved in the experimental scenes of DIY Los Angeles, Tobin composes works that feel like no other, bridging antagonistic noise sounds with the traditional world of opera. Her most recent album 'bakunawa' was adapted into a short film thanks to the sponsorship of The Red Cat / Disney of all unlikely places. She is a frequent collaborator with Pulitzer Prize-winning composer Raven Chacon and has worked with artists such as Clipping. (Sub Pop), Fire-Toolz (Hausu Mountain), and Cristopher Cichocki. Tobin has performed all over the world from small warehouse venues to large museums and even at the Coachella Music & Arts Festival.

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White Boy Scream

Bakunawa

LP | 2023 | US | Original (Feel It)

Release: 2021 / US – Original

Genre: Classical Music

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White Boy Scream is the experimental classical project from opera singer and composer Micaela Tobin. On her latest release, 'bakunawa', she dissects her voice through the use of electronics as a means of exploring identity and ancestral trauma. “bakunawa” is an homage to the pre-colonial mythology of her motherland, the Philippines. Part sonic ritual, part diasporic storytelling. Micaela Tobin is currently on Faculty as a Voice Instructor at the California Institute for the Arts. She most recently performed a principal role in the critically acclaimed experimental opera, Sweet Land (comp.Raven Chacon & Du Yun), which made it’s U.S. premiere in March 2020. Her previous album, 'Remains' was listed as one of the top 10 Noise/ Industrial Albums of 2018 by The Wire Magazine.

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Wet Dip

Smell Of Money

LP+7" | 1980 | JP | Reissue (P-Vine)

Release: 2023 / US – Original

Genre: Rock & Indie

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Singularity. A quality that rarely reveals itself in the overloaded data and screen glow of the twenty-twenties. From deep in the heart of Texas—the trio known as WET DIP are that jarring, lightning strike of sound like nothing before them. Sisters Sylvia and Erica Rodriguez grew up in the arid, isolated Panhandle region of Texas before making their way to Austin and forming Wet Dip with Daniel Doyle After meeting Caufield Schnug and Lira Mondal of Sweeping Promises during their time in Austin, Wet Dip made plans to venture up to the Sweeps' new home studio in Lawrence, Kansas to record Smell Of Money, their debut album. These nine tracks scream something new. The stark honesty of Sylvia's lyrics and vocal delivery, alternating between English and Spanish, is something to behold. Underneath that, Wet Dip treat us to a no-wave ride into the future. No one else sounds like this. You'd even be hard pressed to notice the renditions of the Pixies "Silver" and Gloria Trevi's "Pelo Suelto" in the context of how Wet Dip operates. They reimagine the bland canvas of contemporary Austin into something new, exciting, and jarring. And that's the beauty of Wet Dip, because they do it seamlessly and with a belief in themselves that's not only something to be celebrated, but all their own.

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Wendell Harrison

Dreams Of A Love Supreme

47,99 €*

An Evening With The Devil

Release: 1980 / JP – Reissue

Genre: Organic Grooves

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Wenha’s inaugural release! From Wenha and Tribe co-founder Wendell Harrison comes Dreams Of A Love Supreme with the never before-reissued 7” single “No Turnin’ Back / Rocket Love” for the first time ever!

Following the untimely collapse of Tribe Records, Tribe co-founder Wendell Harrison established the Wenha record label in 1980, followed that same year by its inaugural release : Dreams Of A Love Supreme. Spirituality and themes of Black Consciousness are apparent throughout, yet compared to the fiery hymnals of its namesake, or even the funky avant-garde jazz of The Tribe, Dreams Of A Love Supreme is mellow - a reflection of the changing landscape of Detroit’s jazz scene. Electric guitars and pianos twinkle behind Harrison’s always impressive playing, with soft tones tempering the fiery spirituality of his solos. Featuring many of Detroit’s greatest musicians, including Tribe co-founder Phil Ranelin (Tb.), Harold McKinney (pf.), and Roy Brooks (perc.), Dreams Of A Love Supreme is filled to the brim with spiritual jazz royalty! Reissued for the first time ever alongside a never before reissued 7” single “No Turnin’ Back / Rocket Love”, as well as one of our iconic obi-strips, everything about this screams deluxe! Don’t miss Dreams Of A Love Supreme (Deluxe Edition) available only from P-vine Records!

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Wendell Harrison

LP | 1973 | JP | Reissue (P-Vine)

36,99 €*

Live At The Whisky Hollywood 1977

Release: 1973 / JP – Reissue

Genre: Organic Grooves

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Tribe co-founder and saxophone legend Wendell Harrison’s 1973 leader debut!

Following the 1972 release of Message From The Tribe, the second release from vaunted spiritual jazz label Tribe, was co-founder Wendell Harrison’s solo debut, An Evening With The Devil. Originally included on the A-side of Message From The Tribe’s first version (the edition featuring a photo of a quay on the cover), the release of An Evening With The Devil in 1973 saw the suite fully realized, with two additional songs and studio knowhow making the album a true spiritual jazz masterpiece. Opener “Mary Had An Abortion” is part-spoken word poetry and part-free jazz freak out, but as Harrison’s gravelly baritone intermingles with atonal piano lines, it transcends the limitations of both. “Consciousness” is in a similar vein, with cymbal crashes and drum fills serving as a backdrop for a poem with references to police brutality and racism that seem as relevant now as they were 50 years ago.

“Angry Young Men”, originally recorded on Message From The Tribe, is now split into two parts and placed at the end of the A-side and opening of the B-side, physically and musically bridging the original suite with the new compositions. A horn line that could only be described as angry descends over an aggressive drum pattern, and as Tribe regulars Marcus Belgrave, Phil Ranelin, Charles Moore, and William Austin take turns soloing, the rhythm section seems to get more aggressive, undulating under these solos that take the song’s message and express it through simple notes. But it’s Harrison’s extended solo on the B-side that truly makes the song. He starts out almost subdued, playing fairly standard hard-bop lines over minimal accompaniment. But he quickly picks up, letting his horn honk and screech, with flurries of notes that almost sound like screams. The rhythm section matches him, building and building until Harrison plays the head once more - finally allowing the band to return to normalcy.

In comparison, album closer “Rebirth” is almost calm, with Marcus Belgrave playing a somber melody over a bed of rumbling percussion. It practically sounds like a requiem, until five major chords are struck by the band, ending the album on a literal joyous note. If Harrison hoped to express death and rebirth with this final song, the juxtaposition of the two completely disparate sections does a perfect job.

The hallmarks of a Tribe album are all over An Evening With The Devil. It’s spiritual and technical, and words simply don’t do it justice (despite my best attempts). Yet it also stands out among the Tribe releases by being one of the first. The DIY aesthetic and iconic design language are all there, but when presented with a sound that could only be described as raw, these early recording techniques are just right. The only way to truly experience the album is to put the needle to the groove, and let the music of Wendell Harrison wash over you. P-vine is proud to be reissuing Wendell Harrison’s An Evening With The Devil with modern remastering and an obi-strip on limited edition black vinyl.

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Weirdos

LP | 2023 | EU (Suicidal)

16,99 €*

LP | 2023 | US | Original (SGM)

Release: 2023 / EU

Genre: Rock & Indie

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The Weirdos.....The most influencial punk band from the Original Hollywood scene ( X, Flesh Eaters, Black Randy, Alley Cats, Screamers, Skulls, Bags, Deadbeats, etc.). This was their first multiple night stand at the Whisky a Go Go 1977! A legend indeed!

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Wayne & Alyssa

A&W Sing George & Tammy

Release: 2023 / US – Original

Genre: Soundtracks

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The Fool Andrew Weatherall Mixes Record Store Day 2021 Edition

Warpaint

LP | 2021 | EU | Original (Rough Trade)

LP | 2021 | US | Original (Riding Easy)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Record Store Day 2021 Release.
Limitation: 1500 copies.

Coloured double gatefold Vinyl with gold foil text on the sleeve. On the completion of the recording of The Fool, Andrew Weatherall was given access to the album's master tapes to work on mixes for the finished record. The track Baby, along with Warpaint's iconic single Undertow, were both mixed by the Guv'nor and appeared on the finished album that was released in 2010. For the first time ever, this Record Store Day edition brings together all the mixes Weatherall created while working on the project, including a never released before, finished version of Jubilee. "I remember that one of the main reasons why we wanted Andrew Weatherall to mix the Warpaint album was because we loved his brilliant work on the Primal Scream remix of "Higher Than The Sun". I know that we discussed this particular track with Emily and she knew it of course and also loved it. I think it was a key reason they agreed to let Andrew do the mix." - Geoff Travis - Rough Trade

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Warish

Next To Pay

25,99 €*

Release: 2021 / US – Original

Genre: Rock & Indie

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With a name like Warish, the San Diego noisy punk-metal trio assured listeners they were in for a maniacal bludgeoning from the get-go. But the band has never been as dark and bitingly vicious as the wholly ominous Next To Pay. The band’s mix of early AmRep skronk, dark horror rock and budget doom antipathy is taken to a whole new level on this thirteen song invective. “Next To Pay is about a sense of imminent doom, everyone is going to die,” vocalist / guitarist Riley Hawk says. “It’s not the happiest record, I guess.” To say the least. On the title track opener, Hawk screams through shredded vocal chords with the tuneful rage of Kill ‘Em All-era James Hetfield and the seething desperation of Kurt Cobain. “This album is more of an evolution, it’s a little more punk-heavy,” Hawk says of the group quickly founded in 2018. “We figured out what our sound was.” And with that evolution comes a change in the lineup. Original drummer Nick (Broose) McDonnell plays on about half of the songs, while new drummer Justin de la Vega brings an even tighter urgency to the remaining, more recent tracks. Bassist Alex Bassaj joined after the debut album was recorded and here showcases muscular and melodic low end previously missing. Riley Hawk is also the pro-skater son of Tony Hawk. Inspired by early-Nirvana, The Misfits, The Spits and Master Of Reality-era Black Sabbath, Next To Pay keeps things heavy and pummeling at all times. The guitars are heavy and powerful, though decidedly not straightforward cookie cutter punk; more like Greg Ginn’s and Buzz Osbourne’s wiry contortions, and occasionally drenched in chorus effects. The rhythms bash right through it all with aggressive force ensuring that nothing gets overly complicated. Warish’s cover of ’80s Dischord Records punks Gray Matter turns the emotive flail of “Burn No Bridges” into a Motörhead-style basher.

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Warhead

Kono Omoi O Doko E..

LP | 2023 | EU (F.O.A.D)

Let's Wah Together White Vinyl Edition

Release: 2023 / EU

Genre: Rock & Indie

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30th anniversary edition of this absolutely mandatory Japanese Hardcore classic originally released in 1993 on CD by Blood Sucker Records and only reissued once as part of a compilation of different sessions, now for the first time on vinyl as a standalone release, specially mastered for vinyl and cut at 45rpm for the loudest sonic impact. This legend from Kyoto has been active for more than 4 decades delivering the most raging, inner-flame burning hardcore punk with the strongest screaming energy and attitude. LP with OBI strip + A2 poster including never seen before photos of that era and the original artwork by Sugi in full size!

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Wah Together

LP | 2022 | US | Original (Dedstrange)

Circus Ring (We Scream About) (Remix)

Release: 2022 / US – Original

Genre: Rock & Indie

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Records like Let's Wah Together aren't made via Wetransfer. As the economics of music-making increasingly push young artists to work alone and 'in the box,' Wah Together rejects anti-social techbro musical austerity in favor of spontaneous face-to-face creation. On their debut LP, Let's Wah Together, the NYC-based quartet of bassist Phil Mossman (ex-LCD Soundsystem), drummer Vito Roccoforte (the Rapture), producer/guitarist Steve Schiltz (Longwave), and vocalist Jaiko Suzuki revel in the communal delight that happens when happy accidents are caught on tape. Tracked principally live and in close quarters, Let's Wah Together captures the immediacy and spontaneity of a group of musicians listening to'and playing off' one another with genuine affection, curiosity, and joy. From the skronk n' stomp of 'I'm A Swimmer' to the Japanese Yé Yé beat inflected 'Sayonara,' the dense ear-busting wistfulness of 'Teen Vito' and the storming acidic drive of 'Out! Out! Out!,' Let's Wah Together is a loud and commanding recommitment to the cooperative spirit and familial love that always marks New York's most vital eras. Riyl: Broadcast, Stereolab, Deerhoof & Primal Scream

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Vitamin Z

12" | 1985 | DE | Original (Mercury)

3,99 €*

Release: 1985 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

The Presidents Of The Poison Air

Vibravoid

LP | 2022 | EU | Original (Stoned Karma)

2LP | 2023 | UK | Original (Skam)

Release: 2022 / EU – Original

Genre: Rock & Indie

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In the midst of crises, world war scenarios and madness, Vibravoid float on their own cloud and tell o...

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VHS Head

Phocus

LP | 2024 | UK | Original (Skam)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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The 3rd full length album from Blackpool recording artist VHS Head.

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VHS Head

Phasia

2LP | 2018 | EU | Original (Hot Casa)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Furthering his tireless quest in cutting up VHS tapes to make visceral electronica, his third album Phocus is the soundtrack to an “unfinished science fiction film made in the Fylde coast area

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Vaudou Game

Otodi

29,99 €*

LP | 2024 | EU | Original (Edelfaul)

Release: 2018 / EU – Original

Genre: Organic Grooves

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No one had been through those doors in years. Unchanged, seemingly untouched, just a Guard watching over it, one wondered whether the place would ever see the light of day again. Built in the 70s by Scotch, there were only twenty such places in the entire world. Twenty studios, all identical. Most had undergone a digital makeover in the 80s, but not this one; situated in Lomé, this studio had stayed true to its original form. Silent and uninhabited but waiting for one thing, and one thing only: for the sacred fire to be lit once again. That of the Togolese Recording Office, is studio OTODI for those in the know. Through thick layers of dust, the console was vibrating still, impatient to be turned on and spurt out the sound so unique to analog. That sound is what Peter Solo and his band Vaudou Game came to seek out.
The original vibrations of Lomé’s sound, resonating within the studio space, an undercurrent pulsing within the walls, the floor, and the entire atmosphere. A presence at once electrical and mystical sourced through the amps that had never really gone cold, despite the deep sleep that they had been forced into. In taking over the studio’s 3000 square feet, enough to house a full orchestra, Vaudou Game had the space necessary to conjure the spirits of voodoo, those very spirits who watch over men and nature, and with whom Peter converses every day.
For the most authentic of frequencies to fully imbibe this third album, Peter Solo entrusted the rhythmic section to a Togolese bass and drum duo, putting the groove in the expert hands of those versed in feeling and a type of musicianship that you can’t learn in any school. This was also a way to put OTODI on the path of a more heavily hued funk sound, the backbone of which maintains flexibility and agility when moving over to highlife, straightens out when enhanced with frequent guest Roger Damawuzan’s James Brown type screams, and softens when making the way for strings. Snaking and undulating when a chorus of Togolese women takes over, guiding it towards a slow, hypnotic trance. Up until now, Vaudou Game had maintained their connection to Togo from their base in France. This time, recording the entire album in Lomé at OTODI with local musicians, Peter Solo drew the voodoo fluid directly from the source, once again using only Togolese scales to make his guitar sing, his strings acting as channels between listeners and deities…

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V.A. X Ig

Obfuscation

12,74 €* 16,99 € -25%

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Ilia Gorovitz' first full solo album on his own Edelfaul imprint is everything but a solo album.Instead of playing all by himself, the multi-instrumentalist and producer laid down drum tracks using heavy treatments, mutilations and a few things that usually not serve as drums. He sent the results to a variety of friends and strangers, inviting them to add their voices to each one of them.
The outcome is a dozen of heavy listening tracks, mostly under 4 minutes, all stretching the boundaries of rap, spoken word, microtonal singing, joyful noise and primal scream. Twelve voices in different languages (English, German, Japanese, Hebrew, Chinese, Portuguese, and Ukrainian), all in dialogue with the other oldest instrument in the world: the drum.

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Various Bombtists 07 Marble Grey Black Vinyl Edition

12" | 2023 | EU | Original (Bombtrap)

15,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Limited 150 Pieces Hand numbered Marble/Grey/Black (we have 25 copies ONLY) - Craftpack Cover with glued Patch - Infosheed - Stickers - Butter Rug ( Bombtrap Logo ) Kicking things off on the A-Side is an brutal technoish interpredation & exclusive vinyl only version of the italian guy I-ROBOTS track “Frau” by ILLNURSE........ Current releases from I-Robots OPILEC MUSIC and iLLnurse RAW ......followed by the renowned Columbian Artist Filmmaker the owner of his Label Body Musick who’s welcomed to our Bombtrap Camp for the first time. His productions are demanding, multi-layered and spread a morbid atmosphere that we appreciate very much. We could not decide and so there are 2 nasty dance floors monsters of him on it...... current releases Tartarus Records ......In case you weren't awake, "Endless" by the Georgian Downwell from Tiflis conjures up the distorted depths of screaming vocals and sub-splitting kicks for a wake-up call..... current releases Persephonic Sirens ( Ancient Methods ) , X-IMG , HEX Techno movement and Deviate records ...and this is where "Body Theory", from Lyon based guy NƵM 99 seamlessly picks up. The whipping hi-hats and polyrhythmic surfaces kicks you into your own afterlife...... current releases Persephonic Sirens ( Ancient Methods ) and Flesh or Die ( Rave Or Die ) .....the closing "LIES" comes from our mate Delectro also from columbia and he get you a KO finish with his EBM killer vision of a post apocalyptic view of the future of the world. current releases on Dame-Music and Industrias Mekanikas so play it loud and attack your crowd. peace

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Various Bombtists 007 Silver Grey Vinyl Edition

12" | 2023 | EU | Original (Bombtrap)

13,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Regular Edition Silver/Grey - Craftpack Black with glued Sticker - Sticker Kicking things off on the A-Side is an brutal technoish interpredation & exclusive vinyl only version of the italian guy I-ROBOTS track “Frau” by ILLNURSE........ Current releases from I-Robots OPILEC MUSIC and iLLnurse RAW ......followed by the renowned Columbian Artist Filmmaker the owner of his Label Body Musick who’s welcomed to our Bombtrap Camp for the first time. His productions are demanding, multi-layered and spread a morbid atmosphere that we appreciate very much. We could not decide and so there are 2 nasty dance floors monsters of him on it...... current releases Tartarus Records ......In case you weren't awake, "Endless" by the Georgian Downwell from Tiflis conjures up the distorted depths of screaming vocals and sub-splitting kicks for a wake-up call..... current releases Persephonic Sirens ( Ancient Methods ) , X-IMG , HEX Techno movement and Deviate records ...and this is where "Body Theory", from Lyon based guy NƵM 99 seamlessly picks up. The whipping hi-hats and polyrhythmic surfaces kicks you into your own afterlife...... current releases Persephonic Sirens ( Ancient Methods ) and Flesh or Die ( Rave Or Die ) .....the closing "LIES" comes from our mate Delectro also from columbia and he get you a KO finish with his EBM killer vision of a post apocalyptic view of the future of the world. current releases on Dame-Music and Industrias Mekanikas so play it loud and attack your crowd. peace

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Unreleased R&B Remixes Vol. 19

12" | US (Scream)

3,49 €* 4,99 € -30%

Release: US

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl with scuffs and hairlines

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Toolroom Sampler Volume 13

12" | 2024 | UK | Original (Toolroom)

15,99 €*

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Kicking things off on Toolroom’s next 4-track vinyl sampler series is Mark Knight’s hugely successful rework of Groove Armada’s seminal classic ‘Get Down’. Considered one of the holy-grail records of their back catalogue so it’s an absolute honour for us, and Mark Knight, to be re-presenting this incredible record to a new audience. Fusing those unique vocals from Stush and classic Groove Armada synth line, coupled with the energy and insatiable groove of a Mark Knight record, this is a sure-fire dance floor weapon for 2024! Next up are a fan favourite of the label, the mighty duo Illyus & Barrientos who make their long overdue return with ‘When You Gonna’. Tracks such as ‘Shout’, ‘Promise’ and most famously, ‘So Serious’, propelled them to be one of the most exciting and sought after acts in the World. This record is trademark Illyus & Barrientos and reflects their personalities as artists perfectly. Think high energy house music filled with fun and peak-time dance floor vibes! Leading the charge on the b-side is an incredible collaboration from 2 heavyweight house artists, working together for the very first time! David Penn has a career spanning over 25 years. He was recently crowned the #1 house artist on Beatport and boasts over 1 million monthly listeners across leading streaming platforms. Offaiah appears on Toolroom for the first time in his career under this alias, although he was a firm part of the original Toolroom Family line up as Michael Woods. So this is a Special ONE! The record screams sun-drenched terraces, pool parties and chilled cocktails! A huge bass line, infectious tribal vocals and some lush house pianos for good measure. Last but not least, Long-standing Toolroom Family member and fan favourite, Ben Remember returns to the label with ‘Waiting 4 You’. As with all of Ben’s records, this is super creative and super original. Based around an infectious disco vocal sample and all created using out-board, analogue studio gear which gives the track a real gritty undertone.

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Time Wept - Vocal Recordings From The Levant, 1906-1925

2LP | 2015 | UK | Original (Honest Jon's)

Release: 2015 / UK – Original

Genre: Rock & Indie

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Stunningly beautiful, poignant music from Bilād al-Shām — ‘the countries of Damascus’, known nowadays as Syria, Lebanon and Palestine — including performances from the very first recording sessions in the region. The legendary, moody Beirut singer Būlus Ṣulbān is here — some historians have him singing before Egypt’s Pasha Ibrāhīm Bāshā during his military campaign in Syria, in 1841 — and Ḥasība Moshēh, Jewish ‘nightingale of the Damascene gardens’. Thurayyā Qaddūra from Jerusalem; Yūsuf Tāj, a folk singer from Mount-Lebanon; Farjallāh Baiḍā, cousin to the founders of Baidaphon Records... Musical directors like the lutist Qāsim Abū Jamīl al-Durzī and the violinist Anṭūn al-Shawwā (followed by his son Sāmī); such virtuosi as the qanun-players Nakhleh Ilyās al-Maṭarjī and Ya‘qūb Ghazāla, and lutist Salīm ‘Awaḍ. Even at the time, notwithstanding such brilliance, public music-making was frowned upon as morally demeaning, especially for women. Musical venues were generally dodgy. Ṣulbān once cut short a wedding performance for the Beiruti posh, after just one song, he was so disgusted with his audience. ‘If I had to tell you about the catcalls,’ one commentator wrote about the musical theatre of the time, ‘the stomping of feet, the sound of sticks hitting the ground, the noise of the water-pipes, the teeth cracking watermelon seeds and pistachio nuts, the screams of the waiters, and the clinking of arak glasses on the tables, I would need to go on and on and on...’

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This Is Cairo Not The Screamers

LP | 2022 | EU | Original (Nashazphone)

Release: 2022 / EU – Original

Genre: Rock & Indie

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7 intense Egyptian shaabi remixes by Cairo's finest: Zuli, 1127, 3Phaz, Abadir, Nadah El-Shazly, Kzlk & Youssef Abouzeid.

The adrenalised, electrification of Egyptian Shaabi music in recent years has produced absolutely scorching tracks, and Nashazphone’s This is Cairo Not The Screamers can certainly be added to those ranks. Shaabi translates directly as ‘of the people’. Here, it serves as a vehicle for the incendiary and propulsive. Raw power, Cairo-style, distorted variations on a theme.

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The Greatest Thing Alive / Lady (Hear Me Tonight)

12" | 2024 | UK | Original (Toolroom)

15,99 €*

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Chicago legend, Green Velvet, returns to Toolroom as he locks horns with label founder Mark Knight and studio partner, James Hurr, for 'The Greatest Thing Alive'. A low slung, chunky affair that screams Miami Space terrace at 8am! Quirky, full of character and Green Velvets unmistakable vocal re-work of the classic 'Mannish Boy' from Muddy Waters pushes this record into a really special place. Green Velvet debuted on the label back in 2015 alongside Technasia with 'Suga', a record that went onto to be an overall Beatport #1 and remained as their highest selling track for many years that followed, the track also sits on an impressive 9m streams. On the flipside, head honcho Mark Knight, returns with studio cohort and DJs favourite James Hurr, as they take on one of House music's all-time classic records; 'Lady (Hear Me Tonight)'. No messing around, Mark and James offer up an alternative take to this stone cold classic, bringing the infectious vocal and iconic guitar riff to the forefront, mixing into a signature Mark Knight club heavy beat. Having previously collaborated on 'Make You Happy' with Todd Terry and last year's 'You Are A God' with vocalist Cari Golden, Mark Knight and James Hurr are fast becoming a killer duo in the studio, and throughout the scene. Offering up a killer reinterpretation of legendary House classic 'Lady (Hear Me Tonight)' by French House duo Modjo, a record which transcended the boundaries of dance music back in the early 2000's and has since become a record synonymous with the era. True to form, Mark Knight and James Hurr mix their musical prowess together and deliver yet another stomping hit for the clubs!

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2LP | EU | Original (Schema)

The Fez File Vol. 1

Release: EU – Original

Genre: Organic Grooves

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12" | 2022 | EU | Original (Sekhem)

SKM003 2024 Repress

13,99 €*

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Grenoble based label Sekhem returns with a brand new VA gathering french talents. This time, Charlou, Saonore, Clementuu and SSD (Sea Side Department) are in charge of this 3rd release filled with oldschool techno, acid and trance accents.

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Rumbita Buena: Rumba Funk & Flamenco Pop From The 1970s Belter & Discophon Archive

LP | 2017 | EU | Original (Pharaway Sounds)

21,99 €*

Release: 2017 / EU – Original

Genre: Organic Grooves

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From the archives of the legendary BELTER and DISCOPHON labels, essential to understand the birth of the Catalan Rumba and Flamenco-Pop genre in Spain, we’ve selected 14 dance-friendly tracks taken from overlooked LPs and 45s.
This is the real gipsy–funk sound, full of screaming flamenco vocals, funk drums, electric guitars, wah–wah, organ, electric bass, exotic percussions, soulish horns, latin and even oriental touches...
Featuring folkloric ye-yé singers, gipsy princes, teen rumba stars and groovy rumba–pop bands: DOLORES VARGAS “La Terremoto”, CHANGO, ROSA MORENA, RUMBA 3, EL PRÍNCIPE GITANO, EL NOI...

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2LP | 1995 | UK | Reissue (Parlophone)

OST Trainspotting

36,99 €*

Release: 1995 / UK – Reissue

Genre: Soundtracks

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Reissue for the influential 1995 soundtrack to the film starring Ewan MacGregor, Jonny Lee Miller, & Robert Carlyle. Directed by Danny Boyle and based on a novel written by Irvine Welsh. Featuring tracks from Iggy Pop, Brian Eno, Primal Scream, New Order, Lou Reed, Underworld, Elastica, Blur, Pulp and more.

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OST Rob Zombie's Halloween II Pumpkin Orange, Candy Apple Red & Magenta Swirled Colored Vinyl Edition

LP | 2020 | US | Original (Waxwork)

38,99 €*

Release: 2020 / US – Original

Genre: Soundtracks

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Available For The Very First Time On Vinyl
180 Gram Pumpkin Orange, Candy Apple Red, and Magenta Swirled Colored Vinyl
Includes Soundtrack Songs, Score Cues, and Dialogue
Exclusive Liner Notes By Rob Zombie
New Art By Robert Sammelin
12”x12” Twenty Page Booklet
Unreleased Set Photography From Rob Zombie’s Personal Collection
A 12”x12” Art Print
Printed Inner LP Sleeves with Set Photography
Old Style Tip-On Gatefold Jackets with Matte Satin Coating
Waxwork Records is proud to announce the debut vinyl release of Rob Zombie’s Halloween II Original Motion Picture Soundtrack. Released in 2009, Rob Zombie’s Halloween II is an American slasher film written, directed, and produced by Rob Zombie. The film is a sequel to Zombie’s 2007 reimagining of 1978’s Halloween and the tenth installment in the Halloween franchise starring Tyler Mane as Michael Myers, Malcolm McDowell as Dr. Sam Loomis, Sheri Moon Zombie, Scout Taylor-Compton, and Brad Douriff. The film picks up where the 2007 film ended and then jumping ahead one year. Halloween II follows Laurie Strode as she deals with the aftermath of the previous film’s events, Dr. Loomis trying to capitalize on those events by publishing a book that chronicles the events, and Michael Myers as he continues his search for Laurie so he can reunite with his sister.

Waxwork Records is proud to present the soundtrack for the very first time on vinyl. The deluxe release features score cues by Tyler Bates, select dialogue from the movie, and soundtrack songs including tracks by The Moody Blues, Motörhead, Void, Scream, Foghat, Captain Clegg and the Nightcreatures, and more.

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Metti Una Bossa A Cena Volume 1

2LP | EU | Original (Schema)

Release: EU – Original

Genre: Organic Grooves

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LP | 2024 | US | Original (Hyperspace Communications)

Metro Subterranean

Release: 2024 / US – Original

Genre: Pop

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Four electrifying bands from different periods of the west coast urban underground together for the first time on Yellow vinyl! Including: Bastidas!, Ultraviolet Catastrophe, Pink Stiletto, and Nervous Gender Reloaded. Representing the Neo New Wave of Seattle, San Francisco, Hollywood, and East LA. Pressed on yellow vinyl. Bastidas! has flourished among L.A.'s underground scene since 2007, creating a new threshold for post-punk, chunked up bass lines, and sonic synthesis. Melding genres of Latin, Post Punk, Punk, Jazz, Latin Jazz, they represent what could be East L.A.'s answer to Sonic Youth. The UltraViolet Catastrophe (aka Uvc) was a mostly synthesizer pop band in Seattle from 1982 to 1984. With the sound of multiple keyboards and female lead singer, their first live gig was at the opening of The Metropolis in Seattle in 1983. Produced by members Einar Ask and Steve Turnidge, industry specialist and author of Digital Mastering. Pink Stiletto is set to reinvigorate New Wave and post-punk. Echoing the eclectic, avant-garde essence of ZE Records, Pink Stiletto merges disco’s allure with punk’s rawness, funk’s rhythm, and new wave’s idiosyncrasy. Their songs stand out with unconventional sound, capturing the vibrant, artistic spirit of downtown New York. It draws inspiration from the likes of Gina X, Tubeway Army, and Cristina. Nervous Gender formed in Los Angeles, California, in 1978 by Gerardo Velazquez, Edward Stapleton, Phranc and Michael Ochoa. In 1979, Don Bolles of the Germs joined as drummer. The following year, Phranc left the band and Paul Roessler of the Screamers joined. Nervous Gender played with bands such as SPK, Factrix, NON, Einstürzende Neubauten, and Psychic TV during the early 1980s. The original LP has been re-released by Dark Entries Records. As of 2017, Edward Stapleton, and Matt Comeione, San Diego mod and Cal Arts trained composer, started Nervous Gender Reloaded.

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La Llama De Prometeo: La Puerta De Entrada A Las Nuevas Músicas Espanolas

LP | 2018 | EU | Original (Discomanos)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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“Fire, the divine essence stolen from the gods by Prometheus and given to humanity thus, making us unique amongst other creatures of Mother Nature, bringing us closer to the divine.
The myth’s version chosen to illustrate the songs in this compilation, whispers that the figure of this fire remains alive in the shape of intelligence and cleverness. Technology split us apart while allowing us to own the sounds of Nature, to transform them, to travel in time within the 20th century using all sorts of folk instruments, assembling mezzo-sopranos coming down from orchestras high up in the sky, with the most virtuous percussionists in the Spanish music scene. Who would have told the sailor man that he would be dancing to down-tempo with his loved one, who is leaning on the balcony waiting for him.
This compilation is a deep scream from modern gods; the flame that is still alive in this new century.
I couldn’t be more thankful to Lord Guardado (Discómanos) for relying on me for the selection of songs, for being this project’s cornerstone and engine, as well as to all the artists who agreed to be part of it.”
Daniel Nielles

Subtitled As “The Open Gate To New Spanish Music” This Is An Amazing Compilation Dedicated To Spanish Minimal, New Age, Ambient, Downtempo, Folk, Experimental Sounds, 1989-1999, All Tracks Never Released On Vinyl Before.
Feat: Suso Saiz, Iury Lech, Finis Africae, Eliseo Parra...
Sublimely Curated By Daniel Nielles (Tuharrdosons), Inspired By The Work Of People Like Luis Delgado (El Cometa De Madrid, Etc).
LP Only Release, 500 Copies. 180Gr Vinyl.

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12" | 2019 | EU | Original (Slow Motion)

Italian Dance Wave Sette

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Altieri, Lukebox, Robotalco, José Manuel. Summer is coming sooner this year, and you can tell from the heat of the two latest releases from Slow Motion: yes ladies and gents, Italian Dance Wave Compilations are back! The first of the two, “Italian Dance Wave Disco Sette”, is here to delight you: starting from a half Italo and half Asian influenced Altieri track, killing it with a dancefloor belter that will make you sweat the night away, raving sensations guaranteed. Lukebox (Fabrizio Mammarella and Umberto Saba from the duo Loudtone) will serve you a slightly more downtempo, modular, weirdo beast that will make your head bang without you even notice: banger. Back on your turntables, is also Robotalco who is providing some proto-house extravaganza and adding some charme to the dirty, chunky beats of the compilation. Last but not least, José Manuel, delivering a touch of biting deep house and electro tribal feels to close the gap, and make us scream “hell yes”.

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Greasy Mike's Halloween Monsters

LP | 2022 | UK | Original (Jazzman)

25,99 €*

Release: 2022 / UK – Original

Genre: Organic Grooves

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A new series from Jazzman featuring the lowest of the lowball schlock n' roll 45s never known to exist!

After many years in hiding, notoriously shady Super Spiv of the record world Greasy Mike has finally opened up his vinyl dungeon, and we were first to raid it!

We have left no box untouched, no crate unrummaged, no pile unpilfered! Just the greasiest and grimiest, the most shocking and sordid 45s have made it onto our selections. Watch out for more!!!

But first - and just in time for your Halloween Horror Shock Hop - Greasy Mike unearths his alltime all-hallowed Halloween Monsters: The Zombie Walk, Night Sweats, the Chiller, Prowler and Screaming Vampire! Putrid pieces of raucous rot n' roll records direct from Greasy Mike's manky mitts! Oww-ooooh!!!

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Get It Right: Afro Dub Funk & Punk Of Recreational Records '81-'82

2LP | 2022 | EU | Original (Emotional Rescue)

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie, Reggae & Dancehall

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Emotional Rescue returns to what it does best by unearthing musical gems of the British post punk scene with a double pack compilation of Bristol's short lived Recreational Records. Teaming up with Bristol Archive Records, 10 songs are remastered, reissued and cut loud for DJs and collectors. What is most striking is, although created in the space of just two years, with a disparate collection of artists, musicians and producers coming together, the music holds a considerable cohesive sound. Set up in 1981 by Bristol based shop, Revolver Records, Recreational was formed as an independent label with its own distribution, as part of the co-operative, Cartel. The label was a natural progression from the shop's punk's DIY aesthetic, acting as a hang out and inspiration for local artists from Mark Stewart to later staff member, Daddy G. 'Get It Right' starts with a one-off project in Scream + Dance, who similarly, alongside local bands Glaxo Babies, Maximum Joy and Rip Rig & Panic, explored post-punk with funk and jazz all underpinned with heavy tribal and dub influenced rhythms. 'In Rhythm', with its infectious groove, acts as a call to arms for the compilation, coming in two parts, the latter dropping away to explore the links with dub. Next is possibly the label's biggest band in Talisman, going on to be active up to today, their release 'Run Come Girl / Wicked Dem' are both featured in long 12" mixes that explore the classic 'discomix' of vocal and dub in longform. Animal Magic lead with the pack's title, 'Get It Right' a short-driven punk funk burst that captures the label's sound to perfection. However, much of the compilation is given over to the more experimental side of the bands, with a high percentage the B sides where they headed to the mixing desk for echo chambered dub inspired versions. X-Certs' 'Untogether; Electric Guitars' 'Don't Wake The Baby' and Animal Magic's 'Trash The Blad' are culled from the flips of various 7" singles and all are a fusion of percussive rhythms, studio trickery and dub inspired techniques, played out against the "Do it Yourself" aesthetic of the time. To complete is London based, soukous, kwela and afrobeat inspired collective, Ivory Coasters' 'Mungaka Makossa' and two rhythmic curveballs by Scream + Dance in 'Giocometti Wicked Mix)' and their riotous (and short) closer, 'In Pink & Black'. "Get it right this time, get it right!".

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Freedom Jazz Dance Book II 2024 Repress

2LP | 2005 | EU | Reissue (Schema)

Release: 2005 / EU – Reissue

Genre: Organic Grooves

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The second volume in the “Freedom Jazz Dance” series, conceived and compiled by Schema Records founder Luciano Cantone back at the beginning of the third millennium, is finally available again on vinyl. This series, whose aim is blending classic jazz and modern sounds for the new generations of music listeners, focuses here on a more ‘underground side’ of the record label’s roster with Soulstance, Invisible Session, Quartetto Moderno, S-Tone Inc., Paolo Fedreghini & Marco Bianchi ……………..

Extending the heritage left from the first chapter of the “Free¬dom Jazz Dance” series, Schema Records presents the “Book II” volume which included, back in 2005 when it was original¬ly released for the first time, various unreleased tracks from Schema and ‘non-Schema’ renowned artists. The FJD concept comes from an idea of Luciano Cantone, aiming at offering ‘New Standards’ that can be understood and responsively absorbed by new young generations of music lis¬teners. The title comes from a Eddie Harris’ composition and contains the keywords that perfectly describe the essence of these compilations: the sense of artistic “Freedom” that consti¬tutes a basic ingredient for “Jazz” and the natural impulse of movement, “Dance”.

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Come To My World Indie Pop 1985-2023 Indie Exclusive Colored Vinyl Edition

LP | 2024 | EU | Original (Two-Piers)

44,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Come To My World History Of Indie Pop 1985-2023 Black Vinyl Edition

LP | 2024 | EU | Original (Two-Piers)

44,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (El Palmas Music)

Color De Trópico

27,54 €* 28,99 € -5%

Release: 2020 / EU – Original

Genre: Organic Grooves

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Color de Trópico is a carefully-compiled work of healing and reconstruction, documenting a special moment in the history of Venezuelan music, when the country’s democracy was just a few years old and the profound impact of the oil industry on society had only just begun. DJ El Palmas and El Dragón Criollo have chosen eight impossibly hard-to-find jewels, originally released between 1966 and 1978, reissued here for the first time on vinyl. In this period, Venezuelan musicians assimilated a wide range of influences and styles, both local and global, to generate something new, a “modern” identity for Venezuelan music; artists who set their eyes on the future without giving up the search for their own sabor (flavour). This is how jazz, rock, salsa, funk, psych, prog and disco, sat next to guajira, cumbia, cha-cha-cha and even the hugely-popular Venezuelan style of joropo. It started a long tradition of Venezuelan musical pioneers, many of whom are still to get the recognition they deserve. Seconds after the needle drops on the vinyl, “El Despertar” (“The Awakening”) kicks off things with a goodbye for it was the last single Los Darts released before their dissolution in 1974. In the 60s they became the youthful face of pop, however, “El Despertar” settles into a later maturity, having digested the tumult of the times. A cha-cha-cha rhythm with bossa nova piano, bluesy stylings and a Caribbean context – a blueprint for tasty miscegenation – with the use of electric guitar, arriving in waves of chords, signalling the onset of modernity. “Guajira con Arpa” by the pioneering Hugo Blanco, who lists the creation of countless rhythms and his early adoption of rhythms like ska amongst his claims to fame, is a fusion that arrives without complexities. It approaches indigenous forms from a multitude of different angles, yet in the middle of its Caribbean approach it creates a melody so close to the pajarillo that the song seems to flip on its head. With “Zambo” the party is on. Here we have an all-star line-up comparable to master Cortijo’s brief project with his Time Machine in Puerto Rico. Alex Rodríguez, one of the most important jazz guitarists in Venezuela and his Retreta Mayor give a twist to the fusion by daring to venture into Latin jazz, funk and salsa. “Gaita Universal” by El Combo Los Capri, gives us a moment of solace, recalling the cultural, rhythmic and even spiritual brotherhood of Venezuela not only with the Caribbean but with the continent, South America and neighbouring Colombia. This cumbia is special, it interweaves musical phrases in the style of a popular party wanting to propose the permanence of culture. Rhythm is the point of union between all human beings and, as its name indicates, its proposal goes beyond the physical and particular. It’s pure tropical hedonism. Nelson y sus Estrellas reminds us once again of the Caribbean wave but here under his “urban” outfit. Nelson plays guaguancó in the style of original salsa, specifically in this version (the theme evolves over time) with a disco-soul twist on “Fantasía Latina”. It takes the sound of early masters like Eddie Palmieri but is developed with eclectic elements, a climatic structure in which a trumpet with vibrato, salsa-rock riffs with acoustic guitars and a flute that, unlike the charangas in those that Johnny Pacheco partook at the same time, rather have a cinematic character. The cosmic “Tu y Yo” from Almendra plots a journey between soul-jazz and psychedelia that sails over a Moog until ending as a P-Funk descarga. Despite the fact that the principal instruments are an organ and a synthesizer, the acoustic guitar provides a unique colour. A tropical psychedelic journey from beginning to end seasoned with congas. The album closes with Tulio Enrique León y Su Organ playing “Bimbom”, a European pop-styled track from 1975. It’s a version of Bimbo Jet’s Eurodisco “El Bimbo” that immediately became famous among popular easy listening orchestras throughout summer in Europe. Tulio Enrique shines by turning it into an enigmatic and spectral cumbia. Tulio was an organist whose blindness did not prevent him from becoming one of the most popular artists in the world, as cited by Billboard in 1965. We have left the politically-incorrect “Socorro, Auxilio” by Germán Fernando for the end. According to music journalist Alfredo Churión “those who saw him attested to having witnessed something indescribable”, a mysterious man who doubted even his sanity and of whom today practically nothing is known. He was someone who dared to show a completely foreign effrontery, signing unintelligibly, moving frantically and throwing himself to the ground before the stunned gaze of his audiences. Venezuelan writer Luis Armando Ugueto states: “his art could go from the sublime to bad taste – and it was craved by the press – when he subjected viewers to strange songs where he pleaded for socorro and auxilio [help].” Germán Fernando had a histrionic proposal that was a thousand times misunderstood and that even popular presenters of the time like Renny Ottolina dubbed “his follies”. A theme close to the jazz orchestra soundtracks of James Bond and Batman accompanies the showman here who comes across like a creole Screaming Jay Hawkins. He creates a whirlwind of sound that, while as agile as a featherweight, is also capable of knocking out all the old ideas we had about Venezuelan music.

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Bobby Gillespie Presents: I Still Can't Believe Yo

2LP | 2023 | UK | Original (Ace)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Following on from the Primal Scream frontman’s brilliantly-received previous release for Ace, ‘Sunday Mornin’ Comin’ Down’ (accolades included being short-listed for Rough Trade’s compilation of the year), Bobby Gillespie brings us another slice of the music that soundtracks his life. And in this case, it’s his touring life. Drawing on the experience of ‘the way that the noise and clamour of the road can tire you out, wear you down and frazzle your nerves to shattered fragments of jangled exhaustion’, these are the records Bobby turns to for solace, for comfort, for empathy and for resourcefulness.

The compilation features an introduction from the man himself, talking us through his personal choices as though he’s sitting cross-legged on the carpet going through records with you in his lounge. Also long-time cohort of the band, Kris Needs has written extensive liner-notes, serving up an intensive track by track insight and analysis.

Titled after and kicking off with the Willie Nelson track of the same name, ‘I Still Can’t Believe You’re Gone’ leads us through a darker and deeper exploration than its predecessor, featuring Nick Cave’s funereal version of ‘By The Time I Get To Phoenix’ and Ry Cooder’s sparse and beautiful reworking of ‘Dark End Of The Street’. And we get there via such greats as Bob Dylan, JJ Cale, Donnie Fritts, Crazy Horse, Lee Hazlewood, Al Green, Thin Lizzy and so many more.

In Bobby’s own words: ‘These songs are soul savers to soothe frayed and battered nerves and to ease and settle the heart. They work on me like medicine every time. I would like to share this wonderful music that has given me strength, joy and inspiration over the years with you the listener, so that you too might get the same feelings of protection and inspiration that I do whenever I listen to these songs. We're all travellers on some kind of road through this life, and we all need respite from time-to-time - the music on this compilation is soul food of the highest order - I hope you enjoy it.’.

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Askorn Records Various Artists 05

2LP | 2023 | EU | Original (Askorn)

30,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Limited to 300 copies, this 2x12" double vinyl VA is the third physical release of the industrial techno label, Askorn Records. Including 8 tracks ranging from dark and tortured slow beats to hard and industrial techno bangers, this release brings together 9 producers from Belgium, UK, Poland, Australia and France: Twan, Dahryl, Mickey Nox, Tripped, 14anger, Draugr, Hel.IV, Ogmah and Hatelove.

A1: Twan & Dahryl - Ammunition Pure industrial techno banger. 142bpm bomb full of fast rolling drums and screaming synths, this collaboration between Belgium based artist Twan and Dahryl from United Kingdom, is a furious dancefloor destroyer.

A2: Mickey Nox - Switching Horsepower Classic industrial hammer by Mickey Nox from Australia. A crazy 4-4 techno track with his famous stomping kick, strange FX sounds, chopped with some glitchy voices. Sounds like an unstoppable engine.

B1: Tripped - Fat Load Tripped demonstrates the perfect mix between hardcore and techno into this track, using his famous and indescribable style. Industrial hardcore and destroyed 909 gabber kickdrums, scary synths, amen breaks and terror atmosphere.

B2: 14anger - Bachman Heavily distorted bass-line, overdrived kickdrum, an acid break and some electrical noises: Bachman is the latest 14anger banging track. This raw industrial techno track definitely brings some oldschool rave vibes to this project.

C1: Draugr - Discipline A dark and groovy track by Draugr. He brings his famous threatening atmospheres, spooky bass and catchy drums on this one. Crunchy kickdrum, radar noises and a perfectly chosen speech about order and discipline.

C2: Hel.IV - Brave & Thick Hard, dark and punchy as usual, let's introduce Hel.IV from Paris. Deep and hard kickdrum with catchy drums patterns surrounded by a screaming distorted vocal sample, and an epic and menacing synth.

D1: Ogmah - No Feelings, Pure Wrath New harsh and scary bomb by Askorn's founder, Ogmah. A slashing and industrial beast with some shrill highs drums, creaky and industrial FX sounds, and a long break with scary vocals about sins.

D2: Hatelove - Snakebyte A slow and dark track with a deep as hell atmosphere, produced by the one and only Hatelove from Poland. Full of filters automations, psycho and spooky noises, banging drums and crazy sound design. Angering af.

The artwork is an engraving by the artist Daniel Girault from Brittany in France. This is the result of a dark and disturbing abstract design engraved on a hard metal surface, made by cutting grooves into it with differents sharp tools. After being drowned into an acid bath, this metal plate is finally pressed with black ink on a thick paper sheet.

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2LP | 2008 | DE | Original (Analog Africa)

African Scream Contest

60,99 €*

Release: 2008 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Copy closer to NM. Cover with very slightly bumped corner

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LP | 2022 | EU | Original (Spittle)

391 Selezione 1

Release: 2022 / EU – Original

Genre: Pop

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You've been waiting for it, and finally here it is ! A natural compendium to the 391 series, with a strong selection straight to vinyl. Spittle cds series 391 is filling a void screaming out for revenge. We're not actually talking about hard to find material, but properly unreleased songs and compositions locked for several decades in some virtual memory lane. A proper distillate from the ongoing series, which showed the hidden roots of the Italian new-wave (with all the possible links to art-rock, goth, post-punk and industrial). Creativity has never been lacking and sometimes complete with a burst of originality, what lacked was a good promotion and a more accessible way to the underground market. Now you have it. Enjoy !

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5LP | 2024 | Original (Muna Musik)

30 Jahre Muna

134,99 €*

Efterdønn Red Vinyl Edition

Release: 2024 / Original

Genre: Electronic & Dance

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21 exclusive tracks.

5x12" Klapp-Box Set MMLP 003, colored vinyl, incl. download code, “30 Jahre Muna” Poster, “10 Jahre Muna Musik” Poster, stickers

- blue marbled vinyl - LP1 (Side A/AA)
- green marbled vinyl - LP2 (Side B/BB)
- yellow marbled vinyl - LP3 (Side C/CC)
- pink marbled vinyl - LP4 (Side D/DD)
- gold marbled vinyl - LP5 (Side E/EE)

A1. Super Flu – Nos Crub
"Nos Crub" is another work by the Halle-based tech house export Super Flu that lands on our 30 years of Muna sampler. In typical Super Flu style, there is a harmonious composition with a synthesizer theme, subtly spiced strings and piano tracks, as well as a psychedelic-tinged vocal. The whole thing is based on a bassline that is absolutely suitable for clubs and goes wonderfully with everything from a club to a huge open air venue.
A2. Marco Resmann - Zero In
There is also a contribution from Marco Resmann to our 30 years of Muna compilation. "Zero In" is a beautiful piece of house music, starts atmospherically, builds up with added instrumental tracks and a kind of psychedelic vocal to create a beautifully saucy listening experience, far from prime time mass-produced algorithm optimized house! Category: Morning hours, recommendation: listen on repeat!
AA1. Sarah Wild – Night Shift
Sarah Wild adds "Night Shift" to our 30 years of Muna compilation. The driving piece starts with some break beats in the first few seconds, builds up nicely with some electronica elements and a spherical synth pattern and stands on a stable base of a club-friendly bassline!
AA2. Sierra – Dirty Thirty
Our local hero Sierra contributed the piece called "Dirty Thirty" with a wink to our 30 years of Muna compilation. A clean house piece with a bassline that could be described as well-fed. A subtle vocal, little acid and some synth sounds finish the tune wonderfully.
B1. Mathias Kaden – Muna 1994
With Mathias Kaden an artist who truly and undoubtedly belongs to the DNA of Muna also delivers a work to our 30 years of Muna compilation. With "Muna 1994" the title itself is a homage to the club and in 6:16 minutes it accurately describes what happens here regularly in the hall and foyer - driving powerhouse with a typical Mathias Kaden sound! An energetic bassline mixes with hi hat and clap, along with harmoniously arranged synth themes and vocals that come in at exactly the right time.
B2. Douglas Greed – Sleeping in Shifts
A song by the Berlin based Douglas Greed, “Sleeping in Shifts,” also ends up on our 30 years of Muna compilation. A wonderfully complex and melodic piece of electronic dance music. Spherical sounds, synths or vocals, the individual tracks begin smoothly and are arranged in a melancholic mood with an almost instrumental like drum loop. As usual from him, much more than just a dance floor tool!
BB1. Kristin Velvet – Katamaran
Kristin Velvet's "Katamaran" is part of our 30 years of Muna compilation. A beautiful, slightly twisted house piece that fits perfectly with the first rays of sunshine on an open air floor in summer. A dominant synth theme runs through the entire tune, varies very pleasantly and
increases the atmosphere in the tune until a break in the last third. The danceability of the bassline remains constant.
BB2. Norman Weber feat JuKa – Fabulous Muna
We'll take that as a compliment! With "Fabulous Muna", a tune by Norman Weber also appears on our 30 years of Muna compilation. Together with JuKa, he serves up a wonderfully soulful piece of house. Percussion, kick drum and a wavy bass track form the basis, plus there are subtle synth sounds, pads and vocals. Diverse, Latin-like and groove in its DNA! This Sound fits the Muna like photo dumps in the timelines of people under 30 and really makes you want to dance!
C1. Robag Wruhme – Trip-This
As an artist and person also part of the history and present of the Muna club - with "Trip This" there is also a piece of music on our 30 years of Muna sampler created by Robag Wruhme. The connoisseur can certainly name the artist and year of production after the first 15 seconds. The typical floating Robag Wruhme bassline can also be found here. After all the elements are introduced in the first half, a break is followed by a wonderful marriage of all tracks to a deep, melancholic finale of this tune!
C2. Thomas Stieler – Meet You At Foyer
Full-time nice guy and Munich resident by choice Thomas Stieler also sends us a tune for our 30 years of Muna compilation. “Meet you at the Foyer” can and should be understood as an invitation to visit us! The modern, clean piece of house music grooves excellently and arranges all tracks wonderfully equally and without any hecticness. The wobbly bassline creates an energetic and danceable base to this great produced song.
CC1. Daniel Stefanik – In Search of Slowly
Daniel Stefanik from Leipzig, a Muna veteran, has also created a tune for our 30 years of Muna long player "In Search of Slowly" is a wonderfully slightly swirly, deep piece of house music. The powerful bassline, together with a surface sound in the background, frames a dominant, spacey synth theme. A tune for the early hours of the morning, not packed, just right and with a lot of pressure from the subs!
CC2. TKR – Anymore
Muna stands for diversity since its birth! So our 30 years of Muna compilation also includes broken beats, which have always been part of Muna. With "Anymore", Jena based drum'n bass veteran TKR contributes a wonderfully melancholic liquid DnB tune. Surfaces that are reminiscent of early Chase & Status works, a smooth and very subtle piano and a never intrusive.
D1. Matthias Tanzmann – You Just
With "You Just" there is a piece of house music by Matthias Tanzmann that practically screams for the dance floor on our 30 years of Muna compilation. The first few seconds of crisp hi-hats get you dancing straight away, and the beat that starts after makes it clear. What follows is an energetic interplay of percussion, deep synth sounds and a very subtle vocal, all that in a harmonic way. Makes you want to go to Ibiza, whether it's a club or a beach party!
D2. youANDme – All Fine
In addition to a calendar jam-packed with international gigs and productions for many other labels, youANDme also contributes a tune to our 30 Years of Muna sampler with "All Fine". The deep, atmospheric piece of house music comes minimally from the speakers, but feels absolutely complete. The deep bassline is complemented by slightly broken percussions, a minimalistic piano sound and is crowned by a subtle vocal.
DD1. Leeni & Danilo Kupfernagel – Vida Única
With "Vida Única", a fresh piece of House Music by Leeni & Danilo Kupfernagel also lands on our 30 years of Muna record. What comes along as a classic house stomper in the first few seconds develops into a beautifully melodic, atmospheric tune through the spherical surface that starts as smooth as peach skin after 30 seconds. It slowly builds up over the next 4 minutes, always leaving room for the absolutely danceable bass line.
DD2. 2HundredEight feat Matti – Pretend
Electronic dance music has also included broken beats since the end of the 80s. It's all the better that we have included some of these tunes on the 30 Years of Muna sampler as well. "Pretend" is contributed by 2HundredEight, who brings in the otherwise guitar-experienced singer MATTI and creates a wonderfully melancholic piece of work. A minimalist piano sample, a broken DnB beat and an ever-present deep bassline, all spiced up with the powerful, bright vocals of the Leipzig based singer. Great cross-genre work!
E1. Luna City Express feat. Kenneth Avera – 30 YRS of Muna
Luna City Express were a little uncreative when it came to choosing a name, but "30 YRS of Muna" with Kenneth Avera is a piece of music bursting with positive energy that ends up on our 30 Years of Muna compilation. After a standard house intro with a powerful kick drum, a very present hi-hat and clap, there are synth sounds, vocals and a saxophone track. The whole thing comes together to form an energetic tune that leads to an shaking musculoskeletal system and simply puts you in a good mood!
E2. Click Click & Defex feat. Leah Raider – Raw Cutz 6.1
With “Raw Cutz 6.1” Click Click & Defex feat. Leah Raider contribute a piece to the 30 years of Muna compilation too. A house kind club tool with a slightly overdriven, snotty bassline an acid pattern and a subtle, breathy vocal. Definitely gets in your leg and leads to acute dance movements!
EE1. Langstrumpf – Drop Out
Langstrumpf also insisted on serving up a song for our 30 years of Muna compilation. "Drop That" comes with a powerful bassline, flanked by an acid-like sound, and the whole thing is spiced up with playful, choral sounds. It fits from warm-up to the morning, builds up nicely and pushes!
EE2. TimBrix – Sound Invasion
With "Sound Invasion" TimBrix also delivers a drum'n bass tune for our 30 years of Muna LP. This thing can easily do 20 pull-ups, pushes 174 kilos and combines an energetic bassline suitable for prime time with a clear vocal and razor-sharp synth sounds that are slightly
reminiscent of neurofunk. All of this is served on a typical DnB drum pattern that seems to scream: Go ahead mate!
EE3. Politone – Thirty Prayers
Politone, one of our residents, also contributes a piece to the 30 Years of Muna sampler. With "Thirty Prayers", he has created a minimalistic but absolutely well-trained house record. The few tracks complement each other and blend together very smooth. The symbiosis of the synth theme and the slightly reggae-like echo vocal go perfectly with the powerful kick drum and can lead to stomping dance moves at any time of day or night.

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Utflod

LP | 2024 | EU | Original (Apollon)

39,99 €*

Unwound Rising Blood Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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The punk/hardcore/metal quartet Utflod has been called “Bergen’s angriest band”, and with good reason. The band, whose name translates to “discharge”, founded it’s first line-up on a dark Autumn night in 2018, and after lurking in the underground a few years, 2022 saw them emerge from the shadows, something that didn’t go unnoticed by the music press and bookers – or even our national TV broadcaster, NRK! After two well-received EPs, they decided to make an album. But as they started to stir in the cauldron, something profound happened. Suddenly, as the year was at it’s darkest, singer Oda found herself pregnant! The bewilderment was short, though – they quickly decided to take a break from concerts and focus on the album. So, while Oda did the most brutal and ‘metal’ thing a human can do, giving birth and taking maternity leave, the rest of the band worked on their second offspring; Efterdønn! Efterdønn takes you along for a stormy horseback ride, while you scream your lungs out. The album has underlying themes of reflections and experiences regarding the more savage aspects of humanity. From the cradle to the grave. From the pitch black to the most beautiful. The album contains 14 fast and angry song explosions, guaranteed to make an impact on listeners – this is not to be missed! 01. Insomnia02. Askeblot03. Fritt Vilt04. Bygdedyret05. Stine06. Du lider07. Hyklar08. Mysteries Doom Santana09. Glitter & Gulp10. Utflod11. Frå eit hjarte12. Tyrann13. Primitiv14. Rier

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Unwound

LP | 1995 | US | Reissue (Numero Group)

Unwound Antifreeze Blue Vinyl Edition

Release: 1995 / US – Reissue

Genre: Rock & Indie

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Back in print for the first time this century, first time for color and tip-on jacket, the definitive edition remastered from the original tapes.Meeting at the halfway point between Bleach and Damaged, Unwound's 1995 self-titled album arrived years after the original trio of Vern Rumsey, Justin Trosper, and Brandt Sandeno made their Avast Studios debut. Compiling their EPs for Kill Rock Stars and Gravity Records with five more session outtakes, Unwound was released on Rumsey's Punk In My Vitamins as the band began flirting with the mainstream. Witness a band's prehistory as it plays out in a feral maelstrom of screaming, distortion, feedback, and abrasive promise.

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Unwound

LP | 1991 | US | Reissue (Numero Group)

Tape | 1995 | US | Reissue (Numero Group)

Release: 1991 / US – Reissue

Genre: Rock & Indie

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Antifreeze Blue vinyl.Meeting at the halfway point between Bleach and Damaged, Unwound's 1995 self-titled album arrived years after the original trio of Vern Rumsey, Justin Trosper, and Brandt Sandeno made their Avast Studios debut. Compiling their EPs for Kill Rock Stars and Gravity Records with five more session outtakes, Unwound was released on Rumsey's Punk In My Vitamins as the band began flirting with the mainstream. Witness a band's prehistory as it plays out in a feral maelstrom of screaming, distortion, feedback, and abrasive promise.

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Unwound

16,99 €*

12" | 2019 | EU | Original (Hund)

Release: 1995 / US – Reissue

Genre: Rock & Indie

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Meeting at the halfway point between Bleach and Damaged, Unwound's 1995 self-titled album arrived years after the original trio of Vern Rumsey, Justin Trosper, and Brandt Sandeno made their Avast Studios debut. Compiling their EPs for Kill Rock Stars and Gravity Records with five more session outtakes, Unwound was released on Rumsey's Punk In My Vitamins as the band began flirting with the mainstream. Witness a band's prehistory as it plays out in a feral maelstrom of screaming, distortion, feedback, and abrasive promise.

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Unknown Collective

Funktions EP

12,99 €*

12" | 2024 | EU | Original (Segum)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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After the last press by Swoy, we're happy to scream that we've reached the 8th level with a massive release by the Italian crew Unknown Collective made by the mind of Fulvio Ruffert.

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Unknown Artist

Seguim Edits Vol. 2

14,99 €*

Digital Stimulation Blue Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Seguim Records is back with its second release, Seguim Edits Vol. II, delivering four dancefloor fillers charged with vibrant energy. Navigating between the nostalgia of the 80s and vivid memories of the 90s, this EP brings together a compelling blend of bright and dark tones. The A side features two unique interpretations of the same theme: A1 presents a classic House and Italo approach with captivating synth riffs, while A2 takes a daring turn drifting between more serious and hypnotic sensations.

On the other side, B1 transports you to the euphoric summers of the early 90s UK rave scene with a genuine stomper. The 12’’ concludes with B2, a tribute to a recently departed figure who made a lasting impact on the rock and post-disco eras.

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Units

LP+CD | 1980 | US | Reissue (Futurismo)

49,99 €*

Stab Breaks Red Splatter Vinyl Edition

Release: 1980 / US – Reissue

Genre: Electronic & Dance

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Futurismo have the privilege to be the first label to ever reissue one of the most sort out and revered electronic albums of the early 1980’s: Digital Stimulation by Units.

Inspired by punk in ideology, though not necessarily in sound, San Francisco’s Units were a young breed of dystopic visionaries art space prodigies and trash culture futurists set on reshaping sound for a new age. Leading the charge, along with only a couple of others such as Screamers and Chrome, they lit the touch-paper for a new sound, a new scene. A new approach. Equally as influenced by experimental cinema, performance art and Brechtian street theatre as they were the music of Suicide and Devo, Units offered a glorious glimpse into how and what pop music could be. Their influence has stretching all the way through synth punk and new wave pop into the most contemporary electro musicians.

Originally released in 1980, Digital Stimulation was Units true calling card and masterpiece. Containing the now famous opener ‘High Pressure Days’, this is a time capsule brought up from the dawn of the digi-age; all metronomical rhythms, wry lines and ice-cold delivery…part of a lineage that includes Neu!, Tubeway Army, ‘Being Boiled’-era Human League and Cabaret Voltaire, making this a vital recording for anyone interested in electronic music at all – past or present, with original copies selling at extortionate prices this is a release long overdue.

The remastered version of this out of print 1980 LP is presented here in a choice of ltd edition Colored Vinyl, alongside a CD of the album completely remixed in 2020 by Scott Ryser. This deluxe release also contains a 12pg art booklet containing rare imagery and new liner notes.

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Ugly Mac Beer

12" | 2022 | EU | Original (Beatsqueeze)

Uppers Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Hip Hop

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This "blood splatter" vinyl record is primarily a tool for turntablists and beatmakers who love horror movies. It clearly refers to the Scream saga of the 90s. Side A (aka the blood side) is composed of 12 skipless loops at 133 bpm. You will find screams of terror, sound effects and other voices from the film. The B side (called the ghost side) is a sound bank (also at 133 bpm) with orchestral music, brass, distressing violin, dark piano, choirs, voices, sounds & effects. As a bonus: a download card with the contents of the disc but also 10 instrumentals composed by Kooltrasher, Mister Modo, Ugly Mac Beer, Dj Troubl' and A_n_d_b_n_d. a 60x30 poster 2 x Stickers Limited to 500 hand numbered copies.

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TV Priest

LP | 2021 | EU | Original (Sub Pop)

21,99 €*

Tape | 2021 | EU | Original (Sub Pop)

Release: 2021 / EU – Original

Genre: Rock & Indie

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It's Tempting To Think That You Have All The Answers, Screaming Your Gospel Every Day With Certainty And Anger. Life Isn't Quite Like That Though, And The Debut Album From London Four-Piece Tv Priest Instead Embraces The Beautiful And Terrifying Unknowns That Exist Personally, Politically, And Culturally. Posing As Many Questions As It Answers, Uppers Is A Thunderous Opening Statement That Continues The Uk's Recent Resurgence Of Grubby, Furious Post-Punk Music. It Says Something Very Different Though - Something Completely Its Own. Four Childhood Friends Who Made Music Together As Teenagers Before Drifting Apart And Then, Somewhat Inevitably, Back Together Late In 2019, Tv Priest Was Borne Out Of A Need To Create Together Once Again, And Brings With It A Wealth Of Experience And Exhaustion Picked Up In The Band's Years Of Pursuing 'Real Life' And 'Real Jobs', Something Those Teenagers Never Had. Last November, The Band - Vocalist Charlie Drinkwater, Guitarist Alex Sprogis, Bass And Keys Player Nic Smith And Drummer Ed Kelland - Played Their First Show, To A Smattering Of Friends In What They Describe As An "Industrial Freezer" In The Warehouse District Of Hackney Wick. "It Was Like The Pub In Peep Show With A Washing Machine Just In The Middle_" Charlie Laughs, Remembering How They Dodged Star Wars Memorabilia And Deep Fat Fryers While Making Their First Statement As A Band. Unsurprisingly, There Isn't A Precedent For Launching A Band During A Global Pandemic, But Among The General Sense Of Anxiety And Unease Pervading Everything At The Moment, Tv Priest's Entrance In April With The Release Of Debut Single "House Of York" - A Searing Examination Of The Monarchy Set Over Wiry Post-Punk And Fronted By A Mark E. Smith-Like Mouthpiece - Served As A Breath Of Fresh Air Among The Chaos, Its Anger And Confusion Making Some Kind Of Twisted Sense To The Nation's Fried Brains. It's The Same Continued Global Sense Of Anxiety That Will Greet The Release Of Uppers, And It's An Album That Has A Lot To Say Rig...

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TV Priest

Uppers

9,74 €* 12,99 € -25%

Fast Stories - From The Kid Coma

Release: 2021 / EU – Original

Genre: Rock & Indie

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Truly

2LP | 2022 | EU | Original (Bang!)

Total Heresy Red Marbled Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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'Fast Stories...from Kid Coma' is the debut studio album by the American rock band Truly, released in 1995. The album was put out by Capitol Records' Revolution imprint, while the vinyl edition was handled by Sub Pop. And now it is being reissued by Bang! Records.Members of the band: Robert Roth (vocals, guitar), Hiro Yamamoto (bass guitar - SOUNDGARDEN), Mark Pickerel (drums - SCREAMING TREES).'Fast Stories...from Kid Coma' is loosely a concept album, about a comatose kid "reliving a past summer of grandeur". The Encyclopedia of Popular Music called the album "a hard-hitting, insistent record that occasionally overreached in its attempts to distance itself from its contemporaries". Trouser Press wrote: "Heavy but never bludgeoning, melodic but never cheesy, excessive but never ridiculous, Fast Stories is an extended trip into several of rock's outer dimensions".Loudwire ranked the album at twenty-sixth in their list of "The 30 Best Grunge Albums of All Time".Kerrang! wrote that Fast Stories...from Kid Coma "remains a genuinely vital album, and quite possibly the [grunge] genre's swan song".Louder Sound named the album in their list of "10 obscure but absolutely essential grunge albums".MTV called it "the great psychedelic hard rock rush of the year".

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Trinitas

LP | 2022 | EU | Original (Van)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Training With Ruth Goller

Threads To Knot

LP | 2024 | EU | Original (Squama)

LP | 2022 | UK | Original (Ideal)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Berlin-based duo TRAINING team up with bassist Ruth Goller for their new album ‘threads to knot’. Frenetic free-jazz is sitting next to post-rock riffs and looming microtonal atmospheres.
The record was written in a truly collaborative effort, adapting the concept of ‘cadavre exquis’, the popular drawing game: One person would start writing a few notes before passing it on to the next, revealing only the very last note, with which the composition continues.
TRAINING is comprised of drummer Max Andrzejewski and sax player Johannes Schleiermacher, whose last album ‘Three Seconds’ saw them collaborate with Deerhoof guitarist John Dieterich.
Ruth Goller, who has been hailed by the Guardian for her 'thunderous bass-guitar hooks' has made waves this year with the release of her second album 'Skyllumina'. She’s also known as a live performer with Kit Downes, Alabaster de Plume, Melt Yourself Down among others.

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Tot Onyx

Senno I

No Red In Blue In Green Vinyl Ediiton

Release: 2022 / UK – Original

Genre: Electronic & Dance

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The debut album from group A's Tommi Tokyo is an illusory marvel made up of snatched half-heard voices, ritualistic rhythms, digi-fucked power electronics and emetic sci-fi drones. Impossible to classify, incredible to absorb - like Vainio, Stockhausen, Anima, Porter Ricks and Ramleh playing in a small room.

Since 2012, Tokyo-based duo group A have been toying with the concept of performance, attempting to melt various art styles - from body art and live painting to noise and performance - into their jaw-dropping live sets. Tommi Tokyo strikes out solo with "Senno I", her debut under the Tot Onyx moniker that appears a couple of years after an impressive collaboration with Hiro Kone emerged on "More Light", 2020's Berlin Atonal box set. Alone, Tommi is able to approach her art from a more personal, even biographical angle. She describes the record as a "study of her interior life", and played from beginning to end it feels like being plugged into someone's brain as it dumps its most polar content, "Johnny Mnemonic" style.

Each track appears to comb through a different cortex: opener 'Voice Calling' juxtaposes her voice with distant ritual drums, cyber-animal gurgles and plucked strings; 'A Leaf Laughs' is distorted close-mic'ed fauna crunches set against low-end rumbles; and the lengthy 'Inhabitants of Brain' is a dial-up powered flicker of faint floppy disk buzzes, indecipherable voices and nauseating electronic burbles. The album shifts into a different gear when it hits 'a-h5n1', referencing the flu subtype to help evoke a crushing mood punctuated by ketamized percussion, dissonant string scrapes and retching industrial noise.

It's a record that's honest enough to capture the ugliness and cavernous depth of the mind; all its beauty is inevitably snatched away to be buried by guttural screams or digitally rehashed machine belches. Any rhythm - which emerges frequently and pointedly - is disrupted by Isdn cable interference or ghostly muttering. At its best, the record tips fully into cyberpunk dystopia, coming across like a ghastly simulacrum of recent Porter Ricks transmissions and Slikback on the submerged 'Maggots' and pneumatic 'Plague'. The latter is a particular highlight, electro-plating acoustic drums and forming them into stuttering error-pools of post-Schematic grit and grind.

It's a harrowing journey, tipped to William Gibson fans or anyone who scoures the lower levels of Discogs for rare Japanese improv.

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Tomato Flower

LP | 2024 | CZ | Original (Ramp Local)

19,49 €* 25,99 € -25%

Release: 2024 / CZ – Original

Genre: Rock & Indie

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Something happened on No. The early EPs from Baltimore’s Tomato Flower were pretty, dreamy psychedelia. Warm to the touch, like looking up at the trees on a cloudless day. On No, the four-piece’s debut album, those trees, that cloudless sky, have become haunted, thorny, stormy. It takes Tomato Flower from buttoned-up, almost technically formalist psych pop to something more urgent, raw, emotionally immediate. No is messier, more expansive, and through all of its chaos, the band’s most rigorous artistic statement to date.

No is the band’s first effort made entirely in person, the first thing tracked in a studio instead of in a bedroom. It is a highly collaborative record written and recorded by everyone, partially made live. It is very much the byproduct of a band that has done some serious touring, following a coast-to-coast tour with Animal Collective in the summer of 2022.

Lead single “Destroyer,” has Jamison Murphy practically screaming over angular guitars, oscillating in a sonic space somewhere between the prettiness of Broadcast and the sludge of Jesus Lizard. It also presents an early entry point to one of No’s major conceptual underpinnings: that of the breakup between Murphy and fellow co-lead vocalist and guitarist Austyn Wohlers, which occurred during the composition of the album.

It wouldn’t be fair to just call No a break up album. It’s far more complicated with that. No is a record about negation: I will not do this, you cannot tell me what to do, we are not living in a utopia, don’t be delusional. No embraces a kind of brutal realism, a confrontation of life that only happens when you wizen up a little bit. All of it is a brutal delight, a departure from the past, a nod to a startling present.

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LP | 2024 | EU | Original (Schema)

Riviera

Release: 2024 / EU – Original

Genre: Organic Grooves

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Schema Records presents “Riviera”, the new album by Toco, one of the Milan-based label’s top artists with over 100 million digital streams, is finally released on 19 April 2024. “Riviera” pays tribute to the places where Toco grew up, and is the aesthetic synthesis of Toco’s varied songwriting, able to create true musical mosaics that mix pop lightness, poetic lyricism, desire, joy and pain. Mainly inspired by the tradition of samba and bossa nova, and contaminated with jazz, funk, pop and rock, the album alternates light and shadow in a balanced chiaroscuro enriched by friend and musical partner Stefano “S-Tone Inc.” Tirone’s production.

Anticipated by a series of singles that outlined its various facets and musical influences, Toco’s new album “Riviera” is finally released on 19 April 2024; ten years have passed since “Memoria”, filled with various collaborations and dedicated to this record itself, carefully curated in production and arrangements down to the smallest detail; this has been made possible thanks also to the presence of a large lineup of guests, including Toco’s labelmate Gianluca Petrella for the first time ever. The album’s title is a tribute to two places very dear to Toco: Riviera is the neighborhood in São Paulo where he spent his childhood, while Riviera Ligure is where he lived for a long time in Italy: two opposite shores and cultures that turned out to be fundamental in the artist’s formation. “Riviera” is the aesthetic synthesis of Toco’s varied songwriting, able to create true musical mosaics that mix pop lightness, poetic lyricism, desire, joy and pain. Mainly inspired by the tradition of samba and bossa nova, and contaminated with jazz, funk, pop and rock, the al¬bum alternates light and shadow in a balanced chiaroscuro enriched by friend and musical partner Stefano “S-Tone Inc.” Tirone’s production. This collaboration further consolidates the duo’s fellowship that brush¬es magical sonorities on the different themes delivered. An excellent comeback!

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LP | 2022 | EU | Original (Schema)

Outro Lugar

Release: 2022 / EU – Original

Genre: Organic Grooves

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Edizioni Ishtar and Schema Records proudly celebrate the 15th anniversary of one of their most successful releases and artists (more than 30 million streams and 300 thousand monthly listeners on Spotify) with the first ever vinyl edition of Toco’s Outro Lugar. Produced by S-Tone Inc., this record includes fanfavourite tracks “Outro Lugar”, “Samba Noir" and most of all “Guarapiranga”, which was chosen for the soundtrack of “Silver Linings Playbook”, a film that awarded Jennifer Lawrence an Academy Award prize as best actress in a leading role in 2013. The strings at the beginning of the title-track have also been sampled by PinkPantheress for her song “Nineteen”, out of her latest album “To Hell With It”. Outro Lugar hasn’t aged a bit during all these years, for various reasons; first of all it benefits from the outstanding contribution of bossa nova pioneer and inspiration source Roberto Menescal, who played guitar in every track. Most of the album was recorded in Rio De Janeiro at Menescal’s studio, with the participation of some of the best ‘carioca’ musicians, especially double-bass player Adriano Giffoni and pianist Adriano Souza. All these elements gave the album exactly the taste requested by the artist and the producer: inspired from the past yet, through thorough attention, aimed at a sound at the same time fresh and modern, slightly electronic, filled with grooves perfectly blending into acoustic instruments. The second part of the recording was carried out in Milan, with some of the best musicians in the Milanese jazz scene. The album also sees the contribution of Rosalia De Souza, singing in several tracks and standing out in “Bom Motivo” especially. French chanteuse Coralie Clément appears in “Contradição”, her own piece here re-interpreted by Toco. Outro Lugar is an album for any kinds of Brazilian music lovers that showed the world what Toco was capable of: a refined and cultured musician, a gifted performer of a warm and smooth voice able to awaken the emotions of the most sensitive listeners.

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LP | 2014 | EU | Original (Schema)

Memoria

19,99 €*

Release: 2014 / EU – Original

Genre: Electronic & Dance

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7" | 2023 | EU | Original (Schema)

Leão Leonardo / Guajiru

The Scream Is Truly Silent

Release: 2023 / EU – Original

Genre: Organic Grooves

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“Leão Leonardo” and “Guajiru”, here gathered in an exclusive 7-inch record, represent the first two steps in a journey that will lead to the Spring 2024 release of the new album by Toco, a Brazilian singer-songwriter with a unique sensibility and taste. “Leão Leonardo” is a very heartfelt and engaging song that constitutes a homage to a childhood friend, a tribute to a deep and everlasting bond, as well as a return to a place very dear to Toco: the Guarapiranga water reservoir near São Paulo in Brazil; it is mainly inspired by two great samba jazz masters, Jorge Ben and João Donato. “Guajiru”, a classic sambarock track inspired by Orlandivo’s swing and Jorge Ben’s sensuality, explores the more romantic side of Toco’s multifaceted style and tells of a fleeting summer love in northeastern Brazil, where the indigenous fishing village of Guajiru, on the coast of the state of Ceará, is located. As the whole new album, both “Leão Leonardo” and “Guajiru” have been recorded at Schema Records’ Blue Spirit studios and produced by Stefano “S-Tone Inc.” Tirone, who skillfully captured the spirit of these tracks and elaborated the essence and energy of their songwriting. Both of them see Toco’s alluring voice masterfully surrounded by an ensemble of exceptional musicians: Donatinho (keyboards), Tuca Milan (percussion), Ramiro Levy (guitars), Edu Hebling (bass), Mauro Martins (drums), Priscila Ribas (vocals), Gianluca Petrella (trombone), Mirco Rubegni (trumpet) and Marquinho Baboo (percussion). This 45rpm is therefore a tasty appetiser for an album that we expect to be unique, just like Toco’s style!

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Tino Valpa

LP | 2023 | US | Original (No Label)

7" | 2012 | EU | Original (Schema)

Release: 2023 / US – Original

Genre: Rock & Indie

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New Hampshire hardcore one-man powerhouse Tino Valpa is here with his 2nd LP The Scream Is Truly Silent. Making it the 2nd full-length album to drop within a year. Tino is back at it again with 12 sharp, hard-hitting, socially aware tracks focusing on strength in numbers, racial injustice, sweatshop labor, globalization, domestic abuse, social control and other subjects most others won’t talk about. With all the fat trimmed, this record clocks in at just over 20 minutes. Limited to just 250 copies. Black vinyl with gatefold insert. Add this and the first LP Live Or Be Lived All Over to your hardcore record collection today...also available on CD and Cassette.

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Timo Lassy

Teddy The Sweeper

8,99 €* 9,99 € -10%

LP | 2012 | EU | Original (Schema)

Release: 2012 / EU – Original

Genre: Organic Grooves

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First part in the Schema 7" series. No gimmicks needed here, this jazz is cooking.

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Timo Lassy

In With Lassy

12" | 2015 | NL | Original (Scream Time Action)

Release: 2012 / EU – Original

Genre: Organic Grooves

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A hard swinging 'cooking session' with Finland's top jazzmen: Teppo Mäkynen, Antti Lötjönen, Georgios Kontrafouris & Abdissa Assefa.

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Tight Pants

Scream Time Action 01

7,99 €*

12" | 2016 | Original (Scream Time Action)

Release: 2015 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Small sticker on back cover.

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Tight Pants

Hara Kiri For Fun

8,99 €*

Release: 2016 / Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Connection Anxiety Blue & Green With Black Splatter Vinyl Edition

Thotcrime

LP | 2024 | EU | Original (Prosthetic)

32,99 €*

7" | 2012 | EU | Reissue (Moody Monkey)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Blue and green split vinyl with black splatter. Thotcrime, the intercontinental commotion causers seem to have stuck the landing with their intensely non-conventional cybergrind style. Solid instrumentals, chiptunes, synths, and some absolutely furious vocals all come together create something beautiful under the blipping, glitching anger that's itching to scream out under the very chantable melody.

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Thee Outlets

Halloween Bash

9,99 €*

LP+12" | 2022 | UK | Original (Soul Jazz)

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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THEE OUTLETS, today's so-called Garage Punk Sensation from Hamburg St. Pauli with their second release, a HALLOWEEN smasher offering two A-sides: MY MONKEY MAN, a sexy Bo-Diddleyish fecundity ode, and VAMPIRE OF MINE which beams you back in the ol' spooky world of Screaming Lord Sutch. Both of these dancing tunes were written by Thee Outlets, recorded at the Yeah!Yeah!Yeah! studios in Hamburg and come in a beautiful sleeve created by star illustrator Jean-François Martin in person! Two soon to become party classics, so put on your gorilla costume, smash your pumpkins and party on!

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The Winstons

Color Me Father

Find Myself Another Girl / Spooky

Release: 2022 / UK – Original

Genre: Organic Grooves

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What do Tyler the Creator, Mantronix, Stetsasonic, DJ Shadow, Eric B and Rakim, Brand Nubian, Jay-Z and N.W.A. have in common?

What do UK Apachi and Shy FX, DJ Zinc, Bukem, Ganja Kru, Lemon D Ice, Dillinga, Photek, 4-Hero, Congo Natty, Krome and Time, Roni Size, Skream and Shut Up and Dance have in common?

Not to mention The Prodigy, Squarepusher, Leftfield, Oasis, Aphex Twin, Calvin Harris, Dua Lipa, David Bowie, Primal Scream, Lady Gaga and Dizzee Rascal?

Answer: They have all sampled The Winstons’ ‘Amen, Brother’!

The Winstons’ ‘Amen, Brother’ is THE most sampled drum break in the history of music (over 5000+ according to whosampled.com) and has shaped the history of electronic music ever since its creation in 1969.

This is the official release of the Winston’s ‘Color Him Father’ album, out of print for fifty years on vinyl, a glorious break-heavy album of soul, funk and gospel featuring the single ‘Color Him Father’, ‘Amen, Brother’ and loads more! The fully remastered album is housed in exact-reproduction original sleeve and design and comes with 4 extra bonus tracks that the group released only as singles. There is also a very special one-off first pressing only of this album that comes with an exclusive one-sided 12” of ‘Amen, Brother’ featuring a specially extended break mix of the classic tune.

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The Sonics / Scam

7" | 2018 | US | Original (Big Crown)

Release: 2018 / US – Original

Genre: Organic Grooves

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LP | 2024 | US | Original (Dirtnap)

The Sleeveens

25,99 €*

Paranoid Nightmares Violet / Black Marbled Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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When Irish-born Count Vaseline / The Mighty Stef songwriter Stef Murphy met Stiff Little Fingers guitar tech Jamie Mechan in Nashville, Tennessee, it began a musical partnership of the highest order. After cranking out a few tunes at Mechan’s fledgling studio, 302 Sound, the duo started recruiting other musicians. The band was rounded out by drummer Ryan Sweeney (Cheap Time) and Eli Steele (Sweet Knives.) Dubbing themselves The Sleeveens, an Irish term for a trixter, the band got to work. After recording and releasing their highly-touted “Give My Regards To The Dancing Girls” 45rpm single on Sweeney’s Sweet Time Records, they finished off their eleven track debut album. The quartet were soon approached by longrunning punk label Dirtnap Records for the album’s 2024 release.

The resulting album is an homage to the kind of classic punk Chiswick, New Rose and Stiff Records were releasing forty-five years before The Sleeveens existed. With earworm melodies and screaming guitars, the foursome have crafted one of the best albums of the year. Murphy’s penchant for charmingly brilliant, matter-of-fact lyricism has a similar poetic quality as Mark E. Smith or Jonathan Richman. With expert mastering by Jim Diamond (The White Stripes, The Dirtbombs) to put the finishing touches on the sound, The Sleeveens is a record that is simultaneously uncompromisingly raw and thoughtfully crafted.

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The Royal Hangmen

LP | 2024 | EU | Original (Foggy Notion)