Search "tim bernardes" 20975 Items

LP | 1971 | EU | Reissue (Be With)

Release: 1997 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

While 1995's Washing Machine LP moniker was a thinly-veiled jab at the corporate aesthetic ("no, you cannot turn Sonic Youth into a household appliance brand", the band even considered changing its name to Washing Machine but settled on the album title instead), their major label relationship was indeed a curious buzzpoint of talk on the street after their intake to DGC in 1990. It wouldn't be fair to say that this state of existence propelled the band to reinforce its independent mindset by releasing a series of opaque-looking, French-language-dipping, highbrow-looking releases on their own that focused on the more abstract improv/compositional side of the band; in all truths they had been heavily steeped in self-releasing spillover material prior to that. But after a pressure pot of the early 90's indoctrination into a new operational mode for the band and its visibility, and the forces around it attempting to shape their direction, it seemed like a good time to create a strong show of radical concept. The Anagrama EP became the first in a series of the SYR label's Perspective Musicales releases seemingly cementing Sonic Youth's connectivity to an increasing public awareness in experimental composers of the 20th century (French or otherwise). The irony was that many of those original avant composers being rediscovered by the indie audience (Partch, Neuhaus, Reich, Messaien) often found themselves on major labels anyway! So, perhaps this reverse approach was a necessary concept/comment given the music biz climate of the 90's. Regardless of how apples and oranges fell in Xenakian probability/theory, it was clear that both Sonic Youth's stature in progressive music, aided by now unlimited taperoll time thanks to a home base studio downtown established after their Lollapalooza stint, gave the band plenty of trailblazing time for their self examination of untraveled avenues. "Anagrama" unfolds into nine minutes of delicate textures, starting with thick drone segueing into moments reminiscent of the post-crescendo flutter/comedown of "Marquee Moon's" trail-out; Thurston, Lee and Kim's guitars all circling round each other taking delicate pokes and stabs before drifting into some post-rock rhythmic moves tapered with complementary percussive guidance from Steve Shelley. "Improvisation Ajoutée" reaches further out into dissolve with whirring oscillations, guitars hissing and clanking radiator-style in a short blast format that continues into "Tremens" and a spooked-out landscape of gelatinous notes snaking up slowly. The sparseness of attack is colorful, textures emit and linger, silent spots shine, all flanked by tasteful drumming that provides the thread to all the abstraction. Shelley's approach here is interestingly sideways to any kind of usual rock action, it's tempered, mutant and metronomic simultaneously. The finale track "Mieux: De Corrosion" is a real pedal-palatte showcase. Here, Plutonian guitar wash flanges upwards to buoy a myriad of colorful eruptions of amp-spuzz, chopped up tone blasts and general confusion. Out of the blue, some metallic one-note choogle kicks in and threatens to explode into some Judas Priestly motion, before it all sputters into aural glass showers, clang, and finally a ferocious wave of more flange hiss that crashes down on a dime. This initial foray into SY's Perspectives Musicales series continued onward with releases featuring other co-conspirators, peaking with the ambitious 2CD Goodbye 20th Century that finally connects the band into full-on interpretations of other composers' pieces (as well as displaying their own new ones). The whole series is not so much an outlet for another "side" of the band, but a run that went hand in hand building new approaches of songcraft onto their own, more overground direction which included Jim O'Rourke (who hopped on during Syr3), adding additional density to A Thousand Leaves and other LPs of his era. Fans of the '86 Spinhead Sessions as well as the recently-exhumed later jams of In/Out/In will take in the sounds of Syr1 with glee. - Brian Turner

Go to Item

Nucleus

Solar Plexus

Release: 1971 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

What a record! The outstanding Solar Plexus, the much-loved third album from Ian Carr and Nucleus, was first released on Vertigo in 1971. Inevitably, original copies are now very tricky to score and, like all the Nucleus records, it’s aged ridiculously well. This Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.

Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.

Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.

We'll let Ian describe this one: "I wrote Solar Plexus' last year with the help of an Arts Council grant. It is based on two short themes which are stated at the beginning (Elements I & I1). The first theme is angular and has a slow, crab-like movement: the second theme is direct, simple and diatonic. CHANGING TIME and SPIRIT LEVEL explore the first theme and BEDROCK DEADLOCK and TORSO explore the second one. SNAKEHIPS DREAM tries to fuse both themes. (The title is a reference to the famous dancer 'Snakehips' Johnson)."

Solar Plexus features the same lineup as Elastic Rock and We'll Talk About It Later, but they're augmented by six guests, three of which play brass. Carr himself had almost full control of the writing and it does feel very different to the previous albums. It's more of a jazz record loosely based on a rock foundation rather than jazz fusion jamming.

The haunting synth-and-bass soundscape "Elements I and II" opens the album in dramatic, experimental fashion. It gives way to the bright, funky feel-good jazz of "Changing Times". An elegant onslaught of horns, courtesy of guests Kenny Wheeler and Harry Beckett, ride a solid groove for the duration. How the brass refrains have eluded samplers is beyond us. The melancholic "Bedrock Deadlock" features the brooding majesty of Jenkins' oboe and Clyne's mournful, skittering double bass. Wah wah guitar, drums and funky percussion then take over before the horns ride us out over frenetic beats. The dark, angular "Spirit Level" is a real highlight, by turns harmonic and beautiful then dissonant and wayward. Wonky jazz with no apparent structure or melodic bones. Regardless, it represents a great showcase for each virtuoso performer.

The breezy soul of "Torso" feels like a breath of fresh air, skipping along in the uptempo style with guitar, horns, drums and bass. A track which truly sounds scintillating, featuring sax solos, fantastic propulsive interplay from all the group around the halfway stage before Marshall gets his chance to really shine in closing out with a polyrhythmic drum solo. Final track "Snakehips' Dream" stretches cooly out over 15 minutes to round out a spellbinding album. An epic, suave groove, it's a relaxing piece with warm electric keys, laconic guitar and languorous horns. Truly sophisticated soulful jazz. An absolute masterclass. We could easily listen to this all day long.

This Be With edition of Solar Plexus has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The stunning gatefold sleeve has been restored to complete this sensational package.

Go to Item

Tom Browne

Funkin' for Jamaica

12" | 1980 | US (Arista)

LP | 2022 | UK | Original (-ous)

Release: 1980 / US

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

classic 1980 funk track sampled by NWA, EPMD, Slum Village, Black Eyed Peas, Erykah Badu, ... / fungi mama

Go to Item

Noémi Büchi

Matter

2x12" | 1996 | EU | Reissue (Running Back Double Copy)

Release: 2022 / UK – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"Music gives us the illusion that time is not time, but space. It is then that the music transforms from process to object, which I find a very interesting thought; a materialisation of the sound process. Sound is matter." - Noémi Büchi
Noémi Büchi's debut album 'Matter' captures the tension between growth and decay, consonance and dissonance, mirroring Büchi's own catharsis through music. Her most personal material to date, 'Matter' is an opus of refined, sculpted beauty, one that aims to blur the distinction between ephemerality and physicality. Inspired by late romantic classical music and early 20th century contemporary music, 'Matter' is driven by the compositional methodologies of Igor Stravinsky, Alexander Skrjabin, Gustav Mahler and György Ligeti to modern sound forms, adapting and expanding upon their ideas in an awe-inspiring exploration of cutting-edge potency and tactility.
Büchi structures the electronic works that constitute 'Matter' in movements, stratifying myriad instrumental parts like the constituent sections of an orchestra. During her work on the album, Büchi engaged in extensive research, obsessively studying specific chords and progressions, and searching for transcendent intonations with resonant properties; complexions of sound with the ability to connect with the listener's body. Transforming our inner worlds into zones of suspension and levitation, Büchi exposes the listener to intoxicating slipstreams of sound. Prominent voices ascend, tectonic disturbances threaten the foundations, perception and sensation becomes subject to elemental countercurrents and inversions. 'Matter' illustrates the fraught pursuit of momentary equilibrium, and makes the fragility of euphoria tangible.
Composer & sound artist Noémi Büchi creates electronic, symphonic maximalism. Her music is defined by delicate electronic-orchestral forms and textural rhythms. She strives for a combination of harmonic and dissonant sonorities, to evoke both intellectual and emotional euphoria. Büchi has appeared on the Light of Other Days and Visible Dinner labels, and is now an affiliate of -ous, releasing 'Hyle' her debut EP on the label in spring 2022. As well as her solo output, Noémi Büchi is currently working with Feldermelder on their collaborative project Musique Infinie. Their debut album will also be released via -ous in the near future.

Go to Item

Losoul

Open Door

26,99 €*

2LP | 2022 | EU | Original (Krachladen Dub)

Release: 1996 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

In certain circles, this is a record that would easily be called „eternal“. Back in 1996, when it was originally released, it sounded like nothing else - and still does. The sixth record of Frankfurt’s soon to be imperial Playhouse label and Losoul’s first outing on the label, it hot-wired many things at once: house and techno, US roots and European fruits, grittiness and wittiness, high tech funk, the expansion pf playtimes and the concept of minimalism in dance music. Elegance met effectiveness. A composition that hooked you and also caused a stir elsewhere. Daniel Bell licensed it to his Elevate label and commissioned a very young Theo Parrish to remix it, Michel De Hey did the same with his EC Records and treatments by Gerd among others. Here you finally get both of those carefully restored, remastered and reissued next to the originals. Amply placed on a double 12“, it also features the previously unreleased D1. Stemming from the same time and era as Open Door it rings and feels like a compact lost brother. Addictive as on the very first day and here to stay.

Go to Item

A Rocket In Dub

Ltd.

Tape | 2022 | EU | Original (Bigamo)

Release: 2022 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

For some, melancholy is the joy of being sad. But for A Rocket In Dub, the reawakened project of Düsseldorf producer Stefan Schwander, also known under pseudonyms like Antonelli Electr. or Harmonious Thelonious, Viktor Hugo's famous saying always applies. Two years ago, the Düsseldorf producer and musician released a 4x 7" box set on Krachladen Dub, his first release after a break of 17 years at the time. Now, two years later, 9 new tracks follow as a longplayer on double vinyl and music cassette. Even more experimental, more playful, more hypnotic and with a trombone! Monotony is nice! The rocket is back in the club, teaching genres like house and minimal Jamaican dub deepness again.

Go to Item

JakoJako

Metamorphose

Yakusoku Wa Dekinai (I Can't Promise)

Release: 2022 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Regardless if you immediately associate the term metamorphosis with any kind of evolutionary adjustment, with shapeshifting, the complex transformation of music or if you simply think about the distinctive mark the last two years have left on basically each and everyone of us, it’s easy to agree that “Metamorphose“ is just the perfect title for JakoJako’s debut album for Bigamo.

While others fell into a state of shock, JakoJako has made perfect use of the compulsory extra studio time regulated by the pandemic, developing and specifying a sound she instantly attracted attention with, as soon as she entered the scene in 2019 with her release on Leisure System.

Go to Item

Che-Shizu

LP | 1984 | JP | Reissue (Alchemy)

36,99 €*

12" | 2022 | EU | Original (Pleasure Zone)

Release: 1984 / JP – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Formed in 1984 by bassist Takuya Nishimura and erhu player and singer Chie Mukai is Che-SHIZU. Their debut on the indie record label Zero records (also known for producing acts such as Shonen Knife, and Luna Park Ensemble) “Yakusoku wa Dekinai” (I Can’t Promise) drew attention for its uncompromising approach to simply making ‘songs’. With Tori Kudo (who’s recent analog release, Tangerine with Reiko Kudo, is making waves across the world) on guitar, ‘Yakusoku wa Dekinai’ is filled with songs that are simultaneously experimental and catchy. P-vine is proud to be reissuing this historic album for the first time ever on vinyl.

Go to Item

Reboot

Bombons

LP | 2022 | EU | Original (Studio Mule)

Release: 2022 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Second release from Reboot on Pleasure Zone comes right in time for the open air season. "Bombons" is a melodic beauty, not to be missed! Highly recommended!

Go to Item

Eiki Nonaka

A-Key

24,99 €*

Wriggle (Expanded) Clear Yellow W/Opaque Yellow Swirl Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Once again Studio Mule dives deep into the music history of Japan, unearthing the multi-colored album “A-Key” by Eiki Nonaka, released as CD only on the short living japanese label Sun & Moon Records in 1995. An album, that uniquely unifies global ethnic music styles, the playfulness of Jazz, innovative electronic soundscapes, and the winding per-sonality of spiritual music.

It’s the only solo album of a musician, that is triggering the advanced electrified japanese music culture since the early 1980ees. Eiki Nonaka was part of electronic New Age quartet interiors, releasing the two minimalistic, synth-pop leaning albums “Interior” and “design” in 1982 and 1987. likewise, he was a member of Haruomi Hosono’s band friends of earth, playing, voicing, and tuning the drum machine, guitar, synthesizers, and mi-crophone on their second landmark experimental Pop Electronic album “Sex, Energy and Star”, released Hosono’s outstanding non-standard label in 1986.

His one and only solo album “A-Key” features the essence of all his musical journeys until 1995, bringing, as he puts it on his blog http://www.viewz.jp, “all my musical career up to that point designed in sounds that were ringing in my head at that time. It's extremely introspective, but the various mental landscapes of that time are still vibrating fresh and acoustically new.”

Go to Item

Clipping

LP | 2022 | US | Original (Sub Pop)

21,99 €*

3LP | 2022 | EU | Original (Perlon)

Release: 2022 / US – Original

Genre: Hip Hop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

This LP finally brings a Clipping fan-favorite, 2016’s Wriggle, onto vinyl in an improved, expanded version that features new art, previously unreleased remixes, and a track that’s exclusive to the vinyl format. The original, digital-only Wriggle EP was six tracks that weren’t finished in time to make it onto the group’s 2014 Sub Pop debut, Clppng. For “Shooter,” Clipping recorded themselves firing fifteen different guns, the sounds of which exclusively constituted the beat’s drums, augmented only by a synthesized tone-row. The verses referenced the well-worn technique of “hashtag rap,” but instead of using it to boast about the rapper’s personal wealth and masculine prowess, Clipping put forth imagistic narratives of three violent encounters. True to much of the group’s music, “Shooter” was an attempt to reframe a familiar style and test the limits of its formal capabilities. “Hot Fuck No Love” contains what might be the most explicit verse to date from Clipping’s favorite New Jersey rapper Cakes Da Killa. The EP’s title track, “Wriggle,” was built around a sample of the influential power-electronics song “Wriggle Like a Fucking Eel” by Whitehouse, transforming William Bennett’s torturous imperative into a instructional dance-floor banger. “Wriggle” and “Shooter” have become classic Clipping tracks and staples of their live show.

Go to Item

Melchior Productions Ltd

Vulnerabilities

34,99 €*

LP | 1976 | JP | Reissue (P-Vine)

Release: 2022 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Soul departure time. Drowning in a dreamlike state where drifting with the current is free movement. Driven by echoes of serious intentions and playfulness. The order of music takes you further. In time, on the floor, under the skin, melting measures and dimensions. On a way back to where the future of your comfort has dawned. Through zones of whispers and expanding beauty. On a memory lane while passing all your favourite things and sentiments. On a straight, gently quantized line through tunnels of love and liberation. To a vanishing point where the soul is exposed to a scattered radiation of joy, content, revival, liveliness, melancholia. Feels like an arrival, no detour or deviation. Soul: its vulnerability becomes a superpower.

Go to Item

John Valenti

Anything You Want

Small World Black Vinyl Edition

Release: 1976 / JP – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Anything You Want, The debut solo album from former Puzzle drummer John Valenti makes its way back to LP for the first time in ten years through P-vine’s Groove-Diggers imprint. Originally going by the name John Livigni, his talents had been stewing for some time in the run-up to the original 1976 release. And yet, after supporting smooth pop arrangements for one of the few white bands signed to Motown records, few could have predicted the infectious disco beat and Valenti’s snarling and soulful lead vocals across these eleven tracks. From album opener and title track “Anything You Want,” Valenti establishes a hypnotic connection, and album highlight “Why Don’t We Fall In Love” is as moving as it is an encompassing display of Valenti’s soul power. P-vine is proud to be repressing Anything You Want, and hope that new fans can connect with this free soul classic.

Go to Item

Metronomy

LP | 2022 | EU | Original (Because Music)

16,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

12" | 2021 | EU | Original (Frank Music)

Kayroy

Some Kind Of Electric

New Year, New Band, New Company

Release: 2021 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Kayroy is back! The charismatic gentleman from Melbourne gives us three brand new songs. First, we have “Cutoff Freak” with R.P. Downie on vocal duties. Yes, we shed crocodile tears for a thousand years. The David Byrne-esque vocals perfectly add to Kayroy’s mid-tempo aussie p-funk. Last year’s “Identification Unknown” feat. Miela also sees a vinyl feature finally. Now imagine a late summer night. You ride your local sunset boulevard in your red convertible and turn on the stereo. They play „Some Kind Of Electric“ on the radio. Kayroy & Miela on the microphone make you feel good, they make you laugh, they make you cry. All at the same time. Irresistible grooves, heartwarming melodies and that voice. Now let this summer night last forever. Label boss Johannes couldn’t resist and bangs the tracks into a more club-styled direction on the B-side. There is an “Acid Dub” and “Kind Of Dub”. Your choice.

Go to Item

John Mayall

LP | 1975 | US | Original (Blue Thumb)

9,99 €*

Tommy Flanagan And Hank Jones

Release: 1975 / US – Original

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

US original.

Go to Item

More Delights

LP | 1985 | US | Original (Galaxy)

8,99 €*

Release: 1985 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

Tape | 2021 | US | Original (Hobo Camp)

DJ Randy Ellis

Discobolus

Sweven / A Saunter Through The Shroud Green Vinyl Edition

Release: 2021 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

DJ Randy Ellis (formerly Hotthobo) threw together "Discobolus" as a double sided cassette mix, selecting and showcasing some all-time favorite Disco, Funk, Boogie, and Soul Jams strictly on 7".
The Discobolus or "disc-thrower", and the potential energy expressed by it's tightly wound pose, alludes to the DJs ability to "throw discs", to blend and sequence them, create a story through the music, to ultimately make the listener feel and move to these musical relics...the music a vessel to change and shape the world around it.
This entire 7" mix features modern acts like Leonard Charles, The Jack Moves and Young Gun Silver Fox along-side mostly obscure soul/funk bands from 70s and 80s like Terry Gengis, Carol Shinnete and Bad News Band.

Go to Item

Morbus Chron

2LP | 2014 | EU | Reissue (Svart)

18,99 €*

2LP | 1970 | UK | Reissue (BBE Music)

Release: 2014 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

On “Sweven”, Morbus Chron carved out their very own territory of unorthodox death metal, far beyond their raw and simple initial style, adding many uncanny acoustic parts to create a nightmare world of utter horror. Together with producer Fred Estby (ex- Dismember), the band found a warm, yet haunting sound to go with their vision. The resulting soundscapes spread out like a wasteland of death and terror, sending chills down the hardest of spines. Guitar and drum patterns flow in various directions, building cathedrals of darkness in which tormented vocals echo in agony.

The EP ‘A Saunter through the Shroud’, was a revelation upon its release in July 2012, displaying tremendous progression from previous efforts. Instead of playing it safe, sticking to traditional death metal patterns, Morbus Chron had started to transcend the genre to incorporate elements of progressive rock as well as black metal. With patterns oozing of Voivod, Atheist and Darkthrone, as well as Death and Autopsy, Morbus Chron was on their way to something majestic. Possessing unrelenting integrity, the band shunned all trends to go further into the unknown with “Sweven”. Smell the coffin with these two pioneering recordings, available in one lush package for the first time! Morbus Chron’s idiosyncratic legacy has never sounded or looked finer.

Go to Item

Kohsuke Mine

First

42,99 €*

LP | 1976 | JP | Reissue (P-Vine)

Release: 1970 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

BBE Music present the latest in the acclaimed J Jazz Masterclass Series: Kohsuke Mine ‘First’, the debut album by one of the leading artists in the new wave of modern jazz that swept Japan in the late 60s and early 70s. ‘First’ epitomises the shifting sound of the Japanese modern jazz scene of the time, characterised by rich textures and tones, kinetic rhythms, punctuated by urgent, angular melody lines.

Reissued for the first time since original 1970 release, Mine is joined by master keyboard player Masabumi Kikuchi on electric piano, and two American players – bassist Larry Ridley and drummer Lenny McBrowne – to deliver one of the strongest debuts in the J Jazz canon. ‘First’ announced the arrival of a serious talent, one who was to be a hugely influential figure in the Japanese jazz scene across the decade that followed and beyond. ‘First’ established an artist who built a reputation for standout albums spanning spiritual jazz, post-bop, modal and funk-fusion. All of that started here, on this exemplary album.

‘First’ is issued on CD, digital and vinyl. The vinyl edition is presented as a double album, cut at 45rpm by the Grammy-nominated Carvery, with full original reproduction artwork, including obi strip. Both CD and vinyl comes with a 4500 word sleeve note and interview with Kohsuke Mine by Tony Higgins, plus artist portraits by Shigeru Uchiyama.

J Jazz Masterclass Series is curated by Tony Higgins and Mike Peden for BBE Music.

Go to Item

Smoke

Risin'

7" | 2021 | JP | Original (P-Vine)

Release: 1976 / JP – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"Smoke" is a soul vocal group from Kansas City though soul music was not so popular at that time. The band had Larry Brown who is also a member ofAHarold Melvin & the Blue Notes, and Melvin Manning who is the younger brother of Marva Whitney.This album was originally released 1976 and P-vine released this album 24 years ago as LP and that edition has gotten expensive recently. So we decided to present it again for sweet soul lovers all over the world as a limited edition LP with OBI strip.The outstanding slow ballad "I'm So Lonely" provesAthis LP is not only rare, but also has perfect quality!

Go to Item

J Lamotta Suzume

Se Love / Yoshitaka

CD | 2016 | EU | Reissue (Kompakt)

Release: 2021 / JP – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

We are confident that she is the soul queen of a new generation! Berlin-based singer "J.Lamotta Suzume" went through blues, jazz, hip-hop, soul, self-produced beat making to her latest RnB feel. These 2 songs had been exclusively included as bonus tracks in Japanese edition of her 2nd album [Suzume] and now P-vine presents these as a 7 inch EP for the first time!

Go to Item

GAS

Pop

12" | 2020 | EU | Original (!K7)

Release: 2016 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

POP – the album that has become widely recognized as the defining moment in which Wolfgang Voigt brought us into a clearing of his deep, psychedelic forest. A landmark release in the GAS odyssey that drew international attention, POP was originally released in 2000 on the iconic Frankfurt imprint MILLE PLATEAUX. POP was heralded by Pitchfork at the time of release as being “an exercise in sonic texture… pure sonic velvet, the layered drone radiating a palpable warmth.”

POP has since been reissued in 2016 as a part of GAS “BOX” (now out of print) and finally now, POP is released on KOMPAKT – for the first time on CD in its original artwork.

Please note: This CD is a single release of the GAS BOX released in 2016.

Go to Item

Red Axes

Trips #3: India

Persian Pillars Of The Gasoline Era Black Vinyl Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2022 repress

Red Axes return with the third EP in their ongoing Trips series. This multimedia project mixes up music, film and travel and finds the cult pair seeking out extraordinary collaborations in the countries they visit. This time they head to India having previously visited Vietnam in 2019, and Ethiopia and The Ivory Coast in 2018. Niv Arzi and Dori Sadovnik run their own Garzen Records label and have become much loved for their psyched-out and unusual fusions of guitars, synths and drums. From acid to techno to experimentalism they have done it all, and also worked with Life And Death label boss DJ Tennis as Redrago on a well received album in 2019. This project is about engaging with local cultures and musical traditions, linking up with local musicians, playing and recording with them and presenting workshops for youth music schools.

Go to Item

Vatican Shadow

LP | 2020 | CZ | Original (20 Buck Spin)

25,99 €*

Sheli & Her Ghost / Schlepp Geist / Kristina Sheli

Release: 2020 / CZ – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

For a decade now, Vatican Shadow, one of the many guises of Dominick Fernow, has blurred the lines of rhythmic industrial, ambient and soundscapes to weave throbbing frontline communiques of war, terror, media manipulation and anxiety disorder. One of the most prolific underground artists of the 21st century, living his art down to minute detail, Fernow’s penchant for seamlessly spanning underground sub-cultures finds Vatican Shadow now aligned with 20 Buck Spin for the first time. On the new full length album Persian Pillars Of The Gasoline Era, the deconstruction continues, with layers of collaged synth stabs, low end pulsing dread and ominous sand-swept melodies. And where Vatican Shadow often sets a rigid musical focus with each release, here the full multi-faceted embodiment of the project comes to fruition from hypnotic dance floor repetition, cold metallic percussion, martial bass strikes, and dark melodic noise. To further intensify the album Fernow brought aboard Justin Broadrick (Godflesh, Jesu, JK Flesh, etc) for the painstakingly detailed mastering process, adding the mysterious vibrance of cold morning mountain light that presages a conspiracy about to unfold. An unquestionable heaviness permeates the organizational structure of Vatican Shadow, never more apparent than on Persian Pillars…, and while prior devotees of the scripture will continue to find it approachable, here now the doors have been flung wide open to an entirely new realm of memorialist iconography.

Go to Item

Sunday Trap

12" | 2020 | EU | Original (Feines Tier)

World, Sky & Universes (Ron Trent)

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Feines Tier is proud to present the debut of Sheli & Her Ghost, the fresh electronic downbeat project by vocalist Kristina Sheli from Berlin and producer Schlepp Geist from Leipzig. Future beats, synthesizers and an exciting voices flow together like you haven’t heard before: The Sunday Trap EP contains four slow driving original tracks and an uplifting remix by Augsburg’s most track spitting Dominik Marz. Shakespeare Sadness is an ode to self-discovery. Also sadness and loneliness can cause something beautiful like an awareness of one's own strengths and weaknesses. „Body“ is about a guilty conscience and about betraying your principles. It's a self-loathing by your own actions that you can't undo. „Sunday Trap“ is about a toxic love relationship that's headed for a logical ending. „Dhabi“: The track was created while traveling and has a wanderlust spirit. It is a mental proximity through times, worlds and galaxies. A kind of modern cyber love story.

Go to Item

The Answer

12" | 1999 | EU | Reissue (Only One Music)

12" | 2019 | EU | Original (Sofia)

Release: 1999 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Only One Music proudly presents another classic release by the Master Ron Trent! This time it's the former Prescription 5018 from 1999 called "The Answer". The re-issue contains on the b side for the first time the unlereased extended version of the Brookly World Mix Instrumental!

Go to Item

Kink

Home

10,99 €*

12" | 2019 | US | Original (Fire Talk)

Release: 2019 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Kink presents Home! This aptly titled EP is the debut release on the newborn label Sofia. Founded by Strahil Velchev and Konstantin Petrov, Sofia is not only the physical location where this music was made, the city where they met and developed as artists, but also a paradox that is reflected in the art and music that comes from the place. Beautiful and ugly at the same time, clean and dirty, brutal as well as romantic, it’s a place where aesthetically seemingly incompatible styles come together in a twisted, yet unifying form. The photographs for the sleeves are made by influential local selector DJ Valentine, effortlessly capturing the local reality.

Go to Item

Gold Dime

My House

23,99 €*

12" | 2018 | EU | Original (Leisure System)

Release: 2019 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Sometimes we can only come to know ourselves best when we let others in. Such can certainly be said of NYC multi-instrumentalist and artist Andrya Ambro, and her band Gold Dime, on the eve of their second full-length My House. See, she's played these instruments and crafted these songs her entire life, having honed her decisive sit/stand style of transfixing drumming and provocative singing to a degree of perfectionism. Coming from her previous, highly acclaimed noisy rock duo Talk Normal, Gold Dime's first release, 2017's Nerves, was the first time Ambro has had no one to answer to but herself. My House sees a new, more collective effort being made, with Ian Douglas-Moore on bass and John Bohannon (Ancient Ocean || J.R. Bohannon) on guitar. And it very much shows. Walking a tightrope between unapologetic art rock and disarming intimacy, she integrates triumphant doubled guitars whose distorted fuzz winks at the mayhem of Les Rallizes Denudes, deep floor toms that quick pivot to galvanizing beats on a bed of dead spinning cymbals, to sometimes spoken, sometimes sung Laurie Anderson-esque words that uplift into a many voiced choir. And the warm bass lines, well they would make Holger Czukay from CAN very proud.

My House, according to Ambro, is intended to be something of a gruff father's declaration at dinner, fist slamming on the table, but rather than the stubborn, undying manners that would come with 'living under my roof,' she only demands that everything be done with the same degree of tireless dedication and authenticity. 'I want every beat to be played with intention. 'Cause why play if you don't mean it?' Every moment of this album acts as just that'a demand to own something, whether it be self or art or place in this world. We have no choice but to listen, to respect it. This is her house... well Gold Dime's house.

Produced by Andrya Ambro recorded and mixed by Ernie Indradat, mastered by Sarah Register with artwork and layout by Eric Copeland.

Go to Item

Dopplereffekt

Athanatos

LP | 2018 | US | Original (Mecca)

Release: 2018 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2020 repress!

Spectral Empire are George Thompson (aka Black Merlin / Karamika) and Kyle Martin (Vactrol Park / Land of Light). With the release of Iron Muscle they are celebrating 10 years since their debut ep Innerfearence saw the light of day in 2008 on the now defunct Thisisnotanexit record label. Legend tells all track were made around the same time (2008-2009), at what was back then Kyle’s studio in Archway, London, however opinions remain divided over the validity of this info. What is remembered for a fact is that they’v used practically every home appliance and improvised noise they could find, record and harness, in order to create the feeling of what they describe as a “ Robot walking” for the title track Iron Muscle.

Go to Item

Kooley High

Never Come Down

12" | 2017 | EU | Original (Reptile Dysfunction)

Release: 2018 / US – Original

Genre: Hip Hop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Kooley High has seen many acts come and go since their inception in 2008. This perseverance has led to several acclaimed releases, and the opportunity to craft their newest album with the assistance of Grammy award winning producer 9th Wonder.

'Never Come Down’ is a testament to Kooley’s growth sonically and serves as their most complete work to date. MC's Charlie Smarts and Tab-One have elevated their wordplay along with DJ Ill Digitz' scratch work. In house producers, Sinopsis and Foolery also show inspired progression on 'Never Come Down', which showcases production from 9th Wonder's production team, the Soul Council as well. Features on the album include Jamla Record’s own Rapsody, along with long time collaborators Median and Carlitta Durand.

Ten years after starting their journey in music, Kooley High comes full circle. This new album serves as a reminder to the world that even despite the current climate you should evolve, stay true to yourself, and Never Come Down.

Go to Item

Jaydee

Acid Pressure

Tape | 2017 | US | Original (Innovative Leisure)

Release: 2017 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Doorly's Reptile Dysfunction continues to prove itself to be one of the most vibrant and singular labels around, this time tapping up legendary producer Jaydee for its latest release.

Jaydee is a dance music pioneer. Best know for the seminal 'Plastic Dreams' - a track that, somewhat terrifyingly for those who remember it the first time around, will be celebrating its 25 th anniversary next year - he has continued to be a leading light in innovative house and techno productions, releasing on R&S and Ellum Audio in the last few years.

Here, he teams up with fellow dance music visionary Doorly for a searingly brilliant release on the latter's Reptile Dysfunction imprint. 'Acid Pressure EP' presents two original cuts from Jaydee, with supporting remixed from Doorly and Trooko.

Kicking things off, 'Back Into Acid' opens with stunningly heartfelt pads before building to a killer acid line via shimmering percussion and erotically charged vocal snatches. 'Bring The Pressure' is more direct: a house roller softened by Basic Channel-esque chords and with added rhythm courtesy of the accompanying ragga
chants.

On the remix front, Doorly flips 'Back Into Acid' into something far more menacing, with fierce synths stabs and rolling drums creating a head down stomper, while Trooko chops 'Back Into Pressure' into pieces, crafting a thumping main room house cut from the constituent parts, complete with an epic, piano-led breakdown.

Go to Item

Hanni El Khatib

Savage Times

9,34 €* 10,99 € -15%

Cuffed Collared And Tagged

Release: 2017 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Hanni El Khatib’s first idea for his “Savage Times” project was to do something he’d never done before. Instead, he ended up doing …well, everything he’d never done before. He’d be playing new instruments, writing in unfamiliar new ways, opening himself up to an unrelenting stream of ideas and dedicating himself totally to pure musical instinct. And the result? 19 best-of-the-sessions songs,

Go to Item

Swamp Dogg

LP | 2013 | US | Original (Fat Possum)

The Dome City Rock Orchestra, Lloyd L. Harris, Jr.

Release: 2013 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

One of the great characters in rock and soul music is Jerry Williams, better known as the eccentric, idiosyncratic, and always entertaining Swamp Dogg (no relation to Snoop Doggy Dogg). A Virginia native, Williams invented his own legend by claiming that he had little proper schooling, only to wake up one day and find himself a musical genius (his words). Actually, Williams is very talented, and an early association with Jerry Wexler and Phil Walden led to him working for a number of years as a producer, engineer, and occasional songwriter with Atlantic in the '60s. At decade's end, however, he decided that the time was right to unleash Swamp Dogg's singular view of the world on an unsuspecting public. The initial result was one of the most gloriously gonzo soul recordings of all time, Total Destruction to Your Mind. The album's charm may have to do with Dogg's world view: part libertarian politics; part Zappa-style critiques of commerciality and capitalism; and part horny male, the latter defining for better and worse his view of women. Although he spent years working in the industry, Dogg was simply not the standard-issue soul type. And that was good. Dogg continued to make records, albeit infrequently, after 1969, some good, a few great, and most all extremely difficult to find. With contemporary soul sounding increasingly mannered and sterile, Dogg's yelling, screaming, and general craziness is missed. Thankfully, he hasn't disappeared for good, although he only makes records when he feels like it. It would be wise to not count him out; just when you think this Dogg is down and out, he sneaks up and bites you.

Go to Item

Quiet Village

7" | 2023 | UK | Reissue (Col Soul)

LP | 2023 | EU | Original (Grönland)

Release: 2023 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: Generic

Record is close to VG+.

Go to Item

Niels Frevert

Pseudopoesie

Scott Amndola / Steve Berlin / Steven Drozd

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Sealed, Cover: VG+

Yellow Vinyl.

Sealed copy.
Cover with slightly dented corners.

Go to Item

The Ten Commandments

2LP | 2024 | US | Original (Reboot)

33,99 €*

Things Fall Apart Alternate Cover Artwork Number 4

Release: 2024 / US – Original

Genre: Soundtracks

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

This Ten Commandments soundtrack is a reimagining of the one originally used for the 1923 film by Cecil B. DeMille. Steve Berlin, Steven Drozd and Scott Amendola were stuck at home during Covid times when they decided to experiment with creating a score for a film, each being thousands of miles away from the others. The idea started with Berlin, who reached out to his two old friends, outlining a process of creation with each sending the other musical ideas to react to, breaking the Ten Commandment film into chapters, writing musical themes that could link the chapters together as a whole. The result was this Ten Commandments score, a score that blends all the participants musical touchstones—Krautrock, Jazz, Americana, Experimental—to create an incredible sonic experience. Highlights include the NEU-ish driving moment of the Egyptian soldiers chasing Moses and company towards the Red Sea or the Throbbing Gristle tribal groove of wandering the desert.

The new Ten Commandments rescore is a sonic experience specially pressed on 3 sides of a limited-edition of 500 LP set, lovingly mastered by the late Gary Hobish with beautiful artwork by Barbara Bersche

Go to Item

The Roots

2LP | 1999 | CA | Reissue (Universal)

50,34 €* 52,99 € -5%

LP | 2024 | US | Original (Black Editions)

Release: 1999 / CA – Reissue

Genre: Hip Hop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Originally released in 1999, The Root's fourth studio album reissue will be a limited edition 2LP featuring 4 alternate cover variations. The album, named after the W.B. Yeats poem ‘The Second Coming,’ was art directed by the legendary Kenny Gravillis, who chose five different designs for the cover; each one is a striking image that represents moments in history when humanity was at a breaking point. Things Fall Apart is widely considered The Legendary Roots Crew most ambitious masterpiece. The album features urban legends Erykah Badu, Common, Mos Def, and more.

Things Fall Apart is the fourth studio album by The Roots, released on February 23, 1999. Widely regarded as one of the group’s masterpieces, the album helped solidify The Roots' position as one of the most important and innovative acts in hip-hop. Its title is a reference to the classic 1958 novel "Things Fall Apart" by Chinua Achebe, which explores themes of societal disruption and cultural conflict.

The album was released at a pivotal moment in hip-hop, during the late '90s “conscious rap” movement, and addresses a wide range of social, political, and personal issues, including racism, violence, love, and the commercialization of hip-hop.
The overall tone of the album is dark and introspective, with a sense of urgency as it reflects on the state of both hip-hop culture and society at large.
The title and themes suggest a world on the verge of collapse, with lyrics that critique the impact of consumerism, poverty, and systemic oppression, but also explore more intimate personal struggles.

Things Fall Apart is a sonic blend of hip-hop, jazz, neo-soul, and funk, featuring live instrumentation, complex rhythms, and eclectic samples, which set it apart from the more sample-heavy production styles of its time.
Questlove's drumming provides the backbone of the album’s live instrumentation, with a laid-back, jazzy feel, while Black Thought's rap style delivers hard-hitting, reflective, and often politically charged lyrics.
The album also features collaborations with notable artists from the Soulquarians collective, including Erykah Badu, Common, D’Angelo, Mos Def (Yasiin Bey), and Jill Scott (though Scott was replaced by Erykah Badu on the album's hit single "You Got Me").

Key Tracks and Highlights:
"Act Too (The Love of My Life)" (featuring Common) – A soulful, reflective track about hip-hop itself, discussing the culture’s origins and the artists' deep connection to it.
"The Next Movement" – One of the album’s lead singles, it features a funky, upbeat sound and showcases Black Thought’s lyrical agility, with commentary on the evolving music industry and staying true to one’s artistic vision.
"You Got Me" (featuring Erykah Badu and Eve) – This is one of The Roots’ most popular songs, blending hip-hop, neo-soul, and R&B. The song tells the story of a long-distance relationship and features soulful vocals by Badu, with Eve providing a brief rap verse.
This track earned The Roots their first Grammy Award for Best Rap Performance by a Duo or Group in 2000.
"Dynamite!" – A raw, high-energy track with Black Thought delivering rapid-fire verses over an aggressive beat.
"Adrenaline!" (featuring Beanie Sigel) – A harder, more street-oriented track, with intense lyrical deliveries from Black Thought, Malik B, and a guest verse by Beanie Sigel.
"100% Dundee" – Known for its relentless, battle-ready verses and intricate wordplay from Black Thought and Malik B.
"Double Trouble" (featuring Mos Def) – This track has Black Thought and Mos Def trading verses, showcasing lyrical dexterity in a playful, competitive way.

The album is produced mainly by Questlove and The Roots, with additional contributions from D’Angelo, James Poyser, and other members of the Soulquarians, a collective of artists who blended hip-hop, R&B, and neo-soul in the late 1990s and early 2000s.
The album’s sound is distinguished by its organic production, combining live instrumentation with layered samples and intricate drum patterns, creating a more textured and atmospheric backdrop for the group’s lyrical content.

The central themes of Things Fall Apart include the disillusionment with mainstream hip-hop, reflecting on the genre's shift toward materialism and commercialism, and broader issues like social injustice, racial tension, and urban decay.
Black Thought and Malik B delve into personal struggles with identity, success, and the pressures of staying true to one’s roots in an increasingly superficial world.
The record also meditates on the role of artists in times of social upheaval, with many tracks expressing a sense of frustration and uncertainty, yet also resolve and hope for change.

Things Fall Apart was a critical and commercial success, marking The Roots' breakthrough into mainstream consciousness while retaining their underground credibility.
It received widespread critical acclaim for its lyrical depth, innovative production, and willingness to tackle tough, socially conscious topics at a time when much of mainstream hip-hop was focused on more materialistic themes.
The album is frequently cited as one of the greatest hip-hop albums of all time, and it helped to cement The Roots' status as pioneers of the alternative rap movement, alongside artists like Common, Mos Def, and Talib Kweli.
It was nominated for multiple awards and is now considered a landmark in hip-hop and neo-soul, influencing both genres in the years to come.

Things Fall Apart became The Roots' first platinum-selling album, and the success of singles like "You Got Me" introduced the band to a broader audience.
It paved the way for their future albums, including Phrenology (2002) and The Tipping Point (2004), where they continued to experiment with their sound and push boundaries in both musicality and lyricism.
This album is considered a cultural milestone not just for The Roots, but for hip-hop as a whole, reflecting both the possibilities of the genre and the depth of artistry that The Roots have consistently brought to their work.

Go to Item

Makoto Kawashima

Zoe

39,99 €*

Issue 10: New Dawn Ii - Cover 3

Release: 2024 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

With each release and performance over the last ten years, saxophonist Makoto Kawashima has continued to stake his claim as one of today's most captivating improvisers. Zoe is Kawashima's first ever studio album and his second with Black Editions. Recorded at Tokyo's storied GOK Sound, the album is one of the most beautiful and stark renderings of his voice to date. Over two side long excursions Kawashima's music springs to existence with striking clarity and power, yet remains rooted in the more obscure, spiritual realm from which all of his work seems to originate. Rather than let the studio smooth out the performances, Zoe is direct and unvarnished, the only adornment added being the ghostly, faint pre-echo of the reel to reel. Kawashima's elevation of an idiosyncratic solo practice places him squarely within the lineage of iconoclastic Japanese saxophonists such as Kaoru Abe, Tamio Shiraishi, and Masayushi Urabe. At the outer bounds of improvised music, Kawashima's work reveals a fragile spirit, one that gives as much emphasis to silence and minute sounds, perhaps hesitations, as it does to ecstatic bursts of tone and texture. His music is undeniably intimate and vulnerable, eschewing the bravado and bluster that have often become tropes in the world of solo improvisation; Kawashima summons searing melodic lines and heavily textured passages and just as abruptly lets them collapse, vanishing into the ether. Perhaps more than anything, Kawashima is concerned with erasing the distinction between artist and instrument, the barriers between the internal self and the external world around us. "The alto is the only instrument that becomes part of my body. It's like a soul that fuses together with my spirit. When I hold the instrument ready to play, something external to me appears behind me." Kawashima weaves aspects of blues and spiritual music within harshly abstract passages and a harrowing vibrato that echoes Albert Ayler 's spirit. His personal experience and approach affirm these connections; "I see spirits all the time. Shadows, phantoms. They appear at the border between your internal world and where the external world affects you. What I want to do is give a certain concrete reality to those things. The essential part of yourself that your internal eyes want to look away from. I try to make that concrete, to give it a melody and let it out." Deluxe LP housed in tip-on jacket with gloss film laminate photo mounted on cover and printed inner sleeve.

Go to Item

eye_C Magazine

eye_C

I Want My Woman White Vinyl Edition

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

eye_C Magazine's first cover this time is dedicated to the mag's legacy and their Spring 24 collection titled ‘Snow in April’. The cover shoot, shot in Tokyo is also accompanied by an interview with one Jockum Hallin, one of the label’s co-founders. Their second sees the return of norbit by Hiroshi Nozawa as a cover brand featuring an editorial shot in the mountains west in the Greater Tokyo area. Lastly a simple cover dedicated to eye_C Magazine's love of Navy featuring some of the latest pieces from the editor’s choice x SEE SEE.

eye_C Magazine also included several multi-brand editorials for this issue featuring a plethora of different labels alongside their regular product highlights.

Go to Item

The Emperors

LP | 1965 | US | Reissue (Beatrocket)

LP | 2024 | US | Original (Thin Wrist)

Release: 1965 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Blisterin’ bleach blonde garage punk from Long Beach’s Emperors!

Previously limited to a handful of singles, this full length LP includes all of their material, including 4 unissued tracks! From the maniacal laughter on “Laughin’ Linda” to their foot-tappin’ cover of the Zombies’ “You Make Me Feel So Good” it’s easy to see why this group of teens were hailed as Long Beach’s favorite group.

Susan Gilmore, an Emperor fan, recollects, “The highlight of the dances were when they played. While attendance was pretty good for other bands, the Emperors packed the place every time. The buzz would start during the week at school. ‘The Emperors are playing this weekend. Are you going to go?’”

The wild teenage sound of the original Emperors is still the greatest. “It's just a lifetime experience,” concluded Randall. “In a way, I felt that we were ahead of our time. The way we played and the way we presented everything on stage, nobody was shy. It was a wonderful experience.”

A new version of the band rebranded as simply Emperor, led by Steve Watts and Randy Budihas, would record for RCA, then Private Stock during the ‘70s. After a 20-year break, The Emperors reformed in 2002 and are still performing and entertaining fans today.

Go to Item

Michael Morley

Pushed Streets

39,99 €*

12" | 2024 | EU | Original (Rawax)

Release: 2024 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Over the last ten years, Michael Morley has embraced the acoustic guitar as the means of channeling the darkest threads that have run through his work since the early 1980s. While he largely made a name for himself as a maverick of primitive electric guitar and electronics in The Dead C and Gate, Morley's love of song form has never been far from the surface. In recent years, chance discoveries of Spanish and classical guitar records languishing in the discount and free bins at junk shops in South Dunedin proved to be a revelation. These records, largely recorded in the 1950s and 60s, began to shift Morley's work and lead him to piece together a new musical language from elements completely removed from the rock and avant-garde underground from which he first emerged. Spanish, Mexican and South American composers such as De Fossa, Ponce, Lauro, Barrios, Pujol, Albéniz, Falla, and Villa-Lobos as well as more traditional classical guitar composers like Schubert, Haydn, and Scarlatti all began to etch themselves into his consciousness. Rather than emulate them, Morley "channeled the experience of listening to these strange guitar sounds" as he began to play the acoustic guitar for hours at a time every day as an almost meditative exercise and a way of discovering a new way to play. This new musical language is realized on Pushed Streets, a suite of 12 songs Morley recorded at home in Kōpūtai/Port Chalmers, New Zealand. The music is quiet, almost ephemeral. Chords and melodies are traced in a dark atmosphere with Morley's unmistakable voice almost imperceptibly double tracked, words softly sung and stretched, sometimes at a near whisper. There are no amplifiers, no effects, nothing to distract from Morley's words and the tone of his guitar. Recorded with two 1970s guild guitars, an orchestral six string and dreadnaught twelve string, the guitar sound is rich and dynamic, chords and melodic figures are struck with what sometimes seems the gentlest possible gesture, resonating and floating away into the night. The music and voice, the lyrics are all of that dark thread, distilled with frightening clarity. The music is intimate and fragile, unadorned and heartbreaking in a way that recalls the spirit of lonely and world-weary albums by Skip Spence, Bill Fay, and Loren Connors; yet against the backdrop of the absolute finality of today's culture, the album's alchemy of Spanish and classical influences with Morley's formative work avant garde work, Pushed Streets exists in its own hauntingly desolate realm.

Go to Item

Otaku

Percussion Obsessions

Technics x Automobili Lamborghini

Release: 2024 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Rawax proudly welcomes 20:20 Vision - Boss, Mr. Ralph Lawson to the Family! We are very happy to present you one of the hidden gems, Ralph produced with Fraser Brydson in 1993! This re-mastered release also contains for the first time the unreleased Ralph Lawson Dub of "Percussion Obsession" on B1! Special thanks to Soma Recorings!

Go to Item

SL-1200M7B

1.499,00 €*

Technics x Automobili Lamborghini

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

SL-1200M7B Direct Drive Turntable System

Technics for Automobili Lamborghini SL-1200M7B

Technical Data:
• Technics for Automobili Lamborghini collaboration model
• Coreless Direct-Drive Motor Achieving Stable Rotation
• Diverse New Functions Adapt to Various Playing Styles
• High Sensitive Tonearm
• Stylus Illuminator Featuring a High-brightness and Long-life White LED
• High-rigidity Cabinet and High-damping Insulator

Design Inspired by Automobili Lamborghini DNA
The functions of the SL-1200M7B are based on the SL-1200MK7/SL-1210MK7 models, while the design is inspired by Automobili Lamborghini’s iconic Y-shape pattern. Orange, Green and Yellow are the colours of the SL-1200M7B, based on the most iconic liveries of the Italian automotive super sports cars brand. Automobili Lamborghini and Technics operate in completely different markets but share the same values with cutting-edge ideas and approaches: disruptive technological development, a corporate culture rooted in a spirit of uncompromising craftsmanship, and the pursuit of emotional sounds inspiring customers—with Automobili Lamborghini, the sound of its engines, and with Technics, the sound of its audio. The SL-1200M7B is the powerful result of the collaboration and innovative ideas of the two brands.
*Consumption and emission values of Revuelto: Fuel consumption combined: 11,86 l/100km; Power consumption combined: 10,1 kWh/100 Km; CO₂-emissions combined: 276 g/km; Efficiency class combined: G; Fuel consumption with discharged battery combined: 17,8 l/100km; CO₂ efficiency class with discharged battery: G; WLTP values

Exclusive Gifts
The SL-1200M7B comes with an original vinyl record containing the powerful V12-engine and driving sounds of six different Automobili Lamborghini super sports cars, a slipmat and two stickers with Automobili Lamborghini and Technics logos. The picture disc features a design inspired by the tires of one of the Automobili Lamborghini's latest models, the Revuelto. As you listen to the sounds of Automobili Lamborghini V12-engines, you can also enjoy the visual effect of the tire spinning on your turntable.

Coreless Direct Drive Motor Achieving Stable Rotation
The direct drive system uses a slow-turning motor to directly drive the platter. This system has various advantages. It offers high performance, such as rotation accuracy and powerful torque, does not require replacement of parts and maintains high reliability over a long period of time. On the other hand, the direct drive system was said to produce a rotation irregularity called cogging. For the SL-1210MK7, a new coreless direct drive motor was developed. This motor employs a coreless stator. The removal of the core (iron core) from the stator eliminated the root cause of cogging. Furthermore, the magnetic force of the rotor magnets was improved to the highest possible level, and the gap between the coreless stator and rotor magnets was optimised, thus achieving high-torque-performance equaling that of the SL-1210MK5. Boasting smooth rotation and powerful torque, this motor reproduces sound accurately and faithfully from the groove on an analogue record.

Diverse New Functions Adapt to Various Playing Styles

Torque / Brake Speed Adjustment
The newest digital motor control technology, accumulated through the development of Blu-ray disc products, is applied to improve adjustment by allowing the torque and brake speed to be adjusted individually in four steps.

The Pitch Control Function
The pitch control function allows fine adjustment of the rotation speed within ±8% / ±16%. It does this through digital control, from positional detection of the slider to rotational control of the motor, eliminating the unnecessary DA conversion. This greatly improves tracking performance to achieve accurate and stable pitch adjustment.

Reverse Play Function
The reverse play function, which brings forth new possibilities of creative performance, makes its first appearance in the SL-1210 Series. In addition to 33-1/3 rpm and 45 rpm, a rotation speed of 78 rpm is supported.
*The torque / brake speed adjustment, rotation speed switch, and reverse play can be adjusted by switches on the main unit.

High Sensitive Tonearm
The tonearm, which has continued to support the leading edge of the DJ scene for many years, inherits the highly reliable static-balance universal S-shape tonearm. Using high-precision bearings, it achieves a higher initial-motion sensitivity than the SL-1210MK6. This accurately tracks the groove on the phonorecord to assure excellent tracking performance with minimum stylus jumping even in harsh playing conditions such as scratching.

Stylus Illuminator Featuring a High-brightness and Long-life White LED
The stylus illuminator features a new push-type structure for intuitive operation, and employs a high-brightness and long-life white LED. The illumination area and intensity were reviewed to provide improved visibility of the stylus tip even in a dark environment.

High-rigidity Cabinet and High-damping Insulator
The chassis, an essential part for reducing external vibrations, inherits the audio quality enhancement technology fostered through the development of high-end turntables. The aluminium die-cast chassis is rigidly integrated with a special material consisting of ABS mixed with glass fibre to achieve a two-layer construction. The combination of this special high-rigidity material and a metal chassis raised the rigidity and vibration-damping performance to higher levels, realising a robust cabinet for beautiful sound reproduction. The insulator is comprised of a spring and rubber to provide optimal frequency characteristics. This not only assures high sound quality and superb howling resistance, but also effectively shuts out external vibrations under high sound level conditions.

Specs:
Turntable section:
• Type: Direct Drive Manual Turntable
• Turntable Speeds: 33-1/3, 45 rpm (with switch 78 rpm)
• Starting Torque: 0.18 N・m / 1.8 kg･cm
• Build-up Characteristics: 0.7 s. from standstill to 33 1/3 rpm
• Wow And Flutter: 0.025 %　W.R.M.S.
• Turntable Platter:
- Aluminium diecast
- Diameter : 332 mm
- Weight : Approx. 1.8 kg (Including slipmat and slipsheet)

Tonearm Section:
• Type: Universal Static Balance
• Effective Length: 230 mm
• Overhang: 15 mm
• Tracking Error Angle:
- Within 2° 32' (at the outer groove of 30cm (12") record)
- Within 0° 32' (at the inner groove of 30cm (12") record)
• Offset Angle: 22°
• Arm-height Adjustment Range: 0 - 6 mm
• Stylus Pressure Adjustment Range: 0 - 4 g (Direct Reading)
• Head Shell Weight: Approx. 7.6 g
• Applicable Cartridge Weight Range:
- 5.6 - 12.0 g (without auxiliary weight)
- 14.3 - 20.7 g (including head shell)
• Head Shell Terminal Lug: 1.2 mmφ 4-pin terminal lug

Terminals:
• Audio Output:
- PHONO (Pin Jack) x 1
- EARTH TERMINAL x 1

General:
• Power Supply: AC 110 - 240 V, 50 / 60 Hz
• Power Consumption:
- 8 W
- Approx. 0.2 W (Standby)
• Dimensions (W x H x D): 453 x 169 x 353 mm
• Weight: Approx. 9.6 kg

Accessories:
Turntable, Slipmat, Slipsheet, Dust cover, EP record adaptor, Balance weight, Head shell, Screw set for cartridge, PHONO cable, PHONO earth lead, AC power supply cord, Original vinyl record, Brand logo stickers, Owner's Manual

Go to Item

SL-1200M7B

1.499,00 €*

Technics x Automobili Lamborghini

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

SL-1200M7B

1.499,00 €*

LP | 2024 | UK | Original (Goddamn)

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

Son Of Dave

A Flat City

22,79 €* 23,99 € -5%

All Infinite Purple Vinyl Edition

Release: 2024 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Being back in the prairies after decades away opened up boxes of tightly wrapped insanity, delicate stuff, and bizarre things. The joy and sorrow of the place drives me into the Blues studio to make more art for you. It's made with big heart from way out West, to keep you alive and virile.”

Welcome back. Where's the party at? Son Of Dave's 11th album kicks off with homecoming outbursts. After 26 years in London UK he's back in the Canadian Prairies demanding as much attention as always. Themes of flat Midwest cities, classic-rock lovin' truckers, and a weird call for More Mayonnaise will keep his multitude of international fans chuckling. The usual Son Of Dave bag of tricks colours the album: Blues-harmonica, beat-box, cheap electric guitar, and that voice that shouts and croons his own brand of Blues infused old-school R&B.

As always, he messes with different rhythms: Funk, Boogaloo, Rock-Steady, or Techno, always doing it his own way. How do you categorize a Son of Dave album? He's become his own style, loved and shared by millions of fans worldwide. That's why you'll find his music in the Breaking Bad soundtrack and many more. You'll hear it on college radio or boomer generation blues radio programs from Switzerland to Argentina. A true maverick Bluesman.

Most of the record is done completely himself. All writing, instruments, editing, recording, mixing and artwork. You're welcome. Three exceptions are “Where's The Party At” , produced by long-time collaborator Tim Gordine in London, and two recorded on Vancouver Island by Zac Cohen at lovely Woodshop Studios, “Yahoos” and “I Told You All I Know”. The album will be released on July 12th. Four singles will lead up. Plenty of videos and fun coming. Shows and tours forthcoming.

Go to Item

Kooley High & Tuamie

LP | 2024 | US | Original (Mecca)

Release: 2024 / US – Original

Genre: Hip Hop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Dive into the timeless realm of ‘All Infinite’, the new album from NC Hip Hop collective Kooley High & ATL-bred Producer Tuamie. Head-knocking drums and superb flows come together to create a lush soundscape filled with tight scratches, vocal soundbites & more. Sit back and take it all in. This album is a sonic journey that explores the boundless nature of energy and the concept of infinity. Kooley High & Tuamie bring forth a fusion of soulful beats and insightful lyrics that are all their own. While beginning as a one-track collaboration, the instant sonic chemistry of Kooley High & Tuamie has blossomed into a full-length album. Each track resonates with the essence of classic Hip-Hop, echoing the roots of the genre while pushing the boundaries of contemporary sound. ‘All Infinite’ is poised to be a testament to the enduring power of music. The dynamic blend of retrospective and prospective lyrics seeks to impact each listener on a personal level. Two passionate creative forces have been united. Kooley High & Tuamie’s mission is clear – to spread good vibrations through the universal language of sound waves. Join them on this musical odyssey where the energy is boundless, and the rhythms are eternal.

Go to Item

G-Shock

GA-110CD-1A3ER

103,96 €* 129,95 € -20%

LP | 2024 | EU | Original (Black Truffle)

Available Sizes: One Size

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The new Casio G-Shock GA-110CD-1A3ER watch brings up an individualistic design and a solid color scheme especially created for party people and players who are ready to party and play. This great watch adds a new twist to streetwear while all OG G-Shock features are still in effect.

The G-Shock GA-110CD-1A3ER's features include:

• Auto LED light: A light-emitting diode (LED) is used to illuminate the watch face, incl. the feature of an Auto Light Switch that illuminates the display when the watch is angled towards the face.
• Shock-resistant: Shock-resistant construction protects against impact and vibration.
• Magnetic resistant: The housing is designed to shield the clock from magnetic fields.
• World time function: Displays the current time in major cities and specific areas around the world.
• Stopwatch function - 1/1000 sec. - 100 hours: Measures with an accuracy of thousandth part seconds the meantime and the end time. Signals confirm the starting/stop selection. The measuring capacity reaches up to 100 hours.
• Timer - 1/1 min. - 24 hours (with automatic repeat): For fans of precision: the countdown timers help you to remember specific or recurring events by giving off an audible signal at a preset time. They then count back automatically from the preset time. The time can be set to the nearest minute and up to 24 hours in advance. Ideal for people who need to take medicines every day or those who do interval training.
• 5 daily alarms: The daily alarm reminds you about recurring events with an acoustic signal at the time you have set. This model has 5 independent alarms for flexible reminders of important appointments.
• Snooze feature: Each time you stop the alarm, it sounds again after a few minutes.
• Speed display: The average speed for a travelled route can be measured. Simply enter the distance at the start and press the stop watch when the destination has been reached - and the average speed is shown.
• Automatic calendar with Date, Day and Month: Once set, the automatic calendar always displays the correct date.
• 12/24-hour timekeeping
Times can be displayed in either a 12-hour or 24-hour format.
• Mineral glass: The tough mineral glass resists scratching.
• Resin case and band: Synthetic resin is the ideal material for wrist straps thanks to its extremely durable and flexible properties.
• Buckle
• 2 Years - 1 Battery: The battery supplies the watch with sufficient energy for approx. two years.
• Water resistance classification (20 bar): Perfect for free diving without scuba gear: the watch is water resistant up to 20 bar according to ISO 22810.
• Dimensions (H x W x D): 55 x 51.2 x 16.9 mm
• Weight: approx. 72 g

Go to Item

Dagar Brothers

Berlin 1964 - Live

LP | 1988 | US | Reissue (Tommy Boy)

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Following on from last year’s acclaimed Vrindavan 1982 by rudra veena master Z.M. Dagar, Black Truffle is thrilled to present a pair of archival releases from the Dagar Brothers, among the most revered 20th century exponents of the ancient North Indian dhrupad tradition. The vocal duo of Moinuddin and Aminuddin Dagar (sometimes referred to as the ‘senior’ Dagar Brothers to distinguish them from their younger siblings, Zahiruddin and Faiyazuddin Dagar), belonged to the nineteenth generation of a family of musicians in which dhrupad tradition has been kept alive through patrilinear transmission, each generation undergoing a rigorous education of many years’ duration that can include singing up to twelve hours each day. Famed for the meditative purity of their approach to dhrupad, the Dagar Brothers helped to keep the tradition alive in the years after Indian independence in 1947, when the royal courts that had traditionally patronised dhrupad musicians were abolished. Many Western listeners were first introduced to dhrupad by the Dagar Brothers’ tour of Europe in 1964-65 and their LP in UNESCO’s ‘Musical Anthology of the Orient’ collection, both organised by pioneering musicologist and scholar of Indian culture Alain Daniélou. Documents from this tour are especially precious, as Moinuddin Dagar passed away in 1966. Unheard until now, Berlin 1964 – Live (released alongside Bt114, a newly discovered studio session from the same trip) documents a concert held at the Charlottenburg Palace in September 1964. Accompanied only by Moinuddin’s wife Saiyur on tanpura and Raja Chatrapati Singh on pakhawaj (a large double-headed drum), the brothers present stunning performances of two ragas stretching out over 65 minutes, exemplifying what a journalist at the time called the ‘pristine severity’ of their style. Much of each piece is taken up by the alap, the highly improvised exposition section where the notes of the raga are gradually introduced as the singing builds in intensity. As Francesca Cassio points out in her extensive liner notes, both performances are somewhat unorthodox in beginning with the raga scale being sung in its entirety, ascending and descending; this is probably, as she suggests, a strategy to introduce the European audience to the language of the music they are about to hear. From there, both ragas settle into alaps of breathtaking beauty, with the two brothers trading long solo passages that move gradually from extended held notes at the bottom of the scale to animated melodic variations as it ascends in pitch. Within the atmosphere of meditative attention, the range of melodic, rhythmic, and timbral invention is remarkable. Especially on the opening ‘Rāga Miyān kī Todī’, the final moments of the alap find the voices at a peak of intensity, their microtonal ornamentation taking on an ecstatic, warbling quality. Only once the wordless, free-floating alap is over and the composition proper begins to the brothers sing in unison, joined by the pakhawaj for a rhythmic section that in both ragas develops gradually into a propulsive display of melodic invention and metrical nuance. Accompanied by detailed liner notes and striking archival images, Berlin 1964 – Live is a rare document of these masterful exponents of one of the world’s most profound musical traditions.

Go to Item

Information Society

Release: 1988 / US – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

CD | 1975 | UK | Reissue (Mr Bongo)

Lonnie Smith

Afro-Desia

16,99 €*

I Am Black Vinyl Vinyl Edition

Release: 1975 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The second in our Mr Bongo series opening the vault on classic recordings from the fabled Groove Merchant Records catalogue. This time the spotlight turns to the Hammond B3 organ maestro Lonnie Smith, as we proudly present a reissue of his cosmic jazz-funk journey, ‘Afro-Desia’.

Originally released in 1975, this much-loved album was produced by Groove Merchant label owner Sonny Lester and features the mysterious 'Compliments Of A Friend' on guitar. Considering Smith was part of George Benson’s quartet in the ‘60s, that not so discreet veil appears to have been lifted on who this ‘friend’ might be. However, presumably due to contractual reasons, Benson had to remain covert for this recording. The lineup doesn’t stop there though, with the likes of legendary bassist Ron Carter and Grammy award winning saxophonist Joe Lavano joining the outfit.

An album of two parts, the first side sees Lonnie Smith in a spaced-out, cosmic jazz funk setting. The opener 'Afrodesia' is a funk flexing, steamy groover. Greg Hopkins and Lavano trading off on trumpet and sax respectively, as that bassline walks its way over fluttering jazz percussion and off-kilter electronics. 'Spirits Free' is an epic 15-minute free-wheeling jazz-funk workout. A mind melting trip that rises and falls, in parts spacey and serene, with Smith’s organ playing complimented by stretched out horns. Before long it opens out into unconstrained fluid sections that do its title proud. Pure ‘70s jazz-funk at its most stellar.

Side B takes a more classic soul-jazz flavour, with touches of Latin spice. 'Straight To The Point' kicks off with a carnival zing, full-frontal horn and organ lines providing a fiery party punch. It’s a swinging jazz cut that used to receive spins by DJs at Russ Dewbury's Jazz Room's sessions in Brighton in the ‘90s.

Finally, 'Favors' and 'The Awakening' close out the release. Two sure shot, quintessential Lonnie Smith firing Hammond grooves. Each conjuring up images of packed out, smokey jazz bar jams, every player letting loose with masterful improv sections to whip the crowd up into a frenzy.

A truly wonderful album, and an archetypal release showcasing the height of jazz musician excellence from this era.

Go to Item

Alice Russell

2LP | 2024 | UK | Original (Tru Thoughts)

Faith Crises Part 1 Transparent Yellow Vinyl Edition

Release: 2024 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Alice Russell is universally acclaimed as one of the best modern soul voices of our time, while her raw talent and charisma commands attention and affection. The much-loved British soulstress returns with the most personal album of her career. 'I Am' is vulnerable and bold while addressing how we must all work on ourselves to heal – so that we can love and connect with those and the world around us more honestly and with depth.

Life, loss and grief have been a central part of this period and a new approach to creating music: “Two little ones have joined me, and one has left - my dad passed away the summer after ‘To Dust’ was released. The day after my Dad’s funeral, I found out I was pregnant with my first little one.” Alice continues: “The grief journey has cracked me open and created a more urgent need to be focused and try to go deeper with how I communicate creatively and who I AM today, and I welcome it with open arms”.

Written and produced alongside long-time collaborator TM Juke, 'I Am' is the first offering of new music from the iconic singer in over a decade and marks a new era in the remarkable career of the down-to-earth vocal powerhouse. This summer, Alice graced the main stage of Gilles Peterson’s We Out Here, supported Nile Rogers and performed as part of a tribute to Aretha Franklin across France, marking her return to the stage, where she belongs.

Go to Item

Middle Kids

LP | 2024 | UK | Original (Lucky Number)

Release: 2024 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

CD | 2023 | EU | Original (Kompakt)

Kölsch

I Talk To Water

Teleport: Echo City 2023 Repress

Release: 2023 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

I Talk To Water, the fifth album for Kompakt by Danish producer Kölsch, is the artist’s most personal statement yet. While all the trademarks that make his music so popular and powerful are still present – lush, melodic techno; swooping, trance-like figures; sensuous, shivery texturology – I Talk To Water is also a deep and intimate rapprochement with family and history, a beautiful, finely detailed document of loss and memory, and a tracing of the long, unbroken thread of grief that runs through our lives once we’ve lost those we loved.

The emotional core of I Talk To Water, then, is a cache of recordings by Kölsch’s father, Patrick Reilly, who passed away in 2003 from brain cancer. With time rendered elastic by the pandemic and its associated lockdowns, its sudden, alienating shifts in everyday living, Kölsch found himself reflecting on his father’s passing and ongoing spiritual presence, thinking about how best to memorialise such a significant figure in his own life. Those recordings opened a gateway, of sorts, for Kölsch to move through – a way to bring past and present together and entwine them in a sensitive, poetic manner.

Kölsch’s father was a musician – “touring in the sixties and seventies, in the Middle East especially, he was doing the whole hippy trail, playing guitar, and wrote some songs over the years,” he recalls. “But all in all, he decided to focus on family rather than pursue a [musical] career.” Reilly kept playing and writing music over the years, though Kölsch hadn’t listened to the material for some time: “I’d never had the guts to listen to it, because I just felt too fragile listening to his voice. It’s such a tough thing to go through.”

During the pandemic, though, Kölsch listened through the fragmented body of work that his father had produced over the years. “I decided I’m gonna finally release my dad’s music twenty years after his passing,” he reflects. “This whole album is about the process of loss, and for me it’s been one of my main driving forces in my musical life, the whole emotional aspect of whatever I’ve done has been based in that feeling that he’s not there anymore.”

Recordings of Reilly appear on three songs across I Talk To Water. His guitars drift pensively across “Grape”, offering a lush thread of melody that Kölsch wraps with clicking, driftwood rhythms and droning, melancholy bass. “Tell Me” is a lovely three-minute art song, a sadly beautiful reflection, minimally adorned with gentle keys and a muted pulse. And on the closing “It Ends Where It Began”, Kölsch lets his father’s acoustic guitar take centre stage for a lament that’s unexpectedly folksy, a guitar soli dream, which Reilly originally recorded in 1996. “He actually recorded it for my first album that never came out,” Kölsch reveals, “and I had it sitting around forever. That is purely him.”

These three imagined collaborations between father and son are poised and delicate. But their relationship also marks the gorgeous music Kölsch has made across the rest of I Talk To Water, from the itchy yet lush “Pet Sound” (titled in tribute to one of Reilly’s favourite albums), the flickering synths and yearning vocal samples that slide through “Khenpo”, the ecstatic shuddering that marks “Only Get Better”, or “Implant”’s slow-motion pans and subtle reveals.

There’s also the title song, where Kölsch is joined by guest Perry Farrell (Jane’s Addiction, Porno For Pyros), singing a mantra for internal reflection: “I talk to water / Searching for myself / Looking for answers / Oceans of you.” Farrell’s appearance brings another timbre, another spirit to the album, aligning neatly with his recent interest in electronic music. “He was completely taken by this idea of talking to water,” Kölsch says, thinking about the ways we collectively lean towards the natural world as a comfort and a listener, a guide through mourning, a way to map out the terrain of the heart. This mapping is something that Kölsch has proven remarkably adept at through the years; dance music for both body and mind, but also both for the here-and-now, and for the hereafter.

Go to Item

Murphy Jax

2LP | 2013 | EU | Original (Chiwax)

LP | 2023 | US | Original (L.G. Records)

Release: 2013 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Murphy Jax, over the past few years, has been steadily building up a back catalogue of solid electronic workouts. Delivering content for the likes of Clone`s Jack For Daze Series, Hypercolour, Exploited and Turbo, Jax’s style meanders through a variety of styles, ranging from low-slung, chuggy grooves through to straight up Chicago inspired house rhythms, always keeping the production intriguing and melodic. Here Murphy joins the Chiwax roster (A sub-label of Rawax, also running the Dubwax and Housewax labels), alongside heavy hitters like Gemini and Perseus Traxx. Jax tells us the story of the album ´´Imagine a pre-apocalyptic generation of robots on a planet of machines. This is the last generation before the big war against the darkness, slowly coming from space. Some groups are fighting each other in chaos, others party before everything seems to end and lots of them don’t know - yet, but they all dream of Echo City. The one and only safe point, founded by Dr. Nigel Echo in the deep, cold and blue core of the planet. Dreams, desires, rebellion and chaos. They´re all going to fight the coming darkness, united by the prince of nanomagica. Taking place at several different locations, we are looking into the last hours before it all begins and ends at the same time.´´ ``Teleport : Echo City´´ embraces a variety of styles, ranging from Chicago House, Classic Deep House, Movie Theme style cuts and raw Acid workouts. The mood of the records goes from child like melodies to dark, hypnotic and brooding synth heavy tracks. As expected Murphy Jax delivers an incredible LP of uncompromising quality here, ``Teleport : Echo City´´is out on Chiwax 4th September 2013.

Go to Item

Las Mordidas

Ex-Voto

27,99 €*

CD | 2023 | UK | Original (Mr Bongo)

Release: 2023 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Las Mordidas were a short-lived Washington DC band that existed from Summer 1993 through Spring 1994. The band was comprised of four well-known veterans from the DC punk community: Chris Thomson (Circus Lupus / Monorchid / Ignition), Dug E. Bird (Beefeater / All-Scars / Fidelity Jones), Jon K. (Rain / Chrisbald 96 ), and Jerry Busher (Fugazi / All- Scars / Fidelity Jones). The Chris Thomson-fronted bands Circus Lupus and Monorchid that bookended Las Mordidas have received much more exposure, but Las Mordidas were no less audacious and uncategorizable. The familiar DC rhythm section of Bird and Busher here are augmented by the unhinged guitar talent of the relatively obscure Jon K. (Kirschten, younger brother of musician Chris “Bald” Kirschten). Jon was a revered, integral character in the DC scene and played in many well-known bands, yet he appeared on scant few recordings. To fans of the late ’80s and early ’90s DC scene, this record is an artifact that it arrives out of the blue and demands an ear. A Frankenstein collaboration that both defies and embodies the DC sound of the era. Recorded by Geoff Turner at Wgns in 1994 and Brendan Canty at Pirate House in 1993. Tapes recovered and transfered by Ian Mackaye and Don Godwyn. Mastered by Tim Green at Louder. Studios, CA.

Go to Item

Luke Una Presents

É Soul Cultura Volume 2

Release: 2023 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

É Soul Cultura Vol.1 seemed to land at exactly the right moment. Post-lockdown, optimism was back on the rise and the dance floors swelled again. For many listeners, Manchester based DJ Luke Una’s intriguingly woven pattern of new, old, rare and under-discovered music from around the world became the soundtrack to rejuvenated positivity.

This second volume gives another opportunity for Luke to share his journey of the past four decades of staying up late and getting transcendental whilst listening to holy grail music as the city slept. It at times ventures into the deeper, spiritual, soulful, downtempo, experimental aspects of his tastes. From the conscious, street soul fusion gospel of Veronica Mickie's 'Lost Children', to an excursion into Swiss, psych, progressive rock in the form of Pyranha, then onto the classic Indian music-inspired electronic workout of Andi Otto's 'Bangalore Whispers'. Luke hints at his softer side in Avis; a sweet, obscure cover version of Minnie Riperton’s ‘Baby, This Love I Have’, as well as championing local heroes in the shape of Manchester’s Yargo and their driving, obscure, proto-house belter, ‘Marimba’. There’s also Japanese, electronic, slo-mo heaviness from 1979, courtesy of Bach Revolution. House music is integral to the É Soul sound and is represented by Nav Aktah’s deep remix of Mr Scruff, and then there’s Isis ‘In Essense’; a track of such majestic brilliance that it has never left Luke’s record bag.

The selection is eclectic, global, and plucked from different times and spaces. In theory, perhaps they shouldn't work together, but there is a mysterious link that makes them gel as a whole. That’s what Luke does best. He creates a sort of musical alchemy, unifying the diverse.

It is best described by Luke himself, “It’s not about showing off, collector rarity, or ego-strutting, it’s all about telling stories, sharing the music, and making life’s journey mean something. In the end, of course, it’s just a compilation of other people’s music, but hopefully it’s more than that, adding something back to the pot.”

Go to Item

Marshall

Tufton

369,99 €*

Why I Came To California / What You Won't Do For Love

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Tufton packs 20+ hours of portable playtime, allowing you to go further for longer. Bluetooth® 5.0 technology allows you to connect to a variety of wireless devices with a range of 10 m. Tufton’s 3-way design and rear-facing driver produce a clear and articulate sound across all frequencies. Tufton utilises True Stereophonic, a unique form of multi-directional sound from Marshall.

TUFTON KEY FEATURES
• Marshall signature sound
• True Stereophonic (360° sound)
• Iconic & rugged design
• 20+ hours of portable playtime
• Water-resistant (IPX2)
• Carrying strap

MARSHALL SIGNATURE SOUND
Tufton is the mightiest portable speaker from Marshall. It’s engineered as a 3-way system, producing sound from three separate drivers from the front of the speaker. An additional mid-range driver is located on the rear of the speaker, offering a clear and articulate sound across all frequencies.

TRUE STEREOPHONIC (360° SOUND)
Tufton utilises True Stereophonic, a unique form of multi-directional sound from Marshall. Experience absolute 360° sound where every spot is a sweet spot.

ICONIC & RUGGED DESIGN
Echoing the legacy of rock ‘n’ roll, Tufton features the iconic Marshall script and has a solid metal grille that pays homage to the steel mesh grille found on many microphones. It also has flush-mounted corner caps, making it an extremely rugged and durable speaker. Tufton is a behemoth of sound made for the open road.

20+ HOURS OF PORTABLE PLAYTIME
Bring the show on the road with Tufton. It offers 20+ hours of portable playtime on a single charge. You can even track the speaker’s battery life with the visual battery indicator located on the top panel of the speaker.

WATER-RESISTANT (IPX2)
The road is full of surprises, which is why Tufton offers a water-resistant design. Its IPX2 rating means it’s able to withstand a little water.

CARRYING STRAP
Tufton was designed for easy portability. Its guitar inspired carrying strap makes it perfect to take with you, wherever you go.

PRODUCT DETAILS
• PLAY TIME: 20+ HOURS
• STEREO/MONO: STEREO
• WATER RESISTANCE: IPX2
• DIMENSIONS: 229 X 163 X 350 MM / 9.02 X 6.42 X 13.78 IN

BOX CONTENTS
• TUFTON PORTABLE STEREO LOUDSPEAKER
• POWER CORD
• QUICK START GUIDE
• LEGAL AND SAFETY INFORMATION

Go to Item

Nautilus

7" | 2024 | EU | Original (Oonops Drops)

16,99 €*

Durand Jones & The Indications

Release: 2024 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Right in time before the second European Tour and Nautilus' new studio album »Pacific Voyage« this little secret 45 has landed. It's a pure gem with a song which didn't make it on the album due to time problems and now shines like a jewel in full and mature quality. Backed with a Soul Supreme Remix with consistently highest quality.

The A-side starts with a jazzy version of Leon Ware's soulful masterpiece »Why I Came To California« sung by Californian vocalist, multi-instrumentalist, and physician Eki Shola in her unique interpretated way backed with fresh vocals by German tv actress and singer Denise M'Baye. In harmony with the strongly grooving instrumental framework by Tokyo-based Jazz trio Nautilus, them all together create their own refreshing version of the original and catapult the song into the present.

On the B-side the »Pacific Voyage« album song »What You Won't Do For Love«, an absolutely classic by Bobby Caldwell which was sampled by 2 Pac and Aaliyah gets the Nautilus treatment, in this case a funky forward 90's feel remix with heavy basslines for big soundsystem by Amsterdam-based, keyboardist, DJ & producer Soul Supreme. The vocals are sung by uprising Japanese star R&B and Soul singer-songwriter Ryuto Kasahara who worked together with Grooveman Spot and DJ Mitsu The Beats on this latest releases.

You know the deal: get this limited doubled-sided heat on black and exclusive yellow recycled vinyl before it's gone.

Go to Item

American Love Call Black Vinyl Edition

LP | 2019 | US | Original (Dead Oceans)

23,99 €*

Release: 2019 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Durand Jones & the Indications aren't looking backwards. Helmed by foil vocalists in Durand Jones and drummer Aaron Frazer, the Indications conjure the dynamism of Jackie Wilson, Curtis Mayfield, AND the Impressions. Even with an aesthetic steeped in the golden, strings-infused dreaminess of early `70s soul, the Indications' sophomore LP, American Love Call, is planted firmly in the present, with the urgency of this moment in time. The Indications' 2016 self-titled debut was the product of friends who met as students at Indiana University in Bloomington, In., recorded for $452.11, including a case of beer. American Love Call, the band's sophomore LP is instead the record the Indications dreamed of making, fleshed out with strings, backing vocals, and a newfound confidence in songwriting. Blending a slew of influences from years spent crate-digging, guitarist Blake Rhein says the Indications approach songs in the same way hip-hop producers do, as likely to pull inspiration from `70s folk-rock or classic R&B as they are Nas' Illmatic. "Did I expect to do this shit once I got out of college? Hell no," Jones relays, laughing. "Totally not. But this is what God is telling me to do - move and groove. So I'm gonna stay in my lane."

Go to Item

Tropical Disco Records Volume 25

12" | 2022 | UK | Original (Tropical Disco)

15,99 €*

12" | 2014 | EU | Original (Soma Quality)

Release: 2022 / UK – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Tropical Disco continue to rewrite the disco handbook as they clock up an impressive quarter century of vinyl releases with a sublime Volume 25 of their series. Featuring four disco cuts laced with jazz, funk, touches of electro and lots of dancefloor swagger it perfectly continues to build and diversify the sound of the series. Getting in on the party are a trio of Italian disco lovers Musta, an artist whose releases regularly set the disco and house charts alight, alongside the highly rated Corrado Alunni and the mysterious Fun Kool both of whom also hail from Italy. Opening proceedings, and in stellar form, is co-label boss Sartorial whose ‘Hootin N Tootin’ is a real jazz funk gem. Incessant piano riffs, a groove of a bassline which edges towards acidic in places, guitar licks aplenty and choppy drums all combine for a track which could be played anywhere from a jazz inspired pool party to the funkiest of clubs. ‘Hootin N Tootin’ is as musical as it is dance worthy, two very handy traits which will see it survive the ever onwards march of time. Musta’s ‘El Matador’ meanwhile has a high energy, fun-filled approach to life. It’s a track which very much defies pigeon holing but which comes from the same effusive family of earworms as Samin’s ‘Heater’ and may well prove to be just as big a breakthrough hit if it lands in the right hands over the summer. It’s very much a track with a big mischievous smile on its sun worshiping face. Corrado Alunni’s ‘Funk Decision (Dub Mix)’ falls very much into the early Soulfuric camp of Soulful house music, a sound which Tropical Disco has regularly flirted with recently with some fantastic results. Divine live sax, guitar loops and ass shakin’ bass all merge perfectly for a very classy six = minutes of shimmering dancefloor groove. Fun Kool’s ‘Low Tow’ sees out the EP and takes us off on an 80’s inspired electro journey. Stabby synths, subtle cowbell and Vangelis-esque keys all combine for a track which brings Metro Area’s take on the genre immediately to mind. ‘Low Toe’ deserves all the plaudits which undoubtedly come its way, a future classic for sure. That Tropical Disco keep conjuring up EP’s of this quality is a major cause for celebration in itself. Disco in 2022 is a progressively more and more interesting place to live given the multifarious avenues which it continues to open up and this EP is a perfect example of the depth, diversity and incredible quality of a genre overflowing with passion. We very much hope that the first 25 volumes are only the beginning.

Go to Item

Deepchord

Luxury Part 2

12" | 2013 | EU | Original (Tsuba)

Release: 2014 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Soma mainstay Deepchord returns with part 2 of the Luxury Series. This Double A release feature Deepchord s signature atmosphere rich tones and lush environments and also mark a slight upturn in terms of pressing on a more Techno vibe.

Luxury 3 opens as spacious as can be as the dynamic Modell crafts otherworldly pads and haunting tones, driven by muted kicks and driving subs. His effective use of delay and reverb knows no bounds as he subtly shifts synth stabs and background noise through the dimensional barrier, creating rhythms so refined they defy the natural law. His usual percussive wizardry is at work here that, whilst vigorous, retains a light atmospheric feeling keeping fully in line with the melancholic tones of the track. Clocking in around 14minutes, this is Modell as his most immersive.

Luxury 4 has a distinct Detroit heart to it. Those almost instantly recognisable saw waves, moulded by layers upon layers of processing, swirls and evolve and Deepchord slowly works in various elements of the track to unparalleled levels. Fairly reminiscent of earlier, more stripped work, subtle percussion brings things to life fairly quickly as Modell allows the layers of ethereal synths and processing to blend and fuse naturally, creating a cohesive background to which the listener can easily spend hours listening to, every time finding ever so slight nuances to each cycle of the track.

Deepchord never fails to impress with every release and can easily change his style up from previous incarnations based in pure atmospherics to his own unique brand of legendary Dub Techno

Go to Item

Dam Swindle

The Passion EP

15,99 €*

The Road To Red 40th Anniversary Edition

Release: 2013 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Tsuba + Detroit Swindle + Soulphiction = :. Detroit Swindle have been making great waves in 2013 and more than live up to the hype with their powerful & stripped back soulful take on house. 'Sometimes' features a full female vox and 'That Freak Stuff' walks a darker path with shades of Basic Channel. Soulphiction completes a winning package with a deep underground house mix of 'That Freak Stuff'.

Go to Item

King Crimson

Box Set | 2024 | UK | Original (Discipline Global Mobile)

139,99 €*

12" | 2024 | EU | Original (Kalahari Oyster Cult)

Release: 2024 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Between April and July 1974 King Crimson embarked on a tour of Canada and America which has come to be recognised as one of the most powerful series of concerts performed not just by Fripp, Cross, Wetton and Bruford but by any band of the era. The band, who had been rarely off the road - except to record studio albums - chose to perform a selection of recent material from the then newly released Starless And Bible Black, older fan favourites, newly written/then unrecorded material & nightly improvisations at a level described by many eye-witnesses and observers as “the most intense” gigs they’d ever attended. A single live LP “usa” was issued in 1975, a year after the band split but failed to convey the full extent of how ferocious a beast King Crimson was in full-flight. No other band blended powerful rock with an ability to turn in epic improvisations of immense subtlety or strength. Many of the shows on this final tour had been recorded, either professionally to multi-track tape, or on the band’s stereo cassette feed from the mixing desk. These remained unheard until 1992 when selected highlights were released in 1992 on the 4 CD boxed set, The Great Deceiver. Now The Road To Red offers a comprehensive overview of this final tour and at last does justice to a group who were operating at the very height of their powers. Every soundboard quality recording known to exist is presented with audio fully restored, all released on CD for the first time. There are also five complete concerts, drawn from multi-track recordings, alongside the restored audio bootleg of the band’s final show from New York and a new stereo mix of “Red” by Robert Fripp and Steven Wilson undertaken in 2012. A total of 16 concerts are featured across 20 discs, with the studio “Red” as the 21st CD.

Go to Item

Oma Totem

the trick

LP | 2022 | Reissue (Side One Dummy)

Release: 2024 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Barna mainstay oma totem is dishing out the cerebral and dubby like it’s nobody’s business. 3 tripped-out accelerators courtesy of the Oyster Cult debutant, complete with an OK EG rework for good measure.

No messing with this purveyor of reverb-drenched dynamics and fractal polyrhythm. But this time, rather than the inward contemplation of releases past, we get something a little more full-frontal.

Robust club gear rooted in ominous portent, opener ‘The Trick’ recalls the heyday of early 00s bass music. It’s tunnelling prog caught on a dark side flex. Then, in a coming together of kindred spirits, Melbourne hardware duo OK EG take it upon themselves to provide some introspection. Expect depth charge bass-weight primed for meditative moments.

‘Choreos’ finds the Hivern Discs affiliate at his deftest. Intricate and kaleidoscopic with careful attention to rhythmic intricacies, but never at the expense of dancefloor propulsion. The same could be said for the follow-up.

Equal parts driving and trance state-inducing, closing number ‘Mania’ has oma returning to the inky abyss from whence he came. Detailed, dubbed-out and quintessentially Kalahari.

Go to Item

Goldfinger

Hello Destiny

Release: 2022 / Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

12" | 2023 | EU | Original (Psychic Readings)

Peach

Fortune Two

12" | 2023 | UK | Original (Kaoz Theory)

Release: 2023 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Are you Looking for Love? Advice? Good Luck? Then you’ve come to the right place. The second release in the Psychic Readings catalog, Peach continues to explore her sound bringing us 3 tracks dedicated to the dance.

On one side, The Art of Casting Spells will bewitch you with its basslines. As they go from squelchy to stripped back, the track is an upfront yet ethereal ride in true peak time Peach style. Then, a track inspired by the sensation of butterflies in your sacrum - Flutter is a deeper cut for the heads down, introspective dancefloor moments. Both come complete with sassy stabs, moving pads & bouncy bongos - all of which are becoming a staple of her sonic palette.

On the flip, Gay Dreams brings us a starry-eyed escape into fantasies. Delicate synths flirt with the weighty bassline, as sentimental pads carry us into a slow surrender of emotion.

All the tracks are a testament to her many moods as a DJ. For club use or home listening, this is an EP dedicated to the dance.

Go to Item

Demuir / DJ Sneak

Organized Kaoz Ep 3

15,99 €*

Firebird Track Pants Loose

Release: 2023 / UK – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Back digging in their prized vaults, Kaoz Theory cherry pick another two classics to be released for the first time on vinyl. Up first, one of Toronto’s finest Demuir enlists the signature soulfulness of Bluey Robinson for a bumping RnB-tinged, hazy house bomb entitled ‘Lusting U’. On the flip, Chicago legend DJ Sneak hits with a underground jackin’ groover ‘Judy Russell’ in trademark Windy City style.

Go to Item

adidas

69,95 €*

Broadway Mid-Tempo Party Music

Available Sizes: GIRLS M, GIRLS L

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The adidas Firebird Track Pants are the epitome of track pants equipped with a clean and stylish minimalist look, a pimped out semi-gloss finish, and the most powerful branding known to mankind. Whether you're a work out addict or you're a laid-back slacker who like to put the feet up, this undisputed classic was designed to be the greatest of all times!

The features of the adidas Firebird Track Pants Loose include:

• stretch waistband with drawstring adjustment
• 2 front pockets with zip closure
• raised, vertical seams at the front of both legs
• side zippers at leg openings
• adidas Trefoil logo embroidery beneath left pocket
• 3 Stripes tape at outseams
• loose fit, straight legs
• 100% recycled polyester tricot

Go to Item

Alien D

12" | 2023 | EU | Original (Fixed Rhythms)

Release: 2023 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Alien D aka Daniel Creahan is a staple in the NYC underground. He co-runs Sweat Equity and is one half of Dekalb Works. For this EP, he’s cooked up 4 heady dance floor churners that draw influence from many points along the UK hardcore continuum and US tech-tonic landscape. These cuts are applicable and psychedelically functional for all times of the night. Early support and play by CCL, AceMo, Miley Serious, 2Lanes, Wngdu, Devoye, Ru, Masha, Mazewski, and Furtive.

“Dream Burner'' opens up with a tantalizing, syncopated kick, a rim-shot rhythm, and a brain-scratching zoom…it starts out tiptoeing around the 4/4 and then fully gives the four only to end back where the track started…presenting you with the Beat in between the downs and ups. “Spicy Action” is the perfect mix of chill and party…dubbed-out breaks and synth stabs laced over traveling bass drum patterns. No seatbelts in this cruiser, so hang tight!

Flip to the B side. “Party Glitters” is a sunrise outdoor rave anthem. Blissed out techno breaks for the long-haulers. At 8 minutes and some change, this is one you’ll want to let work its own magic…it’s a goer! “Sunrise Deli” ends the EP with tangible optimism, the power of the kinship found at a solid rave. Lush synths ease in more brain-tingling techno percussion and bring the EP to a bright close.

300 copies pressed worldwide. Don’t sleep on this one.

Go to Item

Casio

CA-53WF-2BEF

49,95 €*

Bertrand Burgalat Meets A.S Dragon

Available Sizes: One Size

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Casio CA-53WF-2BEF - Features:
• 8-digit calculator: The 8-digit calculator can add, subtract, multiply and divide.
• Second time zone: A second local time can be set and called up. Ideal if you often make overseas calls, for example.
• Stop function - 1/100 sec. - 24 h: For athletes and all those who want to know exactly: Elapsed time, split time and final time are measured with an accuracy of hundredths of a second. The watch has a measuring capacity of up to 24 hours.
• Daily alarm: The daily alarm reminds you of recurring daily events and sounds an acoustic signal at the set time.
• Automatic calendar with date, month and weekday: Once set, the automatic calendar always shows the correct date.
• 12-/24-hour format: The time display can be set to either 12- or 24-hour format. In 12-hour mode, a "p" in the display stands for the second half of the day, i.e. 12 noon to 11.59 pm.
• Acrylic glass: The acrylic glass is light and relatively unbreakable.
• Resin case: The resin case is the ideal companion for everyday use. It is robust, very light and relatively unaffected by cold, heat or other external influences.
• Resin bracelet: Resin is made of synthetic resin and is the ideal material for bracelets due to its extreme durability and flexibility.
• Buckle: The bracelet is equipped with a buckle.
• 5 years - 1 battery: The battery supplies the watch with the necessary energy for approx. 5 years.
• Water-resistance classification (WR) according to ISO 22810: This model is water-resistant according to DIN 8310 or ISO 22810, i.e. it can withstand light splashes. Greater contact with water should be avoided.
• Dimensions (H x W x D): 43.2mm x 34.4mm x 8.2mm
• Weight: approx. 25 g

Go to Item

2LP | 2002 | EU | Reissue (Tricatel)

33,99 €*

Electrified (Best Of 2009-2022) Orange Vinyl Edition

Release: 2002 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

This album, recorded live after the release of Bertrand Burgalat's first album (The Sssound of Mmmusic, 2000), is a unique testimony of a passionate encounter, of explosive concerts and an exceptional musical adventure, a mixture of soulful rhythms, oniric keyboards and songs with chiseled lyrics and harmonies.

Out of stock on vinyl for decades, it will be reissued and published in December 2022, with a text by Philippe Manœuvre. 21 years after its first publication, it has not aged a bit. It includes tribute covers ("Follow Me" by Amanda Lear, "Tears Of A Clown" by Smokey Robinson), and a version of "Easy Tiger", recorded at the same time for Depeche Mode.

"This album brings back the great psychedelic concerts that Bertrand gave at the time. For me, Aux Cyclades électronique is in the running for the title of most beautiful song in the world, I haven't changed my mind." Philippe Manoeuvre, excerpt from the innersleeve note, April 2022

"A.S Dragon is arguably the best French rock band of today. Nearly an hour of psyche-magnetic madness, the spectacular collision of a Gainsbourg theorist playing his melodies to a Jefferson Airplane from Clignancourt charged with pushing all galactic limits." Philippe Manoeuvre, Rock & Folk, October 2001

"Bertrand Burgalat meets A.S Dragon could satisfy both French Touch fans and Rock'n'Roll purists. It sounds like the resurrection of a sixties garage rock band, somewhere between Detroit and Combs-la-ville. Burgalat for charity." Philippe Barbot, Télérama, November 2001

"This is a fantastic remix! It sounds a bit like 70's funk. Bertrand has taken the song and reworked it from top to bottom, re-recording people on every part. It sounds like a James Bond song. It's really one of the best remixes we've ever done. " Martin Gore (Depeche Mode) on "Easy Tiger", Magic, May 2001

"I wish this song could last my whole life..." Virginie Despentes, on "Aux Cyclades électronique", "Vernon Subutex

Go to Item

The Liminanas

3LP | 2022 | EU | Original (Because Music)

48,99 €*

LP | 2022 | EU | Original (Elemental)

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The garage -psychedelic French duo The Liminanas straddles since 2009 the boundary between psychedelic ,shoegaze,garage & French yé-yé up to cool vocals . Quintessentially French but first known at the start in the US before hitting homeland France. 7 studio albums so far, 2 rare tracks compilations, many Eps,some OST, collabs such as L’Epée with Anton Newcombe & Emmanuelle Seigner : time for a first time Best of, and actually more than a Best of : Double Cd , Ltd Triple Vinyl& Digital editions offer 12 exclusive bonus tracks -new songs + rare songs when they called themselves les Bellas, before The Liminanas-.
“Electrified” also includes 23 classics songs , with featurings such as Peter Hook, Anton Newcombe and French pionners Laurent Garnier, Etienne Daho & Pascal Comelade.
Features liner notes written by Iggy Pop, Peter Hook & Keith Streng (Fleshtones) : because it’s only rock’n’roll.

Go to Item

Mark Quintet Turner

Yam Yam

34,99 €*

2LP | 2022 | EU | Original (SK_Eleven)

Release: 2022 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

On vinyl for the first time.

Go to Item

Setaoc Mass

Horror Vacui

28,99 €*

What Do The Stars Say To You

Release: 2022 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The debut album from Samuel Coates, AKA Setaoc Mass, crystallises the expansive, left-field vision that's been brewing in his techno-focused discography. Now, downtempo, drum & bass and electro-influenced soundscapes come through strong, as the Manchester-born, Berlin-residing artist combines a decade of dance floor experience and a lifetime of wide-ranging music tastes. The album's 14 tracks transcend the dance with rhythmic and tonal adventure. The urgency of Coates' techno records remains, though now suspended in an unbound space that switches between unpredictable body music and eyes closed moments of escape. Timeless melodies recall the golden era of UK electronica, while ultra-modern production drives the record's microscopic details home. A lovingly crafted collection of the tracks that have been kept for when the time is right. It's the sound of Samuel Coates, then Setaoc Mass - vulnerable but visceral music that demands your full attention.

Go to Item

Ron Trent Presents WARM

LP | 2022 | UK | Original (Night Time Stories)

27,99 €*

Release: 2022 / UK – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Throb Throb Clear Vinyl Edition

Naked Raygun

LP | 1984 | UK | Reissue (Audio Platter)

The Punk Singles Collection Red Vinyl Edition

Release: 1984 / UK – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Re-issue of Chicago punk legends Naked Raygun's album 'Throb Throb' – famously, the first live band Dave Grohl ever saw - ON Clear Vinyl! From its onset, the tube-crunch surf guitar intro of "Rat Patrol," Throb Throb sizzles like grease in a frying pan until it comes to a halt some 30 minutes later. Like the tank on its cover, Throb is largely informed by an antagonism that rails against the Reaganism that helped spawn intelligent '80s post-punk groups much like Naked Raygun. Titles like "Surf Combat," a song about the effects of napalm at popular beaches, "Gear," a braggadocio commentary about nuclear weapons and the arms race, and "Managua," in which troops march to their impending death, exemplify Throb's political mentality and musical gravity, which are a direct result of the '80s Cold War. Naked Raygun sends the songs up with a sense-raping frazzle and dissonance. While not as furious as Hüsker Dü or as angry as the Misfits, Throb is no less vehement, and ever the more working-class. With comprehensible lyrics everyone can understand and chant, and a plethora of race-against-time guitar melodies, Throb is rare in that it appeals to academics as well as rednecks, straight-shooters as well as in-the-know punks. Borrowing from the big-guitar sound of English heavy metal bands like Iron Maiden and carving catchy melodies usually reserved for Top 40 pop songs into firebrands like "I Don't Know" and "Libido," Naked Raygun assures Throb's place as a classic that is forever ahead of its time, regardless of when it is heard.

Go to Item

Anti-Pasti

LP | 2022 | UK | Original (Audio Platter)

17,99 €*

Passion Night feat. Massimo Urbani

Release: 2022 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

For the first time on vinyl. Anti-Pasti - The Punk Singles Collection 1998. If you were a punk/skinhead in the eighties you no doubt had one of these singles in your record collection - now on RED vinyl!

Go to Item

Miro

12" | 1985 | EU | Reissue (Disco Segreta)

13,59 €* 15,99 € -15%

Black Encyclopedia Of The Air Black Vinyl Edition

Release: 1985 / EU – Reissue

Genre: Rock & Indie, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Disco Segreta teams up again with Miro (b. Mario Baldoni) in the re-release of his 1970s-80s productions, after the italo-disco burner Stranamore by Brina (DS M 002) and the tropifrutti balearic italo-house smasher Tobago by Pat & Pats (DS M 006), we are back introducing to italo-disco connoisseurs a truly atomic jam ! “Passion Night” was originally written by Miro in 1985. Story goes that envisioning a release by 1987, Miro teamed up with legendary south-african sound engineer Allan Goldberg, in light of their previous Vedette Records disco-infused collaboration for the “Slang“ studio project and the “Real Life Games” LP. The team featured also track co-writer Gregorio Puccio, ready to unleash the synths (Roland Jd800 + D50, Yamaha DX7, Oberheim 12, Prophet 5), along with two young vocalists, Giulia Fasolino and Silver Pozzoli, later to become household names for the italo-disco heads. As a special feature on the track, Miro brought in the studio contribution of the top italian jazz contralto saxophone virtuoso of the era, Massimo Urbani. In September 1987 a session at Pomodoro Studio had the track recorded on a 24 tracks tape, where has been sitting unreleased for 35 years, until now ! Within its cross-genre blend of synth-pop, italo-disco and jazz, “Passion Night” is an outstanding musical time capsule, a picture-perfect vivid snapshot of year 1987, with the additional historical value as a document itself: it’s the only strictly non-jazz project in Massimo Urbani’s repertoire, in a revelatory performance shedding a light over an unusual facet of Urbani’s versatile talent, regardless of boundaries, a few years before his untimely passing.

Go to Item

Moor Mother

LP | 2022 | EU | Original (Epitaph Europe)

Limpets Minds Priori Remix

Release: 2022 / EU – Original

Genre: Hip Hop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Get yo ass in the house, robot-- you cyber-spectre, you outhouse prime minister, you hard-headed mirror ninja, snapping selfies, living in the pixelated seams between bursts the of flashing images, birthed in a pool of TV static and Tik Tok dust. Black Encyclopedia OF THE AIR is here, not to save but to drown you. Heads better learn how to swim cause listen, this record is beat soup, hearty yet still minimal, a sonic mirage of prophetic soul that drop kicks your "chill beats to study to" Youtube playlist and hyper-intellectual rap podcasts into a hadron collider; it's only black matter on the other side-- 13 mesmerizing tracks about memory and imprinting and the future, all of them wafting through untouched space like the ghostly cinders of a world on fire, unbound and uncharted, vast and stretching across the universe. Moor Mother is a holographic figment of an Afrotopian dream, all at once goddess and warrior, mystic and cyborg, griot and future time traveller, etching noisy pieces of reverie into our consciousness for decades now. But check it: on Black Encyclopedia she's joined by a wide-range of friends, collaborators and co-conspirators on a trip through the murky cosmos, navigating the black universe with stardust as currency. In these times, they'll say, as they click and mash their way through the same inter-webs that seek to strangle them, Black Encyclopedia OF THE AIR is just what we need: a post-everything, 12:01 on the doomsday clock, anti-trip hop type of situation. "We ain't gotta fight no more," they'll say; the rest of us, we'll put this record on and imagine again that it's real.

Go to Item

Biodive

12" | 2021 | EU | Original (Pistol)

7" | 2021 | UK | Original (Sam)

Release: 2021 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Welcome to Pistol! The inaugural release of p.istol is introduced by Biodive, who sets the tone with his four track “Limpet Minds’ EP, written in the depths of lockdown from the producer's studio in Cape Town. Naff label head Priori contributes a no-nonsense remix of the title track - just in time as the world escapes the monotony of pandemic life.

Go to Item

Rhyze

Do Your Dance / Free

2LP | 2021 | EU | Original (Calax)

Release: 2021 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

‘80s funk at its best. Originally only ever available on the album ‘Just How Sweet Is Your Love’, New Jersey group Rhyze’s ‘Do Your Dance’ gets its first ever reissue as a single on 7 inch backed with the disco monster ‘Free’. A staple of some of the biggest DJs and diggers out there, this is a must have record. Your first time to grab this on 7" Official SAM release with original labels and housed in a picture sleeve.

Go to Item

Cora

33,99 €*

Release: 2021 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Cora Emens is a sex educator and performer based in the Netherlands. This re-issued work of experimental music was recorded in the 80s with Cora's ex-husband, William de Ridder (one of the founders of Fluxus) and her mates at their home studio in the Netherlands.

Now available in double LP form (originally released on a Radio Art Foundation cassette) with an additional bonus track 'Earplay'. This is the first time it's been re-released on any format. The original tape was mixed by Willam de Ridder and is now remastered by Cora Emens herself.

The archive cassette now resides in the sound archives of the Allard Pierson Museum in Amsterdam.

Go to Item

Take It To Church Volume 4

12" | 2021 | UK | Original (Riot)

13,29 €* 13,99 € -5%

Release: 2021 / UK – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Praise the high heavens, the disco gods have blessed us once again with a four track deliverance of gospel inspired ecstasy via Riot Records – ‘Take It To Church - Volume 4’. Joyous jubilation from Mark Brickman & Yam Who, Wayfaring Strangers, Platinum City, Yam Who? & Brian Lucas that ranges from nu disco-tinged house to peak time organ elation, clavinet heavy grooves to funked up, soulful house rejoicing.

Go to Item

Casio

A700WEMG-9AEF

74,95 €*

Rockin - Poppin Full Tilting

Available Sizes: One Size

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Casio A700WEMG-9AEF - Features/Specifications:
• LED light
A light-emitting diode (LED) is used to illuminate the watch face.
• Stopwatch function - 1/100 sec. - 1 hour
Elapsed time, split time and final time are measured with 1/100-sec accuracy. The watch can measure times of up to 1 hour.
• Daily alarm
The daily alarm reminds you of events that recur every day, by emitting an audible signal at the set time.
• 12/24-hour timekeeping
Times can be displayed in either a 12-hour or 24-hour format.
• Automatic calendar with Date, Day and Month
Once set, the automatic calendar always displays the correct date.
• Acrylic Glass
The acrylic is easy and relatively unbreakable.
• Resin case
The resin housing is the ideal everyday companion. It is durable, lightweight and relatively insensitive to cold, heat or other external influences.
• Stainless steel band
Tough, durable and elegant: The stainless steel wrist strap gives your watch that classic feel.
• Bracelet with IP finish
The bracelet is coated by the so-called "ion plating" process consuming and offers the advantage of increased scratch resistance.
• Adjustable fastening
The clasp can be individually adjusted extremely easily for maximum comfort.
• 3 Years - 1 Battery
The battery supplies the watch with sufficient energy for approx. three years.
• Water resistance classification (WR) to ISO 22810
This model is water resistant to DIN 8310 / ISO 22810, and thus is resistant to minor splashing. Any greater water contact should be avoided.
• Dimensions (H x W x D): 37.4 x 35.5 x 6 mm
• Weight: approx. 50 g

Go to Item

Lee Alfred

7" | 1980 | EU | Reissue (Cancer)

Release: 1980 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Black 7" dinked centre hole vinyl. Fully remastered reissue with replica artwork of this super sought after slice of 1980’s disco, 'Rockin – Poppin Full Tilting' celebrating the 40th anniversary of it's original release. A classic in it's own right, Midland brought it back to the forefront of people's minds, expertly sampling it in the 2016 summer anthem ‘Final Credits’, leaving many scrambling to find an original copy of the 7 inch. And with prices in excess of £125 it's high time an official reissue came around.

Go to Item

CD | 2020 | EU | Original (Uzelli)

Uzelli Elektro Saz

17,99 €*

Foreign Affairs Remastered Grey Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Uzelli Kaset was established in 1971 by Muammer and Yavuz Uzelli in Frankfurt, Germany. Their music resonated not only with the longing that Gastarbeiter (guest workers) felt for the homelands and families they had left behind and the melancholy brought by their difficult living and working conditions in Germany, but also with the joy that welled up at village weddings on their days off, and the long car or train journeys home. Reaching the remotest corners of Germany as well as Turkey, Uzelli Kaset was soon more than just a music company; it became a companion to Turkish workers living far from home. Not counting the handful of 8-track tapes and 14 LPs released in the early days, the catalog consisted entirely of cassettes.
When they opened their Istanbul office in 1977, Uzelli moved beyond production and became successful in the areas of reproduction, distribution and marketing. Taking the catalogs of other production companies under its umbrella, it continued its rapid growth.
The 90s became the CD decade, and because Uzelli Kaset had not released its catalog in CD format, hundreds of albums remained unavailable to an entire new generation. Because the albums had not been released in LP form either, musical explorers ran into the same problem. Remaining active and serving in various areas of the music industry, Uzelli carefully preserved its visual, audio and document archives, ensuring their survival to the present day.
After an immense amount of work, this catalog, which had long awaited discovery by new generations, was finally released in digital format. For record collectors seeking the spirit of those times, we also began offering this special selection of compilation albums in vinyl format. As we created this series, our goal was to guide listeners toward new discoveries, and open new pages for music lovers to explore. Leaving our rich, multifaceted catalog to genuine musicians, curators and artists, our desire became to approach the recordings of that period from a different perspective.
We are overjoyed to know that our continuing meticulous work will bear fruits whose taste and aroma have been long forgotten.
Uzelli

Go to Item

Tom Waits

LP | 1977 | EU | Reissue (Anti)

24,99 €*

Release: 1977 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Destination Boogie The Dr Packer Remixes

12" | 2018 | EU | Original (Z)

12" | 2018 | EU | Original (Opilec Music)

Release: 2018 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Originally released back in 2006 Destination Boogie has been one of ZR's most popular and respected compilations. In fact we recently reissued it on vinyl for the first time.
There's a lot of crappy edits out there, we believe these Dr Packer reworks are very worthwhile, well constructed new versions that make the tracks more playable for today's dancefloors whilst retaining their boogie tastic musicality.
Since the album was released the whole edit culture has exploded so we thought it would be a nice idea to get one of the best, Dr Packer, to rework four of the most danceable cuts from the album.
We at ZR HQ think he's done a great job on these........

Go to Item

Ahzz

New Yorks Movin'

12" | 2016 | EU | Original (Knekelhuis)

Release: 2018 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

As ever, the next project on Opilec Music is one with a rich back story this time paying homage to a very specific disco scene of the early 80s: it finds label boss I-Robots turning out one of his brilliant reconstructions, namely of a classic and cult track by one hit wonders Ahzz.
This track was first released on Land of Hits, a label run by Peter Brown (who also wrote "Material Girl" for Madonna) and Michael Campbell and has now been officially licensed for this reissue by Opilec Music.
The track, 'New York's Movin'' was huge on the New York disco scene and was played by the likes of David Mancuso at The Loft, Larry Levan at The Paradise Garage and by Nicky Siano at Studio 54, but continued to be a big hit with modern New York tastemakers Kenny Dope, DJ Spinna, Danny Krivit and his Body & Soul party crew well into the 90s, as well as with stars like Motor City Drum Ensemble and Bulljun.
I-Robots is a notorious producer and record collector with a vast understanding of the history of house and disco and his version combines an original vocal and instrumental version into something really magical.
‘New York's Movin'' (I-Robots Reconstruction Take I) is a jangling, organic and lose limbed disco number with a funky drum line, soul in its bones and plenty of lovably rough percussion, clicks and drums.
A retro and impassioned vocal line adds flair to the track at the midpoint just before that groove kicks once more. This version is featured on the new I-Robots - Reconstructions 2007-2017 10th year Anniversary release.
‘New York's Movin'' (I-Robots Reconstruction Take II) is then just as emotive and outgoing but after the break has more of a focus on funk.
This is a huge party starting track filled with feel good vibes and once again proves Opilec Music work on only the most special projects.

Go to Item

Maoupa Mazzocchetti

Glow In The Dark EP

Ghetto Priest / Ramrock All Stars

Release: 2016 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Who’s this face? After several strong and adventurous releases on Unknown Precept and Mannequin records, now it’s time to land on Knekelhuis for the next chapter. Meet Maoupa “Clown carrying butcher knife at Brussels” Mazzocchetti, known for his nervous, out of the box, thoughtful machine- driven electronics. You’ll love his powerful, distorted, gut-wrenching, yet danceable, black humor-filled tunes! Would you please buckle up? TIP!!

Go to Item

Life Ain’t Easy

7" | 2016 | EU | Original (Ramrock)

9,99 €*

LP | 2014 | UK | Original (Big Dada)

Release: 2016 / EU – Original

Genre: Reggae & Dancehall

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Ramrock Records are proud to present Ghetto Priest Singer/Songwriter/Recording artist/Live Performer and musical visionary. Already known to many as the frontman of Asian Dub Foundation and vocalist on their globally acclaimed single Fortress Europe, GP has been involved in multiple musical projects over the last 20 years including the 2004 release of his critically acclaimed debut album 'Vulture Culture' with uber producer and On-U Sound supremo Adrian Sherwood at the controls.

Ghetto Priest has joined forces with Ramrock label owner and producer Jo Wallace to give us a deep reality check with his original and highly astute Life Ain't Easy that reflects the paranoia of our daily worldwide situations. Riding the riddim inspired by Dennis Brown's 72 Studio One classic Easy Take It Easy, Ghetto's words will resonate with many during these unsettled times.

Go to Item

Dels

Petals Have Fallen

12" | 2014 | EU | Original (Arts)

Release: 2014 / UK – Original

Genre: Hip Hop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"The future of UK Hip Hop" - Times

Go to Item

Mark Broom

Nova EP

Release: 2014 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

ARTS is an independent label based on Sonic dimensions. ARTS005 Is Mark Broom, they call him the Prime Time Uk Techno Master, We call him Mark the Legend.

Go to Item

Casio

B640WD-1AVEF

39,95 €*