Search "scream" 787 Items

12" | 2021 | EU | Original (Seilscheibenpfeiler)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Dalmata Daniel welcomes Filmmaker and Petros Spatharos for the eighth part of their split series. This obscure 3-3 track vinyl is the debut of the Columbian music maker on the label. However, for the Athens-based producer it's a return after his participation on "Dalmata Daniel eats Lahmacun" compilation. But this project isn't their first collaboration, because Petros released his first album on Body Musick, Filmmaker's own imprint.

Filmmaker probably doesn't really need to be introduced to those who are comfortable with contemporary underground music. In less than five years he has composed and released a huge and relevant oeuvre by himself or on labels such as the UK-based Opal Tapes, Dutch Tartarus, Greek Phormix or the German Veyl, etc. To add Dalmata Daniel to this list is kind of a dream come true for the label, because they have been following his musical journey since the beginning. And no doubt, his side of the vinyl is another testament to his already perfected sound. What you recognise from the first moment of this noisy, industrial, sometimes dissonant ebm driven electro, infused with a film noir atmosphere and total darkness.

While on the flip side, Petros Spatharos keeps the obscurity going, which is the real link with his split partner's music. Only his sound is clean, not chaotic, but rather underworld techno with an extremely restrained tempo and some beyond-the-grave acid screams. That's how this inferno journey will be complete with full of dark emotional atmospheres and hypnotic textures.

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Fjaak

Your Time is Ov3r

14,39 €* 15,99 € -10%

LP | 2004 | Reissue (Constellation)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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The pandemic has affected people in all sorts of different ways, but for FJAAK, life in
lockdown led to one key realization: nothing in life is permanent, and what you do have can
disappear at any moment, no matter how solid it may appear. That idea is at the core of the
Berlin duo’s new EP, Your Time Is Ov3r, a four-track effort that sits somewhere between a
rallying cry and a desperate primal scream. It’s not a coincidence that the record’s jagged,
electro-flavored title track contains an ominous vocal refrain (“Hypnotize me”), born out of a
time when FJAAK were looking for something, anything to make the days go by more quickly.
Still, there’s more to Your Time Is Ov3r than emotional strife. The tracks here have been
primed for the dancefloor, and are easily some of FJAAK’s sharpest productions to date.
Unbridled EP opener “Identity” fuses elements of ’90s rave techno with modern electro, the
whole thing powered by the song’s menacingly crunchy bassline. “Chunks” drops the hammer
even harder, its heavy kick and low-end growl rumbling along like a vintage muscle car. And
for those seeking something a bit more chaotic, the blaring sirens and frenzied breakbeats of
“Falcon Punch” come off like the club equivalent of a nuclear sub attack. Throughout Your
Time Is Ov3r, FJAAK tiptoe right on the edge of completely losing control, and while their
skilled hands prevent things from ever veering off the road and into a ditch, the music’s
inherent sense of instability is undeniably exhilarating.

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Fly Pan Am

N'écoutez Pas

18,99 €*

12" | 2017 | EU | Original (Roots For Bloom)

Release: 2004 / Reissue

Genre: Rock & Indie

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180g Vinyl!A collection of songs pushed to maximum density, marked by dark shoegazer guitars, distorted organ stabs, rubbery basslines, motorik drumming and various shrouded voices whispering, screaming and singing along the way - this album contains Fly Pan Am's most intense sounds yet. While each side of the record is anchored by a long, non-linear piece juxtaposing the band against tape and electronic treatments, several tracks are as close as the group came to traditional rock/pop structures, with 'chorus' breaks, melodic 'hooks' and vocals. Of course, being Fly Pan Am, all of this is duly bracketed - there is nothing traditional about the results, and the various elements are pushed forward or pulled back in anything but conventional ways. These are careening, carnivalesque tunes that somehow wed the browns and pinks of their guitar noise with yeye pop, Boredoms-style noise incantations and hardcore punk. N'Ecoutez Pas features a long list of local guest vocalists to supplant the band's own oral action, as well as electronic interventions from fellow Montrealers Tim Hecker and Alexandre St-Onge.

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Folamour

Nights Over You EP

Live At Concert Hall Tortonto 1996

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Folamour is a new name in the Roots For Bloom family but by all accounts he fits right in. The opening track Nights Over You rocks an original and an edit from the label boss himself Jamie Trench. It focuses on emotive chords, mesmerising key lines and as always on RFB a great groove and low end. The vocal sample cuts the break and takes the limelight of the track. The A2 last morning screams sunshine again focussing on a strong vocal sample "when the morning comes" which you cant help but picture sunsets to. Folamour's last offering is $0$ which reminds us of the likes of 90s disco cut samples with great strings and keys throughout. A strong offering from a new head on the RFB scene.

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Foo Fighters

LP | 2021 | EU | Original (Outsider)

16,99 €*

12" | 2023 | EU | Original (Magia Roja)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Foo Fighters live in Toronto in 1996 and includes most of the tracks from the debut album! "For loud, screaming, sweaty and fun rock'n'roll, Grohl, Smear, Mendel and Goldsmith delivered it all in this treasured and legendary performance"

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Fotocopia

2LP | 2017 | EU | Original (Mule Musiq)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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You don't know yet but you're about to discover one of Europe's unearthed diamonds: this is the shape of the industrial to come, where punk, noise, ebm and rave meet.

Minimalistic but full of detail and big dynamics with songs that take you on a journey, there's not a single second wasted on his first 12"". From energy blasts like ""De Internet se sale"" or ""Disforia"" to the dystopic and dissonant synth pop gem of ""Parking Tanatorio"", through the EBM punk of ""Foto de un Caballo"" or ""Captcha"" which was debuted at Tresor at peak time and made everyone instantly scream their lungs out!

BTW If he's coming to play in your town don't miss it, it's one of the best live shows we have seen the last few years.

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FP-Oner (Fred P)

Frank Carter & The Rattlesnakes

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Children are laughing and playing in the back, a baby screams happily: handsome field recordings welcome the listener to the final chapter of Fred P’s FP-Oner trilogy for Mule Musiq.

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Sticky Clear Vinyl Edition

LP | 2021 | EU | Original (International Death Cult)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Freddie Hubbard & Art Blakey

Feel The Wind Black Vinyl Edition

LP | 1989 | US | Reissue (Tidal Waves Music)

17,99 €* 19,99 € -10%

Freddie Hubbard & Art Blakey

Release: 1989 / US – Reissue

Genre: Organic Grooves

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Welcome to ‘Feel The Wind’…maybe one of the greatest team-ups in Jazz history featuring jazz superstars Art Blakey and Freddie Hubbard! Art Blakey (1919–1990) needs little introduction, the American Jazz drummer and bandleader made a name for himself in the 1940s & 1950s playing with contemporaries such as Miles Davis, Dizzy Gillespie and Charlie Parker. He is often considered to have been Thelonious Monk's most empathetic drummer (he played on both Monk’s first recording session in 1947 and his final one in 1971). In the decades that followed Blakey recorded for all THE labels that mattered in the field of jazz (Columbia, Blue Note, Atlantic, RCA, Im pulse!, Riverside, Prestige, Verve, etc.). His collaborations were numerous and include working with equally legendary artists such as Sonny Rollins, Max Roach, Chet Baker, John Coltrane….and countless others. Art Blakey was a major figure and a pioneer for modern jazz, he assumed an aggressive swing drumming style early on in his career and is known as one of the inventors of the modern bebop style of drumming. Blakey was sampled and remixed by major acts such as The Black Eyed Peas, Digable Planets, Buscemi, KRS-One and Madlib. The legacy of Art Blakey is not only the music he produced, but also the opportunities they provided for several future generations of jazz musicians. Freddie Hubbard (1938-2008) also needs little introduction, he was one of the most renowned American jazz trumpeters who played bebop, hard bop and post-bop from the early 1960s onwards. His unmistakable and influential tone contributed to new perspectives for modern jazz and bebop. At the age of 20, in New York, he began playing and recording with some of the best jazz players of the era, including Don Cherry, Quincy Jones, Ornette Coleman, John Coltrane, Wayne Shorter, Oliver Nelson and Herbie Hancock. Freddie Hubbard recorded for labels such as Blue Note and Atlantic and he became a prominent member of Art Blakey’s Jazz Messengers. Hubbard achieved his greatest popular success in the 1970s with a series of landmark albums. Hubbard's trumpet playing was featured on the track 'Zanzibar' from the 1978 Billy Joel album 52nd street (the 1979 Grammy Award Winner for Best Album) and in 1988, Hubbard played with Elton John contributing trumpet and flugelhorn solos. In 2006, the National Endowment for the Arts accorded Hubbard its highest honor in jazz, the NEA Jazz Masters Award. Freddie Hubbard was sampled and remixed by renowned artists such as Raekwon, A Tribe Called Quest, Beastie Boys, Jungle Brothers and Kamasi Washington. On the album that we are presenting you today (Feel The Wind from 1989) , you’ll find six sublime tracks recorded in 1988 by renowned engineer Max Bolleman at the Studio 44 Monster in Holland. These recordings were originally released on the legendary Dutch jazz label Timeless Records (and produced by its owner Wim Wigt). Supporting Hubbard and Blakey is an all-star line-up of musicians from the likes of Leon Dorsey (Lionel Hampton), Lonnie Plaxico (Dizzy Gillespie, Ravi Coltrane), Benny Green (Joe Henderson, Houston Person, Milt Jackson), Mulgrew Miller (Frank Morgan, Donald Byrd) and Javon Jackson (Cedar Walton, Curtis Fuller, John Hicks). The combination of this being one of Art Blakey's final recordings near the end of his life and a glorious rejuvenating return by Freddie Hubbard gives us all the ingredients for a unique album that sounds as innovating today as back in the day when it was released. Expect supercharged hard bop with striking notes, no-holds-barred musicianship, high swinging solos, screaming choruses and plenty of solid virtuosity to spare. This release is not only a classic but also a bonafide hit and a must have for any self-respecting jazz fan or collector. Tidal Waves Music now proudly presents this much-needed vinyl reissue that pairs up two iconic jazz legends at the top of their game. Originally released in 1989, this is the first time these unique sessions are being reissued as a deluxe 180g vinyl edition w/obi strip.

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Feel The Wind Clear Vinyl Edition

LP | 1989 | US | Reissue (Tidal Waves Music)

2LP | 2006 | EU | Original (Schema)

Release: 1989 / US – Reissue

Genre: Organic Grooves

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Welcome to ‘Feel The Wind’…maybe one of the greatest team-ups in Jazz history featuring jazz superstars Art Blakey and Freddie Hubbard! Art Blakey (1919–1990) needs little introduction, the American Jazz drummer and bandleader made a name for himself in the 1940s & 1950s playing with contemporaries such as Miles Davis, Dizzy Gillespie and Charlie Parker. He is often considered to have been Thelonious Monk's most empathetic drummer (he played on both Monk’s first recording session in 1947 and his final one in 1971). In the decades that followed Blakey recorded for all THE labels that mattered in the field of jazz (Columbia, Blue Note, Atlantic, RCA, Imp ulse!, Riverside, Prestige, Verve, etc.). His collaborations were numerous and include working with equally legendary artists such as Sonny Rollins, Max Roach, Chet Baker, John Coltrane….and countless others. Art Blakey was a major figure and a pioneer for modern jazz, he assumed an aggressive swing drumming style early on in his career and is known as one of the inventors of the modern bebop style of drumming. Blakey was sampled and remixed by major acts such as The Black Eyed Peas, Digable Planets, Buscemi, KRS-One and Madlib. The legacy of Art Blakey is not only the music he produced, but also the opportunities they provided for several future generations of jazz musicians. Freddie Hubbard (1938-2008) also needs little introduction, he was one of the most renowned American jazz trumpeters who played bebop, hard bop and post-bop from the early 1960s onwards. His unmistakable and influential tone contributed to new perspectives for modern jazz and bebop. At the age of 20, in New York, he began playing and recording with some of the best jazz players of the era, including Don Cherry, Quincy Jones, Ornette Coleman, John Coltrane, Wayne Shorter, Oliver Nelson and Herbie Hancock. Freddie Hubbard recorded for labels such as Blue Note and Atlantic and he became a prominent member of Art Blakey’s Jazz Messengers. Hubbard achieved his greatest popular success in the 1970s with a series of landmark albums. Hubbard's trumpet playing was featured on the track 'Zanzibar' from the 1978 Billy Joel album 52nd street (the 1979 Grammy Award Winner for Best Album) and in 1988, Hubbard played with Elton John contributing trumpet and flugelhorn solos. In 2006, the National Endowment for the Arts accorded Hubbard its highest honor in jazz, the NEA Jazz Masters Award. Freddie Hubbard was sampled and remixed by renowned artists such as Raekwon, A Tribe Called Quest, Beastie Boys, Jungle Brothers and Kamasi Washington. On the album that we are presenting you today (Feel The Wind from 1989) , you’ll find six sublime tracks recorded in 1988 by renowned engineer Max Bolleman at the Studio 44 Monster in Holland. These recordings were originally released on the legendary Dutch jazz label Timeless Records (and produced by its owner Wim Wigt). Supporting Hubbard and Blakey is an all-star line-up of musicians from the likes of Leon Dorsey (Lionel Hampton), Lonnie Plaxico (Dizzy Gillespie, Ravi Coltrane), Benny Green (Joe Henderson, Houston Person, Milt Jackson), Mulgrew Miller (Frank Morgan, Donald Byrd) and Javon Jackson (Cedar Walton, Curtis Fuller, John Hicks). The combination of this being one of Art Blakey's final recordings near the end of his life and a glorious rejuvenating return by Freddie Hubbard gives us all the ingredients for a unique album that sounds as innovating today as back in the day when it was released. Expect supercharged hard bop with striking notes, no-holds-barred musicianship, high swinging solos, screaming choruses and plenty of solid virtuosity to spare. This release is not only a classic but also a bonafide hit and a must have for any self-respecting jazz fan or collector. Tidal Waves Music now proudly presents this much-needed vinyl reissue that pairs up two iconic jazz legends at the top of their game. Originally released in 1989, this is the first time these unique sessions are being reissued as a deluxe 180g vinyl edition w/obi strip.

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Freedom Jazz Dance

Book III

LP | 2019 | US | Original (Wild Honey)

Release: 2006 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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10 tracks, 4 previously unreleased

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Freez

Always Friends

CD | 2021 | US | Original (Rum Bar)

Release: 2019 / US – Original

Genre: Rock & Indie

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They’re wild and young and free, someone would say.
FREEZ are a bunch of italian 18 years old guys that write great garage-pop songs.
They already toured Europe and had a track from their debut made it to a FatCat Records compilation.
Always Friends is a solid alternative rock record, written by Michele Bellinaso in his bedroom in his mother's house and
then recorded it with his bandmates Nicolò and Stefano at Fox Studio (Venice) with New Candys' member Andrea
Volpato. The whole album is split in two parts that reflect two di erent moods: the happier one filled with romantic
choruses screamed in the microphone, adolescences themes and “falling in love” stories, then the more emotional part
with even more distortions on it, that accompanies the sad vibes of the record, based on friends leaving hometown, the
need of having someone beside you and choosing what to do with your life.
FREEZ is an up-and-coming garage rock band from Schio (ITA). Michele, Stef and Nicolò make up one of the youngest
actively touring band from northern Italy. FREEZ sound like they were born and raised on the California coast, unapologetically
taking their echo-drenched, surf-punk vibe straight out of Oakland, San Francisco and Long Beach.
While music magazines hails them as the new voice of Italian Slacker-rock, FREEZ have been hard at work.
With no signs of slowing down they already have done several tours around Italy, France and Switzerland on their “Do
Nothing Club Tour”.

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French Girls

7,69 €* 13,99 € -45%

In Search Of... Deluxe Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Garage Pop from the Desert! CD includes limited edition poster! "Punky-pop with hints of Glam and Garage. Think of a cross between The Epoxies, New Bomb Turks and The Muffs and you may get close to what these guys’n’gals are doing." - Fear And Loathing Zine "In garage punk terms, the 'French Girls' EP is a must-have." - Real Gone First full length from Phoenix, Arizona’s French Girls. Led by Che Beret, formerly of Les Hell on Heels (Bomp!/Dionysus) and The Peeps (Sympathy for the Record Industry), the 2 girls and 2 guys have a garage rock sound routed through classic 60’s underground and the punk rock of the 70’s. Prior to the last years shut down the band has spent years perfecting a sound and playing a blistering live set along with bands such as King Tuff, The Love Me Nots, Screaming Females, Mark Sultan, Kepi Ghoulie, Kid Congo, Holly Golightly, Death Valley Girls, LA Witch, Hinds and more.

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Fu Manchu

LP | 1996 | US | Reissue (At The Dojo)

46,99 €*

Puxxximaxxx Black Vinyl Edition

Release: 1996 / US – Reissue

Genre: Rock & Indie

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2023 repress, red with white splatter LP plus white red splatter 7" single.Innitially the first release in Fu Manchu's 30th Anniversary vinyl reissue series, In Search Of...Deluxe Edition, celebrates the band's 3rd album and major label debut, which was originally released on 27 February, 1996. Recorded at Grandmaster Studios in Hollywood, California by the band and Brian Jenkins (KYUSS, SCREAMING TREES), "In Search Of_" is considered a classic of the '90s and a pillar for the "stoner rock" movement. Highlights include the lead single "Asphalt Risin'", "Redline" and fan favorite "Cyclone Launch." This limited edition run is pressed on clear vinyl with blue and yellow splatter and the gatefold package design includes never before seen photos of the band. Also included is a bonus red/black splatter 7" of "Chevy Van" (a Sammy Johns cover that was previously only available on the Japanese pressing of the original album) b/w a 1995 Demo version of "Redline." Both the LP and 7" feature newly remastered audio for maximum fidelity.

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Gabber Modus Operandi

LP | 2021 | EU | Original (Danse Noire)

12" | 2020 | EU | Original (Mondo Groove)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Aisha Devi’s Danse Noire label reissues Gabber Modus Operandi’s mindboggling combo of microtonal Balinese gamelan and screaming carnival gabber. Absolutely galaxy brain post-colonial hardfuzion free expression from one of the globe’s most fascinating duos. Originally released in 2018, Indonesian duo Gabber Modus Operandi’s debut album “puxxximaxxx” showed the world the artistic and political power of radical fusion. By bolting together trash culture, European hard dance hedonism, heavy metal/punk theatrics and Indonesian gamelan elements, Ican Harem and DJ Kasimyn came up with a “chaotic pastiche” that has by now surpassed its influences without losing its cutting sense of humor. If you heard 2019’s “hoxxxya” then you should have an idea of where GMO’s interests lie - “puxxximaxxx” is maybe more raw, more unhinged and even more flamingly carnivalesque. From the very beginning the duo make their intentions clear, wielding a wavering trumpet loop before adding 400bpm kicks that roll like a tidal wave over traditional Indonesian percussion like it’s nothing at all. There’s no hesitance in Kasimyn and Harem’s resolve, they take risks that should make most producers embarrassed. Think the Danes are putting a fresh spin on hard trance? Well listen to ‘Pariah’, that takes the “festival somewhere in the distance” supersaw sound and slathers it over rolling gabber kicks before disintegrating into wobbly, ambient ritual magick. ‘Jathilan Titan’ might be even better, wrapping those same trance leads in beating Indonesian percussion without losing the 7am-on-a-mystery-drug-cocktail essence of the ‘ardkore experience. By the time we get to ‘Goroxxx’ with its swung rhythm and dense, chattering vocal mangles, there can be no denying that “puxxximaxxx” is a unique proposition. While half of Europe is trying to recapture the sounds of a lost rave they never attended, GMO use the discarded shells of dance subgenres to cobble together a completely unique vanguard rave sound that doubles as a middle finger to the dull, aggy purists.

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Gaff E

Time And Space

11,99 €*

Memories You've Memorised

Release: 2020 / EU – Original

Genre: Electronic & Dance, Pop

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Daniele Baldelli meets the colourful performer/DJ/stylist Gaff E many moons ago via the dance floor during one of his Dj set where, as usual, Gaff E dances Hard; Hi-Energy Punk Disco Queen Gaff E transcends genres flying her own divine style. Her radical performances are a wild, carnal, hallucinogenic, activating trip! Gaff E is unapologetic in her bodily animal energy, as infamous as she is dedicated to colour and female vibrance. A shameless wild woman and chameleon of style liberating bodies everywhere. They hit it off instantly, and ever since they have wanted to make music together. During a European Festival tour Gaff E reaches Baldelli at his home and they decide to collaborate with a deep connection in studio screaming "Be wild… be free… BE YOURSELF!"; these two happy tracks were born to connect people with their true selves and ultimate freedom which best express the nature of Gaff E and the Cosmic Disco Sound of Daniele Baldelli. Magic happens when the Disco Queen and the Disco King join forces!

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Gallegos

12" | 2024 | Original (Rhythm Section International)

The Bend Before The Break

Release: 2024 / Original

Genre: Electronic & Dance

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Gallegos, first name Oliver - deals in feelings rather than genres. The productions on his debut effort for RS INTL channel a 90’s rave euphoria. Luscious pads swirl amidst pitched down jungle drums, celestial strings and philosophical vocal snippets that evoke ecstatic joy.

It’s no mean feat to induce a feeling of elation without the means of a synthetic intervention - but Ollie seems to have cracked the code - taking us there with harmony, texture and rhythm alone - nothing synthetic here: this is alchemy at play... The EP - which in all honesty feels more like a mini album - is a real journey across 5 songs and 29 minutes. It’s about equally split between driving rhythmic compositions created with movement in mind, and pensive ambient detours that are more sonic meditations than anything else. The album reaches its most dizzying heights when these two elements come together in unison for the title track, “Memories You’ve Memorised'' - a widely road-tested future classic which blends scattered Juno chords, arpeggiated church organ and 80s vocal samples to a tear-jerking crescendo.

Memories You’ve Memorised elevates Oliver Gallegos to the top tier of modern electronic composition. There’s comparisons to be made to Primal Scream, Underworld and even Aphex Twin - but after all is said and done, we’re witnessing the coming of age of a future pioneer.

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Garrison

LP | 2021 | US | Original (Iodine)

LP | 2011 | US | Reissue (Dead Oceans)

Release: 2021 / US – Original

Genre: Rock & Indie

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Garrison was born in Boston during the heyday of the prolific, late ‘90s, post-hardcore scene. Shortly after forming, the band found themselves signed to Revelation Records where they released their first EP, The Bend Before The Break. The EP was well received among fans and critics and made a place for itself as a notable release for the post-hardcore movement. The Bend Before The Break opens with “Serious Heavy Drama,” which immediately hooks you with its melody, and slowly builds to a brooding and emotional breakdown where singer Joseph Grillo screams his words in a final emotional crescendo. The EP rises with pop melodies such as “Harlow” (a song that remained a fan favorite even after three more releases) and ends with the somber and dark “Untitled,” embracing more of a Midwest-emo theme, and bringing to mind a band like Mineral. Though Garrison went on to release numerous albums on Revelation Records, Iodine Recordings, and Simba Recordings,The Bend Before The Break remained their most popular release. The record harnessed a raw and genuine youthful energy. Nearly 23 years later, Iodine Recordings presents The Bend Before The Break for the first time as a full-length LP, including “You’re Devastated, I’m Sure” and “Untitled,” previously unavailable on vinyl. The new B-side includes rare and previously unreleased material that spans the band’s history from 1998 to 2004, including their first 7” record 24 and their split EP with UK’s Hundred Reasons, all fully remastered and featuring all new artwork by Dan McCarthy. The Bend Before The Break remains a relevant and vital volume in the post-hardcore and emo canon.

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Gauntlet Hair

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Written and recorded in Spring 2011 at Andy's grandmother's Chicago-area house while she was away on vacation, Gauntlet Hair is a subtle refinement of the sounds we've come to associate with the band - the trunk-rattling bass; the ecstatic, tinny post-punk guitar; the din of ecstasy. But what was once simply jarring in its audacity is now also bursting with new colors. It's music made with the sole purpose of losing yourself - both mind and body - inside of it. They take the listener into the red, evoking that unmistakable feeling of being squarely in front of the speaker as it is screaming blissfully loud melodies.

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2LP | 2001 | EU | Original (Schema)

Ad lib

Release: 2001 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Gerardo Frisina Meets Toco

12" | 2019 | EU | Original (Schema)

Release: 2019 / EU – Original

Genre: Organic Grooves

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“Frisina meets Toco” is the result of the artistic union of two main Schema Records’ characters, Gerardo Frisina and Toco, spontaneously born from many listening sessions of Brazilian music LP’s. The music contained in this 12” record stands in the middle between Rio and Bahia, merging together the Brazilian rhythmic culture and groove (Toco) with the modern sound of clubbing latin jazz (Frisina), and it’s also enriched by the presence of the young pianist and composer Vitor Araújo and his peculiar signature style, particularly apparent in the instrumental version of the song “Craque”.

Schema Records’ musician and producer Gerardo Frisina has certainly got the ability to play his own distinctive style without being repetitive, and this record is no exception. His skills in working with strong percussive and tribal elements have now delivered us this brand new collaboration with Schema songwriter Toco, the result of various artistic meetings in our offices, spontaneously born from many listening sessions of Brazilian music LP’s. The music contained in this 12” record stands in the middle between Rio and Bahia, merging together the Brazilian rhythmic culture and groove (Toco) with the modern sound of clubbing latin jazz (Frisina); the most observant will surely recognize a strong link in its cover artwork with the legendary 1965 LP “Em Forma!” by Bossa Três. “Frisina meets Toco” is also enriched by the presence of the young pianist and composer Vitor Araújo, whose signature style is especially noticeable in the instrumental version of the song “Craque”, which suddenly breaks in the middle and showcases a piano solo section that will leave you breathless! Another impressive effort from two of the most creative and revered Schema Records artists! - - - Gerardo Frisina, musicista e produttore di punta della Schema Records, ha senza dubbio la capacità di infondere il proprio personalissimo stile nelle sue opere, senza per questo risultare ripetitivo o ridondante, e questa release non fa eccezione. Le sue capacità nel manipolare elementi fortemente percussivi e tribali hanno dato vita a questa nuova collaborazione con il cantautore Toco, anch’egli di casa presso Schema Records: un lavoro nato spontaneamente da diversi incontri tra i due, e da svariati ascolti di LP di musica brasiliana. La musica contenuta in questo 12” è geograficamente a cavallo tra Rio e Bahia, e miscela la cultura del ritmo e del groove brasiliano (Toco) con il sound moderno del latin jazz da club (Frisina); l’interlocutore più attento saprà inoltre riconoscere un forte legame visuale con il leggendario LP “Em Forma!” dei Bossa Três. “Frisina meets Toco” è inoltre impreziosito dalla presenza del giovane pianista e compositore Vitor Araújo, il cui inconfondibile stile è particolarmente in evidenza nella versione strumentale del brano “Craque”, che si interrompe improvvisamente a metà per lasciare spazio a un assolo di piano che vi lascerà senza fiato! Un altro eccellente lavoro firmato da due tra i più creativi e significativi artisti Schema Records!

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2LP | 2006 | EU | Original (Schema)

Hi note

Release: 2006 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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8 tracks

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2LP | 2010 | EU | Original (Schema)

Join The Dance

Release: 2010 / EU – Original

Genre: Organic Grooves

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2LP | 2023 | EU | Original (Schema)

Joyful Sound

31,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Heralded by the “Soul Drum” 12” EP (scep507, 2022), Gerardo Frisina’s new double record “Joyful Sound” represents another step forward on his ongoing travel towards new musical paths. Joyful sounds narrate a journey made of wisely distilled notes, bright and sometimes mysterious atmospheres, harmonies that wander through shadows, silences, and lights. A chameleonic Gerardo enchants with every release, mixing jazz, Latin, Afro-Cuban sounds, oriental fragrances, electronic beats, tribal percussions, funky variations and, to summarize, elegant symphonic arrangements with refined mastery. “Joyful Sound” once again sees the participation of the late Enzo Frassi (double bass), Fabrizio Bernasconi (piano, Rhodes), Gendrickson Mena (trumpet, piano), Alfonso Deidda (sax, flute) and Ernesto Lopez (drums, percussion), with the addition of Piero Perelli on drums and Giovanni Guerretti on piano, Hammond and Rhodes. This new record, carefully orchestrated and produced by Gerardo, required over a year of intense work, however it is worth every second of its 75 minutes of music. As the great Charles Mingus once said, “Play it in the key of your soul”. Without a doubt, Gerardo always gives his soul in full!

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CD | 2023 | EU | Original (Schema)

Joyful Sound

Release: 2023 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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12" | 2019 | EU | Original (Schema)

Marombo

11,99 €*

Release: 2019 / EU – Original

Genre: Electronic & Dance

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“Marombo” is a new track written, arranged and produced by Gerardo Frisina, that anticipates his forthcoming album, called “Moving Ahead” and scheduled for February 2020. Here “Marombo” has been especially divided in two parts, to be featured in this 12” EP.
“Moving Ahead” suggests another change in Gerardo’s style, a solid step into the future to explore new music territories without compromising his original identity and trademark. “Marombo” is in fact a mixture of nu-latin and electronic beats with Afro-Cuban rhythm into a massive dancefloor groove!
This new song sees the participation of Gerardo’s longtime collaborators Ernesto Lopez on drums and percussion and Alfonso Deidda on baritone saxophone.The result is a perfect blend between deep, Detroit afro-dub dance with a massive groove perfect for the dancefloor. As always Gerardo amazes us with his unique touch. Absolutely not to be missed!!!

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2LP | 2020 | EU | Original (Schema)

Moving Ahead

Release: 2020 / EU – Original

Genre: Organic Grooves

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As the album title suggests, this work represents a big step forward for Gerardo Frisina, an artist that has always been open to any influence and whose unstoppable creativity has given birth to a 2-LP’s worth of new material! Nu-latin, Afro and electronic beats merge with Afro-Cuban rhythm into a massive dancefloor groove!

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Mystical Funk / Spaced Out

7" | 2024 | EU | Original (Schema)

10,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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Currently at work on new compositions that will give shape to a new album scheduled for the fall of 2024, Gerardo Frisina delights our ears with a 45rpm containing two unreleased tracks representing a brief funk digression within his musical journey without, of course, affecting his unmistakable style. “Mystical Funk” and “Spaced Out” skilfully mix “modern funk” elements with electronic influences, creating a unique sonic experience. In both cases, one of the surprising features is the hypnotic, incessant groove, capable of drawing the listener into a sound universe full of cosmic percussion and atmospheres, enhanced by Dennis Coffey-style guitars and by a Deodato-like Fender piano. Once again Gerardo hits the mark: the production is masterful, with a clear attention to details and those typical arrangements that reflect the overall quality of the sound with delicate power.

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12" | 2015 | EU | Original (Schema)

Olympia EP

Release: 2015 / EU – Original

Genre: Organic Grooves

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12" | 2022 | EU | Original (Schema)

Soul Drum

Release: 2022 / EU – Original

Genre: Electronic & Dance

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For a prolific artist as Gerardo Frisina, almost two years without a new release from him seems like an eternity: this brand new 12" EP entitled 'Soul Drum' breaks the silence, giving us three new works composed by Gerardo, made up of four recordings if we consider the two versions of the title track.

This EP anticipates the full album already in the works, scheduled for release at the end of 2022.

Without losing his Latin trademark, Gerardo continues his research into hypnotic and pulsating rhythmic patterns in both acoustic and electronic form, which are now a fundamental stylistic element of his. As on his previous album 'Moving Ahead', the rhythmic style blends naturally with echoes of tribal voices, piano keys and wind instruments (trumpet, saxophone, flute), creating the 'Joyful Sound' (title of the forthcoming album) that reverberates on the surface. With an artist as meticulous as Gerardo Frisina, it is to be expected that even the simplest beat has been deeply thought out and chosen from a potentially infinite sound palette, and this can be heard perfectly in the depth of sound of the four tracks of this release. "Soul Drum" is dedicated to the loving memory of bassist Enzo Frassi, who contributed to this EP - along with 'usual guests' Fabrizio Bernasconi, Gendrickson Mena, Alfonso Deidda and Ernesto Lopez.

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2LP | 2005 | EU | Original (Schema)

The Latin Kick

Release: 2005 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Gianluca Petrella / Cosmic Renaissance

Universal Language

CD | 2022 | EU | Original (Schema)

Gianluca Petrella / Cosmic Renaissance

Release: 2022 / EU – Original

Genre: Organic Grooves

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Mermaids really do exist, and I discovered this a few days ago. I came across the fantastic story of the Ama, literally the women of the sea. They live in Toba Bay, Japan, and have a long-established custom that has been passed on from one generation to another for more than two thousand years. Not so few. What do they do? They jump into the sea half-naked to fish for seaweed, octopus and, above all, for pearls. They are the real pearl fisherwomen. They reach a depth of just under 30m, with only the strength of their lungs. They are as beautiful as the sun. When they ascend, due to a strange play of sounds and noises coming from their hyperventilating lungs, they emit a kind of whistle that sounds like the cry of dolphins. Or more precisely, the song of mermaids. They go down into the deep sea and search for pearls. When out of the water, they train all their lives and help each other passing on practices and secrets, confiding in one another to stay united. And they are cohesive, never envious of one another, just a great sense of belonging. With his new work Gianluca seems to have drawn from this ancient hunt, made up of memories and traces. He submerged and searched in the remotest memories and ancestral sounds of skins, streets, eras and styles. With his appreciation he has connected black ghettos, slums, townships, ‘the bronx’ of all over the world and explored them with the curious sounds of contemporaneity. Gianluca also has a very cohesive community of musicians around him, he is proud of this, and with them he finds his element, his peace. ‘Anyone who doesn’t get along with musicians has an unresolved problem,’ he tells me. And that’s why he makes a point of letting it be known that each of the five well-known members of his Cosmic Band and the many valuable guests who populate this new record, contributed decisively to the creation of these crazy tracks. In what way? By using the words of their instruments, generating a language that serves precisely to connect past and present, useful for finding the thread of dialogue. A continuous back-and-forth between generations. To speak of the best in the field is an idle exercise: all have striven in the realisation of the composition, all deserve full praise, none excluded. Ovations for all. If you think you are only listening to jazz, you are sadly mistaken. There are exotic ghosts, promises of evasion. There is a celebration of the human condition. There is a life in here. A plunge into the heart of music and its many languages. A record about confrontation on words, about memory, about being true to oneself. But it is also a work on how complicated it is to come to terms with what we call identity, and Gianluca rewrites this identity in his own way. A work made of whispers, murmurs, in which music and language try to invent a new encounter. That takes us down into the abyss of the sea and up to the sky. Federico Scoppio

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Universal Language

LP | 2022 | EU | Original (Schema)

Losing Streak Transparent Blue Magenta Marbled Vinyl Edition

Release: 2022 / EU – Original

Genre: Organic Grooves

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Gimp Fist

LP | 2024 | EU | Original (Sunny Bastards)

LP+CD | 2017 | EU | Original (Schema)

Release: 2024 / EU – Original

Genre: Rock & Indie

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No, you really can't say that GIMP FIST have had a 'Losing Streak' since they were founded in 2005, at least as far as their music and the band's success are concerned. However, the world out there doesn't seem to have a particularly bright future these days of war, hatred, racism, social misery or the profit-hungry exploitation of our living space. The 15 new songs on their 11th album 'Losing Streak' are dedicated to this sad development in all its facets from the perspective of the English working class. "Who's gonna help to get this country right on track?" (Born and raised) 'Losing Streak' is bursting with passion, emotion and pure energy and is a bit faster than their last two records. No breathing space, no beating around the bush, but rather a direct line to the wound of deceitful politics and its divided society: "Whatever happened to our community in today's society?" (Community) Resignation is not the answer. The time has come to call things by their name, to stand up to the charlatans in power and to focus on our strengths: "Hey politicians, you devils in disguise, we won't stop until we see the whites in your eyes". The band doesn't stop at their own scene either, with an aggressive declaration of war on the right wing community: "This is our scene and we're taking it back. The sound of the streets for white and for black" ("Less English") The rousing, old school UK skinhead rock'n'roll & street punk sound combined with top notch lyrics by Gimp Fist is authentic and convinces with every chord and every note! The anger is noticeable! As with their previous albums, Gimp Fist, with their unique feeling for exceptional songs, delivers an album that is as reliable as the clock face of Big Ben, convincing from start to finish! It just became "more pissed and angry"! Rightly so, and at exactly the right time! 1. HOW COME 2. COMMUNITY3. LOSING STREAK4. HEAT OF THE STREETS 5. HYPOCRISIS6. LESS ENGLISH 7. SERTRALINE8. BLIND 9. WHITES OF YOUR EYES 10. WASTE OF TIME11. BORN AND RAISED12. SEVENTEEN13. TIME IS UP14. RIGHT ON TRACK 15. SCREAMING

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Gino Conte

Nell’Anno Della Luna

12" | 2015 | UK | Original (Six D.O.G.S)

Release: 2017 / EU – Original

Genre: Organic Grooves

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A deep mystery surrounds the movie “Nell’anno della Luna” (In the year of the Moon) and its soundtrack, which was released one year later. A beautiful work that lingers in between swing and melodies, in a fad that was popular a few decades earlier, complemented by some elements of novelty borrowed from beat and rock. The title track, “Alla brasiliana” and “Samba Querida” sound more traditional, while titles like “Afro Swing”, “Underground”, “Beatmania” (all featuring the vocal ensemble I 4+4, led by Nora Orlandi) represent a more adventurous side of this soundtrack.

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Glacial

Entropy EP

12,99 €*

LP | 2023 | UK | Original (Cooking Vinyl)

Release: 2015 / UK – Original

Genre: Electronic & Dance

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Glacial are the joint project of renowned Greek techno/house producer Giorgos Lemos -simply known as Lemos - and saxophonist/experimental artist Ilan Manouach.

On side A we are greeted by an epic fifteen-minute-long dub techno monster. Don’t let that sweet jazzy intro misguide you, as the track builds and builds to reach monstrous heights of energy, full of sub-basses and screaming horns, ideal for both peak-time or after-hours action. Side B is deeper, moody and minimal with a great groovy loop. Jazzy elements all over set the tone and when the break comes ilan’s saxophone shines through like a blister in the sun.

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Glen Matlock

Consequences Coming

OST Suspiria Splatter Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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Glen Matlock is the former bassist for the Sex Pistols and responsible for co-penning some of history"s most iconic songs, "Anarchy In The UK," "God Save The Queen" and "Pretty Vacant". After his time with The Sex Pistols, Matlock went on to form several well-regarded bands including Rich Kids (with Midge Ure). He has collaborated with such artists as Iggy Pop, and Primal Scream, and is also a highly in-demand player, playing live with the likes of the legendary reformed Faces. Most recently, Glen has signed on as the touring bassist for legendary punk / new wave band Blondie.

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Goblin

LP | 1977 | US | Reissue (Death Waltz)

37,99 €*

LP | 2022 | US | Original (Centripetal Force)

Release: 1977 / US – Reissue

Genre: Soundtracks

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This score is an absolute tour de force. It’s arguably one of the most outstanding horror scores ever recorded. It’s ferocious, full of wailing, screaming, and guttural noises. Incredibly intense yet still retaining a musicality that Italian cinema excelled at in the 1970s. Dario Argento and Goblin were a match made in heaven, and I’m not sure anyone has created such a nightmarish mix of visuals and sounds in the history of cinema. In addition, the artwork by Randy Otiz is one of the best interpretations of this film I have ever seen! A Masterpiece in every way.

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Gold Dust

The Late Great Gold Dust

35,99 €*

LP | 2023 | EU | Original (Heavy Psych Sounds)

Release: 2022 / US – Original

Genre: Rock & Indie

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Western Massachusetts musician Stephen Pierce has used Gold Dust as a means for exploring his next journey, slowly piecing together songs that held the fragile wonderment of the Grateful Dead, the weary beauty of Elliott Smith, the melancholic twang of the Byrds, and the otherworldly density of My Bloody Valentine while always reaching for hope and connectivity in a way that was universal. Neither the slow-to-form creative process of the first album nor the ambling pace often taken by Pierce’s thoughtful, dreamily damaged psychedelia points to rapid evolution, but that’s exactly what’s taking place on second album The Late Great Gold Dust.

The themes of isolation and self-doubt that floated on the first album have sharpened, and the language around these difficult feelings have taken on a new clarity. Pierce’s songwriting has always held a distant sadness, but with The Late Great Gold Dust, the melancholy cuts through, feels more present and alive within the songs. There’s a muddy narrative arc to these twelve songs, getting more harrowing throughout the album’s second half as screams echo in the void until an exhausted sigh that sounds something like acceptance rises out of the murk.

The Late Great Gold Dust steps into new dimensions musically as well. Pierce continues the layers of jangle, fuzz, and sunny vocal harmonies that made the first album equal parts tender and strange, but takes new risks with production, texture, and instrumentation.

Pierce played every instrument and sang every vocal on the first album, and while he still handles the lion’s share of the performances here, he brings in several friends to add new angles to the tunes: guest vocals, moody Fender Rhodes, Hammond organ, damaged synth, and J Mascis (dinosaur JR.) lending his instantly-recognizable guitar with a “Maggot Brain” level solo on “Larks Swarm a Hawk,” the track that closes out side one. Eloquent weirdo Sean Yeaton of Parquet Courts contributes a short story for the liner notes, narrated from somewhere between the natural world and all the psychedelic computerized kitchens of the future.

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Golden Grass

Life Is Much Stranger

LP | 2023 | EU | Original (Heavy Psych Sounds)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Life Is Much Stranger" is the mind-blowing 4th studio album from NYC heavy rock trio The Golden Grass and it stands tall and wild, towering above their entire previous discography! It is a massive and epic sonic adventure, a post-modern collage of rock n roll ideology, swelling and bursting with hard, heavy and progressive musical energies...the past is inside the present...and The Golden Grass are moving the sound Forward! It has always been the goal of the group to connect the dots between their influences, to reconcile disparate vintage ideas that perhaps never coexisted in their original place and time! To give life to a NEW artistic vision that synergizes them together like a warm blanket, both familiarly ancient and cosmically NOW! And with all of that sonic information of the past, not to mention a healthy dose of great taste, The Golden Grass concoct their magick brew and are able to conceptualize and materialize music in such a particular way that it screams timelessly from long ago, but could only happen IN This Very Moment! Life IS much stranger after all…. This album was conceived over the past several years, through chaos and confusion, during a global pandemic that forced the band to work in new/unconventional ways they had never before imagined. The music on this album has never seen an audience. These songs have never been performed. And in fact, the recording of the album was the first time the members of the group even understood what their new creations sounded like! The initial writing sessions began in the summer of 2019, but were obviously halted in early 2020 due to the situation. Over the next two years, the band did their best to move forward with the process but rehearsals were infrequent, sickness and health threats always barking at the door, and a constant unknown of what was to come; was there any future for their art at all?...But slowly and disjointedly, they assembled their musical ideas into 7 rough pieces that would soon comprise “Life Is Much Stranger”. From Sept-Oct of 2022, the group worked with a team of engineers across three studios in NYC, recording and mixing the tracks, sculpting their rough song-forms into polished, yet quite surreal, glistening gems! And when they emerged with a finished product, the bizarre and strange events of the previous 3 years all melted into a perfect picture, a complete totality, crystal clear, wholly avant-garde and spellbinding! “Life Is Much Stranger” is an amalgamation of hard rock boogie, jazzy progressive rock, psychedelic exploration and incendiary proto-metal all bursting with soulful harmony-layered vocals, masterful instrumental technicality and an otherworldly creative ambition…and it sounds Fucking Great!

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Golden Grass

Life Is Much Stranger

22,99 €*

Life Is Much Stranger Splattered Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Golden Grass

LP | 2023 | EU | Original (Heavy Psych Sounds)

36,99 €*

7" | 2023 | EU | Original (Eleven Pm)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Grand Scheme

Numbers Game

8,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Motherblood Black Vinyl Edition

Grave Pleasures

LP | 2017 | EU | Original (Svart)

LP | 2022 | UK | Original (Apollon)

Release: 2017 / EU – Original

Genre: Rock & Indie

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Svart Records proudly present the vinyl reissue of Grave Pleasures’ modern classic album Motherblood

There are still those rare bands out there in the world that have a unique ability to combine macabre, mystifying rock with a more pop-oriented flare, a la early Bowie or early The Cure. Grave Pleasures are such a band that is equally suited for playing on a stadium stage, or in some Lynchian nightmare. It’s that duality and electrifying contradiction that makes their music so exhilarating.

Lead guitarist Juho Vanhanen (Oranssi Pazuzu) steps up to write the majority of the songs together with British-born outcast Mat McNerney (Hexvessel, ex- Beastmilk/DHG/Code). His screaming telecaster and unique interplay of discord and harmony has become a trademark of the band’s sound. Together with guitarist Aleksi Kiiskilä (ex - Kohu 63), their strings shimmer, hammer and howl out a web of sound which is distinctly Grave Pleasures. Fleshed out by the hypnotic signature rhythms of Valtteri Arino (ex- Beastmilk) on bass and Rainer Tuomikanto frenetically pounding the funeral drums (Ajattara, ex- Shining Swe), this group of well-established punks have started to reach up to their zenith on their sordid testament Motherblood.

Motherblood was recorded at Orgone Studios in the UK with Jaime Gomez Arellano (Ghost, Ulver, Paradise Lost) in March 2017 and originally released by Century Media on the same year. The studio was suitably situated on the site of an old WW2 coding bunker and brought with it the isolation of the bleak British countryside. The setting helped give the album an intense and smiling urgency that picks up where 80s UK bands such as Magazine, The Wire and Echo And The Bunnymen left off, but never stopping long enough to look back too much into the past. Featuring guest vocals from David Tibet from Current 93, the band sets the tone for their inspirations, from the esoteric underground of England’s hidden reverse to Manchester’s sound of misery. With their own metallic raw tone clashed with pop hooks, Motherblood is a furiously passionate and contemporary record, which re-defines post-punk as a “war-cry for the eternally doomed.”

They have been described as "A post-punk wet dream," or perhaps more honestly as "bat-shit lunatics," and their music is in a funereal world of its own. Motherblood is a truly danceable, pop-feast of raw, banging pleasure – in all its primitive, gothic tribalism. Dance-floor death rock that brings with it an uncanny sense of inspired song craft that made Bowie’s Berlin era sound so fresh and revolutionary, Killing Joke’s tribal anthems so desperately ominous and dark throbbing melancholy of Depeche Mode’s atmospheric pop so damn sexy. Just about every part of this record bleeds menace, or emanates nuclear fumes. It’s unsafe territory which in turn makes it thrilling, sexy and most dangerously of all, catchy.

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Green Sky Accident

Daytime Tv

37,99 €*

LP | 2024 | EU | Original (Freedom To Spend)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Green Sky Accident from Bergen - Norway plays indierock with lots of energy, catchy riffs and a whole lotta love. A good melody is essential for every song, the arrangements are always built around those. Their music can be compared to the indie heroes of the nineties, jangly and noisy, sweet while still packing a punch. While their previous records were made mostly for themselves with little thought of reaching a wider audience, their new record Daytime TV sounded too good to be kept like a secret, and the band signed a deal with Apollon Records to release it in the spring of 2022. The album is a remarkably cohesive experience considering how varied the different songs are. There is lovely power pop in the songs Insert Coin and Finding Failure, Prog tendencies in the song Daytime TV, aggressive double bassdrums on the song In Vain and big sweeping atmospheric songs like Screams at Night and Point of no Turn, to name half of the songs contained within the album.

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Gregory T.S. Walker

Minstrels & Minimoogs

30,99 €*

Grupo Pan / Jean Paul El Troglodita

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Gregory T.S. Walker’s Minstrels & Minimoogs was self-published by a young, nomadic composer and virtuoso in 1988 to accompany an immersive multimedia performance at the University of Colorado Boulder’s Fiske Planetarium. Created with this outer, and other, world setting in mind, the four tracks find Walker stretching toward an ancient-to-future vision where Egyptian myths and Hieronymus Bosch-ian tableaus are rendered in a screaming three dimensional circuitry of electronic drums, synth guitars, and, of course, Minimoog. Given the musical terrains and outmoded topics traversed, and that this entirely DIY effort was originally released as a micro one-sided 12” edition, Minstrels & Minimoogs is as perplexing and euphoric a document lost-to-time as it is now found.

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Dices / Fuera De Atraccion

7" | 2024 | EU | Original (Munster)

Guttersnipe / Cuntroaches

Release: 2024 / EU – Original

Genre: Rock & Indie

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The mind-flowing 'Dices' somehow did not make it onto the Grupo Pan's only album and instead found its home on the B side of a long-forgotten 1972 single. One can only wonder why this great song with a devastating guitar riff and an irresistible rhythm section was not granted a place in the grooves of the LP of the Venezuelan band_ Late 60s hard rock sounds made by salsa musicians! On the flip, a rare hard psych gem from Peru by the one and only Jean Paul "El Troglodita". First time single reissue! The few records released by Venezuela's most prolific percussionist, Nené Quintero, and his first band sound like a somewhat artisanal classic rock recording from the end of the 60s but made by "salseros" (as involved in Salsa music). Their only LP "Pan" (recently reissued for the first time on Vampisoul) succeeded in overcoming through its grooves the eternal rivalry between the followers of the hard rock sounds and those who, on the contrary, were devotees of salsa. Grupo Pan also released a bunch of 45s mostly comprising LP tracks. However, the mind-flowing 'Dices' somehow did not make it onto the album and instead found its home on the B side of a 1972 single. Enrique Tellería (aka Jean Paul) was nicknamed "El Troglodita" (The Caveman) due to his wild performances in his native Peru. Screams, extreme body shaking and, quite often, stage destruction were part of his energetic shows. His hard psych gem 'Fuera de Atracción' was originally released on a much sought-after 45 on the tiny Peruvian label Rey Record. We thought it would be a perfect pairing with the stunning A side to finish off this single. First time single reissue!

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Split

12" | 2020 | Original (Anxious Music)

17,99 €*

America Must Be Destroyed Blue Splatter Vinyl Edition

Release: 2020 / Original

Genre: Rock & Indie

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Gutternsipe And Cuntroaches Are Two Collectives Operating On The Slimy, Rotten Edge Of The World. After A European Tour, Both Bands Decided To Go Into Studios In Their Respetive Home Towns - Berlin For Cuntroaches And Leeds For Guttersnipe - And Document Where They Were. Across 4 Tracks They Individually Map Out The End Of The World And The Forging In Fire And Dirt Of A New One. Cuntroaches Have Been Festering In Germany's Baccalian Capital Berlin For A Few Years Now, Blurring The Lines Between An Evil, Masticated Version Of Black Metal And Breakneck-Speed Punk. It's Dirty As Hell, Punishing And Thrilling. Cuntroaches Taketh Life And Then They Give It Back In Forms You Don't Know. A 3-Piece, The Group Detour The Conventional Rock Muzik Line Up Into A Blurred, Vile, Masticated, Squat-Grown Language. Drummer Claire Panthere's Pogo-Ready Rendition Of Primitive Bm Power-Drilling Deep Into The Frontal Lobe While The Instrumentation Provided By Bassist David Hantelius'and Martina Schoene-Radunski Is Twisted Beyond Sane Recognition. I Can Tell Your Scum Feels Like An Ildjarn Cut Played By Early Flux Of Pink Indians, Schoene-Radunski's Vocals Obliterated By Ever Rising Delay. Brutality Decimated By A Dub Approach. Inside Me Launches Further Out, Faster And More Aggressive, With A Crunched Bass Borrowing Like A Massive Parasite Into The Track. Cuntroaches' Fucked Approach To Punk Takes Into The Basest, Most Disgusting Form Of High Art. Gutternsipe Follow Their Debut My Mother The Vent For Upset The Rhythm With Two Tracks Of Blown Out, Deeply Scary And Alienating Abstraction. It's A Completely Different Approach Sounding Like Smegma Or Hanatarash Throwing Rock Instruments Around A Burning Junkyard. It Feels Like Freedom, Wonderful, Freedom. Tipula Confusa's Approach To Percussion Is Ecstatic, Harnessing The Approach Of Improvised Music And No Wave Into A Dadist Abomonation. Urocerus Gigas Is An Octpodial Kraken, Wretching And Wrangling Guitar Forms And Vocal Screams From Some Unimaginable Deep. You Probably Kno...

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Gwar

LP | 1992 | EU | Reissue (Noisy Plastics)

America Must Be Destroyed Red Splatter Vinyl Edition

Release: 1992 / EU – Reissue

Genre: Rock & Indie

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Blood will flow, intestines will be spread across your record players and... Oh no, that was just the eye-catcher at the beginning. Blood will flow, but first things first.

We at Noisy Plastics Records have landed a deal on a scale that is really awesome. And when you look at what is happening in the States right now, the title is more than fitting: Gwar - America must be destroyed is finally being re-released on vinyl! And in wonderful, but extremely limited editions.

We will have 100 blue splatter, 100 red splatter and 100 bloodfilled liquid vinyl copies of this milestone in thrash history available to order. When it's out, it's out.

On October 25th, 2024 we'll pop the corks and the good piece will enter your homes and blast out of your speakers, better than ever, because good music still sounds best on high-quality records. So mark this date in your calendar so that you can enjoy this really rare disc. Otherwise it might push the ham off your bones again and you'll hear a crack in the egg. Or the LPs will scream "Have you seen me?" from other owners. Be that as it may, Rock N Roll never felt so good.

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Gwar

LP | 1992 | EU | Reissue (Noisy Plastics)

LP | 2022 | EU (Symphony Of Destruction)

Release: 1992 / EU – Reissue

Genre: Rock & Indie

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Haevner

Kaldet Fra Tomrummet

16,99 €*

Songs To Scream At The Sun Yellow Vinyl Edition

Release: 2022 / EU

Genre: Rock & Indie

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Hævner is a Copenhagen-based post-punk band formed in 2020 by current and former members of Motorsav, Kold Front, Metro Cult, Moth, Sunken and St. Digue. Their sound is dark, chaotic and stabs the listener like a frozen dagger. With biting guitars, ice-cold synths, throbbing bass, hard-hitting drums and desperate screams, Hævner forces you into a distorted dimension where 2 + 2 is 5 and the exit is only wide enough for one of you.

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Have Heart

LP | 2008 | US | Reissue (Bridge Nine)

34,99 €*

12" | 2022 | UK | Original (Lobster Theremin)

Release: 2008 / US – Reissue

Genre: Rock & Indie

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Songs To Scream At The Sun was recorded with Kurt Ballou of Converge at GodCity Studio. Combining Ballou’s signature grit and style of recording with Have HEART’s style of music results in a dichotomy of clean, sharp drums, and a variety of guitar tones and sounds when combined, does not hint at one particular or obvious influence. Musically, there are moments which are mid-tempo and melodic, there are moments that are classic hardcore anthems, and it’s balanced with times which are dark and atmospheric. It’s an impressive accomplishment. As frontman Pat Flynn said, Songs To Scream At The Sun is the coming of age story. It’s about the growing process of a young kid shaking the chains of selfishness, but it’s everything about what you lose and gain in that process of growing up. The songs have an honest, yet poetic reflection that digs deep into the private lives that are shared by everyone-the deconstruction and dismantling of one’s life and the eventual rebuilding and rebirth. This is at times dark and depressing, but Flynn’s lyrics never lose hope in what allows people to get strength in these situations. And what’s so strong about the performance and lyrics, aside from the cliché of hardcore singers “meaning what they say,” is that the perception of the lyrics (are they dark, depressing, positive, or hopeful?) is up to the listener to decide.

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Heidi Sabertooth

Insane In The Cat Brain

12" | 2018 | UK | Original (Love Love)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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NYC based singer, multi instrumentalist and prolific producer Heidi Sabertooth brings her experimental and grungy sound to the fore, with a fierce EP examining the grainiest textures in dance music. It's been over three years since she brought her unique brand of raw techno to the underground, and now Heidi deepens her relationship between art and modern-day living in a blend of controlled chaos.

Opening track 'Screaming Into The Abyss' does exactly that, with its use of muddled voices and melancholic allure, glued loosely together with vintage acid and the producer's deep love of hardware. There's a playfulness to follow up 'Slide Into My DM', Heidi's elements seemingly communicating telepathically in a game of mutant-chess. Grooves and otherworldly dynamics flux and spill while splashes of reverb make it anything but predictable.

B side opener 'Pissed' maintains this raw aesthetic, sounding both mechanical and free-flowing with its foreboding melodies, melting between heavy bass and screeching pads; remaining functional but full of beautiful, unconventional touches. The record comes to a close with title track 'Insane In The Cat Brain' a disorientated affair encapsulating the restlessness and uncertainty of our times, spearheaded by an artist never afraid to take risks.

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Hellfish & Brian Fury

Baby Eaters

11,99 €*

2LP | 2015 | EU | Original (Mighty Music)

Release: 2018 / UK – Original

Genre: Electronic & Dance

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Hellfish and Bryan Fury, the Axe Gabba Murda Mob, are two of the biggest innovators in hardcore techno. Both have been pushing the genre in all kinds of directions for over two decades providing the pulse for thousands of parties around the globe. So with this in mind, we are honoured to present ‘Baby Eaters’, an earth shaking joyride to the very edge of the human psyche and beyond.

The eponymous A-side strikes terror into the hearts of men, splitting brain cells like atoms with destructive chain reactions of radical distortion and soul-stripping screams. Pure demonic catharsis, sound frequencies don’t get more violent than this. The B side ‘Acid Abyss’ is an LSD stained hardcore techno anthem where eerily cold voices are strangled by crunchy bellowing kick drums and bleeding 303s. Despite still being cranked up, the precision of the fills in this track offsets the chaotic kicks of the A-side, coming off almost subtle in comparison.

This single is for connoisseurs coming lovingly housed with artwork by the wonderful Jim’ll’Paint it, depicting the deadly duo conducting some rather grizzly research in their underworld studio.

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Hercules Propaganda

Scream For Action

20,99 €*

Release: 2015 / EU – Original

Genre: Rock & Indie

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2LP | 2023 | UK | Reissue (Pressure Sound)

Hermin Chin Loy

Musicism Dub

32,99 €*

Release: 2023 / UK – Reissue

Genre: Reggae & Dancehall

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LP | 2019 | EU | Original (Alter)

Hey Colossus

Four Bibles

Bom Sangue Mau (With Slight Seamsplit on Cover)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Coming out of London and the South West of England, Hey Colossus are one of Europe's great live bands. Since 2003 the 6-piece has been driving around the continent with their “pirate ship” backline of broken amps and triple-guitar drang, elevating audiences in every type of venue imaginable; a doctor’s waiting room in Salford, an industrial unit in Liege and a vast field next to a river in Portugal. Wherever they may roam.

Four Bibles is their twelfth studio album and the first to be released by London label ALTER, whose sole proprietor (the electronic producer Helm) encountered the group at their first gig in 2003. Recorded by Ben Turner at Space Wolf Studios in Somerset, it's their most direct album yet and follows a well-documented trajectory of evolution that began (in the truest sense) with 2011’s RRR for Riot Season and continued across three albums for Rocket Recordings. Lead vocalist Paul Sykes sounds more in focus than before, dialling down the effects and using reverb / delay to carry his lyrics rather than smother. The band has also fine-tuned to leave some room for extra depth. Piano, electronics and violin (by Daniel O'Sullivan of This is not This Heat / Grumbling Fur) all find a way in amongst a familiar mesh of interlacing guitars, wrapped round a taut rhythm section. Like every other Hey Colossus record before, the line-up has altered and the sounds reflect this.

From the weight of “Memory Gore”, to the subtlety and swag of “It's a Low”, via the sonic extremes of “Palm Hex/Arndale Chins” this is exactly as the band are live; raging & rail-roading but somehow in control. Grooves for those who want to dance or for those who want to hug a wall and nod...bleak dystopian imagery submerged in relentless rhythms and low-end rattle. The songs breath life and soul - Hey Colossus have never sounded fresher or more on point.

There is a book release to coincide with the album written by bass player (and founding member) Joe Thompson. It's part of a new series called “Sleevenotes” by Pomona Publishing and the first four are out this year. Joe’s book sits alongside other contributions by Bob Stanley (St Etienne), Mark Lanegan (Screaming Trees/Solo), David Gedge (The Wedding Present) and contains a diary of the years leading up to the release of this record. Touring with bands Sumac and Grey Hairs through Europe, recording the album, line-up changes, the band's history and the big question is answered: Why?

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HHY & The Macumbas

LP | 2024 | UK | Original (Horror Vector)

LP | 2024 | EU | Original (Fin Du Monde)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Slighty damaged copy with Seamsplit on Cover see pictures.

Hypnotic drum dervishes by HHY & The Macumbas, pursuing a killer Nyege Nyege Tapes retrospective with the debut shot on their Horror Vector label. Tweaking springy rhythmic workouts with sinewy dub processes that bring the B-movie/VHS horror influence right to the fore, it’s a delirious set tipped if yr into CZN, Konono No.1, Shackleton, Raja Kirik, Metal Preyers, Adrian Sherwood.

Helmed by Jonathan Saldana and counting crack percussionist João Pais Filipe (czn) in the quintet of drums, subs, and noise, HHY & The Macumbas are prized for their thunderous energy, and ‘Bom Sangue Mau' (good bad blood) was recorded on stage in an empty theatre with a full soundsystem, lighting rig and smoke machines, to better capture the vibe.

Fixed in place with post-production and mixing at their Skull Cave Studio, the results represent the band in swingeing effect, knotting gnawing and bittersweet noise and see-sawing trance arps to thunderous rhythms inspired by myriad Black Atlantic traditions: West and Central African, Haitian, Brazilian. At its best, the record sounds like a deranged cross between John Carpenter and Adrian Sherwood, a Stroom or Finders Keepers oddity that's been re-imagined for a snuff theatre performance like some darkside wormhole that pushes rhythmic and sonic intensity into carnivalesque new places.

Analog synths and brass fanfares cut into 4/4 thuds and rattling skins on 'Via Negativa', sounding like the introduction to a technicolor '70s zombie flick, while 'Mão Esquerda' deploys ugly hardstyle squeals sandwiched between rubbery bass, and 'Serpente Explícita' is a humid fever dream - ominous, creeping synths and a hand drum that keeps building in intensity until it's ruptured by garbled voices and unsettling strings. ‘Fundição Termal Caçada’ is a militaristic death rattle that evolves into a synth-led burner before roaring with blood-curdling, brassy terror. And on the brilliantly titled 'Porno Perpetuum', they take on exploitation and sleaze soundtracks, cutting their frenetic drumming with animalistic screams and macabre whispers.

It's a haunted boat ride down the uncharted tributaries of an unknown continent, colourfully rendered by an artist who's at the top of his game right now.

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Hill Collective

Tonal Prophecy

Hipbone Slim & The Kneejerks

Release: 2024 / EU – Original

Genre: Organic Grooves

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Hill Collective is a jazz ensemble based in Brighton, UK. Led by saxophonist and composer Pete Piskov, the group offers a fresh musical attitude, employing modern improvisation techniques and nuanced compositions - a soulful, avant-garde addition to the bustling UK jazz landscape.

"Tonal Prophecy" is their first studio album, being released on the 20th April with the help of German label, Fin Du Monde. The sound is varied and rich, drifting from almost-big band horn arrangements to riotous free jazz. Latin rhythmic attitudes and playful excursions to the absurd lay out a tonal palette that brings both solace and revelation.

The inclusion of the "Grand Unison Choir" in the recording is an important statement of community and the DIY ethics that surround the album. A group of about 20 friends chant, laugh, scream and sing, embracing the full spectrum of what makes this music so magical.

Holistic in its ethos, this album explores the warmest depths of the mind, body and spirit while keeping things light and honest- a music that speaks for itself, about itself and the world around it.

The album sits comfortably in it's own vibrant identity greatly inspired by the idiosyncrasies of Sun Ra, Art Ensemble of Chicago and Ornette Coleman.

"Enthusiastically embracing the full gamut of freewheeling experimentation ... from wonky bossas to deranged swinging Mingus-ism, this new release from Hill Collective is a compelling refutation to anyone who still thinks that jazz is no fun"

Eddie Myer (New Generation Jazz / QOW Trio)

"Hill Collective seem at ease creating some of the boldest, bombastic and liberating music I have heard from any other release ... Fearless, passionate and deeply joyous"

Ozzy Moysey (Ancient Infinity Orchestra)

Pete Piskov - Alto Saxophone, Flute
Joe Edwards - Drums
Federico Micheli - Bass
Luke Congdon - Piano
Will Roberts - Trombone
Phil Smith - Trumpet
Jojo Circle - Harp
Sudhi S Pooniyil - Percussion

Grand Unison Choir (A-Z):
Gina Boyle, Jamie Broughton, Milo Costelloe, Oceanmae Davis, Edward Deeney, Noah Fox, Oscar Godfrey, Tom Gregory, Fae Haley, Rose Io, Tamara Klüver, Edmund Lloyd-Winder, Constance Nash, Ed Prideaux, Zosia Szymanowska, Joss Trevena-Samson, James Virtue, Freddie Willatt, Tam Zin

Recorded at Church Road Studios by Paul Pascoe
Album Cover by Pete Piskov
Mixed and Mastered by Pete Piskov

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Gone To The Dogs

LP | 2023 | EU | Original (Crowntopper)

Hipbone Slim & The Kneejerks

Release: 2023 / EU – Original

Genre: Rock & Indie

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Second of 2 new 14 track LPs from all-star UK garage legends. World Class Garage, Beat, Rhythm n Blues, Rock n Roll, Surf mash up! All original compositions from Sir Bald. As recently featured in Stranger Things TV series!!! Four red hot garage rockin' beat stompers!!!! Quadruple A -side 45rpm!!!! Originally planned as 4 singles!!! This new Hipbone Slim incarnation features 3 stalwarts of the British rock n roll/garage scene. Hipbone Slim aka Sir Bald Diddley - Guitar, Harmonica and Vocals Pete Scoundrel (Thee Cybermen) - Bass, Keys, Vocals Bash Brand (Thee Milkshakes, Headcoats, Billy Childish, Holly Golightly, Wreckless Eric etc) - Drums, Percussion, Vocals. Previously recorded 15 much lauded albums on Voodoo Rhythm (SW), Beast (FR), Folc (SP), Dirty Water (UK) and Screaming Apple (DE) as Hipbone Slim and the Kneetremblers, Crowntoppers and Kneejerk Reactions! Drummer Bruce Brand has made 2 albums with Link Wray! Sir Bald/Hipbone Slim has released records with members of 5678s, Mummies, Supergrass etc. 'Britain's Best Kept Secret' Maximum RnR - USA

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Introducing

7" | 2023 | EU | Original (Crowntopper)

Hipbone Slim & The Kneejerks

Release: 2023 / EU – Original

Genre: Rock & Indie

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New EP from World Class Garage, Beat, Rhythm n Blues, Rock n Roll, Surf Racket makers! As recently featured in Stranger Things TV series!!! Four red hot garage rockin' beat stompers!!!! Quadruple A -side 45rpm!!!! Originally planned as 4 singles!!! This new Hipbone Slim incarnation features 3 stalwarts of the British rock n roll/garage scene. Hipbone Slim aka Sir Bald Diddley - Guitar, Harmonica and Vocals Pete Scoundrel (Thee Cybermen) - Bass, Keys, Vocals Bash Brand (Thee Milkshakes, Headcoats, Billy Childish, Holly Golightly, Wreckless Eric etc) - Drums, Percussion, Vocals. Previously recorded 15 much lauded albums on Voodoo Rhythm (SW), Beast (FR), Folc (SP), Dirty Water (UK) and Screaming Apple (DE) as Hipbone Slim and the Kneetremblers, Crowntoppers and Kneejerk Reactions! Drummer Bruce Brand has made 2 albums with Link Wray! Sir Bald/Hipbone Slim has released records with members of 5678s, Mummies, Supergrass etc. 'Britain's Best Kept Secret' Maximum RnR - USA

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You've Been Rumbled

LP | 2023 | EU | Original (Crowntopper)

Twist Of Fate Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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First of 2 new 14 track LPs from all-star UK garage legends. World Class Garage, Beat, Rhythm n Blues, Rock n Roll, Surf mash up! All original compositions from Sir Bald. As recently featured in Stranger Things TV series!!! Four red hot garage rockin' beat stompers!!!! Quadruple A -side 45rpm!!!! Originally planned as 4 singles!!! This new Hipbone Slim incarnation features 3 stalwarts of the British rock n roll/garage scene. Hipbone Slim aka Sir Bald Diddley - Guitar, Harmonica and Vocals Pete Scoundrel (Thee Cybermen) - Bass, Keys, Vocals Bash Brand (Thee Milkshakes, Headcoats, Billy Childish, Holly Golightly, Wreckless Eric etc) - Drums, Percussion, Vocals. Previously recorded 15 much lauded albums on Voodoo Rhythm (SW), Beast (FR), Folc (SP), Dirty Water (UK) and Screaming Apple (DE) as Hipbone Slim and the Kneetremblers, Crowntoppers and Kneejerk Reactions! Drummer Bruce Brand has made 2 albums with Link Wray! Sir Bald/Hipbone Slim has released records with members of 5678s, Mummies, Supergrass etc. 'Britain's Best Kept Secret' Maximum RnR - USA

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Hitten

LP | 2004 | EU | Reissue (High Roller)

Release: 2004 / EU – Reissue

Genre: Rock & Indie

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Twist Of Fate Galaxy Vinyl Edition

Hitten

LP | 2004 | EU | Reissue (High Roller)

30,99 €*

Release: 2004 / EU – Reissue

Genre: Rock & Indie

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LP | 2022 | EU | Original (Rocket)

Holy Scum

Strange Desire

33,99 €*

Scream And Light Up The Sky

Release: 2022 / EU – Original

Genre: Rock & Indie

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"Holy Scum". Say it out loud. It's a name that can't help but be spat out viciously; a snarling exclamative that fits the bludgeoning sludge and feedback drenched improv rock that its progenitors unleash on their debut for Rocket Recordings, Strange Desires.Initially a Manchester-based collaboration between guitarist Peter J Taylor (formerly of Action Beat) GNOD co-founder Chris Haslam on bass and his bandmate Jon Perry on drums, the thick gauze of Holy Scum's jams have been pulled apart in production by one of half of legendary hip-hop duo Dälek, Mike Mare (aka Mike Manteca). He also provides the growling, guttural vocals."When Mike got involved it became another thing entirely to what we had originally perceived" notes Haslam "He added a whole new dimension to what we had been working on.""He kept asking if it was okay to fuck what we sent him up and we kept asking him to fuck it up even more" adds Taylor. "I kept referencing My Bloody Valentine in terms of creating a wall of noise, but we wanted it to be heavy as fuck." The resulting dystopian tumult of sound thus also finds itself somewhere above and beyond the sonic scorched earth inhabited by early Swans, Godflesh and Shit And Shine."All of the lyrics revolve around the collapse of society, feeling numb watching it happen, what it's like on the other side communicating with the dead and looking to other worlds for relief" reckons Mare" Indeed, Strange Desires is a record for the moment, and beyond. A howl amidst a world fallen off its axis. Holy Scum are unflinching in their confrontation, meeting fire with fire on this most stunning debut.

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Picture
Coming Soon

Honorary Title

2LP | 2024 | US | Original (Enjoy The Ride)

41,99 €*

Release: 2024 / US – Original

Genre: Pop

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Preorder shipping from 2024-11-15

Howlin' Wolf, Muddy Waters & Bo Diddley

Super Super Blues Band Colored Vinyl Edition

LP | 2016 | US | Original (Jackpot)

LP | 2024 | UK | Original (Drowned By Locals)

Release: 2016 / US – Original

Genre: Organic Grooves

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“Super Super Blues Band” started out merely as “Super Blues”, a conglomerate of blues pillars Bo Diddley, Muddy Waters and Little Walter. When Little Walter bowed out and was replaced by Howlin’ Wolf, they rightfully threw another Super on the name, and went on to release this burning, irreverent and even sometimes hilarious set of drunken, wild-eyed electric blues. Long form jams roll on in a trance as the trio of blues legends flex egos, talking shit to each other, trading off leads and ducking blasts of unexpected wah-wah guitar lines. Songs are peppered with an incredible level of banter between the trio of bandleaders that predicts the call and response sing- talking of early hip hop, laced with random screams in the background that teeter between celebration and danger. That these three ever got into the same room together is a miracle, and that they produced something so intense, energetic and weird is another almost unbelievable feat. The record is special enough as a stand-alone document of this meeting/melting of the minds before you find out the backing band consists of Hubert Sumlin, Otis Spann and freaking Buddy Guy. Lordy. Might have needed one more “super” in there. The record is pressed on limited colored vinyl.

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Hulubalang

Bunyi Bunyi Tumbal

20,99 €*

LP | 1990 | EU | Reissue (DWA)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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In Kasimyn's own words, the phrase "bunyi Bunyi Tumbal" signifies a "Synthetic Feeling for Anonymous Sacrifice," encompassing the emotions born out of a deep dive into the Indonesian war archives. These archives include a trove of photographs documenting the era of Dutch rule, captured through the lens of the colonizers themselves. It is from this point of departure that the project Hulubalang was born.

Hulubalang's gaze is drawn to the peripheral figures populating these historical records. These secondary characters, devoid of individual significance, bear no names, receive no recognition, and serve as props in the broader narrative of history. Simultaneously, they become indispensable instruments in acquiring "lessons learned" from the perspectives of both the victors and the vanquished. Within this framework, the notion of Tumbal, the non-belligerent "sacrifice," assumes a weight surpassing its translation. Tumbal neither acts as a victim nor martyrs itself for its cause. It hauntingly reminds us of the systemic curse perpetually engendering disillusionment.

Bunyi Bunyi Tumbal is a personal act of catharsis stemming from a long lineage of anger. It stands as a tribute to a village whose ritualistic dance, one night, was disrupted by external forces, causing the tune to shatter and leaving the dance caught in a space between innocence and pain.

╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳

Artist Bio

Aditya Surya Taruna (aka Kasimyn) is one half of the Indonesian electronic duo Gabbar Modus Operandi known for their acclaimed records Puxxximaxxx and Hoxxxya (out via Yes No Wave and Svbkvlt, respectively) and overwhelming, hyper-active and unprecedented live experiences which have made them a popular act on several festivals of experimental music. In 2022, Kasimyn contributed with beats on Björk's latest album, Fossora, featured on three tracks: "Atopos", "Trölla-Gabba", and "Fossora", joined Björk on stage in Tokyo, Japan in March 2023 as part of her live tour Cornucopia, and appears on two of her album's music videos Atopos and Fossara. After joining Björk on her Cornucopia tour in Japan, Kasimyn is announcing his solo album on Drowned by Locals under his new project Hulubalang.

Text for Album by Riar Rizaldi (translated from Indonesian)

Kusnah walked slowly on the edge of a sand dune, across the coastline. It's safer here, she thought. On the horizon she saw a mirage, a fata morgana. In her mind, thinking of fata morgana as a destination is a better objective than the fact that she has to stay and live in the village: her body is needed for offerings, perhaps for the gods who are thirsty for the anatomy of human body or for the cults of development that is built by blood and the construction of fractured human bones. Perhaps as a political sacrifice too. For her, in a landscape where politics is intertwined with zoē, that's where the world really is at work.

While gazing at the piles of oysters on the beach, in her head she heard a peculiar party music with dank beats and messy strings. An umwelt. This was a victory song that she often plays loud in her mind when she feels defeated—however, not losing, but giving in. In her life, she spent more time giving in. She looked at the pile of oysters. Why do humans see oysters as lowly creatures compared to more advanced species like them? Oh more precisely, she remembered Plato's comparison of a hedonist man with an oyster. Live only in the moment of the here and now.

But Kusnah felt she was a hedonist. She lives for the here and now. She lives not for progress. To hell with the progress and development. She lives to experience time. She lives for jouissance. So for her, Plato had a point. As she looked at the oyster again very carefully, the weird music in her head transmitted louder and louder. She asked herself: as hedonist animals who just stay quiet and experience the waves, do these oysters also have music that revolves around their bodies and makes them feel victorious amidst an ocean of defeats?

Kusnah's gaze grew intense. From behind, came the sound of human footsteps running in a crowd. One, two, three, four the familiar sound of boots stomping. Five, six, seven, the clapping of ugly flip-flops. The fata morgana on the sand dune was instantly broken up by a bloodthirsty mob. As time went on, she heard faint screams. "That's her!" sounds vague but firm. The steps became louder. The music in Kusnah's head played louder. It didn't take long for her to start dancing. Like a possessed ghost, many people say. She wasn't in a trance, she was just enjoying the music playing in her head. Tens of people started to look in high-definition when Kusnah opened her eyelids.

"We will offer you to the gods of progress!" shouted the men with machetes and cleavers in their hands. Kusnah dances like she is out-of-body possessed. "Come on! Take her!" the men rushed to Kusnah, carrying ropes to tie her up. Kusnah smiled widely, while unable to control her dancing body.

"Take my body, but I will never share the hulubalang that roars in my mind!"

Kusnah's head separated from her body, right after she shouted those words.

Riar Rizaldi
Written while listening to Hulubalang's first album

Original Text:

Kusnah berjalan lamban di tepi gumuk pasir, di sebrang pesisir pantai. Di sini lebih aman pikirnya. Di garis horizon dia melihat hamparan fata morgana. Di pikirannya fata morgana jauh lebih baik sebagai tujuan ketimbang dia harus diam dan menetap di desa: tubuhnya diperlukan untuk persembahan, mungkin buat para dewa-dewa yang haus akan anatomi dan spirit dari human being atau buat pembangunan yang dibangun oleh darah dan konstruksi tulang-tulang. Mungkin juga sebagai tumbal politik. Pikirnya, di tempat dimana politik berkelindan dengan nyawa, disitu dunia betul-betul sedang bekerja.

Sambil menatap nanar tumpukan tiram di pesisir pantai, di kepalanya terdengar musik-musik pesta dengan dentuman nakal dan dawai berantakan. Sebuah umwelt. Lagu-lagu kemenangan yang sering ia putar keras-keras dipikirannya ketika ia merasa kalah. Bukan kalah, tapi mengalah. Dalam hidupnya, terlalu banyak waktu dia bagi untuk mengalah. Dia melihat tumpukan tiram dengan miris. Dia berpikir keras mengapa manusia melihat tiram sebagai makhluk rendahan dibandingkan species lebih advance seperti manusia, oh lebih tepatnya, dia mengingat perkataan Plato bahwa manusia hedonist sama saja dengan seekor tiram. Hidup hanya dalam momen hari ini dan saat ini.

Tapi Kusnah merasa ia adalah manusia hedonist. Dia hidup untuk hari ini dan saat ini. Dia hidup bukan untuk progress. Persetan dengan progress dan pembangunan pikirnya. Dia hidup untuk menikmati waktu. Dia hidup untuk bersenang-senang. Jadi baginya, Plato ada benarnya. Sambil melihat lagi si tiram dengan sangat teliti, lagu-lagu di kepalanya terdengar semakin nyaring. Dia bertanya pada dirinya sendiri: sebagai hewan hedonist yang hanya diam dan menikmati deburan ombak, apakah para tiram ini juga memiliki musik yang berputar dalam tubuhnya dan membuat merasa menang diantara lautan kekalahan?

Tatapan Kusnah semakin intense. Dari belakang terdengar bunyi suara langkah manusia-manusia berlari bergerombolan. Satu, dua, tiga, empat bunyi familiar sepatu lars. Lima, enam, tujuh bunyi derap sendal jepit. Fata morgana di gumuk pasir buyar seketika diterobos gerombolan haus darah. Semakin lama semakin ia dengar samar-samar suara teriakan. "Itu dia orangnya!" terdengar sayup-sayup tapi mengeras. Langkah-langkah itu semakin kencang. Musik di kepala Kusnah pun semakin kencang terdengar. Tak butuh waktu lama hingga ia mulai menari. Seperti orang kesurupan kalau kata banyak orang. Tapi dia tidak kesurupan, dia hanya menikmati musik yang berputar dikepalanya. Berpuluh-puluh orang mulai terlihat secara high-definition ketika Kusnah membuka kelopak matanya.

"Akan kami persembahkan kamu kepada para dewa pembangunan!" teriak para lelaki dengan parang dan golok ditangannya. Kusnah menari seperti kerasukan. "Ayo! Tangkap dia" para lelaki itu bergegas mendatangi Kusnah, membawa tali tambang untuk mengikat dirinya. Kusnah tersenyum lebar, sambil tidak bisa berhenti menari.

"Ambil tubuhku, tapi aku tidak akan pernah membagikan hulubalang yang mengaum di dipikiranku!"

Kepala Kusnah terpisah dari badannya, persis setelah dia meneriakkan kalimat tersebut.

Riar Rizaldi

Ditulis ketika mendengarkan album pertama dari Hulubalang.

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ICE MC

Cinema

LP | 1980 | UK | Reissue (Pure Pleasure)

Release: 1990 / EU – Reissue

Genre: Pop

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Ian Campbell was born in Nottingham (uk) in 1968. In 1980 he left UK to join a breakdance group. During a tour of Italy Ian fell in love with the “bel paese” and decided to stay on and find a job as a singer or DJ. His first love was rap, above all Raggamuffin (due to his Jamaican origins). In 1989 by chance he met the producer Robyx, who decided to record a track with him. In just a few days, the first single "Easy" was ready. Within a few months it became a success first in Europe, then worldwide. The project was called "Ice MC" and the songs were sung, written and played by Robyx, while Ian took care of the rap. The album “Cinema”, and two further singles, “Cinema” and “Scream” followed this first success. The three singles sold a total of two million copies, and the album around five hundred thousand! After more than 30 years, DWA is proud to announce the re-print of this album on vinyl, a special gift to all collectors of ‘80s / ‘90s hits.

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Idris Muhammad

Kabsha

34,99 €*

LP | 2024 | UK | Original (Sagome)

Release: 1980 / UK – Reissue

Genre: Organic Grooves

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Re-mastering by: Ray Staff at Air Mastering, Lyndhurst Hall, London

This little-known album by New Orleans-born drummer Idris Muhammad (1939-2014) was originally recorded for Theresa at Rudy Van Gelder's studio in New Jersey on September 12, 1980 with George Coleman & Pharoah Sanders on tenor saxophones & Ray Drummond on bass.

The six powerful tracks include originals from Muhammad & Drummond and an impressive version of Billy Eckstine's 'I Want To Talk About You' featuring Sanders.

'Kabsha', which is dedicated to Muhammad's youngest daughter, is recommended to anyone who appreciates inventive and passionate modern jazz.

Drummer Idris Muhammad's strongest jazz date as a leader. Muhammad, who had often been heard in funky or more commercial settings, really excels in this sparse setting, showing off what he learned from hearing bands in his native New Orleans. In addition, both the underrated Coleman and Sanders are heard in top form, stretching out on originals, basic pieces, and "I Want to Talk About You" (during which Sanders lets out a few trademark screams so everyone knows that he is not John Coltrane). Highly recommended. Scott Yanow/AMG

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III

Rain Text

This Is Not An Exit Blue Curacao Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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The smell of damp tarmac rising up through open windows, a smell which is uniquely evocative for us all depending on our individual histories: a suburban pavement, a school playground, a basketball court. The rain cut through a band of low pressure that had been lying over the city for days, pinging rhythmically off metal, causing rolling tyres to hiss and spit.

The music that soundtracked this meteorological shift was the debut full length from Rain Text (Giuseppe Ielasi & Giovanni Civitenga), simply titled III. Scattered throughout the nameless eight tracks there are moments of low-end pressure relieved by the fizz and clatter of metallic rhythms; there is static, there is discord, there is release.

The individuals comprising Rain Text have a long history of manipulating sounds for evocative ends, Giuseppe Ielasi has been making music as one half of Bellows for many years, each album stretching and destroying their sound in beautiful increments. He has also released reliably inspirational music either solo or in collaboration for the likes of Editions Mego, Shelter Press and Faitiche. His sensitive ears are also in high demand as a mastering engineer. It is worth perusing the 800+ releases he has technical credits for on Discogs: from classics of the avant-garde to the freshest faces of the Swedish underground, the chances are some of your favourite albums are included.

Giovanni Civitenga helms the Skyapnea long-running NTS show. Joining him, you can enjoy the fruits of a lifetime of deep listening through shows that flit between the industrial and the devotional, a space that is fully explored on III.

The album was recorded quickly over three fertile days in Ielasi’s studio in Monza, but of course results like this can only be achieved at such a pace by spending a lifetime obsessing over the mechanics and possibilities of sound.

Those who are enamoured by the rain—who are returned by it to the surfaces, smells and sounds of a lost and idealised youth; who feel themselves restored—are known as ‘pluviophiles’. Their response to rain may well have a biological explanation: when rain hits tarmac negative ions are released into the air, which are thought to result in feelings of wellbeing and positivity. All the more reason, then, to return to the vivid ecosystem that Rain Text has so carefully cultivated for III."

Words by The Dengie Hundred – August 2024

Music by Giovanni Civitenga and Giuseppe Ielasi. Mastered by Giuseppe Ielasi. Photo by Irwin Barbé. Graphic Design by Federico Spini. LP shots by Paolo Rizzi. Distributed by Honest Jon's.

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Ill Peach

LP | 2023 | US | Original (Hardly Art)

Lip Led Scream Transparent Dark Red Black Galaxy Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Here's the thing about ill peach: this band exists because they are too weird to not exist. The seed of ill peach was first planted in the recording studios of New York City where Pat Morrissey and Jess Corazza were working together as professional songwriters, collaborating with artists like Icona Pop, SZA, Weezer, Pharrell, Big Freedia, and others. Then came the day they were offered their own publishing deal. Cool, right? Well, about that: "Everyone kept saying, 'The stuff that you're writing is slightly too left-of-center-weirdo stuff," remembers Morrissey. "Why don't you start your own project?" Thus ill peach, a pop band with a punk streak and a taste for both the rotten and the sweet, with an approach to making music that goes something like: "Do you want to pick up a guitar and do you want to be on this water jug and we'll record it on the iPhone and create some weird drum pattern?" Following a series of well-received EPs on their own Pop Can Records (a record label and artist collective Morrissey and close collaborator Jesse Schuster run with friends), a digital single for Hardly Art's 15th anniversary series, and some colorful music videos that crystallized the band's visual aesthetic along with their sound, ill peach's "weirdo stuff" comes to fruition on first full-length This IS NOT AN Exit: a collection of anthemic songs built out of bright pop and gritty experimental elements (Morrissey names the sculptural use of distortion on the final albums by Low as an inspiration), punctuated with hooky choruses ready to be screamed along to in the safety of your own bedroom or with a bunch of friends at one of ill peach's intense live shows. If ill peach first blossomed in New York, it took quarantine in Los Angeles for the project to ripen. The end of the world turned out to be what ill peach needed to get real with themselves. "It helped us creatively to zone in and removed us from the [industry] side of things to where we could just be like: this is our new identity, let's jump with both feet." This IS NOT AN Exit's title is a reflection of something Corazza realized during a period of personal and familial crises "I kept walking into buildings and I'd try to exit somewhere and the sign would be like, 'This is not an exit,'" she says. "It just felt like a metaphor for a hopeful thing-don't give up yet." This combination of hope and anxiety is all over This IS NOT AN Exit, reflected in a sonic palette (Alternative! Electronica! Indie! Radio pop! Coldplay!) as eclectic as it is unpretentious. Ultimately, This IS NOT AN Exit is a record about healing, a process often spoken about in New Age-y terms but one that in reality can be really confusing and, yes, weird. But it is the beautiful strangeness of being alive that ill peach capture so well on This IS NOT AN Exit.

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Incirrina

LP | 2022 | EU | Original (Cold Transmission Music)

22,99 €*

LP | 2019 | Original (Numero Group)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Lip Led Scream is the 2nd studio album by Incirrina . It features 10 songs which were written during a painful period for all of us - personally and globally speaking - and at the same time in a state of rapture. Our lips felt tightly closed. We wanted to scream, to turn scream into expression not just as a way out but as a way to understand. To react against but also to respond to a feeling of internal chaos, helplessness and fear of a world collapsing outside. Solitude, violence, despair, social injustice, biopolitics, but also love, humaneness and coming of age are the main themes of the album.

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Indian Summer

Giving Birth To Thunder

Giving Birth To Thunder Opaque Violet Vinyl Edition

Release: 2019 / Original

Genre: Rock & Indie

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The fourth leg on the early emo table of Rites of Spring, Moss Icon, and Cap’n Jazz, Indian Summer’s Giving Birth To Thunder compiles their complete discography. Emo’s second wave crashed into the Bay Area in the summer of 1994 in a rage-filled capsule of quiet and loud, octave chords, angry sons, Spock haircuts, and screaming. At the eye of this pissed-for-the-hell-of-it storm were Indian Summer. In the quartet’s 12-month existence they wrote ten songs, appeared on a dozen singles and comps, and played over 100 gigs across the U.S. and Canada before burning out, passing out, and moving out of their Blue House in Oakland. Their hand-screened aesthetic is replicated in alarming detail in the accompanying by 24-page book with detailed liner notes, flyers, and miscellaneous propaganda.

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Indian Summer

LP | 2019 | US | Reissue (Numero Group)

LP | 2023 | US | Original (Kitten Robot)

Release: 2019 / US – Reissue

Genre: Rock & Indie

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Opaque Violet VinylThe fourth leg on the early emo table of Rites of Spring, Moss Icon, and Cap'n Jazz, Indian Summer's Giving Birth To Thunder compiles their complete discography. Emo's second wave crashed into the Bay Area in the summer of 1994 in a rage-filled capsule of quiet and loud, octave chords, angry sons, Spock haircuts, and screaming. At the eye of this pissed-for-the-hell-of-it storm were Indian Summer. In the quartet's 12-month existence they wrote ten songs, appeared on a dozen singles and comps, and played over 100 gigs across the U.S. and Canada before burning out, passing out, and moving out of their Blue House in Oakland. Their hand-screened aesthetic is replicated in alarming detail in the accompanying by 24-page book with detailed liner notes, flyers, and miscellaneous propaganda.

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Inger Lorre

Gloryland

22,99 €*

LP | 2022 | US | Original (Mt. St. Mtn.)

Release: 2023 / US – Original

Genre: Rock & Indie

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Originally introduced to music fans as the leader/frontwoman of the Nymphs, Inger Lorre’s following remain loyal. Since the Nymphs 1991 debut on Geffen Records, her releases have been cherished by a loyal fanbase. Josie Cotton has signed Lorre to her Kitten Robot label for her first solo studio album since Transcendental Medication . Gloryland is a collection of 10 new songs, taking Inger into uncharted musical territory but still imbued with the elements of loss, despair and redemption that echo her past recordings. With Gloryland Inger celebrates her unique voice with total freedom, crossing genres from singersongwriter to Americana and gospel. Working with Nashville multi-instrumentalist Buddy Woodward, she creates gorgeous oceans of sound with esoteric string instruments, alongside Angelique Congleton (the Hangmen) on bass, Eric Contreras on drums, Matt Lee on electric guitar, Jordan Shapiro (Eddie Spaghetti) on pedal steel guitar and Paul Roessler (Screamers, 45 Grave, Nina Hagen, Twisted Roots) on keyboards. Gloryland is produced by Roessler (Lords of Altamont, Tsol, Richie Ramone), Woodward and Lorre. “Inger retains her strength as a songwriter and performer without losing any of her sensitivity, fragility and danger. I always look forward to what she does, it never disappoints” - Henry Rollins “Inger Lorre is a magician, a shaman…that kind of witch-doctor ability for performing” – Eric Avery

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Intelligence

Lil' Peril

Hungry For Action Red Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Lars Finberg, confirmed genius guy and poet laureate of sunken 21st century Rock, acts as manager in perpetuity of THE Intelligence, primary vehicle for his prolific creative swirl and a project that has taken on new shapes across myriad trials and shifts. The project began in his Seattle bedroom—a lad and his Tascam cassette 8 track—with the classic Boredom & Terror and has now landed in his Los Angeles studio apartment—an urchin and his Tascam digital 12 track—with Lil’ Peril, a new album that finds Finberg 1000% back at the controls. Over the course of 11 albums (!), The Intelligence has established a backbone that boogies through revolutions, allowing each jam-crammed dispatch to feel and sound admirably unique. The angular sharp shocks heard in earlier years have steadily evolved into the ballooning grooves heard on more recent releases (including Finberg’s recent solo work). Lil’ Peril is a dreamy gamble that captures this current bubbling penchant in The Intelligence’s inaugural homemade mode. With inspirational templates as far-flung as Les Paul, The Specials, Lee Perry and Mary Ford, Lil’ Peril pulls off the absurd shift “from ‘No-Wave Santana’ to ‘Screamers recorded by Jon Brion”. Playing shoulder parrot to studio engineers has no doubt informed Finberg’s approach to home recording, specifically in how much further he can go without wincing budget-minded eyes staring him down. This is immediately sensed on the opener “Maudlin Agency,” which begins with canned minimal bleep and closes with a full recreation of the “Brass Monkey” hook. These surprise-attack conclusions are a running current throughout the Lil’ Peril’s program and demonstrates that the main lesson Finberg has learned in The Intelligence is to never reel it in. Centerpiece banger “My Work Here Is Dumb” ranks among the finest Intelligence moments existent and an apex in Finberg’s songcraft, boasting a bonkers arrangement and a thematic gnaw that is both brutal and playful. The collection closes with the epic “Soundguys,” a suite cut-up that fuses Can and Steely Dan into one of the most dastardly tunes available for consumption in the plague age. As Finberg himself states, “They may say this is ‘lo-fi’, but I say it’s ‘no-CGI’”. Pressed on red vinyl.

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Iron Lizards

LP | 2021 | EU | Original (The Sign)

23,99 €*

12" | 2020 | EU | Original (Wotnot)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Iron Lizards make you feel the wild and savage side of rock'n'roll. They make you remember the hazy days of the alternative 90´s. Be ready to testify, Iron Lizards will make your ears puke of the loud and unfiltered joy of unsophisticated music. Iron Lizards recalls what acts as Zeke, New Bomb Turks, Dwarves and Nashville Pussy did for the 90´s. Now Iron Lizard brings back raw and ruthless guitars and raw riffs. No unnecessary shit in the songs, this is straight ahead rock n roll with screaming guitars. Put the pedal to the metal. Let´s Go!

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Isayahh Wuddha

Urban Brew

10,49 €* 13,99 € -25%

LP | 2024 | EU | Original (Non Serviam)

Release: 2020 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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For Fans Of: Arthur Russell, Cody Chesnutt, Music From Memory, Can, Damo Suzuki
Cody Chesnutt’s Headphone Masterpiece is a core work in the WotNot inspiration book. Put that release through Google Deep Dream and Isayahh Wuddha’s Urban Brew is what you end up with. Recorded in Kyoto to multitrack tape recorder with vintage drum machines, guitars and Casio keyboard, the result is an eddying blend of lo-fi soulful indie, funk, rock and psychedelia.
The release is led by Wuddha’s strange but alluring vocal delivery, moving between tender-to-the-point-of-breaking any-second, almost-apathetic-semi-rapping and friendly conversational with the occasional James Brown scream dotted around.
While the music ranges from lively to ballad-esque, there is a sense of fun and playfulness throughout, enhanced by the raw, slapped-together production style.
With roots in Taiwan and Japan, Kyoto’s Isayahh Wuddha counts avant garde saxophonists Albert Ayler and Kaoru Abe among his early influences, but attributes his decision to make and release music to reading Michael Jackson’s biography!

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Isolert

Wounds Of Desolation

45,99 €*

I Scream / Breaking The Silence

Release: 2024 / EU – Original

Genre: Rock & Indie

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Isolert is a black metal band from Greece (Volos), formed in 2015 as a duet by Panagiotis T. and Nick S. The band's style combines intense melodies with aggressive elements and merciless vocals, creating an epic atmosphere amidst a landscape of agony. Lyrical themes of a falling world, of despair and desolation preached through endless, enraged screams, in the rhythm of infuriated drums. Isolert's new album "Wounds of Desolation" will be released in 2024, through Non Serviam Records. With the addition of George S. (Kosmovorous, Herald) on the band's ranks since 2021 and with a faster, more ferocious approach interwoven in epic melodies, Isolert's 3rd full-length album presents ..... (διάκεια δίσκου) of unforgiving black metal. 1.The Downfall's Monologue (Intro)2.The End of Beauty3.Flesh. Torn. Asunder!4.Where Dreams Die5.Children of the Void6.Spewing Venomous Gloom7.Herald of Demise8.Reflections of Nothingness

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12" | 2004 | NL | Original (Captivating Sounds)

5,99 €*

Release: 2004 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Jac Berrocal / David Fenech / Vincent Epplay

Broken Allures

LP | 2024 | UK | Original (Cold Spring)

28,99 €*

Jac Berrocal / David Fenech / Vincent Epplay

Release: 2024 / UK – Original

Genre: Electronic & Dance

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"Broken Allures", the fifth LP from trio Jac Berrocal (NURSE WITH WOUND collaborator), David Fenech, and Vincent Epplay (following releases on Blackest Ever Black, Akuphone, KlangGalerie), furthers their unique recording style with a musique concrète approach to mixing, characterized by the distinctive sound and technique of musicians and producers. Fenech and Epplay have paired with legendary French musician Berrocal, renowned for his collaborations with Nurse With Wound, Vince Taylor, Jaki Liebezeit, Pascal Comelade, Sunny Murray etc. "Broken Allures" is arguably their most coherent and fully accomplished album to date. For this album, the trio has invited two fantastic musicians to compose with them: COSEY FANNI TUTTI and JAH WOBBLE. COSEY FANNI TUTTI (Throbbing Gristle, Chris & Cosey, COUM Transmissions) contributes vocals, cornet, and electric guitar in her unique style. She has also written lyrics for two tracks on the album and brings a radical touch to the instrumental track 'Viva la Hacienda', which, in her own words, recalls her time recording with Throbbing Gristle.JAH WOBBLE (founding member of Public Image Limited, and collaborator with African Head Charge, Brian Eno, Björk, Holger Czukay, Jaki Liebezeit, Bill Laswell, Primal Scream, Evan Parker, Sinéad O'Connor etc) plays a deep bass line on one track. He adds his signature industrial dub sound, with deep sub-bass frequencies.File next to Throbbing Gristle, early Clock DVA, Chris & Cosey, Bill Laswell, Master Musicians Of Jajouka. 1. Warszawa2. Tones Of Blue And Red3. Cerbère Passage4. Outspoken Caress5. Viva La Hacienda6. Zadar Melodia7. Morocco Shanghai8. Broken Allures9. Coiffeur Pour Vince10. Christal Venus11. Sondelimosa12. Preacher Feature

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Broken Allures Transparent Yellow Vinyl Edition

LP | 2024 | UK | Original (Cold Spring)

30,99 €*

CD | 2024 | EU | Original (Ideal)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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James K

Elektra

James Knight & The Butlers

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Elektra (Scream Through the Eyes of a Statue), is a multimedia performance broadly conceptualizing the female voice as an “X-ray to the bones of sound.” It was commissioned by Issue Project Room and performed April 26th, 2018 in Brooklyn, New York. Taking poet, essayist, and Classics professor Anne Carson’s translation of Sophocles’ tragic play Elektra as a point of departure, James K monstrously externalizes the inner sonic world of female vocalization through a scored collaborative framework interpreting each of Elektra’s “screams” in the Greek tragedy.

The piece develops unique methods of screaming through musical and non-musical objects -- performed through manipulated text, videos, and live contributions from James K (voice, electronics, violin, video) Brooklyn-based musician Eve Essex (alto saxophone, various winds and electronics), electronic producer and performer Dylan Shir (electronics), composer and cellist Leila Bordreuil (cello), and poet/artist Eli V Manuscript (textual alchemy, projections).

Within this collaborative framework, James K scores “the scream” to express the various relations between hysteria and the “gender of sound” -- a blurred and overlapping feminine sound defined by its fragmentation and resistance to scripted narrative. Elektra’s presence is emblematic of a radical alienation that occurs as a standing discrepancy to tragic convention. Amongst society, she is the anti-dialogue, a symbol of protest.

‘my cries are wings, they pierce the cage’

Elektra’s vocalizations pierce through language, revealing a shattered interior of multifaceted reflections constructed against habitual linguistic or vocal expression. In tragic convention, such habitual vocalization takes the shape of the often terse, patriarchal voice of the Greek philosopher -- a didactic, conceptual container in opposition to the expressive “becoming” of Elektra’s cries that riot against fixity. As a tragic character, Elektra is radical and alien for Sophocles and his audience -- an ever-present conviction that demonstrates how female shame has constructed a life-size funeral urn around her.

Through translating a text within layers of translations, a fragmentation of the firsthand into traces, James K mirrors Elektra’s deconstruction of reality into siren shards, offering an experiencing of female sign language as a means of sabotage to the world of normal utterances. By sliding on the edge of convention to sharply abandoning rational speech and sonic construction, K’s piece aims to embody Elektra’s strained and stretching screams, as cuts against the glass; her sabotage bound within the blanket loop. In response to rigid vocalization and fixed sonic understandings, Elektra (Scream Through the Eyes of a Statue) takes the scream as an unruly, emotive sonic experience projecting outwards into objects and audience: to the very bones of sound.

This is a live recording of its single performance. Recorded by Bob Bellerue at Issue Project Room in Brooklyn, NY. Mixed by James K. Mastered by Jack Callahan. Performed by James K, Eve Essex, Via App, and Leila Bordreuil. Conceived and scored by James K for four players, and written in collaborative improvisation with the performers. Textual alchemy by Eli V Manuscript. Design and layout by Nicola Tirabasso and James K. Label management by Joachim Nordwall.

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Black Knight Clear Vinyl Edition

LP | 1971 | EU | Reissue (Regrooved)

35,99 €*

Live And Profane 1986-1987

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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* Originally released in 1971 * Handmade Tip-On Sleeve * Analogue Remastered * Insert: Band Photo * Limited edition: black (300 copies), red (100 copies), and crystal (100 copies) vinyl

History is full of once-in-a-lifetime experiences. No, let us rephrase that: once-in-the-span-of-human-history experiences. Because if you weren’t there when James Knight & the (Fabulous) Butlers made their claim to fame, then all you can do is try to get hold of a copy of their only record: Black Knight. And that is exactly what we here at ReGrooved enable you to do!

This was the very first release on the Cat sublabel of TK Records. It is noted for its very psychedelic funk and soul sound, which is extremely evident in ‘Uncle Joe’, with its distorted guitar sounds, reverb and screams. Think of Jimi Hendrix and/or Arthur Brown who decided to dabble in soul! The tone was already set by the preceding track, ‘Funky Cat’, in which Knight introduces the various artist of his band, building up the groove. That was the precise moment in which we as listeners are ensnared by the band’s inescapable funky mood, that fortunately continues the rest of this precious gem of a record. It alternates the more psychedelic sounds with slightly more conventional and calmer tracks, making the album accessible to a wide variety of music fans. Still, are you looking for soul and funk with a touch of acid? Then our reissue of Black Knight by James Knight & the Butlers is a disc that deserves to be a regular guest on your record player!

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Jane's Addction

LP | 2024 | EU (Room On Fire)

12" | 2014 | EU | Original (Code Is Law)

Release: 2024 / EU

Genre: Rock & Indie

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Collecting recordings from a set @ The Scream, Los Angeles, California, Feb. 14, 1987 and the Pyramid in Hollywood, Los Angeles, CA from November 13, 1986, this essential set shows the band at his peak.

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Janzon

The Primal Scream

9,99 €*

Release: 2014 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG

12" | 2015 | EU | Original (Code Is Law)

Janzon

Twisted Dust

10,99 €*

OST Dial Code: Santa Claus Colored Vinyl Edition

Release: 2015 / EU – Original

Genre: Electronic & Dance

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After the Primal Scream, Janzon is about to bring Germany’s motorcity Stuttgart back to the map of real quality techno with a bunch of stories – hidden in mysterious soundspaces. Twisted Dust faces the evil and the brave into two trippy and energetic primetime tracks with futuristic aesthetic on the A-Side, as well as the magic of funkiness and dark rituals on the B-Side. A coherent EP, between different atmospheres on the dancefloor and emotions in the art galleries.

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Jean-Felix Lalanne

LP | 2021 | US | Original (Ship To Shore)

31,99 €*

United States Of The Broken Hearted

Release: 2021 / US – Original

Genre: Soundtracks

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Ship to Shore PhonoCo. is proud to present the original soundtrack to the cult favorite Dial Code: Santa Claus (aka Deadly Games), for the first time on vinyl in over 30 years!

Mixing Christmas themes with hair-raising screams, Dial Code: Santa Claus concerns young Thomas - a kid with an IQ number as long as his mullet - whose infatuation with games of war and obsession of Father Christmas come together in a night of terror when his house is invaded by a maniac who believes he is Père Noël himself…

Composer Jean-Félix Lalanne mixes a range of styles to form a solid soundtrack, utilizing industrial & electro with traditional festive motifs and thriller stings, perfectly complementing the bold visual style of the movie.

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Jeb Loy Nichols

LP | 2022 | UK | Original (On-U Sound)

Release: 2022 / UK – Original

Genre: Reggae & Dancehall

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Upstairs At United Volume 3

Jeff The Brotherhood

12" | 2012 | US | Original (453 Music)

LP | 2023 | EU | Original (Pelagic)

Release: 2012 / US – Original

Genre: Rock & Indie

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On October 18th, 2011, Jeff The Brotherhood were joined by William Tyler (Tompkins Square), Loney Hutchins (Cleft Records) and Joey Plunket in recording Volume 3 of the Upstairs at United series. Each song in this session was recorded in a single take direct to 1/4 inch tape then cut at 45 RPM for the ultimate listening experience.

Jeff The Brotherhood, the sibling duo of Jake & Jamin Orrall show their prog rock side on this recording. While the recording consists of only three songs those songs totalled enough time that they rocked out until they literally ran out of tape (as can be heard at the end of ''In Space No One Can Hear You Scream, Part II').' While traditionally a two piece, Jeff The Brotherhood, was joined in this session by William Tyler on guitar, Loney Hutchins on keys and crazy space sounds, and Joey Plunket on bass. The recording features an 11 minute version of tour favorite ''I'm A Freak'' (Wicked Lady), an 11 minute cover of Hawkwind's ''Master Of The Universe'' and the 8 minute improvisational jam ''In Space No One Can Hear You Scream''.

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Jegong

The Complex Inbetween

23,99 €*

Jello Biafra And The Guantanamo School Of Medicine

Release: 2023 / EU – Original

Genre: Rock & Indie

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The Complex Inbetween is a mesmerising journey inspired by the spirit of krautrock early electronic music and experimental rock. JeGong return with their second full- length album which sees them continue their musical journey inspired by the spirit of krautrock, early electronic music and experimental rock. With The Complex Inbetween Dahm Majuri Cipolla (MONO, Watter) and Reto Ma"der (Sum Of R, Ural Umbo) put a dazzling spin on the timeless music of genre innovators like Can, Faust and Neu!, incorporating noisier and more abrasive elements to create a mental odyssey into the uncanny. Born from the collision of the most unreal moments of Ma"der's free-flowing musical associations with Cipolla's stick-wielding hands, these eight compositions form the duo's own mythical realm after the rhythm has been set. As the cradle of electronic music, krautrock is often viewed by outsiders in terms of the mechanical rather than the human, yet Ma"der and Cipolla manage to uncover a human side that has always been present in the music of their forebears. That driving beat which powers album opener «Come To The Center» was never meant to be called `Motorik', as explains its inventor Klaus Dinger of Neu! in one interview. "It is very much a human beat. I like to call it the endless straight. It's a feeling like a picture." With Cipolla behind the kit the machine becomes human, testifying to the power that rhythm can hold over us as a deeply communal obsession. Like their debut, The Complex Inbetween shows the profound knowledge these two musicians have of their source of inspiration as well as their tremendous skill in applying its principles. With the piece «Night Screaming Moves» JeGong expands their sound with atmospheric drone rock elements. A feedback laden guitar motif surrounds the oscillations of mellotron sounds, behind it pounds a slow motion drum beat that is reminiscent of dragging, shuffling footsteps in the dark of night. Evoking feelings of trench coat wearing film-noir or the cloying darkness of cult 70s horror flicks, «Night Screaming Moves» shows that not only are the duo of Ma"der and Cipolla experienced musicians, but cinephiles and soundtrack lovers with a strong sense for moods and emotions. RIYL Neu!, Cluster, Tangerine Dream, Swans, Mogwai, Sonic Youth, John Zorn

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Tea Party Revenge Porn Black Vinyl Edition

LP | 2021 | US | Original (Alternative Tentacles)

Last Scream Of The Missing Neighbors

Release: 2021 / US – Original

Genre: Rock & Indie

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Hot on the heels of five viral video singles, Tea Party Revenge Porn, the first full album since 2014 by Jello Biafra And The Guantanamo School Of Medicine, is finally here! This is very strong stuff. Hear the inimitable Mr. B skewer the place the country has put itself in like no one else would—or could—as he and The Guantanamo School Of Medicine capture the full power of their live shows on disc as never before. Only so many artists have a track record of lyrics this good, and back it up with music as good or better. It’s usually one of the other, but rarely this fierce, thanks to the wall of sound production of the mysterious Marshall Lawless, with Kurt Schlegel at the board this time. Co-conspirators now feature both string-titans of longtime AT mainstay Victims Family: guitarist Ralph Spight (also Freak Accident) and wonder bassist Larry Boothroyd (also Triclops, Brubaker); plus drummer / metal percussionist Jason Willer (UK Subs, Nik Turner, Charger, The Mob). So as germs and police riots rage, there’s no better primal scream therapy than a long-awaited new Jello Biafra album. From Dead Kennedys to Lard to the now-classic albums with the Melvins, DOA, NoMeansNo, Mojo Nixon; and of course, The Guantanamo School Of Medicine, Tea Party Revenge Porn is right up there with all of it.

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Jello Biafra With D.O.A.

LP | 1989 | US | Reissue (Alternative Tentacles)

LP | 1972 | US | Reissue (Lion Productions)

Release: 1989 / US – Reissue

Genre: Rock & Indie

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The album-length result of Biafra's collaboration with long-time associates D.O.A. for the super soundtrack of Terminal City Ricochet! Both DKs and D.O.A. began playing music in the same week of 1978, so perhaps this project was bound to happen. It sure seems like it...

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Jerusalem

34,99 €*