Search "shearwater+animal+joy" 10953 Items

12" | 2014 | EU | Original (Pomelo)

Release: 2014 / EU – Original

Genre: Rock & Indie

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So there is a new tenant in the Jean-Claude Vannier residence. The discreet type, but rather noisy. Fuzz guitars, wild farfisa, bass lines mixed well ahead in the Burgalat tradition, flutes playing, horse cavalcades on Miguel El Salam, 'Rhapsode' is such a huge indoor Western shot by the ORTF ( 64's to 74's French Broadcasting Authority TV) that sometimes we expect to see Jean-Christophe Averty spring out from an enclosure, holding both a camera and a joint. But again, clothes dont make the man. The name Forever Pavot was not born of an apology of drugs: "It started as a joke. One day I read too fast a "flower power" poorly written on a school pencil case. It made me laugh", said Emile. The result is worth all these sleepless nights: where others merely copy the past, Emile stacks up sound, rehabilitates the harpsichord in this narrow world that has become pop music. He composes arranged pieces (Electric Mami) that give the impression of hearing 'Strawberry Fields Forever' sung by Zombies. After an initial 45 rpm, 'Christophe Columb', which he produced in the spring of 2013, and which was"distributed free with chocolates" and then repressed by Frantic City, the story of Forever Pavot begins to take shape around a new group.

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Anet K

Eat My Pussy

Hassaan Mackey & Kev Brown

Release: 2014 / EU – Original

Genre: Electronic & Dance

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"Eat My Pussy" is the delightfully nasty debut solo release from Latvian artist Anet K., coming out on Pomelo November 24th. The title track, featuring Anet’s vocals and production, functions as both a demand and endearing request, fusing her encyclopaedic knowledge of electro with a cunning lyrical twist. With such a explicit title, it should come as no surprise that the inspiration for “Eat My Pussy” comes from firsthand experience. Anet K. is no stranger to the scene – as a long-term resident of Berlin she’s contributed vocals to several recent releases, including Barker’s “Like An Animal” on Leisure System. For the remixes, DJ Stingray presents the vocals as an even more aggressive command, while the legendary Egyptian Lover raps some addictive verses and completely revamps the arrangement, presenting his personal ode to cunnilingus in an earworm chorus. On the dance floor or between the sheets: you won’t forget “Eat My Pussy” anytime soon.

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That Grit

Tape | 2014 | US | Original (Ill Adrenaline)

12" | 2014 | EU | Original (From 0-1)

Release: 2014 / US – Original

Genre: Hip Hop

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Following the critically acclaimed "Pillars" EP with MindsOne, Kev Brown teams up again with Ill Adrenaline Records, this time collaborating with fellow Low Budget Crew member Hassaan Mackey to bless listeners with "That Grit".
Both the Washington D.C. based producer-on-the-mic and the Rochester, NY emcee are longtime members of the prolific artist collective and have previously worked together various times, but this mini-album marks the first time the two embark on a full project. Most boom-bap enthusiasts should already be well acquainted with both Kev Brown and Hassaan Mackey: double threat Kev Brown already showcased his skills on microphones as well as production boards on countless releases and has been dubbed "king of basslines" by fans worldwide. In addition to his solo recordings Kev's credits include beats for heavyweights like Busta Rhymes, Biz Markie, De La Soul, Jazzy Jeff, and Marley Marl just to name a few, as well as handling entire album production for LMNO, Kaimbr, and Raw Poetic. Hassaan Mackey released a string of albums, including a full-length LP with Apollo Brown, and appearances on releases by Oddissee, Kaimbr, The Left and L'Orange.
Recorded during a series of impromptu bus and train trips Hassaan took from Rochester to visit Kev in Washington, "That Grit" was created with a spontaneous approach, reflecting both Mackey's freestyle background and Brown's proven "random joints" formula. Entirely produced by Kev Brown and featuring his signature bassline-driven and raw but soulful sound, "That Grit" consists of an intro, eight full-length tracks and six instrumentals. Hassaan and Kev share mic duties on most of the songs, inviting close friends/frequent collaborators Kaimbr, Toine, yU, Kenn Starr, Eye-Q, Asheru (of Unspoken Heard) as well as the Younger Soul Brother Grap Luva along as feature guests, turning the record into a true family affair.

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Milkplant

Time Dilation

13,99 €*

7" | 2014 | EU | Original (Top Smile)

Release: 2014 / EU – Original

Genre: Electronic & Dance

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Seattle/San Francisco based Techno label, From 0-1 issue "Time Dilation", a 12" vinyl/digital EP by label director, and co-owner Milkplant (Justin Pennell) of the San Francisco Bay Area. Andrei Morant and From 0-1 co-owner Sone join in as remixers. Including an endless groove and two locked grooves, this piece of vinyl is meant to be as utilitarian for the vinyl DJ as possible. 'Dimension 4' starts off the EP with a classic big room percussive Techno vibe, closing in an endless groove. Following is Andrei Morant's absolutely punishing treatment of Dimension 4, a tearing lead, and searing percussion point to the main room. Two locked grooves, one percussive, the other synth based close out side '0'. On the flip side Milkplant's 'Spherical' reps a tight "future-retro" vibe; elements of old Motor City Techno dominate with a bit of grit to keep it dirty. Sone dials in a perfect toned down, more expansive and hypnotic interpretation of Spherical showcasing slowly evolving filters and modulation fit for the wee hours of the morning. 'Plasmic' is included only as a digital extra in this release- tough, noisy, and a little tripped out with a bit of swing to keep them on the floor.

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Ras Negus I

Seeking A Way Out

6,99 €*

Release: 2014 / EU – Original

Genre: Reggae & Dancehall

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2LP | 2014 | EU | Original (G's Way)

G's Way

Patchwork

22,99 €*

Release: 2014 / EU – Original

Genre: Organic Grooves

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Bill Evans & Philly Joe Jones

Green Dolphin Street

LP | 2014 | EU | Original (Waxtime)

16,99 €*

Release: 2014 / EU – Original

Genre: Organic Grooves

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2LP | 2014 | EU | Original (Geffen)

The Who

The Who Hits 50

Release: 2014 / EU – Original

Genre: Rock & Indie

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A Fistful Of Wax Volume 4

12" | 2014 | EU | Original (A Fistful Of Wax)

Cedric Myton, Dan I & Dub Creator

Release: 2014 / EU – Original

Genre: Electronic & Dance

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Erman & Abtomat, Kid Mark, An Expresso, Shin, Rosenhaft. A Fistul Of Wax is an extension for some very special projects of our beloved deep house Skylax Records’ sub – label Wax Classic. A Fistful of Wax is back with its fourth volume! This offshoot originally began as an avenue for showing off some of the overflowing great talent we have floating about the Wax Classic sub-label, but with the growing reception of our previous three releases, it has developed itself into its own uniquely successful imprint.

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One Nation

12" | 2014 | EU | Original (Rootical Attack)

Release: 2014 / EU – Original

Genre: Reggae & Dancehall

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12" | 2014 | EU | Original (Drunken Sailor)

No Sir I Won`T

Shit

13,99 €*

Release: 2014 / EU – Original

Genre: Rock & Indie

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12" | 2014 | EU | Reissue (Lost & Found)

Guy J

Dizzy Moments

Release: 2014 / EU – Reissue

Genre: Electronic & Dance

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Guy J returns home to Lost & Found with two absolute monster tracks!

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Native North America Volume 1: Aboriginal Folk, Rock And Country 1966-1985

2CD | 2014 | US | Reissue (Light In The Attic)

23,99 €*

One Of Those Days / One Of Those Dubs

Release: 2014 / US – Reissue

Genre: Rock & Indie

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2016 Grammys Best Historical Album Nominee
34 tracks newly re-mastered
Deluxe 3xLP set includes 60-page book housed in a “Tip-On” slipcase with three “Tip-On” jackets
Both 2xCD and 3xLP editions include comprehensive liner notes, artist interviews, unseen archival photos, and lyrics (with translations)
Vinyl pressed at RTI
Liner notes by Kevin “Sipreano” Howes

Largely unheard, criminally undocumented, but at their core, utterly revolutionary, the recordings of the diverse North American Aboriginal community will finally take their rightful place in our collective history in the form of Native North America (Vol. 1): Aboriginal Folk, Rock, and Country 1966–1985. An anthology of music that was once near-extinct and off-the-grid is now available for all to hear, in what is, without a doubt, Light In The Attic’s most ambitious and historically significant project in the label’s 12-year journey.

Native North America (Vol. 1) features music from the Indigenous peoples of Canada and the northern United States, recorded in the turbulent decades between 1966 to 1985. It represents the fusion of shifting global popular culture and a reawakening of Aboriginal spirituality and expression. The majority of this material has been widely unavailable for decades, hindered by lack of distribution or industry support and by limited mass media coverage, until now. You’ll hear Arctic garage rock from the Nunavik region of northern Quebec, melancholy Yup’ik folk from Alaska, and hushed country blues from the Wagmatcook First Nation reserve in Nova Scotia. You’ll hear echoes of Neil Young, Velvet Underground, Leonard Cohen, Creedence Clearwater Revival, Johnny Cash, and more among the songs, but injected with Native consciousness, storytelling, poetry, history, and ceremony.

The stories behind the music presented on Native North America (Vol. 1) range from standard rock-and-roll dreams to transcendental epiphanies. They have been collected with love and respect by Vancouver-based record archaeologist and curator Kevin “Sipreano” Howes in a 15-year quest to unearth the history that falls between the notes of this unique music. Tirelessly, Howes scoured obscure, remote areas for the original vinyl recordings and the artists who made them, going so far as to send messages in Inuktitut over community radio airwaves in hopes that these lost cultural heroes would resurface.

With cooperation and guidance from the artists, producers, family members, and behind the scenes players, Native North America (Vol. 1) sheds real light on the painful struggles and deep traditions of the greater Indigenous community and the significance of its music. The songs speak of joy and spirituality, but also tell of real tragedy and strife, like that of Algonquin/Mohawk artist Willy Mitchell, whose music career was sparked by a bullet to the head from the gun of a trigger-happy police officer, or those of Inuk singer-songwriter Willie Thrasher, who was robbed of his family and traditional Inuit culture by the residential school system.

Considering the financially motivated destruction of our environment, the conservative political landscape, and corporate bottom-line dominance, it’s bittersweet to report that the revolutionary songs featured on Native North America hold as much meaning today as when they were originally recorded. Dedicated to legendary Métis singer-songwriter and poet Willie Dunn, featured on the anthology but who sadly passed away during its making, Native North America (Vol. 1) is only the beginning. A companion set featuring a crucial selection of folk, rock, and country from the United States’ Lower 48 and Mexico is currently in production.

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Miss A / J.Melody

7" | 2014 (Lotus Dub Sound)

Release: 2014

Genre: Reggae & Dancehall

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LP | 2014 | EU | Reissue (Infine)

Rone

Spanish Breakfast

19,99 €*

LP | 2014 | EU | Reissue (Drag City)

Release: 2014 / EU – Reissue

Genre: Electronic & Dance

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At sunrise, stuck in the last floor of his apartment in Paris, with his elbow on the breakfast table, Rone sink into his dream and ventures into a Wonderland alternately fairy-tale and nightmarish. Hard to find a better illustration than the videoclip of “Spanish Breakfast” to introduce the melting relationship sustained by RONE`s music with imaginary realms. This first collaboration with French short-film boy wonder, Vladimir Mavounia-Kouka could only give birth to a Fantastic piece of work and a relevant visual metaphor for the daydreaming nature of this first album. After a first cut with Lucy on Curle last year, Rone signed a proper 12” on Agoria´s imprint InFiné. Ranking among his best supporters Massive Attack 3D, English superstar Deejays of the likes of Sasha, Lee Burridge and Dial´s or Border Community’s champions, his gliding Bora EP was a first tour-de-force, which reconciled electronic with indie amateurs. In everyday life, Erwan Castex is making soundscapes for exhibitions, adverts or short-films, but when he starts working on his own compositions, Rone becomes the guide of a enchanted world. But what makes Rone run ? Some Spanish Breakfast entertainments ? A catapult throwing juicy electronica towards orange-suns ? A mound of strawberries, as pop and tasty allegory for Belleville, one of the most colourful and animated district of Paris ?

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Woo

When The Past Arrives

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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LP | 2014 | JP | Reissue (P-Vine)

Jintana & Emeralds

Destiny

36,99 €*

2LP | 2014 | EU | Reissue (BMG Rights Management)

Release: 2014 / JP – Reissue

Genre: Rock & Indie, Pop

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The beach overlooks an ocean glistening radiantly with the emerald glow of Jintana & Emeralds’ debut album Destiny, arriving for the first time on vinyl format with P-vine Records. Back in 2014, the band spun heads with their dream-like odes to the doo-wop and surf records of the sixties. It’s also a record that will strike a chord with fans of 80s indie pop, c86 compilations and all those who share the joy of looking back on a golden age of music.

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alt-J

This Is All Yours

31,99 €*

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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The Black Zombie Procession

Vol. III The Joy Of Being Black At

LP | 2014 | Original (Kicking)

Release: 2014 / Original

Genre: Rock & Indie

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2LP | 2014 | EU | Original (A&M)

Bryan Adams

Reckless

Release: 2014 / EU – Original

Genre: Pop

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Maps Of Non-Existent Places

Thank You Scientist

2LP | 2014 | US | Original (Evil Ink)

Release: 2014 / US – Original

Genre: Rock & Indie

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And Now Our Lives Are Complete

2LP | 2014 | UK | Original (O Genesis)

8,79 €* 15,99 € -45%

Release: 2014 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

I Shall Die Here / Earth Triumphant Black Vinyl Edition

The Body

2LP | 2014 | US | Reissue (Rvng Intl.)

I Shall Die Here / Earth Triumphant White Vinyl Edition

Release: 2014 / US – Reissue

Genre: Rock & Indie

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I Shall Die Here / Earth Triumphant is an expanded edition of the fourth full-length album by The Body, first released to widespread acclaim, and terror, in 2014. Sharing their moribund vision with Bobby Krlic, aka The Haxan Cloak, the tried and true sound of The Body is shred to pieces on I Shall Die Here, mutilated by process and re-animated in a spectral state by the collaboration. This double album set is expanded with the previously unreleased Earth Triumphant, a full-length companion album that would become I Shall Die Here, showcasing The Body's brutality in its most primal form. With both albums revisited by The Body and Seth Manchester at Machines With Magnets and remastered by Matt Colton at Metropolis Studios, this is the definitive edition of a shocking classic of unbridled bleakness and innovation. Formed by drummer Lee Buford and guitarist Chip King in Little Rock, Arkansas in 1999, The Body soon relocated to Providence, Rhode Island. The duo remained in Providence for a decade before moving west to their current home of Portland, Oregon. Their debut self-titled album (Moganano, 2003) and on the widely-acclaimed, classification curtailing of All the Waters of the Earth Turn to Blood (At A Loss, 2011) readied the band for even more experimentations. The employment of the Assembly of Light Choir's classical chorales on All the Waters, alongside more industrial music techniques such as vocal sampling and drum programming, prompted RVNG to inquire with King and Buford which darker corners of the electronic universe they were presumably interested in exploring. The undertaking of I Shall Die Here was aided by Seth Manchester and Keith Souza, The Body's long standing engineer and creative collaborator, and noted producer Bobby Krlic. Krlic's own work as The Haxan Cloak struck a similarly despairing chord to The Body with the celebrated Excavation (Tri Angle, 2013), itself a minimalist evocation of the afterlife. I Shall Die Here shares similar nether space with the morbidly deviating darkness of Excavation, but remains sculpturally frozen in a sort of earthen purgatory. The Body's musical approach, engraved by Buford's colossal beats and King's mad howl and bass-bladed guitar dirge, became something even more terrifying with Krlic's post-mortem ambiences serving as both baseline and outer limit. I Shall Die Here sonically serrates the remains of metal's already unidentifiable corpse and splays it amid tormented voices in shadow. This expanded edition gives us a window into the creation of a classic with the inclusion of its in utero twin, Earth Triumphant. Recorded as a nearly finished album by Buford and King before The Haxan Cloak's transformation, it stands as a raw statement of intent, the original DNA for what would soon mutate into something wholly new. Fans of I Shall Die Here will find familiar sonic fragments in a more primitive state - like seeing an out-of-context photograph of a family member taken well before you knew them - but the album stands on its own in its minimalist brutality, a natural bridge to what The Body was soon to become. The Body's I Shall Die Here / Earth Triumphant will be released in digital and vinyl formats on June 30, 2023. On behalf of The Body, The Haxan Cloak, and RVNG Intl., a portion of the proceeds from this release will benefit Intransitive, an organization that works to advance the cause of Trans liberation in Arkansas through art, education, advocacy, organizing and culture in order to create effective systemic change and on-the-ground impact.

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The Body

2LP | 2014 | US | Reissue (Rvng Intl.)

37,99 €*

12" | 2014 | AU | Original (Cliq)

Release: 2014 / US – Reissue

Genre: Rock & Indie

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Biz E

Method EP

4,79 €* 7,99 € -40%

Death Is Nothing To Us Neon Orange Vinyl Edition

Release: 2014 / AU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

After a hiatus of over a decade Sydney underground label Cliq is back with a vinyl release to remind us of how lethal Australian techno can be.

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Fiddlehead

LP | 2014 | EU | Reissue (Run For Cover)

27,99 €*

12" | 2014 | DE | Original (No.)

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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Fiddlehead's third album Death is Nothing to Us is a defiant, new chapter for the band. Since 2014, the Boston-based group have been honing their unique sound, bringing together the energy of hardcore, the anthemic melodies of `90s alternative, and the unbridled passion of Revolution Summer era emo. Their previous albums, 2018's Springtime and Blind and 2021's Between The Richness, dealt heavily with grief from different perspectives, and now their latest feels like a de facto culmination, drawing together many of the catalog's through-lines sonically and lyrically. The band again teamed with producer Chris Teti for their third record, and his punchy production captures Fiddlehead's live energy while showcasing the massive guitars and undeniable catchiness that makes their music so immensely satisfying. The album's concise 27 minutes sound like a natural extension of all of the band's strengths, but is glued together by vocalist Pat Flynn's singular tuneful roar. Flynn, since his time as the vocalist of Have Heart and now as Fiddlehead's frontman, has earned a reputation as one of hardcore's most thoughtful lyricists. He interweaves his ruminations on life, death, and all the joy and tragedy in between with references to Roman philosopher Lucretius; the author Jean Améry; other musicians like Bad Brains, Alex G, or Wire, and even references to the band's own back catalog. The humanity across Death Is Nothing To Us is palpable in every note. It's the kind of art that observes pain with real honesty rather than prescribing a solution for it-and in doing so, inadvertently offers some sense of hopefulness. The album finds Fiddlehead so deeply delving into the pain, confusion, nuances, and contradictions of sadness-so willingly wrapping their arms around a concept as existentially baffling as death itself-that they've created an album that is truly life-affirming. Death is Nothing to Us exemplifies so much of what makes Fiddlehead a special band: taking these heady, unanswerable questions and wrestling with them in a very earthbound way, all wrapped up in the urgent power of a three minute punk song.

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Sagittarius A

Omega Point

5,94 €* 6,99 € -15%

Release: 2014 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

The Unnatural World HHV Exclusive Opaque Grey Vinyl Edition

Have A Nice Life

LP | 2014 | US | Reissue (The Flenser)

9 Songs Translucent Black Vinyl Edition

Release: 2014 / US – Reissue

Genre: Rock & Indie

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Limited edition of 150 copies only available at HHV in opaque grey vinyl.

For years, fans of Connecticut’s post-industrial doomgaze two-piece Have a Nice Life have restlessly awaited the band’s second gloom-fueled, autobiographical meditation. Now, San Francisco label The Flenser is proud to unleash The Unnatural World. With eight songs clocking in at 47 minutes, The Unnatural World is Have a Nice Life’s most monumental release yet—a colossal, perfectly orchestrated work that leaves listeners comatose on the ground beside their record players. This second full-length delivers doom and gloom at a new level, more focused and soul-tearing than ever. The weight of sound is matched only by the band’s piercingly uncomfortable and personal lyrics, dredging up themes of modern legend, religious insecurity and crushing depression. Wave after overwhelming wave will slam listeners down into psychological depths of existentialism and woe. Like its predecessor, the band’s 2008 debut Deathconsciousness, The Unnatural World maintains intensity from quiet lows to staggering highs. No speaker will do it justice, and none of you are worthy!

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Dub Thompson

LP | 2014 | US | Reissue (Dead Oceans)

We Were Promised Jetpacks.

Release: 2014 / US – Reissue

Genre: Rock & Indie

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Take the 101 north out of Los Angeles, and you'll pass by Agoura Hills, where the core duo of the band Dub Thompson grew up. Whatever you see in that town won't readily prepare you for the music they wrote while there, but you're free to look."Most everyone who's in a group who's our age lives on the Internet," says guitarist Matt Pulos. "The kinds of things that have shaped our band aren't anchored to any one time or place."Pulos and his bandmate, drummer Evan Laffer, are currently both 19 years old, and are putting that line of thought to the test; their musical influences travel from the Midwestern malaise of Big Black and Pere Ubu, to Kraut pioneers Can and Kraftwerk, while bowing to the British belligerence of The Fall and This Heat.Recording the album while living with Foxygen's Jonathan Rado at his rented house in Bloomington, the band had its first taste of a heavy Indiana summer, and all the humidity and insect life that buzzes along with it. "We woke up every day, ate hard-boiled eggs and stood on a porch," says Pulos of the experience.Their first collection of songs slyly unties the shoes of genre and convention, shapeshifts mischievously, and tramples on the promises delivered on the name itself.There are only eight songs on this rangy debut.Intense blasts of hook-filled noise rock ("Hayward!"), rocksteady marionette stomp ("No Time"), hypnotic bouts of doomy poetics ("Epicondyles"), outlandishly sexy groove rock ("Dograces"), and a number of other bite-sized forays into parts unknown are made manifest across 9 Songs. The vibes are strong here. Pulos sings and plays like he's working out long-standing grudges, pulling the most sinewy tones from an acoustic guitar and ripping huge chunks of demon flesh out of his electric. Laffer matches him step for step on the drums, an exacting presence behind the kit who pushes even the band's more placid moments into bouts of tension. Together they succeed in animating their musical ideas to startling, almost unnatural life. Reverb units, keyboard...

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Unravelling

CD | 2014 | UK | Original (FatCat)

5,99 €*

Release: 2014 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

CD | 2014 | EU | Original (Sub Pop)

J Mascis

Tied To A Star

Release: 2014 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Haven't Got The Blues (Yet)

Loudon Wainwright III

CD | 2014 | EU | Original (Proper)

Release: 2014 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

The Cautionary Tales Of Mark Oliver Everett

Eels

2CD | 2014 | EU | Original (E Works)

Release: 2014 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Animal Ambition: An Untamed Desire To Win

50 Cent

2LP | 2014 | EU | Original (Caroline)

40,99 €*

3CD | 2014 | EU | Original (Sony Music)

Release: 2014 / EU – Original

Genre: Hip Hop

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Fifty is back in building, with features by Dr.Dre, Jadakiss & Styles P and others.

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Wu-Tang Clan

Original Album Classics

Release: 2014 / EU – Original

Genre: Hip Hop

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2LP+7" | 2014 | US | Reissue (Matador)

Yo La Tengo

Extra Painful

54,99 €*

The Joy Formidable / Colorama

Release: 2014 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

With inserts but without 7"

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Yn Rhydiau'r Afon / Forget Tomorrow

7" | 2014 | UK | Original (The Joy Formidable Self-released)

19,99 €*

Release: 2014 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Different Shades Of Blue 10th Anniversary Vinyl Edition

Joe Bonamassa

2LP | 2014 | EU | Original (Mascot Label Group)

Release: 2014 / EU – Original

Genre: Rock & Indie

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LP | 2014 | EU | Original (Oede Oe)

Illdjinn

12" | 2014 | Original (Hits Records)

Release: 2014 / EU – Original

Genre: Electronic & Dance

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Illdjinn is Mads Forsby (Fire! Orchestra, Girls in Airports, Quadron, Frisk Frugt, Emnet) on an electrically groomed drum set that moves between free jazz, rotating polyrhythmics, noise and rave.

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A Different Jimi

Hi5, Sweet Canfy

3,99 €*

Release: 2014 / Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

...And You Will Know Us By The Trail Of Dead

LP+CD+All Media | 2014 | DE | Original (Superball Music)

49,99 €*

Release: 2014 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

4LP | 2014 | EU | Reissue (Music On Vinyl)

Wu-Tang Clan

Wu-Tang Forever

99,99 €*

12" | 2014 | DE | Original (Uncle M)

Release: 2014 / EU – Reissue

Genre: Hip Hop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Clear vinyl.

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Apologies, I Have None

Black Everything

Nightmares For A Week , Banquets

Release: 2014 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Black on black screenprited b-side. Limited to 500 copies.

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Nightmares For A Week / Banquets Split

LP | 2014 | DE | Original (Coffeebreath And Heartache)

3,99 €*

Release: 2014 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 2014 | DE | Original (Yo-Yo)

High Dive

LP | 2014 | BE | Original (Powered)

Release: 2014 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Includes Inlay! Clear/ Picture Disc

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Caught In A Crowd

Still Holding On

Release: 2014 / BE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

LP | 2014 | DE | Original (Street Survival Records)

Client.

Joy Is The Only Treat

30,99 €*

12" | 2014 | DE | Original (Yo-Yo)

Release: 2014 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Pink vinyl. Special numbered edition. Original inner sleeve. With sticker and insert.

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Caves

Leaving

Release: 2014 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

OST The Phantom Of The Opera

The Laze

LP | 2014 | US | Original (One Way Static)

22,99 €*

12" | 2014 | UK | Original (The Trilogy Tapes)

Release: 2014 / US – Original

Genre: Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Black and clear split vinyl.

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A Made Up Sound

Night Owl

Release: 2014 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2014 | EU | Original (One Way Static)

Shooting Guns

OST Wolfcop

Release: 2014 / EU – Original

Genre: Soundtracks

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Used Vinyl

Medium: Sealed, Cover: Sealed

12" | 2014 | EU | Original (Oye)

Franke & Son

The Random Funktion EP

Release: 2014 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

12" | 2014 | UK | Original (Planetary Notions)

Joe Rolet

Green Aid

Release: 2014 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Includes inlay!

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12" | 2014 | DE | Reissue (O*RS)

O*RS 1700 RP

Release: 2014 / DE – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 2014 | JP | Original (CABARET Recordings)

U-More

The Slope

Release: 2014 / JP – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Qx-1 (Mike Dunn) Presents A Black Girl Named Sally

Say You Love Me

12" | 2014 | EU | Original (Slow Town)

Theia Anniversary Edition

Release: 2014 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

We always dreamt about releasing this EP in our label. Since we discover it, it has been heavy played in each Slow Town party. QX1 is in the town with an outstanding EP from 1992. One QX1 track with 3 different Mike Dunn edits. Just rad. Say You Love Me has been carefully remastered to reach the sound it deserve. Enjoy the ride and Say You Love Me!

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Elephant Tree

LP | 2014 | EU | Reissue (Magnetic Eye)

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-11-15

7" | 2014 | US | Reissue (Ja-Man)

Randells

Brimstone & Fire

Release: 2014 / US – Reissue

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG+, Cover: Generic

LP | 2014 | DE | Original (Street Survival Records)

Client.

Joy Is The Only Treat

LP | 2014 | US | Original (Run For Cover)

Release: 2014 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Milky clear vinyl. Special edition, hand numbered. Original inner sleeve and insert.

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Tigers Jaw

Charmer

23,99 €*

The World Is A Beautiful Place & I Am No Longer Afraid To Die, Rozwell Kid, Kittyhawk , Two Knights

Release: 2014 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover with bumped corners and beginning of seam split on top spine. White w/ Pink Starburst vinyl

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Sundae Bloody Sundae

Flexi-disc | 2014 | US | Original (Skeletal Lightning)

Jorge Ben & Toquinho / Joao Donato

Release: 2014 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Clear flexi vinyl.

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Carolina, Carol Bela / A Rã

7" | 2014 | UK | Reissue (Mr Bongo)

Release: 2014 / UK – Reissue

Genre: Organic Grooves

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Jorge Ben is a name that any lover of Brazilian music will be very familiar with. He is widely regarded as the James Brown of Brazilian music and is famed for writing the Brazilian anthem ‘Mas Que Nada'. For the duet ‘Carolina, Carol Bela' he teamed up with the singer and guitarist Toquinho. Toquinho is best known for his collaborations, as composer and performer, with bossa nova poet Vinicius de Moraes.

'Carolina, Carol Bela' featured on the album Toquinho by Toquinho. It was originally released in 1970 on the small independent Brazilian label, RGE. The song was sampled by DJ Marky and XRS for their Drum & Bass track ‘lk’ (V Recordings, 2002). This went on to be a huge chart hit across the world, and a number one hit in the UK.

João Donato is a Brazilian jazz and bossa nova pianist. He has collaborated with many of the greats of Brazilian Music, including Tom Jobim, Astrud Gilberto and Gilberto Gil. He was one of the few Brazilian artists who went over to perform in the States during the bossa nova boom of the late 60’s. The song ‘A Rã’ was originally released on his seminal album Quem é quem, (emi, 1973), an album that is full of great tracks and was considered as one of the 100 best albums of all time by the Rolling Stone magazine.

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10" | 2014 | DE | Original (Time As A Color)

My Heart In Your Hand

Release: 2014 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2014 | US | Reissue (Blue Note)

Wayne Shorter

Speak No Evil

Theia Clear / White / Green Marble Anniversary Vinyl Edition

Release: 2014 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

US reissue from 2014 on 180gr vinyl. Still in shrink, but opened, with hype sticker

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Elephant Tree

LP | 2014 | EU | Reissue (Magnetic Eye)

35,99 €*

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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Dream Your Life Away 10th Anniversary Edition

Vance Joy

2LP | 2014 | US | Reissue (Atlantic)

51,99 €*

Release: 2014 / US – Reissue

Genre: Pop

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Stashboxxx [10-Year Anniversary Edition]

DJ Harrison

2LP | 2014 | US | Reissue (Jellowstone)

12" | 2014 | US | Original (Spectral)

Release: 2014 / US – Reissue

Genre: Hip Hop

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DJ Harrison celebrates a decade of Stashboxxx, an essential early solo release via Richmond, VA’s Jellowstone Records. The record includes popular joints such as “Erykah’s Gun” and “Dilla’s Eclair”, and will be joined with a collection of unreleased Bonus Traxxx.

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Mark E

Avion EP

4,99 €*

Release: 2014 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: G+, Cover: Generic

Lie To Me Lightbluemover Remix

Anthony Collins

12" | 2014 | EU | Original (Have A Killer Time)

Release: 2014 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

12" | 2014 | DE | Reissue (O*RS)

Aaaron

SuperSingle RP

Release: 2014 / DE – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

2LP | 2014 | EU | Reissue (Music On Vinyl)

Wu-Tang Clan

The W

74,99 €*

Ever-Crushed At Pecket's Well

Release: 2014 / EU – Reissue

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: VG+

Translucent vinyl close to NM

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We Came Out Like Tigers

12" | 2014 | Original (Dog Knights Productions)

12" | 2014 | UK | Original (Abstract/Culture)

Release: 2014 / Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Green Transparent vinyl

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Whim-ee

Streets Of Recife EP

2LP | 2014 | US | Original (Suicide Squeeze)

Release: 2014 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Generic label cover

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This Will Destroy You

Another Language

I Wanna Know feat. James Garcia

Release: 2014 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Copper [Custom Copper] vinyl

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Omar S

12" | 2015 | US | Original (FXHE)

Trent Reznor & Atticus Ross

Release: 2015 / US – Original

Genre: Electronic & Dance

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1st FXHE joint for 2015, check it!

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OST Gone Girl

LP | 2015 | US | Original (Sony)

Quarta Pagina (Poliziesco) Deluxe Edition

Release: 2015 / US – Original

Genre: Soundtracks

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Nine Inch Nails mastermind Reznor and composer Ross join forces for this one!

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The Braen's Machine

LP+CD | 2015 | EU | Original (Schema)

20,99 €*

2LP | 2015 | UK | Original (Late Night Tales)

Release: 2015 / EU – Original

Genre: Rock & Indie

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Quarta Pagina (Poliziesco) is an unique obscure recording by The Braen's Machine Now available for all music library lovers." - Despite a long series of reissues and rediscoveries that are throwing the ultimate light on one of the most fascinating and enigmatic periods of Italian music history - that of sonifications - the project that goes by the name Braen's Machine continues to evade categorization, and positive information. If you are among the many who got their hands on the beautiful "Underground", republished by Schema a few months ago, you will already know of the involvement of, among others, Piero Umiliani, Alessandro Alessandroni - the name Braen seems to be his alias - and Oronzo (Rino) De Filippi, real name of the other credited author, the mysterious Gisleri. For this new chapter from Braen's Machine, the beautiful and hard to come by "Quarta Pagina (Poliziesco)", published apparently in 300 copies, there are few available pieces of information, pointing to an involvement of Giuliano Sorgini, hidden under the name of Raskovich, and author of five out of the eleven tracks on the release.

The lack of reliable information and the enigmatic flavor surrounding the project Braen's Machine, as opposed to the ease with which the music allows us instant identification, are among the secrets that make their records unique. Unlike "Underground", "Quarta pagina" portrays with great skill some possible - who knows if they ever have been realized - crime scenes, with hard-boiled and dark atmospheres, alternating with the psych funk rides that have always characterized many of the projects related to the Italian cinematic genre. All this without excluding, however, avant-garde attitudes and atonal passages that makes "Quarta pagina (Poliziesco)" comparable to the best pages of the Gruppo d'Improvvisazione Nuova Consonanza.

The track titles, fascinating as usual, tell of "Fraud", "Shadowing", "Remorse", "Soliciting", and emphasize decisive moments as in the case of "The Victim", "On the Run" or "In Prison", while the indications that accompany the pieces will be a treat for fanatical collectors of sonifications. It's not that hard to imagine situations of "exotic full moon, preparation for a violent action, spiritualism, facing fear, sexual freedom, preparation for a revolt" while listening to these precious eleven tracks, which alternate between "slow and animated". And, believe it, you don't even need a dose of LSD (as per the advice of "The Den") in order to travel back to 1971, the year of the album's first release. A page 4 ("Quarta pagina") crime story perhaps, but a legacy of sound that largely deserves a nine-column headline on the front page ...

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Jon Hopkins

Late Night Tales

36,99 €*

12" | 2015 | UK | Original (Six D.O.G.S)

Release: 2015 / UK – Original

Genre: Electronic & Dance

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Unmixed Double 180 gram Vinyl (Includes download code to the Jon Hopkins mix and full unmixed tracks as wav/mp3)

Requiem for a dreamstate. It’s possibly somewhere between heaven, hell and high water, down the Thames Delta towards Eden. It may involve techno and a distorted state or simply mates sat listening to music together, drifting on the open sea of their minds. This is Jon Hopkins’ world, not so much joining the dots as colouring the whole damn picture in.

After releasing his debut album 'Opalescent' at the rookie age of 21 in 1999, he’s gone on to work with Brian Eno and David Holmes, produced King Creosote and via Eno, worked on three Coldplay albums. He released the breakthrough album 'Immunity' in 2013, which was nominated for the Mercury Prize.

The story arc with which Hopkins succeeded on 'Immunity' makes its appearance on Late Night Tales too with a perfectly sculpted excursion on this widescreen mix. . Opening with the unreleased 'Sleepers Beat Theme' by composer Ben Lukas Boysen, ghostly pianos skip elegantly hither and thither, among rising strings, as on Darkstar’s ‘Hold Me Down’. Nils Frahm is here, his sonic palette perfect for the job, while labelmate A Winged Victory For The Sullen contribute ‘Requiem For The Static King Part I’. Sigur Ros offshoot Jónsi & Alex’s heroic ‘Daniell In The Sea’ sends us forth towards the Baltic with tears streaming.

Beats occasionally appear, as on the Grace Jones-sampling ‘Yr Love’ by Holy Other or the pair of Black Country acts Bibio and Letherette, whose ‘After Dawn’ is almost spry in comparison to the minor key symphonies on display here. The perfect contrast to this comes from Alela Diane’s wistful ‘Lady Divine’ or even Four Tet’s mesmerising ‘Gillie Amma I Love You’, with its enchanting kids’ choir. Exclusive to this release, Jon Hopkins provides a startlingly vulnerable new piano version of Yeasayer’s ‘I Remember’.

Poet and fellow Brian Eno collaborator (their joint album 'Drums Between The Bells' was released by Warp in 2011) Rick Holland narrates the exclusive spoken word closer 'I Remember', underpinned with additional sound design by Hopkins.

"Putting this album together was a unique opportunity for me to present music that I have been listening to for years, free from the constraints of a club setting or from trying to stick to one genre. I chose tracks not just because they have been important to me but because of how they sit together, putting as much thought into the transitions and overall narrative as I did into the track choices. I mixed by key and by texture more than anything else, using original sound design, pivot notes, and often recording new synth or piano parts to link things together in a way that flows as naturally as possible." - Jon Hopkins, December 2014

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Glacial

Entropy EP

12,99 €*

Tape | 2015 | US | Original (Ill Adrenaline)

Release: 2015 / UK – Original

Genre: Electronic & Dance

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Glacial are the joint project of renowned Greek techno/house producer Giorgos Lemos -simply known as Lemos - and saxophonist/experimental artist Ilan Manouach.

On side A we are greeted by an epic fifteen-minute-long dub techno monster. Don’t let that sweet jazzy intro misguide you, as the track builds and builds to reach monstrous heights of energy, full of sub-basses and screaming horns, ideal for both peak-time or after-hours action. Side B is deeper, moody and minimal with a great groovy loop. Jazzy elements all over set the tone and when the break comes ilan’s saxophone shines through like a blister in the sun.

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Flip

Reflections

LP | 2015 | UK | Original (Blind Chicken)

Release: 2015 / US – Original

Genre: Hip Hop

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What happens when an Austrian rap producer with a history of more than 20 years in the game, teams up with some of his favorite MC's from the US? First of all, great music. But wait a second, who's that guy? Flip is a veteran producer and rap enthusiast from Linz, Austria who got addicted to hip-hop and its culture in the early 80's when he first heard joints by The Fat Boys and Melle Mel on Austrian radio. A couple years later, heavily being influenced by the sound of Public Enemy, Eric B & Rakim and EPMD, Flip and a bunch of other rap-nerds founded the nationally critically acclaimed group Texta in 1993 and became the originators of the Austrian rap scene. Flip also has been organizing hip-hop shows in his hometown Linz since 1994 and started building connections to the US indie rap circuit since 2000. So as these connections grew, Flip began to record songs with the artists passing through and doing shows. Out of many tracks Flip recorded, he picked the best collabos for his "Reflections" album, with a line-up boasting artists from all corners of the US, like AG (of D.I.T.C.), Killah Priest of the Wu-Tang family, Elzhi, Guilty Simpson, Phat Kat, Edo. G, Kev Brown, LMNO, Tragic Allies and many more.

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Lula And The Beebops

Steady Roll

Godspeed You Black Emperor!

Release: 2015 / UK – Original

Genre: Rock & Indie

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Lula & The Bebops play rock’n’roll as if their lives depended on it.
“Steady Roll” is 13 tracks of jumping, jiving, rocking rhythm and blues. A debut album from a band who sound like they’ve been around forever.
Lula’s vocal goes from a whisper to a hurricane and with musical accompaniment provided by the Bebops, captures the spirit of the classic 1950’s Atlantic Records R&B Recordings.
Authentically recorded and mixed in mono and lovingly packaged; “Steady Roll” unearths lesser-known numbers, turning them into classics.

Lula & The Bebops put the sex and grit back into rock’n’roll. They make vintage songs sound relevant to now.

A band born and brought up in the industrial heartland of the North, who have seen the highs and lows and play with all the heart, soul, sadness, joy and pride that primal beat deserves.

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Asunder, Sweet & Other Distress

LP | 2015 | US | Original (Constellation)

24,99 €*

LP | 2015 | US | Original (Big Legal Mess)

Release: 2015 / US – Original

Genre: Rock & Indie

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Back in 2012, the shadowy, majestic Canadian post-rock collective Godspeed You! Black Emperor released Allelujah! Don’t Bend! Ascend!, their first album after a decade-plus hiatus, and it was just as thundering and grand and powerful as everything else they’ve ever done. The band won Canada’s Polaris Music Prize for the album, and they issued a statement about the “tone-deaf” ceremony, but that story should not overwhelm the gut-grabbing power of the album itself. And now they’ve announced that they’ll have another album for us in about a month, which is just excellent news. The new album, Asunder, Sweet And Other Distress, clocks in at an overwhelmingly brief 40 minutes, which is pretty surprising coming from a group whose individual tracks often inch past the 20-minute mark. The album only has four songs, but 10-minute songs are still concise by Godspeed standards. The band recorded the album with Electrical Audio engineer Greg Norman at studios in North Carolina and Montreal.

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Leo Bud Welch

I Don't Prefer No Blues

21,99 €*

LP | 2015 | US | Original (Oh Boy)

Release: 2015 / US – Original

Genre: Organic Grooves

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At age 82, bluesman LEO “BUD” WELCH rocks on stage like a teenager—dancing and spinning as he beats out jagged chords and grimy solos on his pink, sparkle-covered guitar. That raw youthful energy and Welch’s old-school juke-joint jones blend full-throttle in the 10 songs on I Don’t Prefer No Blues, his second release for Fat Possum Records’ subsidiary Big Legal Mess. The album is a garage-blues manifesto that weds waves of prickly six-string distortion and gutbucket drums with Welch’s smoke-and-ash voice and mud-crusted guitar—and lives up to Fat Possum’s history of producing edgy but deeply rooted recordings by artists like Junior Kimbrough and R.L. Burnside.

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John Prine

September 78

12" | 2015 | EU | Original (Drumcode)

Release: 2015 / US – Original

Genre: Rock & Indie

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unreleased cover songs, limited to 1250, indie-retail exclusive Limited edition for Record Store Day 2015!

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Victor Calderone

Burden

Azymuth / Osmar Milito E Quarteto Forma

Release: 2015 / EU – Original

Genre: Electronic & Dance

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Victor Calderone has a very colourful history within the music scene working with the likes of Sting acting on Madonna's recommendation to remix 'Desert Rose' after also remixed Madonna's 'Frozen'. Having previously worked with Nicole Moudaber, they released a joint EP on Drumcode named, 'The Journey Begins' to great success. As a solo artist and DJ, Victor has been a resident at Roxy in New York and Liquid in Miami and has been working in the music industry since the early 90's to great success. Victor Calderone has stepped up for his first solo release on Drumcode with his two track single, 'Burden'. Featuring two energetic tracks, 'Skin' and 'Burden', Victor has used effected vocals to create funky rhythms over the top of some steaming kick drums. The synth stabs lend themselves well across this EP particularly in 'Burden' where they really augment the flow of the track. The use of percussion phrases throughout both tracks on the single also reinforces the grooves and adds character to create a distinctive sound that keeps the single fresh and exciting.

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A Manha / America Latina

7" | 2015 | UK | Original (Mr Bongo)

LP | 2015 | EU | Original (Bureau B)

Release: 2015 / UK – Original

Genre: Organic Grooves

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The b-side wins again! Sampled to fame by Madlib for the mighty Madvillain album!

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Die Wilde Jagd

27,99 €*

Mutilator Defeated At Last

Release: 2015 / EU – Original

Genre: Rock & Indie

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Die Wilde Jagd (The Wild Hunt) is a joint project of Ralf Beck and Sebastian Lee Philipp, named after an ancient Germanic myth. Beck is a musician and producer from Düsseldorf. He has released several albums as part of the duo Nalin & Kane, as well as under the name Unit 4. Philipp is part of the Berlin-based electro-wave duo Noblesse Oblige. They joined forces after meeting in Düsseldorf's club Salon des Amateurs. It seems no coincidence that Düsseldorf is the duo's founding city: their music is full of subtle references to local acts, such as Kraftwerk, NEU!, DAF, Liaisons Dangereuses, Pyrolator, the Krupps and Propaganda. Using numerous analog keyboards and recording devices, and combining them with a diverse range of percussion instruments, they create their own "hunting music", which at times sounds unsettling, like swampland or a dark forest, but also urgent and pressing, like incandescent lasers or a hypnotic dance.

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Thee Oh Sees

LP | 2015 | US | Original (Castle Face)

34,99 €*

LP | 2015 | EU | Original (Denovali)

Release: 2015 / US – Original

Genre: Rock & Indie

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Here we have a new batch from Thee Oh Sees for your absorption—nine muscular tunes primed to pummel. Last year’s Drop was more schizophrenic, ranging from heavy to whimsical and back; Mutilator Defeated at Last has more in common with the monolithic hugeness of Floating Coffin. With only two brief reprieves from its onslaught, this record is made to be played loudly and demands bodily sacrifice. Despite the plutonium heavy feel, Thee Oh Sees continue to be omnivorous. Synths and acoustic guitars wind throughout the album like veins of gold through granite. Any and all that stands in its way will be devoured and assimilated. This is the sound of a band doing what they do best.

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Ah! Kosmos

Bastards

25,99 €*

12" | 2015 | EU | Original (Second State Audio)

Release: 2015 / EU – Original

Genre: Electronic & Dance

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Ah! Kosmos is the moniker of Istanbul-based producer and instrumentalist Basak Günak. Bastards digs deeply into the surface and soon turns that hole into a living space, a home for all. Supporting the likes of Darkside, James Holden, Kiasmos, Two Door Cinema Club, Emika, Daddy G (Massive Attack) in her hometown Istanbul, Ah! Kosmos performed at remarkable festivals as Rock’n Coke, Babylon Soundgarden, Venice Electro Festival, Budapest Punkurica Festival, Piknik Elektronik in Brussels, Tokyo Electronic Music of Arts Festival and CitySonic Festival in Mons.

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The Reason Y

Hide & Seek EP

Release: 2015 / EU – Original

Genre: Electronic & Dance

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LP | 2015 | EU | Original (On-U Sound)

The Mothmen

Pay Attention!

Release: 2015 / EU – Original

Genre: Reggae & Dancehall

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Damaged Bug (John Dwyer of Thee Oh Sees)

Cold Hot Plumbs

LP | 2015 | US | Original (Castle Face)

25,99 €*

Release: 2015 / US – Original

Genre: Rock & Indie

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John Dwyer has a surprise… While everyone eagerly anticipates the next Oh Sees record, he’s been working tirelessly in his synth laboratory, hand-crafting a followup to last year’s neon-noir Damaged Bug debut—one that shakes up the snow globe considerably. If Hubba Bubba was a brush with a robotic exoskeleton on deep-space patrol, Cold Hot Plumbs visits the alien world that sent it into the cosmos. Lush, textural and psychedelic, the songs breathe with a otherworldly sadness and heart. Barbed, sophisticated arrangements flower in every direction. The vintage-perfect sound palette would be window dressing if not for the songs themselves: fresh, vital, and above all catchier than the flu. Cold Hot Plumbs is a strange, beautiful, and oddly infectious addition to Dwyer’s oeuvre, and not one to be missed.

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Too Slow To Disco Volume 2

2LP | 2015 | EU | Original (How Do You Are?)

31,99 €*

LP | 2015 | US | Original (NNA Tapes)

Release: 2015 / EU – Original

Genre: Organic Grooves

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16 relaxed tracks by Hall & Oates, Joe Vitale, Niteflyte, Eric Kaz & more fine people.

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Drainolith

Hysteria

20,99 €*

Vulnicura Remixes - History Of Touches Kramphaft Remix

Release: 2015 / US – Original

Genre: Rock & Indie

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NNA is very proud to present our second release from Canadian hero Alexander Moskos’ Drainolith project. Following up 2012’s “Fighting!” full length LP (Spectrum Spools), “Hysteria” reaches new levels in the Draino sound world, resulting in his most fully realized record to date. Moskos has spent years marinating solo in the cold Northern underground, cutting his chops as lead axegrinder with Montreal-based noise punks AIDS Wolf, and most recently rolling with North American all-star clan Dan’l Boone. “Hysteria” is the result of nearly two years spent in various studios with producers and fellow ‘Boone brothers Nate Young (Wolf Eyes) and Neil Hagerty (Royal Trux), working diligently together to take a few steps beyond Trip Metal and extract the skeleton out of “rock”, inserting it into a newer, much weirder, humanoid skin. The epicenter of this sound rests humbly on the foundation of guitar and voice, two facets of sound that Moskos has carefully cultivated through years of experimentation and digestion from a wide array of musical influences. The relaxed, loose, and energetically electric technique of guitar playing is reinforced by Drainolith’s unrivaled tone, which has morphed throughout the years but now stands alone atop a mountain of shredders. It is ripe with Bluesy fuzziness and the humanity of Americana, while punctuated by the gritty stab of 80’s death metal, and further rounded out with a sprinkling of EVH-esque chorus zones and free jazz adventurousness. The result is a sound that pre-dates the internet in a fabulous way. Each note seems to leave behind a glistening impression like a spot of grease on a pizza box. A tone as unique as this is only bolstered by the vocal delivery, the literal voice of the Mind of Moskos. This beautifully cold, dripping baritone is unmistakable, it’s fried-yet-poetic articulation recalling a halfway point between a melting Dylan and a blazed Robert Ashley. Over-tired, over-wired, and over it. Moskos lets every word kerplunk into a mesmerizing puddle of observation, giving something as mundane as staring out the window or a Vancouver hotel foyer the poignancy of a published work. With guitar and voice at the core, the additional instrumentation on “Hysteria” is the bizarre glue that binds it all together, using the palette of electronics, keys, and haphazardly triggered beats and percussion in an intensely layered fashion to ensure maximum disorientation. The compositions are fully stacked, allowing little room for sparseness or tender moments. Tracks like “Qix” stagger forward in a deranged manner, it’s elastic percussion hearkening back to purple Nike foot-pounding of 2011’s “Where Are Ye Col. Leslie Groves?” cassette and the “one man band” era, for those of us fortunate enough to witness Drainolith’s live experience. Other tracks like “Joy Road” burn on patiently, disintegrating piece by piece into the ether of time amid a bed of Fender Rhodes eeriness... almost like a rare Canadian B-side to the Lizard King’s “An American Prayer”. Blues notions are confronted by Beastie-esque guitar stabs, smeared together with repetitive, angular riff rotations and flailing synth filigree, creating a densely-layered intensity that feels like the anxiety of standing in a rat’s nest of instrument cables and leaky pipe water in a moist basement. Pleasant melody is of little interest here, instead thriving on dissonance and reminding us of the OGs of post-punk, when rock met experimentation and abstraction head on, shoving a properlygreased square peg into a circular hole. While thematically cryptic, “Hysteria” drops rough clues to the heart of it’s content, filled withtales of Quebec biker wars, sinking into couches, Detroit street hassles, sneaker worship, sidewalk slush, sexual desire and seasonal affect disorder. At it’s heart, “Hysteria” is the product of a musician who has much love for the past, but also little interest in recreating it. It is a song cycle that reflects the complexities of our day to day world through the psyche of the modern jammer, fueled by the quintessentially Moskosian diet of caffeine and nicotine. Someone who isn’t content sitting stagnant in a crowd of tradition, and who acknowledges that radical ideas are necessary to propel things into the future.

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Björk

12" | 2015 | UK | Original (One Little Indian)

Vulnicura Remixes - Notget Lotic Keptsafe Version

Release: 2015 / UK – Original

Genre: Electronic & Dance, Pop

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Part of a series of single-sided etched translucent 12” records, each with their own unique etching and die-cut ‘Vulnicura’ wound sleeves, designed by M/M, Paris. “Krampfhaft is someone I have been listening to for few years adoring his hyperbeauty, orchid techno I nickname it in the
vein of plaid and others: brave enough to take joy on in the often rather apocalyptic
environment of electronic music” - Björk. “I was very honoured to be part of this, although it was a pretty daunting task to
rework a song with such an intimate topic! As the original is very stripped down, all
I could think of doing was adding in [even more] tension and drama. So I layered the
whole track on to a bed of heavily compressed cloth movement and gradually built up
the tension from there.” - Kramphaft

Go to Item

Björk

12" | 2015 | UK | Original (One Little Indian)