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LP | 2024 | EU | Original (Do Barulho)

Release: 2021 / EU – Original

Genre: Electronic & Dance, Pop

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"Amsterdam, 1982. Smoke fills the streets, squatters clash violently with the police, uprising is in the air. In this disorderly mess, the worlds of activism, art, fashion, and nightlife converged into an explosion of creativity. Amidst all of this Electric Party, the brainchild of René van Rijn, released the ‘Work’ tape on Amsterdam label Fetisj, now a cult cassette for the few who remember.

Forty years ago they created this unique blend of no wave, mutant disco, funk, and experimental music. It was around the time of the rise of the members-only club Mazzo, with all its prominent figures, the anarchy of the squatting movement, and the art academy connection. Everything took place in this inebriated twilight zone of blissful joy.

This record consists of 3 of the best tracks from the ‘Work’ tape and 6 unreleased tracks from forgotten cassette tapes, all remastered and restored where necessary. Among them the unreleased anthem ‘Caribe’, which was recorded in Spain as the opening track for a Spanish discotheque in 1987.

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Wealstarcks

Gratidaoh

James Brown And The J.B.'S

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Parisian producer Wealstarcks broadens our world through his music. The French-born producer/DJ was raised in the city of light, but his sound is nomadic as he masterfully arranges House music, and Brazilian culture. His first ever released “Gratidaoh” 2021 generated millions of streams and since then, the vinyl edition has been heavily on demand. His DJ sets are known to command a room and lower inhibitions, from Rio de Janeiro to Milan and his production credits include eminent names around the world from Tory Lanez to French rapper Booba or Italian singer Sfera Ebbasta. The LP “Gratidaoh” is finally available thru São Paulo based label SDB Discos on a limited edition and 45rpm for best sound quality! Grab yours!

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Special Versions By Dimitri From Paris

12" | 2024 | UK | Original (Dfp Vaults)

2LP | 2023 | EU | Original (Axces)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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The incomparable Dimitri From Paris returns with the latest installment of his acclaimed DFP Vaults series, showcasing the deep cuts that solidify his reputation as one of the premier remixers, DJs, and champions of crate-digging culture in dance music today. This particular release holds a special place in Dimitri's heart, as he explains in his own words below:

"James Brown, the undisputed godfather of soul and the hardest working man in show business, is one of the few artists for whom the term 'legend' feels like an understatement. With a career spanning five decades, countless albums and singles, his unique voice and sound have become synonymous with dance music. Beyond his own recordings, thousands of James Brown samples have permeated our ears since sampling became a cornerstone of music production in the mid-80s—across genres from Hip-Hop to House, Drum 'n' Bass, and everything in between.

This release is particularly meaningful to me. Since my early days as a DJ, I’ve watched James Brown light up dance floors across cultures and generations with his inimitable swagger and irresistible energy. I bought my first James Brown record in 1981—Soul Syndrome, featuring the track 'Funky Men.' At the time, I was a bit disappointed as it didn’t have the classic 'Funky Drummer' style I was expecting, so it ended up buried in a pile of other James Brown classics.

Fast forward over 40 years, and I hear 'Funky Men' again, played by my good friend Alex From Tokyo, and it sounds fresher than ever. The unusual disco beat accompanying James Brown’s vocal, which once made the track stand out in a strange way, has now become its greatest asset! I quickly took it to the edit board, using a mix of old and new techniques, to create my 'Special Version' of 'Funky Men,' which has already been tried and tested on dance floors near you.

For the flip side, I wanted to explore the later, lesser-known disco side of James Brown. The J.B.'s, his personal live band, released a few tracks of their own under his production. Most were instrumentals featuring the breakbeat-heavy sound typically associated with James Brown. However, 'Just Wanna Make You Dance,' with female vocals by Maxxi, offers an almost Caribbean disco vibe. Uniquely, it was released as a 12’’ single with a DJ-friendly remix that included different breaks and drops—something quite rare for a James Brown production at that time. Here again, I’ve given it my own 'Special Version' treatment, respectfully enhanced for maximum DJ impact."

DFP Vaults is the sister label to Le-Edits Records, both of which are highly collectible. While Le-Edits focuses on classic songs remixed from original master tapes, DFP Vaults takes a more eclectic, DJ-friendly approach, spotlighting underdogs and unreleased versions straight from Dimitri's vault. True to Le-Edits' highest production standards, this release features state-of-the-art mastering, cutting, and pressing, all housed in a heavy 'Tip-On' vintage replica custom sleeve.

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Kasper Marott

Fantasy

An Ever-Growing Meridional Entertainment Transgression At The Edge Of The Multiverse

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Second album from the danish DJ & producer features 8 club tracks that explores pulse-racing, cartoonish and colourful atmospheres and textures. Second album from the danish DJ & producer features 8 club tracks that explores pulse-racing, cartoonish and colourful atmospheres and textures.

On the album you will find classic disco references morphed into ultra vivid sound design and up to date dance bangers. You'll also find threefold narrative bliss boiled into a dance adventure and fresh takes on classic dub techno with clear spy trance references.

Once again Kasper shows his ability to take something well-known, combine it and create something new and fresh yet original with a clear artistic marque.

Freshly delivered by Axces Recordings for your dancing pleasure and next level club experiences. On the album you will find classic disco references morphed into ultra vivid sound design and up to date dance bangers. You'll also find threefold narrative bliss boiled into a dance adventure and fresh takes on classic dub techno with clear spy trance references.

Once again Kasper shows his ability to take something well-known, combine it and create something new and fresh yet original with a clear artistic marque.

Freshly delivered by Axces Recordings for your dancing pleasure and next level club experiences.

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Icarus

LP | 2024 | UK | Original (Not Applicable)

LP | 2022 | EU | Original (Obliques / Transversales Disques)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Icarus, comprising Ollie Bown and Sam Britton, have been described as a pair of young tearaways let loose in the sound labs, like delinquent chemistry students using test tubes, liquids and bunsen burners in the hope of creating explosions.There is a wonderful air of creative mischief about the duo.They channel the spirit of electronica denizens like Paradox, European outliers like the late Pita (Peter Rehberg), Aphex Twin in all his facetious, windowlicking glory and The Orb, like them at once beautifully grandiose and wittily self- deprecating. The title of their ninth and latest album, An Ever-Growing Meridional Entertainment Transgression At The Edge Of The Multiverse, recorded between London and Sydney, is an unabashed homage to The Orb’s epic “A Huge Evergrowing Pulsating Brain That Rules From The Centre Of The Ultraworld”, from their debut album. Icarus don’t merely imitate The Orb but use them as a jumping off point for quantum leaps and wormholes of their own, from infinity into the beyond. Take “Mazda Bogo Friendee”, with its fast cut, gamelan electronica, grasshopper disco, with cirrus shafts of reverberant electronics flooding its skies. From there a random skip to “I’m Like The Nutty Professor”, whose sampled voices are like holographic fantasies of the faintly familiar,TV broadcasts that are well on their way to Saturn. The field of activity of the pieces an An Ever-Growing . . . is positively Breugelian (any coincidence given their moniker, and Breugel’s own vast depiction of The Fall Of Icarus, the mythological figure’s descent a mere detail in the background?).Tracks like “Collectable Woodland Animals Armed With Heavy Weaponry” with its impossibly rapidfire windchime percussion, are simultaneist, accelerationist,Tex Avery cartoon-like in their manic mayhem, an ever-shifting tableau of wildlife activity, free jazz extremism rendered in electronics. Here, as elsewhere, light, metallic percussion,

triggers a dance of tiny, granular details, pixels, skipping about like popcorn on a hotplate, mingling, colliding, sparkling, rebounding. Massive synth barrages bull into the china chop of Icarus’s delicate arrangements of rhythms – perfectly organised chaos, an ordered illusion of total rhythmical disorder as balletic combat ensues. An Ever Growing... marks a significant milestone for Icarus and the artists’ collaborative process, as they reflect: "We’ve been making music together since we were 15 – now into a fourth decade. It’s natural we do so with bigger breaks in between, and this has been a particularly big break, but it’s essential to our being that we continue our music production dialogue. The album was made by remote collaboration between London and Sydney, although most of the arrangement work was done with us sitting together in the same place. It was started a very long time ago. Other projects took precedence while the tracks rested as loosely arranged sketches. As with many of our projects, there’s a moment with a track where you can either double down and get deep in to working it into shape, or you can step back and say “there’s beauty in these rough edges”. The tracks of this album went both ways. 'Canaletto Soup' settles around one singular progression of a drum solo, against a minimalist break backdrop. 'Mazda Bongo Friendee' is shaped in a million hyper edits, endlessly unsettled. 'Lemsip Max Relief' is a docile pause. 'Gandalf Speedway' is a stoppy starty orchestration of breaks and bass stabs. Many traditional Icarus tropes revisited."(Ollie Bown)

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Model Alpha

Perceptions

LP | 2024 | UK | Original (Pamela)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Still in shrink, but opened, with hype sticker

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Five Green Moons

Moon 1

12" | 2022 | JP | Original (Takashimashuzo)

Release: 2024 / UK – Original

Genre: Electronic & Dance, Reggae & Dancehall

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Five Green Moons is the brand new project from the legendary Justin Robertson and here he drops the first fruits of that project with the incredible Moon 1.

This isn't Justin at his house controls. This is Justin delving into his roots and digging around through the likes of P.I.L, Gang Of Four, On-U-Sound, Current 93, Coil, Sabres Of Paradise and all manner of post punk echoes and basement electronics. As the man himself puts it - Moon 1 is a haunted ballroom full of memories. The sound of a dystopian disco. An object on a wonky orbit. A spectral visitation. And it is alive.

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Kannoushiki

Magic Hour / Nakanaide

2LP | 2022 | EU | Original (Rumpelmusig)

Release: 2022 / JP – Original

Genre: Electronic & Dance

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The second release from the label of a Japanese sake brewery in Numazu, Shizuoka, whose first release was a cosmic spacey disco reminiscent of Manuel Gottsching!! "Magic Hour" is an acidic balearic with a keyboard riff that seems to capture the sunset and morning glow of a harbor town. "nakanaide" is a simple ballad rock song with percussion, guitar, and talkbox at Bpm62, which can be mixed with House beats.

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Kalabrese

Let Love Rumpel Part 2

Release: 2022 / EU – Original

Genre: Electronic & Dance

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2LP | 2022 | Original (Compost Disco)

12 Compost Disco Years

Release: 2022 / Original

Genre: Electronic & Dance

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Hard Feelings Red Vinyl Edition

Hard Feelings

2LP | 2021 | UK | Original (Domino)

Release: 2021 / UK – Original

Genre: Electronic & Dance

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2LP | 2020 | EU | Original (Feines Tier)

Popnoname

Horizons

2LP | 2012 | US | Original (Glenview)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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You learned that there are genres. Everything separated into categories with their own canon and rules: Major, minor, 4/4, 6/8, highs, lows, high head, butt end. Techno here, Disco there. You learned that art and music are two different things. Visually auditory, audio-visual, optically acoustic, not to mention the surface feel. Listen to me, look at me, touch me. But everything in that order please! You have learned that understanding takes you further. Night / life, rhythm / dancing, substance / excess, water / holding out, sleep / rest, headache / not good. But what would it be if all of that wasn't just right? If all of our knowledge is based on the mistake of having to put everything in relation? To classify it, to make it responsive. What do we do with something that doesn't follow the rules of this logic? That is not based on 0 and 1 and therefore not bound to our binary systems? Is this all at once? After all, what if the whole thing has no limits?

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Onur Engin

Music Under New York

Gilt Lime Green Vinyl Edition

Release: 2012 / US – Original

Genre: Electronic & Dance

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10 track album of re-edits from the turkish super producer who has released 12"s on Gamm, Square, Plimsoll and others. A kickass mix of disco, funk & jazz tracks from Gloria Gaynor, Stanley Turrentine, Don Costa, Quincy Jones and more. 180g vinyl in color sleeve.

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Profit Prison

12" | 2024 | EU | Original (Avant!)

E-Numbers Clear Vinyl Edtion

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Four years and one pandemic after his latest Dreams Of A Dark Building EP, the herald of dungeon synth pop is finally back from his shallow grave.

Life has not been gentle with Seattle-based solo producer Parker Lautenschlager over the past few years, imposing its unpredictability and forcing him to channel all the feelings that come with it into Profit Prison’s music.

It’s no surprise that his first full-length album Gilt marks one futher step towards the dark corners of italo / hi-nrg body music. Typical Profit Prison’s vocals and melodies, reminiscent of OG synth masters Kraftwerk, Giorgio Moroder and Orchestral Manoeuvres in the Dark, are still here, buried in the mix and waiting to haunt the listeners and drag them down in one sulfurous dancing spiral.

Lead single Sophia juxtaposes some weirdly camouflaged vocals with one heavenly chorus that seems willing to revive your fortunes while instead it literally sings “But I lost it all”. A Matter Of Tact displays pop escapism over some throbbing minimal synth tension, Seven Words sounds like a throwback to 70’s italo filtered through the eyes of a 21st century punk rocker. Katalina has a rampant synth à la Carpenter climbing over a story of loss and Katalina, An Ascetic is a solo ramble reaching for the inner light on a carpet of cold keys.

What’s more, tracks got longer in Parker’s recent songwriting, with most of the songs being now five minute long and reaching peaks of seven minutes with the closing, almost progressive disco jam of A.R.P. (Amphetamine Research Project), nothing short of a lucid dream on the floor of Studio 54.

Last but not least, the artwork by French artist Robin Roche delivers medieval-yet-punk graphic vibes to match just perfectly the sounds on this record.

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The Embassy

LP | 2023 | EU | Original (Dream On)

Everything Is Here Gold Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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The Embassy is a Gothenburg pop duo consisting of guitarist/vocalist Fredrik Lindson and keyboardist/programmer Torbjörn Håkansson. Their music can be described as a blend of disco, twee pop and pub rock. Their music was first released by the independent label Service but is currently released via the bands own imprint, International. The group's post-modernist attitude, anti-rock aesthetics and disrespectful live performances have made them both loved and loathed.'

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Kartell

2LP | 2024 | EU | Original (Roche Musique)

26,39 €* 32,99 € -20%

Release: 2024 / EU – Original

Genre: Electronic & Dance

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‘everything IS Here’ is a journey through space and time, inspired by the more rarefied aspects of prog rock and the wistful side of psychedelia.

Fusing these influences with the accessibility of French electronic and the groove of R&B and disco, this album depicts the sweet dizziness of contemplation. Nostalgic, yet determined and modern in it’s genre blending, the first album of Kartell truly reveals what’s been underlining in his previous EP.

Taking influences in the space and dream pop aesthetic, the musical approach of the album embraces the 60’s and 70’s fascination for outer space, exotic locations, technologies and science fiction which was on the edge of becoming reality.

Nebulous textures and otherworldly sounds characteristic of space rock are infused throughout the record, while keeping a focus on making catchy songs, leaning on a minor-key groove and a pop yearning. It’s also a challenge and an artistic proposition to gather a wide range of genres to tell a story. Densely produced and cinematic, the album draws a truly living landscape where live bass, drums and guitars hold the line, evolving around hazy effects and synthesizer layers.

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Long Distance Love Affair Record Store Day 2019 Edition (with Damaged Sleeve)

2LP | 2019 | EU | Original (Super Disco Edits)

26,59 €* 27,99 € -5%

LP | 2024 | EU | Original (Favorite)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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A few copies arrived with a corner bump on the cover. We're therefore selling it on a reduced price.

Limited Edition for Record Store Day 2019! LTD edition handnumbered gatefold 2LP celebrating the 5th year anniversary of Super Disco Edits. The labels first album consisting of 18 unissued soul tracks from the 70’s & 80’s featuring formely formerly and highly collectable SDE 45’s and 5 formerly unreleased tracks from the likes of Buddy Hankerson, Dennis Coffey and groups who never made a single release like Mother Braintree and Between the Two

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Voilaaa

C'est tout

In Waves Limited White Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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For almost 10 years and with 3 albums on the clock, Voilaaa has established itself with a unique style, reviving
African rhythms and atmospheres in the colors of Disco dancefloors and Funky arrangements, all often
accompanied by lyrics and vocals tinged with humor and commitment.
As a result, the Afro-Tropical adventure launched by producer Bruno “Patchworks” Hovart today leaves behind
a host of hits (“On te l’avait dit”, “Spies Are Watching Me”, “Ben Bene La”, …), as well as trips around the globe
and as many gigs and festivals, but also and above all numerous and lasting collaborations with singers like
Lass, Pat Kalla, Sir Jean, Ayuune Sule, Rama Traore, or Fouley Badiaga, the latter which also marks its great
return on two tracks of the album.
With C'est tout, Voilaaa returns to us without revisiting this unstoppable recipe, while seasoning things with a
more Latin and Caribbean inspiration, brought back in Bruno Hovart's suitcases after several stays in South
America in recent years. Introduced last spring with the release of a first maxi single, this new opus once again
delivers hit after hit.
As on the already famous “Faché” alongside Pat Kalla, which displays all the classic assets of Voilaaa’s sound:
punchy Afrobeat horns, woozy chords and crunchy clavinet licks rising above a low-slung, hypnotic, dub discomeets-
Afro-boogie groove. The rest of the album is not to be outdone with a total of 14 wild tracks entirely
composed by an unstoppable Bruno Hovart.
Two exceptions confirm the rule, a beautiful interpretation of the song "Love and Death" by Ebo Taylor, where
Voilaaa's Afro skills perfectly melt with Angolan and Brazilian vapors, beamed by Joao Selva's lovely vocals; as
well as a magical cover of “Too Young to Die”, transporting Jamiroquai to the crossroads of Africa and the
Antilles, carried by the superb vocal performance of singer Olivya (Dowdelin) for a first collaboration.
Well, Voilaaa is back as its best, “that’s all” (C’est tout).

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Jamie XX

LP | 2024 | WW | Original (XL)

Release: 2024 / WW – Original

Genre: Electronic & Dance

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In Waves Black Vinyl Edition

Jamie XX

LP | 2024 | WW | Original (XL)

Release: 2024 / WW – Original

Genre: Electronic & Dance

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LP | 2024 | EU | Original (Graded)

Midland

Fragments Of Us

In The Light Of The Miracle - Remixes

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Fragments of Us, the 13-track debut album from DJ/Producer Midland will arrive in stores physically in Vinyl, CD & Tape format and across all digital and streaming outlets on October 4th, 2024. The album comes via Midland’s own imprint, Graded. The cover art is a photo by his brother Dom Agius, and the type and graphics are by longtime friend and designer, Nick Shea.

Alongside the announcement, Midland has shared the lead single ‘Never Enough’.

The full length album from which the single is taken features the voices of some Midland’s artistic heroes including Marlon Riggs, David Wojnarowicz alongside the contemporary voices of Stereogamus‘ Jonny Seymour and Horse Meat Disco’s Luke Howard.

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Arthur Russell

12" | 2024 | UK | Original (Be With)

2LP | 2021 | US | Original (Dead Oceans)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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FINALLY! The very first commercial release of two legendary remixes of Arthur Russell's "In The Light Of The Miracle". Both are widely regarded as transcendent masterpieces and very much befitting of the title “holy grails”.

These long-beloved mixes are the types you'd wish would last for eternity. With almost 30 minutes of music here, we very nearly get our desires granted. At last, these jaw-dropping mixes are widely available to every Arthur fan in the world. This is musical perfection.

The deep Loft classic "In The Light Of The Miracle" remained unreleased during Arthur's lifetime, finally discovered when Phillip Glass included the original version on Another Thought on Point Music in 1993. As Steve Knutson told us, when Another Thought was being put together, the plan was to release a companion album of remixes that was overseen by Steve D'Aquisto but the project only got as far as these two remixes of "In The Light Of The Miracle".

Some dodgy scans of some centre label designs suggest that Point Music might’ve been planning to release these on a 12" but it didn’t happen. The story goes that Gilles Peterson heard the remixes on a visit to the Point Music offices and wanted to release them on Talkin’ Loud. We’re not sure how many white label copies made it out into the wild, but again, these remixes didn’t make it to a proper release.

These remixes both extend and undeniably enhance the original, elevating it to new heights. The 13 minute remix on the A-side is by Danny Krivit & Tony Smith with editing duties performed by Tony Morgan. As ever with Arthur, the music is almost impossible to describe: is it Disco? Garage House? Avant Garde? None of these tags do full justice to its sheer majesty. You best just listen. Stretching out the original with some unbelievably great percussive elements, until we're in a deeply spiritual, otherworldly realm, it's just too beautiful for words. As many have claimed, it's the prototype for EVERYTHING.

The "Ponytail Club Mix (Part 1 & 2)", produced by Tony Morgan in the mid-90s, is in a more up-tempo style, with vocals higher in the mix, the BPM upped to 120 and the addition of a housey 4/4 kick drum. A 14 minute epic, you could say this is a more straight ahead "club-friendly" mix (but can things ever be that straightforward with Arthur?!) It also has some really interesting vocal parts not used in the other versions, including some vocals from guest poet Allen Ginsberg.

These remixes are part of the same original project that also produced the Another Thought album so it seems only right that they have a sleeve that matches. Thanks again to Janette Beckman for letting us use another of her photos of Arthur and the rest of the design follows what Margery Greenspan, Tina Lauffer and Michael Klotz did for Another Thought back in 1994.

Simon Francis remastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 12" well and truly slaps. The immaculate Record Industry pressing will ensure this incredibly sought-after treasure finds a home in many more collections, this and every year.

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Khruangbin

Mordechai Remixes

Release: 2021 / US – Original

Genre: Organic Grooves, Electronic & Dance

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“The art of the remix has been around for several decades, from the fervid imaginations of JA pioneers like Coxsone Dodd, Duke Reid or King Tubby to the disco enthusiasts of New York, such as Tom Moulton, who bequeathed us the modern iteration of the remix and provided a template from which most remixers still work. Moulton's first commercial remix, a reworking of BT Express' appropriately-named `Do It 'Till You're Satisfied', which stretched it from three minutes to a luxurious five, assisted the band in securing its first Billboard R&B Number One, as well as providing a pathway for remixers like Walter Gibbons, Larry Levan, Richie Rivera and Tee Sott, to completely reinvent the concept of a remix (and in some instances, deconstructing the idea of what comprised a song). It has subsequently been used as a marketing tool, a dancefloor-devastator, a gimmick (both cheap and expensive) or even as a way of reaching a different audience (think Tori Amos' `Professional Widow'). Khruangbin are no slouches when it comes to the remix themselves. They've been reworked before, in 2016, with the highly collectible EP on Boogiefuturo. But this time, they're taking it a step further with an album dedicated to the art. Entering the tight-knit world of a Khruangbin song can be a little daunting. They have created this entire universe in which the trio seem to function telepathically in the way the music is composed, arranged and played. To mess with their delicate eco-system can invoke feelings similar to that of an unwanted guest crashing a good-time party. "We write our music to be interpreted; this is another wonderful interpretation of the music," reassure Khruangbin. "There is something very vulnerable about letting others work on your music. But through the correspondence with the different artists, we gained a bigger connection to the songs themselves." The choice of remixers for this album is neither arbitrary nor accidental. They're not names picked randomly out of a hat or chosen via a throw of the dice. All have some connection to the band, sometimes personal friendships, musical connections, or simply mutual musical appreciation. Harvey Sutherland and Ginger Roots have both toured with the band, Kadhja Bonet and Ron Trent had their own mutual fan club going on, Knxwledge sampled `White Gloves' on a recent mixtape, Natasha Diggs and Soul Clap's Eli's are recent buddy-ups, Quantic is a mutual friend of Bonobo (crucial in the KB origin story), while I've known Laura for number of years; plus she is also godmother to one of Felix Dickinson's kids. Doesn't get much more intimate than that, right? Some of these remixes were specifically made so you can dance your ass off while getting down to the Khruangbin sound, while some might better be appreciated horizontally with headphones on, wearing fashionably loose clothes. The choice is yours. But all were made with love and respect for Khruangbin. "A good remix deconstructs, recontextualizes, or simply extends a good time," say the band. Amen and out." - Bill Brewster

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John Gomez & Nick The Record Present Tangent Colored Vinyl Edition

2LP | 2024 | UK | Original (Mr Bongo)

2LP+CD | 2011 | UK | Original (Late Night Tales)

Release: 2024 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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To celebrate 10 years of one of London’s most loved underground club nights, Tangent, Mr Bongo are thrilled to launch this new compilation series. Crafted by its two residents, John Gómez and Nick the Record, it aims to transmit a taste of Tangent’s spirit. A party rooted in inclusivity and open-mindedness, whose name captures the spontaneous switches in musical direction that are a defining element of their nights. For the compilation, the pair have cherry-picked a selection of their prized, rare and dancefloor-ready tracks from around the globe, that have soundtracked the past decade of parties.

Friends for close to 20 years, music lovers, record obsessives and internationally renowned DJs in their own right, John and Nick have two lifetimes worth of musical knowledge to draw from. John a long-standing NTS Radio resident and compiler for Music From Memory. Nick one of the UK’s go-to record dealers, resident DJ since the ‘90s at one of Japan’s pioneering parties, Life Force, and co-captain / co-edit-expert of Record Mission with Dan Tyler (Idjut Boys).

In 2014, the pair decided to bring some of Life Force’s grassroots principles to the UK, whilst channelling underground clubbing institution Plastic People’s meticulous attitude to sound. Tangent grew from being a small gathering of friends, to an established fixture in London’s nightlife, whilst always maintaining a strict no guest DJ policy. “As London’s clubs have become increasingly reliant on international guests, we wanted to emphasize the importance of a club night growing through its residents”, John and Nick reflect. With 10 years of the duo at the helm, an intimate connection between DJ and dancefloor has been built, allowing for freedom of expression on both sides of the decks.

Tangent reaches around the globe and across different eras to make connections that stimulate emotional reverberations in the unfamiliar. Where the blissfully Balearic ‘Laberinto’ by Miguel Perikás, goes hand-in-hand with the Cameroonian hip-house of King B.’s ‘Love is Crazy’. The thundering ‘Amek Amek’ by L'Innovateur Djoe Ahmed et le Zoukabyle, rubs shoulders with the soulful Caribbean-influenced touch of Champagn’s ‘Bel Ti Négress’. And Pellegrin El Kady’s afro-cosmic ‘Seiva de Carnaval’, crosses paths with Kajou’s Kompa disco anthem ‘Tet Chajé’.

Tangent’s longevity is in part down to it having always embraced contemporary sounds. The sub-rattling bass of Srirajah Sound System’s stunning Molam dub stepper ‘Si Phan Don Lovers Rock’ and the slow, woozy mantra of leftfield dancehall explorer Androo’s ‘Lyriso’, are two shining examples.

This compilation represents an ongoing dialogue between past and present, transporting listeners to the heart of a pure musical experience, where open minds and open hearts are eager to follow the tangent.

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MGMT

Late Night Tales

Poem For The Lost Souls (Kuniyuki & Session Victim Versions)

Release: 2011 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Another great Late Night Tales compilation feat. tracks by Disco Inferno, Julian Cope, The Velvet Underground, Spacemen3 etc. ... also features the exclusive Bauhaus track 'All We Ever Wanted Is Everything', as covered by MGMT!

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Lea Lisa

2x12" | 2024 | DE | Original (Smallville)

2LP | 2015 | EU | Reissue (!K7)

Release: 2024 / DE – Original

Genre: Electronic & Dance

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Following well-regarded outings on Phonica Records and Wolf Music, and a superb "Many Shades Of House" compilation released this year, Lausanne-based Lea Lisa joins Smallville Records this June with ‘Poem For The Lost Souls’, accompanied by remixes from Kuniyuki and Session Victim as a special Double-12“ package with Gatefold Cover.

For these tracks, Lea Lisa has worked with several musicians in the studio to transform the warmth and organic feel of real instruments into her musical universe. The original mix of ‘Poem For The Lost Souls’ leads, a jazzy house journey that ebbs and flows through fluttering flute melodies, ethereal chords, wandering piano and funk-infused bass grooves running atop organic percussion and disco tinged drums. On the B Side, the ‘Broken Mix’ follows, as the name would suggest, rhythmically shifting focus towards off-kilter drum breaks alongside the other melodies and again - all the ingredients that make a classic house track.

Opening the C-side on record 2, acclaimed Japanese artist and Mule Musiq regular Kuniyuki steps up to rework ‘Poem For The Lost Souls’, in typical fashion the Sapporo born producer extracts the core grooves from the original and shapes it into something uniquely his own, laden with warmth, soul and dynamics. The duo Session Victim then round out the release on Side D with their interpretation, fusing together the original synth melodies with their own amalgamation of intricately intertwined keys and atmospherics, underpinned by a shuffled rhythm section and bouncy low-end drive.

It’s coming with a gatefold cover-artwork by Stefan Marx for a cherry-blossom glimpse of Yoyogi Park in Tokyo.

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DJ Koze

DJ-Kicks

Release: 2015 / EU – Reissue

Genre: Hip Hop, Rock & Indie, Electronic & Dance

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With his friendly and sometimes melancholic manner, DJ Koze is one of the most remarkable players in today's club landscape and one of the few internationally active DJs who are also relevant outside of dance music. For his 70-minute journey for the anniversary edition of the "DJ Kicks" series, "Kosi Kos" manages to give the mix its own timbre despite the various styles represented: be it the pared-down hip-hop of Madlib, brutal Berghain techno, timeless songwriting, flowing indie pop and tracks that oscillate between absurdity and melancholy. "I didn't want to shine with knowledge," Koze says, "but rather bring together some gems that make sense to people who aren't necessarily music nerds." It should fit together harmoniously: "The idea was to create the impression of a radio show, like John Peel used to do. A huge cosmos of music rushing through my filter." For fans of DJ Koze, Recondite, Mount Kimbie, Four Tet, Caribou, Matthew Dear, Simian Mobile Disco, Apparat, Efdemin.

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2LP | 2023 | EU | Original (Terra Magica)

Club Terram

12" | 1999 | EU | Reissue (Blanco Y Negro)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Terra Magica Rec. is back with its fifth release “Club Terram”! This time it will be another V.A. compilation of never heard and unreleased original gems of electronic body music. Think: A double 12” vinyl which is fully charged for dismantled club use as those mighty Terram clubbers say. Compiled and arranged by Tom Sprenger & Mirko Hecktor all tracks are dance floor oriented rhythms which will activate your maximum energy output as well as total chill out crash. Let the new bots work your life balance. Multiverse to introverse to metaverse. With its discoish genre splicing between 90s-IDM 2 Big Beat and Breakbeats 2 NuCosmic 2 Acid-Madchester 2 rolling trancey driven Goa beats the record reflects the electronic underground culture of dance clubs and discotheques of the past 50 years. These stand for emancipation, gay liberation, cicil rights, working class and democracy. Find your inner peace on the chill out floor side. Or go bonkers to the hedonistic main room floor fillers. Find your unique personal safe space in Terrams different floors and hidden rooms. A Club FOR A L L. As Richard Dyer wrote in 1979 “In Defence of Disco”: ‘Capitalism constructs the disco experience, but it does not necessarily know what it is doing, apart from making money’. The underground is where we go moving.

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Eiffel 65

Blue (Da Ba Dee)

In My Dreams (I’m A Bird And I’m Free)

Release: 1999 / EU – Reissue

Genre: Electronic & Dance

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There’s no much to say about this track you haven’t heard before. Originally released in 1999 on Skooby Records and produced by Massimo Gabutti, legendary italo disco producer behind Phaeax (among others) and Maurizio Lobina, probably Blue is one of the most sampled tracks on crossover hits over the last years. Limited re-issue, of course, on blue vinyl including Ice Pop Mix, Hannover Remix, TJm Bluemax 04 Remix and Paris Casino House Mix.

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Auntie Flo

LP | 2024 | UK | Original (A State Of Flo)

The Love Invention Black Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-18

Brian d’Souza, better known as Auntie Flo, delivers his brand-new fourth studio album, ‘In My Dreams (I’m A Bird and I’m Free)’, set for release on 21st November. The album, a rich blend of electronic music, live instrumentation, and global influences features collaborations with the likes of Nicola Cruz, Joshua Idehen, Shingai Shoniwa, Yohan Kebede (Kokoroko) and even his Goan Auntie Florie, where the Auntie Flo moniker is derived from. Each track on the album transports you to a different location: Goa, Istanbul, Nairobi, Mexico City, Waiheke Island, Rio De Janeiro, Havana, Seoul are all destinations to nest in across its ten tracks. It will be available in both digital and vinyl formats on his own label, A State of Flo Records.

Auntie Flo’s latest body of work is the culmination of a five-year journey that has seen d’Souza expand both personally and musically. Known for his unique ability to fuse electronic sounds with rhythms and influences from across the globe, d’Souza takes his craft to new heights in this album, offering listeners an intimate look into the experiences, places, and stories that have shaped his artistic evolution. The groundbreaking DJ and producer presents an expansive, deeply personal exploration of global sounds, collaboration, and migration.

Following the success of the Afro-disco single Green City—a dynamic tribute to the legendary Fela Kuti and Luke Una’s ‘track of the year’—In My Dreams (I’m A Bird and I’m Free) ventures further into uncharted musical territory. The album, however, is more than just a continuation of Auntie Flo’s signature sound. It is a reflection of d’Souza’s life and career, capturing his exploration of identity, migration, and cultural fusion. With tracks that draw inspiration from field recordings collected around the world, the album resonates with a profound sense of place and memory.

In My Dreams (I’m A Bird and I’m Free) is not only a reflection of d’Souza’s creative journey but also a commentary on migration—both human and musical. The album draws on the freedom of birds to migrate across borders as a metaphor for artistic and personal freedom, juxtaposed with the challenges that political barriers impose on human migration. As d’Souza explains, “Birds have the freedom to migrate wherever they choose, while humans face constant barriers”.

A State of Flo supports Earth Percent. 10% of the revenue generated from this release will be paid to environmental charities.

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Alison Goldfrapp

LP | 2023 | EU | Original (Skint)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Alison Goldfrapp has set a towering bar for British synth-pop in the 21st century and she’s only just getting started. The magnetic London-born singer, songwriter and producer’s seven albums with Goldfrapp were fuelled by an unfailing modernity and a sixth sense for sounds that were more timeless than any trend. With the release of her debut solo album The Love Invention—an electrifying dance-pop suite—her multi-faceted musicianship reaches a new peak.

The Love Invention marks Alison’s reawakening as a dancefloor priestess, in an intoxicating showcase of the disco and house influences that have always been at the heart of her musical DNA. “So Hard So Hot” bottles the ephemeral joy of a dancefloor with its anthemic house beat, disco handclaps, and an exquisitely alluring vocal from Alison. The sense of uninhibited liberation courses through album highlights like “In Electric Blue,” a yearning synth-pop confection with a chorus as blissful as love’s first butterflies. On “Never Stop,” she is flooded with the rush of an all-encompassing love over a buoyant, rubberised beat; the sublime synth-pop of “Fever” is an ode to the intoxicating majesty of the dancefloor, with a chorus that explodes as if setting off a glitter cannon.

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2LP | 2023 | UK | Original (Kurtz)

Pbr 20

Full Circle Record Store Day 2022 Silver Vinyl Edition

Release: 2023 / UK – Original

Genre: Electronic & Dance

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To many crowds the world over PBR Streetgang are known and loved for their talents behind the turntables, selecting at most major festivals and clubs of note but to others they are producers and remixers whose eclectic taste and evolving style has seen them enjoy longevity and critical acclaim. This album is a rare selection of originals and remixes that shows the breadth of their work. Featuring early original hits that propelled them into the limelight, like ‘Downstroke’ and ‘J2Thab’, and more recently their stand out disco tinged nugget from their debut album ‘Late Night Party Line’. Previously un-pressed remixes like the cult classic rework of Romathony’s – 'Bring You Up' and the slow chuggy sleaze of Bryan Ferry – One Night Stand and the teary eyed euphoria of their remix Hot Chip’s - 'Melody Of Love'. This compilation represents an honest retrospective of the production and remix talents of PBR - always keeping true to their sound and themselves. Limited Vinyl Press.

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Deadmau5

2LP | 2022 | UK | Original (Play)

LP | 2022 | US | Original (Ghostly International)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Peter Brown's P&P label is possibly the most collectible of all the Disco-era independent labels. The distribution was always patchy, the records would often appear out of nowhere and then disappear equally fast. Many of the artists were one-off productions or working under hastily conceived pseudonyms.

In short, P&P has all the ingredients of the perfect label for diggers everywhere with records still being discovered some 40 years later. Little is known about Marta Acuna but plenty is known about the production team of Patrick Adams and Lonnie Johnson who were just way ahead of everyone else on this spacey Disco jam from 1977. It's been consistently popular on the cooler dance-floors for the last 20 years but suddenly the 7" has sprung into demand. A mint copy isn't far off £100 these days, so it seemed a good time to finally make the 7" available again.

As per usual, this will be on the original 7" P&P label and mint (which is near impossible to find these days). Always handy to have a guaranteed banger on a crisp 7" pressing and that P&P label looks so good. Black Vinyl in P&P Disco Sleeve.

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Fort Romeau

Beings Of Light

Marie Davidson & L'Oeil Nu

Release: 2022 / US – Original

Genre: Electronic & Dance

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After a run of critically-acclaimed singles and EPs, British producer Michael Greene, aka Fort Romeau, returns to the full-length format with Beings of Light, the long-awaited follow-up to 2015's Insides and his second LP on Ghostly International. While a prolific DJ who orients many of his productions for the dancefloor, Greene still sees the album as the ultimate statement of intent, "a space to stretch out, to speak in full paragraphs rather than stunted sentences." He has explored several stylistic fragments in recent years (including the summer 2018 anthem "Pablo," hailed a Best New Track by Pitchfork), but when faced with the extended pause to the dance community in 2020, Greene felt compelled to focus on a larger body of work. Embracing a back-to-basics mentality, he amassed over a dozen hours of sounds, asking himself throughout the sessions: "Does the music move you? Is it honest?" He came out the other end with Beings of Light, an expressive collection traversing rainy day ambient, moonlit disco, and dream-like techno in pursuit of the power found within our subconscious. Album opener "Untitled IV" ushers in a sprinting tempo in its exploration of the human voice, a recurring device in the Fort Romeau project. Greene uses it as a compositional layer, disembodied with its context often opaque or reduced to a single phrase. Here the voice is scattered in percussive twitches, colliding with a kick drum to induce a near state of hypnosis as horns sound off in the distance. Propulsive standout "Spotlights'' is Greene's ode to the romanticised New York City that lives in our hearts, nocturnal and carefree. A vocal snippet repeats the title with a breezy poise, reminiscent of classic house cuts. "Ramona'' honors the beloved Robert Johnson club in Offenbach, Germany. Hazy, spacious, and sustained, Greene designed the beat with their system in mind, "also with a strong nod to the more modern lineage of exceptional minimal house music from Frankfurt," he says. Two ambient pieces surround the track, "(In The) Rain" sets the scene and "Porta Coeli" (a Latin phrase which loosely translates to "heaven's gate") soundtracks the comedown. The album's closer, the title track, is an arc constructed with atmospheric textures, euphoric swings of percussion, and a well-placed piano refrain, "Beings of Light" is adaptive; one could imagine it reverberating from a club, scoring the emotional apex of a film, or radiating through the realm of dreams.

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Renegade Breakdown Black Vinyl Edition

2LP | 2020 | UK | Original (Ninja Tune)

Release: 2020 / UK – Original

Genre: Electronic & Dance, Pop

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Sonically, Marie Davidson & L’Œil Nu’s Renegade Breakdown LP is noticeably different to previous Davidson releases. This is a record which largely eschews the wave music, house and techno influences that drove albums like Working Class Woman. Instead, Davidson and her bandmates Pierre Guerineau (Essaie Pas) and Asaël R. Robitaille (Bataille Solaire) draw heavily from styles like dream-pop, 60s chansons, jazz-tinged balladry and the stately rock style of David Bowie’s The Next Day to create an alluring set of leftfield pop for the twilight hours.

Even on the tracks where Renegade Breakdown comes close to Working Class Woman territory - the steady electro-disco stomp of the opening title-track, for instance, or Gary Numan-esque ‘C’est parce que j’m’en fous’ - the sound here is more slow-burning than its frenetic predecessor. On these cuts the group soften up the chunky Big Beat stomp of an act like Daft Punk with reflexive keys and vocals that reach more for !!! territory.

The connecting thread between Renegade Breakdown and Davidson’s other work is her arch lyricism and appetite for subversion. Few other artists would break the fourth wall with a line like “Oh by the way, there are no money makers on this record”, something Davidson does on the title-track. Throughout the album Davidson & L’Œil Nu never allow the listener to get too comfortable, meaning that, while Renegade Breakdown may sound luxurious, there is a playfulness about it which always keeps you on your toes.

Together they have produced an album of sleek, lush pop tracks which are elevated by Davidson’s trademark wit and wry lyrical content.

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Marcel Vogel's Lumberjacks In Hell

2LP | 2018 | EU | Original (BBE Music)

LP | 2018 | EU | Original (Music For Dreams)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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BBE Music celebrates 8 glorious years of House and
Disco magic from Marcel Vogel and friends with
compilation album ‘Lumberjacks In Hell’.
Founded in 2010 by German DJ and producer Marcel
Vogel, the ‘Lumberjacks in Hell’ label has won fans
over the world thanks to its deeply rooted, timeless
sound. Described by 5 Magazine as “the best
Chicago dance music label not based in Chicago”,
the imprint has seen legends such as Rahaan,
Soulphiction, Karizma and Jamie 3:26 (whose ‘Taste
Of Chicago’ compilation is coming soon on BBE) rub
shoulders with virtually unknown names, ensuring
that great music is always the star of the show.
Convinced he had to contribute something unique to
DJ culture, Marcel Vogel began “chopping up soulful
tunes” in the early 2000’s. After moving to
Amsterdam in 2010, he founded ‘Lumberjacks In
Hell’, initially as a conduit for his own edits and
productions. Soon he found himself releasing
original tracks from his musical heroes and bringing
the ‘Lumberjacks’ sound to clubs and festivals all
over the globe.
This compilation captures the vibe and vision of
‘Lumberjacks In Hell’, a project which, after only 8
years, has gained a seat at the top table of House
music; revered by weathered veterans and freshfaced
young guns alike.

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Prins Emanuel

Diagonal Music

Shadows Lifted From Invisible Hands

Release: 2018 / EU – Original

Genre: Electronic & Dance

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The young virtuoso producer Prins Emanuel follows up his acclaimed debut album on Music For Dreams with something quite different than what we’re used to hearing from him. While Arbete & Fritid was an epic odyssey into the furthest corners of disco with an array of studio wizardry and complex rhythms, Diagonal Musik is a sparse and delicate exploration of the acoustic guitar. Steering away from his comfort zone, the Prins follows his intuition for experimentation and lands somewhere in a field of genre-defiant folk-jazz meditations; a development that fits like hand in glove for the eccentric nature of Music For Dreams.

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James Hoff

LP | 2024 | UK | Original (Shelter Press)

Shinbangumi Black Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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There are songs that have been so entwined in shared public consciousness that they barely exist in their original form, viewed as phantasms, haunting the architecture of modern life in the background of adverts, movies, hotel lobbies. Hoff describes this phenomenon as not unlike the "tinnitus effect" in movies - listeners don't hear the compositions themselves, just their overfamiliar pitches. For his Shelter Press debut, he attempts to hack away the flesh from a few of those canonised themes in order to unleash dark spirits inside. "Scratch any pop song hard enough and you'll find sadness underneath it." he explains in the accompanying press release. There's an air of immediacy to each of the four pieces that sounds faintly tranquillising and his choice of instrumentation is similarly near-field: canned orchestral swoops and plasticky flourishes that grate against high-pitched synths and crumbled digital detritus, to remind us that we're fully at the mercy of apps, ads and hypnotic algorithmic propaganda.

From what we can surmise, 'Eulogy for a Dead Jerk' is Hoff's vaporisation of David Bowie's 'Space Oddity', a shimmer of woodwind, piano punctuations and occasional glitches. There's none of the original track's theremin-laced stargazing, but Hoff digs out the message from deep inside, one of isolation and dislocation. Lou Reed's 'Perfect Day' meanwhile is simmered into Satie-like slo-mo piano motifs and reverberating pads on 'Everything You Want Less Time' - an almost lackadaisical redux that's fittingly casual for a song that's been used on countless TV shows, movies and adverts. Reed dismissed the interpretation that the song was about his relationship with addiction, but in Hoff's hands its eerie mundanity feels claustrophobic, narcotic and nauseatingly repetitive.

Madonna’s ‘Into the Groove' is almost unrecognisable on 'The Lowest Form of Getting High'. The driving disco-cum-electro pop thrust and the double-tracked vocal melodies are gone, replaced by rainy, operatic woodwind swells and unsettling, buzzing drones. Hoff saves his most effervescent alteration for last, bending the faintest traces of Blondie's 'Heart of Glass' around mangled sonic outcroppings. There's barely anything of Debbie Harry's iconic delivery, just billowing harmonies and occasional flaws that draw a rough outline without filling in any of the gaps. It's a statement on cultural churn, but also a wry wink that acknowledges the popularity of Paulstretch ambient gear - the kind of YouTube-friendly slowed down pop revisionism that's morphed peppy radio-friendly commercial hits into sleeping aids. Hoff takes Eno's original concept for Ambient music and makes wallpaper out of tracks we're all supposed to know inside-out, filling a dry, digital space with cryptic patterns. It's a sad statement, but a vital one.

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Ginger Root

LP | 2024 | US | Original (Ghostly International)

Release: 2024 / US – Original

Genre: Electronic & Dance

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LP | 2024 | EU | Original (Les Disques Bongo Joe)

Don Melody Club

Zonder Pardon

Release: 2024 / EU – Original

Genre: Electronic & Dance

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12" | 2023 | US | Original (Whiskey Pickle)

Silver City

Nomad EP

LP | 2023 | EU | Original (Black Truffle)

Release: 2023 / US – Original

Genre: Electronic & Dance

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A live act and DJ duo composed of FERNANDO PULICHINO and JULIAN SANZA from Mar del Plata, Argentina who've previously released tracks on 2020 VISION, KING ST and more. 4 house and nu disco tracks: "ATALAYA", "NOMAD", "BEFORE" and "CALISTO".

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Sam Dunscombe

Two Forests - Oceanic

LP | 2023 | US | Original

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Following on from the psychoacoustic concrète of Outside Ludlow / Desert Disco LP (bt075), Sam Dunscombe returns to Black Truffle with Two Forests / Oceanic. Dunscombe has been active in recent years on multiple fronts, including as a key member of the Berlin community of Just Intonation researchers and practitioners; working with composers like Taku Sugimoto, Mary Jane Leach, and Anthony Pateras; and the release of Horatiu Radulescu - Plasmatic Music vol. 1 (the result of many years performance research into the thought and music of this seminal Romanian spectralist). In parallel with these activities, Dunscombe has been deeply involved in research on the role of music in psychedelic-assisted psychotherapy, prompting these two side long pieces, composed using field recordings and digital synthesis. As Dunscombe explains in the accompanying liner notes, music plays a key role in psychedelic-assisted therapy, yet it is often restricted to stock forms of New Age, ambient and electronica. Taking seriously the potential for spatio-environmental sonic experiences to add to the therapeutic process, these two pieces are intended to suggest how ‘a music-as-environment approach may help to add options to the therapist’s toolbox’. ‘Two Forests’ begins in a central Californian sequoia grove. Bird songs and buzzing insect life are treated with a variety of time-based processing methods (slicing and recombination, primitive granular synthesis, delay, and so on), which strip the field recordings of their linear, documentary character, reframing them in an enchanted web of traces and echoes. Analysing the pitches found in the original recordings, Dunscombe used them to generate a large Just Intonation pitch set. These tones are woven slowly into the field recordings, gradually building in density and complexity until the forest has been transformed into an unreal space of infinite proportions. Emerging from this cosmic expanse in the final minutes of the piece, we find ourselves in the Amazon rainforest outside Manaus, Brazil. As Dunscombe writes, the piece creates ‘a sense of place-gone-strange, of space and time simultaneously expanding and contracting across octaves, miles, and minutes’. On ‘Oceanic’, several recordings of different beaches fade in and out to create a texture both homogenous and constantly shifting in both the rhythm of the waves and each recording's sense of depth and distance. Tones relating in simple ratios to the average rhythm of each beach float over each other, colouring the white noise texture of the field recordings with shifting hues. In both pieces, Dunscombe forgoes the easy consonance that bogs down much contemporary ambient music for a richer harmonic array informed by extended tuning practices and spectralism. The end results suggest a hitherto undreamt-of meeting of Radulescu’s undulating sonic masses and the discreetly processed location recordings of Irv Teibel’s ‘psychologically ultimate’ Environments. Looking beyond the insularity that can afflict experimental music culture, Dunscombe’s work is a moving argument for the healing power of expanded approaches to sound and music. Even outside of a psychedelics-assisted therapy, frequent immersion in Two Forests / Oceanic is almost guaranteed to produce beneficial psychological results.

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Lebaron James

Living It Up & Loving It

Everyone Else Is A Stranger

Release: 2023 / US – Original

Genre: Electronic & Dance

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Debut LP from the Toronto based duo known for their energetic & eclectic approach to dance music. Drawing from a rich tapestry of sonic landscapes, this LP take listeners on a pulsating, danceable, distinctive journey thru the Disco Universe bridging the gap between nostalgia and ultra modernity.

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Lindstrom

LP | 2023 | EU | Original (Smalltown Superwound)

Hazy Dreams Yellow Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Lindstrom returns with his sixth studio album Everyone Else is a Stranger, and the first since 2019's On a Clear Day I Can See You Forever. The title of the album was inspired by John Cassavetes' original title for his 1984 film Love Streams, and contains four tracks of his signature chord-stacking disco epics and freeform cosmic voyages, stretching across nearly 40 minutes. An album that in many ways sums up his career, and gathers his different musical paths into one sound and one album. Where his previous album had a slower and more mellow feel, 2023's Everyone Else is a Stranger sees Lindstrom take on a much more rhythm-oriented and uptempo approach, containing tracks that fit perfect with the artist's revered live sets. That said, this album also contains the unexpected twists and turns that has become the Norwegian producer's trademark, including recordings of him playing a cheap Chinese cello and violin for the first time alongside the old Solina String-Ensemble he has used on essentially every track since his debut. Named "the king of space disco" by The New Yorker, Lindstrom has always made a virtue of his obsessive work ethic, turning his city center studio into a factory floor for churning out monster tracks. He has collaborated with the likes of Todd Terje, Prins Thomas and Todd Rundgren, has remixed a slew of acts including LCD Soundsystem, Lana del Rey, Haim, Grizzly Bear, Flume, RAC, London Grammar and more.

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Mogwaa

LP | 2023 | Original (MM Discos)

Hazy Dreams Black Vinyl Edition

Release: 2023 / Original

Genre: Electronic & Dance

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Lim. 100 Copies / Yellow Version

When South Korean balearic prodigy Mogwaa came to MM Discos with an idea for his rst full-length album, we were a bit surprised.
He said, ‘I want to do an album of bossa tracks with synths, a drum machine and my guitar’. We obviously had to take him up
on that deal.

Fresh from the recent Bandcamp feature on his own brand of danceoor-ready modern boogie, Seungyoung Lee (aka Mogwaa)
arrives back on MM Discos with his - and our - rst full length exercise. With six tracks per side of 80s inuenced synth and bossa
badness, ‘Hazy Dreams’ is an exercise in simplicity, and more proof of the ever-expanding musical horizons of one of the scene’s
most virtuosic instrumentalists.

Pairing a sensitivity to the construction of ambient, funk, bossa and cassette-tape 80s experiments with his own cinematic subtlety,
‘Hazy Dreams’ takes a gentle, minimalistic approach, crafting its own escapist world that oers a welcome diversion from the
steady ow of busy balearica and downtempo.

Opening track ‘Full Bloom’ paints a picture of midsummer at dawn, some clear-skied island where lush vegetation climbs through
hibiscus gardens. ‘Nacimiento’ is an AOR/bossa crossover evoking West Coast yachting in full afternoon, and A3, ‘Soothing’, adds
a touch of wistfulness with reverb-doused guitars over meandering bass motifs.
The easy kick-and-snare combo of ‘Levitation’ sets the scene for a drum machine love aair, unrequited love on the rocks, and
‘Flashback’ plays with short delay trails and o-kilter melodic sequences, where you feel the soft presence of the nebula approaching
at the break of day. Closing out the A-side, ‘Dispatching’ reaches out even further into the imagined cosmos of Mogwaa’s
picture-perfect world, portraying an ambience at dusk, observing, calmy, as pued-up pink clouds melt into the evening canvas.
On the other side, Mogwaa explores quiet corners with ‘Illusions’, a slow meditation on the nature of simple presence, and ‘Echoes
of You’, a stream of subdued brush strokes that crescendo into higher frequencies on gently undulating pads. B3, ‘Moondance’,
ups the tempo and recalls classic Mogwaa with its sideways shue and starry melodic refrain, pivoting through folk-dance
moods and surprising chord changes.
Nearing the end of the album, ‘Footprints’ wades through tall grass in search of altered states, innite and hypnotic, changing
course only to crouch down and study the landscape, and B5, ‘It always comes and goes’, pictures the to-and-fro of jetstreams and
comets in the blinding midday sky. Finally we have the closing credits of ‘Swingin’ that looks o into the horizon, jaunty and exalted,
a guitar-led tribute to an easy-going world, and ultimately mindful of the power of dreams.
We’re humbled to have such a special record for our rst full-length release on the label.
Limited stock - don’t sleep on this.

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Mogwaa

LP | 2023 | Original (MM Discos)

LP | 1975 | EU | Reissue (Holy Basil)

Release: 2023 / Original

Genre: Electronic & Dance

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Black Vinyl Edition!

When South Korean balearic prodigy Mogwaa came to MM Discos with an idea for his rst full-length album, we were a bit surprised.
He said, ‘I want to do an album of bossa tracks with synths, a drum machine and my guitar’. We obviously had to take him up
on that deal.

Fresh from the recent Bandcamp feature on his own brand of danceoor-ready modern boogie, Seungyoung Lee (aka Mogwaa)
arrives back on MM Discos with his - and our - rst full length exercise. With six tracks per side of 80s inuenced synth and bossa
badness, ‘Hazy Dreams’ is an exercise in simplicity, and more proof of the ever-expanding musical horizons of one of the scene’s
most virtuosic instrumentalists.

Pairing a sensitivity to the construction of ambient, funk, bossa and cassette-tape 80s experiments with his own cinematic subtlety,
‘Hazy Dreams’ takes a gentle, minimalistic approach, crafting its own escapist world that oers a welcome diversion from the
steady ow of busy balearica and downtempo.

Opening track ‘Full Bloom’ paints a picture of midsummer at dawn, some clear-skied island where lush vegetation climbs through
hibiscus gardens. ‘Nacimiento’ is an AOR/bossa crossover evoking West Coast yachting in full afternoon, and A3, ‘Soothing’, adds
a touch of wistfulness with reverb-doused guitars over meandering bass motifs.
The easy kick-and-snare combo of ‘Levitation’ sets the scene for a drum machine love aair, unrequited love on the rocks, and
‘Flashback’ plays with short delay trails and o-kilter melodic sequences, where you feel the soft presence of the nebula approaching
at the break of day. Closing out the A-side, ‘Dispatching’ reaches out even further into the imagined cosmos of Mogwaa’s
picture-perfect world, portraying an ambience at dusk, observing, calmy, as pued-up pink clouds melt into the evening canvas.
On the other side, Mogwaa explores quiet corners with ‘Illusions’, a slow meditation on the nature of simple presence, and ‘Echoes
of You’, a stream of subdued brush strokes that crescendo into higher frequencies on gently undulating pads. B3, ‘Moondance’,
ups the tempo and recalls classic Mogwaa with its sideways shue and starry melodic refrain, pivoting through folk-dance
moods and surprising chord changes.
Nearing the end of the album, ‘Footprints’ wades through tall grass in search of altered states, innite and hypnotic, changing
course only to crouch down and study the landscape, and B5, ‘It always comes and goes’, pictures the to-and-fro of jetstreams and
comets in the blinding midday sky. Finally we have the closing credits of ‘Swingin’ that looks o into the horizon, jaunty and exalted,
a guitar-led tribute to an easy-going world, and ultimately mindful of the power of dreams.
We’re humbled to have such a special record for our rst full-length release on the label.
Limited stock - don’t sleep on this.

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Mario Molino

Antico E Moderno

27,54 €* 28,99 € -5%

Praise You / Right Here Right Now Record Store Day 2022 Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Following our reissue of Silvano Chimenti's classic "Disco Music", we're happy to delve back into the Usignolo catalog with the reissue of C 364, one of the most iconic releases of the series, the incredible "Antico E Moderno" by Mario Molino. Bringing some of the most eccentric, chaotic and spaced out vibes you could hear in the mid 70's, Molino's mind bending arrangements are timeless classics, still standing the test of time and showing how he was way ahead of his time. Literally translating to "Ancient and Modern", showcases Molino's unique blend of traditional and contemporary musical styles, creating a captivating auditory experience for listeners.

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Fatboy Slim

12" | 2022 | UK | Original (Skint)

27,89 €* 30,99 € -10%

2LP | 2017 | US | Original (Dark Entries)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Purple Disco Machine & Camelphat Remixes first time on vinyl

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Patrick Cowley

Afternooners

12" | 2024 | Original (Week-End)

Release: 2017 / US – Original

Genre: Electronic & Dance

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Dark Entries and Honey Soundsystem Records have teamed up once more to release the final volume of gay porn soundtracks by San Francisco-based musician and producer, Patrick Cowley. One of the most revolutionary and influential figures in the canon of disco, Cowley created his own brand of Hi-NRG dance music, “The San Francisco Sound.” Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco in 1971 to study at the City College of San Francisco. He founded the Electronic Music Lab at the school, where he would make experimental soundtracks by blending various types of music and adapting them to the synthesizer.

By the mid-70’s, Patrick’s synthesis techniques landed him a job composing and producing songs for disco superstar Sylvester, including hits like “You Make Me Feel (Mighty Real)”, “Dance Disco Heat” and “Stars.” This helped Patrick obtain more work as a remixer and producer. His 18-minute long remix of Donna Summer’s “I Feel Love” and his production work with edgy New Wave band Indoor Life were both of particular note. By 1981, Patrick had released a string of dance 12″ singles, like “Menergy” and “Megatron Man”. He also had founded Megatone Records, the label upon which he released his debut album, “Menergy”. Around this time Patrick was hospitalized and diagnosed with an unknown illness: that which would later be called AIDS. Throughout 1982, he recorded two more Hi-NRG hits, “Do You Wanna Funk” for Sylvester, and “Right On Target” for Paul Parker, as well as a second solo album “Mind Warp”. On November 12, 1982, he passed away.

In 1979 Patrick was contacted by John Coletti, owner of famed gay porn company Fox Studio in Los Angeles. Patrick jumped on this offer and sent reels of his college compositions from the 70s to John in LA. Coletti then used a variable speed oscillator to adjust the pitch and speed of Patrick’s songs in-sync with the film scenes. The result was the VHS collections “Muscle Up” and “School Daze” released in 1979 and 1980. “Afternooners” is the third collection of Cowley’s instrumental songs, recorded in May 1982. These recordings were culled from two 23-minute reels in the Fox Studio vaults. All songs were originally untitled, so we’ve used the titles from Fox Studio’s 8mm film loops. This compilation also includes three bonus tracks found in the archives of fellow Megatone Records recording artist Paul Parker and the attic of teenage friend Lily Bartels. Influenced by Tomita, Wendy Carlos, and Giorgio Moroder, Patrick crafted a singular sound from his collection of synthesizers, percussion, modified guitars, and hand-built equipment. The listener enters a world of forbidden vices, evocative of Patrick’s time spent in the bathhouses of San Francisco. The songs on “Afternooners” reflect the advances of the equipment available at the onset of the 1980s. Cowley's unadulterated electronic forms are stripped down and dubbed up. Lush electronic percussion, soaring synthesizer riffs and low slung funk grooves comingle on these magnificent soundscapes.

Featuring 70 minutes of music never before released on vinyl. All songs have been remastered by George Horn at Fantasy Studios in Berkeley, CA. The vinyl is housed in a gatefold jacket designed by Berlin-based artist Gwenael Rattke, featuring black and white photos of Patrick in his studio that opens to a full color array of x-rated scenes from the Fox Studio vaults. Included is a fold-out poster featuring a handmade collage using photography and xeroxed graphics of classic gay porn imagery and an essay from Drew Daniel of Matmos. For Patrick’s 67th birthday, Dark Entries and Honey Soundsystem Records present a glimpse into the futuristic world of a young genius. These recordings shed a new light on the experimental side of a disco legend who was taken too soon.

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Dinosaur

Kiss Me Again

Release: 2024 / Original

Genre: Organic Grooves, Electronic & Dance

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Preorder shipping from 2024-11-01

Arthur Russell first visited The Gallery in 1976 with his then boyfriend Louis, who introduced him to Nicky Siano. Arthur became a regular at the space and one night as Siano was playing “Turn the Beat Around”, which had just been released, Arthur waved at him from outside the booth and asked to come in. Nicky opened the door and Arthur suggested they make a record like this together. This ended up being a huge step for Siano as it marked the first ever production by a DJ making a record from scratch.

Arthur had written a song and had an arrangement for it so they assembled a band featuring Wilbur Bascomb who was one of Nicky’s favorite bassists, as well as, Allan Schwartzberg, David Byrne, Miriam Valle, Peter Gordon and Peter Zummo who were all friends of Arthur’s. Russell played the cello and piano – and that was the band. They recorded throughout 1977 and the “Kiss Me Again” 12 inch was finally released in 1978 on Sire Records selling more than 300,000 copies.

Week–End Records is proud to release the first ever reissue by this outstanding disco production. Remastered from the original tapes. With liner notes by David Byrne, Nicky Siano, Peter Gordon and Peter Zummo.

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French Touch - House Session

LP | 2024 | EU | Original (Wagram)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Groovejet (If This Ain't Love) Feat. Sophie Ellis-Bextor

Spiller

2LP | 2022 | EU | Original (Defected)

2LP | 2024 | UK | Original (Sultra)

Release: 2022 / EU – Original

Genre: Electronic & Dance, Pop

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Every once in a while, a record comes along which resonates in a special way, stands the test of time, and brings the same reaction to the dancefloor now as it did all those years ago. 'Groovejet (If This Ain’t Love)' is one of those records, a classic in every sense of the word. Originally released in 2000, Defected are, re-releasing this club essential for new and original fans alike in a special, limited edition deluxe remix reissue.

This unique two vinyl pack comes in full colour gatefold sleeve with augmented reality cover that will come to life once you scan the mask image on your phone accompanied by a four page 12” insert written by Spiller detailing the full story of ‘Groovejet’; from original production, early reactions, chart success and new 2021/22 remixes.

The releases features the original versions plus new mixes Purple Disco Machine & Lorenz Rhode, Riva Star, Breakbot & Irfane and Harvey Sutherland. Exclusive to the vinyl are Riva Starr’s Skylight Mix and the Harvey Sutherland Instrumental version.

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Michael Gray

Optimism

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Michael Gray’s star has been firmly in the ascendant in recent years, with a string of chart-topping, floor-filling productions and remixes under his belt. The excitement is therefore palpable for his soon come album Optimism, which sees Michael pour both his heart and his three decades + of experience into what will be one of THE albums of the year.

'This album has been a year and a half in the making,' states the ‘Weekend’ hitmaker and one half of legendary disco house pioneers Full Intention, clearly now keen to release his career-defining magnum opus out into the world.

In these confused and often frightening times, we need musical communion more than ever. Only too aware of this, Michael has 'set out to make an album full of positivity.' Needless to say, the resulting 'hybrid of classic disco mixed with modern disco and soul' hits the spot and looks set to provide a soulful summer soundtrack to lift spirits and fill dancefloors.

In an era of often generic, over-computerised sounds, Michael returns to the source of his lifelong musical inspirations. 'Most of these productions have involved working with live strings and horns,' he enthuses. The musicians include live drums by Derrick Mckenzie from Jamiroquai, percussion by Russ Tarley from Incognito and string arranger Stephen Hussey, known for his work on Soul II Soul’s early hits.

Michael’s much-needed musical missives for the ages are masterful manna from the heavens. Things just got optimistic.

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LP | 2023 | EU | Original (Wagram)

French Rare Groove

Otakar Olšaník / Jan Martiš

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Rare Groove CollectionExplore the fusion of world music with soul, funk and disco through the Rare Groove Collection.With this new volume, discover unique groove tracks straight from Jamaica!Fully remastered original versions French RARE GROOVEThis "French Rare Groove" volume offers us a oneâÇ`way ticket to France from the late 60"s to the early 80"s. From confidential releases to forgotten movie soundtracks, discover the grooviest tracks from the french scene. Have a good trip!

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Advanced Process (Coloursound)

LP | 1986 | EU | Reissue (Be With)

LP | 2022 | UK | Original (Warp)

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

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Heads have been after Otakar Olšaník and Jan Martiš's Advanced Process for a long time. That's because "coincidentally-cosmic disco" packed with spaced-out, smacky-synth dynamite tends to become sought-after. Originally slipping out on the mighty Coloursound in 1986, the label described the sound as "contemporary synthesizer underscores played by computers; depicting future technologies in today's process." If they'd just added "acid-drenched", they'd have been closer to nailing it.

The A-Side is totally beatless. It's also totally perfect. "Atomic Plant 1" is a pulsing synth epic and could've easily soundtracked a stylish 80s thriller such as Thief or To Live And Die In LA. It's a narcotically enhanced meeting between John Carpenter and Steve "Lovelock" Moore. "Atomic Plant 2" adds extra squelch and proper early computer synth squiggles. This stuff is addictive and truly ace. The 3 part "Fusion Point" showcases a dramatic and insistent industrial mood via a gripping sequencer pattern mixed with effects and accents. Menacing and magnificent. The trio of "Nuclear Radiation" tracks veer majestically from a hypnotic sequencer pattern with a heavy dramatic tune to hectic patterns without much of a tune, managing nevertheless to maintain a hold on the listener.

The drums enter proceedings on Side B and they're absolutely outstanding. Coming on like a slicker, heavier Johnny Jewel production, 20 years before Italians Do It Better, "Regulators 1" marries the smoothest head-nod beat you can wish for, with a murky mechanical rhythm and phasing effects. After the stunning beatless version ("Regulators 2") the suuuupppper slo-mo "Data Load" sounds like its wading through the heaviest K-Hole and is all the more thrilling for it. "Modem" is a brief and breezy funky bass and synth squiggle wonder, of the beatless variety. "Robot Masters", would you believe, actually sounds like something those Daft Parisians would've sampled on Discovery, over 15 years later. An uptempo, optimistic track with a real strut; propulsive rhythms with dramatic synths, what can only be described as "very-80s sounds" and digi-handclaps. The breathless "Digiheart" double bill rounds things out, one with a dynamic driving rhythm and more slick-as-hell beats and the other without drums. Mental, brilliant and completely essential.

As David Hollander, in Unusual Sounds: The Hidden History of Library Music, states, Coloursound was "founded in 1979 by composer, music lawyer, and vibraphonist Gunter Greffenius. A Munich-based library with a reputation for releasing innovative and ambitious music, it catered largely to the market for experimental sounds, its first release was 1980’s Biomechanoid, an abstract synthesizer excursion by Joel Vandroogenbroeck, of the pioneering kosmische band Brainticket. The record — complete with imposing, anonymous title and unearthly H.R. Giger cover art — set the tone for the label’s progressive leanings. The label’s catalogue stands as a tribute to the unfettered creative license that libraries were able to provide to forward-thinking musicians who, frustrated by the whims and constraints of the commercial scene, found complete freedom in the world of production music."

As with all our library music re-issues, the audio for Advanced Process comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. Richard Robinson has brought the original Coloursound sleeve back to life in all its metallic silver glory.

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Bibio

Bib10 Gold Vinyl Edition

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Bibio is an artist who never likes to stay in one sound for too long. His humble beginnings producing lo-fi folk-tronica transformed dramatically into the hip hop inspired kaleidoscopes of his Warp debut Ambivalence Avenue, launching a series of constant shifts from intricate house beats to dazzling funk through to haunting ambient soundscapes, often all within the space of one album. While the quintessential Bibio sound may be hard to define, the guitar has stuck with him throughout all of his sonic experiments, and it’s what he pays homage to on his milestone tenth album.

“I like contrast between my albums,” says Stephen Wilkinson aka Bibio “When I finish an album, I crave doing something different for the next one.” Bib10 is perhaps the most outwardly pop Bibio has ever leaned into, delving deeper into the funk and disco direction previously hinted at with releases like 2016’s The Serious EP while his natural pastoral folk inflections still shine through. Though the slick riffs of tracks like ‘Off Goes The Light’ are dressed in fuzzy CRT television colours, they never fall into the trap of sounding nostalgic, featuring refreshing songwriting that can only be placed in modern day.

A metropolitan energy flows through many tracks, such as ‘S.O.L.’ with Olivier St. Louis’s silky, infectious vocals, or the sweet rotations of saxophone and guitar on ‘Cinnamon Cinematic’, trading jubilantly extended solos with each other. Elsewhere, Bibio’s hearty folk origins appear on the intimately drifting ‘A Sanctimonious Song’ and the acoustic ode to analogue on ‘Phonograph’. Both of these worlds are glued together in ‘Rain And Shane’, where lilting violin lends simultaneously wistful and soaring melodic refrains to twirling electric guitars.

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2x12" | 2022 | EU | Original (Get Physical)

Berlin Gets Physical

2LP | 2023 | UK | Original (Hell Yeah)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Three years after Reno Wurzbacher’s entry into the series, Cook Strummer now offers up his own Berlin Gets Physical, a collection of all-new and exclusive tracks.

Berlin-based, Belgium-born Strummer has been a Get Physical associate for several years. He has dropped various singles including the standout 'Rising' which also featured on the Words Don't Come Easy series, and always crafts the perfect mix of rhythm and melody with plenty of hints of his homeland's famous cold wave sound. He often uses his own voice, drum machines, synths and guitars in his music, and since his debut album in 2018 on LOK Recordings, he has had high profile support from the likes of Laurent Garnier, Adam Port and Ame. This summer, he dropped 'Atmosphere' on Obsolet Records which proved another successful outing and now Berlin Gets Physical finds him digging deep into the famous city's freshest and most essential house sounds across 15 well-sequenced tracks.

His own new offering 'For Berlin' kicks off with a dark and edgy vibe, gothic vocals and tense drums. Glitchy hits and blurting synths add to the prickly atmosphere and immediately lock you in while Los Cabra & Manuel Sahagun's 'Italian Groove' then takes off on waves of serrated dark disco synths and Freudenthal feat. Nowhere People continue that macho disco vibe with the rugged chug and cosmic rays of 'Cipher.'

The twinkling 'Bad Karma' by Marvin Jam & Le Mythe then allows you to catch your breath with a slower, more spacious dub disco sound and the twanging bass riffs and exotic effects of Daniel Jaeger & Valenti's 'Quarantine Cowboys' rebuilds the atmosphere with some innovative house blues. The mid-section brings brain-frying synth work on 'Out Of The Blue', bubbling dub house and disco courtesy of dramasquad's sprawling 'ziggy' and percussive deep house looseness from 'Abayomi.'

After KEENE's rubbery and rolling Afro sounds comes more cosmic house richness from Dan Buri and Max Joni & Mukkimiau, the driving tech of Red Pig Flower & Lulla and heady sounds of Mike Book. There is a raw house heaviness to FreedomB's 'State of Shock' and things shut down with Electronic Elephant's tightly coiled minimal drum funk on 'Ask Yourself'.

This on point collection is an authentic snapshot of the contemporary underground sound of the Berlin.

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Aura Safari

Island Dreams

Claptone & Pet Shop Boys Feat. Dizzy

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Red hot Italian DJ and production collective Aura Safari is back with a second full-length album, Island Dreams. It lands on Hell Yeah Recordings on September 15th and is another live and sun-kissed odyssey through balmy Mediterranean evenings, gorgeous sundown sessions and funky analogue grooves.

Andrea Moretti, Lorenzo Lavoratori, Daniele Melloni, Nicholas Iammatteo, Lorenzo Francioli, Ruggero Bonucci and Nicola Pitassio are Aura Safari, and between them they play drums, percussion, bass, keys, and guitar. They contributed to the first volume of the Buena Onda compilation in 2020 on this label, a year after serving up a debut album on London's Church Records. Since then they have become ever more entrenched in their local scene in Perugia, playing summer sets at the Umbria Jazz Festival, winter warmers at the legendary Red Zone Club and host their own Tropical Climax parties each month in the town centre.

Aura Safari are also deep-digging music collectors who have extensive and far-reaching tastes. When cooking up their sounds they draw on everything from Afro to Italo, house to disco, 80s boogie to world music, jazz and Balearic beats. This new album shows that once more across four sides of vinyl that sweep you up and transport you to somewhere idyllic.

The title track kicks off with steamy Mediterranean grooves embellished with lush Rhodes chords and sprinkles of cosmic magic. 'Sur Mon Balconnet' then slips into dubbed-out disco territory with 80s synths and leggy drums while 'Riserva Naturale' is a new-age jazz house sound with majestic lead synths and heart-melting chords that speak of a sunset dance on the beach. 'Onda' has squelchy boogie bass with hip-swinging drums, 'Wave Riding' is a lo-fi funk excursion with hints of West Coast Californian swagger and 'Magic Malbe' is loose-limbed Balearica with clear blue skies and blissed-out chords.

'Dancing in the Moonlight' feat. Zeke Manyika has all the vibrant feelings of bubblegum pop with Afro vocals and steel drum sounds next to rich xylophone sounds. There is plenty of heat and exotic charm to the proto-Afro house of 'Tropical Climax' and as well as dub versions of 'Sur Mon Balconnet' and 'Dancing in the Moonlight' come the scuffed-up Dam-Funk style beats and boogie of 'Disco Mantra' before closer 'Patagonia' shuts down with elastic drums and bass and playful synth leads that send you home wanting more.

Island Dreams is a tropical escape to a rich world of fusion sounds that look back to go forwards. It's a feel-good record to accompany hot nights and lazy afternoons, cocktails at dusk and dancing till dawn.

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Queen Of Ice Pet Shop Boys Remix

12" | 2022 | EU | Original (Different)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Deciius Volume 1 Purple Vinyl Edition

Decius

2LP | 2022 | UK | Original (Leaf)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Unwashed acid house and disco through a broken South London filter - from "70s New York bathhouses to "80s Chicago nightclubs via the Brixton Windmill. Bring a towel. Decius are brothers Liam and Luke May, founders of Trashmouth Records, together with Quinn Whalley (Paranoid London/Warmduscher) and Fat White Family frontman Lias Saoudi. Those with an ear to the ground will have picked up on a string of self-released 12"s over the last few years, supported by the likes of Daniel Avery, Honey Dijon, Ivan Smagghe, Mike Servito, 2 Many DJs, Moxie and Erol Alkan. Decius Vol. I is a lean entry point to their sordid world - dark, uncut, unrefined and unrepentant.

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Wild Starwax 15th Years Edition

LP | 2022 | EU | Original (Overdrive)

Bib10 Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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StarWax magazine celebrates its fifteenth year, it is in the extension of the anniversary event that the vinyl Wild Star Wax 15 Years Edition in Partnership with Overdrive is born! Curated and Seòected by Dj Coshmar for the most famous Starwax magazine a powerful dancefloor combo for djs, diggers and clubbing addicted. Available in stores from September 2022, the tracklist contains six tracks of cumbia, disco, creole funk, bass music and hip-hop that are available exclusively in this vinyl format, at exception of "An Tèt Aw" the last title of side A already available on the Lp of DjeuhDjoah & Lieutenant

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Bibio

LP | 2022 | UK | Original (Warp)

LP | 2022 | EU | Original (Obliques / Transversales Disques)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Model Alpha

Perceptions

Ich Bin Der Eine Von Uns Beiden

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Jonathan Fitoussi & Julie Freyri are Model Alpha. 8 years on after their first album Dimensions, Perceptions is the duo's second album and was entirely composed on analog synthesizers. Model Alpha is inspired by electronic artists such as Kraftwerk, Laurie Spiegel, Manuel Göttsching or early Detroit techno productions. An elegant blend of synthesizers and drum machines including remix by Chloé (Thévenin

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Andreas Dorau

LP | 2005 | EU | Reissue (Tapete)

LP | 2022 | EU | Original (Kompakt)

Release: 2005 / EU – Reissue

Genre: Electronic & Dance, Pop

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Remastered and back on vinyl for the first time since being released by Mute in 2005. Tapete rearranged the tracklist together with Andreas Dorau. With production by Justus Köhncke, Marcus Rossknecht and more.

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Perel

Jesus Was An Alien

Release: 2022 / EU – Original

Genre: Electronic & Dance

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The dance floor as devotional is a trope as old as the club itself. But, with her new album, Jesus Was An Alien, Perel subverts the stakes of our collective communion: Who are our arms raised to? Who are we seeking salvation from?

“Jesus Was An Alien is a discourse about whether Jesus was an actual alien,” she explains, “but also a social debate about what is and implies religion today.” She offers up her provocative second record – her first on Kompakt – as a soundtrack for the listener’s own journey through the intricacies and ironies of modern belief.

Picking up on the themes she brought to her debut, the 2018’s LP Hermetica on DFA, Perel has created ten tracks rich with spirit and allusion. Her influences are myriad, from the indie dance hitmakers of the early 2000s – Hot Chip, Simian Mobile Disco, Justice – to rave compilations that predate her ascent to the DJ booth, to more abstract inputs. Living with synesthesia, she says, “I feel emotions and colors piling up inside me, then there’s a triggering sound or event that opens a valve. My tracks are color streams that tell a story.”

Jesus Was An Alien is not just multicolored – it’s multi-lingual too, slipping in and out of tongues in a single track, sometimes dispensing with words altogether (the ecstatic breakdown of “The Principle of Vibration”). The album features Perel’s voice almost entirely but for her special collaboration with Canadian songwriter Marie Davidson on the title track.

“Jesus Was An Alien” stirs like a late-night revelation, a heady discovery awakened in the dark. Perel lays out a fiercely disciplined electro pulse, with Davidson’s proclamations growing more fervent over the song’s sensual stride. “I already said everything with my synthesizers and the melodies I created,” Perel explains of the collaboration, but “somehow she gave the song a voice I couldn’t.”

Perel drives further not only spiritually but sonically across the ten tracks, taking thrilling production risks: standouts include her breathy vocals atop a melodic piano strut on “Matrix;” the delirious blur of ghostly chimes and disembodied voices of “Religion;” and the retro radiance of “The Principle of Vibration,” in which Perel exhorts us to “come on and vibe” over an athletic riff and shuffling percussion.

“Kill The System,” meanwhile, hits the listener with tense acid pulses, building to only an imagined release and calls out the end of patriarchy. Album closer “Am Kanal” starts as a pensive cloud of a track, finally breaking into a rich textural rain of synths and stabs.

The variety throughout Jesus Was An Alien underlines Perel’s purpose in this latest project; she’s experimenting her way to answers – or maybe just more questions. After all, she says, “questions are the beginning of something new.”

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Cosmic Disco Machine Volume 3

LP | 2021 | EU | Original (Cosmic Disco Machine)

Jonathan Fitoussi & Clemens Hourrier

Release: 2021 / EU – Original

Genre: Electronic & Dance

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The Cosmic Disco Machine series volume three is finally out. This release compared to previous volumes is even more electronic and sinth pop and confirms its "alternativity", with masterpieces by Klaus Schulze , Asmus Tietchens ,Conrad Schnitzler, Klaus Kruger , Axxess and many more. The careful and never banal selection of rare lost and professionally remastered gems will certainly not disappoint you. Exclusive red vinyl printed in very limited edition. So don’t miss the third chapter and be ready for the coming fourth

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Möbius

LP | 2021 | EU | Original (Obliques / Transversales Disques)

Tilt Colored Blue Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Möbius is an aerial ballet created by Cie XY in collaboration with the choreographer Rachid Ouramdane, and composers Jonathan Fitoussi & Clemens Hourrière. One of the most sensitive sets of ears in Paris, GRM affiliate Jonathan Fitoussi meets Clemens Hourrière for a beautiful 3rd album called "Möbius". After their acclaimed "Five Steps" [2015] & "Espace Timbrés" [2018] on Versatile records, Fitoussi & Hourrière tethered again to the classic Buchla modular synthesiser, but this time for composed the soundtrack of an amazing aerial ballet in collaboration with Cie XY and famous choregrapher Rachid Ouramdane; Widescreen results "For Möbius we have teamed up with two composers, Jonathan Fitoussi and Clemens Hourrière; for several years now they have shared a common passion for electronic instruments with their unique incredible sound. We soon found there was a lot of common ground between our own acrobatic research and the way they create music : their sounds meeting, colliding or clustering together in a slow and finely nuanced progression, requiring the same continuous adjustment as our own process. This constantly evolving music with its expansive percussion will leave the door wide open to flights of the imagination, transporting us to strange atmospheres, at times disturbing, at others invigorating..." Cie XY

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Confidence Man

LP | 2022 | UK | Original (Heavenly)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Mémoire Magnétique Volume 2 1966-1993

Bernard Parmegiani

LP | 2021 | EU | Original (Transversales Disques)

2LP | 2021 | EU | Original (Mule Musiq)

Release: 2021 / EU – Original

Genre: Electronic & Dance, Soundtracks

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Transversales is very glad to announce the release of Mémoire Magnétique Vol. 2 spanning 1966-1993, revelatory collection of short and secret music by electronic music pioneer Bernard Parmegiani. Since the late 50's, Bernard Parmegiani, a major figure of electroacoustic music and a founding member of GRM has created some eighty two concerts music. From the start, Parmegiani’s work was closely linked to the screen, with dozens of documentaries, films, long features, animation films but also musical pieces for dance, stage or television. If many of his pieces are landmarks in the history of electroacoustic music (De Natura Sonorum, La Roue Ferris…), his application music compositions are strongly embedded in the subconscious landscape of the French public (Stade 2, Roissy Paris Airport…). The second volume of this compilation allows us to discover some of unreleased rarities from Bernard Parmegiani’s personal archives and unpublished recordings which were composed for the screen or the performing arts.

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KZA

Dig & Edit

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Japanese veteran dj&producer “kza”(half of dj duo “force of nature”) have released his first solo album in 2009 on only cd. KZA is one of best dj in the modern disco/house scene in japan and also well known as vinyl digger. this album was made with his knowdlege from his big collection of vinyl. We’re listening this album at studio mule and feeling we should release this album on vinyl. Finally we are going to release this epic modern disco album on 2lp.

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DJ Nobu Presents Beyond Space And Time 001

2LP | 2019 | JP | Original (Beyond Space And Time)

2LP | 2012 | DE | Reissue (Universal)

Release: 2019 / JP – Original

Genre: Electronic & Dance

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Beyond Space And Time is the new record label from Japanese music festival, Rainbow Disco Club (RDC). RDC has been welcoming music loving people to Japan for over a decade. Throughout the festival's history, RDC have been fortunate to constantly encounter performers and DJs who've collaborated with them in establishing a beautiful dance floor year in, year out. These relationships have lead RDC to start their own label, and now gives them the opportunity to reveal one of the best-kept secrets: What is in a DJ's record bag?
This time around, festival regular DJ Nobu kindly opens up his collection and shares the music he loves with us all. On visual duty we welcome Senekt - his representational yet contemporary drawing illustrates the emotion we feel from DJ Nobu.
We have much more music to come in future from artists that we trust and respect.

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Deichkind

Befehl Von Ganz Unten

Release: 2012 / DE – Reissue

Genre: Hip Hop, Electronic & Dance

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Fingerprint Volume 1 X-Ray Colored Vinyl Edition

Marc DePulse

12" | 2024 | EU | Original (JEAHMON!)

LP | 2024 | EU | Original (Somatória Do Barulho)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The vinyl express keeps rolling. After celebrating Ten years Jeahmon! we are back with label head Marc DePulse who presents his new series >Fingerprint<. Nasty beats. Low drums. Tireless drops. Rolling basslines. Tremendous subs. Tape emulators. Heavy guitars. Acid pots. Dark percussions. Snare rolls. 4/4 time. Headbangers. Attack and release. Fully charged energy. Trippy breaks. Weird breakbeats. Crazy rhythms. Mystic pads. Heartbreaking leads. Squeaky synths. Vocal snippets. Memorable phrases. Powerful speeches. Industrial charm. Metal bangers. Slowed down. Speeded up. Retro vibes. Modern wave. Disco elements. Same same but different. Peak time. No limits. Out of the box. A box full of colours. Painted arrangements. Equalized. Compressed. Limited. Signature sounds. Electronic earworms. Handscript. Fingerprint. Play. Rave. Repeat. Hugs & kisses. Spread the word. Share the vibes. Peace, love and freedom to everyone on the planet!

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Ubunto

Abafabanca

12" | 2024 | UK | Original (Mr Bongo)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Straight from Salvador, Ubunto is the freshest kid around clubs and parties in São Paulo and Brazil. DJ, Producer and multi-instrumentalist, Ubunto mixes the deep sounds of his motherland Bahia with modern eletronic textures of today. "O Vento", originally composed by all time famous "Dorival Caymmi" meets a new version on this album, featuring "As Ganhadeiras de Itapuã", a great example of "Abafabanca´s" 8 super uplifted tracks for the first time on wax. Includes special bonus track available on vinyl only. Just another great shot from São Paulo based label, SDB Discos.

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Marc Davis

Chi Talo Ep Volume 2

LP | 2023 | EU | Original (Geometrik)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Record label boss, producer / DJ, and revered collector Marc Davis returns to his Chi-Talo series with the much-anticipated second volume. A concept of a split EP, taking one ultra-rare Chicago gem and the other a scarce Italian disco record and re-interpreting them for the modern dancefloor aesthetic.

With the first volume, released on Marc’s own Black Pegasus label, now trading hands for considerable amounts of money, round two sees him impart another double dose of digging sorcery for this Mr Bongo 12”.

Marc began his illustrious career in the Windy City in the ‘80s and was one of the first out of Chicago to be recognised for his eclectic approach to DJing. Presenting a global sound palette that took in choice cuts from Brazil, Africa, jazz fusion, house, soul and disco, whilst mixing it together Chicago style. Decades of knowledge and experience that is now distilled down into the Chi-Talo series.

The Italo selection came via a tip from Marc's Swedish friend, Julian Wareing. Hearing the track led Marc down the rabbit hole to secure a copy of this Italo-Disco, album cut oddity by the New Sound Quartet from 1979. The original of 'Bass Construction', measures in at four and a half minutes and is already a feverish funk groover. But Marc saw an opportunity to extend and re-edit the track, keeping in the vein of the original but giving it space to breathe. Tweaking out every last ounce of goodness, Marc locks you into a hypnotic groove for maximum dancefloor deliverance.

The Chicago side is as rare, as the rarest of hens-teeth, only ever existing as a one-off acetate by the band The Saucer Planes. One of the members of the group was the sadly passed-away older brother of Marc’s DJ mentor, Jahmal Anderson. From the very first listen, Marc knew he’d been hooked up with an undiscovered boogie gem. A long-lost track that the world needed to hear. But the project has remained dormant until now, not least due to the fact that the original recording of this low-fi vocal boogie groove is housed on an ever-deteriorating solo acetate. Rescued, restored and given a brand-new lease of life, Marc has turned the track into a low-slung, psychedelic instrumental boogie bounce. Raw, rough and mesmerising, it’s a refreshed relic that is a testament to Chicago’s club sound and swagger.

Whichever side you draw for, this is guaranteed to move bodies as much as it wins over hearts.

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Esplendor Geometrico

Kosmos Kino

Disco Jazz Rainbow Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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'Kosmos Kino' (1988), Spanish Industrial classic album by Esplendor Geométrico, has been unavailable on vinyl for more than 12 years, now out on limited, numbered, and remastered 2023 edition! - Kosmos Kino is the third album of the influential Spanish Industrial cult band Esplendor Geométrico. Recorded and originally published in 1988 and unavailable on vinyl for many years, now available again in its original format. Remastered in 2023, this release reproduces the original cover but with a different exclusive artwork on the back cover. After a start in which the line of acute distortions and buzzy basses of their previous albums continues, it follows a surprising rhythmic viscerality, reaching its peak in the track "Trybuna Robotnicza", suitable for the most frantic dance and one of the greatest moments in their vast discography.ESPLENDOR GEOMETRICO 1980-2022: Arturo Lanz (only active member since the beginning), Gabriel Riaza (until 1991), Juan Carlos Sastre (until 1982), Saverio Evangelista (since 1991). Andrés Noarbe is considered an E.G. member in the shadows since 1980, working as manager, advisor, designer, and editor (head of Discos E.G. from 1986 to 1990 and currently of Geometrik Records).[ENG]ESPLENDOR GEOMÉTRICO BIOBorn in 1980 as a trio, and currently a duo formed by Arturo Lanz (founding member) and Saverio Evangelista (member since 1991), Esplendor Geométrico is an influential and international cult band and also a rare case in the Spanish music scene, as they have developed their own independent path aside from tags, fashion, or trends, in spite of being often classified as industrial music. Their career during this four decades hasn't had interruptions. They haven't stopped composing, releasing albums or playing live (with more intensity since the nineties), and they have continued for the simple pleasure of making music. E.G. soon achieved a personal and distinct style that can be appreciated from their 80's albums, when they used analog synthesizers and pri...

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Rupa

LP | 1982 | US | Reissue (Numero Group)

2LP | 2024 | UK | Original (Nervous)

Release: 1982 / US – Reissue

Genre: Electronic & Dance

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Rainbow VinylBarely disco and hardly jazz, Rupa Biswas'1982 LP is the halfway point betweenBollywood and Balearic. Tracked in Calgary'sLiving Room Studios with a crack team ofIndian and Canadian studio rats alike, DiscoJazz is a perfect fusion of East and West. Sarodand synthesizer intricately weave aroundone another for 37 transcendent minutes,culminating in the viral hit "Aaj Shanibar."Remastered from original analogue sourcematerial and issued with permission andblessing of the producers and performers.

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Teddy Douglas

I’m Here

Isles Black Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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US House Music legend Teddy Douglas of Basement Boys and Jasper St. Co. fame gets set to unleash his first solo artist album, ‘I’m Here’, on the iconic label, Nervous Records. Teddy has gone all out to deliver one of his most creative and musically diverse albums to date. ‘I’m Here’ is a colourful pallet of meaningful songs and grooves that reach far beyond Teddy’s signature soulful Baltimore House sound, with added infusions of Funk, Rock and Jazz, yet still loaded with plenty of Teddy’s trademark House and Disco sounds that we all know and love.

Across the album he’s pulled together an array of heavyweight international vocal talent including; UK vocal diva Pauline Taylor; Danish award winning Folk and Blues artist, Richard Farrell; Chi Town Hip House legend, Fast Eddie; dance music’s legendary No.1 vocal queen, Ultra Naté; up and coming Brit Soul talent, Sipho; and Buckshot from Blackmoon appearing as BDI Thug. From the shimmering cover of The Frontline Orchestra’s ‘Don’t Turn Your Back On Me’ with Pauline Taylor on the vocals, to the downtempo rocky vibes of ‘Help!’ with Sipho delivering a spine-tingling gravelly vocal, ‘I’m Here’ is testament to Teddy’s finely tuned expert musicianship and impeccable knack for penning great songs and delivering vibrant covers.

Baltimore’s Teddy Douglas has produced everyone from Michael Jackson, Lenny Kravitz, Crystal Waters, Erykah Badu, Martha Wash and Ultra Nate’ and was an important figure in the development of the Baltimore “House” Sound. Teddy has held down a long and successful DJ career since 1983 staring out in Baltimore and spreading his wings globally gracing the decks at clubs such as Yellow in Japan to London’s Ministry of Sound and beyond. In 1985 he met Jay Steinhour and Thommy Davis, who later formed The Basement Boys production company. The Basement Boys have produced countless dance classics like Crystal Waters’ 1991 Gold single, ‘Gypsy Woman’. In the mid 90’s Teddy Douglas and Jay Steinhour opened Basement Boys Records and released club anthems from Teddy Douglas, Jasper St. Co., Ann Nesby, Those Guys, DJ Spen, Byron Stingly, Karizma, Kenny Bobien, Taja Seville and more

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Bicep

2LP | 2021 | UK | Original (Ninja Tune)

Release: 2021 / UK – Original

Genre: Electronic & Dance

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Bicep have become synonymous with a particularly emotive brand of electronic dance music down the years, and on the Belfast-born, London-based duo’s new LP Isles we find that sound in good nick once more. The album’s shimmering synths and buoyant beats transport you to the last dance of the night, or perhaps to the sun setting over a festival skyline, even as you enjoy them through headphones or hi-fi speakers.

Isles finds Bicep incorporating influences which range from old-school rave tunes to the tender, R&B-indebted sounds of post-dubstep. A single like ‘Apricots’ is an expert demonstration of how Bicep’s style is in dialogue with so many important eras of dance music’s history yet also remains distinctly their own. ‘Apricots’ features shuffling broken-beat drums which push the tune forward, the gently insistent groove providing a base from which the synths and vocal loops can build. It makes for hugely stirring listening, particularly when the ever-climbing synths reach their apex at the track’s climax. Other entries here may deliver some harder timbres - there are electro and trance influences lurking towards the back-end of Isles - but Bicep still find the emotional sweet-spot time and again across the course of the album.

With the Isles LP, Bicep have delivered some of their most moving electronic dance music productions to date.

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Sintesis Moderna: An Alternative Vision Of Argentinian Music 1980-1990

2LP | 2022 | UK | Original (Soundway)

LP | 2022 | EU | Original (Room 40)

Release: 2022 / UK – Original

Genre: Electronic & Dance, Pop

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Soundway’s telescope to forgotten and lesser known musical realms extends to Argentina on a brand new, triple vinyl compilation, Síntesis Moderna: An Alternative Vision Of Argentinian Music 1980-1990. A digital rewilding of computer and synth powered music, dripping with an impressive variety of influence, from Italo disco, electro-funk, post punk, tango, ambience, jazz-fusion, Afro-folk and techno pop. The record is a cultural document of a musical decade transformed after the lifting of restrictions of English language music post Falklands War, and the end of Argentina’s military dictatorship.

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Merzbow

Flare Blues

2x12" | 2024 | UK | Original (Rekids)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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In a thorough dismantling and recontextualisation of his own work, Merzbow sets fire to his mid 90’s ‘Flare Gun’ & ‘White Blues’ EP’s with utterly compelling, visceral, and surprisingly diverse results. Essentially going toe-to-toe with his mid 90’s self, Masami Akita eviscerates the originals in a bath of tear-out textural tornadoes that only just betray their origins in raw samples of blues rock bands. Tapping into that long-standing double refraction of influence between Afro-American blues (and subsequently jazz, disco, house and techno) and its acolytes from blighty, Merzbow pushes everything into the red with nuclear levels of ferocity, unleashing torrents of detuned theremin and electronics around the blistered samples in a face-melting style that so many have imitated but have rarely imbued with such spirit and imagination. The first half of ‘Flare Gun Extra’ parts returns to his headspace and tekkers in the period following his formative classic ‘Venereology’, adapting extreme forms of compression, distortion and dynamic mixing with a manacled grip and expressive sensitivity that’s there if you cares to give it some attention, with particularly powerful results in the freewheeling bombast of ‘Flare Gun II’. We hear decimated traces of rock riffs shredded up with staggering futurist alacrity in ‘White Blues Part I’, saving a rather unexpected swerve into mind-spanking bluesy guitar psychedelia on the 2nd part that sounds like Hendrix taking an acid bath after his London stint, before ’Deathmetal’ joins the dots far north to perhaps express how the quintessence of blues shored up, petrified in the black country and was dashed on granite Scandinavian cliffs and Japanese islands from the most obtuse angles. Pure energy and chaos this one.

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Radio Slave

Venti

Josè Orange Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Radio Slave's 'Venti' is released on Rekids on May 17th and is a twelve-track celebration of Matt Edward's most prominent alias' history. Starting life as a series of singles that began in 2023, 'Venti' sees Edwards explore lower tempos, House, Disco, and the Pop reinterpretations that birthed the moniker back in 2001.

From Venti’s opening track onwards, a glistening piece of piano-led house that's become an anthem at Sean Johnston and the late Andrew Weatherall's lauded Alfos parties, it is clear that Edwards is keen to celebrate the past but through the lens of now. A Radio Slave favourite, 'Wait A Minute', is updated to include a powerful vocal from Nez. Kylie's 'Can't Get You Out of My Head' - a track that kicked Radio Slave into the modern dance music consciousness is reinvented as an Italo-inspired cover featuring Michael Love Michael delivering glorious vocals. 'Wild Life' and 'Wake Up', another two tracks that, as singles, dominated house and disco sets of the great and good in 2023, feel simultaneously fresh while paying homage to the origins of House - message-heavy vocals and all. A cover of Audion's 'Mouth to Mouth' and Edwards' tribute to Terry Hall, the Fun Boy Three reimagining 'The Lunatics' are keen displays of Radio Slave's knack for taking on beloved tracks and making them his own. The lasers-set-to-stun cut-and-paste nu-disco of Radio Slave’s 'Jaws' is a muscular and timely reminder that the punch of a track lies in its feel rather than tempo, while Edward's command of dub aesthetics and unmatched ability to stretch grooves into a tension-filled journey shines through on 'New Balance' and the epic closer, 'Thirty-Six'. Never one to entirely give into the throes of the 4:4, the cinematic electro of 'Stranger In The Night' and Balearic Cagedbaby collab 'Amnesia' round out 'Venti' as the whole Radio Slave experience - as intense as it is subtle.

One of the most prolific and critically lauded electronic music artists of the past two and half decades, Matt Edwards was born in Catford, London, in the early 1970s. When acid house hit the city, Edwards was deep in the scene, and he's remained there since. Residencies at the groundbreaking Ministry of Sound and an 'unofficial' residency that has seen him become one of Panorama Bar's most booked DJs during his 15-year stint living in Berlin have provided the grounding for an enviable tour diary that continues today.

His Rekids imprint, a label that has platformed some of dance music's biggest names, has been regarded as a high benchmark for two decades with Matt as sole A&R. Collaborations with legendary artists such as DJ Hell and Robert Hood, releases for Running Back, R&S, Innervisions, Figure and more, and a remixography that simply couldn't be repeated in modern music show just how important Radio Slave is.

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Kid Simius

2LP | 2024 | EU | Original (Shall Not Fade)

2LP | 2024 | UK | Original (Groove Culture)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Kid Simius is back with his third full length album, this time via Bristol label Shall Not Fade.

Jose LP is 10 tracks of high-quality dance music, delving deep on all things jazz, house & disco, showing with Kid Simius is one of the most innovating producers in the current dance music scene.

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Gianni Bini

The House Of Glass

Hairless Toys Red Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Legendary Italian producer Gianni Bini Debuts on Groove Culture with 'The House Of Glass' LP. With an inimitable CV and discography that includes over a thousand production credits to his name, hundreds of singles under renowned pseudonyms including Bini & Martini, Fathers Of Sound, The Goodfellas, Subsystem and two Worldwide hits as Eclipse and House Of Glass, Gianni is one of the most revered producers of disco-house, defining each genre with a signature sound. Always looking to push the boundaries of what it means to make music, his latest project sees Gianni return to deliver an epic disco record that takes the sound back to its roots in every way possible. Backing up live drums, live bass, live guitars, live strings with catchy vocals and enough groove to level a discotheque, it’s this Disco-Pop energy that Gianni has captured and expertly delivered with 'The House Of Glass'LP.

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Roisin Murphy

LP | 2015 | UK | Reissue (Pias Catalogue)

Release: 2015 / UK – Reissue

Genre: Electronic & Dance

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Dancing With Friends Volume 3

2LP | 2023 | UK | Original (Slothboogie)

2LP | 2023 | EU | Original (Optimo Music)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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We are super excited to present this third slice of exclusive and brand new music from friends and family of the label. We hope you love these big orange slabs of vinyl as much as we do. Volume 3 takes another deep dive into the diverse range of styles that we love here at SB. Ranging from disco and soul tinged house, to some deeper goodness and on to raunchy acid and techy stompers. Everything you would expect to hear at any one of our parties. As always a huge thank you to all the incredible artists who’ve contributed to this edition. These wouldn’t happen without you… Now grab your mates, stick these tunes on loud, and Dance!

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Blotter Trax

Superconductor

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Back in 2018, two mysterious twelve-inch singles appeared in underground record sthops. Credited to Blotter Trax, a previously unknown outfit who cherished “faceless” anonymity, the pleasingly twisted and mind-altering music on show was a mutant form of electronic psychedelia. The included tracks were variously informed by analogue techno, acid, electro and minimal, but inhabited their own clandestine sonic space. These tracks were, we later discovered, lightly edited “straight to tape” jams, crafted on the fly by their creators in one of Berlin’s most admired studios.

By the time Blotter Trax delivered their follow-up on Clone offshoot Frustrated Funk a year later, the secret was out: the project was in fact a collaboration between two storied artists, techno titan Magda – a DJ/producer who should need little introduction – and serial underground aggravator (and man of many aliases) Jay Ahern, sometime Hauntologists member and acid techno royalty thanks to years spent releasing similarly shadowy EPs as T.B Arthur.

In the years that followed, and before the Covid-19 pandemic grounded them in Berlin, the pair took their incendiary, modular-driven live show to esteemed clubland institutions (Fabric included), on an acclaimed tour of Japan, and onto the stages of festivals across Europe.

Four years on from that appearance on Frustrated Funk, Blotter Trax are back in updated and expanded form. Now a trio thanks to the addition of bassist Hannes Strobl, the band is set to release their far-sighted, funk-fuelled debut album, Super Conductor – a pulsating, thrill-in-minute ride includes contributions from a swathe of notable guests (Nina Hynes, Ilhem Khodja and David Moss provided vocals, Shigeru Tanabu played guitar, Matthew Styles mixed the set and old friend John Tejada mastered it).

While rooted in electro and acid, the album is impressively low-slung, stylish and funky, with nods towards Blotter Trax’s mutual love of Arthur Russell, early ‘80s NYC downtown disco, leftfield new-wave pop and flash-fried punk-funk. Released by JD Twitch’s Optimo Music imprint, it charts the ongoing dancefloor evolution of a band whose days of mystery and mischief are now a distant memory.

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House Of Riviera Volume 2

2LP | 2022 | EU | Original (Mona Musique)

Tough To Love But Worth The Effort

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Following up on the success of House Of Riviera released in 2019, Mona Musique releases House Of Riviera Volume 2 curated by label head Nick V, a compilation that pays homage to forgotten gems of the classic Italian House scene, circa 1991-1994. 9 tracks from the artists and record labels that were central to this seminal era of House music, including two never released cuts from Ricky Montanari, Davide Ruberto and Ivan Iacobucci. In the early 1990s, Italy hosted one of the most prolific scenes in the burgeoning world of House music. Whilst the majority of Europe was only just beginning to digest the arrival of this new musical genre born in the US, Italian clubs, DJs and labels were hot on the heels of their counterparts in the already established scenes of New York and London. The clubs of the Adriatic coast, also known as the Italian Riviera, were full every weekend, hosting the major US and UK Djs of the time, but also seasoned resident DJs that had been honing their trade since the early 80s. By the early 90s, Italian House music was regularly exported around the world with labels such as UMM, MBG, Flying, Palmares, DFC, Oversky, Zippy, D:Vision, Irma - and its sublabels Antima and Calypso, releasing tracks inspired by the original New York House and Garage sound, but with a very different, unique and emotional take. This was the specific aesthetic that was to become the House sound of the Riviera, the soundtrack to the golden era of Italian House music. With all releases between 1992 and 1994, House Of Riviera Vol. 2 unites a selection of 9 tracks that encapsulates the atmosphere, the energy and creativity that reigned during that era. Including 2 previously unreleased tracks from Ricky Montanari and Davide Ruberto, and Ivan Iacobucci, both in the vaults since 1992, the compilation spans the different shades of the genre : from classic deep vocal house by Ricky Montanari and Sound Set, to the more dubbier late night dance floor cuts by Workin’ Happily and Night Communication, with Mental Detector and More Heavy Soul bringing some well chosen disco samples to their contributions, without forgetting the characteristic deep Italian dream house style by Green Baize. Artists featured are iconic producers and DJs from the day : Ricky Montanari & Davide Ruberto, Alex Neri & Marco Baroni, Ivan Iacobucci, Workin’ Happily and More Heavy Soul.

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Avnu

2x12" | 2022 | EU | Original (Ellum Audio)

LP | 2022 | EU | Original (Geometrik)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Avnu (uk) follows up his fantastic recent single on Ellum Audio with a long-awaited and hugely adventurous new album, ‘Tough To Love But Worth The Effort’. Avnu (uk) is based on the East Coast of Scotland and has been deeply immersed in music for twenty plus years. He has a love of everything from rock, soul and blues to disco, electro, techno, trance and rave. All of that comes out in his innovative sounds, which range from sweat-inducing club tracks to hooky and feel-good grooves. This album finds him working his magic across 15 tracks that bring plenty of fresh perspective to house, electro, synth, techno and pop. They add up to a storytelling record filled with left turns and tracks that work in a range of different contexts. 'Surprise!' opens with a glossy electro beat and shimmering 80s synths that set the tone for the whole record. 'I Love You' brings a French touch influence with plenty of filtered synth loops and crisp drums under a soulful vocal, then 'Supaflake' cuts loose on an old-school funk vibe with nods to early Daft Punk. This most colourful of records plays out through the likes of sombre cosmic techno offering 'Bad Karma,' the longing chords and heavy-hearted electronica of 'Odyssey Jam' feat Mariel Ito and distorted bass of 'Phlegm In The Street' which comes with laser-like synths and menacing vocals. The future styles continue on 'Yo E, Check This Out' which collides jungle breakbeats with brain-melting sine waves, while 'Wilkie' is a moment to catch your breath amongst bright and shiny synths and deeper drums that suspend you in a celestial sky. 'Proud You’re Mine' is a perfect electro-dance-pop gem that has potential to be a summer festival anthem and the title track closes down with six minutes of enchanting and mystical synth lines and hypnotic drums. ‘Tough To Love But Worth The Effort’ is a spectacularly broad and accomplished album that lives in a world of its own.

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Esplendor Geometrico

Mekano-Turbo

2LP | 2022 | EU | Original (Ellum Audio)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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HIGHLIGHTSMekano-Turbo (Discos Esplendor Geométrico.LP 1988) is the fourth album and a classic inside the discography of legendary and influential Spanish Industrial cult band Esplendor Geométrico. Now available again in its original format, remastered in 2022, and unavailable on vinyl for more than 11 years.DESCRIPTION Finally, the fury is unleashed in all its splendour. The superb three initial tracks are pure rhythmic adrenaline on which is supported the totally runaway voice of Arturo Lanz. "Rotor" would be even considered as a not intentioned approximation to the electronic body music. In the same wave are also located "Belew" and "Mekano-Turbo". On the other hand, it seems to be that the residence of Gabriel in Melilla (North Africa) and the consequent proximity of the arabic culture it influences on some tracks ("Sheikh", "Transmisión"). Considered by the media and many fans as a masterpiece of the group. The wonderful cover continues the customary line of showing strange machines or decadent industrial buildings.Considered by many fans as a masterpiece of the group and a industrial classic of the eighties.

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Avision

In My Mind

Hardspace Volume Three Coloured Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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New school techno pioneer Avision will release his debut album ‘In My Mind’ on Ellum Audio this winter.

Avision grew up around the rich club culture of New York City and is now part of a new wave of artists defining the contemporary techno landscape. In just a couple of years, the American has become an absolute mainstay on labels like Drumcode, Machine, and We Are The Brave. His hard-hitting productions have found their way into the record bags of tastemakers like Adam Beyer, Maceo Plex and Chris Liebing. At the same time, he has been featured everywhere, from The Brooklyn Mirage and Time Warp in New York to festivals like Elrow, The BPM Festival, Electric Daisy Carnival and Dockyards. Now he offers up ‘In My Mind’, a widescreen artistic statement across 13 immersive tracks.

Says the artist, “I’m truly proud to share ‘In My Mind’ with the world, as I feel like this is another side of music that people haven’t heard from me. This album touches on a little bit of everything, and I wanted it to represent where I’m from. 90% of the album was written during the time we couldn’t be ourselves and do what we love, but I turned that frustration and disbelief into an album with emotion and meaning. I couldn’t be happier with the final outcome, and I hope everyone enjoys it.”

The LP kicks off with ‘Real Talk’, wasting no time getting going on a lush wave of Detroit-style techno full of hi-tek soul. 'Cut The Rope' features Robert Owens, the legendary house vocalist who lights up the deep, driving house drums with a typically impassioned vocal. The energy levels stay high on 'No Disco' with its oversized hi-hats, nimble bassline and chattery claps, while 'Baby' traps you in metallic techno loops with a playful vocal sample. After the bright lights of lead single 'Contrast,' and grinding peak time weapon 'In My Mind' is ‘Ground Rule’, an atmospheric spoken word interlude about NYC.

The album’s second half kicks off with the far-sighted cosmic pads of 'I'll Take You' with Xander and has you lost in another world. There is angst in the tense synth loops of interplanetary techno cut 'Your Soul' and hands-in-the-air trance energy on 'Where I Want To Be.' The monstrous 'All Night' is another wall of rich synth sound over big drums, and 'Lost Symmetry' then releases the pressure with a more dreamy melodic vibe built on tumbling breakbeats. 'In Your World' closes in an uplifting fashion across eight minutes of cantering techno and epic synth work.

‘In My Mind’ is an accomplished and adventurous album that takes melodic techno in bold new directions.

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Hardspace

2LP | 2024 | Original (Hardspace)

LP | 2024 | EU | Original (Cocotte)

Release: 2024 / Original

Genre: Electronic & Dance

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Len Faki returns as Hardspace for part three of his new remix-series, giving his favorite tunes a new life on the dancefloor.

An unusual pairing at first glance, Hardspace takes up Soundstream’s anthem Love Jam from 2006, the kind of Detroit-tinged disco edit to drop in the peak moment of techno set.

Then it’s rewind time to another decade, when DnB-Veteran Alex Reece was remixing Motorcity icon Kenny Larkin. Hardspace’s mix of Loop 2 retains the playful jazzy notes and growling bassline of the original and turns its oldschool breakbeats into a snappy 4x4-groove.

The deadly effective tool that is Andrei Morant’s Simple Addition makes for a perfect base to build upon for Faki’s signature editing style, emphasizing the plastic shuffle of grooving percussive elements while adding some booming low-end.

DJ Rush features with two vocal-heavy cuts on this release: first up the Russian Roulette-hymn I Believe, which sounds even trippier in the stripped-back Hardspace version; then a creepy while sexy mix of Don’t You Love Me that steadily builds tension for minutes before slowly giving way to a seductive beat.

Closing out with a bang, Damon Wild’s Gearbox from 1995 gets a rework: the full power acid-riff is still working its magic but now sounding much more punchy and to the point in this tidied up Hardspace edit.

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Teenage Bad Girl

Separate

Conscious Dream Record Store Day 2024 Purple Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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After a long period of silence from the Teenage Bad Girl project, Greg Kazubski and Guillaume Manbell had the strong desire to get together to create music together again.

If the first two albums, Cocotte (2007) and Backwash (2011), were entirely produced remotely by exchanging audio files, for this third opus, the French electro duo found themselves in the studio for several weeks. Greg and Guillaume wrote and composed together and side by side, the 13 titles of Separate. Each piece transcribes the spontaneity felt by the group during these sessions. There we find electronic sounds which give pride of place to disco funk, tinged with modernity and pop melodies flirting with the eighties.

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Dave Allison

2LP | 2024 | UK | Original (Kinjo)

2LP | 2023 | US | Original (Wonderwheel)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Montreal's finest, Dave Allison, returns with a 2xLP packed with disco-funk party flips, deep atmospheric soundscapes, lounging pool vibes, and captivating deep house journeys for the club. His tracks and EPs have consistently dominated the hype charts, earning acclaim from luminaries and trendsetters worldwide, including Dimitri From Paris, Greg Wilson, Jimpster, Soul Clap, Tensnake, Lovebirds, The Revenge & more. Limited edition 2 x LP Purple Vinyl pressing with exclusive vinyl-only tracks.

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Nickodemus

Soul & Science

Demuir, Fred P & Aaron Gray

Release: 2023 / US – Original

Genre: Electronic & Dance

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DJ/Produzent Nickodemus mischt mit Stil und Finesse Einflüsse aus der lateinamerikanischen, afrikanischen, nahöstlichen und karibischen Diaspora New Yorks mit einheimischen Sounds wie House, Disco und Hip-Hop. Auch sein fünftes Album 'Soul & Science' und dessen Gästeliste glänzen mit einer Genre- und Einflussvielfalt: von den New Yorker Queer-Ikonen The Illustrious Blacks über Produzentenkollege Quantic, dem Sudanesen Alsarah, Flamenco-Sänger Antonio Lizana, Haydee Soul aus Kuba, dem kamerunischen Sänger Pat Kalla bis zum legendären Puerto Ricaner Hector 'Tempo' Alomar mit einem seiner letzten Songs.

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Purveyor Underground Limited Feat. Tush

2LP | 2022 | UK | Original (Purveyor Underground Limited)

29,44 €* 30,99 € -5%