Search "the+soul+session+one" 836 Items

Release: EU

Genre: Rock & Indie

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Formed in the northern industrial town of Stoke on Trent in 1977, Discharge changed punk with its distinctive brand of hardcore, making minimalist music with distorted guitar, drone-like bass, shouted anarchist themes and propulsive drumming, known as D-Beat. Originally issued in 1987, this killer compilation charts the best of their early years with Clay Records, from the full-on assault of Realities of War, passing the chart-topping Why?, to the shrieking sounds of Grave New World, which edged further into metal territory. Listen and be awed by the power and the glory of one of the most influencial punk and metal bands ever.

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LP | EU | Original (La Agonia De Vivir)

Release: EU

Genre: Rock & Indie

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Over the past 20 years The Peawees from La Spezia, Italy became a household name in the European rock ‘n’ roll scene, with 5 albums and multiple 45’s under their belt, and having shared the stage with bands like The Sonics, The Dictators, Radio Birdman, The Damned, The Dwarves, and many others. Started, back in 1995, as a straight forward punk rock band, over the years the sound of The Peawees got richer and richer, influenced by garage rock, rhythm ‘n’ blues and more, but always recognizable as The Peawees within seconds, not in the last place thanks to their singer Hervé’s warm, soulful voice. In 2001 the band released their third album, ‘Dead End City’, which is considered a classic by fans all over the world. The album includes their ‘underground hit’ ‘Cause You Don’t Know Me’, which was covered half a dozen times by bands like Califorian punk rockers the Groovie Ghoulies and Swiss country band The Hero Brothers.

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One For The Apocalypse

Umbra

Release: EU – Original

Genre: Rock & Indie

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Terminal Filth

Traces Towards Oblivion

LP | EU (Agipunk)

Release: EU

Genre: Rock & Indie

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14 month after their debut album, the Berlin based horrorific stench core army is back with a new four tracks Mini LP. The songs are longer, heavier and gloomier than the ones on the previous release but they don't lose their violence, power and speed. Elements of black metal pop up between the heavier classic stenchy parts and the faster crustcore ones. Listening to this new songs makes me think these guys are definitely sitting on the throne of Olympus of crust! What a hell of a fucking release! I just can't wait to listen to the next one.

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Step To Freedom

LP | EU (Agipunk)

Release: EU

Genre: Rock & Indie

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Step TO Freedom is a Russian band that began their difficult journey in a land that doesn't want them at the beginning of the last decade and that defines itself as Crust punk underground front! Against state control! They released their first self produced cassette "Social Zombies" in 2014, later reissued by Audacious Madness Records (U.S.A.) together with their second album called "Cemetery For The Humaniknd" (originally out in 2018 on Makima Records, also from Russia) in 2021. After one EP on tape and a 7", both respectively released in 2019 and 2023 by Blown Out Media Records (U.S.A.), they are back with what, in my opinion, is their best release so far. The monolithic sound of their new recordings suggests a maturation of the group both from a compositional point of view and from that of awareness of the use of effects and mastery of the instruments they play. I felt like a tank had rolled over my back after I first listened to this album. Granitic stench core meets crust core with a touch of death metal here and there all packed in a clear recording which allows us to imagine the difficult moment that the guys are going through, forced into the prison of the institutions that govern their state. Fans of Amebix, Axegrinder, Deviated Instinct, Hellshock and Instinct Of Survival will love this.

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Los Perros

Live! At The Star-Club

10" | EU (Munster)

8,99 €*

Skitzo Mania Black Vinyl Edition

Release: EU

Genre: Rock & Indie

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Los Perros from Valencia (Spain) are Karuso (lead vocals), Gigante (bass), Sam (drums), Miguel and Joseber (guitars). They have only one direction to go in... straight to madness!!!

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Skitzo

LP | EU (Radiation Reissues)

17,09 €* 18,99 € -10%

Skitzo Mania Colored Vinyl Edition

Release: EU

Genre: Rock & Indie

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London psychobilly beasts Skitzo began in the mid-1980s as the Electros, when vocalist Phil O’Connor began screaming with bashing drummer, Rod Connor, bassist Tony Bronham and guitarist Tony McVey; by the time they signed to Nervous Records for this brilliantly ghoulish debut LP, drummer Steve Tomlinson was on board. Along with freaked-out originals like ‘Witching Hour,’ ‘Possessed’ and the crazed title track, there are fun covers of ‘Lonesome Train,’ ‘Caldonia’ and ‘Your Cheating Heart,’ all transformed the psychobilly way. If you like your psychobilly with the emphasis on the psycho, this one’s for you!

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Skitzo

LP | EU (Radiation Reissues)

18,89 €* 20,99 € -10%

Wonderful World / The Best Of The 4-Skins Blood Red Transparent Vinyl Edition

Release: EU

Genre: Rock & Indie

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4-Skins

LP | EU (Step One)

Westworld Crisis Colored Vinyl Edition

Release: EU

Genre: Rock & Indie, Reggae & Dancehall

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Blood red transparent vinyl/ Sleeve re-design and full band background info added. 2024 re-release of the one of the original and biggest and best selling UK Oi! bands of the early 80`s which still continues today! All of this amazing early 80`s Oi! band`s most popular early tracks are included... 200 copies transparent blood red on 160g vinyl, Semi-Translucent Microtene Poly Inner sleeves, Vinyl placed behind jacket in clear outer re-usable poly bags, Updated sleeve artwork and band history added. Great re-packaging!

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Uxb

LP | EU (Demons Run Amok Entertainment)

Too Tough To Die B Sides, Sessions Demos And More

Release: EU

Genre: Rock & Indie

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UxB is a new band formed by the members and driving force behind the influential punk band US Bombs. After parting ways with original vocalist over conflicting political views in 2015, Kerry Martinez (Shattered Faith, Bad Luck Charms) Wade Walston (Suburbia, DI, Agent Orange) Chip Hanna (One Man Army, Weirdos, Tsol) have teamed up with legendary front man and show stealing performer Jesse Wagner (The Aggrolites). The result is extraordinary. With their timeless old school song writing, blistering guitars, and vocals, UxB’s debut album West World Crisis is destined to be a classic. The album’s overall theme is about the world’s current climate and technology’s influence. Songs from the album’s title track “West World Crisis” to “Only Life” are lyrics that remind all of us to step back while songs like “Dance live Dance” and “Cosmic Reaction (She’s so Real”) tell us to enjoy life while we can and find love in the simple things around us. Overall UxB is a coming together of amazing songwriters, superb musicians and excellent vocals that is sure to excite punk fans for years to come.

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Ramones

LP | EU (No Go)

LP | 1977 | EU | Reissue (Universal)

Release: EU

Genre: Rock & Indie

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What a feast for fans of the real Fab 4! Here's A collection of 1983/84 sessions, demos, B sides (and more!) presenting the kings of Punk going through critical times as they approach the fiasco of their previous album, "Subterranean Jungle", and toughen their sound (never forgetting their Bubble Gum roots) to deliver what would be their hardest album to date, "Too Tough To Die".

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Iggy Pop

The Idiot

LP+7" | 1977 | EU | Original (Munster)

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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“The Idiot” is the debut solo album by American rock singer Iggy Pop. It was the first of two LPs released in 1977 which Pop wrote and recorded in collaboration with David Bowie. Drawing on the electronic sounds of German groups such as Kraftwerk, “The Idiot” is a departure from the hard rock of Pop's former band the Stooges, and has been compared to Bowie's contemporaneous "Berlin Trilogy" of albums in its treated instrument sounds and introspective atmosphere. Sessions for the album were begun prior to the recording of Bowie's Low (1977), and “The Idiot” has thus been called the unofficial beginning of Bowie's Berlin period.

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Warsaw Pakt

Needle Time

This Is The Modern World Clear Vinyl Edition

Release: 1977 / EU – Original

Genre: Rock & Indie

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Record Store Day 2020 Release.

Real high-energy rock'n'roll in its most potent form is best captured live and in the moment. Maximum thrills, minimum frills. In 1977, London's Warsaw Pakt took that premise one step further, recording their album live, straight through, direct to the cutting lathe. More than forty years later, "Needle Time" stands as one of the most authentic documents of the lean, visceral sound of London punk rock in its banner year. LP + 7" single pack reissued here on vinyl for the first time. Includes insert with extensive liner notes by Mike Stax (Ugly Things Magazine) and individually hand customized record cover. Exclusive RSD 2020 release.

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The Jam

LP | 1977 | EU | Reissue (Vinyl Lovers)

It Won't Sell Black Friday Record Store Day 2022 Edition

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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Vinyl Lovers present a reissue of The Jam's second album This Is The Modern World, originally released in 1977 just after their debut record. Despite generally bad reviews from critics at the time, the album does have its shining moments ("Life From A Window" and "The Modern World", for example). But it is also interesting as a piece of history for its lyrical content, which, as the album's title promised, is a snapshot of a day in the life of the declining British Empire during the late 1970s. Includes eight bonus tracks from the BBC sessions.

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The Panik

12" | 1977 | US | Reissue (In The Red / 2.13.61)

26,99 €*

The Album Red Vinyl Edition

Release: 1977 / US – Reissue

Genre: Rock & Indie

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Limited edition for Black Friday Record Store Day 2022.

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Eater

LP | 1977 | EU (Radiation Reissues)

Young, Loud And Snotty Black Vinyl Edition

Release: 1977 / EU

Genre: Rock & Indie

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Formed in early stages of the British punk explosion by four high school mates in Finchley, north London, Eater quickly established themselves as one of the youngest and rawest bands on the scene. Inspired by a line in the T Rex song, “Suneye,” Eater was influenced by the classier side of glam rock but was very much a rapid-fire power-punk concern with their own output. Signing to Dave Goodman’s fledgling punk imprint, The Label, Eater issued three singles before their greatly anticipated debut album, which has since been hailed as an all-time classic; pointing their fingers at upper-class twits and taking the piss out of themselves and their fans on “No Brains,” the album also features two Velvet Underground covers and an unusual David Bowie adaptation, all delivered in no-holds-barred triple time. Poster included.

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Dead Boys

LP | 1977 | US | Reissue (Jackpot)

LP | 1977 | UK | Reissue (Call Of The Void)

Release: 1977 / US – Reissue

Genre: Rock & Indie

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The Dead boys hailed from Cleveland, Ohio and relocated to New York to become one of the first US punk bands. Originally signed to Sire Records, the Dead Boys were notorious for their edgy attitude and songs. After frequent shows at CBGB, the club owner of CBGB became their manager. The Dead Boys debut studio album - “Young, Loud and Snotty” was recorded and released in 1977 and quickly became one of the definitive US Punk Rock albums!

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The Boys

Destroy All Music Black Vinyl Edition

Release: 1977 / UK – Reissue

Genre: Rock & Indie

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Classic Black vinyl, 1000 pressed. Arguably one of the best punk albums of the 70s, The Boys self-titled debut (produced by Dangerfield & Steel) is a cult UK classic. The album is filled with the pop punk gems, the kind of immediate salvos that would elevate Buzzcocks into the charts. In the intervening years, the history of punk rock has been written and re-written and a whole heap of bands have been sidelined. The Boys’ debut album, re-mastered here still sounds as fresh and immediate as it did back then and it also includes two classic punk rock singles in ‘I Don’t Care’ and ‘First Time’ (the latter, along with The Undertones "Teenage Kicks", the ultimate punk anthem of teenage romance and adolescent angst). Along with the Sex Pistols, Clash and the Damned, The Boys were part of the first wave of the mid-1970’s UK punk explosion. Armed with an arsenal of killer Steel/Dangerfield songs The Boys became the first UK punk band to sign an album deal in January 1977 and subsequently released two albums, their self-titled debut and the follow-up “Alternative Chartbusters” in quick succession. Highly regarded by the music press and their contemporaries, yet somehow criminally ignored by a wider punk audience, unable to grasp their heritage of vintage rock ‘n’ roll that went back to Chuck Berry courtesy of The Beatles. Their well-crafted songs, together with Steel and Dangerfield’s layered harmonies, even led to them being described as ‘The Beatles of Punk’.

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The Weirdos

LP | 1977 | EU (Radiation Reissues)

Destroy All Music White Vinyl Edition

Release: 1977 / EU

Genre: Rock & Indie

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Formed by singer John Denney and his guitarist brother Dix (sons of actress Nora Denney), with bassist Cliff Roman and drummer Beat Alexander, pioneering Los Angeles art-rock band the Weirdos pre-dated the punk scene, taking their cues from the Ramones, Iggy Pop, and the New York Dolls. Debut EP ‘Destroy All Music’ began their fruitful relationship with Bomp! Records and to celebrate Bomp!’s 50th anniversary, this edition of ace compilation Destroy All Music joins the original EP with earlier demos and the Who? What? Where? When? Why? LP. This is the cream of the band’s crop in one beautiful package – absolutely essential!

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The Weirdos

LP | 1977 | EU (Radiation Reissues)

Crossing The Red Sea With The Adverts

Release: 1977 / EU

Genre: Rock & Indie

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The Adverts

2LP | 1978 | EU | Reissue (Fire)

27,99 €*

LP | 1978 | EU | Reissue (Radiation Reissues)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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2LP Gatefold. Fire Records reissue the 1978 classic debut punk record 'Crossing The Red Sea with the Adverts' on gatefold 2LP.

"Released after an ever growing live following and the string of successful chart hits The Advert"s debut has cemented its place in punk rock history.

From the sonic Armageddon which ushers in "One Chord Wonders" through to the deliriously protracted fade of "Great British Mistake", "Crossing The Red Sea" never put a foot wrong.

Created at the height of Punk, recorded with all the venom and passion which gave the era such vitality, "Crossing the Red Sea" was at once a statement of intent and a bellow of defiance, a refusal to take anything for granted, even its own brilliance.

More than that, though, the album defined and thus became the precious moment in time when the establishment rules of rock fell away, and new ones still had to be carved out.

And by those brittle standards, the Adverts weren"t simply crossing the Red Sea, They were parting it." - Dave Thompson

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the Image Has Cracked

The Image Has Cracked

32,99 €*

Life After Life / Life After Dub

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Formed in London in 1977 by Mark Perry and Alex Fergusson, then editors of the punk fanzine Sniffin' Glue, Alternative TV was a post-punk group known for incorporating reggae rhythms and pushing the boundaries of the definition of punk towards the experimental and avant-garde. Their first album, The Image Has Cracked, came out originally in 1978 and is a wholly unique piece of British post-punk. Beloved by John Peel, and close confidantes of Throbbing Gristle, Alternative TV is one of the most original and beguiling groups of the era. This classic is reissued on 180 gram with 2 bonus tracks and a double-sided insert.

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Alternative TV

7" | 1978 | UK | Reissue (Ethbo)

11,99 €*

Wayne County & The Electric Chairs

Release: 1978 / UK – Reissue

Genre: Rock & Indie

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Following hot on the heels of Ethbo's excursion to Russia, with Letov, Suchillin and Pillayev, Howard Williams' Ethbo swivels its telescope to Deptford, South London in 1978.

The band Alternative TV were, and remain, a radical creative force. Originally formed by Mark Perry (Mark P), and Alex Fergusson (later of Psychic TV) in the early days of punk, when Perry was editor of the pioneering punk fanzine, Sniffin' Glue.

Early rehearsals were held in Throbbing Gristle's Industrial Records studio, with Genesis P-Orridge on drums. After line-up changes, the 1978 release of Life After Life saw Dennis Burns on bass, Chris Bennett on drums, Kim Turner on guitar and Mark P. on vocals. The session was produced by prolific Trojan Records artist and producer Joe Sinclair, and released on the independent label Deptford Fun City Records.

The song presents a “conscious” lyric through an urban music form of its time. And here’s the result, more than 40 years on, the dub still rocks. Perry’s vocal, like no other from the punk era, talks of the afterlife, in a twisted nod to Nietzsche, he chants “Wake Me Up When We Are Dead”.

A Venn diagram of Mark P and Mark E Smith, leader of The Fall, would show some common ground. Both band leaders survived numerous member changes throughout the decades, had a baleful eye on the producers and consumers of their music, and expressed themselves through a poetic, existential form of lyric writing and musical experimentation. In the early days Smith cited Alternative TV in a list of favourite music - alongside Johnny Cash.

Remastered with love, pressed at RAND, with sleeve and label artwork re-jigged by Will Bankhead, there's no better way to skank yourself to Armageddon.

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Storm The Gates Of Heaven

LP | 1978 | EU | Reissue (Spittle)

19,79 €* 21,99 € -10%

Wayne County & The Electric Chairs

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Prior to his release this record was simply ‘labeled’ as Punk-Rock but this one comes from the New York Dolls side of Glam Punk. Storm the Gates of Heaven reveals unusual aspects of County's work: serious, reflective and profound. The monologue introducing the title track is the only part that may be considered offensive. The sound is a blend of bass, lead & rhythm guitar, drums & percussion by the versatile Electric Chairs. Embellished by Hammond organ, the title track rages against and laments the suffering caused by religious wars. Cry Of Angels is an eloquent, even anthemic defense of Enlightenment values on which the guitar textures and the hook around the chorus superbly complement one another. An artful blend of County's characteristic outrage and the pure pop genius that lay behind the garish accoutrements, Storm the Gates of Heaven jams its eight tracks between two undisguised classics, the anthemic title track and a so-optimistic reading of "Tomorrow Is Another Day, not to mention a stunning cover-version of the Electric Prune´s "I had too much to dream last Night"

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Things Your Mother Never Told You

LP | 1978 | EU | Reissue (Spittle)

The Murder Of Liddle Towers Colored Vinyl Edition

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Jayne/Wayne County's most audacious album is also possibly among the most important albums of its age. Released in 1979 just as the new wave was teetering on the brink of some kind of bold step forward, Things Your Mother Never Told You was one of the sudden shoves which sent it sprawling into its destiny. Electro-punk starts here. Producer David Cunningham takes only a portion of the credit; in years to come he would lead the Flying Lizards into the realm of heavily stylized electronica. But County's songs match his ambitions all the way, from the harsh, grating soundscapes behind "C3"'s muttered imprecations to the soft-spoken paranoia of "Waiting for the Marines," and onto "Berlin," the song that put into words everything David Bowie (among others) tried to convey about that city via image and insinuation. It's not all electro-art smarts, of course. "Boy With the Stolen Face" and the pouting, punishing "Wonder Woman" are archetypal Electric Chairs - a reminder of how, at the band's very best, they could run the Rolling Stones close in the swaggering rock & roller stakes - and the murder mystery "Wall City Girl" could have fallen off a forgotten volume of Nuggets or Pebbles. The title track, meanwhile, doesn't simply seethe with all the promise -- sexual, social, and societal -- which made County the superstar (s)he so very nearly was, it also lets listeners know why no one has ever truly snatched that crown away. (All Music)

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Angelic Upstarts

7" | 1978 | EU (Overground)

8,99 €*

The Only Sound / New Musical Express

Release: 1978 / EU

Genre: Rock & Indie

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Formed in 1977 in South Shields the Angelic Upstarts self-released debut single released in 1978 was ‘The Murder Of Liddle Towers’. The song highlighted the death of Liddle Towers who died after having been beaten in police custody, a crime that was covered up and no officers ever brought to justice. The record became a rallying point against police brutality. The record, and it’s B side ‘Police Oppression’ became a classic punk single and is a passionate call for justice. Mensi: “Liddle Towers was our protest single. It was the story of a boxing coach who was arrested for being drunk and disorderly. He was examined by a doctor and was perfectly healthy. Then in the morning was discovered dead and had injuries which the police surgeon described as being similar to that of a person who had been in a serious 70 miles-an-hour head-on collision. His injuries were absolutely horrific. He was basically kicked to death. “We done a couple of shows and got the money together and we pressed 500 singles, and then Small Wonder/Rough Trade re-released it, and it got to number one in the indie charts despite no radio play. Apart from John Peel, nobody else played it, and it was actually banned off any sort of play list in the northeast. Fair play I say.” The single is reissued as a limited edition of 500 on White vinyl, closely reproducing the first pressing from 1978.

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Dansette Damage

7" | 1978 | UK | Reissue (Soul Jazz)

Raxola Colored Vinyl Edition

Release: 1978 / UK – Reissue

Genre: Rock & Indie

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Superb exact reproduction of this excellent two-sider (double B-side!) "The Only Sound"/ "New Musical Express", the debut punk single by Dansette Damage from Birmingham, originally released on the tiny Shoestring Records in early 1978. Pop trivia: the tracks were produced incognito by Robert Plant from Led Zeppelin. Dansette Damage"s "nme" features on Soul Jazz Records" Punk 45 "I"m A Mess".

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Raxola

LP | 1978 | EU (Radiation Reissues)

The Image Has Cracked Red Vinyl Edtion

Release: 1978 / EU

Genre: Rock & Indie

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Belgian punk innovators Raxola formed in 1977, the name denoting Revolution Axis Opens Lights Ahead, one of only three Belgian punk acts to record an album in the early days. Guitarist/vocalist Yves Kengen, alias Yke, launched the trio with bassist Louis Hubeau and drummer Guy Van Snick, overlapping with the time that Kengen played bass in Bastard with Brian James, who returned to the UK to join London SS and ultimately, The Damned. Raxola’s self-titled debut is a furious, melodic, and intelligent blast of first-waveEuro-punk, a long sought-after classic whose originals go for silly money, now fully ripe for rediscovery.

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Alternative TV

LP | 1978 | EU (Radiation Reissues)

2LP | 1979 | US | Reissue (Sony)

Release: 1978 / EU

Genre: Rock & Indie

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Formed in London in 1977 by Mark Perry and Alex Fergusson, then editors of the punk fanzine Sniffin' Glue, Alternative TV was a post-punk group known for incorporating reggae rhythms and pushing the boundaries of the definition of punk toward the experimental and avant-garde. Their first album, The Image Has Cracked, came out originally in 1978 and is a wholly unique piece of British post-punk. Beloved by John Peel, and close confidantes of Throbbing Gristle, Alternative TV is one of the most original and beguiling groups of the era.

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The Clash

London Calling

42,99 €*

The Incredible Shrinking Dickies

Release: 1979 / US – Reissue

Genre: Rock & Indie

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One of the most influential albums of all time!

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Dickies

LP | 1979 | EU (Survival Research)

LP | 1979 | EU | Reissue (Spittle)

Release: 1979 / EU

Genre: Rock & Indie

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Hyperactive Ramones-influenced cartoon punk rock from Los Angeles, 1979. One debut LP that made the history in the genre. Frantically fast and short versions of Black Sabbath's 'Paranoid', " the Monkees' "She," and Barry McGuire's "Eve of Destruction" along with a few unforgettable hits like 'You Make Me Ape (You Big Gorilla)' and 'Give It Back'. A must for all California Punk completists!

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Alternative TV

Vibing Up The Senile Man

15,99 €*

Day Doult / Get Out Of My Pocket

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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Possibly one of the weirdest experiment in the post-punk realm, Vibing Up the Senile Man (Part One) is the second studio album by English anti-heroes Alternative TV, released in March 1979 on small indie label Deptford Fun City. Forget about the influential 1978 debut - The Image Has Cracked – frontman Mark Perry is literally leaving the planet in this effort. ‘There are free jazz influences; I'd got into the Art Ensemble of Chicago, Sun Ra ..) I'd moved into this house with an amazing music room – pianos, clarinets, you name it – and we'd always be picking up stuff from junk shops.’ The description set the pace for a unique performance, not only the afro-american heritage , traces of the Canterbury school are almost evident as the early experiment of the BBC Radiophonic workshop. Is it safe to consider Vibing up The Senile Man on the same time-line as Robert Wyatt ‘The End Of An Ear’ and Throbbing Gristle ’20 Jazz Funk Greats’ (Genesis P-Orridge is on board on two tracks, playing assorted percussion) ? Judge by yourself and don’t be scared.

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Chaos

7" | 1979 | AT | Reissue (Bachelor Archives)

12,99 €*

Wrong Treatment / Bikini Girl

Release: 1979 / AT – Reissue

Genre: Rock & Indie

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Second press with different design poster and extra German liner notes by Lurker Grand. Chaos was one of Austria's first punk bands, connected closely to the Swiss scene. originally
released as a split 12" with The Sick from Switzerland in 1979.

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Four Plugs

7" | 1979 | US | Reissue (In The Red)

14,99 €*

Junior's Got Brain Damage

Release: 1979 / US – Reissue

Genre: Rock & Indie

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Originally released in 1979 on their own Disposable Records, this record was the brainchild of John Irvine in the UK. The record was pressed in a tiny edition, was played on John Peel several times and vanished without a trace. An excellent example of the UK DIY scene of the time later popularized on the Messthetics compilation series. It ranks number 12 in the top 100 DIY singles list that ran in Ugly Things issue #78. We’ve repressed it in an edition of 400 on red, purple, double mint green and olive green vinyl.

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Ervin Berlin

7" | 1979 | US | Reissue (Total Punk Archives)

14,24 €* 14,99 € -5%

Chelsea Red Vinyl Edition

Release: 1979 / US – Reissue

Genre: Rock & Indie

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Pressed in an ultra limited number of 200 back in 1980. Ervin Berlin was the work of Ervin Shuemake (a late 20s acid rocker) and two young punks named Jeff and TOM THE Bomb. Ervin had cut his teeth playing guitar on the crazy Terry Brooks "strange" Translucent World LP back in 1973 and spent the remainder of the 70s in various acid, hard, and prog rock bands throughout Central Florida. He met the younger punk duo of Jeff and "The Bomb" at end of 79 beginning of 80 and decided to take a stab at the punk craze with his two new acquaintances. Soon the trio was at a country and western studio in Winter Haven recording the Ervin Berlin single between sessions for possible Bellamy Brothers tracks. The blending of Ervin's acid rock chops and Jeff and Tom's thuggish punk approach resulted in this KBD space punk stomper. Equal parts Blue Cheer, Debris, Sacramento's Ozzie, and late 70s Hawkind. The 7" was pressed, a few house parties were played, and all parties went separate ways. 42 years later we are kicking off Total Punk Archives with a reissue of this lost Orlando classic. 100% Total Punk!!

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Chelsea

LP | 1979 | EU (Radiation Reissues)

LP | 1979 | UK | Reissue (Call Of The Void)

Release: 1979 / EU

Genre: Rock & Indie

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Formed in 1976, legendary punk outfit Chelsea was assembled by the owners of the Acme Attractions boutique with Gene October as frontman; guitarist Billy Idol, bassist Tony James and drummer John Towe soon split to form Generation X, but their loss was Chelsea’s gain, with debut single ‘Right To Work’ rated one of the best punk songs of all time. Though their self-titled debut LP didn’t surface until 1979, when punk was waning, there is plenty to savour in October’s forceful vocals and James Stevenson’s powerful guitar licks, plus a plausible take of Jimmy Cliff’s ‘Many Rivers To Cross.’ A punk classic, ripe for rediscovery!

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The Adverts

Cast Of Thousands

LP | 1980 | EU | Reissue (Music On Vinyl)

Release: 1979 / UK – Reissue

Genre: Rock & Indie

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Originally released to a fan base and music press that were unprepared for the band to move on from the punk fury of “Crossing The Red Sea”, The Adverts “Cast Of Thousands” has since been recognized as a lost classic of the time. TV Smith’s cutting observational lyrics and sharp musical instincts saw his song writing grow and move in unexpected directions. The primal thumping was replaced by dynamic and driving drumming, acoustic guitars and probing solos emerged, and Tim Cross joined to add keyboards and fill out the overall sound. The one constant was the pounding throb of Gaye Advert’s bass. Encouraged to experiment by surprise producer Tom Newman (Mike Oldfield “Tubular Bells”) the band found themselves stretching creatively, both in song writing and recording techniques. They might agonize over the sound of recording a match being lit in the middle of one song, while doing a single take of a vocal via a microphone hung in the bathroom for another. Giant choirs were built meticulously over multiple tracks, while the sound of a rat running through the reverb room would be captured forever. The results wrapped some of TV’s best songs in strange and inventive sounds to compliment his anti-pop smarts and rock and roll heart. They did not know it at the time, but the band was falling apart. Tensions would soon rise to the level that replacement players were called in to finish their final tour. Punk fans left them in droves. Critics skewered the singles from the album. Their record label had moved on to the next big thing. Feeling that they had reached a creative peak made the tumble even harder to swallow. Time has been very kind though, and fans discovering punk after the first wave have been able to hear “Cast” for what it is - a brilliant and biting collection of rock and roll. Still full of stomp and swagger even when stripped down on “My Place” or via the anthemic surge of “Television’s Over”, with TV’s hook factory on full display on the anti-love song “Love Songs”, and the band closing the album with the creeping ballad “I Will Walk You Home”; The Adverts had grown from a great punk rock band to a great rock band.

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Los Angeles

28,99 €*

7" | 1980 | EU | Reissue (Reminder)

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Los Angeles is the debut album of the American Punk rock band X, released on April 26, 1980. In 2003, the album was ranked number 286 on the Rolling Stone's list of the 500 greatest albums of all time. Los Angeles is considered by many to be one of Punk's all-time finest recordings, and with good reason.

180g vinyl.

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Wild Boys

Last One Of The Boys

10,99 €*

The Biggest Prize In Sport Green Vinyl Edtion

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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999

LP | 1980 | EU (Radiation Reissues)

7" | 1980 | US | Reissue (Iron Lung)

Release: 1980 / EU

Genre: Rock & Indie

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Launched in London in December 1976, punk stalwarts 999 are one of the most successful and long-lasting acts of the upstart movement. Third studio album The Biggest Prize In Sport was their first for Polydor, the band’s competency at a peak, despite the temporary appearance of fanboy drummer Ed Case, drafted in from the Southall Crew supporters when Pablo LaBrittain broke his arm. Often ranked as the greatest album of their entire career, The Biggest Prize In Sport had noticeably smoother edges than their earlier work, yet still holding plenty of bite, the combination pushing it into the Billboard top 200 in the USA. Unmissable!

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The Steves

Making Time

11,99 €*

2LP | 1981 | UK | Reissue (Les Disques Du Crepuscule)

Release: 1980 / US – Reissue

Genre: Rock & Indie

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When The Steves' two extremely limited (maybe 100-200 of each?) EPs were released back in 1980 and '81 respectively, the squares around Harvard's newsroom were aghast at the audacity of this group. Having the stones to release such crudely-rhythmic, near mechanical and downright terse tunes in the day's often long winded prog rockin' ballad heavy radio reality that were too robotic to be “punk” and too unruly to be anything but was, to say the least, a bold move. Sure to cause an uproar in the halls, protests in the classroom and uninvited dancing in the streets! In the annals of New England's rock journalism, there is not a mountain of coverage on The Steves, certainly not as much as the Alan Parsons Project or Aerosmith, but the fact remains that they were a fully charged powder keg of raw energy and new musical direction that seemed to elude most of the world back then. Not to say they didn't get any light shone on them, they did get a fair amount of airplay on the college stations around Boston and even appeared on the cover of Boston Rock magazine. It is Iron Lung Records' distinct pleasure to offer the modern world a new chance to discover the ever vital and effervescent music of The Steves' initial EPs along with a third EP of songs never released on vinyl until now that were recorded at the time or shortly after the initial sessions. A true synth-punk/KBD treasure. Obscurity is for suckers. Let's get shakin'! 700 copies of each EP on black 70gr vinyl housed in a 12pt reverse board glue pocket sleeve with faithful reproductions of the original art. Originally produced by V. Ray, Darlene Wilson and The Steves. Remastered by John Golden in 2023. These reissues are dedicated to Steve Arey, a great drummer and the original steve.

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Josef K

The Only Fun In Town

32,99 €*

Event To Come Red Vinyl Edition

Release: 1981 / UK – Reissue

Genre: Rock & Indie

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“Rarely has there been a better album opener than Fun n’ Frenzy, a shimmering yet abrasive mix of Subway Sect dustbin lid guitar, No Wave twitchiness, a hint of psychedelia and a crooning vocalist intoning poetic, abstract lyrics that conveyed existential menace. Continuing with Revelation, Crazy to Exist and single tracks like Sorry for Laughing, The Only Fun In Town was an extraordinary achievement – eclipsed by the group's split. It remains an early 80s high point. Those who haven’t heard it should; those who have might be tempted by this latest upgrade, which features remastered sound and different extras”. Josef K ‘The Only Fun In Town’ (Jon Savage – Mojo 2014) Crepuscule presents a new limited 180gm black vinyl edition of The Only Fun In Town, the influential debut album by iconic Scottish guitar group Josef K, originally released on Postcard Records in July 1981. Speedily recorded in a small studio in Brussels, The Only Fun In Town was a defiantly abrasive, serrated long-player in the mould of the second Velvets album, Josef K having already shelved a more conventional recording. Sharp-edged pop singles abound – It’s Kinda Funny, Sorry for Laughing, Revelation – along with rattling Haig/Ross twin guitar classics such as Fun ‘n’ Frenzy, Heart of Song, Forever Drone and The Angle. The Only Fun In Town topped the independent charts on release and remains a canonical post-punk album. This remaster arrives housed in a handsome gatefold sleeve, and by way of bonus tracks also features several Postcard single A and B sides including Radio Drill Time and Chance Meeting. Side 4 features all four tracks from JoKay’s celebrated John Peel Session in June 1981, including Heaven Sent and The Missionary.

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Article 58

7" | 1981 | EU | Reissue (Optic Nerve)

12,99 €*

12" | 1981 | UK | Reissue (Fortuna)

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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Limited to 750 copies. Pressed on Red Vinyl. Includes postcard and poster. Article 58, named after the Soviet classification for counter-revolutionaries, were formed in Scotland by Gerri McLaughlin (vocals), Douglas MacIntyre (guitars) and Ewan MacLennan (bass), with Stephen Lironi (drums) on these recordings. The group existed for a short period of time, burning brightly before burning out. A single, ‘Event To Come’, was produced by Postcard Records’ Alan Horne and Malcolm Ross and released on Josef K manager Allan Campbell’s Rational label. Article 58 were the opening group on many bills in Scotland, including support slots circa 1981 with A Certain Ratio, Scars, Josef K, Delmontes, Bauhaus, Restricted Code, among others. Josef K invited Article 58 to support them on some dates in England to promote their only album, ’The Only Fun In Town’, after which Article 58 recorded tracks for an as-yet unreleased album. One track, ‘Reflection’, did surface on a cassette/ zine product (‘Irrational’) released by Rational Records. However the teenage tension and strain of all that accompanies being in a group proved too much and Article 58 split up at the end of 1981. ‘Event To Come’ was to be the only single released by Article 58. The B side, ‘Icon’, is a previously unreleased recording. Both tracks are presented in a brand new sleeve designed by The Creeping Bent Organisation for release on the Optic Nerve label.

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Minimal Compact

Statik Dancin'

LP | 1981 | US | Reissue (Slovenly)

Release: 1981 / UK – Reissue

Genre: Rock & Indie

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An unbelievable post-punk shuffler from 1981, by Tel-Aviv-Brussels band Minimal Compact! This tune is one of our favorite tracks ever and we've been wanting to reissue it since day one. But this is no ordinary reissue! The 12'' includes an unreleased instrumental version plus a spaced-out extended dub mix by the living legend, Mad Professor!

Killer stuff as ever from the Fortuna Records crew!!!

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Eddie And The Subtitles

Skeletons In The Closet

23,99 €*

LP | 1981 | EU (Radiation Reissues)

Release: 1981 / US – Reissue

Genre: Rock & Indie

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It’s 1980 in Orange County, California, and Punk Rock has been scorching the ‘burbs for a few years. Eddie Joseph has been on the Southern California scene the entire time, plotting his poisonous rock’n’roll maneuvers since the mid 1960s when he began playing in garage bands. Eddie had been honing his skills on roots music and swinging teenbeat well in advance of his foray into a new, seedy, violent punk blitzkrieg. There’s a master plan at work here, and it involves select players depending on which direction Eddie needs to bleed out of his system. The recruitment of Mike Patton and Matt Simon of OC legends THE Middle Class get Eddie AND THE Subtitles rolling for a slew of shows with comrades Black Flag, Adolescents, Circle Jerks and every other degenerate crew in the radius. A DIY imprint called No Label Records is formed (with literally NO Labels on the vinyl!) and the first single “Fuck You Eddie!” is unleashed. Recorded in Fullerton by JON ST. James at his legendary Casbah studio (The Vandals, Social Distortion, Berlin), these sessions also yielded a handful of tracks that would appear on the exceedingly rare Skeletons In The Closet LP (No Label Records, 1981). “Zombie Drug Killers,” “No Virgins In Hollywood,” and “American Society” (the short fast loud version covered by L7) appear here as the opening trio on this newly re-sequenced reissue. Geza X is also on board to produce a handful of tracks with peripheral Subtitles including Nicky Beat (germs, Weirdos) among the sessions’ players. The results here are another manifestation of Eddie’s one true love. Even as a punk allegiant, songwriting, sound and style are the priority. The dusted and dark goth-pop of “Magic” and “Stream of Consciousness” are crucial to the plot, setting a unique tone that works in a sea of one-dimensional scene releases, taking full advantage of Geza’s synth-mimicking microtonal guitar techniques. A tribute to Dave Dacron, chief miscreant of Dangerhouse Records’ Rhino 39 is also set to tape as consolation to X, as Dacron’s 16 year old life was tragically cut short in an automobile accident in 1980. But the party rocks on with covers of “Louie Louie” (also appearing on the elusive Fuck You Eddie! single) and “We Gotta Get Out of This Place,” as a testament to Eddie’s obsession with the timeless now-sounds of his delinquent adolescence. Friends and fellow freaks JON Blair (of surf cats JON AND THE Nightriders) and Bobby Paine (later of rockabilly hepsters THE Paine Brothers) lend their own song-smithery for four more originals: “Boppin’ Little Bobcat, ”“Treat me Right,” “Gina” (covered in 1984 by Josie Cotton and again in ‘89 by Stray Cats) and “Your Head’s In The Right Place,” respectively. Skeletons In The Closet remains an unusual and rare artifact in the ashtray world of punk, DIY and outsider music, and Slovenly Recordings is blasted to present it to the world one more time.

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SIB

The Third World War

LP | 1981 | EU (Radiation Reissues)

Release: 1981 / EU

Genre: Rock & Indie

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First-ever Vinyl Reissue. Limited Edition OF 500 Copies ON Black Vinyl IN Gatefold Sleeve With Double-sided Insert AND Liner Notes BY Stefano Gilardino. Founded in the northern Italian port city of Ravenna in the summer of 1980, S.I.B. (Swelling Itching Brain) was comprised of former members of new wave covers band R.N.A. Transfert, singer Tracy Crazy a huge UK Subs fan. The band’s scorching live performances drew a loyal following, leading to an approach by L.M. Records, Ravenna’s foremost punk and new wave imprint, to cut Third World War, their sole LP. The band’s sound was a very personal one, with reggae, punk, hardcore and new wave all part of the mix—too varied for an audience strictly loyal to genre boundaries. Unjustly overlooked following the group’s demise, we are pleased to give Third World War the reissue it deserves some 40 years later.

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Discharge

Why Red Vinyl Edtion

LP | 1981 | UK | Reissue (Crass)

Release: 1981 / EU

Genre: Rock & Indie

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"Why?" is the debut album by hardcore punk legends Discharge, originally released in 1981. Upon it's initial release it peaked at Number 1 in the UK indie album chart. When it comes to classic hardcore punk, Discharge are truly one of the all-time greats.

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Crass

Penis Envy

39,99 €*

Stolen Property Record Store Day 2024 White Marbled Vinyl Edition

Release: 1981 / UK – Reissue

Genre: Rock & Indie

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Remastered and reissued vinyl version of what should've been one of the first 10 records you ever bought. Named as a reference to some of Freud's ideas concerning sexuality, this release marked something of a departure from the somewhat macho, hardcore punk image that The Feeding of the 5000 & Stations of the Crass had given the group. Featuring more obviously complex musical arrangements, this release showcases exclusively female vocals provided by EVE Libertine and JOY DE Vivre. The album addressed feminist issues and once again attacked the institutions of "the system" such as marriage and sexual repression.

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Charlie Harper

LP | 1981 | EU (Radiation Reissues)

18,39 €* 22,99 € -20%

A Minute To Pray A Second To Die Red Vinyl Edtion

Release: 1981 / EU

Genre: Rock & Indie

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Before embracing punk through the influence of bands like the Damned, UK Subs frontman Charlie Harper was active in pub rock groups, so when he decided to cut his debut solo album for Flicknife Records in 1981, he returned to classic rock ‘n’ roll and R&B, cutting an enjoyable covers album with fellow Subs Steve Slack and Pete Davies in tow. Tune in to this long lost gem to catch the other side of Charlie, who delivers one-off takes of Hendrix’s ‘Hey Joe,’ the Doors’ Light My Fire, the Velvets’ ‘Femme Fatale’ and Muddy Waters’ ‘Hoochie Coochie Man,’ among others. All UK Subs fans take note: your hero’s alter-ego awaits!

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The Flesh Eaters

LP | 1981 | US | Reissue (Jackpot)

35,99 €*

2LP | 1981 | US | Reissue (Dark Entries)

Release: 1981 / US – Reissue

Genre: Rock & Indie

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Jackpot Records is proud to reissue what many call arguably the greatest album of the punk rock era: The Flesh Eaters’ 1981 punk-noir masterpiece, ‘ A Minute To Pray A Second To Die.

Once referred to as an all-star roots/voodoo combo, The Flesh Eaters could only have crawled out of the myst of the late L.A. 70s punk scene. Fronted by punk poet/composer Chris D. (Desjardins), the band was a satellite for exquisite collaborators that allowed him to bring the full force of his dark, messed-up lyrical nightmares. Members of X, Wall Of Voodoo, Los Lobos, The Blasters, and The Plugz all hopped into his unmarked car to take a drive with Chris D.

Its grabbed-by-the-throat vocals are powerfully buoyed by the tight melodicism emanating from the players on this record (John Doe andDJ Bonebrake from X, Steve Berlin of Los Lobos, Dave Alvin & Bill Bateman of The Blasters). Hell, we even get the perfectly executed John Doe original, “Cyrano de Berger’s Back,” which was re-recorded by X in 1987

The creators of this record made a pulp novel for your ears with an equal chance to scar your heart. Do not miss out—this is punk noir at its greatest. Artwork, One Sheet and Wholesale Catalog Attached

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Nervous Gender

Music From Hell

30,39 €* 31,99 € -5%

Sub Verse / Sole Sister / Petticoats

Release: 1981 / US – Reissue

Genre: Rock & Indie, Pop

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Nervous Gender’s legendary synthpunk LP Music From Hell burbles up from infernal depths to resurface on Dark Entries! Confrontational, unhinged, and unabashedly queer, Music from Hell is an unholy grail for fans of the strangest underbellies of post-punk, minimal synth, and early industrial music, and is presented here newly remastered and on expanded double LP. Nervous Gender (de)formed in LA in 1978 at the hands of Phranc, Gerardo Velaquez, Edward Stapleton, and Michael Ochoa. Phranc, the androgynous embodiment of the band’s name, left in 1980. Following her departure, a wide cast of LA freaks would find themselves drawn into the band’s orbit, including Alice Bag of the Bags, Paul Roessler of the Screamers, the Germs’ Don Bolles, and an 8-year old drummer named Sven Pfeiffer. In 1980, Nervous Gender appeared on the seminal Live at Target compilation alongside Factrix, uns, and Flipper. With the band’s notoriety cemented, Music from Hell followed in 1981 on Subterranean Records (as no LA label would touch this material). Side A, dubbed “Martyr Complex”, presents a more punk-forward sound with live drum salvos and slabs of aggressive synth. These twitchy, unsettling shockers ooze with the kind of snotty misanthropy that will endear them to fans of the Screamers or Crass. Side B, known as “Beelzebub Youth”, is a live performance the band labeled "an electronic bruto-canto dissertation on the banality of spiritual transcendence." Mutant melodies cede way to synthesized clangs, whirs, bleeps, manipulated tapes, and howls of despair. In addition to all the material from the original LP, we’re treated to a full disc of the band’s demos, the material from the Live at Target compilation, and early live recordings. Included are unrecognizable covers of Carly Simon and Lou Reed, and the Sex Pistols that are so despairingly skewed they fall into the void. This reissue of Music From Hell includes a 36 page lyric booklet, foldout poster, and gatefold sleeve with photos, flyers, and news-clippings designed by Eloise Leigh. Tackling taboo issues like sexual kinks, mental illness, drug use, and childhood molestation, Music From Hell is still surprising – even shocking - over 40 years after the album’s release. Nervous Gender stand as one of the most genuinely anti-establishment outfits in underground music, a colossal fuck you to social norms from religious strictures to gender essentialism.

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Scaling Triangles

LP | 1981 | US | Reissue (Zaius Tapes)

LP | 1982 | UK | Reissue (Overground)

Release: 1981 / US – Reissue

Genre: Rock & Indie

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"Before I made my home in & became Tanzania's #1 acknowledged periodontist, I was a busking girl throughout the UK. From early 1978 until the mid 80's I squatted everywhere; Glasgow, Cardiff, Manchester, Hastings & finally London. Music was our currency-mostly crude folk, DIY punk or amateurish, Klaus Schulze inspired synthesizer buzzings echoed off the walls wherever I chose to lay my hat. Admirers of records from this time know all too well that many compilations-mostly regional-flooded Britannia in those lean years, perhaps my favorite being one entitled Scaling Triangles. It was the first female forward collection I'd come across; three women artists, each tracking three songs. Only The Petticoats I was familiar with as she'd released a 7" ep on her own. The other two-Sole Sister, Sub Verse-seem to start & end here (Sub Verse contributes a track to the 'Compilation 1' lp on Starforce Studios-4th Wall ed). And as such, it is a diverse panorama of 'Le Beau Sexe' flexing wooly muscles. If this is from a particular scene I cannot say, but if you want taunt (Sub Verse), aggro (Petticoats) & free (Sole Sister) moving tracks, look no further. Fans of Young Marble Giants, The Flowers, Udder Milk Decay could do worse. Thank you Johan Klemp, it is so great to hear these songs so many years later. Now reissued on Tanzania's #1 recording label! And don't forget to brush your gums!"—Bupi Ramadhani (Tanzania's #1 acknowledged periodontist, Esnan Dental Center, Dar Es Salaam)

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Zounds

The Course Of Zounds

31,99 €*

LP | 1982 | EU (Radiation)

Release: 1982 / UK – Reissue

Genre: Rock & Indie

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Zounds released their first album The Curse of Zounds in 1982, recording and mixing the LP within five days. The album is now seen as a classic of the genre and one of the most inspirational albums of the post-punk period. This is a limited pressing of 500 only on white vinyl, which closely reproduces the cover, inner bag and labels of the original.

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Adicts

Sound Of Music

Release: 1982 / EU

Genre: Rock & Indie

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Originally released in November 1982, ‘Sound of Music’ was the second album from ‘Clockwork punks’ the Adicts. Preceded by the release of the three track “Chinese Takeaway” EP, which also featured “Too Young” and “You’ll Never Walk Alone” - both included here as bonus tracks along with their subsequent hits ‘Bad Boy’ and ‘Tokyo’ and an unreleased version of Ramones’ classic ‘I wanna be sedated’ - the album was widely praised in the music press of the day with ‘Sounds’ saying “thank Christ for The Adicts. In this often grey and depressing world they entertain us, uplift us and unify us”. Thirteen slices of punk/Oi! fun that made history, in a luxurious one-time Gatefold edition with poster, including liner notes by Mark Brennan and a total of 5 bonus tracks!

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Tape | 1982 | US | Reissue (ORG Music)

14,99 €*

Release: 1982 / US – Reissue

Genre: Rock & Indie

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Bad Brains is the self-titled debut studio album recorded by American hardcore punk/reggae band Bad Brains. Recorded in 1981 and released on (then) cassette-only label Roir on February 5, 1982, many fans refer to it as "The Yellow Tape" because of it's yellow packaging. Though Bad Brains had recorded the 16 song Black Dots album in 1979 and the 5-song Omega Sessions EP in 1980, the Roir cassette was the band's first release of anything longer than a single. The release includes the original liner notes by Ira Kaplan of Yo La Tengo.

This reissue marks the second release in the remaster campaign on the band's own Bad Brains Records imprint with Org Music. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing.

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LP | 1982 | US | Reissue (ORG Music)

I And I Survive

The Good, The Bad & The 4 Skins Yellow Vinyl Edtion

Release: 1982 / US – Reissue

Genre: Rock & Indie

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"I And I Survive" is a 1982 EP by Bad Brains, released on the heels of their iconic self-titled debut album. The recordings come from the "Rock for Light" sessions, and were produced by Ric Ocasek. The release was previously out of print for nearly four decades.

This reissue marks the third release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing.

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The 4 Skins

LP | 1982 | EU (Radiation Reissues)

Voice Of A Generation Green Vinyl Edtion

Release: 1982 / EU

Genre: Rock & Indie

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The Good, The Bad & The 4-Skins' is the debut LP - originally released on Secret Records in 1982 - from East End Oi! legends The 4-Skins. Recorded with the first stable line-up after numerous changes, fronted by legendary vocalist Panther (who stepped in after the original singer Gary Hodges' defection), this is violent, political, and as real as Oi! gets, this is one of the absolute classic LPs of the genre. Featuring studio recordings on Side A and amped up live versions of such OI! classics as 'A.C.A.B' or 'Chaos' on Side B.

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Blitz

LP | 1982 | EU (Radiation Reissues)

Massacred Melodies White Vinyl Edition

Release: 1982 / EU

Genre: Rock & Indie

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Raw, violent and catchy, Blitz's 1982 debut album sounded like a shot of pure rock and roll through the violence of the English working class. Made up by two punks and two skinheads, with a lot to say about violence and football, Blitz appealed to all kinds of lowlifes, who finally had a voice for their generation. This new version of the long out of print classic includes three bonus tracks (2 from the 'Carry On Oi!' comp and one from the 'Total Noise' comp).

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Major Accident

LP | 1982 | EU (Radiation Reissues)

LP | 1982 | US | Reissue (Artifix)

Release: 1982 / EU

Genre: Rock & Indie

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Formed in late 1977 in Darlington, UK, legendary punkers Major Accident were initially influenced by the Pistols and the Clash. A very sad fate befell their early studio activities: both their first recording sessions in 1980, which was supposed to be their debut single (Terrorist Gang/War Boots) and the following one, which produced a completely mucked-up, unusable first edition of this LP, remained unreleased for years. It took until late 1982 for their first proper release to see the light of day: produced by Donkeys guitarist Neil Ferguson, their debut album Massacred Melodies finally came out on Step Forward, supported by a full UK tour with label-mates Chelsea. The distinctive 'Clockwork Orange' image (they were the first punk band to adopt the look from Kubrick's famous movie, which was banned in the UK at the time and impossible to see anywhere) and their song writing, by far more peculiar than the average Uk82 punk band, allowed them to grow a sizable following, and their classic sleeve artwork by Paul Dillon started appearing on the back of more than a few black leather jackets.

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Hypnotics

Indoor Fiends

LP | 1982 | US | Reissue (Dischord)

Release: 1982 / US – Reissue

Genre: Rock & Indie

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Hypnotics were one of those amazing early 80s hardcore-punk bands from Long Beach, California who expertly channeled the guitar sounds of bands like Tsol and Angry Samoans and melded this buzzsaw sound with snotty, offensive lyrics. This reissue of their 1982 LP is not for the faint or the politically correct. Includes a 4-page booklet and "Filth" hype sticker on the polybag.

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V.A.

Flex Your Head

24,99 €*

Plastic Surgery Disasters Purple Vinyl Edition

Release: 1982 / US – Reissue

Genre: Rock & Indie

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Flex Your Head was first released in January 1982 and was the first full-length album released by Dischord Records. The compilation features thirty-two songs by 11 DC area bands and went a long way towards “putting DC on the map” as one of the era’s great punk scenes. This new edition, which has been re-cut features a cover image of the DC Flag stars and bars (on a red field), an image so associated with DC punk that many mistake it for a made-up symbol for straight edge. This cover image was also used (on a black field) for an edition of the album briefly pressed in conjunction with Alternative Tentacles in the ‘80s. Tracks from Minor Threat, Teen Idles, SOA, G.I., Youth Brigade, Void, Iron Cross, Artificial Peace, and more. Includes a free MP3 download coupon,

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Dead Kennedys

LP | 1982 | EU | Reissue (Audioplatter)

32,99 €*

Sound & Fury Yellow Vinyl Edition

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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New edition of the second Dead Kennedys full-length album on stunning purple vinyl presented in a gatefold sleeve! The second Dead Kennedys album and the release that established the band as one of the World’s most controversial underground acts. Released in 1982, 'Plastic Surgery Disasters' cuts into the underbelly of American society exposing the hidden truths of corporate greed, state control and the lie of the American dream. Seen by many as the bands greatest work , 'Plastic Surgery Disasters' features the all-time Dead Kennedys greats like "Bleed For Me", "Riot", "I Am The Owl", "Moon Over Marin" and "Halloween"!

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Youth Brigade

LP | 1982 | US | Reissue (Trust)

39,99 €*

Man’s Ruin Black Vinyl Edition

Release: 1982 / US – Reissue

Genre: Rock & Indie

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Youth Brigade is an American hardcore punk band formed in Hollywood, Los Angeles, California, in 1980 by the brothers Mark, Adam, and Shawn Stern. The band subsequently founded BYO (Better Youth Organization) as well. The band’s first year of existence was as a six-piece, but they played their first gig as a three-piece on New Year’s Eve 1981 at Godzilla’s nightclub. They were also part of the big BYO extravaganza “Youth Movement ’82” at the Hollywood Palladium, where 3,500 people showed up for an all-Los Angeles bill. In the summer of 1982, after recording three tracks for the first BYO record release, Someone Got Their Head Kicked In compilation, Youth Brigade set out in a big yellow school bus on an ambitious 30-city North American tour with fellow punk band Social Distortion. The now classic 1984 film Another State Of Mind chronicled the event. A premature version of Sound & Fury had been rushed together before the Another State Of Mind tour, but pressing was stopped at 800 copies as the band was not satisfied with the quality of the material and production. After about 30 shows and several breakdowns, they returned home to re-record their debut LP, Sound & Fury, with the legendary record producer Thom Wilson, keeping only four tracks from the original. Sound & Fury, the follow-up version, is now considered one of the greatest punk records of all time not just because of the songs and cultural context, but because it features the hit songs “Sink With California,” “Blown Away,” “Men In Blue (Part 1),” and “What Will The Revolution Change.” Sound & Fury has been remastered from the original analog tapes by Dave Gardner.

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Target Of Demand

LP | 1983 | EU | Reissue (Radiation)

One Afternoon In A Hot Air Baloon

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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One of the best kept secrets of 80's California Hardcore Punk, TARGET OF DEMAND hailed from Long Beach and only released this 10-track smasher on the small Happy Hermit label and a couple compilation tracks before disbanding. Due to their very short existence as a band, and the fact that they were much more influenced by Teen Idles or SS Decontrol and the sounds coming out of Boston and the Midwest, rather than what was going on in California at the time, this incredibly ripping U.S. hardcore mayhem hasn’t been reissued until today.
Remastered by California punk legend GEZA X, from the original analog tapes, this is 100% pure American hardcore from 1983. RIYL: Black Flag, Poison Idea, Minor Threat, early Suicidal Tendencies. Limited edition of 500 copies, 400 on black vinyl and 100 on ORANGE/WHITE splatter vinyl, with original artwork and double sided lyrics insert.

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Artery

LP | 1983 | EU | Reissue (Spittle)

A Fistful Of... 4 Skins White Vinyl Edition

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Brilliant second album from the wholly original cult Sheffield post punk band. Released in 1983 on Red Flame ‘One Afternoon In A Hot Air Balloon’ is an adventure on its own. Artery somehow replaced the somber post-punk of the debut with a stream of melancholic pop paeans influenced by british folk and certain ballroom dances, with a spectral keyboard sound worth killing for. The secret weapon - when compared to the rest of their discography - is largely explained by the presence of keyboard player and (by now) main composer Christopher Hendrick. The band was in fact reduced to a trio with former members Mark Gouldthorpe (guitar) and Garry Wilson (drums) now supported by the singular effort of Hendrick (also on bass and xylophone). At the same time Garry Wilson was playing in an early incarnation of Pulp. Despite the early Joy Division influence - which the band firmly dismissed – Artery is moving forward into the so-called new romantic era. A vaudeville scenario light years ahead from the streets and the aggro-culture, a way to some pleasant and revealing experience.

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4 Skins

LP | 1983 | EU (Radiation Reissues)

Release: 1983 / EU

Genre: Rock & Indie

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Record Store Day 2021 Release. Reissue of the second full length from this influential UK Oi! band. By the time of this release (on Syndicate Records, 1983) the group had gone through numerous line-up changes and were now sporting a heavier, more melodic, hard rock-based sound, fronted by ex-Last Resort vocalist Roi Pearce. One of the hardest hitting punk albums of the '80s, 'A Fistful Of…….. 4 Skins' is reissued here on LP with 2 tracks ('On The Streets' from the 'Son Of Oi!' compilation and a demo version of 'Saturday') added as bonus!

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LP | 1983 | US | Reissue (ORG Music)

Rock For Light

30,99 €*

Release: 1983 / US – Reissue

Genre: Rock & Indie

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Rock for Light is the second full-length album by Bad Brains, released in 1983. It was produced by Ric Ocasek of The Cars. We're proud to present the original mix of the album, for the first time in decades, as the band originally intended. Most fans will be more familiar with the 1991 reissue, which was remixed by Ocasek. Version used an altered track order, significantly different mixes and a speed increase of the master which results in a raising of the pitch by one-half step.

This reissue marks the fourth release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing.

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Tape | 1983 | US | Reissue (ORG Music)

Rock For Light

14,99 €*

Suicidal Tendencies Red Vinyl Edition

Release: 1983 / US – Reissue

Genre: Rock & Indie

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Suicidal Tendencies

LP | 1983 | EU | Reissue (Munster)

False Gestures For A Devious Public

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Suicidal Tendencies's debut has been regarded by critics as one of the most influential punk rock albums of all time and has inspired an untold number of influential musicians. "Suicidal Tendencies" has also been cited as an influence or favorite album by each of the "big four" of thrash metal (Metallica, Megadeth, Slayer and Anthrax) as well as California punk bands such as The Offspring and Nofx. Red colored vinyl includes original lyric sheet. In 1982 Suicidal Tendencies emerged from Venice, CA, with a dedicated audience among area skaters and surfers. As they established themselves on the Los Angeles punk scene, the group released their self-titled debut on Frontier Records with songs like 'Institutionalized,' 'Fascist Pig,' and 'Suicide's an Alternative.' "Suicidal Tendencies" became the bestselling American punk album of all time and launched the band into their long-lasting career. 'Institutionalized' has been referenced in many other songs, mostly its quote "all I wanted was a Pepsi". It is referenced in the Sage Francis song 'Slow Down Gandhi,' Limp Bizkit also referenced it in the song 'Stuck', also the lines "All I wanted was a Pepsi " are also quoted near the ending of the Cypress Hill song 'How I Could Just Kill a Man,' and Body Count recorded a cover version of 'Institutionalized', with new lyrics written by singer Ice-T, called 'Institutionalized 2014.' Suicidal Tendencies became the chameleons of aggressive rock 'n' roll. Starting with their debut album on Frontier Records in 1983, the band progressed from the punk rock genre into heavy metal/thrash. Throughout this transformation, singer, founder, and leader Mike Muir broadcast his own message with wit and wisdom to anyone that would listen. After the video for 'Institutionalized' broke through the MTV airwaves as the first hardcore video for the channel, the song gained further notoriety on the soundtrack for the cult film "Repo Man" in 1984. The original album continues to be a perennial punk rock best seller due to its wide appeal and catchy tunes. Every song on it is great. It's a perfect crossover between hardcore punk and metal.

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The Blood

LP | 1983 | UK | Reissue (Audio Platter)

17,99 €*

7" | 1983 | US | Reissue (Final Doomsday)

Release: 1983 / UK – Reissue

Genre: Rock & Indie

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Re-issue of the Blood’s legendary debut LP which reached No 5 in the Indie Charts when originally released in 1983.
The Blood were one of the first to merge punk with metal.

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T.H.E Rutto

El Paluuta

It's Time To See Who's Who Orange Vinyl Edtion

Release: 1983 / US – Reissue

Genre: Rock & Indie

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Rutto (T.H.E. Rutto) was a pioneering Finnish hardcore band that existed from 1981 to 1984 and released two highly sought-after 7"s EPs released by Ikbal Records in 1983 and 1984 respectively. One of the few Finnish hardcore bands to have a female singer, Rutto managed to record only 11 songs in their brief existence. Final Doomsday records are extremely proud to present official reissues of both Rutto 7"s complete with rare compilation only tracks, unreleased photos, Finnish zine interviews from the early 80s, and for the first time ever, printed labels. The records have been made in close cooperation with the band as well as Finnish punk and hardcore veterans Vote Vasko AND LA?JA? A?IJA?LA?.

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Conflict

LP | 1983 | EU (Radiation Reissues)

Bloodsuckers Clear Vinyl Edition

Release: 1983 / EU

Genre: Rock & Indie

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Released in 1983 on London's Legendary Mortarhate label, Conflict's debut broke all rules in punk rock, setting new standards and storming independent charts, reaching and retaining position number 1 for several weeks. Formed in 1981 and led by vocalist Colin Jerwood, who would remain one of the group's few constants throughout its 30 years of existence, and fueled by hatred for the media, the military and the general status quo of late century Thatcher's England, Conflict has been a stainless model for three generation of peace punkers, activists and anarchists from all over the world.

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The Varukers

LP | 1983 | EU | Reissue (Audioplatter)

17,99 €*

Boycott Stabb Complete Session White Vinyl Edition

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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The Varukers were one of the first groups of the UK 82 movement - the second generation of punk rock that took the spirit of ’77 and merged it with the incessant beat of Nwobhm – responsible for creating UK hardcore. Heavily inspired by Discharge, The Varukers released three 7”s in the early ‘80s before this, their first and most definitive album, came out in 1983 on the legendary Riot City Records (Vice Squad, Abrasive Wheels, Chaos U.K.). Back in print on LP, thanks to Audioplatter, Bloodsuckers is one of the definitive pieces of early UK hardcore, full of Sabbath inspired guitar work, pounding rhythms and aggressive anarchistic lyrical content. Essential!

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Government Issue

LP | 1983 | US | Reissue (Dischord)

24,99 €*

LP | 1983 | EU | Reissue (Rocka Tapes)

Release: 1983 / US – Reissue

Genre: Rock & Indie

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“In November of 1982, I went into the studio with Government Issue to record what was to be their first full-length album. Up until that time, they had only released the Legless Bull 7-inch EP, and the tape they recorded early 1982 would take over a year and a half to be released as the Make An Effort 7-inch EP. The members of G.I. excelled at driving each other crazy and there was a lot of arguing, but still we had a great session at Inner Ear and we managed to track 20 songs in one day. From the beginning the band had been divided on what to record, and it was only after much debate that they decided to leave off the material they had recorded with the earlier line-ups and only put out 10 new songs. In early 1983 Dischord was strapped for cash, meaning that we could only work on one release at a time. Since all of our money was tied up with the manufacturing of Minor Threat’s Out of Step 12-inch EP, the G.I. record would have to wait. A new DC label, Fountain of Youth expressed an interest in releasing Boycott Stabb, so it was decided to do a ‘split-label’ record. In this case, Fountain of Youth put up the money and we let them use the Dischord Records name to help with context and distribution. It has since been reissued on a number of different labels and formats, but after coming across the master tapes and hearing the songs that had been left off, we thought it would be cool to release the complete session, and to fi nally release the record on Dischord proper. In going through the tapes, I discovered that most of the outtake songs were never mixed, so earlier this year I took the recordings back into the studio. Hearing the separated tracks amazed me. Such great playing and songs! With the technological advances in the recording world making multi-tracking and overdubbing so common, it’s easy to forget that studios could also be used as something more akin to a photo-booth, capturing what was happening at that very moment. Most of the early Dischord sessions were essentially ‘live’ recordings, so the bands had to be able to play, and because the budgets were minuscule, they had to get the songs down in short order. G.I. stepped up on both counts.”—Ian MacKaye, August 2010.

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Crash Box

Demo 1983

25,99 €*

Tape | 1983 | EU | Reissue (Rocka Tapes)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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A quartet of milanese kids destined to write the history of hardcore punk: ladies and gentlemen, here are Crash Box! At their debut and grappling with some of the most iconic hits such as Nato per essere veloce and Veleno per voi. Demo 1983, where Marco Maniglia Medici's lyrics are already at the peak of creativity and at the service of one of the most virtuous formations in the history of the band. 22 minutes of true Italian hardcore. Anastatic reissue of the original 1983 cassette and remastered audio. Graphix by DeeMo on original materials.

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Crash Box

Demo 1983

Kill From The Heart Red Vinyl Edtion

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Dicks

LP | 1983 | US | Reissue (Superior Viaduct)

28,99 €*

LP | 1983 | US | Reissue (Artifix)

Release: 1983 / US – Reissue

Genre: Rock & Indie

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Dicks’ debut LP has been acknowledged as a foundational statement in Punk ever since its initial 1983 release. Following their first single, 1980’s “Dicks Hate The Police,” and a live split with fellow Austinites the Big Boys, Kill From The Heart does not disappoint. Originally released on SST, the album stands apart from the mass of generic thrash-hardcore contemporaries— fueled by the manic, but controlled power of singer Gary Floyd along with the original lineup of guitarist Glen Taylor, bassist Buxf Parrot and drummer Pat Deason. Dicks were operating at an absolute peak at this point, alternating damaged workouts that suggest Flipper or No Trend on one end and highly charged tracks in the vein of Minutemen or Tales of Terror on the other. Straight out of the gate on “Anti Klan,” the band trades blues-grounded guitar with squealing feedback and intensely political lyrics. The raw emotional sincerity of Floyd, who was openly gay in Reagan-era Texas, provides unmistakeable urgency to songs such as “No Nazi’s Friend,” “Rich Daddy” and the title track, which remains one of the stone-cold classic punk anthems. Forty years on, Kill From The Heart continues to smolder—an arresting testament to the possibilities embodied in creative rage. It is no surprise that Dicks have been covered by Mudhoney, Jesus Lizard and more. Superior Viaduct is honored to present this truly essential reissue. Comes with original tracklist, insert and download card.

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Hypnotics

The Expendables

28,99 €*

LP | 1983 | Reissue (Damaged Goods)

Release: 1983 / US – Reissue

Genre: Rock & Indie

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First ever reissue of the 1983 LP from these hardcore punks from Long Beach, California. Think early T.S.O.L., etc. This LP was self-produced by the band in one super limited pressing of 100 copies and is considered a punk collector's grail commanding big bucks. 12 song LP with 4-page booklet limited to 540 copies.

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Deep Wound

Jesus Was Born In A Mobile Home

Release: 1983 / Reissue

Genre: Rock & Indie

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This is a 24 track Vinyl compilation compiled by J Mascis (DINOSAUR JR) featuring all the recorded material from his first band DEEP WOUND. DEEP WOUND were a hardcore punk band from western Massachusetts formed in 1982 and J Mascis's first band. They released one self-titled EP in 1983. They are often noted as being, along with SIEGE, one of the early inspirations for Grindcore. Members were: J Mascis - drums, Lou Barlow - guitar, Scott Helland - bass guitar, Charlie Nakajima - Vocals.

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Spike In Vain

Tape | 1984 | US | Reissue (Scat)

13,99 €*

Under The Scalpel Blade Red Vinyl Edition

Release: 1984 / US – Reissue

Genre: Rock & Indie

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Jesus Was Born in a Mobile Home, a cassette release from the fall of 1984, represents Spike in Vain's first attempt at a second album. Recorded shortly after the release of Disease Is Relative in January 1984, the original group returned to The Island and laid down tracks for nine songs, with a focus on the band's earliest material. Most of these songs were written before those that appeared on the debut album, so the tape functions as a prequel to the debut even though it was recorded afterwards. Some of the tracks have a more traditional hardcore approach than the first album, but there is still the trademark coloring outside the lines for which the group is known. And of course it's mostly quite dark, with the majority of songs addressing death or paralyzing fear. Not long after recording basic tracks, drummer Bruce Allen announced his plans to cut ties and focus on his own group. It was decided to quickly finish the recordings anyway, release them on cassette, and try again later when another drummer was found. Since one of the songs was rejected and the rest only added up to 20 minutes, it was decided to include additional random material to fill out the tape. But what glorious "filler" that turned out to be! There's the very first performance of "Ugly and Damaged" from the band's first gig in early 1983. And "Love Isn't Hollow" from a 1981 rehearsal tape featuring Bruce completely shredding on guitar, the only known recording of this embryonic version of the band. Rounded out with rousing live takes of the Stooges' "Real Cool Time" and a newer song, "Deathstyle," what seemed like random extras at the time of release now seem like prescient grave-robbing. They would've been lost by now had they not been issued back then.

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Disorder

LP | 1984 | EU (Radiation Reissues)

Record Collectors Are Still Pretentious Assholes

Release: 1984 / EU

Genre: Rock & Indie

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Bristol Punk Pioneers Disorder formed around 1980, during the second wave of UK punk rock. Their approach to DIY ethics was so deep that they decided not to sign to Riot City, but to create a label of their own, for a bunch of classic singles the average distortion level of which led BBC DJ John Peel to describe Disorder as sounding like "shit". In fact, unlike many contemporaries like Crass or Conflict, Disorder showed no ambitions in stylistic experimentation: their debut LP 'Under The Scalpel Blade' is one blast after the other of pure rage, packaged in two-minute bursts of hyper-speed drumming, distorted guitars, and screaming vocals. Limited edition of 500 copies on burgundy vinyl, remastered audio and double-sided lyric insert.

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Poison Idea

LP | 1984 | US | Reissue (TKO)

30,99 €*

Throb Throb Clear Vinyl Edition

Release: 1984 / US – Reissue

Genre: Rock & Indie

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After contending with nearly a full year of production delays, TKO Records could not be more delighted to bring back this classic material. This new reissue is without a doubt the ultimate version of this title. Between the scorching new mastering job, the expanded artwork and addition of the new poster that maps out all the records featured in the front cover photograph... it doesn't matter if you've already got ALL other versions of this LP, if you're a record collector worthy of the album title, you're gonna need this one."Despite all rumors and confusion, Poison Idea rages with rapid-fire, foaming bites of outrageous energy. This is what you’ve been waiting for. This band deals out the goods with frenetic, hammering madness and rabid intensity thrash-style compositions."—Pushead, MaximumRockn'roll - October, 1984. Includes a poster.

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Naked Raygun

LP | 1984 | UK | Reissue (Audio Platter)

7" | 1984 | US | Reissue (Final Doomsday)

Release: 1984 / UK – Reissue

Genre: Rock & Indie

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Re-issue of Chicago punk legends Naked Raygun's album 'Throb Throb' – famously, the first live band Dave Grohl ever saw - ON Clear Vinyl! From its onset, the tube-crunch surf guitar intro of "Rat Patrol," Throb Throb sizzles like grease in a frying pan until it comes to a halt some 30 minutes later. Like the tank on its cover, Throb is largely informed by an antagonism that rails against the Reaganism that helped spawn intelligent '80s post-punk groups much like Naked Raygun. Titles like "Surf Combat," a song about the effects of napalm at popular beaches, "Gear," a braggadocio commentary about nuclear weapons and the arms race, and "Managua," in which troops march to their impending death, exemplify Throb's political mentality and musical gravity, which are a direct result of the '80s Cold War. Naked Raygun sends the songs up with a sense-raping frazzle and dissonance. While not as furious as Hüsker Dü or as angry as the Misfits, Throb is no less vehement, and ever the more working-class. With comprehensible lyrics everyone can understand and chant, and a plethora of race-against-time guitar melodies, Throb is rare in that it appeals to academics as well as rednecks, straight-shooters as well as in-the-know punks. Borrowing from the big-guitar sound of English heavy metal bands like Iron Maiden and carving catchy melodies usually reserved for Top 40 pop songs into firebrands like "I Don't Know" and "Libido," Naked Raygun assures Throb's place as a classic that is forever ahead of its time, regardless of when it is heard.

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T.H.E Rutto

Ilmastoitu Painajainen

15,99 €*

12" | 1984 | EU (Radiation Reissues)

Release: 1984 / US – Reissue

Genre: Rock & Indie

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Vatican Commandos

Point Me To The End

Eskizofrenia "Discos Suicidas" Edition

Release: 1984 / EU

Genre: Rock & Indie

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Formed in the wealthy coastal town of Darien Connecticut in the early 1980, hardcore punk band Vatican Commandos released their debut EP, Hit Squad For God, in 1983, followed swiftly by the Just A Frisbee EP. Recorded in the summer of 1984, shortly before their ultimate demise, the blistering EP Point Me To The End captures the band at their most competent, bolstered by high production values, with a one-off poem by beat-punk poet Earl broadening the boundaries; this edition is made complete by the inclusion of crucial bonus tracks ‘Your World Is Flat’ and ‘Morality,’ from the ultra-rare compilation Make It Work.

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Eskorbuto

LP | 1984 | EU | Reissue (Munster)

25,99 €*

Macadam Massacre Yellow Vinyl Edtion Record Store Day 2023 Edition

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Reissue of "Eskizofrenia", Eskorbuto's first LP from1985, one of the most influential punk albums in theSpanish and Latin American scenes.The LP showcases what they are known for: radicalism,a self-taught style and crude lyrics. The first blow oftheir anti-everything stand.Black vinyl, remastered for this edition, this version with original cover artwork from the 1987 reissued album on Discos Suicidas.

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Berurier Noir

LP | 1984 | EU (Radiation Reissues)

25,99 €*

LP | 1984 | EU | Reissue (Spittle Dependance)

Release: 1984 / EU

Genre: Rock & Indie

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First time reissue of the yellow cover variant! French anarcho-punks Berurier Noir formed in Paris in 1983, intended to implode after one sole gig, but this intense mask-wearing duo, featuring Loran on guitar, François on vocals and a drum machine named De’de’ caused pandemonium live, leading to distinctive LPs. Debut album Macadam Massacre captures the group at their rawest, their non-conformist format and confrontational lyrics chronicling the squats and HLMs on the peripheries of French society. Deliciously dark and with jagged edges galore, it will appeal to the band’s cult followers and all those interested in cutting-edge European punk and post-punk. Includes original poster replica and lyrics sheet.

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Ruins

LP+CD | 1985 | EU | Reissue (Spittle)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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The Ruins' eponymous EP (also known as the “gray record”) was originally released in the late spring of 1984 and in fact represents a significant moment in the Italian independent music scene of the early 1980s. The then contemporary burgeoning wave of entertainment music contaminated by experimental accents and conveyed essentially by electronic instruments saw the Ruins at the forefront. The band, essentially a duo, formed in Mestre (Venice) in 1978, had already carved out a window of national attention within the Italian new wave in 1981 with their first single “Short wave” and their participation in one of the very first (if not the very first) Italian new wave compilations entitled “Samples Only.” Following this, between 1982 and 1983, there had been an important interlude in the evolution of the Ruins sound with the foundation of the quintet project (of which SPITTLE/DepenDance recently published an essential anthology titled “brain Flakes”). At the end of 1983, having concluded the group experience with the consequent and inevitable return to the original duo dimension the musical style further evolved putting even more emphasis on the unique blend of electronic sounds and almost black /soul influences of the new compositions that would later be collected in 1984 in the original version of E.P. The duo's sound at that particular time was characterized by the innovative use of synthesizers and drum machines for unconventional song structures, which at the same time also encapsulated Ciranna and Pizzin's experimental ethos, thus allowing them to follow a parallel trajectory capable of maintaining a certain distance - while remaining somewhat related to - from the contemporary mainstream pop and the so-called Italo disco strand. Ultimately, this 1984 EP by the Ruins - of which Spittle DepenDance now offers a valuable reissue enriched with additional material from the period that has remained completely unreleased until now - is a testament to the band's innovative spirit and its role in shaping the Italian new wave scene, landing moreover to international acclaim and acclaim even over the following decades. With its mix of electronic experimentation and dark pop sensibility, it remains essential listening for fans of avant-garde pop music.

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Kina

Irreale Realta

Live At "Ex Mattatoio" In Roma

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Finally back in print! The 15 tracks that, in 1985, affirmed Kina as one of the most original bands of the European hardcore punk scene. Available for the first time in a remastered edition (LP with CD included), it contains the anastatic reprint of flyers and documents that accompanied the original version. Originally published by Blu Bus – the label related to the band itself – the record is a truly classic in the vein of early Husker Du, fusing heartfelt melodies with a fast and furious approach.

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Friction

LP | 1985 | JP | Reissue (P-Vine)

34,99 €*

LP | 1985 | US | Reissue (Superior Viaduct)

Release: 1985 / JP – Reissue

Genre: Rock & Indie

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Friction is one of the first Japanese punk bands and formed by Reck, Chiko Hige and Lapis in Tokyo in March 1978, and now the band is still keeping active. Reck and Chiko Hige had previously been on the NY no wave scene as founding members of James Chance and the Contortions, and brought back the experience and influence to the Japanese music scene. It's no exaggeration to say that the band laid the foundation for alternative music in Japan. P-vine is proud of reissuing all of their albums on vinyl.

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The Ex

Pokkeherrie

20,89 €* 21,99 € -5%

Behind The Realms Of Madness Black Vinyl Edition

Release: 1985 / US – Reissue

Genre: Rock & Indie

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Emerging out of Amsterdam's vibrant squat scene in 1979, The Ex – a name chosen for the ease and speed with which it could be spray-painted onto a wall – have for four decades been an entirely self-sustaining musical entity, charting a course through the global underground with a spirit of freedom and radical exploration.

On 1985's Pokkeherrie (Dutch for "terrible noise"), The Ex return to the more stripped-down instrumentation on their early LPs. A key lineup change would also see the arrival of drummer Kat Bornefeld (whose supple rhythms propel the group to this day).

Recorded at the new location of Koeienverhuur Studio in the basement of storied squat/venue Emma, Pokkeherrie is a testament to the angular momentum of a group in full creative flux. Right from the opening track, bassist Luc Klaasen generates a relentless pulse. Terrie Ex's sparse/acidic guitar and G.W. Sok's impassioned vocals combine in a vein similar to The Minutemen, Flipper or Rudimentary Peni, except The Ex have the patience and wherewithal to sustain their approach beyond just brief explosions.

Perhaps only The Fall from this period can match The Ex's ability to hold a melody together while utilizing otherwise harsh sonic elements over an extended piece, most effectively on "Soviet Threat," "1,000,000 Ashtrays" and "White Liberals."

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Sacrilege

2LP | 1985 | EU (Radiation Reissues)

24,99 €*

Behind The Realms Of Madness Orange Vinyl Edtion

Release: 1985 / EU

Genre: Rock & Indie

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Having played with the likes of influential movers and shakers on the anarcho-punk scene Antisect and Icons of Filth, on their first full-length LP, Birmingham’s Sacrilege established themselves as a unique force to be reckoned with, wreaking havoc on what we could classify as sonic tropes belonging to a spectrum of subgenres dealing in the extremes: hardcore, doom, and thrash. Fronted by Lynda ‘Tam’ Simpson and her seizure-inducing spells injected with a fierce, sociopolitical-cum-mythopoeic banshee bite (but not wanting to understate the line-up of Damian Thompson on guillotine-quick/milkshake thick guitars) - the six-track onslaught is every bit as crushing as the title suggests. From depraved dungeon synth-scapes on opener Lifeline to the planet-flattening funeral toll of The Closing Irony, one question remains: One riff to rule them all? Yes.

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Sacrilege

2LP | 1985 | EU (Radiation Reissues)

Lysergic Emanation Black Vinyl Edition

Release: 1985 / EU

Genre: Rock & Indie

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Fuzztones

LP | 1985 | EU (Radiation Reissue)

Lysergic Emanation Green Vinyl Edition

Release: 1985 / EU

Genre: Rock & Indie

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The Fuzztones’ sophomore set Lysergic Emanations is often hailed as the best album that the garage rock band ever released. As with their debut album, the disc mixes cover versions of obscure 1960s garage rock tracks with some inspired original work, and this one benefitted from being cut in the studio, allowing us to hear the group in full-spectrum stereo, without the noisy distractions of a live setting. Keen covers of songs by the Sonics, the Yardbirds and Sonny Boy Williamson are rendered in their own image and the originals sound totally on form too. Lysergic Emanations is the Fuzztones’ pinnacle – totally superb!

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Fuzztones

LP | 1985 | EU (Radiation Reissue)

LP | 1986 | EU | Reissue (Spittle)

Release: 1985 / EU

Genre: Rock & Indie

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Thelema

Tantra