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Emerging from the ashes of the Shark Bait, which contributed with one track on the Stomping At The Klub Foot Vol.5 compilation album, the Irish Psychobilly quartet released this fine rocking album on Links Records back in very early 1989, before vanishing without a trace. A solid mixture of wild and powerful Rockabilly , awesome cover versions and varied sounds and lyrics make Dark Streets real remarkable. On a side note, front man and vocalist Dave Finnegan became a Hollywood star with the blockbuster movie The Commitments. For first impressions check out their excellent interpretation of Johnny Cynic or the band's theme Scared Stiff. Other highlights are The Untouchables, She's So Fine and Dark Streets.

Limited to 300 black copies. A few weeks ago, the first planetary defense test was successfully carried out: the Dart probe diverted the orbit of the asteroid Dimorphos. With this Nasa operation we know, once again, that when we humans play god we are unstoppable, that we are not going to become extinct like the dinosaurs as long as progress makes us move. However, while this space shock was brewing 11 million kilometers away, here, more specifically in Torelló (Barcelona), a disc was being created that is like the Trojan horse of asteroids. Sin has made a crater or is going to do so; we are talking about Meant to collide of Wud. The second album of the band arrives three years after the debut Okeanos (2019), three are also the nuclear components that currently form it (and not the five before) and, again, three are the letters with which the name of the band remains (wud), previously they were called Wood. It seems that many things have changed in three years and that's right, the group has grown while it has been reduced and this new album testifies to that. The eight songs concisely concentrate the soul of the project. Although what they continue to love is the structured edginess of math-rock, they want the work to have punk-rock and pop constantly on the horizon, which makes the computation more digestible for all kinds of ears that like sharp-guitars music. Behind the songs we find Marc Fernández, Aleix 'Jimmy' Vilarrasa and Rai Costa, three friends of Torelló who for the last, almost, two years have been carrying out the recording. A long and arduous process that has gone through different studios, such as Fontderola by Jordi Casadesús and Jordi Torrents, or Lluerna by Èric Fuentes, but above all it has been hatched in their rehearsal room where they themselves have persevered in the attack to record a good part of the instrumental. The trio's bizarre ideas have been grounded with millimeter precision, faithfully capturing the centennial hyperactivism that accompanies them wherever they go. On the one hand, the songs trot lively and directed with a hardcore soul and rounded pop, on the other, if we look a little, we notice how the details of each cut are infinite, that the structures could be applied to the Sagrada Familia, that, in definitely, there is a lot of hard work. That the process has been laborious is also noticeable in the guitarist's lyrics, words spat out with the impatience of someone who doesn't want to waste another minute in the loop of self-destructive thought. Meant to collide is a fight between the two opposite and complementary parts of oneself, and I say two to simplify. Between the adrenaline side that wants to end everything through romantic escape and the other, the one that wants to reconstruct the fragments of memory to heal from serenity. From this very personal dispute comes a more than possible collision which, deep down, is what makes the group's creative drive advance and, above all, what makes the feeling that the songs are alive because they are lived intensely. Are we talking about emotions? Yes, thank God, because there such of this on the album, all the time, even in the instrumental interludes. The dreamy piano of “Barnum’s Circus”, the spectral autotune of “Lost Stars” or the Queens-of-Stoneagian guitar solo of “Cul-de-Sac” are at the service of the emotional magma of the musicians. The influence of highly emotional groups such as Delta Sleep (the English band performed one of the most memorable concerts for the wud crew at Torelló’s Arundo Fest in 2018), Algernon Cadwallader or Faraquet is noticeable. Over the years we are discovering where exacerbated technological progress is leading us: that's right, to collapse. Meanwhile, but, this band warns us that they have already arrived there and that humanity can be taken in abundance from there, in fact, there is nothing more human than collapsing.

Bone-crushing U.S. noisecore avalanche, brand new recordings from this prolific unit terrorizing the masses since 1999! Special line-up consisting of: Isaac Horne (Mankind’s Devastation, Sulfuric Cautery), Charlie Mumma (Sewer System, Knelt Rote), John Wiese (lhd, White Gold). Grindcore From Noise: taking the band’s long-term experience in harsh noise detonation and combining it with the sickest elements of brutalizing grindcore delivered at inhuman hyperblasting speed. One sided LP with silk screened B-side.

Sidetracked: Tacoma, WA frantic powerviolence champions deliver 14 exclusive tracks (recorded in 2018) of annihilating fast hardcore to leave you completely floored and devastated. Taking the best elements of fast US hardcore and powerviolence and blending them together in a grinding cyclone of rapid tempo changes, neck breaking blasts and raging vocals. Isolation AS Cult: 180 song pulverizing noisecore hecatomb at its fiercest degradation stage. Combining the old school extremism of 7mon, Fear Of God, VNA, AxCx, Crawl Noise with Japanese filthnoisepunk influences (Gai, Confuse, Toxo-Vomit, State Children). Featuring: GTB (Cripple Bastards) / HOD (Toxic Basement Studio). Get ready for a lethal overdose of micro-song nihilism! LP with insert and bonus I.A.C. sticker

After Insanity Defense and Fatal Vision this is the 3rd chapter, in F.O.A.D.’s mission to reissue the entire Unsound Music catalog on vinyl. Long Island, NEW York Hardcore! Complete SC recordings 1982-1986 for the first time on vinyl, showing the band’s progression from rabid, frantic 2-chords HC to a more evolved, bizarre yet explosive approach.

The first vinyl edition of NYC trio Weak Signal's second album, 2022's War&War, originally issued digitally by Colonel Records. Weak Signal is Sasha Vine, Tran and Mike Bones. Ryan Sawyer plays additional percussion throughout. Sarim Al-Rawi plays additional guitar throughout. Cass McCombs plays guitar on "Spooky Feeling." Produced and Mixed by Jonathan Kreinik at Vitos Fall 2020 and Union Pool Spring 2021. Mastering and lacquers by Carl Saff. War And War is a novel by László Krasznahorkai. "crazily focused & powerful"—Jennifer Kelly, Dusted "a slyly incendiary collection wracked with rippling tension"—Raven Sings The Blues "a mesmerizingly morose journey, yet a scenic one too. Just don't whack it on the turntable when you're feeling at your most fragile."—JR Moores, The Quietus

It takes a certain special kind of band to make a perfect indie-pop song, and Kindsight are exactly that kind of band. The Danish four-piece have mastered the craft of distilling their artistic identity into sweet and scrappy songs, every note and detail carefully tailored so it all falls into place, for music that wakes warm memories and shines with daydreams about tomorrow.

Kindsight (Nina Hyldgaard Rasmussen, Søren Svensson, Anders Prip and Johannes Jacobsen) announced themselves properly in 2022 with their debut LP Swedish Punk, and promptly headed out on the road to introduce that record to the world, setting off for shows including slots at Sxsw and Roskilde Festival’s emerging talent stage. Always unwilling to rest on their laurels, the band have kept moving forward, and are now back with a new album, No Shame No Fame

Eleventh issue in a series of limited picture discs celebrating Radiation Records’ storefront in Rome, Italy for Record Store Day. For the first time available on a picture disc 7", the legendary Uk82 punk band Exploited fourth single originally released in 1981 on Secret Records.Limited to 500 copies.

This supersonic performance by The Ramones was recorded for a radio show in Buffalo, New York, on February 8, 1979, soon after brand new drummer Marky Ramone joined the band. You'll get the Ramones at the peak of their career in a full force statement.