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Breakneck Audio Level Destruction From Quarantine On Their First Full Length Release. The Demo Was A Glimmer Of Perfected Ushc Pastiche But "Agony" Pushes The Limits Of Aggression To Some Kind Of Land Speed No Man's Land Where United Mutation, Gudon, And "My America" (Fu's) Are Firing Live Ammunition Into Each Other's Boomboxes In A Bid For Hardcore Punk Long Play Supremacy. Instant Classic From A Group Of Utterly Blue Chip Musicians On The Label That Can't Be Beat. (Jonah Falco)

The Hardworking Helsinki 4-Piece Are Back With A New Ep, Which Shows The Band Experimenting With Different Sounds On Each Side Of The Record. On Side A The Band Draws Inspiration From Early Spiderleg Records Eps And Killing Joke, With Raw, Catchy Guitar Parts And Vocals Nicely Layered On Top Of A Heavy, Driving Beat. Side B Offers 3 Tracks Of Catchy Yet Relentless Hardcore Punk Where Intense Screaming, Pogo Beats And Broken-Sounding Guitars Create A Backdrop For A Great Mix Of Finnish Hardcore, Disorder And Modern Bands Like Colombia's Muro. The Lyrics Illustrate A Violent World Plunging Into Chaos At An Alarming Rate, Which Seems To Be The Case In All Parts Of The Planet In 2021. Väkivaltaa 7" Was Recorded And Mixed By The Band And Mastered By Their Trusted Engineer Jack Control At Enormous Door Mastering. The Record Comes With A Booklet-Sleeve, Lyrics And Original Artwork From Jaakko Karjula And C.S.M 101.

Chaos And Punishment Battle For Supremacy In The Battlefields Of Albion Once Again As The Unyielding Carnage Of Stingray Overloads Your Stereo And Stains Your Brain. Putrefacting Punk Gnashing Between Metal Stained Flourishes Of Hateful Competence And A Touch Of Total Rhythmic Lobotomy. Tin Savage's Fantastic Growled Vocals Trample His Unmistakable London Drawl Across The Five Muscular And Sickening Tracks, The Result Of Which Is The Musical Child Of Asid, Ent, Shok, Bgk, And A Musical Representation Of Two Skeletons Strutting Through An Alleyway On An Early 80s Chuy-Designed Agnostic Front Flyer. Boasting An A-Team Of London Punk Minds, A Real Lust For Metallic Punk A La Gbh And Enough Panache To Make An Ear Piercing Racket Sound Stylish: Stingray Are Simply On Fucking Fire. (Jonah Falco)

It's A Stark And Baron Land Out There Right Now. What We All Need Is Some Fucking Loud, Fast, Uncompromising Raw Punk To Drown Out The Constant Bullshit Being Broadcasted As 2021 Develops. Both Following Up Storming Debut Lp's With Five New Tracks Plus A Local Cover Each, Nervous Ss And Rat Cage Clash Head To Head On This 12 Song Barrage Of Hell For Leather Punk Rock. The Nervous Ss Side (Skopje) Undoubtedly Wears A Totalitär Influence On Its Sleeve, But Combine That Sweet Sound With A Complete Powerhouse Vocal Bombardment That Sets Nervous Ss A Cut Above The Rest. Flip To The Rat Cage Side (Sheffield) For A Rapid Attack Of Scandi Riffs With The Relentless Urgency We've Grown To Know And Love From The Band. The Side Ends With A U.K. Subs Cover, Clearly Displaying Rat Cage's Classic British Punk Influence. With Master Dials Set Firmly To 'Destroy Mode', This Record Will Be Your Saviour In These Dark Times. Crank It.

It's going off and The Chisel are back to cause a bit of bovver. Following a trio of explosive singles, the band finally bring us their debut full-length album, Retaliation, on the London-based punk institution La Vida Es Un Mus. Having formed in early 2020 and featuring a crew of members with long-term associations to the London punk scene, The Chisel quickly secured a reputation as one of the most exciting bands from a pool of contemporaries that includes Chubby & The Gang, Stingray and Big Cheese. Their sound is rooted firmly in Punk but with influences that run across the board to create a distinctive blend of Oi!, anarcho, UK-82 and hardcore. Retaliation is an unmistakably British record that draws a line from 1982 up to the present day, pushing its way into your collection and torching your stereo. Opening with the agitated force of 'Unlawful Execution', the tone is firmly set by a song that addresses the brutality of the Met Police ("Tell me what's the difference between right or wrong / When a copper gets to blast a lad who did nothing wrong"). 'Come See Me' is a ferocious ode to camaraderie in the face of mouthy boneheads and bellends. 'Shit Life Syndrome' is a poisoned reference to the same cynical phrase used by physicians to describe the effects of people living under poverty and in the grips of substance abuse ("How can you expect people to act nicely, they've all been left on the edge of society"). It's one of many songs influenced by singer Cal's experiences of growing up in the working-class town of Blackpool. Cal states: "Blackpool as a town is often overlooked or even looked down upon, I wanted to write lyrics which gave the people of my town a voice". With tunes like these The Chisel show that they'll never pull any punches. However, beyond the fury and the swagger there's another side that plays to an additional strength; the ability to write a memorable hook. Songs like 'Retaliation', 'Tooth & Nail' and 'Not The Only One' could be described as modern day anthems (the latter has...

Face TO Face are a rarity in the music world: A band that not only helped define a sound, but who continue to fine-tune their music with each subsequent release. This is undoubtedly true of the band’s tenth full-length No Way out but Through, a melodic-punk masterpiece teeming with blistering guitar riffs, fleetfingered basslines and vocal harmonies that are so infectious they’ll be rattling around your brain for weeks on end. Then again this should come as no surprise to anyone who has followed face to face’s 30-year history. While their sound is rooted in the West Coast punk genre they helped pioneer, No Way out but Through raises the sonic bar when it comes to songwriting, arranging and musicianship. This time around, singer/guitarist Trever Keith was able to get out of his proverbial comfort zone by renting a cabin near Malibu, California, and holed up with bassist Scott Shiflett as they transformed a collection of their respective demos and ideas into the polished recording you hear today. Production-wise, the band teamed up again with Juno Award winning producer Siegfried Meier and Davey Warsop (Foo Fighters, Green Day) and later was mixed and mastered by Jason Livermore at the legendary Blasting Room. The result is an album that’s sound quality mirrors its sonic weight and is the best-sounding face to face album to date.

Originally known as the singer, songwriter, and founder of both Lagwagon and BAD Astronaut, Joey Cape has established himself as a recognized solo artist over the past 15 years. His solo ventures have allowed him to stretch the bounds of his musical stylings, highlighting more diverse instrumentation, subdued pace, and experimental elements. The one constant, of course, is his unique ability to craft unforgettable songs. As with pretty much everyone on the planet, 2020 was a challenging year for Joey. At the onset he was going through difficult transitions on multiple fronts. Then the pandemic hits, and Joey finds himself dealing with things he had never experienced before all at once. The result is A Good Year to Forget, a record that encapsulates all the trials and tribulations of the 12 months that inspired it. Written entirely in isolation in a makeshift home recording studio at his mother’s house, Joey Cape was able to create a beautiful, warm record that captures the pure essence of its songs. Hushed and haunted, there’s an almost Nick Drakeian poignancy to these 12 songs, especially on the wistful “The Poetry in Our Mistakes” and the forlorn-yet-somehow-uplifting “Saturday Night Fever.” “Come Home,” a song inspired directly by words his mother had spoken to him on the phone, is a beautifully melancholy, slightly folky tune full of hurt and longing that also manages to be reassuring at the same time. Elsewhere, “Under the Doormat” is a harrowingly beautiful ode to a lost love of the past. “Check Your Ego at the Door” is a ballroom lament steeped in timelessness, while “Fictional” is a scornful take on the false images and lives that proliferate on social media. Despite Joey Cape’s isolation while writing A Good Year to Forget, his fans will hear much more than just a voice, guitar, and bass on this record. Indeed, he ended up playing a plethora of instruments when recording the album, including electric and lap steel guitars, piano, mandolin, and drums. Additional final flourishes were added at fellow Bad Astronaut band member Thom Flowers' studio and Sean MCCUE's Coyote Road Studios. A Good Year to Forget finds the positive in the negatives to become a record of pure triumphant beauty.

Wut Cruise With An Hc Style That Is Either Slow Or Moderate But Emits Incredibily Quick Thrash Breaks To Increase Power And Interest. Politically Lyrics Combine In These Moments Of Instrumental Anger. A Very Nicely 3-Panel Digipac With The Lyrics, Old And Previously Unpublished Picture Complete This Publication.

Maladia "Sacred Fires" 12"Ep Stands On An Abyss Made Of The Hiss And Fog Of A Thousand Generated Cassette Demos And The Murky Despair Of Damaged Electronics And Overloaded Amplifiers. Equal Doses Of Raw Punk From The Southern Hemisphere And 80s European Hc Punk Influences Mingle With Harrowing And Desperate Vocal Cries, Echoing Rudimentary Peni And Nerorgasmo As If Both Bands Were Hanging Out In The Back Seat Of A Tour Van Listening To Antisect On A Boombox. Recorded In A Pre-Fire Fuzzbrain Studios In Oppressive Mid Summer Heat, This Will Tear Your Turntable Up! (Jonah Falco) Credits

Nyc's Porvenir Oscuro Are Back With Their First Full Length After A Very Distant Demo And 7". Made Up Of 13 Tracks "Asquerosa Humanidad" Doesn't Let The Foot Off The Gas For A Second. It Is Relentless Pogo Inducing Attack That Falls Somewhere Between Fertil Miseria, Rip And Early Chaos Uk. With Tunes Full Of Aggression, Melody And Fuzz In Equal Measure, Laying The Foundation For Vocalist Sara To Spit Her Vile. Lyrically The Album Deals With Modern Day Frustration, Showing Little Faith In Humankind And A Massive Dis-Respect Towards Authority Like Any Self Respecting Person Should. While Stand Firmly In The Punk Terrain Porvenir Oscuro Borrows From The Rich Worldwide Sounds Of The Underground Delivering A Fully Formed Sound And Aesthetic Which Is Their Own. "Asquerosa Humanidad" Sleeve, Labels And Double Sided A2 Poster Were Designed By Guitarrist Gage Allison And Was Recorded, Mixed And Mastered By Sasha Stroud At Artifact Audio. Credits

Orange vinyl

BARRERA follows up the NUEVO SONIDO BALEAR path started by ORDEN MUNDIAL, POU and PENA MAXIMA with a debut release filled to the rim with lust, sex, power and distortion. Their songs are slow and acidic, with a tortured tone that would make GLOOM or BRAINBOMBS cry. The seven songs on "Visiones Nocturnas" are themed around the death of romantic love and are not afraid to look at the darkest side of life with a nihilistic conviction. Musically the record follows the path laid by STICKMEN WITH RAYGUNS or FLIPPER but are firmly rooted in Spanish Punk with DESECHABLES as a clear point of reference, both aesthetically and sonically. Although BARRERA occupy their own space with a sound that is clearly their own nightmare. Recorded and mixed by Chano Morales at Impala Uno Studio, Mallorca. Mastered by Shigenori Kobayashi at Noise Room, Tokyo. Artwork by Barrera.

What if the Velvet Underground had written ‘Wooly Bully’ and Sam The Sham ‘Sister Ray?' If Ron House picked up some bongos and joined CCR or if Half Japanese and Hasil Adkins started a Meters cover band? This is the scrap yard of the Retail SIMP's mind. Gang activity started when moldy JOE (Celluloid Lunch, Itchy SELF...) enlisted fellow rhythm bro, TOM THA Moleanderthal (feeling Figures, Hélène Barbier band...) to make a perfect record in the Ides of corona March. A million Doll hairs and several rock bottoms later, the idea was to make something that would easily fall apart, this was executed with Montreal's best and brightest in the wings, lending a foot (all in the name of bogtime[sic] exposure). Bathroom-stall-wart and Barstool-smart Chrispy Burns (terminal Sunglasses, American Devices…) was brought in to add his patented 'racket roll' guit-o-rama. James "gogo" Goddard (skintone, Egyptian Cotton ARKESTRA...) skronked his reliable sax machine and the ticket was printed. Short on practice and high on ideas, thee Retail Simple Tones were born, well traveled and unraveled individuals, bound by a musical adventure. Now to show for it, Reverberant Scratch is a 9 track ruckus of tinny guitar sketching, horn-honking deliberations, keyboardarific doodles, and whatever else one can summon in a basement to bang on. It's a ramshackle party stabber. Loose, loud, and 100% Total Punk!!!

Limited record store day edition on picture disc, hand-numbered out of 500 copies, available at our store and through very selected indie distributors only.

Ninth issue in a series of limited picture discs celebrating Radiation Records’ storefront in Rome, Italy for Record Store Day. This is a nice little collectible featuring the most sinful punk band ever, ladies and gentlemen: THE Nuns! Side A: Do You Want Me On My Knees? with Josey Cotton on backing vocals and Geza X on guitar. Recorded at CD Presents, San Francisco, 1993. Side B: You're The Enemy recorded at Laughing Tiger, San Anselmo, 1994. Jeff Olener: Vocals; Jennifer Miro: Vocals and Pipe Organ; Brett Domrose: Guitar; Jeff Rosen: Drums; Tommy King: Bass. Licensed from Robbie S. Fields / Posh Boy Records.

Editrix is as if you took music that is borderline classical in its crystalline perfection and obsessive attention to detail, and then played it through Kurt Cobain's Rat pedal, with not a shred of piety or decorum. From the first slide guitar notes of the opening title track, this is doom-laden nihilism lovingly decorated in heart stickers. It is caring, pretending not to care, resisting the emotive signals so abused in mainstream, which is what tells you that it really does care. It is sweet and sour and spicy and salty and bitter and umami, and cooked using only homegrown local ingredients. It is the synthesis of the dialectic and the clarion call of the proletarian revolution. - Greg Saunier (Deerhoof)

Everyone’s favorite (and only existing) punk rock all-star cover band ME First AND THE Gimme GimmeS are back with their latest offering, Go Down Under. Instead of enhancing (or disgracing, depending on who you ask) one specific genre of music, as is their typical approach, this time they’ve decided to take on the music of an entire continent. As you may have guessed from the album’s title, Australia is the lucky recipient of the Gimmes latest musical makeover. Crikey! Five tracks from proud Aussies the likes of Inxs, Olivia Newton-John, and Air Supply, are belted out with the boisterous fun-loving style that only the Gimmes know how to pull off. Didgeridoos be damned, these tunes are all brimming with ripping guitar leads, up-tempo rhythms, and the signature silky smooth vocals of Spike Slawson. Go Down Under is their first newly recorded material since 2006 and from the opening riff it’s blatantly clear the guys haven’t lost a step. Just to add to the excitement, the vinyl version of the album is available for the first time on 10- inch vinyl! Originally released as a double 7”.

Garbage Punk From Bern/Switzerland, three Anti-chord chainsaw punk rockers that makes you wanna kick your boss in the balls and piss on a cop's car. Sounds like an disturbed Oi!-Band covering Blues and Garage Punk Nuggets from the mid 60's whilst looking like crap! - Three Chord Simple As Fuck Chainsaw Massacre Fast Teen Punk from Bern/CH, their second Voodoo Rhythm Album. After i Hope You OD in 2018, they went back to the Swamp Lands Studios with Lo Spider and this time as well to Shirts off Studios in Switzerland for a couple tracks, and we have 17!!!! songs on a long player .. absolutely short killers, for the most between 1 and 3 minutes. Switzerland's not a place for UNDERGROUND music you may think, but we'll show you differently. Switzerland had the most powerful banks in the world, inventors of the RED CROSS but export weapons to war zones, the richest people in the world live here .. so you can say that Switzerland is the only country in the world where it is legitimate to form a punk rock band to make up for it, from Bern and surrounding areas come the probably craziest and most underrated bands in Switzerland (Grauzone, The Monsters, Lightning Beat -Man, Glueams, Eigernordwand, Omni Selassi, Pig Sweat, Nasty Rumers etc) We are very proud to present to you the new generation in Swiss Underground Music and here we go with the one and only Bad Mojos 2nd full length album - LP + Free Download Card + Inlayposter Booklet + Free Brainfuck, CD comes in double gatefold jacket incl 12 side booklett (no plastic exept for the CD itself) - "Buzzsaw, three-chord punk rock that's highly reminiscent to what The Spits and The Ramones have cut a career doing.Basic. Raw. Unhinged. Mongoloid Rock." (New Noise USA) -"Fast paced, yet efficient, this is one of the best straight-forward punk records I've heard in a very, very long time. Riffs, riffs and more riffs." (Heatwave USA) -"Ultra tight and melodic 77' punk rock with lotsa feedback." (OX Germany)

5th highly anticipated album by the Italian Streetpunk heroes from the outskirts of Rome, and first album after the departure, in 2018, of the original bass palyer Path. Featuring instant classics like “Tutto Sbagliato” , “Maledetta Domenica” , “Rimane Una Canzone” dedicated to the memory of Sigaro from Banda Bassotti, “Passerà” , “Giovani Per Sempre” and “Un Battito Ancora”.

Raw, uncompromised nihilism from Chile's premier fuzzed out hardcore punks! After multiple cassette only releases and 2 x 7"s here's their first time on 12".. 13 tracks of snotty angry punk blending the simplistic in-your-face aggression of typical Latino-American taste with a noisy distorted approach recalling 80's Japanese and British classics (Gai, Confuse, Chaos UK, Disorder). Ignorantes stands above as one of the current gems of punk, their sound and attitude are totally spontaneous and out of the guts, without any ambition or intention. Quoting the singer Gabriel: "In the beginning we didn't even try to go out and play. The idea was just to record once and that was it. Then we enjoyed the process of recording six or eight songs and that's how it all started." LP with large 6-panel foldout insert and lyric sheet.

Solid black vinyl version (180 grams) limited to 200 copies. "Varukers and Discharge main-men go head to head!!". Pounding, metallic Dis-charged Hardcore delivered by two timeless giants that wrote the history of British Punk: Tezz (Discharge, Broken Bones, Battalion Of Saints and more) & RAT (Varukers, Discharge, The Vile and more)!! And of course you get the best elements from the 40+ years experience of these two iconic characters: taking the Punk Rock blue print ingrained in their souls and adding a touch of the thrashing vibe that has always distinguished Tezz's song-writing and the perfect Metal/Punk crossovering of Broken Bones, the 4 brand new studio anthems included here are ready to hit your teeth like a pickaxe! One sided LP (180 grams) with silk screened art on B-side. Includes insert

Solid black vinyl limited to 200 copies. ...another sonic bestiality forged in the violent streets of Medellin, Colombia in the 80's!! Formed in 1984 by vocalist Carlos Mario Montoya “El vikingo” (also member of Nekromantie) who was assassinated in 1988, Sacrilegio were undoubtedly one of the most important names in the early Ultra Metal scene of the Antioquian region. Quoting the biography included in this anthology: "They were influenced by Metal/Hardcore classics of the time, such as Parabellum, Hellhammer, Slayer and Snobb Slakt (Swedish Hardcore)". This gives a better idea of their style, a primitive and rough crossover of early day death/thrash with a touch of 80's hardcore in the crudest form. In the works for more than 4 years, "Podredumbre 1986-1988" is the most exhaustive collection of all their existing recordings, assembled under supervision of the band's late guitarist Antonio Guerrero (also founder of Agressor and Masacre). 10 songs consisting of: audition session for "Rodrigo D. No futuro" and demo 1986-1987, final recording for the soundtrack of "Rodrigo D. No futuro" (1988), live at Acción Comunal del barrio Alfonso López Castilla, 1987. As explained in the band history, Sacrilegio's anthem "Podredumbre" was only included in the soundtrack of the movie "Rodrigo D." but not on the 1990's compilation LP featuring most of the bands that were invited to take part to that project. This LP come with 12 page booklet full of never seen before photos, flyers and an interesting biography written with the help of Antonio Guerrero. An absolute must have for fans of the most infernal South American death thrash and raw, unpolished 80's metal punk in general!

French label Kakakids presents the second album by Rome, Italy electro/synth-Punk starlette Maria Violenza. First run of 500 copies on Black Vinyl.

"Capelli di Caténe" evokes the heavy, beautiful but cumbersome things that we would like to get rid of. Like its title, this new LP intertwines the animosity of one track, with the melancholy or the threats of another track. An attachment that hurts tenderly.

The atmosphere of the album smacks of the Sabbath, of a heart torn violently and offered with generosity on the altar of galley, which reminds everyone that fate has a melody. Haunting and familiar, like Cristina's music.

Three years have passed since her debut album “Scirocco“, during which Maria Violenza did a split with Usé, another with Noir Boy George, as well as several projects as varied as his influences.

Hardcore but born from punk. Lab grown and hidden away in the rust belt of Buffalo, NY is John TOOHILL's ever evolving solo project Science MAN. Now mutated from a wacked-out, solo garage punk experiment into a full band of mouth foaming, deranged hardcore. Science Man's now third LP, Nines Mecca, is ten songs of blistering punk, super charged with the complex pummeling of an enigmatic, genre-bending hardcore band. "...some kind of mix of Warthog and the Stooges"—No Echo

THE Owners are a band from Washington DC, featuring Dante and Catherine Ferrando, Alec Budd and Laura Harris. Over the years, they have played in bands ranging from Iron Cross, Gray Matter, THE Shirks and EX HEX. Their first full-length is a split between Red Room Records and Dischord.

A deranged cacophony straight out of London, England. On their debut, self-titled release, VIOLIN blend elements of Swedish masters TOTALITÄR and HEADCLEANERS with the muscle and swagger of Boston 82 and the panicked power of NYHC in the mid 80s. The end result is a Mind numbingly fast and concise pure hardcore punk that is all together contemporary, edging in at times on the learned idiocy of Toronto's S.H.I.T. VIOLIN is the brainchild of Lindsay Corstorphine (SAUNA YOUTH, MONOTONY, PRIMITIVE PARTS etc) who has written, mixed and recorded everything on this stellar release, with the exception of the drums, here carried out by the inimitable Jonah Falco of FUCKED UP fame. Pinning Falco's drumming to Corstorphine's vision has nailed a sound which is at once huge and perfectly audible, whilst remaining brutal and ugly in tone. There are moments of genuine innovation on display as is evident on the track 'Empty Mind' which begins with discordant noise, before building from a mid-paced swing into frantic lunacy, and then introducing a harrowing and unexpected synthesiser. The stark black and white artwork, carried out by Daniel David Freeman, provides a perfectly abstract and menacing back drop to this slab of primitive hardcore.

Out of the smoke of the pandemic, Intoxicated return with a renewed energy in the form of their debut full length, Watch You Burn. Recorded at Morbid Angel's old rehearsal studio in Tampa that Intoxicated literally rehabbed and converted into a state-of-the-art studio for renown producer, Ryan Boesch (Foo Fighters, Whores, Helmet, Melvins, Andrew WK), now known as Candor Recording, Watch You Burn is a product of a band on a mission who's Florida roots are worn proudly on their sleeves. While you can hear traces of Obituary, Massacre, and Chuck Schuldiner sprinkled all over the album, Intoxicated offer much more than shades of death. There is a heavy crossover vibe present ala D.R.I. or early C.O.C., as well as some Skate Punk /Thrash like the early Venice Beach bands. In addition, there are moments you'll swear you heard a Matt Pike riff or something out of the Nola playbook. With guest spots courtesy of friends Tony Foresta of Municipal Waste and Ken Andrews of Obituary, Watch You Burn is a bonafide rager! Intoxicated took little time off during the pandemic, adding a new guitarist, John Sutton, who is no stranger to the Florida metal scene having spent time with 90's act Pain Principle. In the last 6 months alone, Intoxicated have supported Obituary, Massacre, Nasty Savage, Gruesome, D.R.I., The Casualties, Inhuman Condition and High Reeper. With Andrew WK's disappearance leaving Erik Payne and Gregg Roberts to their own devices, Intoxicated have certainly taken a front seat and there is no sign of slowing down - the band have the pedal to the floor and plan to be out supporting the album all Summer. You can catch them this Summer supporting Obituary and Municipal Waste on select dates as well as Into the Darkness Fest and Full Terror Assault Open Air!