Search "sergie razza" 451 Items

Real Steel Volume 2 — Rare 7" singles from the 80s U.S. Metal Underground. Even more stupidly rare Metal, all sourced from self-released USA singles, with this second volume all from the 1980s. Even more production technique gets thrown at these 45s, so they all totally shred. Some of the best metal vinyl from this decade, and totally obscure until now. If you care at all about your Metal Health, you'll keep this fucker on repeat.

Real Steel Volume 1 - Rare 7" singles from the 70s-80s U.S. Hard Rock and Metal Underground. Insanely rare independently released USA metal 45s, many of them completely unknown, all dating from the late 70s and early 80s. This is metal kiddos, not biker rock or psych rock. Metal Metal Metal. These bands are not fucking around, they were thee legit best band in their stupid little burg back then, they totally knew it, and now they are finally busting out all over your face. Eat it and weep. Limited edition, hand-numbered and stickered “preview” version.

Univers Zero's new album (since 10 years) follows the lineage of 'Phosphorescent Dreams', originally released only on CD in Japan in 2014, and reissued as an LP on the Sub Rosa label in 2019. Lueur is the fruit of two years' work and reflection, the foundations of which were laid by Daniel Denis (keyboards, drums, percussion...), then enriched by the contributions of Nicolas Dechêne (guitars), Kurt Budé (clarinet / bass clarinet) and Nicolas Denis (bass, percussion, vocals), all three present on Phosphorescent Dreams.

With this reduced line-up, Lueur offers a dense journey, rooted in the balance between power and calm, raging and serene sound. A balance, too, between complex arrangements and more contemplative moments. While this album continues the avant-rock tradition of Univers Zero, it also features some very short pieces, more electronic, tribal and haunting sounds, and voice work that is new to the U.Z. universe. Between tradition and subtle evolution, Lueur is a major new contribution to the discography of this band, which will be celebrating its fiftieth anniversary in 2024.

Univers Zero represents one of the longest-living bands in Belgium. It was established in 1974. Drummer Daniel Denis had the brilliant idea to gather together a team of professionals sharing the same taste for music. The band has adopted an instrumental progressive style. Over the last couple of decades, the band has also implemented a series of influences from chamber music - most commonly, chamber music from the 20th century. Even if the line-up changes a lot over the years, the overall sound of UZ remained fairly consistent.

First time vinyl reissue of Univers Zero's legendary Crawling Wind, originally released in 1981 on the Japanese 'Chaos International Series' label, with the original cover artwork has been beautifully redesigned by Thierry Moreau.

Toujours Plus à l'Est, as the title suggests, is heavily influenced by the traditional music of Eastern Europe, particularly Bulgaria., and paying tribute to the iconic catchphrase of Professor Calculus (Tournesol), the character from the Belgian comic series Tintin. Before The Heat, played live a few times, is an ambient composition by Andy Kirk, who is part of the EP's lineup alongside Daniel Denis, Guy Segers, Alan Ward, and Dirk Descheemaeker. Central Belgium in the Dark is a live improvisation from a period when Univers Zéro dedicated part of their concerts to complete improvisation. What makes this recording unique is that one of Andy Kirk's effects pedals picked up and emitted the sound of a mysterious radio signal, seemingly coming from "nowhere," especially noticeable at the end of the piece. The title of this improv is a nod to contemporary composer Charles Ives' work Central Park in the Dark. Central Belgium refers to the concert venue where the piece was recorded (Haine-St-Pierre).

Univers Zero represents one of the longest-living bands in Belgium. It was established in 1974. Drummer Daniel Denis had the brilliant idea to gather together a team of professionals sharing the same taste for music. The band has adopted an instrumental progressive style. Over the last couple of decades, the band has also implemented a series of influences from chamber music - most commonly, chamber music from the 20th century. Even if the line-up changes a lot over the years, the overall sound of UZ remained fairly consistent.

Third album (1981) by the Belgian band Univers Zero. The title alludes to the short story of the same name by H.P. Lovecraft; the players read the story in studio, then proceeded to record the piece. A key release for the band. »Ceux du Dehors« sometimes suggests a darker and more complex version of the motorik minimalism of classical music contemporaries Philip Glass and Steve Reich.

The cover has small seam split.

2022 Coloured Vinyl repress.

Everybody knows that the Devil has all the best tunes. From Robert Johnson selling his soul at the crossroads to the blood-soaked black metal of Norway, Satan has long loomed large over the music world, striking fear into the hearts of the sanctimonious. But nothing that has gone before will prepare you for the arrival of Twin Temple: Los Angeles’ one and only purveyors of Satanic Doo-Wop. Devout Satanists and meticulous preservers of rock’n’roll’s ancient, timeless spirit, this black-clad and effortlessly stylish duo have created a sound that blends their Satanic ideology with the irresistible sass and melody of classic ‘50s and ‘60s rock ‘n’roll. The result is Twin Temple (Bring You Their Signature Sound...Satanic Doo-Wop), a debut album that not only serves to salute the Dark One, but also delivers some of the catchiest and coolest music to emerge from any genre in years.

RSD First

Academy Award®-winning composers Trent Reznor and Atticus Ross’ original score for Luca Guadagnino’s Challengers, remixed and reworked by DJ & producer Boys Noize. Pressed on 180g Transparent Neon Tennis Ball Yellow vinyl, the club-ready remix album features nine tracks from the film’s propulsive, techno-driven score, each deconstructed and subsequently reimagined by Boys Noize, who was hand-selected by the duo to re-envision the score as a continuous DJ set. Available for the first time on vinyl for RSD Black Friday 2024.

Toilet Rats IV is the new release from Minneapolis, MN synth-punk act Toilet Rats. As the name suggests, it's a little grimey, energetic, tenacious, and oddly entertaining. Tommy Ratz (aka Thomas Rehbein) combines a variety of musical influences ranging from Jawbreaker, DEVO, Nine Inch Nails, Jawbox, Depeche Mode, Ennio Morricone, Lard, Run DMC, Ramones, Powerplant, and other random stuff with lyrics primarily inspired by vintage horror and sci-fi movies to create a succinct rock album that, though well produced, never takes itself too seriously. It's as if Ratz (aka Rehbein) took a time machine and made a mixtape from 1987 combining his favorite sounds and VHS rentals from that era. "Carol Kane" references fright flick When A Stranger Calls, "Walk The Earth" recalls zombies, shopping malls, and helicopters, "Larva" is a nod to Al Jourgenson's dancey thrash side projects, and "Oskar and Eli" recalls a coming of age vampire story.

There’s no stopping the froggies from hopping”. Tia Rosa’s psychic elevator goes up to Misterio Lounge 3000, the palace of their self described Electronic Frog Pop. In late 2021, Sam Ortiz (Cáustica Espástica), JJ (Vats) and Gabriel Guiterrez (Lysol, American Nudism, Vats) got together, adopting the popular brand of pre-packaged pan dulce Tia Rosa as their band name. Following a string of self released cassettes and domestic tours in 2022 they spent most of last year recording these eight tracks between their homes in colonia Asturias and colonia Navarte, Mexico City.

Misterio Lounge 3000 reaches behind the mirror, charming the sinister 80’s minimal electronic/post punk of Algebra Suicide onto programmed latin rhythms and experimental/new age soundscapes common in 70’s cosmic music. There’s lots of room to groove here and each track feels like a new stop down an expansive astral hallway. 'Kelly' drives close with its crunchy guitar and radio interference, “Elevador Síquico” captures the sway of joyous pixelated flowers. 'Glass Frog' begins with sampled frogs and ends in a delightful psychedelic freakout. 'La Oscuridad' and 'Floating Hour' build on the mysterious lounge feel with their respective smooth flute and sax solos.

From start to finish Misterio bounces softly like a Miró painting come to life. Mutant elevator music for obscure prophets, flute lovers and froggy dancers alike. A freakadelic electro oddity for the ages. It’s the new strange sensation and it’s happening now. Frog pop is here. Tia Rosa has delivered."

Copy close to VG+

Tokyo-based high-speed punk band “(The) Segare Kids” is releasing its first nationally distributed 7-inch analog record! Punk band (The) SegareKIDS formed in 2021. The first nationally distributed and first 7inch analog record, named “speed FREAK.ep”! The dizzying speed of the spinning record and the sound of the more-than-necessary slide guitar and high-tension vocals will surely accelerate the listener's heart rate!