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There is no brash egotism at play here, just a rough-and-ready honesty which permeates in what these three guys do. Their songs haven't washed in weeks, far too busy spinning crackling Budgie vinyls, knackered Motörhead live albums played at a sluggish RPM, and snorting self-inflammatories to do anything hygienic.

White With Black Splatter

White vinyl. Unnumbered copy.

Limited pink colored vinyl LP pressing.

Vinyl is close to NM.

A Mix Of Punk, Synth-Pop And Electronica, Neon Lights, Distorted Bass And Liberating Screams.The Ironic, Dadaist And Nonsense Approach Of The First Album Is Well Preserved But With Refrigerator, The Band Have Taken A Deep Dive Into Experimentation With Analog Synthesizers And Drum Machines - Modelling A More Defined Sound By Uniting The Punk Soul Of Their Past With More Varied And Articulated Songwriting.For Fans Of New Wavefor Fans Of Synth Punkfor Fans Of Electroclash

Just when we were about to release Airbag co-founder, songwriter and lead guitarist Bjørn Riis fourth solo album, “Everything to Everyone”, he approached us with an idea for a new mini album. With “A Fleeting Glimpse”, Bjørn Riis has let his inspiration from Pink Floyd really come forth. Here he offers four new songs just under 30 minutes, where you can really cherry pick the Pink Floyd references throughout the listen. Riis even got Durga McBroom, one of Pink Floyd’s backup singers during the 80s and 90s, to do guest vocals on one of the tracks. This time, the music was recorded at Double Decker Studios, Oslo (Pymlico) and Riis Studio, Oslo. It was mixed at Subsonic Studio by long-time collaborator Vegard Kleftås Sleipnes, and it was mastered by Jacob Holm-Lupo (White Willow, The Opium Cartel). In addition to Bjørn Riis on vocals, guitars, bass and keyboards, the album features Arild Brøter (Pymlico), Øyvind Brøter (Pymlico), Per Øydir, Durga McBroom and Mimmi Tamba.

Airbag co-founder, songwriter and lead guitarist, Bjørn Riis is ready with a new studio album titled “Everything to Everyone”, his fourth full length solo record. Six epic new songs, clocking in at 50 minutes. The album was recorded in Subsonic Society in Oslo, mixed by long-time collaborator Vegard Kleftås Sleipnes, and mastered by Jacob Holm-Lupo (White Willow, The Opium Cartel). In addition to Bjørn Riis on vocals, guitars and a wide variety of instruments, the album features Henrik Bergan Fossum (Airbag), Kristian Hultgren (Wobbler), Simen Valldal Johannessen (Oak), Ole Michael Bjørndal (Caligonaut), Mimmi Tamba, Per Øydir, Vegard Kleftås Sleipnes and Anders Møller.

Airbag co-founder, songwriter and lead guitarist, Bjørn Riis is ready with a new studio album titled “Everything to Everyone”, his fourth full length solo record. Six epic new songs, clocking in at 50 minutes. The album was recorded in Subsonic Society in Oslo, mixed by long-time collaborator Vegard Kleftås Sleipnes, and mastered by Jacob Holm-Lupo (White Willow, The Opium Cartel). In addition to Bjørn Riis on vocals, guitars and a wide variety of instruments, the album features Henrik Bergan Fossum (Airbag), Kristian Hultgren (Wobbler), Simen Valldal Johannessen (Oak), Ole Michael Bjørndal (Caligonaut), Mimmi Tamba, Per Øydir, Vegard Kleftås Sleipnes and Anders Møller.

Limited edition repress on white vinyl for the debut Bjørn Riis solo album "Lullabies in a Car Crash". The album was very much a personal statement, with lyrics dealing with fear of abandonment, alienation and loss. It’s also homage to many of Bjørn’s musical influences. Bjørn is one of the founding members, the lead guitarist and main songwriter of the highly successful Norwegian band Airbag. Their releases have all received great reviews worldwide and all become favourites among fans all over the globe. "Lullabies in a Car Crash" features six songs with a coherent and thematical composition. Bjørn’s soulful guitar playing and low-key vocals creates a rich listening experience. Although Bjørn as a guitarist have developed his own sound with a unique tone and his own technique over the years, the playing and tone are reminiscent of David Gilmour, Steven Rothery and Steven Wilson. As a singer, this is the first time he takes the lead, normally doing the backing vocals in Airbag. In addition to playing with Airbag, Bjørn is a highly respected guitarist within the guitar community, where he has a huge fan base. His guitar page “Gilmourish.com” has more than 40 million hits in total and an average of 150000 hits every week. "Lullabies in a Car Crash" features Airbag’s Henrik Fossum on drums and Asle Tostrup providing loops and effects. Long-time Airbag collaborator Vegard Sleipnes has co-produced the album together with Bjørn. The album is mastered by Jamie Gomez (Orgone Studio).

Nashville’s Caitlin Rose will celebrate the 10-year anniversary of her debut album ‘Own Side Now’ with a deluxe, fully remastered version of the record, due out on Cloudy Clear vinyl with Bonus 7” October 1. Rose released ‘Own Side Now’ in 2011 to instant acclaim from critics, who praised her crystal-clear vocals and her ingenious lyricism - equal parts heartbroken and defiant - and compared her to her musician heroes Stevie Nicks and Linda Rondstadt. The album also features two unreleased bonus tracks - “Only Lies” and “Whatchoo”.

Red Vinyl.

Cover as new with slightly dented corners.
Includes original insert.
Record is close to VG+.

The time is now for Caroline Rose. Her last record, Superstar, was released on March 6, 2020. The record was critically acclaimed and positioned Rose as the next big breakthrough in music. Needless to say, the resulting pandemic grinded all momentum to a halt while at the same time throwing Rose’s personal life into turmoil. The result of that turmoil is the fuel that fired the creation of her latest album, The Art of Forgetting. With The Art of Forgetting, Rose took on the dual role of writer and producer. The album encapsulates the feeling of experiencing recent memories, having them turn into old ones and then ultimately forgetting those memories altogether. There is a romantic nature within the sonic landscape of this record. Tape effects and loops emulate the feeling of aging while the juxtaposition of modern acoustic-electronic textures, like lo-fi tape next to hi-fi granular synths result in some of her most mature and honest work to date.

The time is now for Caroline Rose. Her last record, Superstar, was released on March 6, 2020. The record was critically acclaimed and positioned Rose as the next big breakthrough in music. Needless to say, the resulting pandemic grinded all momentum to a halt while at the same time throwing Rose’s personal life into turmoil. The result of that turmoil is the fuel that fired the creation of her latest album, The Art of Forgetting. With The Art of Forgetting, Rose took on the dual role of writer and producer. The album encapsulates the feeling of experiencing recent memories, having them turn into old ones and then ultimately forgetting those memories altogether. There is a romantic nature within the sonic landscape of this record. Tape effects and loops emulate the feeling of aging while the juxtaposition of modern acoustic-electronic textures, like lo-fi tape next to hi-fi granular synths result in some of her most mature and honest work to date.