Search "A.G.+Get+dirty+Radio" 196 Items

A. G. Cook’s debut, 7-disc, 49-track album, painstakingly refined to 21 tracks. Limited edition 280g Silver Vinyl. No secret tracks.

Double LP, 12” Vinyl Records (140g, Silver) Gatefold Pantone 877c Silver, Matte Flood, Spot High Gloss Full Colour Inner Sleeves 24x36” Double-Sided Poster Insert, Cmyk & Pantone 877c Silver with Spot High Gloss

Legendary 90's New York City sonic swamp blues band, The Chrome Cranks formed by:- Peter Aaron- William Weber (G.G. Allin & the Murder Junkies)- Jerry Teel (Honeymoon Killers, Boss Hog, Jerry Teel and the Big City Stompers)- Bob Bert (Sonic Youth, Pussy Galore, Five Dollar Priest)In 1994 they got into the studio at WMBR in Boston and came out with this 10 track recording, by far their most brutal, loudest, sonic, earbleeding and intense act released up to date.Proudly released by Bang! Records on vinyl with awesome artwork and pictures previously unreleased.

Elektro-Punk von Jan Müller (Tocotronic, Dirts Dishes), Rasmus Engler (Herrenmagazin, Dirty Dishes, u.a.), Thies Mynther (Stella, Superpunk), Julia Wilton (Pop Tarts) u.a.

Twenty years after the Beastie Boys first said "Hello Nasty" to the world, D.A. Stern and Jacuzzi Boys are teaming up to celebrate its birthday in the form of a split 7 of covers brought to you by Slumberland Records. Focusing on two fan-favorite deep cuts, the three JBs and one D.A. chose songs that showcase the Beasties unique versatility while offering messages of mindfulness, emblematic of their later career. Song For the Man, a Horovitz-penned feminist anthem originally steeped in Sixties psychedelia now sees a garage treatment that only Jacuzzi Boys could deliver while I Dont Know, once an Adam Yauch bossa nova standout, gets the D.A. Stern treatment replete with jangly guitars and sun-drenched backing vocals supplied by Felicia Douglass (Dirty Projectors, Ava Luna). The Beasties were about a lot more than just fighting for your right to party, and this great single is a fitting tribute to their depth in miniature form.

Chainsaw Massacre Garage Dirty Rock'n'Roll Ultra Trash Punkfrom Bern Switzerland, incl. Blow Um Mau Mau and disturbingScorpions cover version of: Speedy's comingBeat-Man: "1986 Bern- SWITZERLAND, THE MONSTERS where Founded 2011 their new Album (8th full lenght ) POP UP YOUR is Born, started as a Mixture of ROCKABILLY and GARAGE PUNK, the Monsters transformed themselfs into Real Trash-Monsters, the Music is straped down to a Minimum, One Guitar ,Bass and TWO DRUMS thats the Monsters, Ultra Simpel Lyrics most time just one line for a Song thats enough and with the Power of a Jumbo Jet they get in your ears and destroy your Brain in No Time in 1986 they got inspired by music made in 1956, today they landed in 1974 when Blues Punk Was Born, Bands Like AC/DC, TEN YEARS AFTER, THE RAMONES with a Twist of their own CHAINSAW MASSACRE GARAGE TRASH PUNK the Monsters cals ther Music POP UP YOURS we call it TRAAAASSSHH !!! extraordinary SHARP VOCALS super Raw Simpel straight Guitar Stupid One Tone stomache cruching Bass and 2 Drummers that makes every Dead Person Freaking out and Dance. I WANT YOU is a love song that is so straigt and Loud that it Hurts and comes comes direct to the point, MORE YOU TALK LESS I HERE YOU another ONE RIFF SONG that uses the Refrain trou the whole song, Most Songs are recorded at Italys OUTSIDEINSIDE STUDIO and mixed by Nene, Guz and Pumi some of the songs ( the real TRASH ones are recorded by the band ist self at their own JESUS LOVES YOU STUDIOS by Beat-Man. The only cover version on that album is From Germany's Kraut Rock Legends THE SCORPIONS with SPEEDY'S COMING from their 1974 album FLY TO THE RAINBOW ... so welcom to the world of the Monsters SIMPEL RAW ONE RIFF TRASH ROCK"

“Out Of Time” is considered to be one of the most important albums ever of R.E.M. With tracks like "Losing My Religion", "Shiny Happy People" and "Radio Song" it became a classic in the history of music. According to the 25th anniversary of this record the album gets an official reissue.

Initial Lp Copies On Clear With Aluminium High Melt Vinyl!Follow-Up To Lala Lala's Acclaimed 2018 Sophomore Album, The Lamb, Which Pitchfork Called "A Major Leap Musically And An Unflinching Reflection On The Courage Of Rejecting Easy Comforts."Co-Produced By Lillie West Of Lala Lala And Yoni Wolf Of Why?. Features Contributions From Ben Gibbard (Death Cab For Cutie / The Postal Service), Nnamdi Ogbonnaya, Poet Kara Jackson, Ohmme, Adam Schatz Of Landlady, Sen Morimoto, Christian Lee Hutson, And Kaina Castillo."I Want Total Freedom, Total Possibility, Total Acceptance. I Want To Fall In Love With The Rock." That's How Lillie West Describes The Theme Of "Diver," The Song She Calls The Thesis Of Lala Lala's Third Record, I Want The Door To Open. The Rock In Question Is A Reference To Sisyphus, The Mythical Figure Doomed By The Gods To Forever Push A Boulder Up From The Depths Of Hell. To West, It Is The Perfect Metaphor For, In Her Words, "The Labor Of Living, Of Figuring Out Who You Are, What's Wrong With You, What's Right With You."Coming Off Of 2018's Acclaimed The Lamb, An Introspective Indie Rock Album Recorded Live With A Th...

Set sail with the third installment of Numero's ode to regional radio surveys. Broadcasting 44 minutes of uninterrupted yacht, easy-glide, AOR, and blue-eyed disco that'll rock your boat. These 13 selections are anchored in the deep blue waters of the American private press_a life preserver for any BBQ, birthday party, or bris. Let W3NG be the sonic wind at your back.

Set sail with the third installment of Numero's ode to regional radio surveys. Broadcasting 44 minutes of uninterrupted yacht, easy-glide, AOR, and blue-eyed disco that'll rock your boat. These 13 selections are anchored in the deep blue waters of the American private press_a life preserver for any BBQ, birthday party, or bris. Let W3NG be the sonic wind at your back.

Discos Transgénero presents the first ever compilation of How To Get Rich In Rotterdam, Oefening Kunstbaardt and D.A.P.A. These were projects of Chris Lindquist and Paul Stoute with the collaboration of Linda Lindquist, all of whom were based in Rotterdam in the early ‘80s. How To Get Rich In Rotterdam was a group formed by Chris Lindquist and Paul Stoute, releasing only one self-titled seven inch. This single was a very limited edition with two different covers. Johan Kugelberg selected HTGRIR for his Top 100 DIY Singles, describing it as “brilliant, plodding art-slop that reeks of inside jokedom. This record is a reason unto itself to pay eBay prices for vintage drum machines.”

This Double Vinyl Lp, 'Singles Round Up', Compiles Holly's First Twelve 7" Singles, A & B-Sides. It Includes The Bluesy 'No Big Thing' With Its Bar-Room Piano And Harmonica Backing, The Dirty Guitar-Driven 'Til I Get, The Shuffling Brushed Drums And Double Bass Of 'Come The Day, The Haunting Vocal And Bottleneck Guitar Of 'Stain' And Finishes With A Brilliant Up-Tempo Cover Of Pavement's 'Box Elder'.Holly Golightly (Real Name) Started Her...

Eels is one of those bands that have marked the history of rock forever! The leader of this mythical group, Mark Oliver Everett aka E, has been able to reinvent himself over the years without denying his origins.
Two years after the incredible success of The Deconstruction, Eels presents Earth to Dora,this fall's event album, to be released on E Works Records / [PIAS] on October 30th.
This new album takes us on a journey through sublime melodies that follow each other without ever looking alike, all on the unique and singular voice of its leader Mark Olivier Evrett. Oscillating between flamboyance and moderation, Earth To Dora is built around a touching optimism marked by the desire to erase for a moment the worries of everyday life, and it feels good!

Limited to 2000 copies. This 7” features demos of “We're Gonna Get There In The End” and “Trying To Find A World That’s Been And Gone: Part 1” which were released digitally at short notice as a New Year goodwill message from Noel to the fans for 2021 and 2022 respectively.

A physical release of these tracks has been highly anticipated. These limited edition 7”s are individually numbered and feature exclusive artwork.

"We're Gonna Get There In The End"/"Trying To Find A World That’s Been And Gone: Part 1"

Having released two albums proper and a Remix-EP with Born Bad Records, now it's the time to re-release a selection of further singles and b-sides. Perfectly balanced between dark electro and misty post-punk, as inspired by clubbing and krautrock as by bands like Bauhaus and The Fall, VOX LOW could get us moving on the dancefloor while an apocalyptic storm rages outside. VL are four knights of darkness: Jean-Christophe Couderc (machines and vocals), Benoît Raymond (bass), Mathieu Autin (drums), and Jérome Pichon (guitar).For the first time, a selection of hard to find tracks released by VOX LOW on various small labels. Some tracks has been released on very limited 7" vinyl, sometimes at 100 copies only.A1/A2 : 12" Released on Astrolab Recordings 2015 - A3/B2: 7" Released on Evrlst.inc 2014 - A4: 7" Released on Astrolab Recordings 2016- B...

3 x 4 is a celebration of L.A.'s Paisley Underground scene of the mid-80s featuring four of the scene's most notorious bands each covering the songs of the others - four bands covering three songs each - "3 x 4" get it? The bands are The Bangles, The Three O'Clock, The Dream Syndicate and Rain Parade. These are brand new 2018 recordings.

Zooey Deschanel And Matt Ward, Aka She & Him, Are As Comfortable And Complementary A Musical Pair As Les Paul And Mary Ford. Matt And Zooey Make Music For An Eternal Springtime, When The Temperature Is Warm Enough To Go Riding With The Top (Or At Least The Windows) Rolled Down And The Radio Turned Up.They Were Paired Together By Director Martin Hynes To Perform The Richard And Linda Thompson Tune "When I Get To The Border" For His Film The Go-Getter Which Sparked The Idea For "Volume One".

This was the first album from Experimental Audio Research (aka E.A.R) an experimental music collective formed around Sonic Boom (Pete Kember), founding member of Spacemen 3 (along with Jason Pierce), who, on this project works closely with Eddie Prevost (AMM), Kevin Shields (My Bloody Valentine) and Kevin Martin (God). Although not released until 1996, Beyond The Pale was originally recorded in Northampton, back in 1992 at Angus Wallace's Far Heath Studios. This is the limited edition heavy weight, 180g transparent vinyl LP that was produced and mixed by Sonic and has been pressed in a limited run for 2022. The original artwork, created by long time E.A.R. collaborator - artist Anthony Ausgang, looks brighter and crisper than ever in this sturdy 300gsm sleeve. This is the first vinyl in a series of E.A.R. releases, all in heavy weight and Colored Vinyl, throughout 2022 and it sounds incredible.

140g pink/green splatter vinyl, housed in a gatefold sleeve.Limited to 300 copies, hand-numbered.A raw and unrelenting debut by the Bavarian trio "Tame The Abyss". Fusing progressive alternative rock with a vintage sound captured during live recording sessions. Analog, hand crafted and sweaty. Crushing breaks followed by intricate instrumentals. Songs beyond predictable structures that still offer memorable hooks and catchy choruses to sing along to.

Limited to 900 copies.

Two unforgettable versions of “Moving” from the 1999 Supergrass (X-Ray) album. Released for the first time on 140g 12” Blue Colored Vinyl. Including rarities such as the “East Is East” film soundtrack mix of “Moving” and an Absolute Radio live version recorded in 2020. The cover has been masterfully reworked from the original 1999 single artwork. Also included in the release are B-sides, “Believer,” “Faraway (Acoustic),”“Lucky (No Fear)” and “You Too Can Play It Right.” Lovingly put together with the help of the band.

Now available again on 180 grm black Colored Vinyl 2LP .Don't Get Lost was fully recorded & produced at Anton's new Cobra Studio in Berlin. It is the 16th full length release from the Brian Jonestown Massacre recorded from March 2016 to October 2016. With band members Ricky Maymi, Dan Allaire, Collin Hegna & Ryan Van Kriedt. Also Emil Nikolaisen from the Norwegian band Serena-Maneesh & Pete Fraser (The Pogues, New Young Pony Club) on saxophone joins the band on this album, plus vocal performances from Tim Burgess (Charlatans), Tess Parks and Shaun Rivers. A new dynamic is heard on this album mixing the shoegaze/psychedelic sound with more experimental twists on some tracks you might hear PIL (Metalbox), Primal Scream, or even Ornette Coleman. 14 tracks that will twist and turn through the known and the unknown Brian Jonestown Massacre.

Born in a Metz's bunker during the 2006 summer, The Feeling of Love is at first the solo project of G.Marietta (A.H. Kraken's guitarist and singer, In the red records). Ephemeral idea that initially couldn't have gone further than a few short songs, belched and recorded for the tape label Luisance Sonore. The postulate was to play on the garage blues and no-wave's codes in order to find a primitive, repetitive and minimal idea of rock'n'roll. Finally, after 2 years playing gigs in Europe, and a few 7" out (Yakisakana, Floridas Dying, Rococo records, etc.), the "one man band" mutates: from a one-piece to a two-pieces, the Feeling of Love is more generally a three-pieces band, with Seb Normal (the Normals, Crash Normal,etc.) on drums, and s. (A.H.Kraken, Vingt Mille Punks) on keyboards. The Feeling of Love put out then his first two LP's, "Petite tu es un hit" on Yakisakana and "Ok judge revival" on Kill Shaman records. On the latter, the blues and his repetitive gimmicks that were the driving force to reach a trance state are being perverted by krautrock and psychedelism. A year after, the band carries on with the "kraut space garage" vein on his third album, on Born Bad records (mars 2011). Songs stretch out, the drums go more tribal, the synth hammers out his keys on an infinite highway, and the guitar gets lost in delay pedal's fog.

Monday, In a Small Dull Town, Familiarity breeds contempt. And everything in a small town is familiar The Smashing Times spend the day listening to the radio. Billy Liar plays guitar. Rowan Morrison on DrumsD. Dan Treacy calls on the telephone. Monday, Monday, Monday. Town poets need patience, even when their friends are out of breath "The trains don't run on time and nobody gets out alive" But you can still get by in Baltimore with a 12 string and a few tight rhymes Oh so surreal. 2 tracks 45RPM. Featuring Thee Jasmine Monk and Zelda-Anais (The Smashing Times, Midden Heap) as well as scene stalwarts Britta Leijonflycht (Almond Joy, Children Maybe Later, Galore), Paul Krolian (Expert Alterations), Blake Douglas (Corduroy, Midden Heap). Recorded by JAZ and Miles Waltuck, the band in Baltimore, MD. Mastered by Amy Dragon.

Life are anchored by their hometown; the geography, history and community has always been the inspiration behind their creativity and on their third LP, North East Coastal Town, the band pay homage to Hull and its folk. North East Coastal Town is mature; it finds the band at the height of their powers as they carve-up a wide-screen, brooding body of work that is drenched in a sense of belonging and reflection but still impressively maintains their trademark swagger and ear for pop sensibilities and guitar hooks. "Hull and the surrounding area runs through our DNA and has shaped us, weathered us, empowered us, embraced us and made us feel accepted. North East Coastal Town is our love letter to the city. The album is an ode to kinship and relationship with its musical and lyrical spine picking out themes of love, desire, beauty, horror, chaos, pride and most importantly the sense of belonging. Upon writing and recording this album it was important to us that this sense of belonging was also reflected in the album's craft and therefore we used locally based studios, equipment, gear, and the community around us to establish what it means to belong in a North East Coastal Town." When the pandemic gripped the world in March 2020, Life were in the midst of promoting their acclaimed second album - A Picture Of Good Health (Sept 2019); they had just completed an arena support tour with Kaiser Chiefs in the UK, a triumphant main stage appearance at Rockaway Beach and flown to New York for New Colossus Festival ahead of a packed Sxsw and a US tour with Idles. They scrambled home on the last plane back from New York on 17th March. The album was BBC 6 Music's Album Of The Day, BBC Radio 1's Album Of The Weekend and was one of BBC 6Music's Albums of The Year; all four singles from the album were play-listed at 6Music, and the band were nominated for two AIM Awards 2020 - Best Live Act and Best (Difficult) Second Album and they played major UK festivals including Glastonbury, Latitude, Reading Festival and many more. They began rebuilding with 'Friends Without Names' - the shapeshifting first glimpse from the album - which was added to the A-List at BBC 6Music, and was recorded in the dead of night and hums with a dark, brooding and passionate atmosphere. "Friends Without Names is the anchor and blueprint for our next record. In a remote part of Eastern England, close to the river Humber, we performed this track as if we were in trance; vibrating in a constant musical crescendo. Our aim was to push ourselves and harness differing time zones whilst giving in to the moments of beauty, horror, love and chaos depicted by the song's lyrics." (Mez Green, vocals) On Friends Without Names: "Certainly one of the best things they've ever released...a snowglobe of emotions" Steve Lamacq 6Music "This band are flexing their creativity for sure, This is Life we are talking about, they'll always have something to say, something to stand for, a band to get lost in for sure" Jack Saunders, BBC Radio 1 Radio support worldwide was strong with the track being playlisted on several UK radio stations including BBC 6 Music ( UK), Amazing Radio ( UK & US) and a host of regional stations, as well as spot plays BBC Radio 1, Radio X, Absolute Radio, BBC Radio London, Soho Radio. "This raging, unrelenting dose of sonic chaos is a thunderous reminder of why guitar music is mankind's greatest creation" - Dork (4/5) "This record is indispensable" - DIY (4.5/5) "A stand-out record" - The Line Of Best Fit (8.5/10)

“A glorious dirty little gem in Los Angeles finally rears its four heads again. Love Fiend have been slaying sine waves and bashing bongos boldly for a while now in the dusty dens of the unkempt underground. Good news for you, you can get an injection in your own home soon enough, you Fiend! Hooks for days, these young humans are now leaning fast forward into the reverse-future with Handle With Care out soon on OG In The Red Records. Perhaps they can join the upper echelons of Tik Tok barf famous good feelin’ peddlers like some of their label mates or perhaps they can just wear you out on the dance floor. One can dream anyhow. Either way this is gonna get stuck in your ear hole eyes, thank heavens. Deffo some neon drizzled ’80s synth punk highway tunes here. Just the right amount of this and just a bit of that in the roux to make you forget that we are teetering on the edge of………..for 30 minutes or so at least. Whew close one. Really all you need to get on. All hail the medicinal extra strength over these counter pop pills. For fans of Nick Lowe, The Cars, Gary Numan, Blondie, The Nerves. I could go on but why reveal everything in the trailer. Twist! Enjoy.” —John Peter Dwyer

Deep Purple Vinyl.10th Anniversary Golden Deluxe Edition of Princess Chelsea's debut album.Features include 180g Gold Colored Vinyl in a die cut gatefold sleeve with gold foil spine, lyrics and an A1 sized poster.Lil' Golden Book is the debut album by the New Zealand recording artist Princess Chelsea. It was released on 2 May 2011, through Lil' Chief Records. The album was produced by Jonathan Bree and Chelsea Nikkel and tells the tale of life growing up as a teenager and young adult in New Zeala...

LIMITED EDITION DOUBLE 'A' SIDE SINGLE. NAT JOHNSON is the former singer, songwriter and guitarist of MONKEY SWALLOWS THE UNIVERSE - a Sheffield based five piece band who released two critically acclaimed albums earlier in the decade. Since the band split in 2008 Nat has embarked on what has so far proved to be a very fruitful solo career with 'Dirty Rotten Soul', her debut single for Thee Sheffield Phonographic Corporation which was made Single of the Week by Steve Lamacq on 6 Music. Now with her debut album all recorded Nat has assembled a new backing band THE FIGUREHEADS (featuring MSTU co-founder Kevin Gori, Chris LOFTUS OF FURY OF THE HEADTEACHERS and Neil Piper of CHAMPION KICKBOXER) for a series of gigs throughout the Summer and Autumn - all leading up to the release of debut album 'Roman Radio' preceeded by the double 'A' side single 'Wonderful Emergency' b/w 'Don't Worry Baby'. "One part folk and one part the jangle of The Smiths with the sweet, fragile, alluring voice of Nat" - Rough Trade

In the mid-80s Granada, a small city in the south of Spain, was a redoubt of avant-garde resistance. While Madrid bragged about being the capital of the new wave scene - the much-trumpeted Movida madrileña -, away from any media interest the Andalusian city was part of a European wide network where the free circulation of ideas and knowledge could be linked to the current copyleft movement. An international scene where musicians were editors and the artists were equally fans. They exchanged music following that do-it-yourself philosophy in which the cassette had an ideal role as the vehicle of music diffusion.Ani Zinc would become an expert amateur of such activities. As a child, radio was her only contact with music. She received her first shock listening to 'Remember Love', the repetitive song by Yoko Ono. She later found out about Llorenç Barber. Only when she arrived in Granada to study psychology did she discover that she wasn't the only one that liked a kind of music that didn't resemble anything. Granada's proximity to Africa made it possible to tune into Arabic, flamenco and pop radio stations. She would record those sounds with a radio cassette and with her own hands she would cut and paste the magnetic tape. Unable to get that Yoko Ono song off her mind, she started discovering the possibilities of her voice. Diseño Corbusier was born out of that obsession. Also out of the electronic explorations of Javier G Marín, then a first year law student. They had met in 1981 after an ad in the music magazine Vibraciones. "If you're into bands like Cabaret Voltaire or Flying Lizards, call me", wrote Marín.If their first record ("Pérfido encanto", 1985) was a vibrant experiment where the rhythms weren't yet muscled up, with "El alma de la estrella" (1986) the duo took a step ahead. They renovated some electronic equipment and signed a distribution deal between their own label, Auxilio de Cientos, and one of the most prosperous Spanish independents of the 80s, Nuevos Medios, who were working wit...

Where L.A. Witch's self-titled album oozed with vibe and atmosphere, with the whole mix draped in reverb, sonically placing the band in some distant realm, broadcast across some unknown chasm of time, Play With Fire comes crashing out of the gate with a bold, brash, in-your-face rocker "Fire Starter." The authoritative opener is a deliberate mission statement. "Play With Fire is a suggestion to make things happen," says Sanchez. "Don't fear mistakes or the future. Take a chance. Say and do what you really feel, even if nobody agrees with your ideas. These are feelings that have stopped me in the past. I want to inspire others to be freethinkers even if it causes a little burn." And by that line of reasoning, "Fire Starter" becomes a call to action, an anthem against apathy. From there, the album segues into the similarly bodacious rocker "Motorcycle Boy"_a feisty love song inspired by classic cinema outlaws like Mickey Rourke, Marlon Brando, and Steve McQueen. At track three, we hear L.A. Witch expand into new territories as "Dark Horse" unfurls a mixture of dustbowl folk, psychedelic breakdowns, and fire-and-brimstone organ lines. And from there, the band only gets more adventurous. Play With Fire is a bold new journey that retains L.A. Witch's siren-song mystique, nostalgic spirit, and contemporary cool. Despite the stylistic breadth of the record, there is a unifying timbre across the album's nine tracks, as if the trio of young musicians is bound together as a collective of old souls tapping into the sounds of their previous youth.

Alexandra Sauser-Monnig and Amelia Meath have been yodeling together for upwards of fifteen years - in the backseat of a Prius while on their first cross-country tour, on back porches and backstages. It's what led them to Fruit, their debut release as The A's - a joyous ten-song collection spanning genre and decades, with interpretations of traditionals, lullabies, and an original song, it weaves between the weird and the wonderful."Why I'm Grieving," originally recorded by the DeZurik Sisters, was the inspiration for the A's existence. The A's reach into the past to hold hands with the DeZurik Sisters, two farm girls from rural Minnesota who taught themselves to yodel amongst all their animals, in a continuing celebration of the tradition of folk eccentricity and whimsy.The A's played their first show together in 2013 after Sauser-Monnig first moved to North Carolina, where Meath had been living at the time, but it wasn't until summer 2021 that they thought seriously about making Fruit. They decamped to Sylvan Esso's Chapel Hill studio, Betty's, for two weeks in the midst of a balmy and blooming Carolinian summer. They rehearsed during the day, deconstructing yodeling parts phonetically and staring absurdly into each other's eyes as they practiced tongue twisting harmonies - and recorded in the nighttime, candles lit, a flickering glow against the windows framing the violet twilight outside."There was a lot of giggling during the session," Sauser-Monnig explains. "At one point I was getting a tangle out of my hair and was like, oh, my God, that sounds really cool - the sound of my hands in my hair. And then I thought, what if we recorded hair for a percussion track? And then it just sort of snowballed."Across the record, the A's employ a bizarre-o ghost orchestra of strange noises that are percussive and melodic. The credits include nylon shorts, string (singular), hair, shoes, ice chunk, gravel, frog sample, and shoelace, among other unexpected makeshift instrumentation. The backing band is...

Sarabeth Tucek emerges from a decade-long hibernation with a new double-album Joan of All under the new moniker SBT – a longtime nickname given to her by the many musicians she has worked with throughout her career. After retreating from the fevered pace of the record business to concentrate on other creative endeavors, Sarabeth began to piece together the music that would eventually become her most ambitious, personal project yet – the sprawling double-album Joan Of All, which will be released world-wide on 19th May 2023 via her own freshly-minted imprint Ocean Omen. Sarabeth Tucek officially broke onto the music scene 2003 performing a series of spellbinding duets with Bill Callahan on the acclaimed Smog album Supper. This was swiftly followed by a memorable appearance in the prize-winning Brian Jonestown Massacre documentary DiG! Sarabeth also contributed material to their 2005 EP release, We Are the Radio. One of Sarabeth's compositions covered by the band on that EP, "Seer," would later be retitled and released in 2006 as Tucek's debut single, "Something for You”, which became Steve Lamacq’s Single Of The Week on BBC Radio 6 Music. Her self-titled debut album produced by Luther Russell and Ethan Johns hit stores the following year and garnered rave reviews in the press, leading her to supporting Bob Dylan and unfaltering support at the BBC. In 2011, Sarabeth followed up her extraordinary debut with a raw, uncompromising album entitled Get Well Soon, praised as an unflinching meditation on the subject of grief. This release made many year-end lists and the title track was featured on the first season of HBO’s Girls.

10th Anniversary Golden Deluxe Edition Of Princess Chelsea's Debut Album.Features Include 180g Gold Colored Vinyl In A Die Cut Gatefold Sleeve With Gold Foil Spine, Lyrics And An A1 Sized Poster.Lil' Golden Book Is The Debut Album By The New Zealand Recording Artist Princess Chelsea. It Was Released On 2 May 2011, Through Lil' Chief Records. The Album Was Produced By Jonathan Bree And Chelsea Nikkel And Tells The Tale Of Life Growing Up As A Teenager And Young Adult In New Zealand. Nikkel Stated That The Album Took Nearly...

180g Vinyl!Vic Chesnutt was one of the finest songsmiths we have ever known. His words knock us out, his voice is like no other, and the two combined can deliver lyrical phrases that echo in your brain for weeks, months, years.that you find yourself adding to your quotidian vocabulary of sardonic asides, devastating metaphors, witty rhymes. Words that are never clever for their own sake, but smart and substantive as all get out.

Radio Diaspora works on the concept of cultural identity, which is flexible and dynamic. This provocation is generated by referring to all African ancestry moved by the diaspora and its sonorous, vocal, polyrhythmic, and polyphonic codes - all the ancestral heritage that has spread throughout the world following expropriations, genocide, and slavery - sampling and amplifying references that become triggers of energetic approaches.A heavy core of representations and senses aims to exorcize through noise and strangeness all secular violence against people of the African diaspora.In the title song of this album, 'Negro Humor', the respected Brazilian actor Grande Otelo highlights the contradiction of the clown, which awakens joy in everyone but is a sorrowful, lonely figure, ridiculing himself and putting himself in the most embarrassing situations. Relieved, loud laughter echoes in the audience because it is not the target of ridicule.In 'Despacho', Radio Diaspora explores the dichotomy of society by introducing a speech by Brazilian lawyer Hédio Silva Júnior specialised in Afro-Brazilian religion. He questions a rule under discussion in Brazil's Congress that would prohibit the use of chickens in Candomblé and Umbanda rituals. Silva Júnior points out that everyone takes a stand to protect the rights of animals, but the same cannot be said of the defense of young black people and outlying societies.The track 'Meia-Noite' evokes a celebrated point of Umbanda, an Afro-Brazilian religious syncretic cult, permeated by free jazz and electronic atmospheres developed by the duo.The other songs on the album are divided into two parts. They feature the voices of North American icons of the black struggle for civil rights: The tracks 'A.H.M. Al-Shabazz 1 and 2', amid sonic dissonances, use extracts from speeches by the American leader Malcolm X, and in 'Muhammad Ali 1 and 2' we hear quotes from famous interviews given by the boxer and activist. Ali ironizes the questions he asked his mother as...

With an insatiable enthusiasm, aNGR! presents its passionate compilation of the first two albums from the genderfuck mixed "big band" (3 women & 3 men) created around the ethereal voiced Jewlia Eisenberg (1970/2021) Charming Hostess, goddesses without gods! Introducing its fusion selection of 14 recordings—7 songs from each of the two albums {only released on CD} "Eat" (1998) & "Punch" (2005)—to new curious and furious ears, a N G R r ! flourishes in a salvatory and feminist action, with the most radical, vital, choral, diagonal, craving... brilliant revelries!

Chicago rock ensemble Red Red Meat hit hard with 1995’s Bunny Gets Paid. Arguably the band’s most complete album, the record pairs Stones-indebted blues-rock roots with beautiful songs, sounding miles removed from the era’s grunge and radio-friendly alternative rock tropes. Recorded at Idful Studios in Chicago’s Wicker Park by producer Brad Wood (Smashing Pumpkins, Liz Phair, Tortoise), Bunny Gets Paid finds Red Red Meat’s core members, Tim Rutilli, Brian Deck, Ben Massarella, and Tim Hurley, straddling the line between their most accessible set of songs and a desire to explore a kind of “alternate fidelity,” employing layers of distortion, natural reverb, and room ambience. “At the time, I felt like we’d made a classic rock record,” Rutilli says. “I was like, ‘This is our Astral Weeks.’” But listening back 20 years later, Rutilli recognizes the band’s ambition, a desire to break songs down to their barest, most primitive elements to “see what survives.”

Couleur Brique, third album released by Born Bad for one-man-operation Use?, opens with a coughing fit spurting on a piano, while a guitar gently dies in the back of a hangar. The connoisseur will rekindle fond memories of his underground hit "ampheta-amphe?ta- amphe?tamine", this time to warn us about the "chef d'e?, chef d'e?, chef d'e?-tat". We won't know what he had to spit about to the president, but he's got some left on his trousers.Use? literally punches songs, beating the snare drum to celebrate a lover that bites and claws. It's mostly about boy-meets-girl and tough love in these seven romances that taste like beer chasing uppers, and end up in the back of a van.Praise be, to the melodic effort, supported by layers of sharp and bitter synths, and a straightforward vocal performance. It's a ride in forsaken land, beer in hand, documenting horny guys at the fun fair, late evenings in a shabby pub, and dirty sheets. Here and there, when least expected, flashes of unpretentious drunken wisdom hit the spot.The record is fueled by the broken drummer's energy, but also a verified writing effort. Those songs will be sung, bonded in the wastelands, to fight against buzzkill.Once active in local politics, Nicolas Belvalette settled down for acting, recently starring in "Tout fout le camp" where he plays his own role. But he's at his best on his turf, small rooms and scroungy festivals, where the great romantic weirdo spits on his tits, crawling under a raving audience. You'll have to buy the record if you want to get the lyrics, because at a gig, it's hard to follow when you're busy figuring out whether it's sweat, piss or beer that's connecting you to your neighbor.A fine collection of autumn tunes to get wasted, start a bar fight with new friends, and fall asleep on the counter with no shame.

Chunklet Industries is proud to announce a breakthrough in broadcasting technology. For the first time, the BBC working hand-in-hand with intergalactic audio pioneers Man…or Astro-man? present to you seven volumes of their famed U.K. radio sessions. The band’s second session for famed UK DJ Mark Radcliffe is the broadcasting debut of Dexter X from Planet Q. 1996 was a great year for Astro-Man? Not only were they touring the world supported by the Touch & Go label, Dexter X's inclusion had a band far sharper and tighter. Four songs were recorded and, except for all the interview back'n'forth, all four tracks are being released on this fifth of seven singles. B in the band's R/o/y/g/b/i/v series.

L.A. Shit is the new LP from the punch-throwing, shit-kicking country outfit GracieHorse fronted by Fat Creeps founder Gracie Jackson, featuring contributions from King Tuff, Emmett Kelley (Cairo Gang, Bonnie "Prince" Billy, Ty Segall Band), and Bobbie Lovesong. GracieHorse weaves stories into her songs. On L.A. Shit, her first album with Wharl Cat, she takes us into the past half a decade of her life. We see her as a traveling nurse, living in big blue expanse of Wyoming, dancing with a man in a crisp white Stetson, eating chicken wings in a hazmat suit, commenting on how strange a place like Los Angeles can be, how loaded it is with wannabe cowboys and fast food restaurants. It's a record of immaculate country music, the kind of stuff you'd put on blast in your truck as you drive down empty stretches of highway. It's also a vulnerable record, full of lyrics about the intensity of being alive, all Old with a sense ol humor and self-awareness. A founding member of the grunge sun rock dream pop duo Fat Creeps in the early aughts, Gracie also released an album of "Bummer Jams' under GracieHorse in 2015 with Ghost Ramp. L.A. Shit marks Gracie's return to music after a several year hiatus. While taking time off between 2015 and 202O she kept busy with session work and singing live background vocals for Alex lzenberg, Meernaa, Color Green, Jonny Kosmo, Banny Grove, and The Lentils.In addition to being Gracie's own major artistic statement, L.A. Shit is a community efort. To make it, she enlisted countless friends in the Los Angeles Area, many of whom are touring and session musicians who were stuck at home during the pandemic. "I'm grateful," she says of the experience, "I'm proud that I get to show off my friends on this record." Indeed, L.A Shit is that kind of big family affair. Funny, heartbreaking, brutal - it's aS country as country can be.

L.A. Shit is the new LP from the punch-throwing, shit-kicking country outfit GracieHorse fronted by Fat Creeps founder Gracie Jackson, featuring contributions from King Tuff, Emmett Kelley (Cairo Gang, Bonnie "Prince" Billy, Ty Segall Band), and Bobbie Lovesong. GracieHorse weaves stories into her songs. On L.A. Shit, her first album with Wharl Cat, she takes us into the past half a decade of her life. We see her as a traveling nurse, living in big blue expanse of Wyoming, dancing with a man in a crisp white Stetson, eating chicken wings in a hazmat suit, commenting on how strange a place like Los Angeles can be, how loaded it is with wannabe cowboys and fast food restaurants. It's a record of immaculate country music, the kind of stuff you'd put on blast in your truck as you drive down empty stretches of highway. It's also a vulnerable record, full of lyrics about the intensity of being alive, all Old with a sense ol humor and self-awareness. A founding member of the grunge sun rock dream pop duo Fat Creeps in the early aughts, Gracie also released an album of "Bummer Jams' under GracieHorse in 2015 with Ghost Ramp. L.A. Shit marks Gracie's return to music after a several year hiatus. While taking time off between 2015 and 202O she kept busy with session work and singing live background vocals for Alex lzenberg, Meernaa, Color Green, Jonny Kosmo, Banny Grove, and The Lentils.In addition to being Gracie's own major artistic statement, L.A. Shit is a community efort. To make it, she enlisted countless friends in the Los Angeles Area, many of whom are touring and session musicians who were stuck at home during the pandemic. "I'm grateful," she says of the experience, "I'm proud that I get to show off my friends on this record." Indeed, L.A Shit is that kind of big family affair. Funny, heartbreaking, brutal - it's aS country as country can be.

The Crystal Furs are a queer indie pop/rock band from Portland, OR. They write melodic, textured songs about anxiety, architecture, lesbians, and queer feels - loud music for quiet hearts. In Coastal Light is the band’s fifth album, following on from 2020 LP Beautiful and True, and hears them honing their blend of grungey riffs and 60s-girl-group vocals. As featured on: KEXP, WFMU, BBC Radio, Freeform Portland, KBOO Portland, Portland Radio Project, Chasing Infinity on WRUW, Get In Her Ears, Grrls Like Us “Had Portland’s (via Forth Worth) The Crystal Furs been around in the late 80s – early 90s there is a possibility they would have been signed to Sarah Records, home of OG jangle pop bands like The Field Mice and The Sea Urchins. Then again with their sunny, bright melodies, they might have found themselves riding the charts alongside The Bangles.” 50Thirdand3rd “It’s something of a well-worn expression, that adult life is about ‘finding oneself’, but it certainly seems for the Buchanans, and their band, that all of the changes in their life have enabled them to do just that. And what they’ve found are winning alt. indie-pop purveyors in the mould of Helen Love. Beautiful And True is an album whose title could not be clearer: it is what it says it is.” Get In Her Ears “Think of those jangly C86 tunes mixing genteel harmonies, spiraling keyboards, melodic guitar/ bass sounds and wistful vocals and you begin to get the drift here.” Into Creative “From the opening tones of the Farfisa organ on ‘Comeback Girls’ the lo-fi indie pop shines through, with jangly guitars, unassuming instrumental breaks and a naturalistic production that puts the Furs right there in the room with you.” Cambridge Music Review“Retro without being jaded, cute without being cliched what The Crystal Furs do so well – and demonstrate deeply on both tracks in this release – is as we’ve said pair light, sparkling and downright danceable melodies with dark-hearted lyrics emerging from shadowy inner worlds and harder lived experiences.” Popoptica

Atomic Ritual is the Nebula 3rd full lenght released in 2003. Heavy Psych Sounds is proud to reissue this gem in brand new Colored Vinyl versions. “Stoner rock? Bonghit metal? Old school hard rock? Call it what ya want, but it is clear from the first 3 seconds of Nebula’s Atomic Ritual that these guys have been listening to a lot of Hawkwind! Droning, heavy, fuzzy and flat-out rockin’ as fuck, Nebula’s latest slab is more conceptual than their previous effort, but no less pulverizing. Produced by Master of Reality (and Queens of the Stone Age/Kyuss mentor) Chris Goss, Atomic Ritual is the bands most layered, bold work to date and finds them veering closer to the headfuck ethos of early Monster Magnet than the indie classic rock they ventured into on their Sub Pop effort. The title track and “Out Of Your Head” are just pure space rock, while “Carpe Diem,” “So It Goes” and “More” balance out the cosmic slop with some hooks and melody. None of this is gonna get the on the radio, but one gets the feeling they could care less. So be it. All in all, a pleasing way to melt your brain.” - Frank Meyer

In the early 1980s, Britain had a vibrant cassette culture that now gets spotlighted through a limited edition 12" featuring multi-instrumentalist Kez Stone's project, Imago. He was a notable name in Cornwall and the West Country's music scenes with previous projects, Artistic Control and Aaah! which have come back via reissues many times in the last ten years. Imago was a new one-ff project that first emerged with one track on the Perfect Motion compilation curated by NTS Radio's Bruno and Flo Dill and now the full LP, originally released in 1985 on the local label A Real Kavoom, has been remastered and added to with three additional gems. Stone's teenage punk influences sit next to Imago's eclectic approach to sound that blends new wave and psychedelic elements into something irresistible.