Search "depeche mode" 1100 Items

Release: 2022 / EU – Original

Genre: Rock & Indie

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Tape | 2023 | US | Original (Sub Pop)

Mudhoney

Plastic Eternity

13,99 €*

Plastic Eternity Black Vinyl Ediiton

Release: 2023 / US – Original

Genre: Rock & Indie

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The world is filling up with trash. Humanity remains addicted to pollution. People are downing horse dewormer because some goober on television told them it cured Covid. The apocalypse is stupider than anyone could've predicted.Fortunately, the absurdities of modern life have always been prime subject matter for Seattle-based foursome Mudhoney, and the band take aim at all of them with typical barbed humor and muck-encrusted riffs on on 11th studio album, Plastic Eternity, which was recorded over nine days at Crackle & Pop! in Seattle with longtime producer Johnny Sangster. From taking on climate change from the perspective of the climate if the climate tried to play guitar like Jimi Hendrix ("Cry Me An Atmospheric River") to a driving rock and roll song about taking drugs meant for livestock ("Here Comes the Flood") to a classic punk attack on treating humans like livestock ("Human Stock Capital"), Plastic Eternity is a run through all the proto-genres of guitar rock with a keen eye on the inanities of the world in the 2020's. It also contains a genuine love song in closing track "Little Dogs," an ode to the simple joys of hanging out with tiny canines. Mudhoney (vocalist Mark Arm, guitarist Steve Turner, bassist Guy Maddison, and drummer Dan Peters) remain the ur underground group, their gnarly primordial punk stew and Arm's sharply funny lyrics as potent a combination as they've been since the band's formation in the late 1980s. When asked why they continue making records nearly four decades after forming, Arm's answer is simple. "We like

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Mudhoney

LP | 2023 | US | Original (Sub Pop)

Plastic Eternity Silver Vinyl Ediiton

Release: 2023 / US – Original

Genre: Rock & Indie

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Mudhoney

LP | 2023 | US | Original (Sub Pop)

7" | 2022 | JP | Original (Monchént)

Release: 2023 / US – Original

Genre: Rock & Indie

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Mudy On The Sakuban

The Shining

18,99 €*

Peace, Love & Murder Black Vinyl Edition

Release: 2022 / JP – Original

Genre: Rock & Indie

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Triple guitar super instrumental band "mudy on the sakuban", based in Nagoya, Japan! Steady and high performance, and melody lines with a poetic turn of mind. A must-listen for all lovers of Math Rock, the long-awaited release of the first complete new album in 10 years!

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My Dad Is Dead

LP | 1987 | US | Reissue (Scat)

Loving You Is Killing Me Pink Vinyl Edition

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Peace, Love & Murder was the second album by Cleveland’s My Dad Is Dead, originally released in 1987 by Boston’s Birth Records. Like the debut, ...And He’s Not Gonna Take It Anymore, Mark Edwards wrote and performed all the music on his own. While not a significant departure from that album, Peace, Love & Murder does differ from its predecessor and has some qualities that make it unique in the voluminous Mdid discography. While combining live drums with drum machine is a hallmark of the Mdid style, on this album Edwards introduced the Roland Tr-505 into the mix, and in a bold move recorded the live drums first, which had the effect of making the rhythm tracks feel a bit more organic despite the presence, and occasionally the prominence, of the Tr-505. Modal guitar tunings remain de rigeur here, but Edwards’ abilities as a guitarist display a marked increase in proficiency and imagination. While the debut album sprawls a bit, PLM is a tight and focused ten song set, buoyed by a more impactful production job by Chris Burgess. Just as the debut album had a few lighter (or at least slightly less grim) songs, so does this album, but here they shine with a bit more pop sparkle. “Babe In The Woods” and “Hill O’ Beans” would go on to be fan favorites for many years, as would the utterly harrowing unstoppable bulldozer that is “Like A Vise.” All these years on, the album’s closer “Fireball” has become oddly relevant and chilling. Sung from the POV of a mass shooter to a droning riff that evokes Middle Eastern modes, the narrator intones, “I’m gonna go out in a blaze of glory / today’s the day I’m gonna make it to the headlines.” The whole album has remarkable cohesion and pacing, as well as variety, and, not to mention ,what a god-tier track “Breakdown” is. So grab a black overcoat and “Open Wide.”

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My Life Story

LP | 2024 | EU | Original (Exilophone)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Unsilent Death Yellow Vinyl Edtion

Nails

LP | 2024 | UK | Original (Southern Lord)

34,99 €*

LP | 2022 | EU | Original (Bloomer)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Ahead OF Their Fourth Studio Album Released AT THE END OF August ON Nuclear Blast Records. Touring U.S. With 200 Stab Wounds - ONE U.K. Slot AT Damnation Festival IN Manchester November 2ND. Regarded AS A Modern Classic IN Hardcore Punk Circles...

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Nana Adjoa

Live

12" | 2021 | US | Original (Carpark)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Understated, yet dramatic, Nana Adjoa combines storytelling, poetry and instrumental musicality for Bloomer Records’ fourth release. Songs are flecked with alternative sound designs but always ride atop rich acoustic foundations. The A-side presents orchestral and jazz fusion interpretations whereas the B-side recordings have a more grounded edge, completed with Nana's 5-piece tour band. As a multi-instrumentalist and powerful vocalist, she gives substance to the term modern-day musician.a few driving and noticeably danceable numbers, offering glimpse of familiarity amidst emotive and inquisitive soundscapes.

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Naomi Alligator

Concessions Stand Girl

16,99 €*

Double Know Pink Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Inspired by the sparse and confessional qualities of Liz Phair’s early portastudio recordings, Corrinne James aka Naomi Alligator decided to create her own musical journal to share and process personal anecdotes. Her modern folk production and poetic songwriting links the sounds of artists like Joan Baez and Steeleye Span to a 21st century context. James wrestles with guilt, purpose, and jealousy through vivid narratives in the songs that make up her vast self-releases. This fall, five years since her first upload and over a dozen releases later, James will share her new four-track EP, Concession Stand Girl, while making her debut on Carpark.

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Naomi Alligator

LP | 2022 | US | Original (Carpark)

Nato Coles And The Blue Diamond Band

Release: 2022 / US – Original

Genre: Rock & Indie

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Naomi Alligator is fed up. She’s sick of trying to make relationships work that have already run their course, and tired of sitting in a wintry apartment waiting for her life to kick into gear. On »Double Knot«, the modern folk singer/songwriter from Virginia attempts to unwind her life from all that is holding her back. In a way, it’s a coming-of-age record about shedding what no longer serves you and, ultimately, finding something like deliverance.

On the opening track, “Seasick,” Naomi Alligator is already in the midst of a sort of awakening. Right off the bat, she sings, “I don’t know what’s happened to me / It’s like I turned 16 / It’s like I grew to be 6-feet tall.” This is the announcement of a wide-eyed artist coming out of hibernation and into their own. Still, Naomi’s vocals ache with guilt and longing, belying the track’s playful catchiness. Longing for what? Maybe attention from a crush, but mostly a sunnier place to call home.

Naomi Alligator began writing Double Knot while living in Philadelphia during the height of the pandemic and the deterioration of a longterm romance. “I scream: How’d the hell I end up here? / I’m 1-inch tall, it’s crystal clear,” she chants on “Neighborhood Freak,” returning to height and size as an emotional barometer. When asked though, Naomi rejects the notion that Double Knot is a breakup album, or autobiographical at all. Moreso, she says, it’s a personal reckoning in which, “the minute before you make a big decision, you tally up the reasons why you don’t want to do what you’re doing anymore.”

That desire to turn the page expands to the production of the album as well. Naomi Alligator generally houses her narratives in beds of minimal, home-tracked instrumentation—influenced by the stripped-down poeticism of Joan Baez and Liz Phair’s Girly-Sound tapes. Double Knot finds Naomi continuing to hone the winning combination of guitar and banjo she established on 2021’s Concession Stand Girl EP. For Double Knot though, Naomi wanted a fuller, more dynamic sound: more instruments, more harmonies, more layering, more, more, more. Inspired by the impressionistic melodies of Animal Collective and Mgmt, Naomi peppers in computer-generated synths throughout the album, most notably on the song “Burn Out.” These electronic flourishes augment the more grounding string instruments, arriving somewhere more ethereal than Naomi’s earlier work while still maintaining her warm songwriting.

If anything, Double Knot is a reminder that you can always pack up your bags, try something new, and change your life. As for Naomi Alligator herself? She moved west, to California.

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Flyover

LP | 2019 | US | Original (Don Giovanni)

LP | 2023 | US | Original (Born Yesterday)

Release: 2019 / US – Original

Genre: Rock & Indie

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Every bar worth drinking at in these great United States has a character like Nato Coles. They know the jukebox so well that the reference catalog becomes meaningless. They're on first-name-basis with all the bartenders, spout trivia like someone's actually listening, and have a particular stool with their ass-print permanently worn in. But most importantly, they're storytellers, historians of low-culture, grizzled raconteurs that can effortlessly shake-out a cocktail of true facts and utter bullshit until it becomes as intoxicating as their "usual."

Originally from Milwaukee, Nato Coles is a journeyman of Midwest punk, getting his start in bands like Modern Machines and the Shrubbers. While he's now been away for longer than he lived there, Brew City still feels like home for Nato. "That's the city that taught me pretty much everything I know," he elaborates, "learning how to tune a guitar, and learning how to avoid getting mugged." Modern Machines made some splashes in the north-coast punk community of the early 2000s, building upon a strong local following gleaned from legendary house shows and other DIY venue spaces. Striking out on the highway with the "MoMacs," as they were known to their fans, gave Nato his first taste of the touring lifestyle and also his first brush with the Twin Cities. "There's a Hold Steady line about knowing Mary Tyler Moore and Profane Existence. I knew Garrison Keillor and Siberia," he says with a laugh. "I would come up here by myself and stay for week, go out and hang out every night and made a ton friends. I kind of realized that the Twin Cities has so much to offer."

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Neckbolt

Dream Dump

7" | 2021 | US | Original (Seeland)

Release: 2023 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-01

Neckbolt strives to dismantle the overtly masculine pitfalls of noise rock. There’s no tough guy posturing. There’s no hyper-macho aggression. If anything, Dream Dump is a headtrip into the recesses of the unconscious mind, a reflection of dreams interpreted and reinterpreted, and the weirdness that results. The dream state is thick and dense. There are songs about sleep paralysis via Chinatown bus rides (“Fung Wah or Lucky Star”), talking rocks and malevolent off-screen entities (“Cicada”), and what might be the singular tree at the beginning of the world (“No Magic”). This is a stream of conscious songwriting from the framework of the unconscious. While Roo’s backlog of dreams lend inspiration to the lyrics and themes, the music pulls influence from the unique and distinguished sounds of Boredoms, Screaming Jay Hawkins, Mystic Djim & The Spirits, and Polvo, as well as modern day genre expanding acts like Thee Oh Sees, Palm, and Guerilla Toss. Neckbolt understands context and divergent sounds, their music is often swarming and easy to get lost in, amorphous and fervently interesting. The band are primed to re-contextualize noise rock, creating their own animalistic sound, a swirling, ground shaking mix of acid fueled structures, primal rhythmic force, and cosmic asides. The record convulses and spits with character rather than angst or anxiety, the sonic brutality is met with cartoonish glee and dynamic textures. Roo’s processed vocals wail, slither, and screech against fractured motorik boogie and disjointed grooves. Their music is energetic and dance-floor ready, juxtaposing loud and abrasive with hypnotic and fluid. They’ve adopted an atonal bliss, where dread is transposed into possibility. Anything can happen. Dream Dump feels like a celebration, the landscapes of our dreams have been brought out into the open, and now we’re all just scraping for our own meanings.

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Negativland

No Brain

12,99 €*

Acoustic Concert 1976 / Broadcast White Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Four songs in just under nine minutes: what do they have in common? They’ve got No Brain, and they’re the new vinyl EP from your grandparents in Negativland. Just as all those decades of Media Literacy courses finally seemed to be sinking in, along came Social Media to scramble one’s lines of sight on where all these voices are really coming from. Every tactic modern citizens used to resist the one-way feeds of Broadcast Media—from skepticism, to research, to signal jamming—is just as easily used against them in today’s all-way environment. The four songs on this record juxtapose the voices of media experts from the ancient ’90s with voices culled from the modern landscape of Social Media—from the users still operating under the old rules, to the rationalizations of tech CEOs who invented the software that’s eaten them. How does one follow the money on a free platform? Who’s got the megaphone? Can non-sequiturs exist? What takes less time to update: a website’s auction to determine which ads are being loaded onto your page, or your own perceptual mechanism making a call on everything you don’t need to know? All of this and more, made hypnotically catchy through Negativland’s time-honored use of funny noises and weird beats, could be coming soon to a nervous system that is You. For a full Negativland stock list, please ask.

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Neil Young

LP | 2023 | EU | Original (Laser Media)

32,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Die Trying & Other Hot Sounds 1979-1983

New Math

LP | 2023 | EU | Original (Propeller Sound)

Release: 2023 / EU – Original

Genre: Rock & Indie

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They Walk Among You 2024 Remastered & Expanded Clear Smoke Vinyl Edition

New Math

LP | 2024 | Original (Propeller Sound)

Manganese Orange Vinyl Edition

Release: 2024 / Original

Genre: Rock & Indie

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THE GOTH-TINGED, PSYCHEDELIC, NEW WAVE INDIE CULT CLASSIC IS BACK FROM THE DEAD! The Rochester, NY band’s 1981 debut EP has been newly remastered & is now expanded to include six bonus tracks: three studio outtakes & three tracks recorded live at Rochester’s Scorgies in 1983. The title track has received years of interest from DJs and 80s indie fans. With a fresh remaster & unearthed outtakes, it is a must! The original EP release came out on Howie Klien's 415 Records (Romeo Void, Red Rockers, Translator, Wire Train) -distributed by Columbia. The original 5-song EP has long been out of print. The newly remastered EP tracks sit sonically alongside the outtakes and live cuts to flesh out this indie classic. To celebrate the 2023 compilation release “Die Trying & Other Hot Sounds”, New Math reformed & spent most of last year playing shows around the Upstate New York area. Feeling rejuvenated, the band decided to record some of their original repertoire that had not yet been captured in the studio and was previously lost to time.

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Nicholas Allbrook

LP | 2023 | EU | Original (Spinning Top)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Nicholas Allbrook is a Western Australian native and a highly-accomplished Australian songwriter, and multi-instrumentalist. Since the beginning of his artistic career in 2005, Allbrook has brought community and collaboration to the forefront of his artistic method. Whether it was in the poignant lyricism of his solo musical endeavors (Ganough, Wallis and Fatuna/Wabi-Sabi) or in the production style of his band POND's latest album '9', Allbrook shows a deep understanding of the human experience and the importance of art in modern society. He has collaborated with Australian and international musicians alike, from King Krule to Cat Le Bon, Holy Fuck and Cuco. Emotional, geological, psycho-geographical: this is the terrain of Manganese, Allbrook's fourth album away from Pond life. A psyche-pop wonderland, Allbrook's new solo album is the sound of a musician with a symphony in his back pocket, the Eighties history of Oz-rock in his rearview mirror and modern Australia in his sights.

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Abattoir Blues / Lyre Of Orpheus

2LP | 2004 | EU | Reissue (Mute)

Release: 2004 / EU – Reissue

Genre: Rock & Indie

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2LP | 2008 | EU | Reissue (Mute)

Dig!!! Lazarus!!! Dig!!!

Release: 2008 / EU – Reissue

Genre: Rock & Indie

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LP | 1984 | EU | Reissue (Mute)

From Her To Eternity

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Including download code.

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LP | 1992 | EU | Reissue (Mute)

Henry's Dream

Release: 1992 / EU – Reissue

Genre: Rock & Indie

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180 gram vinyl with download code!

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Kicking Against The Pricks

LP | 1986 | EU | Reissue (Mute)

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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LP | 1994 | EU | Reissue (Mute)

Let Love In

Release: 1994 / EU – Reissue

Genre: Rock & Indie

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180 gram vinyl with download code!

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2LP | 1995 | EU | Reissue (Mute)

Murder Ballads

Release: 1995 / EU – Reissue

Genre: Rock & Indie

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180 gram vinyl

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2LP | 2001 | EU | Reissue (Mute)

No More Shall We Part

Release: 2001 / EU – Reissue

Genre: Rock & Indie

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180 gram vinyl with download code!

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2LP | 2003 | EU | Reissue (Mute)

Nocturama

Release: 2003 / EU – Reissue

Genre: Rock & Indie

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LP+LP+All Media | 2002 | EU | Reissue (Mute)

Nocturama

Release: 2002 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed. 2014 reissue.

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LP | 1988 | EU | Reissue (Mute)

Tender Prey

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Recorded in Berlin and London between 87 and 88!

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LP | 1997 | UK | Reissue (Mute)

The Boatman's Call

Release: 1997 / UK – Reissue

Genre: Rock & Indie

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Mick Harvey, Blixa Bargeld, Thomas Wydler, Conway Savage, Martyn P. Casey, Jim Sclavunos and Warren Ellis are the Bad Seeds on this one! Download code is included!

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LP | 1985 | EU | Reissue (Mute)

The First Born Is Dead

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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LP | 1990 | EU | Reissue (Mute)

The Good Son

Release: 1990 / EU – Reissue

Genre: Rock & Indie

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180 gram vinyl with download code!

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Your Funeral ... My Trial

2LP | 1986 | EU | Reissue (Mute)

OST The Proposition 2018 Remastered Edition

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Nick Cave & Warren Ellis

2LP | 2018 | EU | Original (Mute)

Release: 2018 / EU – Original

Genre: Rock & Indie, Soundtracks

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The Proposition (Original Soundtrack)

Nick Cave & Warren Ellis

LP | 2018 | UK | Original (Mute)

Release: 2018 / UK – Original

Genre: Rock & Indie, Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2024 | EU | Original (Happy Families)

Nick Maurer

Come On In!

18,99 €*

LP | 2019 | EU | Original (Future Classic)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Nick Maurer’s Come On In! is the stuff of a modern American fable. The 20 year-old Cincinnatian’s first release on Happy Families feels wise beyond years but is equally moving in its innocent enthusiasm. Written while still in highschool and recorded using his cellphone, Come On In! is best enjoyed live, but even on vinyl or digitally, the album feels timeless, like you are stepping into a colorful picture book illustrated with a careful hand.

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Nick Murphy (Chet Faker)

Run Fast Sleep Naked

LP | 2022 | EU | Original (Mute)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Co-produced by Dave Harrington, the vocals for the collection were captured all around the world during the last four years. For the record, Murphy found “spaces and environments that most inspired him,” ranging from his grandmother’s living room to a studio in Tokyo to a New Zealand rental home while on vacation with his family. During this period, the musician began a process of intense self-examination, using Joseph Campbell’s writings to question his role as an artist in modern society. The instrumentation for the album was later recorded at Brooklyn, New York’s Figure 8 with help from over 15 musicians and a full orchestra.

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Nicolas Bougaieff

Begin Within

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Capitane)

Nicolas Michaux

Amour Colère

Night Beats Purple Vinyl Editoin

Release: 2023 / EU – Original

Genre: Rock & Indie

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Der Titel "Amour Colère" - also "Liebe, Zorn" - lässt bereits anklingen, dass Nicholas Michaux auf seiner Platte versucht, mal mehr, mal weniger Gegensätzliches miteinander zu verknüpfen. Einen ersten Hinweis darauf liefert bereits die Trackliste: Französische und englische Songs stehen hier gleichberechtigt nebeneinander. Tatsächlich sieht sich Nicolas Michaux selbst auch in der Tradition des französischen Chansons, die er in seinen Songs mit Anleihen aus der amerikanischen Songwriter-Szene, ein bisschen Classic Rock und New Wave verwebt.Wer bei dem Albumtitel allerdings kitschige Liebesschnulzen oder donnernde Wutausbrüche erwartet, wird von Nicolas Michaux' Stil positiv überrascht sein: Liebe und Zorn beschreiben eher die Stimmung seiner Texte. In seiner Musik schlägt er einen meist nachdenklichen, manchmal schwermütigen, in jedem Fall sehr persönlichen Ton an. Seine Lieder sind einfach gebaut, aber nicht seicht; harmonisch-gefühlvoll, aber nie sentimental. Sein Fokus auf das Wesentliche lässt das Album zeitlos und gleichzeitig modern wirken.Vor mehr als vier Jahren hat der belgische Künstler Nicholas Michaux die öffentliche Bühne betreten. Mit seinem Debütalbum setzte er damals ein musikalisches Ausrufezeichen und gewann viele Kritiker für sich. Nun veröffentlicht der Singer-Songwriter aus Lüttich seine zweite LP und liefert damit ein kleines Füllhorn voller verträumt-melancholischer Songs.Mit seinen Songs lässt Nicolas Michaux die Klassiker des Chansons einmal mehr aufleben und gibt ihnen mit rockigen Akzenten neues Leben, ohne dabei zu aufdringlich zu wirken. Besonders gut eignet sich die CD damit für einen lauen Frühherbstabend, um sich gemütlich zurückzulehnen, zu träumen und still zu genießen.

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Night Beats

LP | 2024 | UK | Original (Fuzz Club)

LP | 2022 | EU | Original (Tiny Global Productions)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Danny Lee Blackwell"s Night Beats released their self-titled debut album back in 2011 and 2024 sees a long-overdue vinyl reissue hit the racks courtesy of UK label Fuzz Club. An acid-drenched modern garage-rock classic in the Texan thirteenth-floor tradition, the band"s R&B-inspired Western Psychedelic sound on this 12-track set is a reckoning, a shoot-out at dawn, the ear-splitting peel-out that leaves nothing but a cloud of red dust in its wake. Following early releases in the shape of the "H-Bomb" 45 and a split 10" with UFO Club (a collaborative project between Blackwell and The Black Angels" Christian Bland), the "Night Beats" LP was the first full-length introduction to the band and propelled them to the forefront of burgeoning contemporary psych scene in a blaze of scuzzy rock"n"roll release. Heavy touring immediately ensued and hasn"t let up in the years that followed, and the definitive Night Beats hit "Puppet On A String" has since clocked up millions of streams and become the soundtrack to an underground, fuzz-worshipping generation.

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Nightingales

Four Against Fate

Common Crusade Clear Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Very limited new repress coming, note new price. An air of the unsettled is a staple of Robert Lloyd's career, from The Prefects's dank dexterity and jittery paranoia of the first Nightingales' release, Idiot Strength, onward through four decades of top-notch recordings. If the unique persona of Lloyd and crew always came across on their ten albums and countless line-ups, it was largely as an acquired taste of the musical cognoscenti. Labels good and bad seemed to feel, at one point or another, a public duty and a point of pride to release a Nightingales album before returning to the business of business. Four Against Fate is remarkable. It's the work of what's now the band's longest-serving line-up. The instrumental precision of any version of Nightingales has been one of the band's defining hallmarks, but the psychic interplay of a group can take a few albums to kick in with full majesty - here's proof of that. The rhythm section of Fliss and Andi functions now on a purely intuitive level. Jim's work now ranks with that of any guitarist in modern 'rock' music, not just in originality, but also across an egalitarian mass of inspiration. Each member sings. Although Robert's voice functions as the band's superego, Fliss takes lead in several songs. Few bands today sound as much like a single unit as do Nightingales, but this group has the bonus of a distinct and credible musical language, exemplified by The Desperate Quartet, which comes across as both a medieval war march and the anthem of looming apocalypse. When at the song's halfway point, American classical musician Clara Kebabian's violin and Mark Bedford's (of Madness) double bass overtake the Robert, Fliss, Jim and Andi, it's a jawdropper of such intense perversity that it alone defies the listener to not play the album again from the start. Not that this album lacks 'hits' - The Top Shelf, Everything Everywhere All Of The Time, Devil's Due and The Other Side are stunners. Robert claims Four Against Fate is the first of his album on which he sk...

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Nightwatchers

LP | 2021 | EU | Original (Lovely)

12" | 2011 | US | Reissue (Sub Pop)

Release: 2021 / EU – Original

Genre: Rock & Indie

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"Common Crusades" is the second full-length from French Nightwatchers, and the musical and lyrical continuity of their 2019 thematic debut "La paix ou le sable". Political lyrics dealing with the conflicts rooted in France's colonial era clash with melodic, subversive, and gloomy and soundscapes throughout the tracks of "Common Crusades". An album that is as musically captivating as politically current. "Common Crusades" offers 10 melodic punk rock tracks, all contributing to the overall story and theme of the album. Fast-paced, distorted, and punchy cuts are mixed with tracks highlighting a colder and post-punk influenced side of Nightwatchers. The sound is perfectly captured by studio engineer Mathieu Zuzek. "Common Crusades" tackles the same issues that shaped Nightwatchers debut album "La paix ou le sable", but from a different perspective. Both albums deal with events surrounding France's violent colonization and exploitation of their occurred territories. While the lyrics of "La paix ou le sable" is based on excerpts taken from two historical books and written with the objective of raising awareness of France's colonial violence, "Common Crusades" mainly focuses on the aftermath of these conflicts, and how the colonial era still affects modern day France. In particular, its Muslim population. All the lyrics of "Common Crusades" are based on speeches or writings of personalities who played a role in the colonization process, as well as those who currently play a role in the perpetuation of colonial logic within the French society.

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Niki And The Dove

The Fox

18,99 €*

Live On Air 1996 / Radio Broadcast

Release: 2011 / US – Reissue

Genre: Rock & Indie

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NIKI AND THE DOVE is a band from Stockholm, Sweden with two members, Malin Dahlström and Gustaf Karlöf. Their songs are full of magic and light but with an unsettling darkness hidden beneath the surface. It's pop music but a world away from the production line aesthetics of much modern chart music. Since getting together in February 2010, Malin and Gustaf have been busy writing together, figuring out just how pop music works and then discovering new ways to break it. Their first single "DJ, Ease My Mind"/"Under the Bridges" released on leading UK independent label Moshi Moshi, was one of the most striking debuts of the year, catching the attention of everyone from Artrocker and NME through to The Sunday Times, who declared the single could "be the two greatest alt-pop songs of 2010."Newly signed to the Sub Pop label this 12" single for "The Fox" is NIKI AND THE DOVE's first release on Sub Pop. A full-length album will follow in late 2011 or early 2012.

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Nils Lofgren

LP | 2023 | EU | Original (Laser Media)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Vibration Army / Silence-High-Speed

Non Band

Mag+7" | 2023 | EU | Original (TAL)

LP | 2022 | UK | Original (Melodic)

Release: 2023 / EU – Original

Genre: Rock & Indie

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This unique and unconventional set combines a 7“ single with two yet unreleased songs by Non Band and a photo magazine, both of which provide essential evidence of the tsunami-like tidal wave of the Japanese post punk movement. The two featured songs perfectly capture the charismatic formative years of Non Band, with their sound emerging as an entirely unique mix of driving punk veering from No Wave and Folk into raw post punk mutations. Both songs were committed to tape in 1981 at the legendary facilities of Mod Studio, Tokyo, by engineer Yasushi Konichi when the band recorded their eponymous debut album which was issued via Tokyo‘s Telegraph Records back in 1982.

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Nyx Nott

Themes From

Everyone Into Position Double Splatter Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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“The plan was to make twenty 90-second tracks designed as TV themes,” says Arab Strap’s Aidan Moffat, of the initial thought behind his new instrumental album as Nyx Nótt “But it wasn't a satisfying listen, it was too gimmicky and silly.”

So instead, Moffat decided to stretch the idea out, plunge deeper, and expand the music into full tracks, “making some of them quite long and dramatic, with the odd swift turn here and there.” In fleshing these tracks out into more fully realised songs he began sourcing samples from professional TV and film music libraries. “The focus then turned to making a proper album out of these modern library sounds,” he says. “I decided to stick with the Themes From title and named the tracks after the sorts of shows they made me think of when I listened back.”

The result is a record that explores genre themes such as: ‘Thriller, ‘Porno’, ‘Caper’ and‘Swashbuckler’, and acts as an audio equivalent of channel hopping through a unique TV station programmed by Moffat. “I still wasn't sure about all this until I did the album cover, which brought it all together,” he says, of the artwork that places an old smashed TV unit front and centre with a woman perched on top. “It has echoes of old TV compilations but is pretty cheeky and slightly sexy in that old 70s compilation style. I wanted this one to look a bit more fun than the last one, as well as hopefully sound a bit more fun too.”

Aside from being a fun experience, it is also a stirring and immersive listen, one that allows the listener to imagine their own accompanying visual scenarios to each musical theme. The opening ‘Docudrama’ marries a gently creeping beat with strings that glide from tense to sweeping, while ‘Porno’ is all seedy smoky jazz that feels plucked right out of Travis Bickle’s late night trips to porn cinemas in Taxi Driver.

Touches of jazz pop up in other places too, on ‘Hardboiled’ this merges with subtle pulses and gargles of electronics that build to a rousing crescendo of horns and bleeps, and on ‘Caper’ there’s a vivacious full jazz band skip to the lively swinging rhythms. “There's a few more jazzy elements here,” Moffat says. “Although I'm not quite sure where that came from. Although, like everyone else, I've had plenty of time to be introspective recently, so I decided the next Nyx Nótt album should be more upbeat and encourage some occasional foot-tapping.”

However, what becomes apparent, the longer you spend in the world of Themes From, is how singular and unique the tone of each composition is. “Each track has its own individual feel,” says Moffat. “The idea was to sound like a different composer and band throughout.” It’s a stylistic leap that continues Nyx Nótt’s trajectory as one that shares no direct link to Moffat’s other projects. “I approach them in completely different ways and with a different purpose in mind,” says Moffat. “I don't think Nyx has ever heard of Arab Strap, and certainly doesn't own any of their albums.” It’s also a notable shift from the debut album under this moniker, and suitably given the theme, Moffat has created a visual comparison between these two sonic worlds. “If the first Nyx Nótt album was like looking out on dark prairies before dawn, this is more like a walk through a neon Soho after a few cocktails.”

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Oceansize

2LP | 2022 | UK | Original (Beggars Banquet)

Release: 2022 / UK – Original

Genre: Rock & Indie

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LP | 2022 | Original (Grönland)

Oehl

Keine Blumen

Release: 2022 / Original

Genre: Rock & Indie

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Cro Memory Grin Clear Vinyl Edition

Oily Boys

LP | 2021 | EU | Original (Static Shock)

LP | 2019 | US | Original (Third Man)

Release: 2021 / EU – Original

Genre: Rock & Indie

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When Sydney's Oily Boys Dropped Their Long Awaited Debut Lp On Cool Death Over The Summer We Were Caught Unawares, And Quickly Fell In Love With It. Static Shock Is Now Very Pleased To Be Releasing This Across The Pond For The Uninitiated. Here's What The Cool Death Originally Said About This Record, As We Couldn't Agree More: "Chthonic, Catatonic, Chronic... Cro Memory Grin Is A Masterpiece. Thirteen Turbocharged Tracks Indebted To The Pleasures And Pitfalls Of Their Lives In The Modern City Of Sydney And To The The First And Second Waves Of International Extreme Music Freaks And Loonies: Pure Fucking Aggression. The Oily Boys Have Graced Us With A Beast Of An Album That Swells Between Direct, Gripping, Tangible Hardcore Punk And Near Nauseating Psychedelia And Throb Which At Moments Feels Like Either Ritual Trance Or A Nervous Breakdown. Cro Memory Grin Contains Near Equal Measures Of Tension And Release; An Exercise In High Catharsis. It's Rare That A Punk Record Can Give The Listener Anywhere Near The Same Intoxicating Feel Of An "Everything Louder Than Everything Else" Live Show, But That's What Oily Boys Have Done. That Lightning In A Bottle Feeling Of Excitement, Chaotic Energy, Delirium, Presence In A Moment And Frenzied Flight Into A Mind State Both Frightening And Ecstatic. The Stone Has Been Carved, The Fire Has Been Lit, And This Is It... Cro. Memory. Grin. The Lp Is Clear Vinyl And Comes Packaged In A Slightly Different Sleeve To The Cool Death Pressing. Features Members Of Low Life.

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Olivia Jean

Night Owl

LP | 2024 | US | Original (Siltbreeze)

Release: 2019 / US – Original

Genre: Rock & Indie

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Olivia Jean is back on the beat with her second full-length (and first self-produced) album, Night Owl.
Night Owl is exactly what it sounds like: the wee-hour workings of an artist engrossed in a project, pushing against omnipresent forces of fear and judgment to do exactly what she’s always wanted to do and be exactly what she’s known she is. It's candy-coated and also bittersweet, fully aware and also full-hearted.
The album mines the shared spaces between bubblegum, beach pop undercurrents and fuzzed out garage a la B-52s and Dick Dale, lyrically diving headfirst into the frustrations of perfectionism, mental barriers, obsession and modern heartache. Unlike Bathtub Love Killings, on which we found Olivia playing every instrument on the vast majority of the album, Night Owl is decidedly more collaborative, with a studio band of buddies backing up her up.

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Omit

In/Sec

This Place You Know Cloudy Pink Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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OMIT’s in/Sec is “new,” but not new. Recorded in 2013, the masters lost in the label’s murky somewheresville that always shows up when moving. For those who don’t know, Omit is an experimental electronics artist from New Zealand’s south island who, since 1990, has released thirty-some xerographed cassettes and CDrs in the Dead C orbit for those who do. It’s not enough to say that in/Sec is an ambient masterpiece bringing to mind a John Carpenter soundtrack performed by the Hub because listening to it engineers new species. The infectious and corrupting sounds synthesize new life forms in your brain's enzymes. If you specialize in a niche too much, you are prey to predators outside, but Omit never goes for low-hanging fruit and isn't simulating anything. I can vomit a better looking face than the ones on these little fuckers eating my brain right now. In this century that flatters itself to be of drinking age, it is a queer thing we haven’t come face to face with aliens. There is a time for everything and they're all intermixed. Besides the xenobiological effects, Omit constructs your sentiment through timbral concepts that repeat and shift with minimal reference to harmony, melody, key, or mode. Streams jump and skitter, knitting tightly high and low in a dense rattling driven to the long and most plaintive tones amongst the countless gizmos (that’s including you, but not “you”). This one is for big fans of Anode/Cathode, Ikue Mori, Papa Srapa, Fronte Violeta, and Insignia refrigerators.

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One Step Closer

LP | 2021 | US | Reissue (Run For Cover)

LP | 2021 | EU | Original (Pelagic)

Release: 2021 / US – Reissue

Genre: Rock & Indie

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For Wilkes-Barre's One Step Closer - the concept of home is complicated. "I've never felt so distant in my life," vocalist Ryan Savitskiscreams on the lead single "Pringle Street," a place in his hometownthat binds the album's lyrics to both a precise location and feeling ofdisplacement. On their first ever full-length album and debut for RunFor Cover This Place You Know, the band offers a modern comingof-age story about growing up and grasping both the known and theunknown.One Step Closer started in 2016 and in their short five years, Savitski, along with drummer Tommy Norton, bassist Brian Talipan andguitarists Ross Thompson & Grady Allen have come into their ownas a modern hardcore mainstay. Their 2019 EP `From Me To You'countered existing trends in exchange for a more melodic sound inthe vein of bands like Turning Point and Title Fight. They went onto open for Have Heart at the band's now legendary reunion showsthat summer, and joined bands like Knuckle Puck and Turnstile ontour before pausing to write their debut album.This Place You Know grapples with the weight of themes like isolation, depression, and loss - all amplified by driving bass lines, emphatic guitar riffs and unwavering drumming performed by the band.From the first moments of album opener "I Feel So," the stakes aremade clear by the anchoring lyric `this place you know, sometimes ithides the truth and lets people go" - One Step Closer is attemptingto resolve the unresolvable anguish of moving on from everythingyou once knew.

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Oslo Tapes

Or Black Vinyl Edition

15,99 €*

Ozean White Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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For Fans Of Amon Düül, Can, Faust, Neubauten, Brian Eno, Cluster, Cult Of Luna, Nine Inch Nails, Massive Attackor - Norwegian For "Dizzy, Confusing" - Is The Third Album From Italian Avant-Rock Trio Oslo Tapes, And The Album Keeps What The Word Promises: A Dizzying Ride Through A Feverish Dreamscape Of Imaginary Norwegian Highlands Painted In Cubistic Shapes. Hypnotic Basslines, Repetitive Drum Patterns, New Wave Synths And Psychedelic Guitar Textures Covering The Full Width Of The Stereo Room, All Seamlessly Woven Into A Gloomy Kraut - Tapestry Which Sounds Refreshingly_ Modern, While Paying Tribute To The Aged Genre.Marco Campitelli, Born And Raised In Lanciano On The Southern Adriatic Coast Of Italy, Founded Oslo Tapes In The Early 2010s After A Trip To The Norwegian Capital Left Him Deeply Impressed. Under The Influence Of This Infatuation, He Composed And Produced Oslo Tapes' First Record "Ot (Un Cuore In Pasto A Pesci Con Teste Di Cane)" Within A Week In 2013.Supervised And Supported By Friend Amaury Cambuzat (Faust / Ulan Bator), Campitelli's First Attempt To Capture The Mystical Vibe Of Norway Was Released On Deambula Records (Ulan Bator, The Marigold, 7c). In 2015 He Was Joined By Mauro Spada And Federico Sergente (Zippo) And Together They Recorded Oslo Tapes' Sophomore Album "Tango Kalashnikov", Also Released On Deambula Records."Or" Is A Much More Collaborative Effort For Oslo Tapes Than The First Two Records. Next To Campitelli, The Album Was Co-Produced By Amaury Cambuzat (Ulan Bator) And James Aparicio (House Engineer For Mute Records And Mixing And Mastering Engineer For Depeche Mode, Mogwai, Nick Cave). During Production, Campitelli Became Friends With Emil Nikolaisen Of Serena Maneesh W H O Guided Him "Through The Norwegian Imagination". As A Result, The Record's Title Is Also Courtesy Of Nikolaisen.During This Journey Spanning Over Eight Songs, Oslo Tapes, Completed By Mauro Spada (Bass) And Davide Di Virgilio (Drums And Percussions) Construct A Dense And Ever So...

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Ozean

12" | 2024 | US | Original (Numero Group)

Madman On Stage / Public Radio Broadcasts Picture Disc Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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White Vinyl. Set your shoes to gaze mode and rip into this king size cloud of ethereal dream pop. Inspired by the spate of Brits leaning into swirling distortion and punishing volume, San Jose's Ozean played just two shows in their brief existence, dissolving before the Scene That Celebrates Itself ever broke the silicon barrier. The quartet's 1991 self-titled demo cassette has been remastered and pressed at 45RPM, a timeless document of late adolescent wonder and experimentation.

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Ozzy Osbourne

10" | 2023 | EU | Original (Laser Media)

Release: 2023 / EU – Original

Genre: Rock & Indie

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The Evil Yea Purple Vinyl Edition

Paga

LP | 2020 | EU | Original (Svart)

LP | 2023 | UK | Original (Domino)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Limited A5 digipak, 500 copies. Svart Records has re-issued some of the very finest classic Finnish Post-punk albums such as Musta paraati, Kola kestää and Nolla nolla nolla, alongside being known for discovering modern underground classics such as Beastmilk. Now we turn our ears towards a new wave of sound from Sweden, to Pågå and their wildly original new album The Evil Year.

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Panda Bear & Sonic Boom

Reset In Dub

LP | 2019 | US | Reissue (Dirt Cult)

Release: 2023 / UK – Original

Genre: Rock & Indie

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A year after their acclaimed debut album Reset, psychedelic pioneers Panda Bear & Sonic Boom continue their kaleidoscopic adventures with Reset in Dub - a reissue of the album, engineered by one of UK dub's most influential and innovative figures Adrian Sherwood (Depeche Mode, Primal Scream, Sinéad O'Connor). It's a luxuriously spacious album, yet true to the original, that takes the listener on a sonic journey through 60s nostalgia, peppered with dub guitars, electronic chatter and Noah's signature vocals.

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Pandemix

In Condemnation

16,79 €* 20,99 € -20%

LP | 2003 | Reissue (Be With)

Release: 2019 / US – Reissue

Genre: Rock & Indie

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Pandemix is back with In Condemnation, a 10 song LP expanding on their political, peace-punk indebted hardcore canon. The band churns out unapologetic outsider anthems in the tradition of Crass Records bands, with flashes of the angular iconoclastic wit of Flux of Pink Indians or Poison Girls juxtaposed against the jarring and heavy guitar textures of Profane Existence style crust punk. It’s the appropriate tone for Pandemix’s incisive social commentary. On the album closer “Column of Light,” they offer a thesis: “May every breath I ever draw be used in condemnation.” Vocalist Shannon Thompson's breath finds well deserved targets at nearly every lyrical turn. In “Can’t Assimilate” for example, she oscillates between a homophobic street harasser and a cop at a pride parade, finding no solace in any corner of the public sphere. The antagonists on In Condemnation are both political and personal. “It’s all about a relationship to violence,” she spits in “Synthetix.” “If it’s constant and random then you can’t politicize it.” This dismal sentiment clashes appropriately against a jagged bass line and harsh militaristic drum lines. In “Oblivion Lullabies,” a catchy rager that barrels ahead at full throttle, she turns her focus inward. “There’s something nameless inside me / Barren and burned / I can’t believe / That I could be the only one / Who feels like a voyeur in her own life.” A culture of constant performance and decentralized surveillance is critiqued not only for its usefulness to authoritarian figures but also for how it shapes the way we think about ourselves. On the soaring penultimate track, “Past Selves,” we are offered the closest thing to optimism that Pandemix is willing to offer. Its melodramatic, goosebump inspiring riff sets the mood for an anthem of finding strength in oneself in the face of a degrading cultural landscape. “Remain steadfastly human in the face of all this dehumanization,” is the coping mantra Thompson offers as the record nears its end. Even at its most uplifting, In Condemnation shines brightness only in contrast to the constant misery and violence of modern life.

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Parsley Sound

Parsley Sounds

LP | 2024 | US | Original (Ever / Never)

Release: 2003 / Reissue

Genre: Rock & Indie

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Parsley Sounds was the glorious debut album for Mo Wax by Parsley Sound. The album was one of the iconic label’s final releases before it closed in 2003 and locating a clean copy has been extremely tricky of late, unless you're flush enough to drop 150 notes on it. Mercifully, the Be With reissue, put together with invaluable assistance from the group, should remedy this situation. It's a lo-fi, bass-heavy, blunted beat treat, warped with heat haze and dreamy soft-psych and has been criminally under-heard for far too long.

As with most cult-like records, Parsley Sounds has many influential fans, far and wide. From Four Tet and Caribou to NTS's modern day breakfast hero Flo Dill, its reputation has only grown in stature. At the time, the notoriously hard-to-please Pitchfork garlanded it with a scarcely achievable 8.8 whilst, just recently, the Numero Group's Rob Sevier described it as a "visionary bit of proto-Salvia Palth (or Steve Lacy)" via a Ghostly International missive.

Parsley Sound comprised super-talented duo Preston Mead and Dan Sargassa. They released an early single (the perfect "Twilight Mushrooms", featured here) on Warp Records as Slum, before signing to Mo Wax. Hidden behind a wall of sound - fuzzy layers of beats, bleeps and symphonic synths - they were convinced they made mainstream pop music. And, in many respects, Parsley Sounds really is a beautiful pop album. It overflows with memorable, gorgeous melodies and inspired songcraft. As the contemporaneous Pitchfork review correctly had it: "Parsley Sounds is one of those rare records that manage to sound modest while frequently pushing the sonic envelope."

Killer opener "Ease Yourself And Glide" is a thing of aching, soft-psych, wonky beat-beauty. A melodic masterpiece, part Crosby, Stills & Nash, part proto-Koushik, it presents a melancholy falsetto, surging bass and blunted lead guitar. As it climaxes, gorgeous strings are ushered in to see us out. Sublime. "Twilight Mushrooms" is up next and it's an acid-drenched, strung-out acoustic-led campfire wonder. Amid layers of tape-hiss and beautiful, sun-dappled strings, its understated vocal track provides a haze of wistful innocence.

The breezy "Spring's Near" is a krautrock-inspired chiming instrumental of heavenly excellence, its warm, skipping, motorik groove and dreamy synths completely infectious. Another total highlight, the technicolour "Yo Yo" initially presents itself as a more abstract, bleepy offering but as it organically swells into ever more beautiful places, with the addition of a choppy insistent drum loop, flute bursts, horns and sweeping strings, it puts one in mind of early Manitoba and Four Tet releases. Shimmering, blissed-out greatness.

The celestial harmonies and glistening harps of the wonderfully beatless, serenely sullen "Ocean House" are very much in conversation with late-60s meditative psych whilst, closing out Side A, the jaw-dropping, lushly experimental effort "Find The Heat" comes on like Arthur Russell meets Brian Wilson. Yep, *that* good.

Side B opens with the warped, bleepy "Stevie", a brief but beautifully wonky, soulful and intricate instrumental. The more upfront vocals that propel the fuzzy "Platonic Rate" have a refreshing swagger to them, the heavy bass and neck-snapping in-the-red beats too much for any system to deal with whilst the guitars and strings have a sweeping, cinematic feel which just beguiles. The slow, urbane soul of "Candlemice" will stop you in your tracks, no matter what you're doing. It carries a delicate sadness, as does much of the album in that classic "down lifting" style we so love here at Be With.

The fuzzing, buzzing "Templechurchmansions" is a searing, soulful dubwise detonation. Heavily stoned with slow-burning jazzy snatches and a tense, moody atmosphere, it's a Tricky-adjacent gem. The album rounds out brilliantly with the ominous instrumental "Neon Breeze" before giving way to the propulsive, almost incongruous punk-funk / disco-dub of secret "untitled" track "Caution", a scratchy, smacked-out groove-fuelled workout with a female vocal dripping with 'tude. Just sensational.

Under the watchful eye - and attentive ears! - of Parsley Sound themselves, the audio for Parsley Sounds has been carefully mastered by Be With regular Simon Francis, with a few much needed tweaks here and there, according to the artist's wishes. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at the always stellar Record Industry in Holland.

Preston and Dan always thought the colours on the first vinyl pressing looked a bit "washed out" vis-a-vis the original artwork which was way more vibrant. We feel we've got it popping back to the original intention with the restoration work here at Be With HQ. So with the audio and artwork now approaching completeness after 20 years, this long overdue re-issue could be considered its definitive vinyl release.

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Patois Counselors

Limited Sphere

37,99 €*

LP | 2024 | US | Original (Centrpetal Force)

Release: 2024 / US – Original

Genre: Rock & Indie

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As Patois Counselors close in on a decade of existence, they are back to confirm their standing as one of America’s most consistently forward-thinking rock units. Although it’s been an entire presidential term since the Counselors acclaimed sophomore album The Optimal Seat came out, Bo White’s group hasn’t been lying fallow. Over the last few years, the seven-person line-up has been busy writing, recording and gigging, resulting in Enough: One Night at the Daisy Chain, a live-in-the-studio document captured in Brooklyn while on tour. Released at the beginning of 2024, Daisy Chain works splendidly as both a greatest hits primer and a forthcoming album teaser. Alas, the teasing is over with the arrival of Limited Sphere, the third album from Charlotte, NC’s Patois Counselors. Once again, Ever/Never steps up to the plate to demonstrate their confidence in this hard-working crew. In most contexts, a septet band configuration signals either a jazz ensemble or a mishmash of madcap noise. Beholden to no rules, Patois Counselors pluck from a selection of tactics as needed. Even augmented by extra players, each member reinforces their specific role, performing exactly what is needed for the track at hand. White’s post-modern muse needs plenty of room to stretch out and breathe and the big band spreads out the tent as far as it will go. White’s songs are rife with earned skepticism, sly asides and deft twists of tongues and licks. The manner in which the little details accumulate into the structure of the whole keeps the listener engaged. In other words, this is pop music for benevolent, discerning brainiacs, but regular people can dig it too. For Limited Sphere, Patois Counselors relax their grip on the tense post-punk that they mastered long ago. Songs like “Fountain Of UHF,” “Serious Rider” and “Ranking Set” still touch on this style, but now White’s voice shares the air with woodwind instruments that add even more depth and texture to his songs. The effortlessly groovy, vaguely loungey “Marge Attack” conjures fond memories of early Stereolab, while “Return To Sensitivity” evokes the magic hour of twilight, insects buzzing and zipping through dusky sky. Foregrounding the haze and mist in these songs, you can detect traces of Eno’s Another Green World in Limited’s atmoSphere, particularly on the closing “Cathy Music.” For their third proper album, Patois Counselors have crafted another seamless set of songs for practical fantasists and head-in-the-clouds cynics. The sphere outlined here may be limited, but the boundaries have been expanded significantly. —Erick Bradshaw

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Patrick Sansone Of Wilco

Infinity Mirrors

44,99 €*

Good Rockin' Tonight Yellow Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Patrick Sansone is a Nashville based multi-instrumentalist, composer, music producer, and photographer. He is also a member of Wilco, The Autumn Defense, and Mellotron Variations. Infinity Mirrors is his first album as a solo artist.

Sansone’s interest in synthesizers goes back to his teens in the 1980s when he was afforded the benefits and luxury of time, time to simply discover and enjoy the pure pleasures of sound. Meridian, Mississippi in the mid-eighties wasn’t exactly a synthesizer kind of town, but he did manage to get his hands on a Korg Polysix and an Arp Axxe and spent solitary hours creating sounds and blissing out. It was a foundational experience, one that has led to a life long passion for collecting and playing vintage synthesizers. Some of Patrick’s favorites utilized in Infinity Mirrors include the Roland Jupiter-8, MiniMoog Model D, and Sequential Circuits Prophet-10, as well as the modern Mellotron D4000 and Teenage Engineering OP1

The ideas behind what have become Infinity Mirrors have been brewing for several years. Patrick’s plan had always been to use his ever growing stable of synthesizers in some sort of project, but it wasn't until 2017 that these ideas really started to come together. His goal was not to sit down and record an album. It was more of a desire to engage with new creative processes, an effort to recapture the spirit and energy he enjoyed when he first discovered synthesizers. To accomplish this, Patrick established a set of expectations around which he would record. Central to his expectations was the idea that all of the pieces would be spontaneously created. He decided the instruments needed to be the ones to lead the recording sessions. Patrick arranged several synthesizers from his collection in the studio and set aside a series of evenings for recording. This would allow each composition to retain its own unique mood and identity. Patrick simply entered the room and allowed his instruments to draw him in. There was no planning ahead. It was simply improvisation in its purest form, what he has called “sonic sand-painting.” And as a result, four of the six pieces on Infinity Mirrors were recorded during these sessions. For listeners who enjoy Klaus Schulze, Brian Eno, and Tangerine Dream.

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Paul McCartney

LP | 2024 | EU | Original (Laser Media)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Fat Pop Limited Standard CD

Paul Weller

CD | 2021 | EU | Original (Polydor)

12,09 €* 21,99 € -45%

Fat Pop Standard Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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We may be cursed to be in the midst a global pandemic, buffeted by all of its stresses and pain. But everyone knows that art provides succour, that music is the most reliable balm. And for many there is further significant comfort to be drawn from the knowledge that Paul Weller is in the midst of an unbelievably prolific purple patch. Paul Weller will not let us down when we need him most.

On May 14th, Paul Weller releases his 16th solo album since his self-titled debut in 1992, his fourth in as many years and his second in just under twelve months following June 2020’s magnificent, chart-topping On Sunset. It’s not hyperbole to state that this new album, titled Fat Pop (Volume 1), is among his most compelling collections, bar none, including all of his era-defining work in the 1970s and ‘80s with The Jam and The Style Council. It’s an absolute scorcher.

When lockdown was declared in March 2020, Paul Weller decided immediately that he wanted something to focus on, since it seemed unlikely he’d be able to tour On Sunset as planned that summer.

“I had lots of ideas stored up on my phone,” he explains down that same handset, speaking from outside his London home, “and at least this gave me an opportunity to develop them.” So he started to record songs on his own, doing just vocals, piano and guitar, then sending those sound files to his core band members such as drummer Ben Gordelier, Steve Cradock on guitar and various other instruments, and bassist Andy Crofts for them to add their parts. “It was a bit weird not being together, but at least it kept the wheels rolling. I’d have gone potty otherwise.”

The band reconvened at Weller’s Black Barn studio in Surrey during the summer when restrictions were lifted to finish the work, with several of the songs being cut live. By this stage, the shape of the album was clear to all. Weller wanted to deliver an album of singles, twelve short, distinct blasts, each strong enough that they could stand alone if so desired.

“That was a conscious decision,” he confirms. “I even thought about putting every song out as a single first then gathering them all on an album, but that wasn’t practical at the moment. They all have that strength and immediacy, I think, and they’re all short, three minutes or so maximum.”

Producer Jan ‘Stan’ Kybert was so taken with the concept that he half-jokingly suggested that the album be called Greatest Hits. “I quite liked the idea and every song does stand up as a single, I think,” chuckles Weller, “but no, we couldn’t do that really.”

Instead, he plumped for Fat Pop (Volume 1). “I thought we’d add Volume 1 to it just to keep my options open in the future for a second volume!” The title track, a tight, heavy blast of ultra-modern funk, is itself the conceptual key to the whole album. “It’s a celebration of music and what it’s given us all. No matter what situation you are in, and we’re in one now, music doesn’t let you down, does it?”

As ever, Weller’s sonic masterplan was to avoid whatever had recently preceded it. “After [2018’s] True Meanings I thought I wouldn’t have any acoustic guitars for a little while, so I’ve largely avoided those with On Sunset and with Fat Pop,” he says. “But more than anything I wanted something vibey, something we could play live.” He laughs ruefully at the irony of that. “God knows when that will be, bearing in mind where we are with the virus. But in the imaginary gig in my mind I can see us playing all of the songs on Fat Pop live, along with the songs from On Sunset, blending them with some of the old favourites too. What a great set that would be.”

Live is where he imagines On Sunset and Fat Pop (Volume 1) working in tandem, because they don’t act as companion piece albums otherwise. “On Sunset was quite lavish in places, whereas with this one I wanted to limit it in some ways, make the production less expansive.”

Beyond that desire to keep it frill-free and tight, sonically Fat Pop (Volume 1) is a diverse selection of sounds. No one style dominates. There’s the synth-heavy, future-wave strut of Cosmic Fringes, the stately balladeering of Still Glides The Stream, Testify’s moving-on-up soul, and the kind of dramatic three minute pop symphonies on Failed, True and Shades of Blue with which Paul Weller has hooked in generation after generation of devotee.

More than sonic plans, though, Weller set himself the same task as he does before any recording. “Whenever I make an album I’m always just trying to at least match what’s gone before because each time I think the bar’s been raised. If all goes to plan, sometimes I manage to go over that bar too.”

Sometimes he does, sometimes he really does.

Fat Pop (Volume 1), the story behind each song:

Cosmic Fringes

A dramatic entrance to Fat Pop (Volume 1). Cosmic Fringes pairs a minimal, pumping electro swing with a deadpan vocal that detonates an unspecified poseur and blowhard. “I’m a sleeping giant, waiting to awake/I stumble to the fridge/then back to bed”.

“It’s not about anyone in particular,” suggests Weller, “but I suppose it could be about a keyboard warrior, someone who is constantly brainstorming ideas but never gets around to doing them. Someone talking the talk, but never doing anything.”

“When I first did the demo it was quite punky, a bit like The Stooges. It doesn’t sound anything like that now because then I had the idea of stripping it all back to just the drums and bass, putting those synths on it. It’s got a bit of motoric feel to it and a little bit glam rock too, I think.”

True

A song with all the attributes of the greatest Paul Weller numbers: fire in its belly, questing lyrics, boss horns, flashes of guitar fury and a yearning melody you awake humming daily. It’s also a tremendous vocal, shared between Paul and Lia Metcalfe, the young Liverpudlian singer with The Mysterines.

“I really like her band and I really like her singing,” he says. “It makes a massive difference that we sang it live, in the same room. She’s got a really powerful voice and I wanted to write something for us to sing together, so I did. Then I just sent the phone demo to Lia and two weeks later we cut it. That was one of the last things we did for the album, in around September”.

Fat Pop

That brilliant, heavy bassline? “I did that. When we recorded it I was actually thinking about Cypress Hill, doing something that sounds like a DJ Muggs production. It’s got a bit of that. It’s my favourite song on the album, I think, about all the times music’s been there for me.”

Shades of Blue

A classic three-minute English pop kitchen sink drama, written by Paul Weller and his daughter Leah, who joins him on vocals. “Leah wrote the chorus for it and helped me finish it up. I wrote the verses. Reminds me of a suburban drama, a play.”

Glad Times

Sweeping, wistful, sparkling in shades of blue, Glad Times’ winning melancholia has been in the back of Weller’s mind for a while. “I wrote this with Tom (Doyle) and Ant (Brown). They usually send me a backing track and we work on it from there. It’s been around for a while, nearly made it onto On Sunset but didn’t quite fit. I really liked it, though, so I’m really glad it made it on to this album instead.”

Cobweb / Connections

Pastoral introspections, featuring a lovely acoustic solo by PW and a string score by Hannah Peel. “I think the song is saying that the more you can be yourself and be happy with yourself, the more you change into something better. It’s not just good for you, it’s good for everyone else as well. ‘Save yourself and save everyone around you too.’ It’s from observation but I suppose it’s about me too.”

Testify

Superfly strutting, cut live in the studio with Andy Fairweather Low adding distinctive vocals and Jacko Peake on fine flute and saxophone. When allowed out of the house, it’ll be a future live favourite.

“We had actually done it live two or three years ago,” says Weller, “but while I loved the groove I never really got a grip on the song. Then I did this charity gig in Guildford, one of the last things I’ve done probably, some Stax songs with Andy Fairweather Low. Our voices sound so good together and he’s such a lovely fellow, so I sent him the backing track. As soon as lockdown was lifted he came down to the studio for the afternoon. We cut it live and that was it.”

That Pleasure

In amongst those soulful strings there is some barely contained rage in Weller’s voice as he sings ‘Lose your hypocrisy.’ “I suppose it’s my reaction to the whole Black Lives Matter movement,” he explains. “You’re always on tender ground writing about that, but, regardless of my colour, any human being should be disturbed. You should be appalled and disgusted and shocked by those images of George Floyd being killed in the street. It has to stop. It’s a question for everyone.”

Failed

‘All the things I never get/and all the things I never meant/and all the things that make no fucking sense…I’ve failed.’

“Yes, I’m asking myself the question,” admits Weller, a man who has never been afraid of self-reflection in his songwriting. “It’s an angry song because I wrote it right after a massive row with my wife. But I like it. It’s honest. It’s not how I feel all the time, but it is how I feel some of the time. I’m just talking about me as a man. We all measure success in different ways.”

It’s also one of his favourite songs on the album, a stand-out.

Moving Canvas

A chunky, percussive groove, with the feel of Traffic but updated for the here-and-now.

“It’s going to be great live that one. I wrote it about Iggy Pop. I hope he likes it if he ever gets to hear it. It’s my tribute to him, even though it doesn’t sound anything like him. Aside from all the great records he’s made, as a performer he’s high art. It’s all about the Igster.”

In Better Times

A plaintive plea with some beautiful sax and guitar breaks. “Cold in your eyes, don’t you know you break my heart in two”.

“It’s me talking to a young person who is going through something, addiction or mental health pressure, or whatever, and just saying it’ll be alright. Just get through this bit and there’ll be better times to come, you’ll look back and you’ll see it differently.”

Still Glides The Stream

A stately collaboration between Weller and long-time guitar foil Steve Cradock.

“I had the chords and possibly the melody, which I sent to Cradock. And he sent me back a poem and I edited that, then we sent it back and forth by phone. Lockdown songwriting. I just liked the poem. In my mind, I was thinking about our road sweeper who’s a lovely fellow. I started thinking that there’s so many people in this country who form the infrastructure of it and without whom we’d be fucked. But they’re looked down upon, not really noticed. So I was imagining their story. I did find out that there’s a book of the same name (by Flora Thompson) and Cradock said he had seen it in a shop, so that’s where the title comes from. I just liked the poetry of it. Steve’s a very soulful fella.”

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Paul Weller

LP | 2021 | EU | Original (Polydor)

LP | 1995 | EU | Reissue (Matador)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Pavement

Wowee Zowee

Release: 1995 / EU – Reissue

Genre: Rock & Indie

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LP | 2021 | EU | Original (Kanine)

Pearl Charles

Magic Mirror

Live On Air 2000 White Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Blue Vinyl Includes Mp3 Download, 12 X 24 Inch Poster:Some Say Life Only Makes Sense In Reverse, From The Vantage Point Of Your Rear View - Magic Mirror Is A Looking Glass Of Sorts. Like A Modern Day Alice In Wonderland, Pearl Charles Beckons You To Slip And Fall Into Her World. You'll Find Yourself Drifting With The Tide - The Ups, Downs, And All-Arounds Of A Life Well-Lived And Well- Loved.From Start To Finish You Float Along A Reflective River, Dancing In Your Own/The Personal/Private Studio 54 Of Your Living Room, Decked Out In Sequins Or Nothing At All. It's A Feel Good Album That Asks Us To Actually Take The Time To Feel Good. Magic Mirror Follows The Cartography Of A Girl, Growing Into A Woman, As She Moves Through Life From Singledom, To Theexpansive Space Of Self-Reflection, And The Newly Appreciatedperspective Of Coming Back Together Again And Finding Yourself, This Time With Someone New. A Love Letter To The Self, A Dance Party For Life, And At Times As Introspective As Your Best Trip, Pearl Takes Us On A Journey That, Like Life & Love, Has The Tendency To Surprise, Delight, And Leave You Breathless. All You Have To Do Is Let Yourself Enjoy It.

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Pearl Jam

LP | 2024 | EU | Original (Laser Media)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Tough Love)

Peel Dream Magazine

Agitprop Alterna

Release: 2020 / EU – Original

Genre: Rock & Indie

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Modern Meta Physic Yellow & Black Vinyl Edition

Peel Dream Magazine

LP | 2018 | US | Reissue (Slumberland)

LP | 2023 | US | Original (Youngbloods / Parapente)

Release: 2018 / US – Reissue

Genre: Rock & Indie

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oe Stevens' Peel Dream Magazine project has been turning heads and catching ears since late 2017. Stevens is a brilliant writer and arranger and something of a pop scholar; steeped in the history of everything from 60s sunshine pop to 70s kosmische groove to 90s shoegaze and beyond, every Peel Dream album explores new territory and illuminates new corners of Stevens’ roving interest.

The story began with Peel Dream Magazine's debut album Modern Meta Physic, which was released in Fall 2028 and immediately garnered intense interest from music heads attuned to the sounds of artists like Broadcast, Neu!, Steve Reich & Grouper. 2020 brought Agitprop Alterna and its companion EP Moral Panics, records that assimilated shoegaze textures, but put them in service of sharp tunes and a Stereolab-like attention to space age detail. Most recently the band has struck out in new directions with Pad - an album that looks back affectionately at 60s baroque pop, full of sunshine, swing and sophistication.

After some time spent out-of-print thanks to ongoing vinyl production delays, we’re very happy to bring you this fresh new pressing of Modern Meta Physic, this time on beautiful yellow & black splatter vinyl. With the recent release of Pad it’s a perfect time to reassess this terrific record and restock the Peel Dream catalog.

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Penelope Antena

James & June

390 Of Simulated Stereo V.21c Record Store Day 2021 Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Franco-Belgian singer, songwriter, and producer Penelope Antena presents James & June, her third-full length album in collaboration with Brooklyn-based record label Youngbloods and Parisian imprint Parapente Music. Accessing the joy of newfound love, Penelope explores romance, intimacy, and the safety of partnership across eleven piano-driven compositions. James & June stands as Penelope’s most personal work to date, calling on her shapeshifting, multidimensional production stylings to mold a collection of soulful hymns and warm electroacoustic musings. Penelope’s previous solo releases, Antelope (KowTow Records, 2019) and Beamorose (Youngbloods, 2021), displayed her artistry beyond the shadow of her creative legacy, underlining her unique interest in experimentation and propelling her family’s musical tradition into a modern era. The granddaughter of pianist and jazz-rock pioneer Marc Moulin (Placebo, Telex) and daughter of electro-samba icon Isabelle Powaga (Antena), Penelope’s musicianship was deeply influenced by loved ones as they encouraged her to practice her craft and stand out from her peers. James & June synchronizes the introspection and range of musical influence in Penelope’s previous records while offering a newfound simplicity in its composition. Biographically, this record is about falling in love; it follows Penelope processing the feelings of excitement, hopes, dreams, insecurities, and goals that come with being head over heels as an adult with an already full life. Penelope looks to explore a newly discovered corner of her life, searching for answers by collecting the butterflies in her stomach and bringing them into focus - a tender bullseye in the scope of her eighty-eight keyed weapon of creation. Whether through the implicitness of her songwriting or the explicitness of her lyrics, there is a clarity in Penelope’s work that suggests a new phase of her personal and artistic growth; one that rings true to herself, while making room for others to join her in creating harmony. More simply put, love is a most powerful muse.

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Pere Ubu

LP | 2021 (Fire)

LP | 1979 | EU | Reissue (Fire)

Release: 2021

Genre: Rock & Indie

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Record Store Day 2021 Release. 1000 pressed on Yellow vinyl & DL card. Last released on vinyl in 1981. Long lost and simply breath taking live Ubu classic culled from 1981 recordings in Cleveland, London and Brussels featuring the band's original line up. An essential pressing for all fans of the the celebrated post-punk innovators.

Tracklisting: 01. Non-alignment Pact 02. Street Waves 03. Real World 04. MY Dark Ages 05. THE Modern Dance 06. Humor ME. 07. Heart OF DarkNESS 08. Laughing 09. Can't Believe IT 10. Over MY Head 11. Sentimental Journey 12. 30 Seconds Over Tokyo

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Pere Ubu

New Picnic Time

Nuke The Whales 2006-2014 Box Set

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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LP comes with download code. Initially released in 1979, ‘New Picnic Time’ is “weird, wonderful and so far beyond the expected that these deconstructions of popular music are as charmingly retro as the Beatles and as modern as today's blending’s of funk, hip-hop and alt-rock. Revolutionary and demented yet full of fun, Pere Ubu are indispensable to any collection of 20th century rock.” (Herald-American, Scott Laurence). The album features in new box set, ‘Architecture Of Language 1979-1982’, released in March. It gathers together ‘New Picnic Time’ with its companion releases, ‘The Art Of Walking’ and ‘Song Of The Bailing Man’ plus LP of extras, ‘Architectural Salvage’. Coed Jail! Spring dates mark the release of the box with a set list drawn exclusively from the recordings of 1975-1982. Tom Herman, guitarist from 1975 to 1979 and from 1997 to 2002, rejoins the band for the tour. The line-up is David Thomas, Tom Herman, Robert Wheeler, Michele Temple and Steve Mehlman. Wheeler and Temple have been in Pere Ubu since 1994, Mehlman since 1995.

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Pere Ubu

4LP | 2022 | UK | Original (Fire)

94,99 €*

LP | 2024 | US | Original (Ernest Jenning)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Ltd edition box set, 4xLP + Poster & DL card.Rewriting the history of music, Pere Ubu continue to confound convention and shift personnel. The next box set in Fire Records' reissue series, 'Nuke The Whales' houses 4 LPs originally released between 2006 and 2014 - 'Why I LUV Women', 'Carnival Of Souls', 'Lady Of Shanghai' and 'Long Live Pere Ubu!'. 'Nuke The Whales,' is a nod of respect to a couple in Cleveland who would daub such messages over the big news stations' advertising boards. "Very few bands display such dedication to constant self-reinvention as Pere Ubu" The QuietusAll four albums have been remixed and remastered by original Pere Ubu member David Thomas. 'Why I LUV Women', originally released on Glitterhouse in 2006, gains its first vinyl release. "Spews 11 tunes of arcane lyrics and dense music" shrieked The Cleveland Gazaette.It's joined by 'Long Live Pere Ubu' a soundtrack to a musical adaptation of the play. "Skronking, squalling rhythms and melodic snippets undulating round a pulsating soundscape." Record CollectorAnd 'Lady From Shanghai', their debut for Fire in 2013. Originally released on the 35th anniversary of the group's debut, 'The Modern Dance', a latter day re-evaluation of the unprompted dance genre.And its follow up 'Carnival Of Souls', a haunting "underscore' to a tale of alienation, it "combines metallic percussion, spare guitars and David Thomas' muttered vocals into something rustic and rickety, yet threatening at a moment's notice." AllMusic

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Perennial

Art History

Pete Astor / Die Liga Der Gewöhnlichen Gentlemen

Release: 2024 / US – Original

Genre: Rock & Indie

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Perennial is an art project: Mod pop, post-hardcore, 60s soul, ambient electronic music, midcentury design, abstract expressionism, French New Wave cinema; it’s all collage material for Perennial. The band—electric organist Chelsey Hahn, guitarist Chad Jewett and drummer Ceej Dioguardi—is equal parts manic basement show bombast and studio-as-instrument headphone listening. To see the New England three-piece in person is to experience a 20-minute burst of kinetic energy: dynamic, reckless, electrifying. To put on one of Perennial’s records is to spend almost the same amount of time with impeccably layered studio-as-instrument punk modernism. Art History, the band’s newest full-length album (out June 7 via Ernest Jenning Record Co.), finds Perennial further experimenting with their angular cut-and-glue aesthetic. An adventurous 20 minutes of impressionist punk energy, British Invasion guitar pop chic, and Mod-inflected rhythm and noise rave-ups, Art History is both Perennial’s most giddily accessible and most artistically daring record to date. Edition of 275 copies pressed on clear with black and green splatter vinyl.

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Alle Ampeln Auf Gelb / Wie Frankie Lymon

7" | 2024 | EU | Original (Tapete)

10,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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2LP | 2024 | EU | Original (Muddy Water)

Peter Cat Recordings Co.

Beta

35,99 €*

Peter Muffin (DIE NERVEN)

Release: 2024 / EU – Original

Genre: Rock & Indie

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After a near decade spent in obscurity, Peter Cat Recording Co. or PCRC, emerged from the toxic winter smog of Delhi to enter the global Krishna consciousness with the release of 2019's "Bismillah", the culmination of years of refining their unique vision of 21st century pop music. Seeking a transcultural sound, centered around the song writing of Suryakant Sawhney, PCRC's music mines ideas from both time and space, across centuries and continents, extracting and transforming them into modern hymns and timeless folk, something you could perhaps imagine hearing in the holo-deck of a ship from Star Trek. As the name suggests, Peter Cat Recording Co. is less a band and more of a self-sufficient factory of music and art. With 3 potent song writers in Suryakant, Dhruv & Kartik, the group is building a legacy informed and echoing the spirit of groups like The Velvet Underground and The Beatles. The next chapter of this entity began with the announcement of their new album, "BETA", a name inspired by the birth of Karan Singh's son. PCRC is Suryakant Sawhney on vocals and guitars, Karan Singh on drums, Dhruv Bhola on bass and samples, Rohit Gupta on keys, horns and woodwind, and Kartik Sundareshan on guitars, horns and woodwind.

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Ich und meine 1000 Freunde

LP | 2018 | EU | Original (Treibender Teppich)

19,99 €*

Holy Smoke Smoke Colored Vinyl Edition

Release: 2018 / EU – Original

Genre: Rock & Indie

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Peter Muffin (a.k.a. Julian Knoth) is the bass player for Die Nerven. His noise rock/post-punk album is one to dance to.

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Peter Murphy

LP | 1992 | UK | Reissue (Beggars Banquet)

Release: 1992 / UK – Reissue

Genre: Rock & Indie

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LP | 2024 | EU | Original (Space Designer)

Peter & The Roses

Oscillate White Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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A white convertible drives off into the sunset to the sound of Save you ft. Surahn and its funky, dance-inducing mantra, the first single to herald this road trip to the edge of space. Whether on cathartic beaches (Breath) or a desolate landscape: First Wave, Shades of Black, Who am I, Stars or Ghosts and its conquering lasers, Peter's music transports us into a cinematic world (Night Road), where the synth-pop of M83 would have fused with the pop-rock of Supertramp and Fleetwood Mac (Burning House ft. Goldilox). A radiant production, wrapped in folk strumming, orchestrated by strings and keyboards with multicoloured diodes. A record that draws on the roots of timeless songwriting, enhanced by a modern, demanding electronic sound. The voice of Surahn (Empire of the Sun) returns to close the album with Open Your Mind and its flower power adlib: the closing credits of this first opus.

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Pg.lost

2LP | 2020 | EU | Original (Pelagic)

34,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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Devour Black Vinyl Edition

Pharmakon

LP | 2019 | US | Original (Sacred Bones)

21,99 €*

LP | 2012 | US | Reissue (Temporary Residence)

Release: 2019 / US – Original

Genre: Rock & Indie

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Devour marks the fourth full-length record from Margaret Chardiet's project Pharmakon and her most intense output to date. Like her previous albums, Devour comes with a strong concept that is exorcised throughout the five demolishing tracks on the album, using imagery and language of self-cannibalism as allegory for the self-destructive nature of humans. Each of the five songs echoes a stage of grief associated with this cyclical chamber of self-destruction and the chaos surrounding us that leads us to devour ourselves in an attempt to balance the agony. The album was recorded by Ben Greenberg (Uniform) and is the first Pharmakon album recorded live in studio. The A and B sides were each recorded as a continuous take with vocals from start to finish, marking a totally new process for the artist that allows the ferocity and immediacy of her live performance to resonate throughout. Devour also explores new sonic territory, with denser electronics, groovier hooks, and moments of her most unhinged vocal deliveries to date. As one of the premiere vanguards of modern industrial and power electronics, Chardiet continuously pushes the genres and everyone involved in them, and with the release of Devour, she has once again changed the game. Artist Statement:"Devour" uses self-cannibalization as allegory for the self-destructive nature of humans; on cellular, individual, societal and species-wide scales. In our cells, our minds, our politics and our species, humans are self-destructing. But this behavior does not happen in a vacuum. It is an instinctive inward response to a world of increasing outward violence, greed, and oppression. Turning these wounds toward ourselves can be seen as an attempt at "balancing feedback", within a never-ending positive feedback loop of cause and effect. With this view, the blame is placed not within the individual, but with the world they must contend with, and a society that is designed to fail them - to keep them gnashing and wailing, inflicted with an all-devouring hunger that inevitably turns in on the self. Those that pit them against each other grin from the sidelines, bellies full. Those who see beyond the veil need to obscure the horrid sight by any means necessary, but respite is always brief- nothing can dampen the glare from behind the veil. This album is dedicated to all who were lost to their own demise, all who have been institutionalized; whether in prison, psychiatric facilities, or drug rehabilitation. It is for all those ostracized by and isolated from a totality which chews them up alive in a self-cannibalizing caste system. Here, where martyrs, slaves, and pharmakos are not eradicated, but simply called by another name. "ABOUT THE SHALLOWNESS OF SANITY"... To be well adjusted in this system is to be oblivious and unfeeling. This is for the rest of us, who understand that chaos, madness, pain and even self destruction are natural and inevitable responses to an unjust and disgusting world of our own making.

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Pinback

Information Retrieved

19,99 €*

The Zig Zag Manoeuvre Black Vinyl Edition

Release: 2012 / US – Reissue

Genre: Rock & Indie

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One one hand, their fifth album, Information Retrieved, is the logical and accessible realization of a sound Pinback have been developing and refining for over a decade. However, that consistency that we've taken for granted is what makes Information Retrieved such a euphoric surprise; their finest and most fully realized album, a dozen years deep into a career that includes bona fide modern classics like Good To Sea and Summer...

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Ping

LP | 2020 | EU | Original (Apollon)

15,59 €* 25,99 € -40%

The Zig Zag Manoeuvre Colored Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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The Zigzag Manoeuvre might be the description of Ping in 2014, navigating their way out of the ashes of their studio/rehearsal room for thirteen years. When the dust had settled, most of the instruments were immolated, but crucially, all unpublished pieces of music survived. The song “A Hammer Falling from the Sky”, which can be heard on the album, was recorded just two days before the studio went up in flames. A long and arduous process later, with a slight change of personnel, Ping now re-emerges with a roller coaster record, destined to inspire or dull the masses. Expect hiccups and downs, mental order and disorientation, out-of-tune harmonics, as well as motivating and unsettling lyrics: Ping - playing experimental Norwegian rock since last millennium. Inspiration from diverse artists like Zappa, Melvins, Fred Frith, Ween, dEUS, Tom Waits and Wilco can be heard through all albums, combining elements from 60´s roots to modern metal and electronica. The process of arranging and recording is unorthodox, where humour and spontaneity is highly appreciated; creative use of various instruments and vocal arrangements flow through a number of genres.

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Ping

LP | 2020 | EU | Original (Apollon)

23,09 €* 32,99 € -30%

Cabaret Metro Chicago ‘89

Release: 2020 / EU – Original

Genre: Rock & Indie

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Pixies

LP | 1992 | US (Obiterdictum Media Ltd.)

Here I Go Black Vinyl Edition

Release: 1992 / US

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: VG

Still sealed. White vinyl. Cover has both bottom corners bent and cracked. 2022 reissue.

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PJ Western

LP | 2023 | US | Original (New West)

Here I Go Red Splatter Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Hailing from Los Angeles with an arsenal of songs as varied as the American landscape itself, PJ Western creates music of contradictions. His tripped out pop-rock psychedelia evokes a haze of 60’s AM radio as heard emanating from someone else’s car window. Here I Go, Western’s debut album, recorded during the lockdown we all endured, was written in dreams. In visions. Wild but refined, classic but modern. The album is a lot like the man who wrote it: complex, celebratory, grateful. Recorded in LA with the help of some of the finest musicians the city has to offer, Here I Go offers a perspective of the city as heard through the ears of a precocious outsider – someone who may call the city home, but also can’t quite shake the suspicion he might not belong in the Hollywood Hills surrounding him.

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PJ Western

LP | 2023 | US | Original (New West)

15,59 €* 25,99 € -40%

LP | 2022 | EU | Original (Golden Robot)

Release: 2023 / US – Original

Genre: Rock & Indie

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Poison Boys

Don't You Turn On Me

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (B-Otherside)

Polaroid Buffalo Club

B-Movie Sundown

2LP | 2022 | EU | Original (Mute)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Polaroid Buffalo Club is a surf/psych pop band based in Athens, Greece that consists of Kostas Miliaras (vox , guitar), Giorgos Papakostas (organ), Vasilis Gakis (bass, backing vox) and Dimitris Kalonaros (drums). Polaroid Buffalo Club would describe their sound as retro pop but with a modern touch. The band's influences derive from 60's surf, San Francisco sunshine folk/pop and moody garage to today's neo-psychedelia and indie surf music. Names like The Doors, Jefferson Airplane, Strawberry Alarm Clock, The Mamas and The Papas, The Byrds but also Allah-Las, Mystic Braves, The Growlers and Levitation Room are easily identifiable on their sound. "B-movie Sundown" was produced and mixed by Kostas Miliaras and it was mastered by John Vulgaris (drummer for Bazooka). The song "Sun Tribe Ritual" features the well-known Austrian psych singer-songwriter Juleah on drone backing vocals and the cover art was done by Dustin Kalynuk (aka Chakras System). B-Movie Sundown represents the band the most so far, because its memember brings its own idiosyncracy of playing, giving a unique quality to the final result. Also, before the new album they've released the semi-acoustic video/EP "Sunroom Session" in which they've also played unreleased stuff from their second album. On that session you can see/hear Giorgos playing acoustic guitar instead of keys and Vasilis playing percussion instead of bass. Sunroom Session was recorded and mixed by Kostas as well and it was mastered by Gregg Kollias (guitarist for Echo Train), the photo of the cover was taken by Maria Lekaki and Kostas did the design of it. The vinyl release was made from B-otherSide records in Audiophile 200 gr. vinyls, at 300 hand numbered copies, from which the first 150 include the "Sunroom Session" DVD and all of them include a 2 page color insert with photo and song's lyrics.

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Pole

Tempus Black Vinyl

38,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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12" | 2023 | Original (Mute)

Pole

Tempus Remixes

16,14 €* 18,99 € -15%

Polly Scattergood Colored Vinyl Edition

Release: 2023 / Original

Genre: Rock & Indie, Electronic & Dance

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Pole, aka innovative German electronic artist Stefan Betke, presents a limited edition 12" single with new exciting remixes of tracks from his latest album, Tempus.

This 12" sees the title track 'Tempus' remixed by long-time Nine Inch Nails contributor, label mate and "synth connoisseur" Alessandro Cortini. The vinyl also includes the track 'Stechmück' remixed by Californian interdisciplinary artist Rrose, reworked by UK's electro-punk duo Sleaford Mods and edited by Pole. The original song embraces the sound of Betke's dying Minimoog, which you can hear manipulated in different ways across the different versions.

Düsseldorf-native musician, producer and mastering engineer Pole is known for his unique musical language oscillating between melody and avant-garde in electronic music, with audible influences from Dub and Jazz music. Tempus contributed to his ongoing musical evolution, while retaining a relationship to previous work, with Pitchfork stating "It's the sound of an artist drawing from his repertoire while demonstrating that he is still looking to the future."

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Polly Scattergood

2LP | 2022 | UK | Original (Mute)

44,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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Evil Friends 10th Anniversary White Vinyl Edition Edition

Portugal. The Man

LP | 2023 | UK | Original (Atlantic)

50,99 €*

12" | 2022 | EU | Original (Prah)

Release: 2023 / UK – Original

Genre: Rock & Indie

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This year marks the 10th anniversary of Portugal. The Man’s Evil Friends. Released in 2013, the album features the singles “Evil Friends”, "Purple Yellow Red and Blue" and "Modern Jesus". On June 30th, Atlantic Records will reissue Evil Friends on white vinyl, and on Clear Vinyl for RSD store

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Pozi

Typing EP

10,39 €* 15,99 € -35%

Gentle Grip Red Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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The nightmare continues. Last summer, Pozi's 176 EP came out just as the coronavirus pandemic was offering us its first false dawn. Fast forward twelve months and another devastating wave later, we're still a disorientated, shell-shocked mess; moving once again towards normality, but with the energy-sapping tension of continued restrictions. A grimly perfect time then for the south London three-piece to return with new EP 'Typing' on Prah Recordings. The five tracks here reflect another stage in Pozi's evolution. Since coming out of the gate they've been a bristling, frenetic presence, toeing the line between dissonance and pop sensibility. As the 176 EP was a refinement of what they did on PZ1, Typing sees the trio becoming yet more comfortable in their relationship as a band and increasingly confident in how far they can push their sound. Typing isn't a lockdown record, but it has been informed by it. More importantly, though, it's yet another significant step forward from a band who've so far felt like something of an underground secret, despite being championed by BBC Radio 6 Music and in various places by contemporaries such as Sleaford Mods, Squid and Sports Team. Once restrictions do finally lift, that may no longer be the case.

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Practice

LP | 2020 | US | Original (Wharf Cat)

21,99 €*

Solutio Purple Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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On their debut full length, Gentle Grip, Public Practice reanimate the spirit of late `70s New York with their playfully angular brand of no wave-meets-funk and dark disco. While magnetic singer and lyricist Sam York and guitarist and principal sonic architect Vince McClelland (who both played together as members of the meteoric yet shortlived NYC post-punk outfit WALL) take an almost anarchic approach to songwriting, Drew Citron, on synth and bass, and drummer/producer Scott Rosenthal (both previously of Brooklyn indie-pop favorites Beverly) bring a more traditional, pop sensibility to the table. These contrasting styles challenge and complement each other, resulting in a sound that is full of spiraling and exhilarating tensions. Lyrically, York explores the complexities and contradictions of modern life overtop grooves and choruses that disarmingly open up the doors to self-reflection. "You don't want to live a lie / But it's easy / Your house is important / Your car is important / Your shoes are important / Dinner's important" she sings on "Compromised," begging the question: how does one balance material desires with the desire to be seen as a good person? Changing pace, the supremely groovy "My Head" is about tuning out the influx of external noise and staying true to your inner creative force. But whether they are poking holes in commonly held ideas centered around relationships, creativity, or capitalism, Public Practice never lose sight of the fact that they want to have fun, and they want you to have fun too. After all, who needs a soapbox when there's a dark, sweaty dancefloor out there with room on it for all of us?

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Psychic Hit

LP | 2021 | UK | Reissue (Seeing Red)