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CD | 2024 | UK | Original (Nature Sounds)

Release: 2024 / UK – Original

Genre: Rock & Indie

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"The contributions Black women have made to the growth of rock & roll cannot be overstated, from the genre’s beginnings to the present day. Embracing this legacy, world renowned poet jessica Care moore and prolific performer Steffanie Christi’an have joined forces to form We Are Scorpio, an explosive new project blending rock & roll with poetry. A leading voice of her generation, moore has performed on stages across the globe, written acclaimed books and plays, and recorded her poetry with artists like Common, Nas, Jeezy, Karriem Riggins, Jeff Mills, Roy Ayers, Jose James, and more. Her latest foray into music is We Are Scorpio, a unique take on modern rock sparked by chemistry with fellow Detroit native Christi’an and encapsulating an undeniable Black femme punk energy. Joining a long line of Detroit artists who spoke truth with force across genre and gendered borders, the duo is now unveiling its self-titled debut album. With unapologetic vocals and rapid-fire poetics occupying the same space as head-banging guitar riffs, the collection features appearances by talented artists like Talib Kweli, Sada Baby, Divinity Roxx, Niko Is, and Militia Vox. Expansive but intimate, We Are Scorpio delves into parts unknown with fiery purpose."

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We Are Scorpio

16,99 €*

Vol. III Blue Swirl Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-22

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Webbed Wing

LP | 2024 | EU | Original (Memory Music)

I Was Trying To Describe You To Someone

Release: 2024 / EU – Original

Genre: Rock & Indie

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Fronted by vocalist/guitarist Taylor Madison, and with Jake Clarke on drumsand Mike Paulshock on bass, Webbed Wing cement their place in modernrock supremacy across 10 tracks of fuzzed-out pop nostalgia on new albumVol III. One impossibly-catchy anthem after another, loaded with Madison'ssignature sardonic wit, makes for one of the most exciting alternative rockrecords of the year. Taking notes from the likes of The Lemonheads andTeenage Fanclub, "Further" opens Webbed Wing's new album Vol. III witha bang--in less than 10 seconds, we're all the way in with Webbed Wingas they expertly intertwine the vibrancy of modern pop, the heaviness ofgrunge, and the sincerity of country. Brazen and self-deprecating, "Burn ItDown" finds Madison unpacking what it means to fly too close to the sun.Its mid-tempo mastery is a testament to the trio's connection as musiciansand friends; everything about this song just works. Drawing inspiration frombig country ballads and shoegaze gems alike, the song shows off a differentside of what listeners can expect from Vol. III.

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Wednesday

LP | 2020 | US | Reissue (Dead Oceans)

LP | 2021 | US | Reissue (Dead Oceans)

Release: 2020 / US – Reissue

Genre: Rock & Indie

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I Was Trying to Describe You to Someone is Wednesday's second fulllength album & first as a full band. The Asheville, NC quintet (guitarist/ vocalist Karly Hartzman, lead guitarist Daniel Gorham, pedal steel guitarist Xandy Chelmis, bassist Margo Schultz & drummer Alan Miller) maximizes the dark dissonance of a three guitar attack to highlight the emotionality of Hartzman's bell-clear vocals & wisps of half-recalled memories & literary references that make up her lyrics. I Was Trying to Describe You to Someone's eight songs meld elements of shoegaze, grunge, indie pop & southern American culture into a uniquely personal style of modern rock music that resonates with power & tenderness. The ever-darkening & deepening of Wednesdays' sound on I Was Trying to Describe You to Someone owes a debt of influence to The Swirlies, Arthur Russell, Red House Painters, Tenniscoats, Ana Roxanne, Acetone, & their continued collaboration with MJ Lenderman (who lends backing vocals to the songs "Billboard" & "November"). I Was Trying to Describe You to Someone was recorded at Hartzman's home with engineering assistance from her roommate Colin Miller. The depth & clarity of the recordings balance the distorted volume of Wednesday's live performances with the intimacy of Hartzman's voice. Her words hold the center of the chaos, unobscured by the power of the band. Hartzman describes her lyrics as "attempts to access old personal memories & do them justice through prose, with inspiration from the writings of Richard Brautigan, Flannery O'Connor, David Berman & Tom Robbins, & movies like Steel Magnolias."

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Wednesday

Twin Plagues

Release: 2021 / US – Reissue

Genre: Rock & Indie

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In a long and emotionally exhausting year of being inside (alone, in my case,) I have found myself thinking about mirrors. How to avoid spending too much time in them, most days. Taking inventory of the real, physical self is difficult work, work that I'm not entirely opposed to but work that became immediately more treacherous for me when I had to witness the very real toll that time, modern anxieties, isolation, and boredom were taking on me. It was easier, it seemed, to spiral into a not-so-distant glorious past, to use memory as a tool of both excitement and healing. But, speaking of excitement, I like to stumble towards a band with no agenda, no purpose, uncovering sound almost on accident. This is how I first heard Wednesday. The band came to me and I don't remember how, or why. They simply arrived, as if we'd been traveling toward each other our whole lives. I Was Trying To Describe You To Someone soaked into my summer of 2020, and in sound, in spirit, in central concerns and the execution of them, it took me back to an era before the current era, which I'd needed at the time. The past can feel less hellish than the present if we are, sometimes, not fully honest with ourselves. There is the trick of nostalgia that I spend a lot of time playing with in my own writing, and somewhat tormented by in my own living. The very real idea that nostalgia is both a useful tool and also a weapon if it isn't paired with something that approaches a type of rigorous honesty. But if I may go back to all of these ideas of nostalgia and our old, tricky, past selves that are, indeed, a part of the house of bricks that make up our present self, what I also hope you, listener, might adore about this album is the exact moment at the start of "The Burned Down Dairy Queen" when Karly sings I was hiding in a room in my mind / and I made me take a look at myself. Because if you, like me, have been avoiding mirrors - both metaphorical and real - this is where the album becomes a lighthouse, echoing bright across the darkness of my otherwise dark and empty chambers. So much of these songs meditate on the past in far less romantic ways than I have found myself meditating on the past, and I was desperate for the recalibration that this album provided. So, yes, the songs are good. You will maybe roll down your windows on a comfortable day on the right stretch of road in a warm season and turn the volume up when "Birthday Song" gets good and loud and singalong- able. You might sit atop a rooftop at night, closer to the moon than you were on the ground, and let "Ghost Of A Dog" churn and rattle you to some nighttime realization that you couldn't have had in silence. But, even on top of all of this, on top of all the pleasures and the mercies that the sounds on this album might afford. I hope and think, too, that it will remind anyone who listens that we are a collection of many reflections. All of them deserving patience. _Hanif Abdurraqib

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LP | 2024 | EU | Original (One Road)

Aces Are High

Release: 2024 / EU – Original

Genre: Rock & Indie

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Like all the best stories in rock 'n' roll, the epic journey of When Rivers Meet has never been plain sailing. Right now, the acclaimed Essex-based blues-rock duo Aaron and Grace Bond stand on the brink of their latest career peak, releasing fearless third album, Aces Are High, shaking stages on their Breaker Of Chains headline tour, toasting a third consecutive victory as UK Blues Federation Band Of The Year and pulling an army of fans along in the current. Combining powerful and heartfelt vocals with thundering guitar riffs, Essex-based Rock band When Rivers Meet offers originality with both talent and authentic personalities. Grace Bond leads with her larger-than-life vocals, as well as bringing raunched-up mandolin and violin instrumentals, while Aaron paints with seismic grooves, hypnotic cigar box licks and harmonies that stop all the clocks. With the Aces Are High material now rattling speakers and shaking stages everywhere from the UK festival circuit to Joe Bonamassa's Keeping The Blues Alive Mediterranean III Cruise in August, everything is flowing the right way for When Rivers Meet. "Looking back to 2019, when we really started as a duo, it's so surreal to think that now we're on our third album," reflects Aaron. "And when you see people singing the words back to you - my God, that's so emotional

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LP | 2022 | EU | Original (One Road)

Saving Grace

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (One Road)

The Ep Collection

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (One Road)

We Fly Free

Dull Boy Red Vinyl Edtion

Release: 2022 / EU – Original

Genre: Rock & Indie

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Combining powerful and heartfelt vocals with thundering guitar riffs, Essex-based Blues Rock band When Rivers Meet offers originality with both talent and winning personalities. Grace Bond leads with her incredible vocals, as well as bringing ranched-up mandolin and violin instrumentals. Her husband Aaron Bond commands attention with his imaginative guitar and cigar box playing and complements with compelling vocal harmonies... a winning formula. Since bursting on to the UK music scene with their debut The Uprising EP in April 2019 followed by their second EP Innocence of Youth in May 2020, husband and wife Grace and Aaron Bond have released two critically acclaimed studio albums We Fly Free (2020), followed by their sophomore album Saving Grace (2021). When Rivers Meet were the first band to win four awards at the UK Blues Awards 2021 and another three awards in 2022, including "Blues Band of the Year" on both occasions. Last year WRM were voted Best New Band at Planet Rock's The Rocks Awards 2021, and in 2022 won the "Blues Power Award" and "Album of the Year" (Saving Grace), beating Iron Maiden who came second place. In 2021, the husband-and-wife duo show their chemistry on stage, performing 17 dates along with powerhouse bass and drums on their first UK Headline Tour to mostly sold-out crowds, receiving rave reviews for their captivating stage presence and blistering performances.

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Whistling Heads

LP | 2023 | EU | Original (Disasters By Choice)

32,99 €*

LP | 2021 | EU | Original (Maple Death)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Debut album from Italian sensation Whistling Head, quite a surprise in the british post-punk egemony. Teenage Cliché fast, fresh and edgy, brisk and dodgy, quivers like a carefree kid sneaking around responsibilities, just two minutes that stick like gum under the counter, as short and insatiable as the interval you wish would never end.... The graceful song form represents in a brio that pure sense of evaporating idealism, a track you could listen to the point of exasperation because of its potential structure and the leisurely moments it offers while never concealing that veil of restlessness, disorder and dissatisfaction. ‘Shoot Shoot. Work, eat, sleep, repeat.All work and no play, I'm a dull boy, I'm a dull boy.’ Shoot Shoot is a modern-day Greek tragedy, versifying their conception of the modern horror of routine, homologation and bewilderment, letting out, in a liberating spurt, all the accumulated irritation. The song's verse is held up by a crushing, gloomy and repetitive rhythm section accompanied by a guitar as distorted and sharp as a litany scratching at your brain. The track moves between more noise sounds close to the explosive emotionality of Unwound. A cathartic experience emerges from the sum of alienating, annihilating verses and explosive, angry refrains. Peaceful Warning shows the softer, more vulnerable, but still biting and dynamic side. Alternating between noisy phrasing and melodic refrains, Peaceful Warning sounds like a call to be oneself and to never change, despite the mutability of everything around us…

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Whitney K

Two Years

LP | 2023 | EU | Original (Maple Death)

Release: 2021 / EU – Original

Genre: Rock & Indie, Pop

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Rolling through life, an open mind like an ocean, an infinite ride that comes furiously crashing to a halt. This is Whitney K’s ‘Two Years’, a deep dive into the Canadian songwriter’s journey through vulnerability, change and ultimately letting his guard down.

Whitney K is the wandering stalwart Konner Whitney, a Whitehorse Yukon resident who has spent time in Vancouver, Montreal, Burnaby and Los Angeles. We met the character in 2016 through his intoxicating 4-track recorded manifesto ‘Goodnight’, a head on collision into 24 hours of illusioned romance and modern day escapism. Fast forward to 2021, lift those curtains, aptly titled ‘Good Morning’ is the opening track on ‘Two Years’, a different cracker, a deliberate record about transformation, where to put it simply, Whitney K has arrived. Enlisting the aid of main collaborator and bandmate Josh Boguski and drummer Avalon Rossignol-Tassonyi, the focus has been shifted, folklore and realism becoming reckoning and truthfulness, what was outsider folk is now political poetry, life in motion delivered through a freeway ridden baritone voice that transforms the mundane into extraordinary. Written with a completely different mindset and a conscious effort to break with the traditions of a corrupt, hypocritical, and hateful society/lineage, Konner’s pen is precise and daring, uniting the earnestness of Willie Nelson and the comedy relief of Harry Nilsson on the beautiful ‘Me Or The Party #165’, or when painting Canada’s colonial past and heartland image on the primitive rock’n’roll anthem ‘Trans-Canada Oil Boom Blues’. There is no avoidance, no excuses, whether your self portrait in the mirror resembles a five dollar caricature sold on a boardwalk, the John Cale-esque opener ‘Good Morning’, or whether you learn you are worthy of love like on the poignant vignette ‘Maryland’, the beautifully arranged album closer that echoes Tin Pan Alley with Lou Reed’s grit. ‘Two Years’ also presents plenty of fun, the perfectly stumblin’ garage rocker ‘Last Night #2’, the honky tonk blues coming-of-age episode ‘Cowboy City Rocker’ and the cello/violin belter ‘Hit This Pipe’. One of Whitney K’s many gems is ‘The Weekend’ a minimalist spectral ode to hope where the band’s restriction brings out the pure force and vocal command of the ramblin’ troubadour. Time to open your arms, he’s coming out of no fun city and aiming straight for you.

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Whitney K

Vivi!

LP | 2023 | EU | Original (Meritorio)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Whitney K and band are back with an electric live album that captures the best from their classics ‘Two Years’ and ‘Hard To Be A God’, including a few nuggets from the back catalog and the unreleased tune aptly titled ‘Dire Straits’.

If ‘Two Years’ was the thunder, the rawness and the spirit, a combination of outsider folk, modern psych, grit, humor and everything in between, ‘Hard To Be A God’ was the sophistication, the dedication, the mind traveling far and beyond… ‘Vivi!’ is the hot sauce missing, the perfect setting, the inevitable gift, really putting the word ‘motion’ behind the poetry, the electricity carrying the rollicking combo, the road opening up literally wide and infinite and the wide-eyed dreams becoming a coliseum standing in front of the chaos.

Recorded live in Montreal upon returning from Whitney K’s first European month long tour, ‘Vivi!’ is a vivid, exuberant and jarring photograph of a band that’s lived to see the force of ‘togetherness’, a ritual, a communion of sorts where emotions run free and into the unknown.

‘Vivi!’ encapsulates everything that makes Whitney K unique, the freewheelin’ songwriting, visions painted with utterly precise strokes, rock’n’roll bravado, sonic interplay, feedback and shimmer, velvet touches and goldmines, Modern Lovers, Television, Fred Neil, Harry Nilsson, Karen Dalton and the jingle-jangle of tomorrow. Played beautifully by Konner Whitney, Joshua Boguski, Marlon Kroll and Avalon Tassonyi, there is no way back, only one way in and it’s positioned crystal clear right in front of us. Alive.

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Whitney's Playland

Sunset Sea Breeze

16,79 €* 27,99 € -40%

Release: 2023 / EU – Original

Genre: Rock & Indie

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Whitney's Playland is the pandemic-era project of Inna Showalter and George Tarlson, longtime friends and veterans of the music scene (grandma’s Boyfriend, Blades OF JOY, Modern Charms). Having grown up in and around San Francisco and inspired by their experiences, their music is about the usual things in life: love and loss, sometimes with a wry and sardonic angle. The result is a dreamy pop landscape reminiscent of Yo La Tengo, Guided by Voices, the Sundays, and Dinosaur Jr. The band expanded into a four-piece in late 2022 with the addition of Evan Showalter and Paul Demartini.

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Tape | 2022 | US | Original (Secretly Canadian)

Spark

12,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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Julien Ehrlich and Max Kakacek could hear the staggering differences in the songs they were writing for their third album as Whitney, Spark _ the buoyant drum loops, the effortless falsetto hooks, the coruscant keyboard lines. They suddenly sounded like a band reimagined, their once-ramshackle folk-pop now brimming with unprecedented gusto and sheen. But could they see it, too? So in the ad hoc studio the Chicago duo built in the living room of their rented Portland bungalow, a shared 2020 escape hatch amid breakups and lockdowns, Julien and Max decided to find out. Somewhere between midnight and dawn every night, their brains refracted by the late hour and light psychedelics, they'd play their latest creations while a hardware store disco ball spun overhead and slowed-down music videos from megastars spooled silently on YouTube. Did their own pop songs _ so much more immediate and modern than their hazy origins _ fit such big-budget reels? "We'd come to the conclusion we weren't going to be filming Super 8 videos to this stuff anymore," Julien remembers with a grin. "How about something more hi-fi, cinematic?" When the footage and the tunes linked, Julien and Max knew they had done it, that they'd finally found Whitney's sound. Spark reintroduces Whitney as a contemporary syndicate of classic pop, its dozen imaginative and endearing tracks wrapping fetching melodies around paisley-print Dilla beats and luxuriant electronics. What's more, Whitney reduces three years of extreme emotional highs and lows into 38 brisk but deep minutes, each of these 12 tracks a singable lesson in what it is they (and, really, we) have all survived. The recalcitrant ennui of opener "nothing REMAINS," the devastating loss of "TERMINAL," the sun-streaked renewal of "real Love": However surprising it may sound, Spark is less a radical reinvention for Whitney than an honest accounting of how it feels when you move out of your past and into your present, when you take the next steps of your lives and careers at once and without apology. Spark maintains the warmth and ease of Whitney's early work; these songs glow with the newness of now. Listen closely, and you'll notice frequent references to smoke and fire throughout Spark, itself a double entendre for inspiring something new or burning down the old. Max and Julien were indeed in Portland for the Fall of 2020, when smoke from nearby fires choked the city at record levels. It was terrifying and tragic, but they pressed on. "We found a way to live while the world was burning/Real life was caving in," Julien sings almost merrily during "back THEN," an anthem for finding out what's on the other side of hardship. In these dire days, scientists speak increasingly of serotiny, an evolutionary miracle that causes some trees to release seeds only amid a season of fire. That is how Spark often feels _ Whitney's circumstances were so fraught on so many levels that they hung "the past_out to dry" and began again, finding a fresh version of themselves, their relationship, and their band after the blaze. Max and Julien are back in Chicago now, sharing a cozy walkup with a little studio, where they're already building songs for the next Whitney album. They're both in happy romances, too. Now that they let the past burn, everything is new for Max and Julien. Spark is not only Whitney's best album; it is an inspiring testament to perseverance and renewal, to best friends trusting each another enough to carry one another to the other side of this season of woe.

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Spark Black Vinyl Edition

LP | 2022 | US | Original (Secretly Canadian)

24,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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Spark Transparent Yellow Vinyl Artprint Edition

LP | 2022 | US | Original (Secretly Canadian)

14,99 €* 24,99 € -40%

Release: 2022 / US – Original

Genre: Rock & Indie

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Julien Ehrlich and Max Kakacek could hear the staggering differences in the songs they were writing for their third album as Whitney, Spark - the buoyant drum loops, the effortless falsetto hooks, the coruscate keyboard lines. They suddenly sounded like a band reimagined, their once-ramshackle folk-pop now brimming with unprecedented gusto and sheen. But could they see it, too? So in the ad hoc studio the Chicago duo built in the living room of their rented Portland bungalow, a shared 2020 escape hatch amid breakups and lockdowns, Julien and Max decided to find out. Somewhere between midnight and dawn every night, their brains refracted by the late hour and light psychedelics, they'd play their latest creations while a hardware store disco ball spun overhead and slowed-down music videos from megastars spooled silently on YouTube. Did their own pop songs _ so much more immediate and modern than their hazy origins _ fit such big-budget reels? "We'd come to the conclusion we weren't going to be filming Super 8 videos to this stuff anymore," Julien remembers with a grin. "How about something more hi-fi, cinematic?" When the footage and the tunes linked, Julien and Max knew they had done it, that they'd finally found Whitney's sound. Spark reintroduces Whitney as a contemporary syndicate of classic pop, its dozen imaginative and endearing tracks wrapping fetching melodies around paisley-print Dilla beats and luxuriant electronics. What's more, Whitney reduces three years of extreme emotional highs and lows into 38 brisk but deep minutes, each of these 12 tracks a singable lesson in what it is they (and, really, we) have all survived. The recalcitrant ennui of opener "nothing REMAINS," the devastating loss of "TERMINAL," the sun-streaked renewal of "real Love": However surprising it may sound, Spark is less a radical reinvention for Whitney than an honest accounting of how it feels when you move out of your past and into your present, when you take the next steps of your lives and careers at once and without apology. Spark maintains the warmth and ease of Whitney's early work; these songs glow with the newness of now. Listen closely, and you'll notice frequent references to smoke and fire throughout Spark, itself a double entendre for inspiring something new or burning down the old. Max and Julien were indeed in Portland for the Fall of 2020, when smoke from nearby fires choked the city at record levels. It was terrifying and tragic, but they pressed on. "We found a way to live while the world was burning/Real life was caving in," Julien sings almost merrily during "back THEN," an anthem for finding out what's on the other side of hardship. In these dire days, scientists speak increasingly of scrutiny, an evolutionary miracle that causes some trees to release seeds only amid a season of fire. That is how Spark often feels _ Whitney's circumstances were so fraught on so many levels that they hung "the past_out to dry" and began again, finding a fresh version of themselves, their relationship, and their band after the blaze. Max and Julien are back in Chicago now, sharing a cozy walk up with a little studio, where they're already building songs for the next Whitney album. They're both in happy romances, too. Now that they let the past burn, everything is new for Max and Julien. Spark is not only Whitney's best album; it is an inspiring testament to perseverance and renewal, to best friends trusting each another enough to carry one another to the other side of this season of woe.

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Spark White Vinyl Edition

LP | 2022 | US | Original (Secretly Canadian)

24,99 €*

Wicca Phase Spring Eternal

Release: 2022 / US – Original

Genre: Rock & Indie

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Suffer On Deluxe Edition

2LP | 2021 | US | Original (Run For Cover)

51,99 €*

Wicca Phase Springs Eternal

Release: 2021 / US – Original

Genre: Rock & Indie

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super deluxe, limited edition of the Wicca Phase Springs Eternal album Suffer On, to celebrate the 2 year anniversary of the release - featuring a bonus disc of acoustic renditions of each of the albums songs with completely reimagined packaging.

Wicca Phase Springs Eternal is the creative persona of Scranton, PA singer, songwriter, producer, and multi-instrumentalist Adam McIlwee. Stark transmissions of obsession, melancholia, and raw emotion compliment acoustic guitar and digital percussion as if Peter Murphy and Metro Boomin had been playing Ouija together. Beneath the deep 808's, moody synthesizers and cackling guitar, McIlwee's singular voice effectively resonates with a generation raised amidst the frenzied collage of modern digital expression. In 2015 Wicca Phase Springs Eternal co-founded Gothboiclique (gbc). Comprised of ten artists including Cold Hart, Horse Head, Lil Tracy, and eventually the late Lil Peep. With GBC's growing notoriety, Wicca Phase Springs Eternal simultaneously established himself as a singular voice, adeptly combining his natural songwriting instincts with the digital culture enveloping his world. Through an extensive catalog of collaborations, singles, EPs and 2016's Secret Boy LP, McIlwee has become a celebrated pioneer in this vital new direction of underground music. Along the way, he assembled what would become his 2019 Run For Cover Records debut, Suffer On, with the sonic bedrock evolving yet again as he re-embraces an initial vision. Suffer On is an exploration of familiar forms through the lens of something new and extraordinary. It is the first Wicca Phase record fully written by McIlwee, utilizing guitars and keyboards to create each song's core and building upwards from there. Themes of longing, entrapment and sacrifice permeate the album - the notion of wanting more and not getting it. Production and lyrics are both intentionally sparse and bleak, reinforcing such feelings and allowing room for the weighty moods to fill the sonic void. Lush acoustic guitar underscores the heavy emotionality of "Crushed" as he dissects a "natural anxiety about everything." Then, there's "Put Me In Graves." Ethereal synths shimmer above double-time drums as his cadence wavers between frenetic and danceable. Suffer On's title track encapsulates the delicate sorrow at the record's heart over a haunting timbre.

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Suffer On Pink With Neon Purple Splatter Vinyl Edition

LP | 2019 | US | Reissue (Run For Cover)

Wicca Phase Springs Eternal

Release: 2019 / US – Reissue

Genre: Rock & Indie

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Wicca Phase Springs Eternal is the creative persona of Scranton, PA singer, songwriter, producer, and multi-instrumentalist Adam McIlwee. Stark transmissions of obsession, melancholia, and raw emotion compliment acoustic guitar and digital percussion as if Peter Murphy and Metro Boomin had been playing Ouija together. Beneath the deep 808's, moody synthesizers and cackling guitar, McIlwee's singular voice effectively resonates with a generation raised amidst the frenzied collage of modern digital expression. In 2015 Wicca Phase Springs Eternal co-founded Gothboiclique (GBC). Comprised of ten artists including Cold Hart, Horse Head, Lil Tracy, and eventually the late Lil Peep. With GBC's growing notoriety, Wicca Phase Springs Eternal simultaneously established himself as a singular voice, adeptly combining his natural songwriting instincts with the digital culture enveloping his world. Through an extensive catalog of collaborations, singles, EPs and 2016's Secret Boy LP, McIlwee has become a celebrated pioneer in this vital new direction of underground music. Along the way, he assembled what would become his 2019 Run For Cover Records debut, Suffer On, with the sonic bedrock evolving yet again as he re-embraces an initial vision. Suffer On is an exploration of familiar forms through the lens of something new and extraordinary. It is the first Wicca Phase record fully written by McIlwee, utilizing guitars and keyboards to create each song's core and building upwards from there. Themes of longing, entrapment and sacrifice permeate the album - the notion of wanting more and not getting it. Production and lyrics are both intentionally sparse and bleak, reinforcing such feelings and allowing room for the weighty moods to fill the sonic void. Lush acoustic guitar underscores the heavy emotionality of "Crushed" as he dissects a "natural anxiety about everything." Then, there's "Put Me In Graves." Ethereal synths shimmer above double-time drums as his cadence wavers between frenetic and danceable. Suffer On's title tra...

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Wicca Phase Springs Eternal Clear With Black Splatter Vinyl Edition

LP | 2023 | US | Original (Run For Cover)

33,99 €*

LP | 2023 | US | Original (Record Record Label)

Release: 2023 / US – Original

Genre: Rock & Indie

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Wicca Phase Springs Eternal is the creative persona of Scranton, PA singer, songwriter, producer, and multi-instrumentalist Adam McIlwee. Stark transmissions of obsession, melancholia, and raw emotion compliment acoustic guitar and digital percussion as if Peter Murphy and Metro Boomin had been playing Ouija together. Beneath the deep 808's, moody synthesizers and cackling guitar, McIlwee's singular voice effectively resonates with a generation raised amidst the frenzied collage of modern digital expression. Wicca Phase first materialized in 2010. After receiving the name suggestion in an email from a friend on tumblr, McIlwee began writing and recording under the moniker. "Once I heard the name, it felt perfect," he explains. Evoking mystical, occult resonances, the name serves as a passageway to explore the parallels between the material world and that of mystery. "My music is very representative of what I'm doing in the moment," he continues. "The influence of the name seeps in and lets everyone know they're getting into something deeper." McIlwee's innate songwriting gift can be traced back to his time in Tigers Jaw, the widely influential band he fronted before walking away in 2013 to fully embark onto new creative pathways. "I was super active on tumblr at the time and came across all of this early internet rap. It was inspiring." He sought more fervently the immediacy of writing, recording and releasing songs instantly, releasing music from his bedroom with no consideration for the industries standard protocol. As he continued to evolve in his new artistic endeavors he ultimately linked up with likeminded creatives by way of Twitter DMs. Together he and his newfound collaborators built a network of creators across the country and in 2015, Wicca Phase Springs Eternal co-founded Gothboiclique (gbc). Comprised of ten artists including Cold Hart, Horse Head, Lil Tracy, and eventually the late Lil Peep, the internet collective began creating a palpable buzz and accordingly influencing a growing wave of artists and musicians.

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Wide Mouth Mason

Where I Started

24,99 €*

LP | 2020 | US | Reissue (Captured Tracks)

Release: 2023 / US – Original

Genre: Rock & Indie

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Where I Started is the third studio album by Canadian rock band Wide Mouth Mason. The album produced four successful singles, "Why", "Companion (Lay Me Down)", "Sugarcane", and "Half A Chance". The album won the award for "Outstanding Rock Recording" at the 1999 Prairie Music Awards. The album was certified Gold in Canada in December 2002

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Widowspeak

Plum

Golden Haze Golden Haze Vinyl Edition

Release: 2020 / US – Reissue

Genre: Rock & Indie

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With Plum, the songwriting partnership rooted in the creative rapport between bandleader Molly Hamilton and guitarist Robert Earl Thomas continues to expand on shared visions, delving deeper into what was always there: dusty guitars, ear-worm melodies, warm expansive arrangements. Each entry to their catalog has marked a subtle reimagining of Widowspeak's sound, though perennial points of reference remain the same: 90's dream pop, 60's psych rock, a certain unshakeable Pacific-Northwestness. Speaking to the timeless feeling of each, the albums continue to be discovered well beyond their respective PR cycles, made beloved by new listeners through word of mouth.The band's fifth album feels comfortable and lived-in: humble in structure, heavy on mood. Perhaps that came taking time off from the touring grind, instead working full-time jobs and settling into the rhythm of daily life in a small upstate New York town. Plum was recorded over a handful of weekends last winter by Sam Evian (Cass McCombs, Kazu Makino, Hannah Cohen) at his Flying Cloud studio in the Catskills, and was mixed by Ali Chant (PJ Harvey, Aldous Harding, Perfume Genius). In addition to Hamilton (vocals, guitar) and Thomas (guitars, bass, synth), it features instrumental contributions by Andy Weaver (drums), Michael Hess (piano), and Sam himself (bass, synth). Plum nestles into the band's canon like it was always there, but with new textures coming to the fore, like the polyrhythmic pulse of "Amy" and "The Good Ones", or the watery, Terry Riley-influenced track "Jeanie"Plum navigates the spaces between the lesser emotions of modern life. Hamilton's lyrics speak to the unique turmoil of anyone who creates as their work, who must somehow survive off such "fruits of their labor." Yet, Widowspeak have always made a bitter pill much easier to swallow. The majestic "Breadwinner", the luminous "Even True Love" - these songs here were made to be listened to, enjoyed. "Money" is particularly hypnotic, built around a repeating, cyclical motif that serv...

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Wild Nothing

12" | 2010 | US | Reissue (Captured Tracks)

25,64 €* 26,99 € -5%

Hold Coke Bottle Clear Vinyl Edtion

Release: 2010 / US – Reissue

Genre: Rock & Indie

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Golden Haze Vinyl. After being long out of press (with the exception of a small, instantly sold- out pressing in 2018 to celebrate Captured Tracks' 10-year anniversary), Golden Haze is finally back on limited edition Gold vinyl!The charming and gorgeous Golden Haze EP is the culmination of Wild Nothing's (Jack Tatum) sound in 2010. Fresh off the heels of breakout debut album Gemini, Golden Haze has become a true fan-favorite of Tatum's cata- log, and an enduring fixture of Wild Nothing's live shows across the world. The tracklist features the previously unavailable Evertide EP, a Gemini B- Side, and now, for the first time on vinyl, includes bonus tracks "Asleep" and "Vultures Like Lovers."When Golden Haze was released in 2010, the EP filled with melancholy vocals over addictive guitar riffs offered a perfect continuation to Gemini. It also re-revealed that Tatum has a knack for creating unique, modern ar- rangements based on decades-old influence. On Golden Haze's single of the same name, tweaked drums and a "textural mesh of severely-gated snare and sleigh bells" evoke 80s bands like The Cure. "Vultures Like Lovers," a newly available track on vinyl, presents delayed guitars with tremolo'd vocals. The most different to Gemini, it revealed that Tatum could make more "electronically pulsed" songs with echoey, hollow vocals. Over 10 years later, Golden Haze continues to prove Tatum's ability to create new songs while evoking a musical nostalgia for the past.

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Wild Nothing

LP | 2023 | EU | Original (Captured Tracks)

27,99 €*

LP | 2018 | US | Original (Northern Spy)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Because Hold, Jack Tatum's fifth album under the moniker Wild Nothing, was written in the aftermath of new parenthood during the pandemic, it was probably inevitable that it would be searching and existential music. But during the recording process, the artist known for synth-pop tastefulness used it as an opportunity to reach for a new sonic maximalism and wider set of influences. With contributions from longtime collaborator Jorge Elbrecht, Tommy Davidson of Beach Fossils and Hatchie's Harriette Pilbeam, first single "Headlights On" features an acid house-worthy bass groove and breakbeat that prove Tatum is playing for the rafters. Tatum produced the rest of the record on his own, partially out of necessity, due to the challenges of the pandemic. The songs were eventually brought to Adrian Olsen at Montrose Recording in Richmond to begin recording drums and filling in the gaps. While largely a product of isolation, Hold also reflects the things Tatum has learned from collaborators, both on previous records and during his acclaimed work with Japanese Breakfast and Molly Burch. The rest of the record was mixed by Geoff Swan, who listeners might know for his work with Caroline Polachek and Charli XCX. Swan put Tatum's vocals high in the mix, and throughout the album, he embraces playful vocal processing like never before. Tatum moved from Los Angeles back to his home state of Virginia about five years ago in search of a scaled-back lifestyle. The relatively suburban environment - and the occasional regret it inspired - proved to be great artistic fodder. It's the paradox of modern America - the suburbs are supposed to be stultifying to art, but they are so full of human desperation perfect for dramatizing. On "Suburban Solutions", he presents an anti-jingle with an acidly bright synthesizer melody, imploring you to sign on the dotted line, put your feet up, and embrace sweet oblivion. Adding to the song's menacing cheeriness is a chorus-sung bridge, made with assistance from Molly Burch and Tatum's wife, Dana, It was loosely inspired by the classic Martika song "Toy Soldiers" and the long-ago pop craze for children's choirs, and he embraces the trend's less-than-stellar reputation. By design, Hold dwells in uncertainty and fear, but in a package that encourages meditation and a bit of fun. "In the face of the pandemic, I think being a parent really forced my hand," Tatum said. "I felt that I had no other choice but to have a positive outlook on the world. Because if I were to give in at any moment and say, "Oh, everything is horrible," then I'll feel as if I've lost and I've given up on my son being able to thrive in this world."

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Wilder Maker

Zion

20,99 €*

Will Butler of Arcade Fire

Release: 2018 / US – Original

Genre: Rock & Indie

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James Joyce once said that if all of Dublin was destroyed, they ought to be able to rebuild it brick by brick just from reading his novels. Wilder Maker's Zion is the first chapter in a musical novel that makes the same claim for Brooklyn, NY. Written by guitarist/saxophonist/singer Gabriel Birnbaum and brought to life with long time collaborators Katie Von Schleicher, Nick Jost (Baroness), Adam Brisbin (Sam Evian, Jolie Holland) and Sean Mullins, Zion is a kaleidoscopic snapshot of years hustling for a break in New York City: waking up at 5 am to pour coffee for the brownstone-owning elite, waiting for a drug dealer on a city bench outside a blurry house party, moving catastrophically from apartment to apartment in the garbage scented heat, glimpsing euphoria through the ritual of taking your place among the anonymous crowd at a music festival, having your heart shattered in front of an audience at a bar, drunkenly contemplating bodega window displays, circling ever closer to something that could either be perfection or the drain, depending on the day. Last year's Saddle Creek single New Streets showcased the band in their poppiest Fleetwood-Mac-channeling mode, breezy summer jams for driving with the windows down, and it got them noticed by NPR, SPIN and Stereogum, but Zion hugely expands their palate of tools. Its influences run from classic 70's Dylan to blown out free jazz saxophone, from Dr. John's swampy psychedelia to Ethiopian sounds picked up from Birnbaum's many years as a member of Debo Band, with hints of Coltrane's classic quartet and nods to The Velvet Undergound. Zion is an omnivorous record. Its wide ranging influences have been hinted at throughout Wilder Maker's adventurous catalogue of self-released material but never explored so fully, or with this kind of wild energy and unclassifiable groove. This is a record to dance to, to cry to, to sing along to, maybe all three at once.

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Policy

LP | 2015 | US | Original (Merge)

23,99 €*

LP | 2024 | US | Original (K)

Release: 2015 / US – Original

Genre: Rock & Indie

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Will Butler has been a member of the band Arcade Fire for over 10 years. This is his first release under his own name.

Policy is American music—in the tradition of the Violent Femmes, The Breeders, The Modern Lovers, Bob Dylan, Smokey Robinson, The Magnetic Fields, Ghostface Killah. And John Lennon (I know, but it counts). Music where the holy fool runs afoul of the casual world.

Policy was recorded in one week in Jimi Hendrix’s old living room (upstairs at Electric Lady Studios). Jeremy Gara played drums; other musicians contributed woodwinds and backing vocals. Most everything else was played by Will.

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Winston Hightower

Winston HYTWR

LP | 2024 | UK | Original (Third Eye Stimuli)

Release: 2024 / US – Original

Genre: Rock & Indie

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Winston Hytwr is a co-release presented by K and Perennial.Born in Columbus, Ohio in March 1993, Winston Hightower is a prolific home recording artist with an expansive discography that crawls across space and genre. A staple in the Midwestern punk/DIY scene, his first work under the eponymous moniker was a self-released tape in January 2015. Since then, he has put out over 100 songs on tape, online and on video. The music defies easy categorization, and instead breezes through a landscape of synths that effortlessly blend pop, rock, rap and jazz. In doing so, Hightower continues to build a cohesive, ever-morphing experiment in pushing the boundaries of underground guitar music, all with his signature wit and charm. This body of work is almost entirely written and recorded alone in his room, causing many to refer to him as `the Black R Stevie Moore,' a fitting epithet as his influences likewise include modern "lo-fi" progenitors such as Guided by Voices and Vivian Girls. Hightower has released much of his own work and more on his tape label, the FAH-Q Catalog, which boasts over 12 releases (http://www.thefahqcatalog.com/) He has also collaborated with numerous other Ohio legends such as members of Times New Viking, Slant 6, and Ron House. Both mysterious and effervescent, Winston shape shifts into roles that have also included pro skater (UNITY, Adidas) and touring hardcore guitarist/bassist (most recently with the groups Minority Threat and Twompsax). With such an extensive pedigree, andhaving toured ceaselessly since he was a teenager, it's shocking that Winston Hightower is largely unknown outside of the Midwest. K records is thus thrilled to be putting out his first ever record, "Winston Hytwr" [KLP292/PRNL50] which will cull songs from his previous and impossible to find releases.Remixed by Capt. Tripps Ballsington and Remastered by Amy Dragon. This release continues the rich tradition of DIY bands crafting instant pop hits entirely on their own terms, which has long been the hallmark of the Interna...

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Winter Mcquinn

Move To The Trees

33,99 €*

LP | 2020 | UK | Original (Pink Flag)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-01

Perhaps known as the frontman of Sunfruits and as the drummer for Jade Imagine, Winter McQuinn’s solo music explores psychedelic country and folk rippling with a free-ness similar to Nick Drake, Syd Barrett, Kevin Ayers and more modern 70s soft rock purveyors like Michael Rault and Drugdealer. His impressive 2021 debut album ‘A Rabble Of Bees’ marked the beginning of Winnie’s solo wanderings, showcasing his songwriting talents and DIY inventiveness. Winter McQuinn’s sophomore solo album 'Move To The Trees' is set for April 5th via Third Eye Stimuli Records and Echodelick Records (usa). McQuinn recorded the new album in April 2022 over one weekend in Anglesea, Victoria with Jesse Williams (Leah Senior, Grace Cummings, Traffik Island) as engineer and producer. 'Move To The Trees' showcases a more refined and sonically sophisticated side to Winter McQuinn’s solo music. Featuring talented musicians Jack Kinder and Lewis Mosley from fellow Third Eye Stimuli family, Hot Apple Band, as well as Elena Jones from Sunfruits and Jaspar Robinson, McQuinn and co create a unique space through their artful intersections of hope and tragedy. A series of anthems for the future, settled in a post psych-folk and 70s soft rock energy, McQuinn takes influence from the new-wave of 70s folk and rock influenced artists from the USA's West Coast such as Sylvie, Cut Worms, John Andrews, Anna St Louis, The Lemon Twigs and more. This album showcases a step up in songwriting and production for Winter McQuinn who’s ever evolving style and commitment to creating is inspiring. The album cover design was hand painted by renowned folk / baroque pop artist Leah Senior and portrays McQuinn in different settings around Anglesea and the studio.

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Wire

Mind Hive

23,99 €*

Release: 2020 / UK – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Waterfall)

Wired Ways

18,69 €* 21,99 € -15%

Release: 2022 / EU – Original

Genre: Rock & Indie

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Soul Of Fire / Rip Van Winkle

Witch

7" | 2006 | Reissue (Damaged Goods)

9,99 €*

Nucleus Transparent Green Vinyl Edtion

Release: 2006 / Reissue

Genre: Rock & Indie

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A limited edition 7" single featuring "Soul Of Fire" (taken from their debut album) and an exclusive b-side "Rip Van Winkle" (early version). The group WITCH was born from a marriage of apparently contradictory influences. J Mascis of DINOSAUR JR. renown and his long time friend Dave Sweetapple were interested in forming a hard rock band. They found willingand able conspirators in Kyle Thomas and Asa Irons, members New England avant-folk outfit FEATHERS. On their eponymous debut album, this line-up mounts a mighty sonic tumult that harkens back to classic heavy metal sound of early 70_s outfits while still sounding modern in it's assault. The eponymous debut album from WITCH is scheduled for release on TeePee Records March 7th, 2006. WITCH recorded their debut album for Tee PeeRecords with engineer John Agnello, who had already recordedDINOSAUR JR., J MASCIS + THE FOG, EARLY MAN, SON VOLT and SCREAMING TREES to name a few.

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Witchcraft

2LP | 2015 | EU | Reissue (Svart)

35,99 €*

LP | 2019 | EU | Original (Treibender Teppich)

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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After the mind blowing success of Witchcraft's Legend (2012), mastermind Magnus Pelander outdid himself once again with the band's 2016 offering Nucleus. Combining what made it's predecessor the modern classic it quickly became as well as elements of the band's earlier days makes Nucleus a melancholic, raging, fragile, melodic and at times noisy masterpiece filed somewhere between classic rock, doom and ambient music.

With a renewed line-up (Rage Widerberg on drums and Tobias Anger on bass) the band sounds more hungry and powerful than ever. In combination with the thrilling, yet very down-to-earth production by Pelander, Philip Gabriel Saxin and Anton Sundell, Nucleus throws you in dreamy sonic landscapes that will mesmerize and haunt you alike.

Svart Records are proud to re-release Nucleus on black-, green- and Svart exclusive purple/turquoise marble vinyl on May 19th.

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Wolf Mountains

Urban Dangerous

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Sensory)

Wolverine

A Darkened Sun

28,04 €* 32,99 € -15%

LP | 2021 | EU | Original (Jagjaguwar)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Following the 2020 release of the award-winning short film A Darkened Sun, to which they supplied the score, Swedish dark progressive act Wolverine presents an official vinyl release of the moving soundtrack through Sensory Records. The four tracks on Wolverine’s A Darkened Sun score revolve around a common theme, but each piece of this concept release is open to its own interpretation. In its cinematic form, however, A Darkened Sun tells the story of a young and seemingly lonely woman in distress. Contemplating her existence, she realizes she has lost part of herself while succumbing to the expectations of modern society. Our protagonist embarks on a somewhat existential journey, and as the narrative unfolds across the story’s four chapters, she is forced to confront her inner self. The storytelling rests heavily on metaphorical expression, with some instances of intertextuality that pays homage to other works. A Darkened Sun was written, directed, filmed, and produced by Thomas Jansson, and features Rebecca Evans as the protagonist. The lush score created by Wolverine was recorded at SleepyTown Recording by the band’s Marcus Losbjer and Per Henriksson and mixed and mastered by Losbjer.

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Women

Rarities 2007-2010

23,99 €*

The Alone Rush Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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To Celebrate The 10th Anniversary Of The Now Legendary Album 'Public Strain', Women Released A Special Limited Vinyl Pressing Of The Album And A New Five-Song Collection Of Material Titled 'Rarities 2007-2010' Featuring Material That Was Either Hard-To-Find Or Never Released, Now Properly Mastered And Available On Vinyl For The First Time.The Product Of An Intense And Difficult Year-Long Recording Process, 'Public Strain' Seems Without Any Clear Sonic Lineage - Equal Parts Velvet Underground, Deerhoof, And Television, But Distinctly Unique And Unprecedented. Just Over A Month After The Album's Release, The Short-Lived Band Was Finished; However, The Reverberations Of 'Public Strain' Were Widespread And It Became Regarded As A Modern-Day Masterpiece, A Vital Document Of An Inimitable Moment In Time, And A Clear Touchstone For Countless Albums Since Its Release.

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Wrekmeister Harmonies

LP | 2018 | US | Reissue (Thrill Jockey)

31,99 €*

Sow The Wind Black Vinyl Edition

Release: 2018 / US – Reissue

Genre: Rock & Indie

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Wrekmeister Harmonies’ new album, The Alone Rush, their frst as the core duo of JR Robinson and Esther Shaw, is a hauntingly intense and dark meditation on death and isolation, whose concise compositions carry an emotional heft without the orchestrated bombast of their previous four albums.
The Alone Rush retains Wrekmeister Harmonies’ expansive and ambitious aesthetic, blending waves of ethereal keyboards, haunting string melodies, and crescendos of dissonance, but now turns central focus towards Robinson’s deep, rich, and soothing vocals. The two guests involved in The Alone Rush are longtime friend and
Swans drummer Thor Harris, performing minimal drums and clarinet, as well as acclaimed New York producer/engineer Martin Bisi. Over the course of their fve albums on Thrill Jockey Wrekmeister Harmonies have veered from drone to modern classical, outrock and extreme metal, curating and orchestrating the talents of such varied
underground luminaries as Godspeed! You Black Emperor, David Yow of The Jesus Lizard, Chip King and Lee Buford of The Body, Marissa Nadler, Jef Whitehead of Leviathan, Alexander Hacke of Einstürzende Neubauten, Sanford Parker of Minsk, the freeimprov cellist Fred Lonberg-Holm, Chris Brokaw of Come, and jazz composer Ken Vandermark.

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Wucan

LP | 2022 | EU | Original (MIG)

27,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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The Louder I Call, The Faster It Runs

Wye Oak

LP | 2018 | US | Original (Merge)

Release: 2018 / US – Original

Genre: Rock & Indie

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LP | 2012 | US | Reissue (Sacred Bones)

Wymond Miles

Earth Has Doors EP

16,99 €*

LP | 2023 | US | Original (Mt. St. Mtn.)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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Four years ago Wymond Miles, guitar player and chief songwriter in San Francisco's THE FRESH & ONLYS, began writing solo material thematically based on the concepts of eschatology, anthroposophy, and Gnostic and Hermetic symbolism. Drawing from a vast musical pool of inspiration, including Scott Walker, Robert Wyatt, Arvo Part, and Nikki Sudden amongst others, "Earth Has Doors" is Miles' first solo release. Since begin¬ning Miles had basically shelved these songs to attend school, focus on fatherhood, and commit to the demanding schedule of the F&O's. He earned a degree in humanities with an emphasis on the philosophical im¬plications of the ecological/economic crisis of our times, and that subject matter can be traced throughout his first EP. These songs concisely yet esoterically document the existential crisis of our curren...

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Xds

Bicycle Ripper

25,99 €*

LP | 2024 | US | Original (Ratskin)

Release: 2023 / US – Original

Genre: Rock & Indie

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It started in a cafe in Chico, California, with a flier, covered in glitter, wires, feathers, and assorted melted items, with a three-word advertisement: “Noise person wanted.” It wasn’t a sign. It was a sample. A tiny piece lifted from the visionary environment that the band XDS would continue building over the next couple of decades, hoarding an eclectic stockpile of collage materials/influences/approaches for assembling psychedelic dance-punk jams played with homemade instruments, blown-out samples, off-kilter drumming and dub baselines. Shoko Horikawa had come from Japan to (the small, music-crazy college town) Chico for school, and responded to Jesse Hall’s mysterious flier and a pitch to collaborate on making interesting sounds. The partnership would end up featuring her syncopated polyrhythmic drums alongside his vocals (through a duct tape-and-PVC-pipe mic) and custom-built Guitar-o-bass, plus synths/samplers and various noise-making devices. The two-piece Experimental Dental School eventually morphed into XDS as the duo moved the operation from Chico to Oakland to Portland and back to Chico, touring the world (playing alongside the likes of Deerhoof and other innovators) and releasing 11 recordings (on Cochon Records, German label Tcwga, etc.) as they went. On the new XDS album, Bicycle Ripper, the band’s genre-bending roots are as deep as ever, but the goal now is to be less “noise” people and more “fun” people. The songs are weird yet cohesive, with jittery grooves and inventive hooks. Throw a dart at the album and hit “Hot Panther, Cold Moon” for one random sample: an unrelenting fuzzed-out bass dances with a insistent drums; a sharp turn into sparse tin-can-guitar break; then a return to the dance floor with a bonus overdriven bass riff and full-throttle drums. The Panther stays hot whether she’s under the “hot hot sun” or the “cold cold moon.” It’s all very irresistible and, yes, really really fun.

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Yama Uba

Sihouettes

33,99 €*

2LP | 2022 | UK | Original (Mute)

Release: 2024 / US – Original

Genre: Rock & Indie, Pop

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Synthwave. Darkwave. Silhouettes is a strong debut album that captures the shifting perspectives of its five-year writing period, and the emergence of Yama Uba’s uniquely crafted sound. With Akiko Sampson's charismatic vocals and rumbling bass combined with Winter Zora's sweeping guitar and saxophone soaring over velvet synthesizers and synthpop beats, Yama Uba makes several nods to their post-punk and darkwave predecessors while creating a sound entirely their own. Throughout each track, Yama Uba emerges as a songwriting unit able to capture the complexities of the human spirit, as fragile as it is powerful, as it experiences its own evolution. States Sampson, ‘‘As a whole, Silhouettes is about personal transformation and self-discovery, and is a reckoning with the power of time.”

"Yama Uba’s modern-yet-nostalgic sound plays beautifully into the emotional cadences of Silhouettes, reflecting on personal growth and transformation with the cutting insight of the hard-won wisdom that can only come with age. The band’s nods to earlier darkwave movements evoke past eras and distant memories, but Sampson’s powerful lyrics and no-holds-barred delivery remind us that some wounds don’t heal with time, even as they make us stronger."

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Yann Tiersen

11 5 18 2 5 18

31,99 €*

Yard Act Vs. Mad Professor

Release: 2022 / UK – Original

Genre: Rock & Indie

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Yann Tiersen presents his brand new album ‘11 5 18 2 5 18’ via Mute. Reprogrammed, resampled and reimagined, ‘11 5 18 2 5 18’ is a collection of 9 tracks that serve as a translation of Tiersen’s live show, taking songs from his 2021 release ‘Kerber’ plus additional tracks from his catalogue, completely restructured to present a brand new album.

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The Overdub

LP | 2022 | EU | Original (Universal)

20,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie, Reggae & Dancehall

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LP | 2024 | JP | Original (Suzo)

Yuyakeshiwasu

Ressentiment

28,99 €*