Search "lil+wayne" 3012 Items

Tropical Swing Club / Fictional Love Scenes

Release: 2024 / US – Original

Genre: Rock & Indie

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Not God is the new album from Chicago's beloved two-headed monster,Finom (fka Ohmme). You can ask them to go into more detail about theboring reasons why they changed their name, but for now, the answer is goingto be polite refusal. No.Co-fronted by Sima Cunningham and Macie Stewart, Finom's influences runvast and varied, and they put a premium on change. Produced by Jeff Tweedyin the Wilco Loft, Not God is a marvel of growth, a progression from the rootsof this collaborative band whose history can be traced back to its improvisedconception. This is owed in no small part to their hometown of Chicago, thelife raft to so many persisters in musical adventurosity. That energy combinedwith Finom's dramatic vocal and musical gifts puts them in the peripheries ofthe legacies cemented by The Roches, Roxy Music, the B52s, Kate Bush, CateLe Bon, and Wilco.Cunningham and Stewart are brilliant harmonizers, but harmony doesn'tequate to a utopia. In Finom's maws harmony can also be a fight, holding theline until the volcano erupts. This realistic depiction of a creative relationshipjolts throughout the songs of Not God, and brings the whole damn thing to life.Finom are more than one person with more than one dream. But still, theygrow together, harnessed by their shared love of pop songwriting, control,chaos, and being generally freaky-deaky. Freaky in that way that is only reallyfun when you're doing it with a friend. As the globe spins and advancementsadvance, it can feel essential to return to relationships that make us feelwhole, that generate energy of strength and relief. Which puts double theweight on the reality that Sima and Macie continue to pledge allegiance toeach other, at the base of the volcano, in the front seat of the car as it pulls offthe highway.

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Dull Boy Johnny

EP | 2024 | Original (Another Weekend)

23,99 €*

Clancy Black Vinyl Edition

Release: 2024 / Original

Genre: Rock & Indie

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Dull Boy Johnny's long-awaited debut consists of a double EP, which acts as a soundtrack to your own imagination. As you listen, you are invited to wander through the different landscapes of their musical world, with frequent nods to the more lusty side of your brain. Besides the bonus EP ‘Fictional Love Scene's, Vol. 1’, ‘Tropical Swing Club’ is now ready in the starting blocks.

The EP contains a collection of songs that both retains Dull Boy Johnny's signature sound and adds new, surprising elements to their repertoire. From uplifting beats to dreamy melodies, ‘Tropical Swing Club’ shows that the band is ready to explore new horizons. Inspired by a writing holiday to the idyllic island of Ponza off the coast of Italy, ‘Tropical Swing Club’ exudes an atmosphere of tropical delight and sizzling passion. The songs are infused with the warmth of the sun and the rhythm of the ocean.

With ‘Salty Lips’ and ‘Bitter Affection’, Dull Boy Johnny already managed to impress critics and listeners alike. The songs were praised for their compelling melodies, catchy hooks and irresistible energy. Now, with the release of ‘Tropical Swing Club’, the band continues its musical evolution, bringing a refreshing mix of tropical sounds and swinging rhythms. With ‘Tropical Swing Club’ by your side, summer is already on your doorstep.

The EP is the first release on N.E.W.S. newest sublabel Another Weekend. For fans of Khruangbin and Balthazar. Airplay on Studio Brussel, Radio 1, Willy and more. Release clubshows in Antwerp, Ghent, Mechelen …

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Twenty One Pilots

LP | 2024 | EU | Original (Atlantic)

30,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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7" | 2024 | UK | Original (Names You Can Trust)

La Banda Chuska

Bar Secreto

18,99 €*

LP | 2024 | EU | Original (Upset The Rhythm)

Release: 2024 / UK – Original

Genre: Rock & Indie

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You may ask yourself what lies beyond the cumbia? What psychedelic permeations reveal themselves in the breaks of the modern day tropical wave? La Banda Chuska's debut single on Names You Can Trust provides a glimpse into the broad benchmarks of this new noise and language, channeling and surfing through a barrel of rip-roaring guitar licks to create something decidedly distinct and du jour at the same time. Just imagine if the B-52s got trapped in some sort of demented Pacific-Peruvian time warp and were forced to shred their way back into existence, bongos in tow. Come along for this excellent adventure and experience for yourself, the tropical waviness of La Banda Chuska's colorful crush.

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Earth Ball

It's Yours

19,54 €* 22,99 € -15%

Tape | 2024 | US | Original (Drag City)

Release: 2024 / EU – Original

Genre: Rock & Indie

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"December 2012 I showed up totally exhausted in Vancouver BC after touring stupidly and relentlessly for however many straight months and got a job at a call centre raising money for the Red Cross. It was a scent free office but one time this woman cooked a piece of fish in the microwave for 10 minutes on low and hot boxed the whole office - we got sent home early no pay. There was the other woman I named the Call Centre Coltrane because her pitch and routine usually involved improvised flights of fancy that went off in both directions at once somehow landing back down with a credit card number and a donation. I used to sleep under the desk. I was there a few months and at the time I reconnected with John Brennan who I had played with briefly in Montreal at the Mutek Festival. In Montreal John was running an experimental music night at a burrito shop downtown called Garbage Night. While in Vancouver I began connecting with the music scene there and would go hang out with the Shearing Pinx lads who I think lived with Sydney the bass player at the time. I knew Nic and Jer from an AIDS Wolf Tour and was so stoked to get to know them both better. I really fell in love with that era of Vancouver's music scene.

Fast Forward to today. 2024

Actually it was the dying days of 2023 but you get it and John asks if I'll sit in with Earth Ball and I keep thinking about Earth Balance, the vegan butter everyone eats here. I brought my aching bones and my ipads on the beautiful ferry named the Queen of Oak Bay and out to Nanaimo BC, home of the nanaimo bar (a dessert treat - special to this region - that seems to be more popularly found under the weird glass sneeze guards in office building deli's out east in Ontario.... anyhoops ). No one in Nanaimo wants to talk to me about the famous treat. I asked a couple of people. Silence. Nanaimo is like London, Ontario but more fried and by the sea. The town is filled with blown out old sea dawgs with tin coffee pots and loose leaf tobacco, then there's the usual streetfolk you find in this part of the Canadian Pacific Northwest and a bunch of bohemians who I guess have left Vancouver behind - that fine city having become uninhabitable for those not making over 100k a year. And then up the way are all the retirees.

Yup Nanaimo is a strange one. They mined the shit out of this region and Nanaimo is surely haunted

by those buried in mining shafts or maimed by the heavy machinery or blown up by accident in the explosives store house. And when Earth Ball fire up the amps in Izzy and Jer's basement you can hear the voices of the ghosts hum through electrical lines and out the speakers, Kellen's hued feedback, Izy's sturdy basslines, Jer's paperbag guitar tone and rumble pack zaps, Liam's (aka the Kid) sheets of sound and Brennen's multidirectional drums.

You wouldn't guess Earth Ball was auto-composing and from what my rat brain can tell - the lyrics are improvised too...Improvising lyrics and singing them is the hardest thing to do in all of music.. Izzy and Jer are pros. And their attitudes are pro too.

The live show is scorched and without naming names they've been known to make headliners nervous. Lucky ones will get to see them live as they tour this beast of a record entitled ‘It’s Yours’ (out May 17th on Upset The Rhythm) and I hope I'm one of them.

But now you, fan of fun but totally fucked up music, have the opportunity to Ball with them thanks to Upset The Rhythm. Enjoy"

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Bill MacKay

Locust Land

Brian Eno, Holger Czukay, J. Peter Schwalm

Release: 2024 / US – Original

Genre: Rock & Indie

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Bill MacKay and Drag City are delirious with pride to announce the discovery of a new territory: Locust Land, a record which seeks to reflect the nerve-shredding consciousness run amok in our world today - and somehow allay it with sound. Bill"s music is a visceral crackling where it meets the air, and Locust Land can"t help but reflect its era more than any other in his discography.It"s been five years since the release of Fountain Fire - but in the interim, Bill has barely stopped moving, collaborating with artists across the spectrum, including cellist Katinka Kleijn, banjo player Nathan Bowles and keyboardist Cooper Crain. He"s also contributed to recordings by Steve Gunn, Ryley Walker, Bill Callahan & Bonnie Prince Billy (Blind Date Party), and Black Duck (on their self-titled record featuring Douglas McCombs and Charles Rumback). Forget five years - how"d he even get Locust Land squeezed out of his temporal lobes?Bill"s sense of music as art is constantly modulating - lifting off from where it is found and naturally migrating to some other place. Sometimes, that"s elsewhere - others, it"s simply to be found deeper inside the starting point. And so, the action of moving on informs the landscape of Locust Land. This manifests in several different ways.A restless energy and urgency is repeatedly felt - in the driving momentum of "Keeping in Time," "Glow Drift," and "When I Was Here" - while a dogged persistence radiates from the tone colors and percussion of "Oh, Pearl." Mating a dirge-like desolation with sparkling guitars, "Radiator" adds darkness and depth. The sense of searching, displacement and longing in vocal tracks "Keeping in Time," "Half of You," and "When I Was Here" speak literally to the tumult of current vibrations. Within the arrangements, there"s also departure from previous norms - in addition to the brilliant guitar work for which he is known, Bill plays a variety of keyboards, from piano to organ to synth, extending his music with the available voicings, while enri...

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Sushi. Roti. Reibekuchen

2LP | 2024 | EU | Original (Grönland)

34,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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O, Brittle Weather! Green Vinyl Edition

Drunk Uncle

LP | 2024 | US | Original (Count Your Lucky Stars)

That's What I Been Sayin'

Release: 2024 / US – Original

Genre: Rock & Indie

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Drunk Uncle isolated themselves into a cabin on an East Texas farm to write and record the follow up to their debut Look Up in 2022. The result "O, brittle weather!" is a thoughtful, probing album that explores a cacophony of sounds in a playful and whimsical way. The album feels like a telling of a great story- songs like pages colored with splashes of acoustic and electric guitars, floating bass, keys, horns, and percussion that ranges from a whole kit to a single tambourine that succinctly cues up the next chapter. Narrated by melodic vocals belting out emotional poetry, "O, brittle weather!" seems to plead with you to keep listening until the last word. Then, it begs you to listen again.Most bands are content to just collect a handful of songs and group them together as an album. Drunk Uncle strived to make something bigger than themselves. And wouldn't you know it, they succeeded."O, brittle weather!" comes out 5/24 on Count Your Lucky Stars. Available digitally and on vinyl.

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Rami Gabriel

LP | 2024 | US | Original (Sooper)

LP | 2024 | CA | Original (Psychic Hotline)

Release: 2024 / US – Original

Genre: Rock & Indie

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Born in Beirut, Lebanon, Rami Gabriel has been a motive force in rock n' roll, jazz, Arabic, and experimental music communities across North America for over twenty years. In that time, he has released numerous projects across genres and under many names. On his debut LP for Sooper Records, Rami trips all the breakers. In his own name and voice for the first time, That's what I been sayin' is not so much a debut as a conflagration in Rami Gabriel's worldly underground. Drawing on Punk, Krautrock, Dub, No Wave, and lo- fi, the territory occupied by That's what I been sayin' is astringent, minimal, and buzzing with the sound of machines dancing in the wind."I'm used to putting out records based on genre," says Rami of his multiple endeavors. "I was listening to one of the `70s Brian Eno records where he took his experimental work and his songs and put it all together, and I was thinking, `Why don't I try to put all the different ways I've been working for the last couple years onto one record?'" That's what I been sayin' ignites this vision with an album that ranges from the motorik-driven krautrock of "Like a monk" to the unexpected trance-like pairing of "Buzuq synth." That's what I been sayin' is a furnace of Rami's insuppressible impulses, where he undertakes to ask and answer: what is left of punk but making do with what is at hand? At times direct and scorching, at others meditative and wandering, That's what I been sayin' compresses Rami's understanding as a composer, musician, and singer into a restless, 11-track love letter to the underground. For Fans of The Fall, Haruomi Hosono, Brian Eno, and Scientist.

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Nathaniel Russell

Songs Of

News Of The Universe Neon Orange Vinyl Edition

Release: 2024 / CA – Original

Genre: Rock & Indie

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Nathaniel Russell is a multi-disciplinary artist from Indianawho creates drawings, paintings, prints, murals, objects,videos, and music, often with friends and fellow artists.And in 2023, he packed up his car and drove from hishome in Indiana all the way to North Carolina to recordnew music with his long-time friend Amelia Meath (SylvanEsso, The A's) at Betty's, the wooded studio haven ofSylvan Esso, where recent releases from The Tallest Manon Earth, Caroline Rose, Wednesday, The A's, TheMountain Goats, Flock of Dimes, Indigo de Souza, andmany more have been born.This record began with a funny and sad idea Russell hadabout a funeral. "I imagined a picture of a funeral with amerch table. It was an idea full of darkness and sweetnessto me. Immediately I thought about what my merchandisewould look like, what it would be. I began to think aboutwhat the record for sale at my funeral would sound like. Istarted to think about the songs I have made up and sungto and with my friends, family, and myself over the years. Inoticed how the songs I had sung the longest seemedconnected to others from a different time. I had changedsome words and how I played them but they were all ofme and my time on earth. I heard how these things fittogether. Of course I now needed to see this projectbecome a reality."Songs Of was produced by Meath, engineered by AlliRogers, and features additional performances from JoeWesterlund (Megafaun, Califone) and Nick Sanborn(Sylvan Esso, Made of Oak).

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La Luz

LP | 2024 | CA | Original (Constellation)

Release: 2024 / EU – Original

Genre: Rock & Indie

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"I was in a dream, but now I can see that change is the only law." With a credo adapted from science fiction author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist and songwriter Shana Cleveland learns to embrace a changing world with unconditional love on News of the Universe, the new full-length from California rock band La Luz. News of the Universe is a record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland's experience of having her world blown apart by a breast cancer diagnosis just two years after the birth of her son. It's also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime members bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one. But is there any band in the world more suited to capturing the chaos of change in all its messy beauty than La Luz? Formed by Cleveland in 2012, La Luz is beloved for their ability to balance bedlam and bliss, each new record another fine-tuning of the band's mix of swaggering riffs with angelic vocals borrowed from doo-wop and folk; a band so reliably great that it makes the huge step forward in confidence and sheer musicality that is News of the Universe all the more formidable. Cleveland, also a writer and painter, has developed into a truly original songwriter with her own canon of haunted psychedelia. Yet if Cleveland has spent years writing songs about ghosts, what lurks in the shadows of News of the Universe is nothing less than death itself. "There are moments on this album that sound to me like the last frantic confession before an asteroid destroys the earth," says Cleveland. The powerful sense of openness that permeates News of the Universe is at least partially due to the fact that it is a record made entirely by women-from the performing, writing, and producing all the way through to the recording, engineering, and mastering. Working with producer Maryam Qudos (Spacemoth), the all-female environment allowed Cleveland to feel safe tapping into difficult places and expressing hard emotions women are socialized to suppress. Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, News of the Universe is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond current musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on News of the Universe, which might be La Luz's most brutal record to date but also their most blissful.

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Kee Avil

Spine

LP | 2024 | EU | Original (Crunchy Frog)

Release: 2024 / CA – Original

Genre: Rock & Indie, Electronic & Dance

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The follow-up to Kee Avil's acclaimed 2022 debut Crease: "A stunning debut" (The Quietus); "A whiplash style of uninhibited exploration" (The Wire); "Kee Avil's debut is a force" (Foxy Digitalis); "A work of Frankensteinian wonder" (Electronic Sound); "A tightly coiled, finely wrought vision of avant-pop" (Exclaim); "A debut of fiendish creativity" (Bandcamp Album Of The Day / Albums Of The Year) Kee Avil's music is both adventurous and intimate, intellectually challenging and emotionally resonant. The Montréal guitarist and producer's 2022 debut LP Crease garnered plaudits from outlets like The Wire, The Quietus, Mojo and Foxy Digitalis, picking up a Canadian Juno Award nomination and Bandcamp Album Of The Day and Albums Of The Year along the way. Its intricate construction, unnerving atmospheres, and knife-edge take on avant-pop prompted comparisons to early PJ Harvey, This Heat, and Gazelle Twin. A remix EP with work by claire rousay, Ami Dang, Cecile Believe, and Pelada brought collaborative perspectives to four Crease tracks, offering new pathways within those songs. With Spine, Kee Avil strips back her heavily textured compositions, opening up a much rawer sound. She calls it folk… and while traditionalists might scoff, this is urgent music that reflects the precarity of modern life, as well as the jarring mixture of electronic and real-world interactions that have become the fabric of our day-to-day experiences. There's a hypnotic post-punk somnambulance to it all, using the repetition and fracturing of melodic phrases interwoven with delicate electronics to create curious and persistent hooks. While not a concept album, themes of time's passage, remembrance, and decay crop up across multiple tracks. Each track intentionally only has four elements - guitar, electronics, and two other instruments, with Kee's voice and guitar pushed to the front. Within this minimalist framework, the juxtaposition of beauty and discomfort that is key to the Kee Avil sound stands out in skin-prickling relief. "We're shaped by many versions of ourselves," says Avil. "I was looking back at these versions of myself and what could have been, what didn't end up being and what did end up being, and going back like that through time. Seeing the future, the past." Spine was written in Kee Avil's home studio after a lapse in writing while touring Crease and working on other projects. She is a well-known and respected member of the Montréal experimental scene, and formerly ran Concrete Sound Studio with Zach Scholes, who continues to work with her as a producer on Spine. Compared to the three years that went into making her debut, Spine emerged in a matter of months - a process that may also be a factor in its intensity and sharpness: "This record was much harder, like it was really discovering everything from scratch." In her desire to not simply replicate or extend the sound of Crease, she felt she had to rip up the rule book, write in a different way, and pare back songs against her usual instincts. Sometimes, when we work against our ingrained habits, we get to the core of who we really are. Spine is an exercise in that process. Without over-intellectualizing or being didactic, it hits immediately and emotionally, especially if you are a person who has spent much time in the process of self-examination. Kee's voice hisses, whispers, and chants; her guitar bends and rings; electronics skitter and crackle; violin creaks like a door in the wind. There is something so evocative about the atmospheres she creates that it's easy to overlay one's own feelings onto her work, but to do that wholly would be to overlook one of the most important things about Spine: Kee Avil's clear and thoughtful vision. This isn't just the next step forward in her artistic trajectory; it's a stunner of a record that stands on its own, a bracing and thrilling listen that has much to reveal about the contradictions inherent in being human. - jj skolnik

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Yune

Lemon Soft Perfection

20,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-01

LP | 2024 | US | Original (In The Red)

Memo PST

Memo Pst

12" | 2024 | US | Original (Run For Cover)

Release: 2024 / US – Original

Genre: Rock & Indie

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“Memo PST was formed in 2022 by longtime associates Orville Neeley and Chris Shaw.

“The band released a self recorded cassette demo and played a handful of shows in California before setting up shop at Discount Mirrors (the neighborhood studio owned by John Dwyer and Eric Bauer) to lay down an LP.

“Recorded the first five days in May of 2023, the debut album from Memo PST features twelve blasts of raw and primitive Los Angeles punk rock, with Orville Neeley (Bad Sports, OBN IIIs) handling songwriting duties and Chris Shaw (Ex-Cult, Vile Nation) handling vocals and lyrics.

“The debut long player from Memo PST is everything fans have come to expect from the two longtime fixtures in underground rock, but also features some of their most memorable songs yet, including ‘I Used To Be A Pretty Boy’ the debut single from the band that sold out in hours via record label In The Red.

“The black and white album cover photo (taken behind the iconic rocker shop Worship) and the stark presentation that Memo PST has thus far deployed is a clear statement that this is punk made for punks, and the band has little to no regard for current trends created and championed by those less informed.

“Written, recorded, and released in Los Angeles, this is the latest chapter in the LA transplants discography, and only the beginning of what we can expect to hear from the songwriting duo.

“Rounding out the live lineup is life long Los Angeles punk Danny Clodfelter on bass and San Clemente surf punk Jackson Todd on drums. Crumple up your scribblings, this is Memo PST.” —Johnny Dog Face

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One Step Closer

Songs For The Willow

21,59 €* 26,99 € -20%

LP | 2024 | US | Original (Digital Regress)

Release: 2024 / US – Original

Genre: Rock & Indie

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One Step Closer signal a sea change with Songs for the Willow. With last year's This Place You Know, the band had already mastered a unique stripe of mournful melodic hardcore informed by eclectic emo influences. But on Songs for the Willow, they've tapped into a dynamic, emotionally powerful, and sonically intricate post-hardcore space inhabited by the charged aura and artistic nuance of landmark early 2010s records like Title Fight's Floral Green and Touché Amoré's Is Survived By. But ultimately, Songs for the Willow moves this sound forward into new territory.

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Slender

Learn To Die

23,99 €* 29,99 € -20%

Skipping Stones: The Cassette Years '92-'93

Release: 2024 / US – Original

Genre: Rock & Indie

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Learn To Die is a bold new step for a group of musicians, artists, and writers that has at least nominally been considered a punk band. A stylistic overhaul. For those who have been following along, it’ll carry some surprises. Slender began over a decade ago as a semi-improvisational cassette recording project, a casual collaboration between a few friends that was initially documented by two self-titled cassette-only releases released in 2014 and 2015 respectively, now both unavailable and out of print. Most fans, however, will know Slender for their two most recent releases, Walled Garden (2017) and Time On Earth (2019), both released on the tastemaking London art-punk label La Vida Es Un Mus. Their prior work has earned them comparisons to anarcho-punks Crass and The Snipers, lo-fi flagbearers Swell Maps and Pink Reason, and artrockers Cromagnon and Amon Düül. Here, however, such comparisons feel largely unfounded and the band feels somewhat peerless. Moments of artpunk brutalism, lo-fi experimentalism, and kosmiche detours grace the fabric of Learn To Die, but the album reaches for more than pastiche. Teasing the rarified worlds of chamber music and musique concrete, Slender manages something intangible and strange. A vocoded voice intones multi-lingual poems alongside tinny guitars and sampled strings and flutes. Three chord janglepunk anthems arise suddenly out of a cosmic mist crafted by analogue synths reciting the poetry of machines. The album moves in ways reminiscent of works by artists as varied and singular as Nobukazu Takemura, Chuquimamani-Condori, Coil, and Robert Wyatt, but it doesn’t necessarily occupy the same realm as any of them.”—Leah B. Levinson

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The Cat's Miaow

2LP | 2024 | UK | Original (World Of Echo)

Le Ombre White Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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The Cat’s Miaow return to World Of Echo with Skipping Stones: The Cassette Years ’92-’93, their second compilation for the imprint, and the fourth in a loosely defined series of reissues associated with the group (also including The Shapiros’ Gone By Fall: The Collected Works of The Shapiros and Hydroplane’s Selected Songs 1997-2003). It’s a smart selection of songs by one of Australia’s finest independent pop music groups, whose initial run, across the nineties, was as mysterious as it was bewitching. A generous double album featuring thirty-five songs drawn from The Cat’s Miaow’s history, Skipping Stones lets listeners in on a bunch more secrets.

An even deeper pass through the archives of The Cat’s Miaow, Skipping Stones is a welcome follow-up to 2022’s Songs ’94-’98, which pulled together material from seven-inch singles and compilations. Diving into the four cassettes that the group released over a two-year period, Skipping Stones is full of surprises, rich with unexpected and inspired detours, while reminding everyone just how clear and distinct The Cat’s Miaow’s music was from the very start. Looking in from the outside, they always felt like a group that knew just what they were doing, but intuitive as they are, they weren’t forcing anything: these songs always sound exactly what they need to be, rough edges, playful moments and all.

It's also a fascinating snapshot of one arm of the ‘international pop underground’. While they were clearly listening to music from the US, UK and elsewhere – there are glimpses of Galaxie 500, Spacemen 3, Beat Happening, and The Pastels in some of the songs here – The Cat’s Miaow also feel, consciously or not, part of a continuum of Australian underground pop that takes in The Particles, The Lighthouse Keepers, The Cannanes, The Honeys, Even As We Speak, and The Sugargliders (who they would cover several times). Like those before them, The Cat’s Miaow balanced opposing forces in their music: naivete and knowingness; fragility and strength; worldliness and world-weariness; play and seriousness; heartache and pleasure.

The four cassettes that Skipping Stones draws from – Little Baby Sour Puss, Pet Sounds (both 1992), From My Window, and How Did Everything Get So Fucked Up (both 1993) – were released or assisted by Toytown, a Melbourne cassette label of rare taste, savvy and intelligence, run by Wayne Davidson. Toytown felt like the perfect early home for The Cat’s Miaow, their cassettes rubbing shoulders in the label’s catalogue with brilliant groups like Sukpatch, The Ah Club, Kitty Craft, and Land Of The Loops. The local context is just as important, too, with The Cat’s Miaow sharing their time and creative vision with friends in The Ampersands, Stinky Fire Engine, Girl Of The World, Super Falling Star, Pencil Tin and The Sugargliders. And cassettes were an important form of exchange – cheap, easy to reproduce, not too expensive to send interstate or overseas, they were the most accessible DIY format for any group starting to spread the word about their noise.

All of this is to say, the thirty-five songs here landed in several different contexts, national and international, which goes part-way to explaining the group’s curious cosmopolitanism, the style and spirit in their sound. The Cat’s Miaow may have been bedroom dreamers, but their songs were richly informed, with the sweetest of girl-pop moves sashaying into walls of tremolo-d and distorted guitar, jangling six strings tangling with melodic bass that’s pure Peter Hook/Naomi Yang, while the gentle trickle of a drum machine or the earthy twitch of brushes on drum skins provided the spine for Kerrie’s and Bart’s lovely, unforced singing.

There are a clutch of gorgeous songs here that would reappear in a different form on later releases, classics like “The Phoebe I Know”, “Third Floor Fire Escape View”, “Not Like I Was Doing Anything” and “You Left A Note On The Table”, but plenty of other magic too, all of it finding its way to vinyl for the first time (some tracks appeared on compact disc via the compilations A Kiss and A Cuddle [Bus Stop, 1996] and Songs For Girls to Sing [Drive-In, 1997]). Remarkably, The Cat’s Miaow have also recently released a split single with Rocketship featuring newly recorded material and returned to the stage for their second-ever gig.

But this double LP on World Of Echo feels like the very core of the thing – some of the most heartbreakingly beautiful, effortlessly lush and deeply moving pop music you’re likely to hear.

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Lele Battista

LP | 2024 | EU | Original (The Saifam Group)

41,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Solo Coke Bottle Clear Vinyl Edition

Joh Chase

LP | 2024 | US | Original (Kill Rock Stars)

LP | 2024 | US | Original (VHF)

Release: 2024 / US – Original

Genre: Rock & Indie

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Career trajectories are rarely linear or make logical sense. Life is always unpredictable so all you can do is put in good work and keep at it. Joh Chase is a testament to this. Over the past two decades, the Seattle-raised, Los Angeles-based artist has persistently honed their songwriting and toured, opening for acts like Noah Gunderson and David Bazan. This dedication comes out entirely in their songs, which are so timeless, confident, and inviting they can only come from someone who’s devoted their whole life to their craft. Chase’s new album Solo feels like a turning point for them: it’s the culmination of a lifetime of writing, losing, loving, and doing it all yourself. The LP adventurously toes the line between genres and sensibilities but it’s all filtered through Chase’s charming and fully-formed vision.

Solo is a testament to Chase’s do-it-yourself ethos throughout their entire career—they chipped away, self-funded tours, and crowdfunded this LP. But by finding their voice, they now no longer feel alone. “This is the most support I've ever had in my life,” says Chase. “I do not feel alone at all. There’s so much energy and generosity here around these songs.” Though it’s not their debut, Solo feels like a reinvention for an artist: a daring reintroduction for a timeless talent. “I spent my life making music and trying to do it about 10 different ways,” says Chase. “Now this one feels like it. This album feels like a leveling-up of my music in general. When I look at it now, I realize this is the first record that's really me.”

“Mesmerizing, infectious, joyful, and heartbreaking; this is the best new album I've heard in a decade. Joh Chase has arrived.” – Melissa Ferrick

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Acid Mothers Reynols

Vol. 3

LP | 2024 | Original (You've Changed)

Release: 2024 / US – Original

Genre: Rock & Indie

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Volume 3 of a set of collaborations between the prolific Argentine polymaths Reynols and the inescapable Acid Mothers Temple. Recorded in Buenos Aires on AMT’s 2017 South American Tour, the music has identifiable sonic elements from both groups but ends up sounding like neither, with a surprising weightlessness that keeps things jammy and psychedelic until the final track’s blustering rock. Taking up most of side 1, “Kicking Air Bricks” has a loose Gong/’70s Euro-classic vibe, with Satoshima Nani getting to swing on the drums in a way that isn’t always part of AMT’s steamroller, while the rest of the gang layers in abstract piano, percussion, glissando guitar, etc. “Multiverse Turtle Reflex” closes the side with a thick drone coda. Side two starts with Miguel Tomasin’s gentle vocal and organ accompaniment on “Smelling Oneiric Asado” before the group gradually gathers momentum with Wolf’s thick bass anchoring layers of clean and loose guitar interplay. “Lemurian Tsunami Inside A Hat” is a thriteen-minute heavy rock epic, with the Reynols’ guitars going head to head with Makota Kawabata’s easily recognized interjections, ramping up into a riffy crescendo.

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Jon McKiel

Hex Black Vinyl Edition

20,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Broc)

Janko Nilovic

Cosmos Giants

LP | 2024 | Original (Chapter Music)

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Broc Recordz is thrilled to announce the imminent release of our latest album, Cosmos Giants!

This cosmic fusion is the result of an epic collaboration between maestro Janko Nilovic, JJ Whitefield of the Poets of Rhythm, and Igor Zhukovsky of the Soul Surfers. Together, they've crafted a musical universe where genre boundaries blur, giving way to a transcendent sonic experience.

Immerse yourself in a musical journey where funk, psyche, and soul intertwine to create something truly magical!

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Gregor

Satanic Lullabies

Altes Glück Colored Vinyl Edition

Release: 2024 / Original

Genre: Rock & Indie

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Melbourne pop eccentric Gregor releases his fourth album Satanic Lullabies, his deepest and darkest record yet.In the years since his first album, 2016's Thoughts & Faults, Gregor's music has got progressively odder, more challenging and more rewarding. The spacious, acerbic pop of Silver Drop (2018), featuring touching single A Song About Holding Hands, was followed by the lovesick Destiny (2020), which put Gregor's inquisitive pop through a warped filter.Now Satanic Lullabies has polar extremes of wide-eyed innocence and deep despair. There are moments of great musical beauty that segue into harsh, bleak soundscapes. "I'm seeking to draw attention to the similarities between heaven and hell," says Gregor, "and to comfort anyone who recognises these."Satanic Lullabies is a modern epic, a bedroom odyssey, like if pre-MAGA Kanye made a Disney soundtrack.Gregor's live show ranges from solo mode up to a ten piece band, and he has played festivals such as Golden Plains, Dark Mofo, Inner Varnika, Boogie and The Others Way (NZ). He was nominated for Best Album and Best Solo Artist in the 2019 Music Victoria Awards, and Best Pop Act in 2021.

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Modecenter

LP | 2024 | AT | Original (Siluh)

Way To Be White, Blue, Violet Vinyl Edition

Release: 2024 / AT – Original

Genre: Rock & Indie

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With their new album "Altes Glück", MODECENTER present a tightly woven, impressive musical statement comprising 8 songs. Edgy, "hard" and engaging at the same time, in a post-punk, un-rockistically rocking, ass-kicking sense. With hits like "Endurance Eurodance" and 7 others, the four-piece-with-guitars MODECENTER are well worth a visit, even without buying textiles.It is new, not old, luck that this 8-song album by the Vienna-based band MODECENTER is the way it is and comes across exactly as it does. MODECENTER are, as they have been since their beginnings, a quartet. They released their first tape in 2019, followed by the album of the same name (2021, Numavi Records) and the mini-album "Peace" (2022, Rock...

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youbet

LP | 2024 | US | Original (Hardly Art)

Morning View XXIII Blue Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Nick Llobet (they/them) was ready to throw in the towel. Llobet, who grew up in South Florida, learned to play guitar at a very young age, dabbling in everything from classical, blues, classic rock, and flamenco. They'd spent much of their early 20s searching for their voice as an artist and as an individual, as well as for a musical community Llobet would eventually move to Brooklyn, but after three years of looking for a hopeful artistic breakthrough, they spent much of their time in seclusion, consumed by social anxiety and imposter syndrome-and they were considering abandoning songwriting completely. One day, while commuting through Penn Station en route to their partner's family home in Virginia (that would also lead to the crucial purchase of a secondhand Tascam cassette recorder), they noticed Patti Smith sitting alone, waiting for a train. The typically shy Llobet decided to approach the icon, who was, in turn, delighted to see that Llobet was carrying a guitar. At the end of their interaction, Smith offered some parting wisdom: "She wished me luck and said, 'Practice hard, Nick.'" Llobet took her advice to heart, and this chance encounter kicked off a personal and artistic rebirth. They started performing as youbet, a play on their last name, and began "changing [their] vision for what a song could be." youbet's debut, Compare & Despair, a delightful gem of a record that showcases Llobet's propensity for freewheeling whimsy and emotional intensity. In May 2019, inspired by a song-a-week writing group that produced Compare & Despair, Llobet started a second club in which contributors would upload that week's song to a private Bandcamp. Invigorated by this small musical collaboration, the feedback, and the accountability, Llobet wrote 18 songs throughout the duration of the club, twelve of which became Way To Be. After this songwriting marathon, Llobet spent 2020 focusing on instrumental guitar work and political engagement. By the summer of 2021, they were ready to revisit the Way To Be tracks. Over the next year-and-a-half, Llobet worked on the record relentlessly, refining the lyrics, recording, and arrangements from their apartment. Llobet self-produced Way To Be and describes the process as an enormous, labor-intensive undertaking that felt akin to "making a whole film." Along the way, Llobet was joined by collaborators, including Julian Fader (Ava Luna), Adam Brisbin (Buck Meek), and Daniel Siles. Across Way To Be's 12 delightfully off-kilter tunes, Llobet uses wordplay and tongue-in-cheek humor to obliquely explore dysfunctional relationships, regret, self-confidence or the lack thereof, queerness, and self-discovery. Fuzzy at the edges and filled with playful, kinetic arrangements, Way To Be is a bridge into the entrancing world of youbet. You won't want to leave.

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Incubus

2LP | 2024 | EU | Original (Virgin Music Las)

32,99 €*

Infatuation Goes On / Only Time Will Tell

Release: 2024 / EU – Original

Genre: Rock & Indie

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Incubus released their critically acclaimed studio album "Morning View" on 23 October 2001 and was celebrated by fans and the music industry alike. The album went double platinum and spent 60 weeks at number 2 on the Billboard 200.

Now the band is releasing the re-recording of the highly acclaimed double album entitled "Morning View XXIII".

"About 23 years ago, we rented a house by the sea to start an art experiment. The unfamiliar and expansive surroundings helped us find the FLOW state we had been longing for, and the songs that became known as 'Morning View' have since become an integral and important part of our lives," says Brandon Boyd.

"That album helped make our little art experiment called 'Incubus' a way of life, and here we are, some 23 years later, ushering in a new phase of its existence. 'Morning View XXIII' is a re-recording of the 2001 album and is the result of our desire to honour this legacy, but also to reinterpret it as musicians who have played these songs night after night with much love over the last 23 years. See you on the road soon!"

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Evening Cinema

7" | 2024 | JP | Original (Monchént)

15,74 €* 20,99 € -25%

Embla And The Karidotters

Release: 2024 / JP – Original

Genre: Rock & Indie, Pop

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Evening cinema has been attracting attention from Asia and the world as a leading artist in the Japanese pop music scene in recent years, and their brand-new 7inch is on its way!! In 2019, "summertime", a collaboration with cinnamons, triggered a huge buzz in Asian countries, and the following year he became the first Japanese artist to be selected as the official theme song of Shenzhen Fringe Festival 2020, one of the world's largest art festivals, held in Shenzhen, China. In addition to this, he has provided songs to Thai and Chinese artists, collaborated with Indonesian YouTuber Rainych Ran, and has been attracting attention and support from around the world, especially in the Asian region.

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Off Leash

LP | 2024 | EU | Original (Die With Your Boots On)

35,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-01

Cho Co Pa Co Cho Co Quin Quin

Tradition

LP | 2024 | UK | Original (Cho Co Pa)

35,99 €*

Sublimation Transparent Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie, Pop

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Named after one of the basic rhythms of Cuban folk music and drawing on influences from across the globe, Cho Co Pa Co Cho Co Quin Quin are quite simply a world unto itself. Comprised of three childhood friends, Daido, Yuta and So, who reconnected during the coronavirus pandemic, Cho Co Pa initially emerged as a playful way for the three 23-year-olds to pass the time. Tapping into their youthful connection, they created a sound that exudes confidence and curiosity, a homage to the masterful world of YMO’s and Happy End’s Haruomi Hosono, rooted in the trio’s own idiosyncratic experience of the present. Recorded at home and promoted on hugely popular DIY TikTok videos, their debut album Tradition is a technicolour exercise in armchair travelling – a kind of lockdown exotica for the housebound whose nostalgic flights of fancy are laced with a sense of whimsical melancholy for the lost freedoms of youth. Referencing everything from Afro-Cuban percussion to lo-fi beats, Buddhist spirituality to trap, each member of the band brings different musical inspirations to the table. Latin American and Middle Eastern styles sit adjacent to a fascination for the electronic music of Aphex Twin, Dorian Concept, Underworld and Daft Punk. At times, the music verges on acid pop bliss, at others, it grooves with the instrumental funk sensibility of Badbadnotgood. “In the first place, when I create a song, my goal is to transport the listener to a mysterious place,” vocalist Daido explained in a recent magazine interview. Using lyrics as another sonic texture in the composition of ideas, Cho Co Pa paint beguiling sonic postcards of far-flung moods across 12 highly original tracks. Marrying the organic and the electronic on rhythmically sophisticated compositions like ‘Chichibu’ and ‘Watatsumi’, it is on the album’s standout track ‘Gandhara’ that the experimental sound of Cho Co Pa comes to the fore. Referencing the ancient city of Gandhara through which Buddhism made its way from India to China, the track is a vocoder-trap-inspired, Udu drum-driven pop jam that lilts with unmistakable Balearic flair. If that’s difficult to imagine, then know simply that ‘Gandhara’ sounds like nothing else on this side of Saturn. Even Daido seemed surprised by the outcome: “I feel like we were able to create something that exceeded our abilities. That was huge!” Hugely popular in Japan, with festival appearances lined up alongside Badbadnotgood at Asagiri Jam in October, it's safe to say the success of Tradition has taken Cho Co Pa by surprise. Released digitally in July 2023, Tradition will get a full international vinyl release in January 2024. You won’t have heard anything like it.

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Girls In Synthesis

LP | 2024 | Original (Own It)

Sublimation Black Vinyl Edition

Release: 2024 / Original

Genre: Rock & Indie

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Limited clear vinyl LP!After two critically acclaimed albums, numerous mini-albums, EPs and singles, London-based trio Girls In Synthesis return with their new statement, third album prop...

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Girls In Synthesis

LP | 2024 | Original (Own It)

Tape | 2024 | US | Original (Sacred Bones)

Release: 2024 / Original

Genre: Rock & Indie

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After two critically acclaimed albums, numerous mini-albums, EPs and singles, London-based trio Girls In Synthesis return with their new statement, third album proper 'Sublimation'. If you thought you knew GIS, think again_ the...

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John Carpenter

Lost Themes IV: Noir

Tape | 2024 | US | Original (Secretly Canadian)

Release: 2024 / US – Original

Genre: Rock & Indie

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It's been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood's great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. In the years since, Carpenter, Carpenter, and Davies have released close to a dozen musical projects, including a growing library of studio albums and the scores for David Gordon Green's trilogy of Halloween reboots. With Lost Themes IV: Noir, they've struck gold again, this time mining the rich history of the film noir genre for inspiration.Since the first Lost Themes, John has referred to these compositions as "soundtracks for the movies in your mind." On the fourth installment in theseries, those movies are noirs. Like the film genre they were influenced by, what makes these songs "noirish" is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone. The noir quality, then, is something you understand instinctively when you hear it, as in connected in an emotional way.The trio's free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine_the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John's own Christine. It's a chemistry that's helped power one of the most productive stretches of John's creative life, and Noir proves that it's nowhere near done yielding brilliant results.

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Faye Webster

I Know I'm Funny Haha

Release: 2024 / US – Original

Genre: Rock & Indie

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I Know I'm Funny haha is Webster's most realized manifestationyet of this emotional and musical alchemy. Continuing to bloomfrom her 2019 breakthrough and Secretly Canadian debut AtlantaMillionaires Club, Webster's sound draws as much from the lap-steelsinger-songwriter pop of the 1970s and teardrop country tunes asit does from the audacious personalities of her city's rap and R&Bcommunity.The album began for Webster with the stirring ballad "In a GoodWay," as in "You make me want to cry in a good way"_an instantclassicFaye Webster one-liner. It's beguilingly simple, the kindof melody and arrangement that seem to have existed forever. Asense of relief charges the neo-psychedelic pop of "Cheers,"where Webster experiments with an overdriven guitar tone. She alsocollaborated, on "Overslept," with the Japanese artist Mei Ehara,who she calls the biggest influence on her new music.Webster's music is full of personality. Many of her songs containbits of girl-group-esque talk-singing, which color her atypical storysongs.Webster says she's in a growth mindset, pushing herself to learnmore, to be more vulnerable. "Growth is really important to me," shesays. "I hope people will relate to my songs, and not just be like `thisis a good record' but `this makes me feel something. This is makingme think differently, this is making me question things.' I told myselfa few years ago that I was going to be more honest in my songwriting,that honesty is the best route to take with music. If I have a voice andpeople are listening to me, I'm not going to waste it."

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Great Kat

Beethoven On Speed

Release: 2024 / EU – Original

Genre: Rock & Indie

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Lost Themes IV: Noir Tan And Black Marble Vinyl Deluxe Ediiton

John Carpenter

LP | 2024 | US | Original (Sacred Bones)

31,34 €* 32,99 € -5%

Lost Themes IV: Noir Red Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Deluxe edition available on limited tan and black marble vinyl, includes clear 7" with exclusive bonus track "Black Cathedral" and screen printed B-Side.It's been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood's great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. In the years since, Carpenter, Carpenter, and Davies have released close to a dozen musical projects, including a growing library of studio albums and the scores for David Gordon Green's trilogy of Halloween reboots. With Lost Themes IV: Noir, they've struck gold again, this time mining the rich history of the film noir genre for inspiration.Since the first Lost Themes, John has referred to these compositions as "soundtracks for the movies in your mind." On the fourth installment in theseries, those movies are noirs. Like the film genre they were influenced by, what makes these songs "noirish" is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone. The noir quality, then, is something you understand instinctively when you hear it, as in connected in an emotional way.The trio's free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine_the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John's own Christine. It's a chemistry that's helped power one of the most productive stretches of John's creative life, and Noir proves that it's nowhere near done yielding brilliant results.

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John Carpenter

LP | 2024 | US | Original (Sacred Bones)

26,59 €* 27,99 € -5%

LP | 2024 | US | Original (Digital Regress)

Release: 2024 / US – Original

Genre: Rock & Indie

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Red Vinyl.It's been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood's great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. In the years since, Carpenter, Carpenter, and Davies have released close to a dozen musical projects, including a growing library of studio albums and the scores for David Gordon Green's trilogy of Halloween reboots. With Lost Themes IV: Noir, they've struck gold again, this time mining the rich history of the film noir genre for inspiration.Since the first Lost Themes, John has referred to these compositions as "soundtracks for the movies in your mind." On the fourth installment in theseries, those movies are noirs. Like the film genre they were influenced by, what makes these songs "noirish" is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone. The noir quality, then, is something you understand instinctively when you hear it, as in connected in an emotional way.The trio's free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine_the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John's own Christine. It's a chemistry that's helped power one of the most productive stretches of John's creative life, and Noir proves that it's nowhere near done yielding brilliant results.

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Bobby Would

Relics Of Our Life

LP | 2024 | US | Original (Castle Face)

Release: 2024 / US – Original

Genre: Rock & Indie

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"Sometimes it’s hard to resist the feeling that there was a crucial turn in life out of which everything else flowed. Maybe in our more reasonable frames of mind we can dismiss that thought and take our plans and intentions very seriously. But, there’s often a lurking conviction that, like the oak from the acorn or the movie from its opening scene, it is already all there. In the first moment of Relics of Our Life, anything could happen, anything could come next. But as the suspense is broken with the first notes, the world of the record springs up as both an internal experience and a landscape of which we will learn something, but definitely not everything. The songs induce a swimming sense of cycling repetition and variation where shifting details tilt the ground under us. The round and round doesn’t make us dizzy; like breathing the right way, it makes us both heavier and higher.

"Pawliczek’s songs can be located in the company of the greats of Flying Nun Records – maybe the delicacy of The Great Unwashed with the heavy heart of The Verlaines and smartness of The Chills. But, ultimately, his interests are elsewhere – a heart-break song over an earthly lover feels like only the tipping point for longing and devotion that outstrips the personal. In this sense, Popul Vuh for their hymnal geometry and switched-on Palestrina, and Terry Riley for cosmic elation come to mind. The songs have sweeping and cinematic proportions and depths of field constrained by a pop economy love of leanness.

"But who’s supplicating whom here? The songs’ devotional quality is not upward to the sacred or even outward to the profane. It’s more like a magnetism between its elements – sounds, voices and rhythms. The track No Talk intones “why don’t you talk to me?” over a driving guitar and one feels visited by some kind of archaic god on whom the tables have been turned, finding himself jealous of our thousand little thoughts. The record finishes with his distorted lilting dance, trying to seduce us with some red red wine that is no one’s blood, but everyone’s favorite drug." -- Karina Gill (Cindy, Flowertown) 2024

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Dan Rincon

Spotlight City

One Million Love Songs Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Castle Face is proud to present Dan Rincon’s (osees, Wild Thing, Apache, Personal and the Pizzas) premier solo release Spotlight City. Artificial landscapes and melodies comprised of Moog Grandmother, Mellotron and a kinky Modular system span from beautiful and lilting to haunting and etherial. The album was a years long learning experience of getting all components and ingredients to link arms and blend comfortably. Wrangling was part of the process. Strings soaring and sines weaving. Sometimes in the atmosphere, sometimes in the Earth’s core, sometimes flanked by neon blur as it hums & weave patterns through a world imagined in vintage sci-fi pulp. “I was listening to a lot of solo Roedelius and Conrad Schnitzler records while writing this record and I’d say that both have been hugely inspirational on what I want to do as a solo recording artist. The way both of those of those artist pushed the early, chaotic electronic music into something more melodic is really inspiring to me, it’s not that dissimilar than trying to get melodies out of a modular synthesizer.” An absolute necessary slab for anyone a fan of CF, Osees, Popol Vuh soundtracks , 8 bit video game accompaniment & 80s Tangerine Dream. Burn one and burn out.

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Bnny

LP | 2024 | US | Original (Fire Talk)

One Million Love Songs Transparent Bright Red Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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There are one million ways to approach love, one million ways to experience love, one million ways in which love shapes both the course of our lives and how we choose to navigate that course. On her second album, Bnny’s Jessica Viscius looks love square in its many eyes and describes, with self-awareness and humor, not only what she sees, but what it makes her feel. Deep romantic love, breathy lust, generous self-love—and their opposites, self-loathing, resentment, disappointment—all make appearances. Like a sheet being draped over a clothesline, channeling Mazzy Star and mimicking the soft, gauzy, fresh feeling of realizing you’re able to begin it all again with a new person. Recorded in Asheville at Drop of Sun and produced by Viscius alongside Alex Farrar (Wednesday, Indigo De Souza, Snail Mail), One Million Love Songs is Bnny’s revelatory second album.

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Bnny

LP | 2024 | US | Original (Fire Talk)

2LP | 2024 | EU | Original (BMG Rights Management)

Release: 2024 / US – Original

Genre: Rock & Indie

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Johnny Marr

Adrenalin Baby

35,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | UK | Original (Up In Her Room)

Holy Springs

E.A.T

LP | 2024 | UK | Original (Up In Her Room)

Release: 2024 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Available on super ltd edition pink vinyl with obi strip & download code. Only 300 copies pressed.

London based shoegaze three-piece Holy Springs are Neil Atkinson Jr, Maria Bellucci and Suzanne Sims. The band blend psychedelic influences with their love of lo-fi guitars and keyboards. In 2020 they self-released the cassette mini album 'Indoor Tapes'. Shortly after the incredible EP 'Camera' and, we are delighted to be releasing their debut full length E.A.T on ltd edition vinyl.

Debut albums can sometimes feel a bit disparate as bands fling all the songs they’ve been working on together with no real thought as to how they all hang together as an album. Not so with E.A.T. The effort and thought that has gone into writing a cohesive and well-structured album is evident on every note played. I particularly enjoyed the instrumental inter-ludes which play a pivotal role in neatly segueing between tracks. If this is the band just starting out imagine what their next album will sound like, and the one after that. I hope Holy Springs are ready, because this album is about to blow up.’ Static Sounds Club

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The Confederate Dead

Flamingo

LP | 2024 | UK | Original (Up In Her Room)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Available on ltd edition Eco mix vinyl, with only 250 copies pressed. Includes download.

We’re delighted to bring you the latest full length from London psych heads The Confederate Dead.

‘As an artist, one of the most extraordinary gifts is the ability to convert life's experiences and emotions into music, transmuting pain into beauty, tragedy into art. With our latest album, 'Flamingo', we embarked on this creative journey. The inception of this project dates back to 2022, a year marked by a period of separation that was both challenging and transformative. 'Flamingo' is not just an album; it is a voyage through the labyrinth of heartache and healing. Each track resonates with the overarching theme of the album, yet each presents a unique interpretation of it. Every song echoes the same meaning, the same core narrative, but from a different emotional lens.’ Butchy Davy (The Confederate Dead)

‘“Flamingo by London’s psychedelic indie band The Confederate Dead flows by like a strange dream. Each song flows differently, shifting the dreamy images into another direction. Thoughts of The Black Angels, the Fuzz Club catalogue and genres from shoegaze to garage pop and back to good old psych rock fight a confusing fight for my attention. In the end it appears that this struggle will never truly be decided. The Confederate Dead is their own beast, and a great one at that.

Theirs is a sound that oozes confidence and grandeur, presented like a big name would. and there is no reason why The Confederate Dead would not dream big, they have the chops, the songs, the looks, the only thing standing in the way of moving up might be their dark brooding undertones and their refusal to do a cool thing twice.

Because the most powerful thing about Flamingo is its versatility. The album is like a box of assorted chocolates, the one you can’t get enough of because each song is delicious and sweet in its own way. So, indulge yourself, have a chocolate, or ten…before you know it the album is over, and you’ll press play again.

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Ivan The Tolerable

Autodidact

Voids HHV Exclusive Canary Yellow Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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We are delighted to bring you the first in the Ivan The Tolerable Archive Reissue Series, Autodidact! Originally released on a 10” lathe cut by Ack Ack Ack Records in February 2018, this has now been remastered and re-packaged, and will now be available on ltd edition khaki vinyl, with only 250 copies pressed. Here’s a bit about the rec-ord in Oli Heffernan’s aka Ivan The Tolerable own words- “I recorded the bulk of this record over a weekend in January 2018, in the midst of a very minor breakdown that was to last for pretty much the entire year. I was living in a big house all on my own, smoking too much and not really seeing any people. Happy days indeed. It was tracked in the back room of 97 Hambledon Road, Middlesbrough using two questionable microphones, a broken HH 100 amp, my friends drums and a Tascam Dp08 (that wasn’t to see the year out, RIP 2009-2018) When I was done, Robbie came round and recorded a ton of violin drones through my amp and i remember feeling like I’d gone into a trance a few times, then Ben recorded his parts at home and sent them over. Mixed and mastered the same night - I released it myself a month later as a lathe cut 10”and then promptly moved on. I listened to the album for the first time in years to write this sleeve note and I think it is possibly the closest I’ve ever got to capturing the sound I hear in my head - I love how grubby and cavernous it sounds, claustrophobic and swirling - the track Autodidact I have recorded 4 more times since this version and I’ve never got that sound back. I’ii keep trying.’’ “Oli Heffernan, June 2023’’

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Have A Nice Life

2LP | 2024 | US | Original (The Flenser)

44,99 €*

Undefeated Purple Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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This colorway is limited to 150 copies and only available at HHV.

With the broader adoption of the internet around the turn of the century, how people would engage with and discover underground music would change forever. As a result of the new digital era, DIY was now worldwide, and no band embraced this new frontier better than Have A Nice Life. Formed in 2000 by duo Dan Barrett and Tim Macuga, the Middletown, CT-based pair would, throughout the 00s, self-release and share a number of demos and home recordings via early social media channels as well as establish its in-house label Enemies List Home Recordings. These first steps set in motion Have A Nice Life’s rise to renown as an icon of underground music in the internet age, culminating with the release of its pivotal 2008 debut album, Deathconsciousness. Through word of mouth and online discussion, Deathconsciousness became subject to viral praise thanks to its synthesis of bleak post-punk, lo-fi shoegaze, and carpets of hypnotic drone music. Eventually, this humble self-released project would attain the status of a post-internet cult classic, amassing Have A Nice Life a fervent online following that the band would interact with in kind.

In an effort to thank and continue to engage with Have A Nice Life’s internet cult following, Barrett and Macuga would regularly share links to old demos, works in progress, and outtakes from the recording of Deathconsciousness. Over time, a group of fans would compile these demos into an unofficial release. Dubbed Voids, this fan-made compilation several alternate takes of tracks from Deathconsciousness, as well as a handful of early versions of songs that would appear on Have A Nice Life’s two following albums, The Unnatural World and Sea of Worry. While undeniably reminiscent of their final album version counterparts, the earlier versions of these tracks each feel distinct in a way that makes the moody, decidedly lo-fi aura of Voids an essential slice of the Have A Nice Life discography. Hungry for more from the enigmatic duo, fans swarmed around this compilation, accompanied by loud calls for it to receive a physical release. Seeing that demand and with the band’s blessing, a pair of fan-made tape pressings of Voids would be released via Music Ruins Lives, a DIY label run by Have A Nice Life superfan Thom Wasluck, also known for his band Planning for Burial. Between both instances of the tape swiftly selling out and the compilation’s long absence from streaming services, Voids has historically been an elusive release to track down, only available in the obscurest corners of the internet or physically on the secondary market at eye-wateringly high prices. Over a decade since its initial, unofficial release in 2011, The Flenser is proud to reissue Have A Nice Life’s Voids for the first time ever in an official capacity in physical form. Originally released digitally in early 2023 and freshly remastered for the occasion, this reissue of the beloved compilation will receive its first-ever wide release on physical formats (CD/LP/Cassette). This release also marks the first time fan-favorite tracks from Voids “Sisyphus”, “I’m Doctor House”, and “Human Error” will be available on vinyl and CD. Like a symbolic passing of the torch, the physical versions of the 2023 Voids reissue come with a foreword essay written by Wasluck, the previous custodian of Voids during the Music Ruins Lives days.

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Frank Turner

LP+7" | 2024 | Original (Xtra Mile)

Undefeated Black Vinyl Edition

Release: 2024 / Original

Genre: Rock & Indie

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“Do One” is the last song I wrote for the new album, and the first song on that album, as well
as the first single. So it’s a summation of what I’m trying to say with this record, a record
about survival and defiance, but also one with a sense of fun and self-deprecation. 19 years
into my solo career, I’m still standing up and putting out some of my best work. It feels
good.”
“Undefeated” is my tenth solo studio album, and in many ways I’m pleasantly surprised by
that statement. I feel very fortunate that I’m still making records and touring - fortunate and
proud. The record is fired by that feeling, and a new sense of energy and liberation. It feels
like a new chapter for me - after the pandemic, back in the independent world, the new
lineup of the Sleeping Souls, and a slightly bewildered sense of gratitude that I’m still
standing, still have something to say. - Frank Turner

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Frank Turner

LP+7" | 2024 | Original (Xtra Mile)

Love In Constant Spectacle Black Vinyl Edition

Release: 2024 / Original

Genre: Rock & Indie

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Jane Weaver

LP | 2024 | UK | Original (Fire)

Live And Profane 1986-1987

Release: 2024 / UK – Original

Genre: Rock & Indie

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Recalibrating her singular journey in the British musical landscape with her most open-hearted, direct and intimate collection of material yet. Love In Constant Spectacle evokes spectacular imagery and distills the artists’ vision in its purest form, elevating her inimitable sound and poetic vision to new heights.

Recapturing the melancholy of her early work whilst propelling it forward, she sketches scenes as we watch new colours, shapes and languages emerge and fill the frame. Love In Constant Spectacle sees her take measured steps towards a vivid, dreamlike record, that offers resolve in the face of life’s inevitability.

The foundations of Weaver’s sound are still evident – lush motorik drums, pulsating bass, custom modded synths and exotic fuzz pedals - but the stream is awash with scrabble piece poetry and Letraset lullabies leading to lush escapism, the free abandon that you’d associate with free jazz and the avant-garde. But, as determined and visionary as Weaver might be, Love In Constant Spectacle wasn’t executed without assistance. Here we find a long mooted unison with Jane’s first ever producer, John Parish (PJ Harvey, Aldous Harding), who has shared Weaver’s process in the surrounds of Rockfield Studios and Geoff Barrow’s Invada studio.

Love In Constant Spectacle is otherworldly, it is both intimate yet distant, a surrealist interpretation of the foundations that make us human – the stories and landscapes it paints are habitats of their own. A voyage into undisclosed pastures, it’s a heartfelt manifesto from an artist that continues to boundlessly evolve with each chapter in her career.

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Jane's Addction

LP | 2024 | EU (Room On Fire)

13,99 €*

Mythology Black Vinyl Edition

Release: 2024 / EU

Genre: Rock & Indie

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Collecting recordings from a set @ The Scream, Los Angeles, California, Feb. 14, 1987 and the Pyramid in Hollywood, Los Angeles, CA from November 13, 1986, this essential set shows the band at his peak.

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Writhing Squares

LP | 2024 | US | Original (Trouble In Mind)

23,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Light Verse Yellow Transparent Vinyl Ediiton

Iron And Wine

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (One Road)

When Rivers Meet

Aces Are High

34,99 €*

Crawling The Walls Record Store Day 2024 Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Like all the best stories in rock 'n' roll, the epic journey of When Rivers Meet has never been plain sailing. Right now, the acclaimed Essex-based blues-rock duo Aaron and Grace Bond stand on the brink of their latest career peak, releasing fearless third album, Aces Are High, shaking stages on their Breaker Of Chains headline tour, toasting a third consecutive victory as UK Blues Federation Band Of The Year and pulling an army of fans along in the current. Combining powerful and heartfelt vocals with thundering guitar riffs, Essex-based Rock band When Rivers Meet offers originality with both talent and authentic personalities. Grace Bond leads with her larger-than-life vocals, as well as bringing raunched-up mandolin and violin instrumentals, while Aaron paints with seismic grooves, hypnotic cigar box licks and harmonies that stop all the clocks. With the Aces Are High material now rattling speakers and shaking stages everywhere from the UK festival circuit to Joe Bonamassa's Keeping The Blues Alive Mediterranean III Cruise in August, everything is flowing the right way for When Rivers Meet. "Looking back to 2019, when we really started as a duo, it's so surreal to think that now we're on our third album," reflects Aaron. "And when you see people singing the words back to you - my God, that's so emotional

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V.A.

CD | 2024 | UK | Original (Agitated)

7,99 €*

Mythology Green Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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Cheap Price Compilation CD of rare, unreleased, forthcoming, and brilliant tracks from the Agitated Label,and friends.. Like a massive bag of pick and mix to have a party with.. features Straight Arrows, Kelley Stoltz, Carlton Melton, oldboy, Headland, Laurel Canyon, Catatonic Suns, Last of Easy Riders, Icarus Line, Blamers, and much more besides.. 500 CD ...cheap...and tasty.. some tracks first time on CD, some exclusive to this release.. its fun! But whats that?..its not just a single CD label comp, its been double bagged with a extra CD, put together as a collection of “Radio Shows” by good friends of Agitated, The Hawk and Kbcd radio!!! Heres what they had to say about Disc 2!!!! “cd2: The Agitated Radio Show on Kbcd Radio - The Hawk presents a chemical hit of underground medicine all the way from Nixon County... "a repeat of CD1?" you may unreasonably ask - no, friends, it most certainly isn't.” Only 500/.. grab it on RSD 24..

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Writhing Squares

LP | 2024 | US | Original (Trouble In Mind)

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Drag City)

Six Organs Of Admittance

Time Is Glass

Release: 2024 / US – Original

Genre: Rock & Indie

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After 20 years of living on the road in different places, Six Organs of Admittance had returned home to Humboldt County - a far country, to some, but still part of the world through which creatures of all kinds are moving through and contributing to. And some of them are human. Alone together - forming connection and exchange out of thought and expression - no different from the people on the other side of the Redwood Curtain. It was there, where Six Organs had long ago emerged, in the name of everything cycling, of circles that spiral concentrically and remain unbroken, the new music was conceived. In moments, it was as if the future had somehow wrapped around 360 degrees; elsewhere, the systems and patterns inside the writing and recording only became evident later - like a recognition that cumulus and nimbus clouds which passed through the sky the day before contained familiar shapes. Informing the songs accordingly as he went, Ben picked up on modes both musical and lyrical, threading backward through the time of Six Organs of Admittance. Almost marinating in it as a way of life. Working on the music and the vocals, then spending some time with them while stepping away from them. Walking the dog and coming back to them Time is Glass is made of that kind of time. Alone time. Recorded in the visceral environs of home, Time is Glass is sharply focused, even as misty impressionist mountains float through the background. Sweet and spiny, "The Mission" sings its purpose, before turning abruptly to the orchestral rumble of "Hephaestus": rural industrial psychedelia, ecosystem goth, synths arcing to lift a helplessly earthbound community into the firmament above. Winding almost imperceptibly back into song with "Slip Away", the time of the record becomes clear, moves fluidly, relaxed but aware, from event to event. People and things coming around again. The intuit, passing through wormholes and time, sounding deep then dissolving into the universal. The acoustic sounds ringing, layered suddenly, then clear again. Explosions of a new kind of distortion. Ecstatic melodies. Communing. The space of a day. The space of a season. Time is Glass, and Six Organs of Admittance is here and will be here, again.

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Corridor

Mimi Blue Vinyl Ediiton

Way Out Where Record Store Day 2024 Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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You get older, you have a family, and you start to slow down-that's how things are supposed to go, right? Not for Montreal band Corridor, who have returned on their fourth album, Mimi, with a sound and style that's more widescreen and expansive than anything that's preceded it. The follow-up to 2019's Junior is a huge step forward for the band, as the members themselves have undergone the type of personal changes that accompany the passage of time; even as these eight songs reflect a newfound and contemplative maturity, however, Corridor are branching out more than ever with richly detailed music, resulting in a record that feels like a fresh break for a band that's already established themselves as forward-thinkers. Mimi immediately recalls the best of the best when it comes to indie rock-Deerhunter's silvery atmospherics immediately come to mind, as well as the spiky effervescence of classic post-punk-but despite these easy comparisons, Corridor remain impossible to pin down from song to song, which makes Mimi all the more thrilling as a listen. "The goal was to work differently, which is the goal we have every time we work on a new album-to build something in a new way," Robert explains. "This time, we took our time." And so in the summer of 2020, Corridor's members-Robert, vocalist/bassist Dominic Berthiaume, drummer Julien Bakvis, and multi-instrumentalist Samuel Gougoux-holed away in a cottage to engage in the sort of creative experimentation that would lead to Mimi's ultimate creation. Corridor tinkered with the songs' raw parts digitally and remotely over the next few years, with co-producer Joojoo Ashworth (Dummy, Automatic) lending their own specific talents in the theoretical booth. The process was a byproduct of not having access to their rehearsal space due to the Covid-19 pandemic, but also a result of the four-piece leaning harder into incorporating electronic textures than on previous records. "For a long time, we identified as a guitar-oriented band, and the goal of making this whole record was trying to get away from that," Berthiaume states. Berthiaume also describes Mimi as a record about "getting older" and "figuring out new parts of life"-but despite any claims of transitional growing pains from the band, Mimi is a record bursting with new energy and life, a vibrance that's owed in no small part to Gougoux joining the band full-time after pitching in on live performances in the past. "I come more from a background of electronic music, so it was nice to involve that with the band more," he explains, and Mimi contains a distinct rhythmic pulse reminiscent of classic era-post-punk's own melding of dance and rock textures. Over bright, chiming guitars and ascending synths, Robert addresses his looming mortality on "Mourir Demain": "I wrote it when my girlfriend and I were shopping for life insurance," he laughs. With our little daughter growing up, we also considered making our will. I said to myself, 'Oh shit, from now on I'm slowly starting to plan my death." Don't mistake this as music about dead ends, though, as Mimi embraces and champions unfettered creativity while paving a way for Corridor's own bright future. "We just focused on making a record that sounded the way we wanted," Gougoux exclaims while discussing the band's aims. "There were no limitations when it came to what was possible."

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Verlaines

LP | 2024 | CZ | Original (Schoolkids)

32,29 €* 37,99 € -15%

LP | 2024 | EU | Original (Guerssen)

Release: 2024 / CZ – Original

Genre: Rock & Indie

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After a run of acclaimed albums released via New Zealand’s Flying Nun label through the 1980s, The Verlaines signed a deal with Los Angeles-based Slash Records. By mid-1992 the band were regrouping after touring in support of Ready To Fly, their first album with their new label. Second guitarist and vocalist Paul Winders joined and new drummer Darren Stedman was recruited. With Graeme Downes and Mike Stoodley, they began rehearsals at home in Dunedin, New Zealand, working on a new set of songs that would become Way Out Where. The resulting set of songs was a bigger, denser and more muscular sounding recording compared to earlier efforts, with exhilarating distorted guitars and drums and vocals to the fore. Chicarelli pushed the band in more of a rock direction, typified by songs like the rollicking This Valentine, the monolith Blanket Over The Sky, the pop perfection of Lucky In My Dreams, and the stirring, now classic Dirge. On the tail of these sessions Chicarelli joined the band in Sydney, Australia where they cut their contribution to the No Alternative compilation, “Heavy 33”. Way Out Where has never been issued on vinyl. Now on transparent black vinyl for Record Store Day 2024

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Bronco Bullfrog

Oak Apple Day

25,99 €*

Who Does The Music Love Colored Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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First ever vinyl release of the final Bronco Bullfrog album, originally released as a CD only edition in 2004.

Recorded in Spain with Joe Foster (Creation, Rev-Ola Records) as co-producer and with Fausto Martín (of Spanish power-pop band The Winnerys) at the mixing desk (and also on searing 12-string Rickenbacker guitar on a couple of tracks), “Oak Apple Day” saw the band combining their 60s-70s influences in a stellar way, offering a cohesive collection of brilliant pop songs: “Sunday Wheeling”, “I Don’t Need The Sunshine”, “Mock Orange Innocence” and more!

You can expect the usual doses of three-part vocal harmonies, overdriven guitars á la 70s Who, mid-‘60s folk-rock, vintage power-pop, freakbeat, psychedelic-pop…it’s all here!

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Outer World

LP | 2024 | US | Original (Happy Happy Birthday To Me)

33,99 €*

LP | 2024 | US | Original (Psychic Sounds)

Release: 2024 / US – Original

Genre: Rock & Indie

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Who wouldn’t want a break from planet earth after the past few years we’ve all had? Kenneth Close and Tracy Wilson have built themselves a new universe in the form of a home recording studio to transport themselves a galaxy away from the grief, fear, and worry the pandemic brought. The duo dubbed themselves Outer World and they blasted off into an entirely new to them corner of the musical universe to create their debut album Who Does The Music Love? Covid moved into Wilson’s lungs in February of 2020 and overstayed its welcome. It stole what she describes as “her big voice”. For those familiar with her previous bands Dahlia Seed or Positive NO, her trademark, no need for a microphone belt, was gone for good. The couple grieved for the literal loss of a primary instrument used in their art, but were determined to find a way back to making music again. Together, they began exploring the world of songwriting using a computer, samples, synths, and plug-ins. The goal was to create a new musical landscape where Tracy could find a new voice that wasn’t as focused on power, but still potent nonetheless. The next two years were spent wrestling with long Covid and finding ways to work around each new frustrating lingering side effect. Close and Wilson had spent the previous decade creating technicolor post-punk pop as the band Positive No. Their final cinematic album Kyanite dabbled with electronic sounds and hints that had they remained active through the past three years, their indie rock genre banner would have been torn down to make way for something more free adventurous. Their current home studio sits in the center of what they lovingly call the record womb, a computer surrounded by some 7,000 records and all their instruments/ recording gear. Tucked into the layers of Who Does The Music Love? is a century of recorded music from all over the world. We find the dynamic swing of a Swedish soul jazz singer on top of Bond worthy spy themes. We hear the sensuality of France in the ‘60s when in swaggers a wink to ‘90s house music. There is a tug-o-war between a ‘70s angular post punk and experimental Brazilian psych. Cosmic Jazz, noisecore, freakbeat breaks, space age bachelor pad Moog mayhem, and the treatment of the iconic retro-future group Broadcast as a genre and chosen family. This diverse blend is just some of Outer World’s psychedelic garage pop points of inspiration. It is music to make any crate digger's heart skip a beat. It would be tempting to call Outer World a pandemic project or assume their debut record carries the emotional weight of terrible times, but you would be wrong on both counts. Outer World is a band nearly 15 years in the making and Who Does The Music Love? is a blissful rainbow wrapped up in a giant silver lining bow. Problem solving around a tragedy has never sounded so curiously enthralling.

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Tristan & Titania

Glyphs & Gods

34,19 €* 37,99 € -10%

LP | 2024 | EU | Original (Anyway)

Release: 2024 / US – Original

Genre: Rock & Indie

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Glyphs & Gods is a “record that came to be through a channeling of sound in which Tristan & Titania were merely the vessels.” Enigmatic Belgian producer Tristan Vloeberghs (Ohm Meta, WAVradio, Friendship Tapes, Modus Operandi/ Out Innerspace) and Eva Van Deuren (Orphan Fairytale) allure listeners by way of illuminating drone and guiding harmonies that harkens in movements of shimmering reverberation, bent horns of hallowed chambers, animal breaths, and voice echos coming together into blissful sounding hazy nights like the the cicadas warming calls. Mother’s lullabies on the child being beckons for lifts & sparse piano riffs into disintegrating tones. Bubbling metallic bowl pangs, talons tapping over bongos of time, and creaking doorways sway in unison to show us a glimpse of their experience. It all has a sense of being a dangerous & soothing expedition simultaneously. So lay back, and let Tristan and Titania dial it in!

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Hello Emerson

To Keep Him Here

Release: 2024 / EU – Original

Genre: Rock & Indie

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Joey Tempest

A Place To Call Home

Release: 2024 / EU – Original

Genre: Rock & Indie

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Tape | 2024 | EU | Original (Mangel)

Klapper

High For No Reason

9,99 €*

The Vermillion Sky Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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The music group Klapper from Berlin has recorded new music after their S/T cassette. Now they are releasing their first album on cassette and vinyl! Great! Once again you can hear the instruments synthesizer, guitar, bass, drum machine, drums and some Klapper instruments. Groovy bass lines and melancholic harmonies as well as a noisy lofi sound let you melt away. The album begins with a hip hop beat and a helicopter sound. The lyrics refer to how elbows ahead mankind is etching around in all areas of life! The other songs will not be described further here, except to say that the content continues in a similar way. The album also ends with a gloomy song. Of course!

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Skraeckoedlan

LP | 2024 | EU | Original (Fuzzorama)

Who Will You Believe Clear Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Skraeckoedlan - four bearded Swedes who's forged their unique sound of progressive stoner rock in the cold northern forests. Previous album Earth was a massive domestic success as it hit the hard rock charts in Sweden. We expect Skraeckoedlan to continue growing as new fans discover Vermilion Sky, out after five years of silence. Five years. Is that a long time to wait? Generally speaking, yes. Probably. Well, maybe. Time is after all relative, so there surely isn’t a fail-safe answer.

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Pernice Brothers

LP | 2024 | US | Original (New West)

Up On Gravity Hill Yellow Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Joe Pernice has been writing for a long time—most of his life, in fact—and has crafted a remarkable catalog that boldly reinterprets and recasts classic American pop. Who Will You Believe may be his most moving and nuanced album yet; it’s certainly his timeliest. “These songs were all written during the same time period,” he says, “and they all seemed to tap into a mood I was in at the time. I go through spells where I’m a certain way for three or four months. I might be more reticent than usual, or more outgoing. With all of my records—and especially with this one—the songs all feel like they belong together, probably because they all arrived during the same stretch of time.” In a single six-month stretch he was left reeling from the deaths of three close friends, including David Berman, poet and songwriter for Silver Jews and Purple Mountains, and Gary Stewart, the Rhino Records co-founder and tireless Pernice Brothers supporter since their first album in 1998. “That was such a bad patch when David and Gary both took their own lives. And my cousin Joe Harvard, who started Fort Apache Studios in Boston and was like a brother to me—he died, too. It was such a tough year. I was thinking about them a lot and watching how divided America had become. I was doing my best to try and take nothing for granted.” Pernice has been releasing albums for over 25 years. And with age comes a greater patience and an immense appreciation for the act of creation. Who Will You Believe showcases a beautiful balance between such sadness and moments of solemnity with warm humor and camaraderie.

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Metz

LP | 2024 | Original (DixieFrog)

Release: 2024 / EU – Original

Genre: Rock & Indie

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With time, we come to understand the way the joy of connection is mirrored by the void of loss, how the constancy of love is matched only by the impermanence of life, the simple idea that we could not create light if we did not risk the dark - we'd never need to. So it is with Metz, a band once known for blowing out eardrums with songs of joyous rage who have, over their past few records, begun exploring ways to turn abrasiveness into atmospherics, the evolution of their sound not only a reflection of the maturing of the band themselves but also of a changed world that demands nuance and compassion to comprehend and to survive. It was a journey already underway on 2020's Atlas Vending, but one that reaches new heights on Up On Gravity Hill, where the Canadian trio creates a kaleidoscopic sonic world as tender as it is dark, aided once again by engineer Seth Manchester (Mdou Moctar, Lingua Ignota, Battles, The Body). Deep, detailed, and unyieldingly personal, it is not only Metz's most powerful record to date but also their most beautiful. Still three punks from Ontario at heart, guitarist and vocalist Alex Edkins, drummer Hayden Menzies, and bassist Chris Slorach waste no time as opener "No Reservation/Love Comes Crashing" sweeps in like a wave, sonically and thematically setting the scene for the record to come. A dynamic song about feeling suspended in stasis, layers of dissonance melt into a restlessly heady outro marked by escalating crescendos of shimmering noise that reach for the stars - and is that a violin quivering brightly beneath those elegant swells of guitar, those charging drum fills, those intricate bass lines? It is indeed, courtesy of composer Owen Pallett; his presence an immediate indicator that Metz are thinking more cinematically than ever before. The change is partially inspired by Edkins' work as a scorer for film and television and his pop-leaning solo project, Weird Nightmare, where, he says, he learned to write more intuitively, letting his emotions lead the way. But make no mistake: Up On Gravity Hill is a total band effort, the work of three musicians who have been playing together for over a decade, with all the trust that entails. For those who believe in the power of the rock band to exemplify the highest resonance of human connection, there is much on Up On Gravity Hill to lift the spirit, a puzzle worth repeated listening to unlock or just to get lost in again and again. Rather than the music being flattened into a single plane, the band explores "the space above the cymbals," resulting in some of the most spacious, sympathetic, and accessible songs - could we call them pop? - of their career. If this seems contradictory, well, Metz has always been something of a contradiction. "We've never been heavy enough for metal or hardcore purists, but we're way too heavy for indie rock. We just don't have a lane - and that's okay. We exist outside the lines of delineation. I think this record is even more like that," says Edkins.

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Jean Jacques 3Miletau

Key To The Highway

Release: 2024 / Original

Genre: Rock & Indie

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Love In Constant Spectacle Deluxe Sleeve Edition

Jane Weaver

LP | 2024 | UK | Original (Fire)

The Morning Papers Have Given Us The Vapours Record Store Day 2024 Yellow Vinyl

Release: 2024 / UK – Original

Genre: Rock & Indie

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The Black Watch

LP | 2024 | UK | Original (Dell'orso)

22,99 €*

Still Life Remastered Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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The Morning Papers Have Given Us the Vapours was made with the black watch bandmates and producers/engineers Rob Campanella (Brian Jonestown Massacre, The Tyde, The Warlocks) and Andy Creighton (The World Record, Parson Red Heads). Ben Eshbach, formerly of The Sugarplastic, arranged the strings. Kesha Rose guests on lead vocals on the second single, Oh Do Shut Up. And the great Lindsay Murray once again lends her beautiful backing vox to a number of tracks.

the black watch songwriter/frontman John Andrew Fredrick wrote the ten songs on this, his Los Angeles-based band's latest album, entirely unselfconsciously, with no set goal in mind other than to revel in the joy of songwriting, and, eventually, the luxury of recording his music with his more-than-accomplished band. The Morning Papers Have Given Us the Vapours, produced separately and together by Rob Campanella and Andy Creighton evinces the black watch's often stunning ability to, as Andy Gill once observed in The Independent, "find chaos in the calm, melody in the miasma."

Fredrick, who has also published four comedic novels and a book on the early films of Wes Anderson, jovially describes himself as "a recovering Anglophile--one who'll never, one hopes, fully recover." From his home studio in the Angeleno Heights district of L.A., he waxes eloquent about how being branded, as it were, as a too-ardent lover of British music, film, and literature has left him as bemused as has the tag "prolific" that is often affixed to reviews of his work.

"I just don't think it's all that interesting to note that we've made so many records. Looked at one way, it's a sort of deflection from talking about the timbre if not the quality of the individual songs. Though I know it can be intimidating for fans who've just discovered us--a sort of 'My goodness, where do I start with this band that has put out LPs since 1988?' I get it. I do. I picture someone standing at our slot at a bin at a record store becoming overwhelmed at the prospect of picking the 'wrong' title. And then walking away and not picking up anything from us!" Fredrick laughs. "What can you do indeed?"

He started his career as a songwriter as a result of an American Football injury that left him bedridden in the home he grew up in in Santa Barbara, California. The year The Beatles immortal double-album came out at Christmastime he broke his leg so badly that he had to be home-schooled for an entire year. His parents, ex-teachers themselves, refused to let him watch telly for more than an hour a day. He propped a Silvertone acoustic on top of the massive cast that screamed all the way up to his thigh from his toes, and began to write little melodies and lyrics that, doubtless, did not in the least mask his love for the Fabs, The White Album in especial.

And he read and read and read--histories of the American Revolution and Civil War, mostly, and as many Dickens novels as his mum and dad could bring him. "That year," Fredrick observes, "surely made me who I am today. Proof that intensely unfortunate-seeming events can prove most fortunate. As a sport-mad kid, it made me absolutely mental that I was exiled from the activities I loved most and the school teams I played on. What a blessing undisguised that injury was! Not that I'd like to experience anything like it ever again, mind you."

Fredrick can even recall a few of the melodies he wrote as boy ("Utterly trite, of course, completely jejune"); and in a way, The Morning Papers Have Given Us the Vapours showcases a kind of get-back-to-where-you-once-belonged sensibility. "I didn't intend, this time, to make an album per se. I write both songs and fiction in order to find out what happens, to find out what I might want to say," he notes. "Rob often asks me what a particular song is about; and I often reply that I either don't know, or would prefer that others say. Same thing goes for when people ask me where they should start with our discography. I never know what to say. Our LP from 2011, Led Zeppelin Five (remastered in 2021 for its tenth anniversary), has been our best seller, I think--but that may be because some stoned Zepheads thought their gods had perhaps put out a record they'd missed!"

Despite being deadly serious about music-making, TBW's been known to either whimsically or perversely title their albums. Examples: Jiggery-Pokery (an allusion to John Lennon assessing George Martin's productions), After the Gold Room (a pun on the Neil Young classic plus a local eastside L.A. watering hole), Sugarplum Fairy, Sugarplum Fairy (echoing Lennon's famous count-off to A Day in the Life), Fromthing Somethat (a garbled spoonerism/lyric while doing a vocal), Brilliant Failures (the 2020 release that, along with Fromthing Somethat, was named Album of the Year by venerable indie rock magazine The Big Takeover), and the aforementioned LZ5.

For the new LP, the band recruited longtime friends and allies Ben Eshbach (the Emmy-Award-winning frontman of The Sugarplastic) and Lindsay Murray (Gretchens Wheel) to compose and arrange strings and sing heaps of lovely backing vocals, respectively.

And the result? A collection of songs that Fredrick, in his quite-but-not-quite self-deprecatory way, might call another set of brilliant failures. "Every song, every LP we do, is a failure of sorts--no matter how powerful or beautiful or pleasing-to-us it turns out," John concludes. "I have often said that my aim is to write songs as good as anything on The Beatles... and I will never achieve my goal. And thus I'll have to keep at it, keep trying. And chin-chin to that!"

And now your attention's been brought to a band (or you've heard of them or heard a track or two down the years) that has been pegged by The L.A. Weekly as "a national treasure" as well as "the most criminally-neglected indie pop group imaginable."

So here's to the prospect of that ostensible neglect becoming as much of a thing of the past as John Andrew Fredrick's year-long stint in bed.

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Van Der Graaf Generator

LP | 2024 | Original (Cherry Red)

37,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Vital - Van Der Graaf Live Edition

Van Der Graaf Generator

2LP | 2024 | Original (Cherry Red)

44,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | UK | Original (Stolen Body)

Karkara

All Is Dust

33,99 €*

Shriek + Vriations Orange Swirl Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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Formed in 2019 in Toulouse, Karkara is a psychedelic rock band composed by Karim Rihani (guitar / vocals), Hugo Olive (bass / synth) and Maxime Marouani (drums / vocals). The band has since played over a hundred shows in France and Europe and released two albums (‘Crystal Gazer’ in 2019 and ‘Nowhere Land’ in 2020), with UK label Stolen Body Records. Karkara also played at Trabendo (+500 capacity venue in Paris) as well as headlining the Astral Festival in Bristol that same year. Influenced by The Oh Sees, King Gizzard, King Crimson and Black Sabbath, the power trio delivers uninterrupted psych rock that’s both furious and hypnotic. Screaming amps, overdriven drums and vocals that blend sweet melancholy with desperate rage. On stage, Karkara manage to recreate this hypnotic fury, revealing to the audience a sound, an identity and energy that instantly grabs you by the guts. Fans of «wah wah» and repetitive «boom boom kraut» wrapped in exotic sounds from the other side of the Mediterranean, the band puts travel and trance at the heart of their art. Karkara are back in 2024 with a third album, ‘All Is Dust’, to be released on March 22th, this time via three labels : Exag Records (Belgium), Le Cèpe Records (France) and, of course, Stolen Body Records (uk). The trio will also be touring with Slift in 2024: March 13th at Le Bikini (Toulouse), April 3rd at Le Rockhal (Luxembourg), April 4th at Mascotte (Zurich), April 5th at L’Epicerie moderne (Lyon). Karkara : New album ‘‘All Is Dust’’, on March 22th Le Cèpe Records (fr), Exag Records (be), Stolen Body Records (uk) With this explosive new album, Karkara takes us on a post-apocalyptic story that unfolds in a future where mankind finds itself powerless to cope with the lack of resources and the big collapse, already well under way, of society as we know it. During the 43 minutes of this album, we follow the trials and tribulations of a character trying to escape his miserable condition. Following a vision, he betrays his «tribe» and starts a frantic quest in search of an Eldorado, where nature and civilisation have been spared from the collapse : the city of Anthropia. The six chapters of the story - matching to the six tracks on the album - tell the story of this hellish quest of flight, confrontation and hallucinations towards this Eldorado, which we discover at the end, on the last track of the album : «All Is Dust». In reality, the city of his dreams is nothing but ruins and dust. In the midst of this rubble, in infinite despair and uncontrolled rage, the character understands that the paradise he thought existed has yet to be built, and that its foundations are to be found in what remains of humanity. 1 2 Observing the world around them, the three musicians project their apprehensions and anxieties in a contemporary reality where everything seems to be crumbling around them. Their aim on this record is to immerse the listener in a narrative : a music that is global and immersive, that will carry you away from track to track by perfectly executed transitions. With tracks ranging from stoner (‘‘On Edge’’) and psychedelic (‘‘Moonshiner’’) to heavy kraut (‘‘The Chase’’), the album is incredibly rich, and Karkara even invited additional musicians such as Jérôme Biévelot on the saxophone and Simon Barrière on the trumpet. For the recording and mastering, the band worked with film music composer Olivier Cussac (Slift, Les As de la Jungle, Terra Willy...), reinforcing the cinematographic aspect and the invitation to travel that Karkara offers us with this new album, «All Is Dust»

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Wye Oak

2LP | 2024 | US | Original (Merge)

42,99 €*

Who Will You Believe Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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In 2014, Wye Oak released Shriek, their fourth album. It was a necessary departure for Jenn Wasner and Andy Stack, who found themselves on uncertain ground after two years of constant touring for 2011's Civilian, living on opposite ends of the country and trying to revitalize their creative partnership. Wasner set aside her guitar for a bass. Stack took on the band's upper register, playing syncopated, meditative keyboard parts that interacted with Wasner's voice, which was newly freed from its call-and-response relationship to the guitar - what had been, until then, a signature of Wye Oak's sound. "This idea and the ensuing creative reworking of our band did what it was meant to do," Wasner writes in 2024. "It ended a long, painful period of creative stagnancy and reconnected me with the joy of making music." During that period, Wasner and Stack were introduced to William Brittelle, the Brooklyn-based composer whose 2019 LP Spiritual America featured Wye Oak, the Metropolis Ensemble, and the Brooklyn Youth Chorus. His orchestral reimaginings of five songs from Shriek (Shriek: Variations, if you will) are the centerpiece of this package, which serves not only to mark the tenth anniversary of a great album, but to demonstrate the richness of Wye Oak's compositions. Stack says of Shriek: Variations: "It's like looking at the songs in a funhouse mirror. The songs on Shriek can be stripped down or embellished - this is maximal embellishment. William took the album and blew it to smithereens, looking at it in a weird, prismatic way." Through Brittelle, Wasner and Stack found themselves at the intersection of classical, experimental, and pop music. Further collaborations, like the Brooklyn Youth Chorus- featuring No Horizon and Paul and Michi Wiancko's string arrangements on "My Signal" from The Louder I Call, The Faster It Runs, followed, as this connection fundamentally changed the way Wye Oak approached making records, incorporating an entirely new palette of sound into their work. That shift began here. Shriek: Variations may feel like a startling take on the material, something like light bursting into a room through drawn curtains, but Brittelle's arrangements are largely original to his first collaborations with Wye Oak a decade ago, suggesting that his maximalist arrangements have lived comfortably within the framework of Shriek the whole time, waiting for the right moment to emerge. It's a fitting reintroduction to the album, which upon its initial release was pigeonholed into the easy one-note talking point of being the "no-guitar" record. But even so, as that happened, Shriek quietly started to become a staple among Wye Oak's core fans. Here, with help from Brittelle's expansive compositions, the release draws attention back to the songwriting - how, regardless of the instrumentation, Wasner and Stack's uncanny musicwriting partnership at the core is what makes both Shriek and Wye Oak excellent. Joined by the Metropolis Ensemble, Paul Wiancko, and Lizzie Burns, Wye Oak turn songs like "Logic of Color" inside out, reaching towards a kind of pastoral bombast, Brittelle's aesthetic with Wasner and Stack as an anchor. In fact, "Logic of Color" in this iteration takes that "no-guitar" script and flips it, with Wasner playing the synthesizer ostinato on acoustic guitar at its center. If Shriek is a record that charts the depths of solemnity and inner space, its Variations, roiling in a sea of winds, brass, and strings, recolors that space and complicates it, a gorgeous, unexpected response to the original's siren call.

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Pernice Brothers

LP | 2024 | US | Original (New West)

25,99 €*

All Quiet On The Eastern Esplanade Clear Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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The Libertines

LP | 2024 | EU | Original (EMI)

LP | 2024 | EU | Original (Vouz Avez Dit Bizarre)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Finally, the time has come! After an eight-year wait, The Libertines fans have a reason to rejoice again.

On 08.03.2024, the British band will release their new album "All Quiet On The Eastern Esplanade"! The fourth studio album comprises 11 new songs by the four-piece band.

The songs were written in Port Antonio, Jamaica and later recorded in "The Albion Rooms" in Margate together with Grammy nominated producer Dimitri Tikovoi (The Horrors/Charlie XCX/Becky Hill). The album was mixed by the legendary Dan Grech (Lana Del Rey/Liam Gallagher/Paul McCartney).

The first single "Run Run Run" is about the pursuit of freedom and already gives a foretaste of the musical journey that awaits fans on the album.

"This one feels like we were all actually in the same place, at the same speed, and we really connected," Carl explains of the collaboration on the new record.

The band released their last album "Anthems for Doomed Youth" in 2015 and wowed the music world.

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You Said Strange

Trade Your Soul EP

20,99 €*

Solna Loaded Deluxe Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Hailing from Normandy (France), YOU Said Strange offer an indie rock sound made up of psych pop-rock, shoegaze and proto-grunge. The band's music is the work of passionate musicians, combining the dazzling power of their instruments and the union of their voices to create a fusion of melancholy and energy. The band recorded their 1st album, Salvation Prayer, in 2018 in Portland (usa), with Peter G. Holmstrom from The Dandy Warhols. Seduced, the iconic Kevin Cole invites them to perform live in the studios of the prestigious Kexp radio, where their next project will emerge. At the end of 2021, Thousand Shadows Vol.1 is released. Then, after defending it on European and American stages, comes its sequel Thousand Shadows Vol.2 in 2023.

"trade Your Soul" plunges us into the complex exploration of human relationships, love, trust and disillusionment, addressing several universal themes in an introspective way. This post-rock tale unfolds as a metaphorical journey of spirituality through life's most intense and intimate emotions and experiences.

YOU Said Strange continues to combine abstract and concrete indie rock with psych-rock, post-punk, shoegaze and indus, inviting listeners to reflect ever more deeply. Nevertheless, "trade Your Soul" marks a significant milestone for the band, with a more striking musical approach and a number of innovations, while remaining the work of passionate musicians who combine the dazzle of instruments and the union of voices to fuse melancholy and energy.

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The Nomads

LP | 2024 | EU | Original (Bang!)

Revelator Black Ice Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Nomads remastered reissue of their album Solna, recorded by the Swedes in 2012, limited edition of ww 500 copies.The tracklist here is following the 2013 US release of the album, comprised of nine original album album tracks, but cutting three tunes to have those replaced with three songs culled from the Loaded Deluxe EP. After many years of career, The Nomads produced their strongest album to date. The group perfected their sound, live and in the studio. Solna is the distilled essence of what Nomads are known for. The Nomads deliver hair-raising authenticity of rock and roll with unsurpassed purity. Nobody coughs on them or will cough on them. They are still as good as ever. The formula is simple: a strong frontman, Nick Vahlberg, a guitar hero, Hans Ostlund, a powerful drummer, Joakim Werning, and a multi-talented bassist and composer, Bjorne Froberg. The Nomads are an institution in Europe after more than 40 years of career. Their last album, "Solna" was named after the Stockholm neighborhood from which they emerged in 1981, paving the way for the garage rock scene of the time. "Aside from the Pebbles compilations, not much was known about the garage bands of the 60s and many people first heard those great songs in The Nomads version," according to Chips K (famous Swedish producer - Hellacopters, la Secta_- and member of Sator). "But one thing that distinguishes the band from many other revival bands is that they never just copied the sound of the originals. They added extra influences such as punk, power pop and hard rock. That special recipe is what still makes their sound unique." Bands like The Hellacopters, Maharajas and Sator are direct descendants of what The Nomads created. They were closer to Australian punk rock and took varied influences to create something completely their own.

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Phisphorescent

LP | 2024 | EU | Original (Verve)

LP | 2024 | JP | Original (P-Vine)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Phosphorescent’s Matthew Houck has announced "Revelator", a new album of nine original songs out April 5 that marks his debut for Verve Records. Grappling with the quiet obstacles and unspoken truths that come with the gravity of navigating home, partnership and family, Revelator ruminates on questions that can be difficult to answer: why a seemingly idyllic life can be defined by an ambient sense of dread, or the natural ways we drift from each other and from ourselves. But true to its title, this is a work intent on finding hard-won reclamation, reinvention and revelation in life's day-to-day.

Since 2001, Matthew has been active in the Indie Rock scene and has accumulated eight studio albums to date – performing at countless festivals internationally solo and on guitar and vocals with a full six-piece bands. He has collaborated with fellow Indie greats such as Father John Misty and mixed his 2018 record with Vance Powell (Jack White, Phish, Chris Stapleton). A career highlight includes his 2013 record: ‘Muchacho’, his most recent album was 2018’s ‘C’est La Vie’. Currently based in Nashville, TN – Phosphorescent continues to be a notable indie figurehead and his return after five years is anticipated by fans and critics alike.

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Lesssugar

Internet Teenage Lover

34,99 €*

All Quiet On The Eastern Esplanade Black Vinyl Edition

Release: 2024 / JP – Original

Genre: Rock & Indie

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The debut album "InternetTeenage Lover" by the indie-pop supernova from Thailand, Lesssugär, is now available in physical form for the first time in the world! The indie-pop band became one of the most important indie-pop bands to watch in the Asian indie scene as soon as they released their debut single "Stay Away Go!". Colorful guitar phrases and bedroom-style beats sound over a sound based on dream pop and shoegaze. Supakarn Srisuwan's vocals, which seem to dance on top of the melodies, seem to accentuate the beauty of the melodies. It feels like when rock fans found Alvvays' "Archie, Marry Me" for the first time in 2014, or when Fazerdaze released "Lucky Girl" in 2017 and indie listeners instantly fell in love with it, it's a catchy, shocking, and perfect debut song.

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The Libertines

LP | 2024 | EU | Original (EMI)

Gute Laune Ungerecht Verteilt Back Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Kettcar

LP | 2024 | EU | Original (Grand Hotel Van Cleef)

22,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Kythibong)

Binidu

19,79 €* 21,99 € -10%

Tape | 2024 | US | Original (Drag City)

Release: 2024 / EU – Original

Genre: Rock & Indie

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More than 10 years ago, Vincent Dupas, Jean-Baptiste Geoffroy and Jérôme Vassereau created Binidu in parallel with their respective bands, Fordamage and Pneu, then very singular and of the most joyful french rock music. Their collaboration is a trek that started from green and sunny pastures to sink over time into mountains surrounded by storms. Binidu holds nothing back in composition, always ready to reinvent himself with each new album.

After "Yes", the first fresh and luminous one released in 2013, the second "Nouvel Ancient" in 2018, more adventurous and kind of lost in an apocalyptic world, the trio returns today just as adventurous but more in a peaceful way with "// ", a creation mostly focused on his appetite for the acoustics and electronics combination. A long-distance running music, which, from the top of the ridge lines, looks at the world with lucidity, embracing the entire landscape, valleys, towns, all the way to the sea.

It is their label, Kythibong, which, on the occasion of the festivities around his twentieth birthday, brings Binidu out of his brief hiatus. 2022 therefore sees the trio reunite and begin to compose a new repertoire with a strong desire to play at a low volume and thus be able to perform in a wide variety of locations. They then broached the composition of the third album changing their instrumentarium. The drums are now reduced to a split snare drum and a hi-hat, the modular synthesizers take an important place in the composition, Jérôme and Vincent play on small amps, the latter exchanges his electric guitar for an acoustic Parlor, and the sound of the voice is now devoid of any effect.

Over the course of rehearsals, Binidu starts to imagine “//” as an overall piece with five linked long compositions. Thirty-five minutes of music, alternating very acoustic phases and other electronic ones, creating supernatural spaces, moments of reflection, some pop, hypnotic and/or rhythmic bursts.

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Jim White

All Hits: Memories

I Oughtta Give You A Shot In The Head For Making M

Release: 2024 / US – Original

Genre: Rock & Indie

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This is long overdue. A solo album by Jim. The trap kit - so straightforward, so mysterious. What"s inside those things? Air and light - from which century? Which continent? Which planet? Depending on how and when you hit them it can be a vibration sent through a prehistoric breath, particles of Saturn"s atmosphere, the dead, wet leaves you walked through on the way to the first day of school. These are the memories of the drums on this record. Infinite and personal. Editing each other as they muscle to the front or soft shoe to the shadow. Cymbals can override/cancel everything out - wipe your memory clear or make the memory clearer. Drums are the instrument where you can feel the presence of the player the most - the full body - and sense the thoughts of the player the most. The instrument with the most choices to be made sends out the most brainwaves. A bouquet of brainwaves is on this LP. Jim oversees it all, surveys from the lost place we"re in, the void - the drumless song. We trust. We trust, Jim. His big green eyes search for the right tool (mallet, brush, etc), eyes that search you like you"re a song he wants to join, wants to see if he can add to or understand. Before humans, drums were playing - these drums. Genesis was a solo drum piece. After humans, these drums, this album. Someone - the last man - is out in a spaceship at the edge of space. He plays a single chord on a synth to set time free from its bind and then lets go. This album sets time free, lets it frolic, lets it graze, lets it remember. This is a record of thoughts, memories, surgery. A deft surgical operation you may not even realize is happening as it"s happening but you"re back on your feet when it"s over. Memories refreshed. Did you really even listen to it? -Bill Callahan, November 2023

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Shivaree

Release: 2024 / EU – Original

Genre: Rock & Indie

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Diamond Head

Borrowed Time

Release: 2024 / EU – Original

Genre: Rock & Indie

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Gute Laune Ungerecht Verteilt Green Vinyl Edition

Kettcar

LP | 2024 | EU | Original (Grand Hotel Van Cleef)

24,69 €* 25,99 € -5%

Release: 2024 / EU – Original

Genre: Rock & Indie

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Gute Laune Ungerecht Verteilt Deluxe Yellow / Green Vinyl Edition

Kettcar

LP | 2024 | EU | Original (Grand Hotel Van Cleef)

40,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Echo Dancing Gold Vinyl Edition

Alejandro Escovedo

2LP | 2024 | US | Original (Yep Roc)

37,99 €*

Rufus Custard & Evergreen Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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“This record breathes a second life into these songs,” says Alejandro Escovedo of Echo Dancing, the Americana pioneer’s new album where he reconceptualizes the songs of his storied career. The variety of songs range from his short-lived rock quartet Buick MacKane, rarities from his ‘80s alt-country outfit The True Believers, to the celebrated songs of his solo discography from his debut album all the way to his most recent sprawling masterpiece, The Crossing. Highlights include a reimagined trip-hop-funk hybrid of Escovedo’s “Castanets” (retitled here as “Castañuelas''), a blistering version of “Bury Me” that finds that songwriter now older than the characters he was singing about, as well as songs co-written with trailblazers such as Chuck Prophet, Peter Buck, Scott McCaughey and J. Steven Soles. At age 73, Escovedo continues to reshape his ever-changing sound and experiment with the boundaries of Americana music. The 2xLP vinyl edition of Echo Dancing is pressed on gold vinyl and arrives in a gatefold jacket.

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Yot Club

LP | 2024 | US | Original (Many Hats)

Release: 2024 / US – Original

Genre: Rock & Indie

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Live Laugh Love Cloudy Vinyl Edition

Chastity Belt

LP | 2024 | US | Original (Suicide Squeeze)

LP | 2024 | US | Original (The Long Road Society)

Release: 2024 / US – Original

Genre: Rock & Indie

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The four-piece - Julia Shapiro (guitar, vocals), Lydia Lund (guitar, vocals), Gretchen Grimm (drums, vocals), and Annie Truscott (bass, vocals) - have created a resonant body of work. Live Laugh Love is a natural continuation. Against the bizarre backdrop of the past few years, Chastity Belt remained a supportive space for the members to grow and experiment, drawing on the ingredients most essential to their process since the beginning: authenticity and levity. Recorded over three sessions in as many years (January 2020, November 2021 and 2022), the focus became more about enjoying their time together in the studio than making it feel like work. Their ease and familiarity with engineer Samur Khouja in LA, who also recorded their last album, made for a particularly enjoyable process. Once completed, they returned to renowned engineer Heba Kadry who mastered the album. Album opener "Hollow" sets the tone with a gently driving rhythm while guitar layers stream like sun rays through an open car window. A warmth radiates through Shapiro's voice, even while grappling with feeling lost and stuck. "The older I get," Shapiro says of the lyrics, "the more I realize that I might just always feel this way, and it's more about sitting with the feeling and accepting it, rather than trying to fight it." That wisdom seems to anchor Live Laugh Love . Chastity Belt has never shied from navigating the spectrum of difficult emotions, and an existential thread weaves throughout the subject matter. And yet the songs feel more grounded than ever; there's a sense of quiet confidence and self-assurance that comes with being less numb and more present. Facing discomfort takes more fortitude, after all. Live Laugh Love finds the members in their prime as musicians. Their parts trace intricate patterns over one another, but there's room to breathe between the layers. Everyone contributes to the writing, sometimes switching instruments, and for the first time, all four members sing a song. It's never been more apparent that they are creative siblings, cut from the same belt. "We've been playing music with each other for over a decade," says Shapiro, "so it really does feel like we're all fluent in the same language, and a lot of it just happens naturally." "Laugh" seeks in the balm of friendship, aware of the anticipatory nostalgia that hits during a good time that you're already missing before it's gone; the heavier guitar tones on "Chemtrails" streak ominous chord progressions over Grimm's precision timekeeping, lamenting memories that won't fade easily. During a transitional time, Truscott came across a note in their phone that read, "it's not hard all day, just sometimes," which inspired a poignant line in the chorus of "Kool-Aid," their first song as lead vocalist on a Chastity Belt recording. Another standout, "1-90 Bridge" shines with a silvery melody that soars as Lund belts one of the most resounding moments on the album: "Tell your girlfriend she's got nothing to fear/I'm set in my head/My body's a different story." The track "Blue" saunters nonchalantly with a wink; you can almost hear Shapiro's smile as she sings "Faking it big time/So I can hit my stride/Man, it feels good to be alive," channeling early Chastity Belt channeling early '90s before channeling the late Elliott Smith in a spiral of distortion and insight: "Don't get upset about it/It's gonna pass/Tell all your friends about it/They're gonna laugh." "We have such a strong sense of each other's musical inclinations" says Lund. "I think this allows for a lot of playfulness...we can kinda surprise each other, like a good punchline would."

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Desiree Cannon

Radio Heat

32,39 €* 35,99 € -10%

LP | 2024 | EU | Original (Exile On Mainstream)

Release: 2024 / US – Original

Genre: Rock & Indie

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Radio Heat is the sophomore album from Desiree Cannon and a step further into her world of constellations, waterways, and cosmic omens. Like her debut LP, Beach Sleeper, the album is a cohesive, yet diverse collection of songs that each act as a doorway to access the sonic multiverse of the record. You could step into the album through the dark, Lynchian ballad Latigo, the sparkling surf-inspired track Tower, or the modern, heartworn waltz Fault Line, and each would serve as a proper introduction into Desiree’s vibrant, intentional collection of songs. The album is unified around the core concept of Radio Heat—a collective electrical energy that is perpetually transferring human emotions through space and time, and our ability to transform that energy through acts of beauty, intention, and art. In this way, Radio Heat as a concept and an album transmutes pain—in its many guises—into song. While Cannon’s country influences and songwriting inspirations are interwoven throughout the album, Radio Heat stretches to include a multitude of musical styles, and is ultimately a soundtrack for the present day, looking towards a future where grief is shed and beauty abounds.

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Sons Of Alpha Centauri

Pull

Release: 2024 / EU – Original

Genre: Rock & Indie

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Ario Lalli & The Rubber Snake Charmers

Folklore From Other Desert Cities Tri Colored Vinyl Edition

LP | 2024 | EU | Original (Heavy Psych Sounds)

27,74 €* 36,99 € -25%

Ario Lalli & The Rubber Snake Charmers

Release: 2024 / EU – Original

Genre: Rock & Indie

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New super-band featuring desert rock legends Mario Lalli, Brant Bjork, Sean Wheeler and Ryan Güt !!! The first release from this band of pioneering Desert rock musicians captures the band and its purest form exercising the desert born ethic and approach of rock improvisation, psychedelic and flowing, heavy and explorative. The foundation of Mario Lalli’s grooving heavy bass lines and meditative themes with a intuitive guitar work with Brant Bjork and percussion of Ryan Güt set the scene for Sean Wheeler’s poems and songs capturing the dark and beautiful stories and images of life in the Mojave desert of Southern California. This is a representation of desert rock in its purest form. A very special live performance in Gold Coast Australia. Mario Lalli & The Rubber Snake Charmers began in 2010 with a focus on live psychedelic rock improvisation and sonic experimentation curated by desert rock pioneer Mario Lalli, featuring likeminded musicians from all walks of the musical spectrum. Some of the past Snake Charmers include, Dino Lalli, Brant Bjork, Gary Arce, Tony Tornay, Sean Wheeler, JOE Baiza, Vince Meghrouni, Mathias Schneeberger, Bill Stinson, Ryan GUT, Nick Oliveri, Janet Housden, Michael Glass, Alain Johaness, Jason Simon, Dave Travis, John Ramirez, Herb Lienau to name a few. Anchored by Lalli’s heavy grooving and morphing bass lines, a heavy meditation on rhythms, drones, grooves and riffs. Sonically becoming a canvas where each participant is encouraged to create fine lines or splatter and explode into chaos…wherever it goes it goes. Adding to the vision is the dark beautiful words and otherworldly vocal energies of the deserts own Sean Wheeler. Mario Lalli and the Rubber Snake Charmers takes us on a shamans journey through the desert landscape of imagination.

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Folklore From Other Desert Cities Black Vinyl Edition

LP | 2024 | EU | Original (Heavy Psych Sounds)

22,99 €*

Tongue Depressor + Austin Larkin

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Redscroll)

LP | 2024 | EU | Original (Unday)

Release: 2024 / US – Original

Genre: Rock & Indie

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Tongue Depressor (New Haven, CT) is the duo of Zach Rowden and Henry Birdsey. They write, improvise, and perform drone-based music with fiddles, pedal steel, lap steel, contrabass, organ, and bells, usually involving micro- tonal tunings and rearranged /retuned fragments of American church music. Austin Larkin (New Haven, CT) uses elements of tone, interstices of fields, asymmetries, and patterns. Performance and practice informed by re- search into dimensions of vibrating bodies. On this recording Tongue Depressor and Austin Larkin have combined to record what they had been practicing on the road live across the US together. Henry Birdsey (td) plays bagpipes and lap steel. Zach Rowden (td) plays violin and tapes. Austin Larkin plays viola and sirens (which he himself constructed and are a story unto themselves). Soothing sounds give way to unsettling / unnerving feelings when the sirens find their way through meditative loops.

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Ivy Falls

Sense & Nonsense

LP | 2024 | EU | Original (#14)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Ivy Falls, the alias of singer-songwriter Fien Deman, will release her first full album in the spring of 2024. 'Sense & Nonsense' sounds mature, with a clear vision and direction. Fien wrote the album after a breakup and leaving her home; she witnessed cracks appearing in her life and found herself in a whirlpool of insecurities. Writing turned out to be the way to reorient herself and discover what she could fill her empty 'house' with. Everything changed: a new life, a new place, new people, and a new view of herself as a musician and writer. Bram Vanparys, aka The Bony King of Nowhere, makes his debutas a producer on Ivy Falls' first release. This unreleased duo impresses with 'the best coda for the confusing time that your twenties can be.'

Sometimes hitting a wall is inevitable. This occurred, partly even literally, in 2020: a broken nose, a painful breakup, and a series of chaotic events shook Fien's foundations. Losing her job, ending her relationship, leaving her home, and returning to her parental home, she hit rock bottom and started her quest to rebuild everything from scratch. After the tumult, Fien decided to shed the oppressive norms and ideas learned as a child and wholeheartedly pursue her own choices and projects.

In the years that followed, each aspect of her life gradually fell into its right place. This extended to her musical identity, themes, and sound. Acquiring some guitars and an upright piano, she endeavored to master them as a self-taught artist. Devoting ample time to her self-made home studio, she returned to the essence, distancing herself from the polished pop sound of her initial work and reconnecting with her first musical love - the singer-songwriters who had colored her teenage years. This rediscovered inspiration marked the first time in her musical career that everything felt perfectly aligned.

The album's artistic approach aligns with a fresh, expansive outlook on life and the future. Fien aims to challenge rigid societal concepts, including the notion of 'golden years.' She questions what and when exactly should be considered the most significant, joyful, and vibrant moments of life. The album delves into topics like the perceived superiority of extroverts, narcotic materialism, and toxic positivity. It's not a lament but rather an ode to what truly matters-the essence, love, and beauty. Fien's perspective encourages finding your inner child and immersing yourself in timeless and profound feelings.

Musically, Fien discovered her perfect match in Bram Vanparys (The Bony King of Nowhere), her newfound love. She wrote the songs, and he took on the role of album producer and co-arranger. Together, they crafted a metaphorical space where every small musical idea has room to flourish, and each insight and effort carries significance. Influenced by indie folk luminaries such as Julia Jacklin, Amen Dunes, Feist, Sharon Van Etten, Sufjan Stevens, and Nick Drake, Ivy Falls has set a high standard for her sound.

The main constant? Fien's distinctive voice commands every song, now revealing greater depth and nuance than ever. In live performances, Ivy Falls is joined by a talented ensemble: Trui Amerlinck (Tsar B, Mayorga), Jasper Morel (Black Box Revelation), Simon Raman (Steiger), and Anton De Boes (Philemon).

In the past, Ivy Falls has launched two EPs, received airplay on Studio Brussels and Radio 1, and shared the stage as supportfor artists like Balthazar, Jessie Ware, Sigrid, and Mabel.

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Grand March

Back To The Wall

LP | 2024 | EU | Original (One Little Independent)

Release: 2024 / EU – Original

Genre: Rock & Indie

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To have your back to the wall is to make a statement. It is the end of a cycle, with no way out unless you climb the wall and see what's on the other side. Having your back to the wall is also a reminder, an echo of a time when, with hammers and will, an entire generation showed the world that division only lasts for so long - the time of a record, says Grand March."

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USA Nails

Feel Worse

25,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Bite Down Black Vinyl Edition

Rosali

LP | 2024 | US | Original (Merge)