Search "mato" 3477 Items

Release: 2016 / EU – Original

Genre: Rock & Indie

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Antics 20th Anniversary Red Vinyl Edition

Interpol

LP | 2024 | EU | Original (Matador)

LP | 2023 | CA | Original (Constellation)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Released in 2004, Antics cemented Interpol"s position as one of the most influential bands of their generation. The album"s dark, atmospheric soundscapes and frontman Paul Banks" signature vocals spawned iconic tracks such as "Slow Hands," "Evil," and "C"mere" and Antics continues to resonate with fans worldwide, solidifying its place as a modern classic.Formed in New York City, Interpol quickly rose to prominence with their unique blend of post-punk, shoegaze, and dark wave influences. Their debut album, Turn on the Bright Lights, became a critical and commercial success, establishing the band as a major force in alternative music. Over the course of their career, Interpol have released seven critically acclaimed studio albums including The Other Side of Make-Believe in July 2022.

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ALL HANDS_MAKE LIGHT

Darling The Dawn

2LP | 2023 | US | Original (Drag City)

Release: 2023 / CA – Original

Genre: Rock & Indie, Electronic & Dance

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ALL Hands_make Light is the recently minted duo of Ariel Engle (La Force, Patrick Watson, Broken Social Scene) and Efrim Manuel Menuck (Godspeed You! Black Emperor, Thee Silver Mt. Zion). Longtime friends, collaborators, and stalwarts of the Montréal post-punk community, this is their first full-fledged project together. Ah_ml weaves these two unique voices through lustrous tendrils of blown-out tones and drones, expanding on Menuck's eponymous modular and analog synth-based work of recent years, now imbued with an additionally searing, soulful warmth and melodicism through Engle's singing. "Darling The Dawn" is a spellbinding album of preternaturally genre-bending sonics and songwriting: a sort of electronic shoegaze suffused with freak-folk, kosmische, darkwave and post-industrial, flowing from ambient minimalism to pulsing maximalism, conjuring traditionals sung in the haze of earliest light accompanied by overdriven circuit boards powered with ungrounded wires. Engle and Menuck see ALL Hands_make Light in a folk lineage traced through the likes of Pentangle and Trees to White Magic and Amps For Christ. While there's no discernable guitar or acoustic instrumentation on the album (warm distorted synths provide the palette, along with signal-processed violin from fellow-traveller Jessica Moss), off-kilter drone incantations like "A Sparrow's Lift" and "A Workers' Graveyard (Poor Eternal)" perhaps sit most overtly within these seams of the skewed-folk substratum. The dichotomic ritualism of Can is an adjacent signpost, where methodical longform soundscaping combines with a feeling of extemporized immediacy. The album's tremendous 10-minute centerpieces "We Live On A Fucking Planet And Baby That's The Sun" and the motorik-driven "The Sons And Daughters Of Poor Eternal" also make this influence explicit thanks in part to the resplendent drumming of guest Liam O'Neil (Suuns), who helps propel both tracks to their spiralling peaks. Above all it's the singing and lyrics, in method and melodic delivery, that conjure certain freak-folk furrows. Engle calls this "music inspired by ancestor music, sea shanties for seas we've never sailed" and the duo have indeed forged a collection on "Darling The Dawn" where vocals often feel strangely rooted in traditionals, while the instrumentation resonates out-of-time, in a liminal space at once glisteningly synthetic and oxidized in analog patina. As the album title suggests, sleepless anxiety/euphoria and a sense of somatic channeling is vital to these songs: "I mostly kept the first thought I had, like a cold read, I wanted the melodies to be immediate and to surprise me, not a laboured process; it's about being a weather vane, guided by preconscious impulses" says Engle. For Menuck, the record started "with an idea of making a long thing about `the Dawn', the different weights of its radiance, the way it kisses our dumb faces when we rise and leave the night behind, the heaviness of that light when you haven't slept." "Darling The Dawn" captures a wholly compelling collaboration between Engle and Menuck in an album of genuine thematic power, thrumming with alternately tender and serrated beauty as only their combined strengths and sensibilities could conjure. Thanks for listening.

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Bill Callahan

YTI⅃AƎЯ

35,99 €*

Dave Stewart And The Spiritual Cowboys

Release: 2023 / US – Original

Genre: Rock & Indie

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“You do what you’ve got to do / To see the picture” Bill’s got a full band sound going on this one, with him and Matt Kinsey on guitars, Emmett Kelly on bass and backing vocals, Sarah Ann Phillips on B3, piano and backing vocals and Jim White on drums. Jim and Matt sing on one song, too, and some other singers come in, too. Bill plays some synth here and there, and Carl Smith drifts in and out of the picture with his contra alto clarinet, as do Mike St. Clair and Derek Phelps on brass. Somehow in between them all, you might think you hear the distant sound of a steel guitar. And you might — but you might not, too.

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Honest

LP | 2024 | EU | Original (Music On Vinyl)

Release: 2024 / EU – Original

Genre: Rock & Indie

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The New Sound Black Vinyl Edition

Geordie Greep

LP | 2024 | EU | Original (Rough Trade)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Maggot Mass Transparent Seaweed Green Vinyl Editoin

Pharmakon

LP | 2024 | US | Original (Sacred Bones)

Menos El Oso Yuletide Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Maggot Mass, the fifth full-length album by Pharmakon on Sacred Bones Records, marks the project's return after a five-year hiatus. This album signifies a departure from the original rules and structures established by Margaret Chardiet for Pharmakon, evolving into a new form. It retains the project's experimental roots in power electronics and noise while incorporating industrial and punk influences.The album stems from a profound disgust with humanity's dysfunctional relationship with the environment and other life forms. It explores the loneliness resulting from this broken bond and challenges us to acknowledge our personal and systemic responsibility.What peace can we make with privilege when the true cost of our comfort is not measured in dollars but in death? How can we reconcile with death when we impose the same hierarchical structures on it that we do in life? Is life worth living in the isolation of this self-imposed species loneliness?Humans often measure worth by accumulation _ money, assets, objects _ mistaking this for power and influence. Western heritage dictates a hierarchy, placing humans at the top, separate from the natural world. This delusion turns bodies into objects, land into property, and people into expendable tools.If our value were instead determined by our contribution to the ecosystem, who could claim that a human is more valuable than a maggot? Maggots recycle death into life, breaking down matter and nourishing new growth. They transform into flies, pollinating plants and sustaining the Earth's flora. In contrast, humans pollute rather than pollinate, with a select few profiting from exploitation at the expense of biodiversity and the well-being of many.In grappling with grief and loss on both personal and global scales, Margaret sought solace in the idea of rebirth through death, celebrating the beauty of regeneration through decay. However, she had to confront the stark reality of the disconnection from the earth under oppressive systems. Pharmakon is here imagining...

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Minus The Bear

LP | 2005 | US | Reissue (Suicide Squeeze)

Tomorrow's Gone Green Vinyl Edition

Release: 2005 / US – Reissue

Genre: Rock & Indie

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The highly stylized Seattle indie-pop group MINUS THE BEAR flaunts substantial glitch-riddled prog-pop on their second Suicide Squeeze full-length "Menos El Oso."Recorded, produced, and chiefly knob-twisted by the band itself, "Menos El Oso" is eleven steps further into the forward-thinking, angular rock canon. Weaving through territories long established by '70s prog-rockers (Yes, Rush), '80s proto punks (Fugazi), and '90s art rock mind-fucks (Jawbox, Joan of Arc), MINUS THE BEAR invokes the modern love affair between dance-driven strategy, and lush, Upper Pacific sweater rock.

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Charlie Megira

LP | 2019 | US | Reissue (Numero Group)

35,99 €*

Red Mile Black Vinyl Edition

Release: 2019 / US – Reissue

Genre: Rock & Indie

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The bastard love child of Elvis and Lux Interior, Israeli guitarist Charlie Megira brewed a heady amalgam of '50s trash rock, surf-y tremolo, and reverb-drenched goth during his all-too-brief 44 trips around the sun. He recorded seven albums worth of material in 15 years, primarily issued on CD-R, most of which is now unreadable or in a landfill. Tomorrow's Gone is the first collection of Megira's work; a 24-track double album accompanied by a lavish booklet that documents his tragic existence. Armed with only an Eko guitar, a black tuxedo, and his signature wrap-around shades, Charlie Megira was a mold-breaking artist who disintegrated while we were all staring at our phones.

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Crack Cloud

LP | 2024 | US | Original (Jagjaguwar)

Growing Eyes Becoming String Frosted Clear Vinyl Editoin

Release: 2024 / US – Original

Genre: Rock & Indie

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Crack Cloud has always been something beyond a rock band: bothprofound and grand, vaporous and elusive.The first iteration of Crack Cloud was formed nearly a decade ago as aproxy-rehab outlet on the fringes of Calgary. Over time, two EPs andaccompanying visual pieces were produced out of the residence knownas Red Mile. By 2017, several members had relocated to Vancouver,working out of harm reduction centers and low-barrier shelters. Sobriety,self-reformation and the idealism of their work further formed an ethosfor Crack Cloud. It was during these years that the band produced theirastounding 2020 album Pain Olympics. At once, their vision becameexpansive, cinematic.Now, Red Mile is a bit of a homecoming. Members have returned toCalgary. But Calgary/home has become a liminal space, a place of flux.After a decade of personal and collective growth, what does home evenmean? Red Mile is, for them, something like samsara: a return and arebirth.Red Mile's sound breathes expansive energy into the circuitous, streetbound sonics of Crack Cloud's prior material. Fizzling synths intertwinewith chiming pianos. Songs layer like Russian nesting dolls; one may finda Ramones chorus set within a desolate Western prog soundtrack only towatch it erupt into a joyous anthem. Real-ass guitars _ alternately lilting,scuzzy and soaring _ ring out across wide sun-bleached spaces. In 2024,the cumulative effect is (in rock instrumentation terms) naturalistic. Anywhiff of embalmed nostalgia is absent. Even the close of the album - awinding, alllllmost Jerry Garcia guitar noodle that leads us out of Red Mile- is delivered without sentimentality. Principal songwriter Zach Choy'slyrics are cutting but merciful, with a sharp self awareness that neverslides into self-satisfaction. Crack Cloud as artists are critical _ andultimately as forgiving _ of themselves as they are the melting worldaround them. The songs balance an easy charm and cathartic power:affirming life without denying de...

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The Telescopes

LP | 2024 | EU | Original (Fuzz Club)

In Times New Roman Limited Red Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Growing Eyes Becoming String' is the sixteenth studio album from British noise-rock pioneers The Telescopes. Originally recorded over two sessions back in 2013 - one over a harsh Berlin winter in the Brian Jonestown Massacre studio with Fabien Leseure, and a second back in Leeds with early Telescopes producer Richard Formby - it's a lost treasure that nearly never was. Succumbing to a hard-drive crash nearly a decade ago, the sessions were presumed lost and soon forgotten, until now. Miraculously rescued from the digital ether and finished by founding member Stephen Lawrie in his own studio over the pandemic, the album is now finally set for release in February 2024 via Fuzz Club and reveals another side to where The Telescopes were at in 2013. Where their physical output at the time mostly consisted of experimental noise improvisations, so far removed from any obvious structure, 'Growing Eyes Becoming String' shows how The Telescopes - Lawrie backed by London experimental unit One Unique Signal - were actually creating more song-based music in a parallel existence. Across its seven tracks are all the trademarks of quality that longtime fans associate with The Telescopes' music. Solid songs, melody, harmony, noise, dissonance, improvisation, experimentation and an all-embracing journey beyond the realm of natural vision. "The objective with both sessions was to go in blind and be entirely in the moment", Lawrie recalls: "There were no preconceived ideas, everything was written as it went along. Much like our drive to Berlin, through an intense blizzard with almost zero visibility, we were relying on the heightened instinct of being entirely in the now." The result is another masterfully hypnotic set that matches its more melodic spaced-out moments against heavy drone-rock blow-outs: "Loaded with guitars, noise and melody, swirling around pounding repetition, this is a more vocal document of where The Telescopes head was at during that time." 180g frosted clear vinyl, printed inner-sleeve, download card included. Indies Only Release.

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Queens Of The Stone Age

2LP | 2023 | EU | Original (Matador)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2017 | US | Reissue (Dais)

Martial Canterel

Lost At Sea

7" | 2023 | EU | Original (Damaged Goods)

Release: 2017 / US – Reissue

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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The past few years have found Sean McBride, the artist behind Martial Canterel, in a state of flux, ebbing back and forth between material displacement and musical aestheticism. His expert pedigree in electronic sound and arrangement bridges the gap created by an undecidability between life at home and abroad His new album, Lost At Sea, is an attempt for the artist to locate this elusive common ground.The album's introductory track, Giving Up, has all of the hallmarks that Martial Canterel has utilized in the past_melodic chorus, upbeat rhythm and classic sequential dynamism. Where the song diverges is in its core theme of nature: nature's return to a period of restoration after the failures and recklessness of humankind.The slower pace of songs like Scampia and Puszta yearn for McBride's complex love affair with far flung destinations. Re-evaluating the political strife and social unrest in these historical locations, McBride delves deeper into political and geological reference points creating symbolic representations using mechanized percussion, white noise and various sine waves.The conceptual nature of Lost at Sea reaches even deeper depths within the waveforms of Astralize, a track based upon academic Donna Haraway's pre-civilized theories of human neglect after the `azstralization'.

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Thee Headcoats / Ctmf

Full Time Plagiarist

10,99 €*

The New Sound Indie Deluxe Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Thee Headcoats and Ctmf go head-to-head! Two Billy Childish bands battle it out with versions of the same song! Thee Headcoats version is taken from their forthcoming new studio album "Irregularis: The Great Hiatus". The Ctmf version is exclusive to this release. Q: Two versions of the same song by different bands. Has each band heard the other version? If so, did they pass judgement? A: No, neither group heard the other version. I had forgotten how the Ctmf version went - even though it was only a few weeks past. As with all the LPs there's no rehearsal. I play the track - we do a run through and then press record. I don't remember how either version goes now. Q: There's a famous saying - "Talent borrows; genius steals". Are you a borrower? A stealer? Or something else entirely? A: As I've said before, I follow strict music industry guidelines and only plagiarise 50 percent of my material. Kurt Cobain put it better - he said people thought he was original because he didn't let on what he was ripping off. Though we know he got the riff to his most famous song from The Daggermen, a local group Wolf (our drummer) played in. Q: What was it like recording with Bruce and Johnny after such a long time? A: We met up in the studio in the morning, had a cuppa, a chat, plugged in and recorded the LP (in two days.) It was the first time we'd all been together in about 30 years, and it felt like yesterday - just laughing and joking about how rubbish we were and generally having fun. It was like no time had passed at all. Q: Love the sleeve picture for this 7"! A lot of people miss the humour in your work, does that frustrate you? A: I'm not frustrated but surprised that the British seem to have lost their sense of humour somewhat - they've been pretty po-faced since 1978, I think. I was brought up on Pete and Dud when I was a kid. Interestingly a lot of comedians seem to like what we do. Stewart Lee has always been a fan and he said there are others of his ilk. If something can't be mocked or laughed at, I'm not that interested in it.

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Geordie Greep

LP | 2024 | EU | Original (Rough Trade)

Release: 2024 / EU – Original

Genre: Rock & Indie

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2LP | 2020 | UK | Original (4AD)

Adrianne Lenker

Songs & Instrumentals

Release: 2020 / UK – Original

Genre: Rock & Indie

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LP | 2006 | EU | Original (XL)

Thom Yorke

The Eraser

Release: 2006 / EU – Original

Genre: Rock & Indie

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2LP | 2009 | EU | Original (Matador)

Sonic Youth

Eternal

Future Teenage Cave Artists

Release: 2009 / EU – Original

Genre: Rock & Indie

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16th Album … Wow!

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Deerhoof

Tape | 2020 | US | Original (Joyful Noise)

Release: 2020 / US – Original

Genre: Rock & Indie

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LP | 2023 | UK | Original (Alcopop)

Beach Riot

Sub Atomic Party Cool

19,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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Anything In Return Picture Disc Edition

Toro Y Moi

2LP | 2013 | US | Reissue (Carpark)

LP | 2011 | US | Reissue (Matador)

Release: 2013 / US – Reissue

Genre: Rock & Indie

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Since his first offerings began making the Internet rounds in 2009, Toro y Moi has proven himself to be not just a prolific musician, but a diverse one as well, letting each successive release broaden the scope of his oeuvre. Amassing nearly 150,000 copies sold, Toro y Moi’s third full-length album, Anything in Return, sees Chaz Bear blending funk, psych-pop and colorful, glitchy electronic sampling, locking in his unique sound that would push him to the forefront of alternative and chillwave music in the 2010s. To celebrate its 10-year anniversary, Anything in Return will be released for the first time on picture disc.

But the product of a move he made almost a decade ago, from South Carolina to Berkeley, CA and the subsequent extended separation from loved ones, is what put Anything in Return right in the middle of the producer/songwriter dichotomy that his first two albums established. There’s a pervasive sense of peace with Bundick’s tendency to dabble in both sides of the modern music-making spectrum, and he sounds comfortable engaging in intuitive pop production and putting forth the impression of unmediated id. The producer’s hand is prominent — not least in the sampled “yeah”s and “uh”s that give the album a hip-hop-indebted confidence — and many of the songs feature the 4/4 beats and deftly employed effects usually associated with house music. Tracks like “High Living” and “Day One” show a considerably Californian influence, their languid funk redolent of a West Coast temperament, and elsewhere — not least on lead single, “So Many Details” — the record plays with darker atmospheres than we’re used to hearing from Toro y Moi. Sounding quite assured in what some may call this songwriter’s return to producerhood, Anything in Return is Bear uninhibited by issues of genre, an album that feels like the artist’s essence.

Since his earlier releases, Toro y Moi has continued to make big waves across the music landscape — headlining international tours in the US, Europe, and Asia, producing tracks for major artists like SZA, performing on national television shows like Jimmy Kimmel Live and The Ellen Show, joining festival lineups like Coachella and Fuji Rock, and much more.

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Kurt Vile

Smoke Ring For My Halo

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Black Rebel Motorcycle Club

Wrong Creatures

2LP | 2023 | UK | Original (Pias)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Brazilian Nuggets - Back From The Jungle Volume 4

V.A.

LP | 2020 | PT | Original (Groovie)

13,99 €*

LP | 2020 | EU | Original (Matador)

Release: 2020 / PT – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Still in shrink, but opened

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Kurt Vile

Speed Sound Lonely KV

14,99 €*

The Rolling Stones In Mono Limited Colored Vinyl Box

Release: 2020 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Still in shrink but opened with hype sticker. Few paper scuffs.

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The Rolling Stones

Box | 2023 | EU | Original (Universal)

375,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Collide With The Sky Opaque Navy Blue Vinyl Edition

Pierce The Veil

LP | 2012 | Reissue (Concord)

Release: 2012 / Reissue

Genre: Rock & Indie

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LP | 2024 | Original (Sony)

Lightning Seeds

Sense

40,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Omd ( Orchestral Manoeuvres In The Dark )

Punishment Of Luxury

LP | 2024 | US | Original (Universal)

50,99 €*

Wasteland Baby Sea Blue And Apple Red Mix Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Blue vinyl reissue of OMD's 13th studio album The Punishment of Luxury - back on vinyl for the first time in 7 years. The 100%/White Noise issue of this release is limited to 2,000 copies and each will be individually numbered. Featuring the singles Isotype & The Punishment of Luxury.

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Kal Marks

LP | 2024 | US | Original (Exploding In Sound)

Music For Claire Denis' 'High Life'

Release: 2024 / US – Original

Genre: Rock & Indie

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Kal Marks have never made a record as personal as Wasteland Baby. Though Carl Shane, the band’s vocalist-guitarist, has made a career off of exploring blunt, uncomfortable truths through song, with Wasteland Baby, he steered Kal Marks toward something utterly new. Shane looked inward to stare down a fear that had long plagued him: What would it look like to have a child in a world that looks like this? “The album was driven by the fears I’m having about being a father,” says Shane. “The initial spark was this fear, and I thought that maybe if I could express it, I could overcome it.”

What started out with this simple premise slowly grew into a sprawling, borderline-concept record. It’s no surprise, then, that Kal Marks went deeper and darker than ever before when writing Wasteland Baby. Though, in order to reach that final product, it required the band—bassist-vocalist John Russell, drummer Adam Berkowitz, and guitarist-vocalist Christina Puerto, who is also Shane’s partner—to interrogate every decision they made with exacting detail. ”We were really all on the same page in that we wanted to make something really, really special and that was going to require us putting a lot of ego aside and just trying to serve the songs as best as possible.”

“In an ideal world, Kal Marks will go on forever. But it may be the end of a chapter for a while. I don’t want it to be the end, but there was an element running through the album that maybe could be the end,” says Shane. No matter what the future holds, Wasteland Baby is an emphatic reminder to brush off the things that keep you from truly living and venture into the unknown.

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Stuart A. Staples

LP | 2019 | EU | Original (City Slang / Lucky Dog)

19,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2015 | US | Original (Ipecac)

Faith No More

Sol Invictus

Release: 2015 / US – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (BJK Music)

Needlepoint

Walking Up That Valley

Release: 2021 / EU – Original

Genre: Rock & Indie

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2LP | 2011 | EU | Original (RCA)

Foo Fighters

Wasting Light

LP | 2008 | Reissue (Damaged Goods)

Release: 2011 / EU – Original

Genre: Rock & Indie

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The Foo is back in R.O.C.K. and by far the hardest licks from the Fighters so far. Pretty much in demand album that will please, for sure!

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Thee Headcoatees

Here Comes Cessation

Motorpsycho + Jaga Jazzist Horns

Release: 2008 / Reissue

Genre: Rock & Indie

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re-issue of a long lost Thee Headcoatees album, which was originally released on Vinyl Japan in the 1990's. Now available again on Vinyl and lovely Digi-pak CD's.

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In The Fishtank 10

LP | 2002 | EU | Reissue (In The Fishtank)

15,99 €*

Release: 2002 / EU – Reissue

Genre: Rock & Indie

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Plastic Eternity Silver Vinyl Ediiton

Mudhoney

LP | 2023 | US | Original (Sub Pop)

LP | 2020 | EU | Original (Svart)

Release: 2023 / US – Original

Genre: Rock & Indie

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The world is filling up with trash. Humanity remains addicted to pollution. People are downing horse dewormer because some goober on television told them it cured Covid. The apocalypse is stupider than anyone could've predicted.Fortunately, the absurdities of modern life have always been prime subject matter for Seattle-based foursome Mudhoney, and the band take aim at all of them with typical barbed humor and muck-encrusted riffs on on 11th studio album, Plastic Eternity, which was recorded over nine days at Crackle & Pop! in Seattle with longtime producer Johnny Sangster. From taking on climate change from the perspective of the climate if the climate tried to play guitar like Jimi Hendrix ("Cry Me An Atmospheric River") to a driving rock and roll song about taking drugs meant for livestock ("Here Comes the Flood") to a classic punk attack on treating humans like livestock ("Human Stock Capital"), Plastic Eternity is a run through all the proto-genres of guitar rock with a keen eye on the inanities of the world in the 2020's. It also contains a genuine love song in closing track "Little Dogs," an ode to the simple joys of hanging out with tiny canines. Mudhoney (vocalist Mark Arm, guitarist Steve Turner, bassist Guy Maddison, and drummer Dan Peters) remain the ur underground group, their gnarly primordial punk stew and Arm's sharply funny lyrics as potent a combination as they've been since the band's formation in the late 1980s. When asked why they continue making records nearly four decades after forming, Arm's answer is simple. "We like

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Gorilla Angreb

14,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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Something In The Room She Moves Red Vinyl Edition

Julia Holter

2LP | 2024 | UK | Original (Domino)

Little Lucid Moments Colored Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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While the work of the Los Angeles-based singer-songwriter and composer has often explored memory and dreamlike futures in the past, her latest album is more grounded in the present. Her production and arrangements form a continuum of fretless electric bass tones in counterpoint to gliding vocal melodies, while glissading Yamaha CS-60 lines play around the reeds like warm winds. "I've tried to create a world that sounds fluid and water-like, reminiscent of the inner sound world of the body," says Holter about her flowing harmonic universe.

The last few years have brought an existential focus on human connection for Julia Holter, amidst the shattering changes that have come with the deaths of loved ones (including her young nephew, to whom the album is dedicated) and the birth of her daughter. On Something in the Room She Moves, Holter vividly processes the complexity, gravity and awe of this confluence of experiences.

After a string of dream-pop albums - from her breakthrough Ekstasis (2012) to Loud City Song and Have You in My Wilderness - Holter released the sprawling and thrillingly experimental Aviary in 2018. Since then, she has scored films such as Never Rarely Sometimes Always, performed a commissioned piece for The Passion of Joan of Arc with the Chorus of Opera North and collaborated with her partner, musician Tashi Wada, who plays synthesizer and bagpipes on her new album. Something in the Room She Moves is a remarkable step forward in Holter's work, combining her free improvisational energy with her characteristic eloquence.

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Motorpsycho

2LP | 2008 | EU | Reissue (Stickman)

Release: 2008 / EU – Reissue

Genre: Rock & Indie

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Inbetweezer Bubblegum Pink Marble Vinyl Edition

Jerry Paper

LP | 2024 | UK | Original (Stones Throw)

31,99 €*

Own Side Now Colored Vinyl Deluxe Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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Jerry Paper’s tenth album Inbetweezer was written on the cusp of a major life change, after Paper decided to return to school and become a therapist. Its crooning rockers and catchy pop jams explore complicated feelings of in-between-ness, while indulging in total freewheeling play.

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Caitlin Rose

LP+7" | 2021 | UK | Original (ATO)

25,99 €*

LP | 2024 | Original (Perseids)

Release: 2021 / UK – Original

Genre: Rock & Indie

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Nashville’s Caitlin Rose will celebrate the 10-year anniversary of her debut album ‘Own Side Now’ with a deluxe, fully remastered version of the record, due out on Cloudy Clear vinyl with Bonus 7” October 1. Rose released ‘Own Side Now’ in 2011 to instant acclaim from critics, who praised her crystal-clear vocals and her ingenious lyricism - equal parts heartbroken and defiant - and compared her to her musician heroes Stevie Nicks and Linda Rondstadt. The album also features two unreleased bonus tracks - “Only Lies” and “Whatchoo”.

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Skylar Gudasz

Country

100 Songs (A Master Class In Songwriting) Red & Yellow Vinyl Edition

Release: 2024 / Original

Genre: Rock & Indie

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Across COUNTRY's nine masterful compositions, Skylar Gudasz thrives on the edges of indie rock, folk, and pop, interrogating borders of land and sea, mind and body: the limits of the lines we draw for ourselves. She plays with ideas of power, gender, pride, and perspective, her approach informed by an unearthed turquoise guitar and the pacifist tenets of her Quaker upbringing, her arrangements inspired by the likes of Lucinda Williams, Pink Floyd, Kasey Musgraves, and Kate Bush. A deep, lifelong affection for the ocean comes into focus on COUNTRY amid Gudasz's reckonings with a world in crisis.

Skylar Gudasz is a Durham, North Carolina based multi-instrumentalist and songwriter. She has opened tours for Teenage Fanclub and the Mountain Goats, and has played in Hiss Golden Messenger and Eric Bachmann's live bands, as well as Big Star's Third. COUNTRY is her third full-length album, following Cinema (2020) and Oleander (2016).

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Jad Fair

2LP | 2024 | US | Original (Kill Rock Stars)

Better Luck Next Time Gold Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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There are plenty of performers who rock critics describe by using the label "primitive," but few if any can hold a candle to the greatest American rock primitive Jad Fair. With his wildly influential band Half Japanese or as a solo performer, Fair has constructed a prolific and extremely interesting career. He writes and records songs that display an uncomplicated emotional directness, unselfconscious charm and warmth, and a genial simplicity that is beyond words. From Jad: “I set a goal for myself to release 100 albums in a year's time. I was able to pass that mark. I released over 150 albums. This album is a "best of" compilation of the songs recorded that year. It's 100 songs chosen from 160 albums.”

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Worlds Greatest Dad

LP | 2024 | US | Original (Side One Dummy)

LP | 2024 | EU | Original (Gamlestans Grammofonbolag)

Release: 2024 / US – Original

Genre: Rock & Indie

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worlds greatest dad, the four piece of Maddie Duncan on vocals and guitar, Keagan Krogh on guitar and keys, Matt Hendler holding down percussion and Ben Etter on bass and backing vocals, recorded their sophomore album partially at Maze Studios in Atlanta, while filling in the rest in their respective homes in 2020. The band doesn’t shy away from the emo/pop-punk influences that permeate their earlier recordings, but on their second LP have embraced their roots and, as Duncan calls it, the redneck emo sound that is deeply influenced by their youth growing up in the backwoods of Florida.

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Jesper Lindell

Before The Sun

23,99 €*

LP | 2024 | US | Original (Comedy Minus One)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Jesper Lindell and his band have come a long way in a short time. Since the release of the acclaimed 2022 album “Twilights”, they played well over 100 shows all over Europe to an ever growing number of fans. The new album “Before the Sun” will establish Jesper Lindell as a major Swedish and international artist. Ten brilliant songs steeped in a classic, timeless sound! Press quotes “Twilights”; “soulful Americana… a roots sensation” - PopMatters “Can a Swedish ex-soccer player sing soulful roots music with as much warmth, heart and feeling as Van Morrison or The Band? The answer, which will be obvious as soon as you hit play on Jesper Lindell’s second album, is a resounding “oh yeah”.” - Holler “it’s clear that Lindell is destined for big things” - Glide Magazine “a near-perfect wedding of deeply affecting, imaginatively arranged Americana/rock material, soulful, raspy vocals, and consummate performances” - BlogCritics

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Mint Mile

Roughrider

20,99 €*

At Home Pink Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Roughrider, the new album by Tim Midyett (Silkworm / Bottomless Pit) and Mint Mile rolls through the grace we crave and grant one another, the lengths we go to accommodate those we love, the depths we sink chasing ghosts - temporarily, repeatedly, maybe always and the labyrinthine nature of life, as the chaos inherent in the world provides the capacity to surprise, delight, deflate, disappoint. We try to get it in while we still can, reveling in the good-to-great and avoiding the worst of it. With Jeff Panall (Songs: Ohia), Justin Brown (Palliard), Matthew Barnhart (Tre Orsi) and a cast of fellow travelers including appearances by Nina Nastasia, Alison Chesley and Joel RL Phelps.

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Shocking Blue

LP | 2021 | EU | Original (Music On Vinyl)

LP | 2022 | EU | Original (Fun In The Church)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Shocking Blue was a Dutch rock band from The Hague that was at their peak in the 60s and 70s and gained major cross-Atlantic success. The band was founded in 1967 and gained most success after recruiting vocalist Mariska Veres. With their single 'Venus' they became the first Dutch band ever to reach the first spot on the American Billboard Hot 100. The band had a series of subsequent hits but decided to split up in 1975. Their influence reached well beyond their generation: The Prodigy used a sample of 'Love Buzz' and even Nirvana made a cover of this single.MOV proudly presents the 2021 Dutch remastered edition from the 1969 original mix by Robbie van Leeuwen. This includes the Mono single versions of both 'Venus' and 'Long And Lonesome Road'. It comes as a limited edition of 3000 individually numbered copies on pink colored vinyl.

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Chris Imler

Operation Schönheit

22,99 €*

Good Morning It's Now Tomorrow

Release: 2022 / EU – Original

Genre: Rock & Indie

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Chris Imler likes to play drums standing up. He‘s the dandy with the killer offbeat, or, as
one major German newspaper once put it, the "Grand Seigneur of the Berlin
Underground". He has been making his mark on countless Berlin musical affairs since long
before the fall of the Wall, with The Golden Showers, Peaches, Oum Shatt, Driver
&Driver, Die Türen, Jens Friebe, to name but a few. He has also been perfoming across
Europe as a solo artist for the past decade.
In "Operation Schönheit" (German for "Operation Beauty"), he has recorded his most,
well, beautiful album to date. But Benedikt Frey's warm production subverts its own
beauty with a multitude of clanking and ingling synth sounds, making the work very much
about the cosmetic surgery it performs on itself. It's all in the tradition of the more
experimental and electronic side of post-punk in which Imler and his unique groove are
rooted. It doesn't take insider knowledge of Berlin's post-punk underground to realise that
that Imler groove consists of rhythm that sings, vocals that dance and a look that fits, as
illustrated by "Disappoint Me", his latest video: https://youtu.be/YeVJ75ljjB8
Elsewhere - such as in "Movies" - the rhythm sings, less electronically reduced, into the
acoustics of an old, high-ceilinged Berlin apartment; metal clatters, a zither trembles and
Imler plays with the metronome. Sometimes he moves ahead of time, sometimes trails
behind it. He always manages to be in his very own groove, which carries everything
along. And this is precisely the essence of the Imler rhythm, which lends itself to being
applied to the very rhythm of life: Stretch and compress your time and loop it according to
your own groove! Optimise nothing but feel everything! And dance to it! Even when
contemplating everyday information overload, as Imler's high-speed mumbling suggests in
the hectic yet smooth opening track "Temperature".
But being the ultimate night owl he is, Imler manages to make even the odd bout of
paranoia seem like a good thing: like some kind of krauty, groovy B-horror-soundtrackinflected high-pressure environment, "Whip Me" is a cross between Conrad Schnitzler
and Bauhaus. In the title track, whose lyrics were written together with Jens Friebe, he
intones: "You want to be something greater / You break your leg / When it heals again /
You break it again" and sounds like the most gleeful fatalist you can imagine.
Because in his city, one can still lose oneself better than anywhere else - a night easily
becomes a whole universe that can be traversed, marvelled at and played with, and one
might find one's old self again only when hearing "church bells" and "small birds singing".

Markus Göres, Fun In The Church, Erich-Weinert-Str. 57, 10439 Berlin
markus@funinthechurch.com, Tel.: +49 (0)30 39838155, +49-(0)-177-7535745, www.funinthechurch.com
At least that's how Imler illustrates it in "Emptiness full of stars", and it seems likely that
those "stars" are the human companions of the Berlin night in question.
And so once again Imler becomes Berlin's most important cultural ambassador: that scene
of the eternally, and somehow successfully, failing creatures of the night, once the envy of
the international postmodern bohème, has, despite many claims to the contrary, not been
completely "optimised away", and its attitude to life is perfectly summed up in Imler's
groove. And, of course, his look. "Schau Hin" (German for "Look!") , he sings in the track
of the same name, masterfully dubbed out with the help of Melbourne's Leo James.
Quite right! Look - and listen.
Yours, Johannes von Weizsäcker (The Chap)

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Matt Maltese

LP | 2022 | EU | Original (Nettwerk)

19,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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The Death Of Randy Black Vinyl Edition

The Hives

LP | 2023 | EU | Original (Disques Hives)

20,99 €*

LP | 2024 | Original (Relapse)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Undisputed icons of rock and roll The Hives are back, channelling the electrifying energy of the group’s greatest hits with their first new album in over 10 years. Their colossal new album, The Death Of Randy Fitzsimmons, reignites the band’s lore in arresting fashion, exploring the disappearance of the band’s mysterious sixth member Randy Fitzsimmons. Having gone missing some time ago, the band are without their best man, and things are not well in the manor. Maybe, just maybe, the release of new music will get Randy’s attention and bring him back from the void…

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Zombi

Direct Inject

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Bruno Major)

Bruno Major

Columbo

Release: 2023 / EU – Original

Genre: Rock & Indie

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7" | 2023 | EU | Original (New Red Archives)

Kraut

Unemployed

Release: 2023 / EU – Original

Genre: Rock & Indie

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White Noise&Lightning:The Best Of Continental Drif

Continental Drifters

LP | 2024 | EU | Original (ADA)

25,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2014 | DE | Original (Capitol)

Beck

Morning Phase

The Hard Quartet Black Vinyl Edition

Release: 2014 / DE – Original

Genre: Rock & Indie

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The record features many of the musicians from 2002's Sea Change, including Justin Meldal-Johnsen, Joey Waronker (currently of Atoms for Peace), Smokey Hormel, and Roger Joseph Manning Jr. Beck described the record as coming from the tradition of "California music" and said, "I'm hearing the Byrds, Crosby Stills and Nash, Gram Parsons, Neil Young—the bigger idea of what that sound is to me."

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The Hard Quartet

LP | 2024 | EU | Original (Matador)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Richard, Dawn & Zahn, Spencer

Quiet In A World Full Of Noise

LP | 2024 | US | Original (Merge)

Strong Love - Songs Of Gay Liberation 1972-1981

Release: 2024 / US – Original

Genre: Rock & Indie

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Dawn Richard and Spencer Zahn share a common collaborative ethos, a genuinesense of musical curiosity, and a cosmopolitan eagerness to escape the conventionsof genre. That shared vision first brought them together on 2022's Pigments_icy andwarm, stripped-down and grand, familiar and otherworldly_and now it has reunitedthem for Quiet in a World Full of Noise.By turns intimate, soul-baring, spectral, and startling, Quiet in a World Full of Noiseblends atmospheric and orchestral soundscapes with mellifluous soul, jazz, andjournalistic vocalizing_driving it all home with stark, confessional lyricism. Thenew album finds Richard at her most raw and exposed. This year, Richard's musicianfather experienced mini strokes while being diagnosed with cancer; and last year,her cousin Cisco was fatally shot seven times in New Orleans. Richard channels theemotional impact of these traumatic experiences of loss into her lyrics and vocalperformances, which are left bare and human here, raw and unprocessed across thealbum. Quiet expands the definitions of what constitutes progressive, avant-gardeR&B by rewriting them altogether.On paper, Richard and Zahn's audacious, impressionistic musical collaborations feellike a surprising match. Richard, a New Orleans-reared visionary, has had an improbablejourney from late 2000s reality television and mainstream pop with girl groupDanity Kane to become one of the most prolific, experimental, and visible indieR&B singer-songwriters of the last decade and a half, with seven solo albums underher belt. Zahn is an East Coast-raised multi-instrumentalist and composer workingat the intersections of jazz, Americana, classical, and ambient pop. His growing solodiscography includes People of the Dawn, Sunday Painter, Pale Horizon, and Statues I & II,as well as the duo's first release, Pigments. "Pigments was one of the best projects I'veever made," Richard says, "and the furthest I've ever been pushed as an artist." Thealbum was a critical hit, haile...

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V.A.

LP | 2021 | EU | Original (Chapter Music)

LP | 1997 | EU | Reissue (Matador)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Originally Released On Cd In 2012, Chapter's Landmark Compilation Of 70s Gay Musical Pioneers Gets A Vinyl Release For The First Time Ever - And On Limited Baby Pink Vinyl To Boot! Strong Love Explores The First Wave Of Openly Gay Songwriting, Emerging After New York's Stonewall Riots Kickstarted The Modern Gay Rights Movement In 1969. It Took Just A Few Years For The Defiant Chanting And Interlocked Arms Of Early 70s Pride Marches To Reverberate Onto Record, And Strong Love Begins With The Earliest Known Example, 1972's A Gay Song By London Hippie Collective Everyone Involved. Across 15 Tracks, The Compilation Takes In Disarmingly Personal Folk, Uplifting Soul, Outsider Country And Dark Synth-Rock. But Tellingly, None Of Its Songs Could Be Considered Well-Known. New York's Steven Grossman Released The First Major Label Album By An Openly Gay Artist In 1974, And Tom Robinson Hit The Uk Top 20 With The Fiery Glad To Be Gay In 1978, But These Are The Exceptions. The Coy Ambivalence Of Lou Reed And David Bowie Was About As Sexually Adventurous As The 1970s Music Industry Got, And Most Strong Love Artists Released Their Own Self-Funded Recordings In Very Limited Numbers.Unlike Their Lesbian Counterparts, Who Joined Forces To Create Long-Lasting Record Labels, Strong Distribution Networks And Considerable Sales Figures, Gay Male Musicians In The 1970s Existed Largely In Solitary Bubbles. Which Doesn't Mean They Didn't Carve Out Niches Of Their Own. Chris Robison Played With The New York Dolls And Elephant's Memory, While La Glamseducer Smokey Saw Members Of The Stooges And Quiet Riot Pass Through His Backing Band. Steven Grossman Was Covered By Twiggy And Scrumbly & Martin Are Infamous For Their Work With San Francisco Drag Hippies The Cockettes. Strong Love Illustrate The Vision, Talent And Raw Courage That Drove 1970s Songwriters To Sacrifice Popular Careers For The Sake Of Honesty And Selfexpression. Compiled By Chapter Music's Guy Blackman, With An Evocative Introduction From Drummer Richard Dworkin (Who Pl...

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Pavement

Brighten The Corners

Release: 1997 / EU – Reissue

Genre: Rock & Indie

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No Home Record Black Vinyl Edition

Kim Gordon

LP | 2019 | EU | Original (Matador)

LP | 2023 | EU | Original (Major Label)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Kim Gordon spent so many years as "Girl In A Band". But now she is ready to present her debut album. No Home Record was produced by Justin Raisen and recorded at Los Angeles’ Sphere Ranch. The title was inspired by Chantal Akerman’s film No Home Movie.

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Brockdorff Klang Labor

Signs And Sparks

Release: 2023 / EU – Original

Genre: Rock & Indie

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Dale Rocka And The Volcanoes

Keep On Rockin'

LP | 2023 | EU | Original (El Toro)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Kinder Der Maschinenrepublik

Die Firma

2LP | 2023 | EU | Original (Major Label)

31,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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An Das Gestern, Das Nie Morgen Wurden Darfte

Buntspecht

LP | 2023 | EU | Original (Phat Penguin)

31,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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& Then Nothing Turned Itself Inside-out

Yo La Tengo

2LP | 2011 | US | Reissue (Matador)

37,99 €*

Release: 2011 / US – Reissue

Genre: Rock & Indie

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LP | 2022 | UK | Original (Ghost Box)

Pneumatic Tubes

A Letter From Treetops

21,99 €*

Departure Robert Levon Been Remix

Release: 2022 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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A Letter from TreeTops is the debut album from Pneumatic Tubes, the solo project of multi-instrumentalist Jesse Chandler. Grounded here in his own bucolic makings, Chandler opens his imagination to the world with this very personal and contemplative album. It’s a kind of American Kosmiche Music, a paean to the wild landscapes of the Adirondacks and Catskills of Upstate New York where he grew up. (TreeTops is the name of a summer camp, fondly remembered by several generations of the Chandler family.)

The album came to Chandler almost as an automatic transmission. Shortly after the death of his father, he holed up alone in the old family home with a few synths, a couple of vintage keyboards, percussion instruments and of course his beloved flutes and clarinets - the “pneumatic tubes” of his nom de plume. Channelling raw memory and landscape, Chandler laid down most of the material for this mystical and elegiac suite of music in just a few days. He later called on some talented friends to flesh out the final recordings; Paul Alexander on bass, Bill Campbell on drums, Marissa Nadler backing vocals and Robert Gomez on electric guitar.

The result is a series of beautifully faded musical photographs. Gentle melodies are propelled along by synth arpeggiators or laidback sidestick and felt beater drums. Chandler’s wind instruments are woven throughout like wild vines binding the elements together. Towards the end of the album an underlying note of melancholy swells into grief during the very moving Witch Water, which is subtly underpinned with Marissa Nadler’s haunting voice. The clouds soon clear, the mountains reappear, and the wheel of the year and of the generations turns again as A Letter from TreeTops signs off with the same lilting melody on which it began.

Originally hailing from Woodstock, New York and now living in Denton, Texas, Jesse Chandler is the keyboard and woodwinds player for the bands Midlake and Mercury Rev. His particular warmth as a composer and improviser is informed by a childhood ensconced in the mystical Catskill mountains, where he absorbed the area’s rich musical history and developed a fascination with keyboard and woodwind instruments.

A Letter from TreeTops is not his first appearance on Ghost Box, he also contributed organ and flute on the Soundcarriers’ incredible Entropicalia album.

Evocative liner notes are provided by Justin Hopper, author of Old Weird Albion and writer of the Ghost Box spoken word album Chanctonbury Rings. By happy coincidence Hopper also grew up in New York State and has his own deep connection to the landscapes there.

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The Vacant Lots

7" | 2020 | UK | Original (Fuzz Club)

11,99 €*

Before These Crowded Streets

Release: 2020 / UK – Original

Genre: Rock & Indie

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Arriving Off The Back Of Their Recent 'Interzone' Lp, Brooklyn Electro Post-Punk Duo The Vacant Lots Are Putting Out A New Remixed Song, Titled 'Departure', Which Has Been Produced By Black Rebel Motorcycle Club's Robert Levon Been. A Long-Standing Crowd-Favourite, The Track Is Now Set For Release For The Very First Time And Is Bolstered By The Remixing Duties Of The Brmc Guitarist And Vocalist, Whom The Vacant Lots Became Close Friends With After Both Bands Toured Together On Several Occasions. Blending Proto-Punk And Psych As Effortlessly As You'd Expect From A Vacant Lots Release, The 'Departure' Remix - Due For Release October 16th On Fuzz Club - Sees Throbbing 'Nightclubbing'-Esque Electronics Interlaced With Distorted, Hard-Hitting Guitars And Vocals That Are Just As Snarling As They Are Detached. First Conceived When The Vacant Lots Were Writing Their 2014 'Departure' Lp But Left Unreleased And Having Now Evolved Over The Years Since, The Song Became A Staple Of The Band's Visceral Live Performances And Is Now Set For A Long-Overdue Vinyl Release In The Form Of A 7" With An Etched B-Side That's Limited To 500 Copies. The Remix Is Mastered By Maurizio Baggio (Boy Harsher, The Soft Moon, Merchandise) And Housed In Stark, Minimalistic Artwork By Longtime Visual Collaborator Ivan Liechti.

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Dave Matthews

2LP | 1998 | US | Reissue (Sony Legacy)

49,99 €*

Release: 1998 / US – Reissue

Genre: Rock & Indie

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LP | 2024 | US | Original (Allpoints)

Girli

Matriarchy

37,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Mission Collapse In The Twin Sun Megaverse

Moths & Locusts

LP | 2013 | US | Original (Bad Taste)

Release: 2013 / US – Original

Genre: Rock & Indie

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2LP | 2017 | EU | Reissue (Cinedelic)

Trees Speak

21,99 €*

LP | 2024 | EU | Original (Alien Transistor)

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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1st Repress in Limited Edition of Trees Speak’s debut album. Trees Speak's debut record, Trees Speak, is the band's first of five albums they've produced in half a decade, and it is finally getting its worldwide reissue to their fans' long-awaited anticipation. Released on Cinedelic Records. Before their first album, they planned to create music with an unrehearsed approach performing simple beats, riffs, sequences, and going by instinct. They endeavored to create an auditory environment that let the listener's mind to be set free of tone, melody, and structure. They began to experiment with sounds, blending vintage aesthetics and equipment, which led them on an unexpected journey into creating and producing records. Always with their roots in 1960s-70s jazz, rock and roll, and experimental music they began to experiment with live sound performances and performance art. The band's live performances dramatically captured their idea of merging early experimental music such as the Dadaist, John Cage, and early electronic experimental music. While their music might seem organic and unrehearsed, the band has developed an creative way of communicating ideas into sound using visual art. For example, they use diagrams when communicating a musical idea. The band often refers to musical diagrams to express dynamics, chords, key signatures, and emotional expressions. These graphic notations are a template to communicate esoteric concepts, which they ingeniously transform into their music. They also use this form of illustrated art expression during live performances and in-studio recordings. It is a simple way to explain an overarching idea through music and art. Trees Speak are Daniel Martin Diaz and Damian Diaz both appear also on the album by Others (Cinedelic Records).

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o'summer vacation

Electronic Eye

Censorship Is Killing Music - Gross National Products 1981-1989

Release: 2024 / EU – Original

Genre: Rock & Indie

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Readers of encyclopedic tomes are obviously familiar with exploding animals – there are numerous reports of torn-apart toads (even in Hamburg, Germany!), actual ants exploding altruistically – but humans that decide to jointly detonate, and with no harm done, that’s rare: Kobe’s own o'summer vacation are unique (and volatile) like that, and they’re back to light the fuse for the second time, presenting 13 more musical quarter sticks that have already blown up venues in Europe and Japan.

“Keep it lean, keep it mean,” they say, and that’s what this band loves to take to the extreme: breakneck concision and collective combustion meet freeform noise punk hazards on o'summer vacation's second (not quite) full-length – as the Kobe-based three-piece’s “Electronic Eye” is set to arrive on October 11, 2024. Following a bunch of trips to Berlin, Munich etc., the Japanese fire starters have found a new home with Alien Transistor, and it’s the perfect launch pad for their latest set of guitarless pyrotechnics. Going right for max q (maximum dynamic pressure), “Electronic Eye” is (unlike those Starships) actually supposed to explode right after lift-off ;)

Even though there have been some line-up changes since the group recorded its sophomore album, the energy caught by producer Shinji Masuko (dmbq, Boredoms) is still unmatched: a very physical and hard-knocking barrage of mosh-inducing madness that leaves you speechless + inevitably twitching towards the pit. Mastering was done by Masaki Oshima aka Watchman (Melt-Banana).

Opening with sizzling hi-hats and heavy ripples of breathless bass, singer Ami presents a non-sequitur kind of lullaby over the math rock-style interlocutions of “宿痾 (Shuku - A)” – which at 6+ minutes makes up more than a quarter of the album. A shapeshifting frenzy of voice (Ami), unbridled, pedal-powered bassline insanity (Mikkki, formerly Mikiiiii), and hot-blooded drums (Manu, meanwhile replaced by Karry), the album features mosh-inducing blows (previously released “Luna,” “Anti Christ 大体 Super Star”), 30-sec mini noise punk anthems (“竦(shou)”, “Days Go By Fast”), and continues to surf at breakneck pace up and down scales (“@ The”), which often feels like catharsis served with a hammer (“Ultra”). Whereas some tracks are bigger more song-y than others (“Song#2,” that full-throttle “Poodle”), “Vs I” is on time like Tierra Whack (exactly 60 seconds of pick-grinding action), and “Rage” indeed feels like Zack is about to join the party – only to see Ami wipe the floor with pure onomatopoetic fire. Finally, “Aloooooone” and “Humming” (that opening lilt!) are sure going to be live favorites, shifting up and down via hardcore speeds and various break-downs.

Quite hotheaded and terminating things on a high note, o'summer vacation point out that the quick-fire lyrics of their “songs have no meaning. It’s called onomatopoeia in English. Ami, our vocalist, does not like to communicate her thoughts through her music.” Although she considers her contribution “a part of the instrumentation,” they still have strong messages and concerns (unrest, discontent, willingness to shake, wake up, enliven anyone near the audible bomb crater): “That doesn’t mean we don’t have a point of view, but we choose to express ourselves through sound rather than words. Generally, but not exclusively, we are anti-racism, anti-war, gender-free, angry at the companies we work for and their bosses, etc., which are very common sentiments held by so-called rock bands.”

It’s only three ingredients, just like sonic gunpowder: bass, drums, voice – but they tend to explode a few bars into each new track. In a perfect world, there’d be giant colorful clouds of dust gracing the sky over each venue they descend upon.

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Kalahari Surfers

LP | 2023 | UK | Original (Emotional Rescue)

Great Grief / Atone Pink Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie, Reggae & Dancehall

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South African Warrick Sony is a ground breaking composer who was behind the Kalahari Surfers project which now gets a vital spotlight courtesy of Emotional Rescue. This compilation shows how effortlessly eclectic his sound was - from jive rhythms to jazz, tabla to political speeches and much more in between. A Hindu pacifist who was once conscripted into the South African Defense Force, he founded this group as a way out getting his ides out there, calling on other musicians as and when he needed them. It was the first radical white anti-apartheid pop in South Africa and as this vital collection shows it explored polyrhythms, slow motorik, dub sound collage and even a goofy cover of Nancy Sinatra.

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Casey

7" | 2023 | EU | Original (Hassle)

Release: 2023 / EU – Original

Genre: Rock & Indie

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The Collected Works Of Neutral Milk Hotel

Neutral Milk Hotel

Box Set | 2011 | US | Reissue (Merge)

163,99 €*

LP | EU | Original (Munster)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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The two full-length records that Jeff Mangum made as Neutral Milk Hotel sound both in and out of time. Like translations of a shared subconscious, 1996's On Avery Island and 1998's In the Aeroplane Over the Sea give voice to the perennial spirit of youthful epiphany, of beginning to see the world clearly, to process and express it-no matter when you encounter them. With lo-fi indie rock, accordion, singing saw, tape collages, the so-called "zanzithophone" and beyond, Neutral Milk Hotel created an eternal entry into their Elephant 6 scene and an enduring feeling of possibility. Mangum was born in the small city of Ruston, Louisiana, in 1970, coming of age within the '80s and '90s indie and punk undergrounds, a movement of teenagers recording in their bedrooms, sharing zines and trading tapes, listening to hardcore and experimental music on college radio. For all the mythology Mangum's elusive persona has accrued-particularly during the 15 years immediately following Aeroplane, when he abruptly left the band behind-it's the beguiling songs themselves that have resonated so deeply for generations. In 2011, Mangum collected nearly all of the band's recorded output in a limited-edition box set (self-released under Neutral Milk Hotel Records, a small operation helmed by Mangum and his mother) which is now re-pressed by Merge.

Black matte box is a 2-piece telescoping casewrapped package. Outer shrink-wrap includes a front sticker with "Neutral Milk Hotel," and a back sticker listing box contents. The box set includes 2 folded posters, each printed one side and each 24 x 24 inches when flat, and 1 postcard, printed front and back with box set information and sized 3.75 x 5 inches. Vinyl records: 1. In the Aeroplane Over the Sea: LP is 11 tracks pressed 33rpm to black vinyl in a gatefold jacket + printed insert for full album download. --- 2. On Avery Island: 2-lp is 12 tracks pressed to double black vinyl in a gatefold jacket + 11 x 11 printed insert + printed insert for full album download. Sides A, B and C pressed 45rpm. Side D pressed 33rpm. --- 3. Live at Jittery Joe's: 12-inch picture disc is 11 tracks pressed 33rpm to a full color picture disc in a heavyweight poly jacket + printed insert for full album download. --- 4. Ferris Wheel on Fire: 10-inch is 8 tracks pressed 45rpm to black vinyl in a printed jacket + postcard insert + printed insert for full album download. --- 5. Everything Is: 10-inch is 7 tracks pressed 45rpm to black vinyl in a printed jacket + postcard insert + printed insert for full album download --- 6. "Little Birds": 7-inch is 2 tracks pressed 45rpm to black vinyl in a printed jacket + printed insert for full album download 7-inch housed in a heavy-weight poly jacket. --- 7. "You've Passed": 7-inch is 2 tracks pressed 45rpm to black vinyl in a printed jacket + printed insert for full album download. 7-inch housed in a heavy-weight poly jacket. --- 8. "Holland, 1945": 7-inch is 2 tracks pressed 45rpm to black vinyl in a printed jacket + printed insert for full album download. 7-inch housed in a heavyweight poly jacket.

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The Legendary Tigerman

Misfit

Mayonaise Dream: Broadcast From Tower Records 1993

Release: EU – Original

Genre: Rock & Indie

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Sixth album by The Legendary Tigerman (aka Paulo Furtado), his first recording in a trio format with Paulo Segadaes (drums) and Joao Cabrita (baritone sax). Recorded at Rancho de la Luna (Joshua Tree) and produced by Johnny Hostile (The Savages, John & Jehn) and Paulo Furtado.

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The Smashing Pumpkins

LP | 2019 | EU (Mind Control)

Teenage Jesus & The Jerks

Release: 2019 / EU

Genre: Rock & Indie

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Recorded the day before the release of their 1993 breakout album, Siamese Dream, this magnificent radio broadcast is an acoustic record release party set from the legendary Tower Records in the group's hometown of Chicago. Amid drug addiction, internal band strife, Corgan's nearly crippling depression, claims of selling out, and massive pressure from the record label to become stars, it's hard to imagine the band could even perform together much less sound this good. A killer live acoustic set that draws mostly from Siamese Dream, but also includes two of the better tracks from their debut Gish, this radio broadcast is a must have for any Pumpkins fan.

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Teenage Jesus & The Jerks Black Vinyl Edition

LP | 1979 | EU (Radiation Reissues)

Children Of The Haze Green Marbled Vinyl Edtion

Release: 1979 / EU

Genre: Rock & Indie

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During the late 1970s, after No Wave pioneer Lydia Lunch met saxophonist James Chance, she began setting her angry and disjointed poetry to anti-music, founding her ground-breaking band Teenage Jesus and The Jerks with Lunch’s shouted lyrics matched by her non-conventional use of electric guitar. The group’s self-titled debut EP is a fast and furious affair, produced by Robert Quine of the Voidoids/Lou Reed, with future Nick Cave drummer Jim Sclavunos on bass and Bradley Field on minimalist percussion; steeped in aggression and audacity, it’s an awesome disc that rebuffs punk’s easy cliches and refuses to be categorized. This reissue also includes the ‘Pre’ EP and the tracks from the legendary No New York compilation. Essential!

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Dopelord

LP | 2017 | EU | Reissue (Electric Valley)

LP | 1992 | EU | Reissue (Materiali Sonori / Spittle)

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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This edition will be released with new cover artwork and includes a different version of "Skulls And Candles" and the song "Toledo", which was originally released only on the 4 way split with Weedpecker, Spaceslug and Major Kong. Stoner/Doom band from Poland. Founded in late 2010 in Lublin. Released their debut album "Magick Rites" in 2012 followed by "Black Arts, Riff Worship & Weed Cult" in 2014, "Children of the Haze" in 2017, "4 Way Split" with Weedpecker, Major Kong and Spaceslug in 2019, " Sign Of The Devil" in 2020 and "Reality Dagger"(EP) in 2021. Smoking, rehearsing and touring. Their main inspirations are: old movies, 70s music and magical herbs. They tune low and play slow!

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Durutti Column

Red Shoes

14,99 €*

Great White Dope Black/White/Orange Vinyl Edition

Release: 1992 / EU – Reissue

Genre: Rock & Indie

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First ever re-issue on vinyl. Red Shoes includes eight new recordings (dated early 1992), five unreleased tracks, a new version of When The World and more sophisticated rendition of For Madeleine and For Zinni. Vini develops his musical journey using fascinating licks for guitar, steeped in New Age, minimalism, soft electric folk and ambient music (we stressed to remind you that Vini’s style has been long informed by kosmische heroes such as Manuel Göttsching or Günter Schickert and even John Martyn). The album offers even the re-issue of the mini album Greetings Three, a very important goal for the band and the label Materiali Sonori. In fact, the four tracks included on this record - released in 1985 - have been explicitly dedicated to Italy, Tuscany and to new Italian friends. Along with Vini Reilly you will find the talent of Bruce Mitchell (drums) and John Metcalfe (violin) on display.

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Sun And Sail Club

LP | 2015 | EU | Reissue (Heavy Psych Sounds)

Great White Dope Violet Vinyl Edition

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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The name might be the Sun and Sail club, but you'll find no yacht rock here. Instead of Michael McDonald, we have Bad Brains. Kenny Loggins? Hall and Oats? More like Matt Pike and Lemmy Fucking Kilmister. “The Great White Dope” is featuring members of Kyuss, Fu Manchu, and the Adolescents, containing 10 riff-filled tracks of high energy, bullshit-free punk and sleaze. The song writing on ‘The Great White Dope’ steers away from the experimental direction of their previous release, and it's laser focused on one thing: unapologetically rocking your face off. The vocoder is gone and they've recruited singer Tony Adolescent, who delivers balls to the wall vocals with no added effects or frills. The production, like the music itself, is loud, heavy, and beautifully simple. “This record is a direct result of my wife telling me she was pregnant with our son. As a first time father, panic set in and I wrote the album in two hours. I wasn’t sure if I’d have a lot of time once he was born so I crammed as many frantic riffs into one album as possible. Looking back it’s funny to listen to now, but at the time I was on a mission. Everyone killed it on this record and we recruited Tony Adolescent on vocals which is unreal to me.” - Bob Balch

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Sun And Sail Club

LP | 2015 | EU | Reissue (Heavy Psych Sounds)

2LP (One Little Independent)

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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Björk

Vulnicura

Genre: Rock & Indie

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2LP | Original (Secretly Canadian)

Suuns

Felt

Release: Original

Genre: Rock & Indie

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Harm's Way White Vinyl Edition

Ducks Ltd.

LP | 2024 | US | Original (Carpark)

25,99 €*

10" | 2020 | EU | Original (Morr Music)

Release: 2024 / US – Original

Genre: Rock & Indie

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Ducks Ltd. make inviting and frenetic guitar pop for when life feels overwhelming. While the band’s songs are ostensibly breezy, a palpable anxiety boils underneath that communicates something deeper about everyday existence. On their latest album Harm’s Way, the Toronto duo of Tom McGreevy and Evan Lewis hones in on interpersonal and societal collapses, urban decay, and the near-impossibility of keeping a level head when everything around you seems to be falling apart.

“They’re songs about struggling,” says singer and lyricist McGreevy (who also plays bass and rhythm guitar). “About watching people I care for suffer, and trying to figure out how to be there for them. And about the strain of living in the world when it feels like it's ready to collapse.”

Even with its often dark subject matter, Harm’s Way is Ducks Ltd.’s most vividly rendered and collaborative collection yet. It’s an undeniable evolution for the band, not just in how these songs soar, but in their entire writing and recording processes.

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The Notwist

Ship

15,99 €*

L.A. Witch Coke Bottle Green Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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After six years, The Notwist return with three new tracks on Morr Music. It’s both an exposition of the the band’s musical variety and a prospect on a forthcoming album. Six years have passed since The Notwist released their last regular studio album, but that doesn’t mean that the members of this outstanding band have been idle in the meantime. There have been side projects, movie scoring, and other activities, like programming four editions of „Alien Disko“, a festival taking place in Munich, Germany. One of that event’s regular guests was the Japanese duo Tenniscoats – and a lovely side effect from that was an evolving friendship between the two bands. It lead to various collaborations: most recently in a new album by international band „Spirit Fest“ (featuring Tenniscoats singer Saya & The Notwist’s Markus & Cico) & a deep digging compilation of Japanese indie music called „Minna Miteru“. The title track of this new EP is another step in this collaboration – and a first step to an upcoming album by The Notwist – as it features Saya, who lends her voice to the percussive song. It is build around a slightly detuned synthline, which is contrasted by more pragmatic guitar work. „It neither sounds like The Notwist, Tenniscoats, nor Spirit Fest“, tells Markus Acher. „Just like Saya is saying in the lyrics: ‘I want to go outside, I want to meet people’, „Ship“ is another chapter in what The Notwist always tries to do: redefining itself, exploring something new, integrating different styles of music and collaborating with musicians they admire.“ The second song „Loose Ends“ is, in contrast, more classic Notwist material. A gently expanding ballad, this time featuring the distinctive voice of Markus Acher. The song came out of recording sessions for the soundtrack for „One Of These Days“, a movie by Bastian Günther. The EP then closes with „Avalanche“ a carefully optimistic instrumental. With its variety of styles, „Ship“ also serves as an outlook on an upcoming album, which will be influenced by the band’s experiences from their detailed work of creating sounds and moods for film soundtracks, and it will include more collaborations with international guest musicians.

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L.A. Witch

LP | 2017 | US | Reissue (Suicide Squeeze)

LP | 2024 | US | Original (Mississippi)

Release: 2017 / US – Reissue

Genre: Rock & Indie

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The name is a partial misnomer. Though the band hails from Los Angeles, they do not partake in any sort of witchcraft. Yet their ability to conjure a specific time and place through their sound does suggest a kind of magic. On their eponymous debut album, L.A. Witch's reverb-drenched guitar jangle and sultry vocals conjure the analog sound of a collector's prized 45 from some short-lived footnote cult band. The melodies forgo the bubblegum pop for a druggy haze that straddles the line between seedy glory and ominous balladry; the production can't afford Phil Spector's wall-of-sound, but the instruments' simple beauty provides an economic grace that renders studio trickery unnecessary; the lyrics seem more descendent of Johnny Cash's first-person morality tales than the vacuous empty gestures of pre-fab pop bands. This isn't music for the masses; it's music for miscreants, burnouts, down-and-out dreamers, and obsessive historians.Album opener "Kill My Baby Tonight" is the perfect introduction to the band's marriage of '60s girls-in-the-garage charm and David Lynch's surreal exposés of Southern California's underbelly. Sade Sanchez's black velvet vocals disguise the malicious intent of this murder ballad, with the thumping pulse of bassist Irita Pai, the slow-burn build of drummer Ellie English, and Sanchez's desert guitar twang helping beguile the listener into becoming a willing accomplice to the narrator's crimes. "Brian" follows the opening track with a similarly graceful, if not somewhat ominous, slow-mo take on a well-worn jukebox 7". It's a vibe that permeates the entire album, from the early psychedelic hue of 13th Floor Elevators on tracks like "You Love Nothing," through the motorik beat and fuzzed-out licks of "Drive Your Car," to the grittier permutation of Mazzy Star's sleepy beauty on "Baby In Blue Jeans."

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Keanu Nelson

Wilurarrakutu

Below The Waste Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Wilurarrakutu is the brilliant debut from Papunya-based artist Keanu Nelson, an intimate exercise in musical storytelling and reflection. The album's eight tracks, sung in both Papunya Luritja and English, are verses of prose and poetry pulled directly from Nelson's notebooks and set to minimalist, DIY electronic arrangements.The evocative musical backdrops_featuring Casio keyboards, drum machines, and subtle synth flourishes_were created in collaborative sessions between Nelson and Sydney producer Yuta Matsumura. The two met by chance on Matsumura's visit to Papunya last year. Their impromptu jam sessions form the foundation for Wilurarrakutu's low-key sonic palette, influenced in parts by Papunya's strong local gospel music scene as well as the reggae beats often passed around the remote community via USB sticks and mobile phone transfers.Over these soundscapes, Nelson sings of family, friends, heritage, and culture, with a tone that balances joy and melancholy. They're themes and emotions that also echo through his work as a painter at the Papunya Tjupi Arts Centre. In this way, Wilurarrakutu becomes an extension of his art practice - a graceful audio portrait of a place that evokes the resonance of home.

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Goat Girl

LP | 2024 | EU | Original (Rough Trade)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Electric Visions Strictly Limited 20th Anniversary

The New Pornographers

LP | 2023 | EU | Original (Matador)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Blending Transparent Cloudy Clear Vinyl Edition

High Vis

LP | 2022 | US | Reissue (Dais)

LP | 2022 | EU | Original (Skep Wax)

Release: 2022 / US – Reissue

Genre: Rock & Indie

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High Vis were formed in 2016 from the ashes of some of the UK's best hardcore bands. Gild-toothed frontman Graham Sayle's anguished lyrics about life in working class Britain were familiar to fans of Tremors' full-throttle thrash, but alongside his former bandmate Edward `Ski' Harper and veterans of Dirty Money, DiE and The Smear, High Vis sought to transform that energy and intensity into something entirely new.Like scene-mates Chubby and the Gang did by pulling in unlikely source material from classic doo-wop or Micromoon have by combining everything from psychedelia and metal into their high potency mix, High Vis' 2019 debut album, No Sense No Feeling showed the band were never going to be constrained by any sense of genre rules or regulations. Its claustrophobic rattle bore traces of Joy Division, Bauhaus, Crisis, The Cure and Gang Of Four lurking in the shadows. 2020's synth-driven EP, Society Exists, was further evidence of the band's restless creative MO.High Vis' second album Blending sees them open their viewfinder wider than ever before. Alongside longstanding favourites such as Fugazi and Echo and The Bunnymen; Ride and even Flock Of Seagulls were shared reference points as the band worked on the album together.From the anthemic sweep of opener "Talk For Hours", through the title track's psychedelic swirl and "Fever Dream"'s baggy groove, it sees High Vis' sound blossoming into something with an unlimited richness. The hazy drift of "Shame" or the melodic jangle of "Trauma Bonds" may take them until uncharted waters, but they still have all the power and bite that made No Sense No Feeling so remarkable.Lyrically, the album represents another leap forward too. Talking frankly about poverty, class politics, and the challenges of everyday life, Sayle's lyrics have always addressed the downtrodden and discarded communities across Britain slipping below the waterline. This time around, Sayle's lost not of that social consciousness, but he's looked at himself and his own emotional landscape, and in the process created something that feels more universal, that reaches a hand-out to people and ultimately gives a message of hope."To me, the lyrics are less selfish," reflects Sayle. "In the past, I couldn't see past whatever was going on with me. It's about accepting things and being open to conversations and learning to talk to people rather than just thinking that we're all doomed."The song "Talk for Hours" is a prime example of that. Born out of an afternoon meeting up with an old group of mates "repeating the same thing and not actually learning anything about each other" it offers to actually break the cycle and to listen and speak frankly about shared feelings and experiences. "Trauma Bonds", meanwhile, traces the broken lines of those living in lost communities, but ultimately realises that despite our shared scars, there's still hope to move on to a better future."The message of the album is you're not who you're told you are," Sayle summarises. "You're not your class background. Whatever it is, you're not that. Don't resign yourself to thinking you can't be this and you can't be that."It's a vitally important message right now, and one that could be the motto for not only Blending, but for High Vis themselves.

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Heavenly

Heavenly Vs Satan

2LP | 2021 | US | Original (No Quarter)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Heavenly released four albums in the early 1990s. Skep Wax Records are going to re-issue all four of them over a two year period. Classic black vinyl. The albums will include a 7" booklet with lyrics and new sleeve notes by the members of the band. Heavenly were one of the pioneers of indiepop. Formed from the smouldering ashes of Talulah Gosh, they took all that energy and attitude and used it to fuel catchy, infectious pop melodies. The influence of 60s girl groups was never far from the surface. This was girl-pop, but with the girls in control. Loved by many but derided as 'twee' by some, Heavenly ignored the increasingly macho environment of the contemporary UK scene and forged a separate path, along with other bands on the Sarah Records label. Later, having co-released their albums on K Records in Olympia, Heavenly toured the US, hooking up with bands in the embryonic riot grrrl scene. Heavenly's quiet feminism became louder and more articulate, and the hostility of the UK music press became irrelevant. Heavenly came to an abrupt and tragic end when drummer Mathew Fletcher took his own life in 1996. After a year's hiatus, the group reformed as the short-lived Marine Research, before going their separate ways musically. Amelia Fletcher and Rob Pursey currently play in The Catenary Wires and Swansea Sound. Peter Momtchiloff plays in Would-Be-Goods and Tufthunter. HEAVENLY vs SATAN - THE FIRST LP. Recorded in the Oxfordshire countryside, the first Heavenly album was a bid to make a pure pop record. The punk noise of Talulah Gosh had exploded and expired. Amelia had had a go at making a disco hit ('Can You Keep A Secret', subsequently released on Fierce Recordings), which was fun, but wasn't going to trouble the charts. Unbothered by critical or popular reactions, the new band decided to immerse themselves in the creation of a sweet, tuneful pop record. It's true that the punk influences aren't hard to discern (Mathew's favourite band was The Ramones), but it's Pete's elegant guitar and Amelia's m...

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Endless Boogie

Admontitions

How Long Do You Think It´S Gonna Last? Red Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Endless Boogie rejoins with its fifth proper studio album. It contains and is called Admonitions. Seven tracks of unrefined wisdom, mostly put to tape in improvised fashion with little to no warning. Recorded over two years and two sessions - at the pastoral tranquility of the Stockholm inland archipelago in 2018, and in the dank, cramped basement of a Fort Greene, Brooklyn studio in February 2020. Eklow on crude direction, Sweeney on stealth glamour, the obscurantist clarity of Paul Major is, as always, as ever, on full display, the fierce reality of Mike Bones is crucial, and the stoic solidity of The Harry Druzd lays beneath it all. Old pal Kurt Vile hovers over Counterfeiter. Full grease, delivered with ease. It is the band's humble wish that you immerse yourself and this offering.

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Big Red Machine

2LP | 2021 | US | Original (Jagjaguwar)

Half Smiles Of The Decomposed-Colored Vinyl

Release: 2021 / US – Original

Genre: Rock & Indie

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Ever since childhood, learning to play various instruments in a suburban Cincinnati basement alongside his brother Bryce, Aaron Dessner has consistently sought an emotional outlet and deep human connection through music _ be it as a primary songwriter in The National, a founder and architect of beloved collaboration-driven music festivals, or collaborator on two critically acclaimed and chart-topping Taylor Swift albums recorded in complete pandemic-era isolation at his Long Pond Studio in upstate New York, among many other projects. Through it all, Dessner has brought together an unlikely community of musicians that share his impulse to connect, celebrate and, most of all, process emotion and experience through music. This generous spirit and desire to push music forward has never been more deeply felt than on Big Red Machine's "How Long Do You Think It's Gonna Last?," the second album from Dessner's evermorphing project with Bon Iver's Justin Vernon. In 2008, while assembling material for the charitycompilation "Dark Was the Night," Dessner sent Vernon a song sketch titled "big red machine". Vernon interpreted "big red machine" as a beating heart and finished the song accordingly _ a metaphor Dessner says "still sticks with me today. This project goes to many places and is always on some level about experimentation, but it shines a light on why I make music in the first place, which is an emotional need. It's one of my therapies and one of the ways I interrogate the past." Released in 2018, Big Red Machine's self-titled debut album evolved from improvisation and what Dessner calls "structured experimentalism," with an ear toward building tracks that would work well in a live setting alongside visual elements. When Dessner and Vernon started the Eaux Claires Music Festival in 2015, they staged the original "Big Red Machine" as an improvisation-based performance piece. They later took that show to the People collective's Berlin residency and festival, and to Dessner's Haven Festival in Copenhagen. "Big Red Machine started as this thing we would do for fun, and we fell in love with the feeling of it," says Dessner." Vernon agrees: "I remember it feeling really easy, but we never knew what would happen. It was exciting. As time went on, we just kept doing things together. And our friendship has grown strong, alongside all the collaborative stuff." New Big Red Machine material began taking shape in spring 2019, when Vernon came to visit Dessner at Long Pond. The first week produced songs such as "Reese," "8:22am" and eventual album opener "Latter Days," a haunting number sung by Vernon and Anaïs Mitchell that set the emotional tenor for what was to come. "It was clear to her that the early sketch Justin and I made of Latter Days was about childhood, or loss of innocence and nostalgia for a time before you've grown into adulthood _ before you've hurt people or lost people and made mistakes. Anaïs defined the whole record When she sang that, as these same themes kept appearing again and again," Dessner says. In the ensuing months, Vernon and Dessner would meet up when they could, and in the meantime, Dessner developed the existing material and wrote new instrumental tracks which he sent Vernon, always eager to hear what he would receive back. "Justin is incredibly gifted, but he's also disruptive in the best way," says Dessner, pointing to the first note of the song "Birch" as a prime example. "It's absolutely brilliant, but it was very surprising when I heard it the first time. I can't tell you what that interval is. There are many moments working with him where your head hits the wall in amazement like that." In the early stages of the pandemic, Swift approached Dessner to work with her on what would become the sister albums "folklore" and "evermore." Dessner describes this period as a "creative blur," during which he'd be writing material for Swift and Big Red Machine simultaneously. "I think this was an intense growing period for me, I was learning so much from Taylor and the process. Along the way, I shared all of our unfinished Big Red Machine songs with her and she really found them inspiring and gave me so much positive feedback and encouragement," he says. "I think that helped me realize how connected this Big Red Machine music was to everything else I was doing and that I was always supposed to be chasing these ideas. I was finding new sounds and ways of working through these songs. I just hadn't been able to finish them. So, I did." Beyond Vernon and Swift's encouragement, many of Dessner's previous collaborators and friends show up for him here, continuing the reciprocal exchange of ideas that has come to define his creative community. Songs feature guest vocals and writing contributions from artist friends including Fleet Foxes' Robin Pecknold ("Phoenix"), Ben Howard and This Is The Kit ("June's a River"), Naeem ("Easy to Sabotage'), Sharon Van Etten, Lisa Hannigan and My Brightest Diamond's Shara Nova ("Hutch," a tune inspired by Dessner's late friend, Frightened Rabbit frontman Scott Hutchison) and Swift herself ("Birch" and "Renegade," the latter an instant-classic Taylor earworm summed up by the poignant lyric "Is it insensitive for me to say / get your shit together so I can love you." The song was recorded in Los Angeles at the Kitty Committee studio in March 2021, the same week when Swift and Dessner took home the Grammy for Album of the Year for "folklore.") "This is all music I generated, but it is interesting to hear how different people relate to it, or how different voices collide with it," Dessner says. "That's what makes it special. With everyone that's on this record, there's an openness, a creative generosity and an emotional quality that connects it all together." As he continued writing prolifically on his own, Dessner noticed a theme emerging -- the idea of sitting with the uncomfortability of personal and family darkness from his childhood and reflecting on how emotional issues he dealt with growing up have reverberated through his adult life. It became clear that some of these he'd need to sing himself; songs such as "The Ghost of Cincinnati" and "Magnolia" address the disintegration of marriage and family and mental health, asking pointed questions of himself and those closest to him. "Brycie" is an ode to his aforementioned twin and National bandmate, who picked up on the musical vibes immediately when Dessner played the song for him for the first time backstage at a National show in Washington D.C. "He picked along to it with me and it immediately sounded like Aaron and Bryce playing the guitar in the basement as kids, which was my intent," Dessner remembers. "The words mean a lot to me. It's about my childhood with Bryce, and how I had pretty severe depression in high school. He was the one who kept me going and took care of me until I was back on my feet. I've lost close friends to depression and this song is about how important it was that Bryce was there for me at that time and is still here." In addition to being one of the more lyrically significant tracks on the album, Dessner says singing it himself felt like an important act of self-acceptance. "I always sing under my breath when I write music, but I usually hand it off to [National vocalist] Matt [Berninger] or others" he says. "When you're in a band for so long and somebody else is that person, you come to rely on it and I've always loved Matt's voice and his words. But singing `Brycie' myself helped rewire my brain to realize that maybe Big Red Machine is the project that not only enables me to create songs with other people, but also sometimes finish songs on my own." Recalling sessions at Sonic Ranch in Texas when Dessner recorded his vocal takes, Vernon says, "Aaron showed me `Brycie' a couple years ago now. I was like, this is beautiful, and you should do more singing. Not only would it be good for the future of your songwriting, but your voice sounds really good to me. It was exciting to see him flourish in that way _ to now be a part of that process and realize the hardships in that and also the victories. On this record, he's leading the charge, wholly and completely." Musically, "How Long Do You Think It's Gonna Last?" features what Dessner calls maybe the "clearest distillation" of his varying songwriting and production styles. Songs like "Reese," the Dessner-sung "Magnolia" and the elegiac "Hutch" are built on the kinds of tear-jerking piano melodies millions of fans have come to love from The National, but then move at their own pace toward unusual sonic destinations. "Aaron's greatest gift as a collaborator is his ability to evolve and experiment with the emotional sound that is so natural to him," Vernon says of the material. Elsewhere, the dream-like "Hoping Then" sets layered vocals by Vernon, Dessner and Hannigan ("It's the on the edge of why I can't sleep soundly") atop chopped and phased violin lines, programmed drums and countermelodies played on a rubber bridge guitar. His brother Bryce's orchestration ebbs and flows throughout this song and many others. The main instrumental track of the chugging, groovy "Easy to Sabotage" was stitched together from two different live recordings and later enveloped in warm keyboard textures and the head-nodding vocals of Naeem. "It just feels alive and electric, and it just happened," Dessner says of the song. That sense of shared experience extended to the new album's title, which was coined by Swift after Dessner told her he wasn't sure what to call the new album. Intuitively summing up the themes, she suggested titling it "How Long Do You Think It's Gonna Last?," a question which she pointed out could refer to multiple subjects addressed therein: "childhood, family, marriages, a depression, a losing streak, a winning streak or a creative streak. Taylor saw it all so clearly," Dessner says. "A year ago, we'd never even worked together. It's so cool that this community keeps extending and that everyone who contributed to this album connected so naturally to the emotions at the heart of the music."

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Release: 2004 / EU – Reissue

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Blue Colored Vinyl - Indie Store Edition.The final Matador album from Dayton, Ohio's legendary geniuses Guided By Voices, which at the time was set to be their last ever. After twenty-odd years, twenty-odd line- ups, and twenty-odd albums, EPs, singles, triples, stolen bases, misdemeanor convictions, and broken hearts, Dayton, OH's fortunate sons took a leave of absence only to reemerge in 2010 at a certain label's 21st birthday celebrations in Las Vegas. Back in print for the first time since 2008, this translucent edition limited to 1,700 marks the first time Half Smiles has been pressed onto Colored Vinyl.

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Release: 2022 / EU – Original

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Hear Current Joys tear through a live set of fan favorites recorded last winter at Kilby Court in Salt Lake City, Utah. This 14 track set is the first time one of Current Joys' visceral live performances has been captured for vinyl and released digitally online. The four-piece plays full-band arrangements of Current Joys classics like "Blondie" "Kids" and "My Motorcycle" as well as a new unreleased track "Altered States."Recorded February 22, 2019, at Kilby Court in Salt Lake City, UtahGuitar & Vocals: Nick RattiganKeys & Vocals: Maddy BoydBass: Aaron JassenoffDrums: Jackson Katz"Current Joys (and its former incarnation TELE/VISIONS) is the quiet and affecting solo project of Nick Rattigan (...) You can affix it with any number of labels - minimalist bedroom pop, spare indie balladry - but whatever the assignation, the music is devastatingly pure. (...) Current Joys is the rare project that manages to transcend its simplistic trappings and achieve something like musical grace. " [Alex McLevy] - AV Club "Nick Rattigan sings and plays drums in the surf-rock band Surf Curse, but he's been doing more and more with the solo bedroom pop songs he writes under the name Current Joys. Propelled by sinewy guitar lines and sweeping synths, songs like "Fear" reflect on the underbelly of modern life without resorting to self-pity. " [Stephen Thomson] - NPR Music

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