Search "mato" 3477 Items

We Love Rock'n'roll (Leipzig Live 2024)

Release: 2022 / US – Reissue

Genre: Rock & Indie

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Black Friday Record Store Day 2022 Reissue. Color: Black. Limitation: unknown.

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Peter Maffay

3LP | 2024 | Original (Hansa/Red Rooster)

39,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2015 | EU | Reissue (Fabrika)

She Past Away

Narin Yalnizlik

LP | 2024 | US | Original (Thrill Jockey)

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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Narin Yaln?zl?k, She Past Away's second LP from 2015, was highly anticipated. Their first album, Belirdi Gece, introduced the Turkish trio's post-punk sensibilities over danceable beats-a concoction of melancholy sounds that gripped the darkwave scene. With Narin Yaln?zl?k, Volkan Caner, Idris Akbulut, and Doruk Öztürkcan approach their signature sound with a richer, fuller angle. It is more mature, less monotone: it shimmers in all shades of grey. The LP-whose title translates to "delicate solitude" in English-reflects the complacency of life, the staleness and despair of a soul caught deep in the throes of depression. She Past Away began the vanguard of darkwave artists in the 2010s. With Caner's deep, wearied vocals and their punchy drum machine, it's easy to compare them to certain 1980s bands that are heroes in the goth scene (The Cure, Clan of Xymox, Sisters of Mercy) but the band maintains a sound all their own with Narin Yaln?zl?k. Here, the tradition is upheld but transformed into something new. "Soluk" begins the album with high expectations, replete with war cries that shriek from beyond. Much like the band's previous release, the focus is on the severity of drums that move along the music-"Asimilasyon" is a great example of that. The song recalls the uncanny, a sense of foreboding, and the fear of not knowing who or what is watching from the shadows. "Uzakta" takes the excitement down with its slower, guitar-laden post-punk ballad. Here, She Past Away sounds more like The Cure than they ever have, displaying the fragility of longing and loss. The following song, "Narin Yaln?zl?k," shines through with an usual atmosphere of hope (one derived from the minimal wave movement) that glimmers through the sad guitars. But no, the hope does not remain for long. "Hayaller?" (which translates to "dreams?") dives back into the depths of sorrow with its ultimate gloom. It is an unforgiving display of fatalism, of total blackness. Perhaps the most recognized song on the LP, "Katarsis," has become a clu...

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Umberto

Black Bile

34,99 €*

Our Brand Could Be Yr Life Silver Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Black Bile compiles some of Umberto"s most resplendent, sanguine music to date. The solo work of LA composer Matt Hill draws heavily from the world of cinema, spinning immersive narratives and rich atmospheres using sound alone. Hill, an active composer for film and television, recently scored the 2022 Jerry Pyle film Loveseat (soundtrack was released in 2023). Other recent scores include the 2020 thriller Archenemy, from the producers of cult classic Mandy.Inspired by the ancient Greek theory of the "four humors," an early medical theory linking the inner workings of the human body to the elements. "Black bile" specifically links the feelings of melancholy with autumn. Hill"s celestial compositions are an autumnal soundtrack conveying beauty, yearning, reflection and comfort.Many of the album"s phrases are constructed from just two notes or sounds, arranged by Hill into complex patterns that undulate with an organic pulse. The spare melodic structure holds a myriad of small and beautiful details. The songs began with Hill improvising on the piano, to find the notes and patterns that created the musical and emotional structure from which he could expand with textural detail. Hill then would often remove the initial structure leaving a sparer and more skeletal one which he could again expand upon to create a full piece. The careful attention to each detail gives his minimal compositions emotional heft. The album masterfully stakes Umberto"s claim among other avant-ambient boundary pushers such as Lawrence English or Laurel Halo.

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Bodega

LP | 2024 | UK | Original (Chrysalis)

LP | 2015 | US | Reissue (Run For Cover)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Sometimes you have to move backwards to move forwards. Just ask punk cultural commentators Bodega, whose new album sees them carve a new future from fuzz-soaked, consumerism-skewering shards of their past. "Our Brand Could Be YR Life" is Bodega's first album release through Chrysalis Records. "It's something we've been wanting to do for years," guitarist and vocalist Ben Hozie explains of Our Brand Could Be YR Life - a collection of catchy indie-rock ruminations on the slow-creep of corporate-think into youth culture, first written eight years ago. The 15 tracks on "Our Brand Could Be YR Life" explore indie-rock subgenres, self-critique and everything in between. "I think it's our best- sounding record to date," says Hozie, "It's got dance-punk. There's some shoegaze on there. There's slacker rock on there. There's psychedelic rock on there. R.E.M, too. We wanted to be another band in a long stream of missionaries, proselytising a certain type of rock subculture."

LP includes 20 page `zine designed by the band with lyrics and exclusive album content!

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Pinegrove

Everything So Far

Life In Your Glass World Clear Vinyl Edition

Release: 2015 / US – Reissue

Genre: Rock & Indie

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Pinegrove's Everything So Far is exactly what its title suggests - an anthology of all of Pinegrove's output up to the point of their breakout Run For Cover Records full-length, Cardinal. The collection encapsulates their debut LP Meridian, a number of EPs and even some singles like the captivating track "Angelina" & Cardinal Favorite "New Friends."Everything So Far is pressed on vinyl as a double album and includes a 16 page booklet featuring lyrics & photos documenting the band's earliest moments. Listening to Everything So Far is a rewarding experience for new & old fans, as the time capsule of a tracklist shows Pinegrove developing a signature sound, maturing & learning with each song.

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Citizen

LP | 2021 | US | Reissue (Run For Cover)

LP | 2001 | UK | Reissue (4AD)

Release: 2021 / US – Reissue

Genre: Rock & Indie

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Citizen returns with Life In Your Glass World, the band's fourth full-length album this August. Since forming in 2009 the band has undergone several different transformations - from the angsty adolescent catharsis of their Run For Cover Recordsdebut album Youth to the intense followup in 2015 Everybody is Going to Heaven, and even more recently with 2017's As You Please, an album that took Citizen's songwriting to new highs. Life In Your Glass World continues that metamorphosis - thearrangements, instrument tone and tempo from the first moments of album leadoff track "Death Dance Approximately" demonstrate a new way forward for Citizen's unique strand of modern alt-rock.

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The National

LP | 2021 | EU | Original (Emotional Response)

Release: 2001 / UK – Reissue

Genre: Rock & Indie

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Celebrating its 20th anniversary in 2021, The National’s self-titled debut album of sozzled Americana is a thing of beauty, laden with heavy hints that this was a special band in the making. Their fi rst release, The National arrived two years after The National formed, a time when they were juggling bandlife with needing to hold down full-time jobs. And while nods to the alt.rock artists that inspired them (Pavement, Silver Jews) can be heard, so too are the beginnings of something all their own – Matt Berninger’s stunning and unexpected lyrics being pinned to melodies that stop you in your tracks. The National marks the start point for one of the best bands of their generation with ist new master helping elevate it to new

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Boyracer

Assuaged

2LP | 2020 | EU | Original (Vertigo Berlin)

Release: 2021 / EU – Original

Genre: Rock & Indie

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All The Classic And Loved Elements Of Boyracer, Distilled Into A Rush Of Euphoric Indie Punk Songwriting Mastery.On The 14 Studio Full Length, Boyacer Mainstay Stewart Anderson Has Hit A Jackpot,With 14 Concise Genre Defining Crashpop Gems. Building On The Critical Acclaim Of 2020s Fan Favourite,"On A Promise", Anderson Is Again Aided And Abetted By The Simpatico Talents Of Christina Riley, (Artsick) And The Melodic Talent Of Sarah Records / Slumberland Era Member Matty Green (Tall Boy / Declining Winter). Stewarts Vocals Are Vitriolic And Pointed, Meshing Perfectly With Christina's. Ms. Riley, Handles The Lead Guitar For Most Of The Album, Ensuring A New Direction On A Well Loved Path. Mattys Presence Assures The Pop Element Shines Through The Trademark Squalling Feedback Bursts. Reflective And Urgent, "Assuaged" Offers Many Highlights. The Instant Rush Of "Tommy Mcneil" Is A Paen To The Delightful Confusions Of A First Crush. "40 Hours" Is The Autobiographical Recollections Of Stewarts Disdain At Working At "National Health Food Chain" During Covid. "Spoils" Champions Art Over Fiscal Rewards. Whilst "Digital Friends" Questions How Many Facebook Friends We Really Need. At 36 Minutes Long, "Assuaged" Contains All The Classic And Loved Elements Of Boyracer, Distilled Into A Rush Of Euphoric Indie Punk Songwriting Mastery.

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Haim

Women In Music Pt. III

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2016 | EU | Reissue (Interscope)

Maroon 5

Overexposed

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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13" Frank Beltrane Italian Stiletto Mint Green Vinyl Edition

Xiu Xiu

LP | 2024 | US | Original (Polyvinyl)

38,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Nothing Is Wrong 10th Anniversary Black / Silver / Gold Vinyl Edition

Dawes

2LP+7" | 2021 | Original (ATO)

31,99 €*

Release: 2021 / Original

Genre: Rock & Indie

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Oren Ambarchi / Johan Berthling / Andreas Werliin

Ghosted II

LP | 2024 | US | Original (Drag City)

Blending Black Marble Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Missing out on that super-chill, uber-jittery minimal groove thing? Let"s get real, real Ghosted again.Oren Ambarchi has been collaborating with the Fire! trio (Mats Gustafsson, Johan Berthling and Andreas Werliin) for over a decade - and both Johan and Andreas played on Oren"s Live Hubris as well. Oren and Johan began music-making together back in the early aughts - but it wasn"t until 2021 that the three of them got together to record music. That became the first Ghosted album. When they were done, it was clear they had founded a new group. A music of sustained tension and deep atmosphere marked by subtle, shifting dynamics, Ghosted was released in May of 2022 to psyched response everywhere; the trio embarked upon an ongoing series of concert bookings around Europe, with loads of other people in the world still hoping to have the chance to be in the room at the next show. Two years on, Ghosted has gone through several represses, now it"s time for the "dreaded follow up album"! Rather than go back to the well, the guys decided to tear everything down and start all over again, reimagining themselves from scratch.Just kidding! As we"ve noted, Oren, Johan and Andreas have been playing together for years and years, developing an essential telepathy within their shared space. They get each other and feed each other"s music processes on an elemental level. Why change that? What made the most sense was to go back to Daneil Bengtsson at Studio Rymden in Stockholm for a couple days, then have Oren and Joe Talia mix and Joe master it at Good Mixture in Melbourne again, then get Pål Dybwik to do some well-distinctive cover art, and once more, call it a record.That"s just what they did - and it should be no surprise at all that the new Ambarchi/ Berthling/Werliin album looks and sounds as engrossing as their debut, if not more so! Ghosted II has a definitively fresh quality radiating throughout. The mutual feeling among the three players goes deep, allowing for lots more to say every time they get toge...

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High Vis

LP | 2022 | US | Reissue (Dais)

LP | 2011 | US | Reissue (Bar None)

Release: 2022 / US – Reissue

Genre: Rock & Indie

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High Vis were formed in 2016 from the ashes of some of the UK's best hardcore bands. Gild-toothed frontman Graham Sayle's anguished lyrics about life in working class Britain were familiar to fans of Tremors' full-throttle thrash, but alongside his former bandmate Edward `Ski' Harper and veterans of Dirty Money, DiE and The Smear, High Vis sought to transform that energy and intensity into something entirely new.Like scene-mates Chubby and the Gang did by pulling in unlikely source material from classic doo-wop or Micromoon have by combining everything from psychedelia and metal into their high potency mix, High Vis' 2019 debut album, No Sense No Feeling showed the band were never going to be constrained by any sense of genre rules or regulations. Its claustrophobic rattle bore traces of Joy Division, Bauhaus, Crisis, The Cure and Gang Of Four lurking in the shadows. 2020's synth-driven EP, Society Exists, was further evidence of the band's restless creative MO.High Vis' second album Blending sees them open their viewfinder wider than ever before. Alongside longstanding favourites such as Fugazi and Echo and The Bunnymen; Ride and even Flock Of Seagulls were shared reference points as the band worked on the album together.From the anthemic sweep of opener "Talk For Hours", through the title track's psychedelic swirl and "Fever Dream"'s baggy groove, it sees High Vis' sound blossoming into something with an unlimited richness. The hazy drift of "Shame" or the melodic jangle of "Trauma Bonds" may take them until uncharted waters, but they still have all the power and bite that made No Sense No Feeling so remarkable.Lyrically, the album represents another leap forward too. Talking frankly about poverty, class politics, and the challenges of everyday life, Sayle's lyrics have always addressed the downtrodden and discarded communities across Britain slipping below the waterline. This time around, Sayle's lost not of that social consciousness, but he's looked at himself and his own emotional landscape, and in the process created something that feels more universal, that reaches a hand-out to people and ultimately gives a message of hope."To me, the lyrics are less selfish," reflects Sayle. "In the past, I couldn't see past whatever was going on with me. It's about accepting things and being open to conversations and learning to talk to people rather than just thinking that we're all doomed."The song "Talk for Hours" is a prime example of that. Born out of an afternoon meeting up with an old group of mates "repeating the same thing and not actually learning anything about each other" it offers to actually break the cycle and to listen and speak frankly about shared feelings and experiences. "Trauma Bonds", meanwhile, traces the broken lines of those living in lost communities, but ultimately realises that despite our shared scars, there's still hope to move on to a better future."The message of the album is you're not who you're told you are," Sayle summarises. "You're not your class background. Whatever it is, you're not that. Don't resign yourself to thinking you can't be this and you can't be that."It's a vitally important message right now, and one that could be the motto for not only Blending, but for High Vis themselves.

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The Front Bottoms

LP | 2024 | EU | Original (Voodoo Rhythm)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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It's the 10 Year Anniversary of The Front Bottoms' self-titled debut, a beautiful alchemy of anthemic hooks andquotable confessions achievable only by the closest offriends, Brian Sella and Mat Uychich. Their songs are immediately recognizable, lyrics and riffs cleverly and effortlessly spun together into songs surprisingly real. LyricallyBrian Sella fires off scattershot images that the listener cangather up and make sense of like working puzzle pieces onthe floor. Romance, freedom, paranoia, partying and somehow getting clean all tumble together from song to song.The album includes fan favorites like "Flashlight," "Swimming Pool," and "The Beers," where Sella recalls beefingup for a Jersey Shore summer of steroids "because youlike a man with muscles and I like you."

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Oh Telephone

Kill Kill Kill

Play With Fire Gold Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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OH TELEPHONE have their origins in the deep valleys of the Glarnerland (mountain region in switzerland) where thanks to the Veka Club they were well socialized and made resistant to any mainstream influences. Booking agencies and Labels are just shooting around with bands with Psych in the name who would like to be the next Oh-Sees and at the same time model their sound in a way that is horrible radio-friendly. OH TELEPHONE, on the other hand, is the real shit, garage-psych like no other band currently plays. Their screams never seem calculated but rather like a spontaneous outburst of passion, their guitars pierce every eard...

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L.A. Witch

LP | 2020 | US | Reissue (Suicide Squeeze)

LP | 1990 | US | Reissue (Bar None)

Release: 2020 / US – Reissue

Genre: Rock & Indie

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Where L.A. Witch's self-titled album oozed with vibe and atmosphere, with the whole mix draped in reverb, sonically placing the band in some distant realm, broadcast across some unknown chasm of time, Play With Fire comes crashing out of the gate with a bold, brash, in-your-face rocker "Fire Starter." The authoritative opener is a deliberate mission statement. "Play With Fire is a suggestion to make things happen," says Sanchez. "Don't fear mistakes or the future. Take a chance. Say and do what you really feel, even if nobody agrees with your ideas. These are feelings that have stopped me in the past. I want to inspire others to be freethinkers even if it causes a little burn." And by that line of reasoning, "Fire Starter" becomes a call to action, an anthem against apathy. From there, the album segues into the similarly bodacious rocker "Motorcycle Boy"_a feisty love song inspired by classic cinema outlaws like Mickey Rourke, Marlon Brando, and Steve McQueen. At track three, we hear L.A. Witch expand into new territories as "Dark Horse" unfurls a mixture of dustbowl folk, psychedelic breakdowns, and fire-and-brimstone organ lines. And from there, the band only gets more adventurous. Play With Fire is a bold new journey that retains L.A. Witch's siren-song mystique, nostalgic spirit, and contemporary cool. Despite the stylistic breadth of the record, there is a unifying timbre across the album's nine tracks, as if the trio of young musicians is bound together as a collective of old souls tapping into the sounds of their previous youth.

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Yo La Tengo

Fakebook

LP | 2021 | EU | Original (Subway)

Release: 1990 / US – Reissue

Genre: Rock & Indie

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Yo La Tengo Is The Musical Love-Child Of Two Folks Who Live In Hoboken, Dig The Mets, Eat Red Meat, Sleep Late, And Whose Lives Were Saved By Rock And Roll. Ira Kaplan Used To Write About The Latter Topic For Various Renowned New York Publications Before He Met Drummer Georgia Hubley Who Used Her Rhythmic Charms To Lure His Guitar Out Of The Closet. The Band Has Been A Quartet, A Trio, Or Just The Two Of 'Em. Fakebook, Yo La Tengo's Fourth Album, Was Made In Hoboken And Released On Bar/None Records In 1990. Using Their Occasional Acoustic Concerts As A Jumping-Off Point, Fakebook Is Made Up Mostly Of Cover Songs, Built On Ira's Acoustic Strumming, Georgia's Brushwork, And The Pair's Harmonizing.

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Carrera

15,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Tape | 2021 | US | Original (Keeled Scales)

Katy Kirby

Cool Dry Places

13,99 €*

Ceremony Buddha Meet Rock

Release: 2021 / US – Original

Genre: Rock & Indie

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Katy Kirby is a Texas-based songwriter and indie rock practitioner with an affinity for unspoken rules, misunderstanding and boredom. She was born, raised and homeschooled by two ex-cheerleaders in small-town Texas and started singing in church, amidst the pasteurised-pop choruses of evangelical worship. Like many bible belt late-millennials, Katy grew up on a strict diet of this dependably uncool genre and accordingly, Cool Dry Place finds her dismantling it. "I can hear myself fighting that deeply internalized impulse to make things that are super pleasant or approachable," she says. Though Katy hasn't fully overcome the itch to please, it's to a listener's benefit. Instead of eradicating the pop sensibilities of her past, she warps them, lacing sugary hooks with sneaky rage, twisting affectionate tones into matter-of-fact reproach, and planting seemingly serene melodies with sonic jabs. The fun is in the clash. The nine tracks that make up Cool Dry Place are miscellaneous in subject (motherhood, late capitalism, disintegrating relationships) but unified by the angle from which they're told: from a person re-learning to process life with intense attention. Each song is a catalogue of fragments, the number of segments in an orange or the cut of an obsessively-worn shirt, distilled into meditations on the bizarre and microscopic exchanges that make up modern life - a relationship splintering, an uncomfortable pause, an understanding finally found. These emotional dioramas are moderated by the angular storytelling that unites Gillian Welch and Phoebe Bridgers, a favour for the conventions of short fiction over confession.

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People

LP | 1971 | EU | Reissue (Teichiku)

40,99 €*

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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People's only work in 1971 featuring Outkast's organist Yusuke Hoguchi and guitarist Kimio Mizutani, Adams's Hideaki Takebe, and percussionist Larry Sunaga. Produced by Naoki Tachikawa, it was created with the concept of Buddha + Rock.

It is full of unique psychedelia sounds, such as the sutra chanting "Nam-myoho-renge-kyo" backed by a fuzz guitar, the sound of monk's geta, bells, wooden fish, sitar, etc.

Although it uses a lot of sound effects reminiscent of Buddhism, it doesn't feel like a religious idea, and the work is overall easy to listen to.

In recent years, this album has been highly desired by DJs as a breakbeat material and as a spiritual record.

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Mägo De Oz

Alicia En El Metalverso

LP | 2024 | Original

36,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2018 | US | Original (Dark Operative)

This Will Destroy You

New Others Part One

LP | 2016 | UK | Reissue (Virgin)

Release: 2018 / US – Original

Genre: Rock & Indie

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New Others Part One is the fifth studio album from This Will Destroy You. It was produced, engineered, and mixed by John Congleton, the man responsible for the sound of the band’s wildly popular sophomore S/T album of ten years ago. Now comprised of core members Jeremy Galindo and Christopher King with the addition of drummer Robi Gonzalez, New Others Part One captures the band in a familiar, but evolved ethos wherein the memorable melodic component present in their early work once again soars atop new sonic territories for the band and listener alike. Physical copies of the LP feature the artwork and photography of band member Christopher King. Inside, purchasers will find a highly unusual extra insert featuring a QR code that will certainly take the bold on a journey involving their browser, their phone, and their full capacity for the esoteric.

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The Kooks

Inside In, Inside Out

Release: 2016 / UK – Reissue

Genre: Rock & Indie

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LP | 2015 | US | Original (Kranky)

Helen

The Original Faces

LP | 2024 | US | Original (Ba Da Bing!)

Release: 2015 / US – Original

Genre: Rock & Indie

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Helen is a pop group from Oregon. Liz Harris (vocals/ lead guitar - aka Grouper), Jed Bindeman (drums/ tambourine), Scott Simmons (bass/ guitar), & Helen (back up vocals). "The Original Faces" was recorded over a period of several years in Portland by the band members, their friends Nick, Chris &, largely, Justin Higgins. Written together, some songs based on Liz & Scott's demos.

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The Wickies

Mezcal Head Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Quinnisa Kinsella-Mulkerin recorded her first song at five years old with her parents, who comprise the adventurous Maine band, Big Blood. Ever since the age of five, she was writing songs, banging on chimes, strumming guitars, and clanging together whatever else she could find. Improvisation was natural, and she stuck to the approach. Kinsella-Mulkerin brings this innate sense of songwriting to The Wickies, a duo she formed with Aiden Arel a year ago at age 16, whose chill approach and fluid delivery belie true inventiveness in the underneath mechanics.

Inspired by seventies folk icons like Stevie Nicks, Krautrock bands like Can, and modern indie-rockers like Alex G, The Wickies feel like an amalgamation of these decade-spanning sounds, but uniquely their own. Kinsella-Mulkerin’s voice croons like a seventies folk star, but it possesses a great and controlled tone. Her vocals feel like another instrument within the mix, building and growing each song to its fullest sound, leaving no detail within the mix unheard. Their use of echoing guitar lines recalls sixties psych, a springboard for their unique take.

Kinsella-Mulkerin’s lush, free-flowing lyrics, created on the spot, complement Arel’s fleshed out backing instrumentation and over-dubbing. Quickly, the pair created more material than they ever needed, allowing them to mold their recordings into a self-titled debut album. Like a painter crafting the perfect exhibition of their finest work, Arel and Kinsella-Mulkerin condensed their improvisations to all the best parts. Tracks like “Campfire Song” and “Skipping Pond” exemplify the ethereal and lackadaisical atmosphere of their sound. “I keep finding these weird, obscure bands from the seventies that have one album and nothing else, which is awesome,” Kinsella-Mulkerin says, “I want my music to sound like somebody found it in a record store that no one has ever heard of and uploaded it to YouTube. I want it to sound a little strange.”

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Swervedriver

LP | 1993 | EU | Reissue (Music On Vinyl)

LP | 1990 | US | Reissue (Geffen)

Release: 1993 / EU – Reissue

Genre: Rock & Indie

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Finally, for the first time since its original release in 1993, Mezcal Head is available on European soil.

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Sonic Youth

Goo

35,99 €*

3LP | 2013 | UK | Original (Fire)

Release: 1990 / US – Reissue

Genre: Rock & Indie

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This is the legendary sixth studio album by American alternative rock band Sonic Youth. It was also their debut on a major label and is a must-have album.

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The Chills

Somewhere Beautiful

57,99 €*

Release: 2013 / UK – Original

Genre: Rock & Indie

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2LP | 2023 | EU | Original (Polydor)

The Police

Greatest Hits

38,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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The Beatles 1967-1970 Blue Album Limited Blue Vinyl Edition

The Beatles

3LP | 1973 | Reissue (Apple)

75,99 €*

Release: 1973 / Reissue

Genre: Rock & Indie

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LP | 2014 | EU | Reissue (Interscope)

Maroon 5

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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LP | 2019 | EU | Original (Big Legal Mess)

Jimbo Mathus

Incinerator

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Pure Noise)

Boston Manor

Glue

Release: 2020 / EU – Original

Genre: Rock & Indie

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2LP | 2022 | EU | Original (Eternal Yip Eye Music)

Daniel Johnston

Welcome To My World

32,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 1996 | EU | Reissue (Music On Vinyl)

Nada Surf

High / Low

LP | 2024 | US | Original (Warner)

Release: 1996 / EU – Reissue

Genre: Rock & Indie

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Nada Surf are an American alternative rock band formed in the 1990s in New York. 'High/Low' is their debut studio album, released in 1996 to positive reviews. All tracks were written by frontman Matthew Caws and bassist Daniel Lorca. Combining indie punk with grunge, emo and even pop, 'High/Low' is a record full of high quality riffs and catchy melodies. It contains the smash hit single 'Popular', which reached the top 10 in several countries and remains a classic song among fans of alternative music. 'High/Low' is available on black vinyl.

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Love Of Lesbian

Ejercito De Salvacion

33,99 €*

Beak> (Geoff Barrow of Portishead, Billy Fuller & Matt Williams)

Release: 2024 / US – Original

Genre: Rock & Indie

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Spanish indie pop band Love of Lesbian present their new album, three years after their successful album "VEHN", which took them on several tours through Spain, Mexico, the United States, and more Latin American countries, and they were nominated for several Latin Grammys. With "Ejército de Salvación" they have made a record where friendship dominates the album. Featuring several guest artists, making an already giant album bigger, these great new songs represent a refresher for the band's repertoire, and the first preview of the album, "Contradicción" is a major single. The album was produced by the usual Love of Lesbian team, featuring Ricky Falkner, Santos & Fluren.

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Beak>>

LP | 2012 | EU | Original (Invada)

36,99 €*

Release: 2012 / EU – Original

Genre: Rock & Indie

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2LP | 2024 | US | Original (ORG Music)

Jeremy & The Harlequins

Abra Cadabra

35,99 €*

Rapscallion Colored Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Magic materializes in many forms, but it's clearest manifestation in our world would be music. It exists unseen in the ether, yet certainly leaves a physical, emotional, and spiritual imprint. Jeremy & The Harlequins deal in this sort of magic. Finding the crossroads between sun-soaked sixties California harmonies and New York garage rock gutter fuzz, the quintet kickstart a new phase of American rock 'n' roll. Following 2013's American Dreamer, they quietly emerged as a critical and fan favorite with Into The Night [2016] and Remember This [2018]. Along the way, they earned the endorsement of USA Today, Paste, Interview, Wall Street Journal, Nylon, Consequence of Sound, Atwood Magazine, Relix, and Huffington Post who christened them "true originals." Meanwhile, they can be heard loud and clear throughout popular culture with syncs in Edge of Tomorrow: Live. Die. Repeat., Seal Team, Shameless, Vampire Diaries, Royal Pain, Heavy, Life Partners, and a Miller High Life national campaign. On SiriusXM, Little Steven's Underground Garage selected "Starlight" as it's "Coolest Song In The World" and "Trip Into The Light" as the "Coolest Song of the Year." Everything just set the stage for their fourth full-length and 2022 Pasadena Records debut, ABRA CaDaBRA.

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The Murlocs

LP | 2022 | UK | Original (ATO)

Release: 2022 / UK – Original

Genre: Rock & Indie

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12" | 2022 | UK | Original (ATO)

The Heavy Heavy

Life And Life Only

Release: 2022 / UK – Original

Genre: Rock & Indie

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2LP | 1991 | UK | Reissue (Warner)

Red Hot Chili Peppers

Blood Sugar Sex Magik

30,99 €*

LP | 2024 | Original (Sweet Gee)

Release: 1991 / UK – Reissue

Genre: Rock & Indie

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180 gram vinyl

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Bellrays

Heavy Steady Go

32,99 €*

It's Just A Matter Of Time

Release: 2024 / Original

Genre: Rock & Indie

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Originating from Riverside, California, the BellRays have been mixing punk, rock and soul with the unique authenticity that has made them who they are in today. "We created a band and music based on what we love." - explain Lisa Kekaula and Robert Vennum, the founding members of The BellRays. The tradition that the band continued over the last thirty years inspired them to infuse their influences. It's in their DNA. The sound can be described by one simple formula: Emotion + energy = excitement. Their latest album, Heavy Steady Go! Strictly follows this rule but also, provides new coloring and shades to the well-beloved formula. "We've heard ourselves described by some variation as 'Tina Turner fronting AC/DC' or 'Motorhead meets Aretha Franklin' which comes with an expectation to be that every time." - explains Robert Vennum. "We are expected to be something that does not exist." This recording is split by two cities, two years and two badass rhythm sections: Mark Cisneros (bass) and Ron Miller (drums) both from Kid Congo & The Pink Monkey Birds in Tucson, AZ and later the return of past drummer Craig Waters (Cody Chestnut, Andre Williams, the Countdowns) and newest arrival, Nico Miles on bass recording in Riverside, CA produced by Lisa and Robert. Heavy Steady Go! #is described by the two as 'a festival in album form'. It's contrasting style mashups and musical collaborations between each quartet is powerfully concentrated rock and roll." Robert and Lisa explain that with these songs "we pay homage to Tom Petty, Bon Scott, Fleetwood Mac, Howlin' Wolf, Cheap Trick, Betty Davis, and dozens of others that inspired this album. We wrote and crafted these songs looking at ourselves through the lens of the iconic sounds we heard growing up. Pressed on 180g vinyl / Gatefold jacket.

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Bobby Patterson

LP | 1972 | US | Reissue (Wax Trader)

Release: 1972 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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Allegory & Self Clear With Yellow Splatter Vinyl Edition

Psychic TV

LP | 1988 | US | Reissue (Sacred Bones)

Release: 1988 / US – Reissue

Genre: Rock & Indie

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LP | 2003 | Reissue (Constellation)

Fly Pan Am

18,99 €*

LP | 2001 | EU | Reissue (Merge)

Release: 2003 / Reissue

Genre: Rock & Indie

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The debut record by Fly Pan Am consists of five long songs clocking in at over an hour of music, spread across three sides of vinyl for the LP format. Chiming, deliberate instrumental rock propelled by insistent motorik drumming and interweaving guitar and bass lines that unfold with obstinate rigour. The band's ear for melody and approach to (de)construction reveal the twin influences of French pop and krautrock, resulting in a forward-looking experimentalism guided by an unshakeable faith in the unfulfilled possibilities of minimalism and musique concrete in punk-rock. Additional tape manipulations and field recordings by all the group members add drones, transitional accents, and abrupt interruptions to the collage. The music is sometimes willfully infuriating in its pursuit of a concept; "Dans Ses Cheveux Soixante Circuits" proceeds through a lovely series of harmonic changes before settling into a 10-minute repetition of a half-tone interval while the digitalia of guest electronic musician Alexandre St-Onge takes over. The band premiered this piece at Constellation's Musique Fragile concert series in 1998, and "L'espace au sol." is a re-recorded version of a piece that first appeared on a split seven-inch with Godspeed You! Black Emperor, put out by local fanzine aMAZEzine, also in 1998.

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Superchunk

Here's To Shutting Up

Cassette Black Vinyl Edition

Release: 2001 / EU – Reissue

Genre: Rock & Indie

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Black Vinyl In Jacket W/ Vellum Overwrap + Bonus Cd "Bestial Warning" (Acoustic Demos For "Here's To Shutting Up").To Write The Songs For Here's To Shutting Up, We Gathered In Jim's Garage (He Lived Way Out In The Woods) A Couple Times A Week For What Seemed Like Months. We Started From Actual Scratch With No Demos Or Concepts, Just Playing Instrumental Music With Our Usual Gear Plus A Casio. Sometimes One Of Us Would Play The Keys Instead Of Our Normal Instrument, Or Jon Would Hop On Guitar And We'd Use The Casio Drum Machine For The Beat. We Ended Up With A Lot Of Ideas And Plenty Of Good Names For Them_"Frank's Bath," "There's Something About Marvin," And"Bestial Warning" To Name A Few. We Recorded Practice Onto Minidisc Or Cassette, And I Would Ride Around Listening To These Demos And Thinking Of Words. The Subject Matter, In Retrospect, Has A Lot To Do With Touring And Travel ("Out On The Wing," "What Do You Look Forward To?"), Coming Home ("Rainy Streets," "Act Surprised"), The 2000 Election ("Florida's On Fire"), And Late-Stage Capitalism ("Late-Century Dream," "The Animal Has Left Its Shell"). Once We Wrangled The Songs Into Recognizable And Playable Shapes, We Re-Created Them In Acoustic Form And Recorded These "Demos" At My House So We Wouldn't Forget How They Went And So We Could Learn How To Play Them. Some Have The Whole Band, Some Are Me Learning Jim's And Laura's Parts From The Practice Tapes And Playing Them On Acoustic Guitar.We Recorded The Album In The Cabbagetown Neighborhood Of Atlanta At Zero Return, The Studio Built By Brian And Rob (Aka Birdstuff And Coco The Electronic Monkey Wizard) Of Man Or Astro-Man? Brian Paulson Came With Us To Produce It. The Studio Itself Was Amazing. We Also Slept There In A Dorm-Like Setting And Stayed Up Too Late. We Had Some Great Guest Players On The Record Including The First Appearance Of A Pedal Steel On A Superchunk Album, Played By John Neff Of Athens Band Japancakes. Local Chris Lopez (The Rock*A*Teens) Came Over To Sing Backup Vocals...

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Preoccupations

LP | 2017 | US | Original (Jagjaguwar)

Sleepwalking Opaque Frosted Blue Vinyl Edition

Release: 2017 / US – Original

Genre: Rock & Indie

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In late 2013, Preoccupations (then known as Viet Cong) released a small-run cassette EP only available on tour.

Over the course of a year, Matt Flegel and Scott Munro worked in their basement studio with a mess of old and run down equipment to build a set of fresh material.

Joined by bandmates Daniel Christiansen and Michael Wallace, the band completed work on an debut cassette.

What emerged from the studio was a mixture of sharply-angled rhythm workouts and euphoric 60s garage pop-esque melodies, balanced with a penchant for drone-y, VU-styled downer moments, and became a hard-to-find classic.

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Jonathan Bree

LP | 2023 | US | Original (Lil' Chief)

Release: 2023 / US – Original

Genre: Rock & Indie

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LP | 2020 | NZ | Original (Flying Nun)

The Bats

Foothills

2LP | 1994 | EU | Reissue (4AD)

Release: 2020 / NZ – Original

Genre: Rock & Indie

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Foothills is the 10th full-length album of The Bats. Spanning the last 38 years, The Bats have clocked nine incredible albums; each one seeing the band evolve with new material from the prolific songwriting hand of Robert Scott. Add to that tally the extra singles, b-sides, EPs, compilations and tribute songs they've recorded, creating a succinct setlist is a nearly impossible task. Foothills was recorded in Spring 2018 at a country retreat pop-up studio. At that time, 15 songs were captured and immortalised in the Canterbury foothills of the Southern Alps, Aotearoa (New Zealand). Only too well, The Bats know the possibilities, potentialities and sonic vistas that arise when one takes the reins for the recording process in a beautiful place that's on home turf. Robert Scott, on the making of Foothills has said "Time marches on... finally, we found a gap in our busy lives and chose a week to convene. We found a house that is usually inhabited by ski field workers _ Kowai Bush, near Springfield about an hour west of Christchurch and of course nestled in the foothills of the mighty Southern Alps. The songs had been written, demo'd and arranged for some time, but still with a little room for trying things out in the studio. Many carloads arrived at the house, full of amps guitars and recording gear, we set up camp and soon made it feel like home; coloured lights, a log fire, and home cooked meals in the kitchen. We worked fast, and within a few days had all the basic backing tracks done, live together in one room, the way we like to do it - it's all about `the feel' for songs like ours." The Bats must hold a record in New Zealand (perhaps the whole world, once The Rolling Stones throw in the towel) as a band that has survived with the same line-up for 38 years. No split ups, no reforming for nostalgia's sake. So far, half the band have spots in The New Zealand Music Hall Of Fame, vocalist/ guitarist Robert Scott (The Clean) and bassist/producer Paul Kean (Toy Love), and it's only a matter of time before lead guitarist Kaye Woodward and drummer Malcolm Grant find themselves in there too. The four-piece has created twisted wistful folk, psychedelic rock, bouncy twee pop, and everything in between, but whatever the genre, their sound is always distinctively, unmistakably The Bats.

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Dead Can Dance

Toward The Within

30,99 €*

Colourmeinkindness Deluxe Anniversary Clear Vinyl Edition

Release: 1994 / EU – Reissue

Genre: Rock & Indie

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Originally released in 1994, this record was an audio document of the band's 1993 sell-out world tour. Recorded at the Mayfair Theater in Santa Monica, CA, in front of an invited audience at the conclusion of the tour, the shows were also filmed with the intent of releasing a long form concert film. Includes twelve previously unrecorded Dead Can Dance tracks as well as material from their six previous studio albums.

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Basement

2LP+12" | 2012 | US | Reissue (Run For Cover)

47,99 €*

Where Shall You Take Me (Deluxe Reissue)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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On it's initial release in 2012, Colourmeinkindness found Basement pulling from not only one of emo's zeniths-early Sunny Day Real Estate-but also channeling heavy and sometimes hazy `90s alt-rock, with hints of behemoths like Pixies, Silverchair, and Catherine Wheel shaping the sound. Vocalist Andrew Fisher fit that grunge mold of a maudlin-but-thoughtful protagonist, ruminating on toxic relationships, personal desolation, and desperate longing, with slivers of optimism occasionally peeking through. From the dynamic one-two punch of churning opener "Whole" into the balladic doom of "Covet", to the sneering grunge of "Black" and gentle ease of "Comfort", Basement effortlessly moved between sounds and styles while keeping the underlying energy of their roots in punk and hardcore.Colourmeinkindness quickly won over fans old and new, but the members of Basement had already committed themselves to exploring other avenues in their lives and after a few impressive record release shows, the group went on hiatus. When they eventually returned the ripples of Colourmeinkindness were already clear: A thriving scene had begun to crop up around Basement's like-minded peers. Bands such as Balance and Composure, Superheaven, and Title Fight were reviving alt-rock radio for the YouTube generation and moving from being VFW staples to playing sizable venues. Post-hardcore, shoegaze, and grunge were becoming prevalent influences amongst new punk and emo bands. Newer acts were forming with a nod very much towards that `90s rock/emo crossover sound that Colourmeinkindess had captured so astonishingly well.With Colourmeinkindess Basement had begun to signal a sea change that would shape the next decade of big-room guitar music in a major way. Now the album's 10th anniversary expanded reissue offers a chance to rediscover the record. This unforgettable release has been updated with an embossed slipcase, updated artwork with photos and retrospective liner notes from the band, as well as a second disc that features an etched D-sid...

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Damien Jurado

2LP | 2013 | US | Reissue (Secretly Canadian)

12" | 2013 | US | Reissue (Sacred Bones)

Release: 2013 / US – Reissue

Genre: Rock & Indie

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Damien Jurado is the sort of songwriter who straddles rock's past and future, and with each record contributes a new chapter to an ever-fruitful body of work. Before we move onto the nextchapter, we look back at his first album with Secretly Canadian. An instant classic when released in 2003, "Where Shall You Take Me?" was his fifth full-length, and is a beautiful collection of ten Raymond Carver-esque vignettes terror and bliss inMiddle America. Arriving two decades afterSpringsteen's "Nebraska", Jurado put the darker, more complicated side of the heartland back on the map with his tales of young love (some requited; some not), innoc...

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Lust For Youth

Chasing The Light

12,99 €*

We're The Meatmen And You Suck

Release: 2013 / US – Reissue

Genre: Rock & Indie

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Swedish electronic producer, Hannes Norrvide (aka LUST FOR YOUTH) has been inconspicuously hinting at his brighter side throughout his last couple of releases. What began as a lo-fi, atonal, bedroom drone-synth project in 2009 has slowly but surely been evolving into a full frontal synth-pop assault. The Quietus quite aptly caught on to these genres' overlapping breeding ground in his review of ,Growing Seeds" for The Quiteus "If you take the two musical genres of noise and synth pop and trace them back, back through Wolf Eyes and La Roux, all the way back to Throbbing Gristle and Cabaret Voltaire and The Normal, you reach a point where the two lines wind together and fuse...In the last few years, a number of groups have emerged who, whether by intention or not, are working to reconcile these two paths of noise and synth-pop."

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The Meatmen

LP | 1983 | Reissue (Touch & Go)

This Is My Story / Blue Light

Release: 1983 / Reissue

Genre: Rock & Indie

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...AND YOU STILL SUCK. Recorded "live" in 1988, this was thee Meatmen album at the time of its release (also in 1988). Incredibly well recorded for a live punk album (cough, cough), this is the one that catches the 'men as they always should have sounded. Full on, over the top punk/metal recorded with a crack band and the manliest Meat himself, Tesco Vee as master of ceremonies of the apocalypse. The material is all top notch, the cream of the crop of their originals like "Tooling For Anus," "One Down Three To Go," "Lesbian Death Dirge" and so on plus crazy covers of "Razamanaz" (Nazareth) and "Rebel Rowser" (Sweet). 5 bonus tracks round out this incredible release, including some material recorded in 1986 with Minor Threat's Lyle Preslar on guitar.

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Holy Hive

7" | 2018 | US | Original (Big Crown)

11,99 €*

LP | 2012 | US | Reissue (Captured Tracks)

Release: 2018 / US – Original

Genre: Rock & Indie

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Big Crown Records is proud to present the debut single from the newest band on the roster, Holy Hive.

Comprised of Paul Spring, Homer Steinweiss, and Joe Harrison, Holy Hive obscures genre lines and has a style and energy uniquely their own.

Side A, “This Is My Story”, is a cover of the Invincible’s cult classic from 1968. Holy Hive takes the tune into modern times while keeping just enough of the original. The horns and vibraphone rip into the speakers from the first note and Paul Spring’s ethereal and honeyed vocals sit atop Homer’s infamous drumming like an ox pecker on a black rhinos back.
The B Side, “Blue Light” is a perfect representation of the sound that is wholly unique to Holy Hive. With a less is more ethos, they craft an intimate space that is equal parts Jessica Pratt, The Persuaders, and Julian Bream.

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Half String

Maps For Sleep

LP | 2013 | US | Reissue (Merge)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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Formed in the Fall of 1991 by Brandon Capps (guitar & vocals), Kimber Lanning (drums), and Tim Patterson (bass), HALF STRING created a lush, guitar-driven brand of noise pop. Their sound was an antidote to the "desert jangle" bar band scene that dominated Tempe, Arizona at the time. While the group shared an aesthetic with much of the British shoegaze scene, and occasionally recalled the spirit of early 4AD and Factory Records, they certainly carved out a beautiful noise of their own. During their austere six-year life, half string inspired an underground music scene in their hometown, and gained a small but loyal following from beyond the desert. HALF STRING's first demo was hand delivered to Independent Project Records' Bruce Licher during the summer of 1992. Impressed, Licher released the three songs as the Eclipse 7" single on his revered post-punk fine art imprint. Matt Kruse joined on second guitar in 1993, adding another layer of texture andintricate melody to the band's broadening sound. This was evident on "Oval", HALF STRING's second single, and the subsequent "Tripped Up Breathing" EP, both released by IPR in 1994. Patterson left the band that winter, and was replaced by Dave Rogers, a multi-instrumentalist who added backing vocals. In 1995, Germany's Pop Goes On...

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Imperial Teen

Feel The Sound

LP | 2004 | Reissue (Constellation)

Release: 2013 / US – Reissue

Genre: Rock & Indie

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The fifth album by IMPERIAL TEEN, "Feel the Sound", succeeds completely at its goal, plainly stated in the collection's title. Like the sharpest pop music, "Feel the Sound" gets you to keep coming back for more, but unlike so much music today, it rewards you for doing so, giving you the experience of a fulfilled and yet still yearning, lively potential, one that will be further realized when the songs are performed live. From the exhilarating, propulsive "Runaway," which features the entire band on lead vocals (how many other groups can make that claim?), to the expansive final statement of "Overtaken," Roddy Bottum, Lynn Perko Truell, Will Schwartz, and Jone Stebbins feel the sound themselves and, in turn, make the listener feel it in ways immediate and pleasurable but also lasting and haunting.

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Fly Pan Am

N'écoutez Pas

18,99 €*

Vision Crimes / Monomania

Release: 2004 / Reissue

Genre: Rock & Indie

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180g Vinyl!A collection of songs pushed to maximum density, marked by dark shoegazer guitars, distorted organ stabs, rubbery basslines, motorik drumming and various shrouded voices whispering, screaming and singing along the way - this album contains Fly Pan Am's most intense sounds yet. While each side of the record is anchored by a long, non-linear piece juxtaposing the band against tape and electronic treatments, several tracks are as close as the group came to traditional rock/pop structures, with 'chorus' breaks, melodic 'hooks' and vocals. Of course, being Fly Pan Am, all of this is duly bracketed - there is nothing traditional about the results, and the various elements are pushed forward or pulled back in anything but conventional ways. These are careening, carnivalesque tunes that somehow wed the browns and pinks of their guitar noise with yeye pop, Boredoms-style noise incantations and hardcore punk. N'Ecoutez Pas features a long list of local guest vocalists to supplant the band's own oral action, as well as electronic interventions from fellow Montrealers Tim Hecker and Alexandre St-Onge.

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Child Bite

LP | 2013 | US | Reissue (Joyful Noise)

23,99 €*

LP | 2011 | US | Reissue (Trouble In Mind)

Release: 2013 / US – Reissue

Genre: Rock & Indie

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This album collects CHILD BITE's recent two sibling EP's into one brutal package. For years,...

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Wax Museums

Eye Times

Release: 2011 / US – Reissue

Genre: Rock & Indie

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LP | 2012 | US | Reissue (Temporary Residence)

Sleeping People

Notruf

LP | 2011 | US | Reissue (Temporary Residence)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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After a 3-year hiatus following the sprawling double-album, Growing - San Diego's Sleeping People return with this hypnotic fever-dream of a 12". Following the departure of guitarist Amber Coffman (who left to pursue her other group, The Dirty Projectors, full-time), SLEEPING PEOPLE's core group - guitarist Kasey Boekholt, bassist Kenseth Thibideau, and drummer Brandon Relf - reunited with original guitarist, the nimble-fingered Joileah Thalmann. THE SLEEPING PEOPLE trademarks are all here: angular, dissonant riffs, mind-bending counterpoint guitar interplay, and grooving, stop/start dynamics. The major evolution here is the hefty amount of patience and primal repetition; each song unfolds over many minutes, revealing something new with repeated listens. In other words, it sounds like what you would expect from a band that draws equal inspiration from Yes, Steve Reich, and Tool.

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The Drift

Blue Hour

19,99 €*

LP | 2011 | US | Reissue (K)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Without a doubt their most meditative release since their Travels In Constants debut, Blue Hour eases off the jazz and dub influences that had become a trademark of The Drift's sound, and instead focuses on hypnotic repetition and subtle, textural layering of guitars, keyboards, electric bass and drums. Beautiful, fragile melodies descend into sheets of noise atop an unwavering lockstep groove, and the near-silence of a single bass note becomes alternately haunting and near transcendent. It is a cathartic memorial to a dear friend and invaluable collaborator, and the perfect beginning to a new chapter in The Drift's resilient story.

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Angelo Spencer

World Garage

23,99 €*

LP | 2011 | US | Reissue (Jagjaguwar)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Inspired by Bollywood, a trip to Morocco, and SergeGainsbourg, Angelo Spencer's second full-length WorldGarage [KLP235] brings armloads of new instruments and theflavor of exotic locations to a compilation of songs that amount to more than just an album, but an experience of wildness. Hearing Spencer transition from English to French, from guitar to hand percussion, and from soft singing to autotuned screaming, it's easy to close your eyes and imagine that you're running barefoot through the soft grass of, somewhere. Somewhere else. Backed by local musicians Ben Kapp, Karl Blau, Clyde Petersen, with guest vocals by Rebecca Redman (from the band Watercolor paintings), World Garage began as a bundle of unfinished songs that Spencer played for everyone, along with a mixtape of Algerian, Moroccan, and Bollywood selections meant to serve as inspiration for how he wanted the finished album to sound; from the sounds of it, it did the trick.

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Richard Youngs

Amplifying Host

LP | 2011 | US | Reissue (Captured Tracks)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Amplifying Host finds Richard Youngs wandering the guitar desert somewhere between Ry Cooder's Paris, Texas score and Neil Young's work on Dead Man. Yet, the randomly determined chord movements and Youngs' stretched-out vocal passes across the record are, perhaps, more akin to Jandek's Six And Six - here, removed from its gauze and dipped in a dark gold.When Youngs bends strings in this anglo-americana vision, it's like he's bending spoons. For more than 20 years, the UK's Richard Youngs has been at the forefront of progressive minimalism, through solo home recording projects and collaborations with the likes of Simon Wickham-Smith and Makoto Kawabata (of Acid Mothers Temple). Leaving a very human fingerprint on even the most far-reaching experimentations, Youngs has built an extensive, intriguing catalogue that just begs one to go deep. Youngs is joined on Amplifying Host by Damon Krukowski (Galaxie 500, Damon and Naomi), whose subtle, free-form drums sizzle and scatter around Youngs' lunar dust bowl compositions.

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Aias

A La Piscina

7" | 2011 | US | Reissue (K)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Aias are Gaia, Laia and Miriam. Gaia sings and plays guitar. Laia sings and plays drums and Miriam sings and plays bass. And the three together they try to make songs for anyone else to sing. Pop with distortion, lots of "oooos" and vocal harmonies in in a cave with endless ceilings sung in their native Catalan (not Spanish, mind you!) Aias began as a birthday party band and by surprise ended up being a band for real, or at least that's their current intention. The desire to win in the fight against the instrument itself, the need to shout a bit during the week, a Vivian Girls concert during the Primavera Sound Festival and the providential intervention of Cristian Pallejà (Nisei, Sedaiós) lead to a home made recording in a village lost in Catalonia and an unexpected winter signing with the New York Label, Captured tracks.

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Generifus

In My Cave / I Know

10,99 €*

LP | 2006 | Reissue (Constellation)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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For his first release on K, "In My Cave" b/w "I Know" - 7" Generifus, aka, Spencer Sult, delivers a love song to comfort and personal growth. In his own words: "These two songs are connected through an ongoing narrative and also bookend aloose period of about two years of songwriting. "InMy Cave," written first, explores a time of desperationand a need for familiar comfort. Emerging out fromthis safe place becomes a priority as the realizationemerges that an individual stuck in a place ofendless restful warmth can't progress any furtherinternally. In "I Know," written around a year and ahalf later, independence is found through maternalwisdom, intense experiences and learning outside ofthe previous song's "cave."

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Sandro Perri

Plays Polmo Polpo

LP | 2002 | Reissue (Constellation)

Release: 2006 / Reissue

Genre: Rock & Indie

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180g Vinyl!Not long after the 2003 release of Like Hearts Swelling by Polmo Polpo, Toronto's Sandro Perri began performing under his own name. Perri then began recording the results, in various locations and with various configurations of players. In 2005, he self-released a first batch of songs on CD-R, featuring re-interpretations of material from Like Hearts Swelling. We fell in love with it, and a fifth track has been added for the Constellation release.

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RE:

Mnant

Sédatif En Fréquences Et Sillons EP

Release: 2002 / Reissue

Genre: Rock & Indie

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180g Vinyl!This first collection of material recorded and assembled by Re: comprises 11 songs culled and coaxed from an unruly pile of 4-track cassette and DAT recordings made by (then) Boston-based Aden Evens and Montrealer Ian Ilavsky (Sofa, Silver Mt. Zion) during the late 90s. Mnant is an album of remaindered and recuperated sounds, densely layered, treated, filtered and mangled on computer. It is electronic music full of impurities, pulled from an archive of live performance and incidental field recording, guided by no rules beyond an attempt to make the right move at every turn, letting one loop or sound fragment suggest the next in an additive process that took three years of cross-border visits to realise. The result is a highly original series of tracks that defies easy categorisation and sits as comfortably alongside the work of This Heat or Village Of Savoonga as it does anything labeled 'electronica'. Beats are sometimes overt, sometimes implied, and the whole is like an entire city sampled and summoned in sound.

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Fly Pan Am

LP | 2003 | Reissue (Constellation)

LP | 2009 | Reissue (Western Vinyl)

Release: 2003 / Reissue

Genre: Rock & Indie

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180g Vinyl!This 3-song EP of fractured, tape-infested experiments is an intransigent slab of self-referential auto-criticism. The band was sticking to its agenda of acutely self-conscious musical manipulations, re-working its own materials and assumptions to yield new compositions of uncompromising formalism. Side A is a medley of sorts, consisting of phrases and fragments reconfigured and replayed from their self-titled debut (Fly Pan Am). Various melodies are reassembled and played off of one another, creating an extended live remix with blissful passages of layered guitars, drones, sampled backing vocal lines, and the requisite incidental noise break in the middle of the piece. The result is something like a 'Stars On 45'-style musical encapsulation of the entire debut record. Side B contains a new piece of somnambulist clockwork repetition, with the band laying down a strict, static groove while various tape manipulations penetrate the mix to create polyrhythms, dissonances and additional textures. This is prime anti-funk, invoking early Talking Heads along with all things krautrock, and driving home the EP's subtitled intent: "stereo-stupefiant".

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Sleep Whale

Little Brite

15,99 €*

LP | 2022 | EU | Original (Half Awake)

Release: 2009 / Reissue

Genre: Rock & Indie

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Much like a handmade quilt, SLEEP WHALE's music is filled with collected scraps of material, beautiful patterns and meticulous crafting. For guitarist/cellist Joel North and violinist/sequence programmer Bruce Blay, the melding of traditional live acoustic sounds of violin, cello, and guitar with vanguard electronic processing is the most natural thing in the world. Woven throughout the infectious melodies of violin, cello, and guitar you'll find music boxes, shortwave radios, tape machines, water and much more. The six songs on "Little Brite" conjure a universe whose ancient forbears include Steve Reich, Penguin Cafe Orchestra, Eno's looping ambiences, Brit-folk guitarist Bert Jansch, gamelan ensembles and Hindustani hand percussion, however, the wall-to-wall beauty of the proceedings is anything but reverential ear candy. Engaging, melodically rewarding, and sophisto-whimsical, SLEEP WHALE's cerebrally atmospheric marriage of the luddite and techno worlds makes for essential listening.

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Papooz

None Of This Matters Now

22,99 €*

Down In The Park - The Nyc Broadcast

Release: 2022 / EU – Original

Genre: Rock & Indie

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France’s Papooz is about to release a new single and video, ‘None of This Matters Now’, third release since their debut U.S. tour in early 2020 saw them play to sold-out venues, just ahead of the global C-19 lockdown. And two years after the release of their second album, ‘Night Sketches’, which drew them widespread critics’ tips and airplay at 6Music, alongside a sold-out London headline.

“None of This Matters Now” is the first single from their upcoming and same named album, due in early 2022.

None of This Matters Now (album) was recorded Live in an old farm from South West of France. An album with folk-rock sounds, mainly influenced by the music scene that appeared in Laurel Canyon during the 70s (Crosby, Still & Nash, Neil Young, Gram Parson, Joni Mitchell, Bob Dylan) and which addressed subjects as varied as global warming, love breakup, loss of the feeling of grace, suicide, laziness and death.

« We wanted to have a more acoustic feel on this album, making it sound timeless »

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Foo Fighters

LP | 2023 | EU (Mind Control)

LP | 2022 | EU | Original (Croatia)

Release: 2023 / EU

Genre: Rock & Indie

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In October of 1994, shortly after the death of Kurt Cobain, Nirvana drummer Dave Grohl re-entered Robert Lang's Seattle studio, where Nirvana had conducted their final recording sessions. Intending to create demos of his own material, over the course of a week Grohl would commit his ideas to tape. Except for some guitar assistance from Greg Dulli (of Afghan Wigs) on one track, Grohl would literally become a one-man band during these sessions, writing all the songs, playing all the instruments and singing all the vocals himself. Recorded at Tramps in New York City, these musicians served as both an opening act and as backing band for Mike Watt (on his tour promoting Ball-Hog or Tugboat?). Experience the initial Foo Fighters lineup live on stage, two months prior to their first album release.

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Idoli

Odbrana I Poslednji Dani

30,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Shotters Nation Clear Vinyl Edition

Babyshambles

LP | 2007 | UK | Reissue (Parlophone Records / Rhino Records)

31,99 €*

LP | 2023 | UK | Original (Factory Benelux)

Release: 2007 / UK – Reissue

Genre: Rock & Indie

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The acclaimed 2007 album reissued on 1LP clear vinyl. Taken from the original 2007 masters when Pete Doherty was at the pinnacle of his creative powers, ‘Shotter’s Nation’ followed in the footsteps 'Down In Albion’, the band’s debut album, and Doherty’s first album outside of his first band - the era-defining Libertines. Both were met with commercial and critical acclaim, breaking into the top 10 of the album charts. ‘Shotter’s Nation’ is unmistakably Doherty. Melodic, stark, catchy, raw, brilliantly unique - his music has always created an unflappable loyalty from his many fans, remaining timeless, yet still sending a nostalgic excitement through its listeners. The album also features four songs co-written by Doherty’s then-girlfriend Kate Moss who also regularly performed live with them.

The approach to the recording and release of the album was an escape from Doherty’s previous methods. Stephen Street (The Smiths, Blur, Morrissey, The Cranberries) took over producer duties from The Clash's Mick Jones, and it was and his first album released by a major label, Parlophone. Limited to 2500 copies for National Album Day UK.

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Section 25

Dark Light

Stealing From Our Favorite Thieves Sand Color Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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Factory Benelux presents a limited crystal clear vinyl edition of Dark Light, the eighth studio album from post-punk trailblazers Section 25, originally released in 2013.

Recorded in 2012, Dark Light would be the band’s first collection of new material since the tragic loss of founder Larry Cassidy in 2010, and marked a return to the smooth electro and synth-pop textures first explored on their seminal 1984 album From the Hip. These echoes are amplified by the presence of co-vocalists Beth and Jo Cassidy, as well as a sublime cover image by iconic artist/designer Peter Saville.

Much of Dark Light was produced in collaboration with remixer Derek Miller (aka Outernationale), and includes new versions of single tracks Colour Movement Sex & Violence and Inner Drive. Other stand-out cuts include future pop classic My Outrage, also released as a single on Record Store Day.

“A revelation. The group were once doomy post-punks whose 1984 electronic album From the Hip anticipated house music and thrilled New York clubland. Now the deaths of singers Larry and Jenny Cassidy have inspired their daughter Bethany to carry on the family business and give the band a makeover. The collision of the original members’ brittle rhythms and the angelic voices of Bethany and similarly fresh-faced co-singer Jo takes recent material into shimmering club-pop heaven” (The Guardian, 2014)

Now released on vinyl for the very first time, FBN 145 is limited to just 500 copies pressed on crystal clear vinyl. The digital copy contains several bonus tracks.

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The Van Pelt

LP | 1996 | UK | Reissue (La Castanya)

Quiet Signs Black Vinyl Edition

Release: 1996 / UK – Reissue

Genre: Rock & Indie

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90s NYC indie heroes The Van Pelt have had a lasting power far greater than so many of the other once bigger bands of that era have had. The sort of interest that has neither waxed nor waned over the decades since they disbanded, yet just mysteriously continues on despite their discography being out of print since the end of the last millennium. So what is it that sets them apart? Too soft to have ran with the AmRep or Touch and Go crowds, not hip enough to have made sense on Matador or Merge, ernest yet not histrionic enough to make it onto the “best emo bands” lists, not weird enough to be on bills with Arto Lindsay and Thurston Moore, etc. In a sense, their outsider status comes not from the wings, but from the dead center eye of the storm. The 90s were happening all around them, they were witnesses thereof, yet they emerged transcendent of it all. You Follow? Maybe it’s worth having a listen to see what I mean.

Barcelona’s La Castanya records is treating us with the first ever rerelease of the two Van Pelt albums to mark the 20th anniversary of Sultans of Sentiment, their benchmark album. They teased us in 2014 that this might be on the docket with the release of Imaginary Third, a collection of singles and unreleased Van Pelt tracks which were originally intended to have been the components of their third album, including the alt-famous “Speeding Train”. Now we’ll finally have access to their entire discography. The first album, Stealing From Our Favorite Thieves is an explosion of anthems belted out as if the war was already lost yet they were hoisting that tattered banner anyhow until there wasn’t a shred to salvage. The momentum coming out of that album had every major label in the States salivating at the possibility of turning them into the next Nirvana. Instead, The Van Pelt followed it up by pulling the van into the garage, leaving the engine running, funneling the exhaust into their lungs, and blissfully deciding to bow out of the race with the epic Sultans of Sentiment. Of course as the story goes, their intended financial flop was the exact opus that jettisoned them into the history books. Buy both albums. You’ll need them both.

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Jessica Pratt

LP | 2019 | EU | Original (City Slang)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Flow Critical Lucidity Resistance Green Vinyl Edition with Flexi Disc

Thurston Moore

LP+7" | 2024 | US | Original (Daydream Library Series)

2LP | 2024 | EU | Original (Skep Wax)

Release: 2024 / US – Original

Genre: Rock & Indie

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Thurston Moore's forthcoming album is his ninth solo recording...

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V.A.

Under The Bridge 2

Love In Constant Spectacle Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Under The Bridge 2 is the sequel to the celebrated 2022 compilation album that reunited groups and songwriters who had once recorded for cult label Sarah Records. The new album showcases the continuing creativity of a special group of musicians who have never rested on their laurels.

Bigger and more expansive than the first album, Under the Bridge 2 is a double LP, containing twenty brand new tracks. There is a huge range of material here, from intense, dark chamber pop to dense shoegaze to out-and-out indiepop. Exciting new groups are unveiled: The Gentle Spring (a new project by Michael Hiscock of The Field Mice); Vetchinsky Settings (a collaboration between Mark Tranmer and James Hackett of The Orchids); and Mystic Village (which features new songs by Robert Cooksey of The Sea Urchins).

You will also see familiar starry names like Even As We Speak, The Orchids and Secret Shine - bands whose line-ups have remained mostly unchanged since the 1990s. And there are established bands who didn’t appear on the first album but are now represented – bands like Action Painting! and The Hit Parade.

Most of the tracks are exclusive and unreleased: there’s the first new song from The Catenary Wires since 2021, a brand new fizzbomb from Jetstream Pony, a haunting instrumental from GNAC.

The emphasis of Under The Bridge is on the new. The bands’ shared history means they have a shared aesthetic, even a shared ethos – they all believe that the future is more important than the past. They are as independent and as uncompromising as ever, but they are still uncynical - and still excited about what Pop Music can be.

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Jane Weaver

LP | 2024 | UK | Original (Fire)

Empty Country II Pink Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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Recalibrating her singular journey in the British musical landscape with her most open-hearted, direct and intimate collection of material yet. Love In Constant Spectacle evokes spectacular imagery and distills the artists’ vision in its purest form, elevating her inimitable sound and poetic vision to new heights.

Recapturing the melancholy of her early work whilst propelling it forward, she sketches scenes as we watch new colours, shapes and languages emerge and fill the frame. Love In Constant Spectacle sees her take measured steps towards a vivid, dreamlike record, that offers resolve in the face of life’s inevitability.

The foundations of Weaver’s sound are still evident – lush motorik drums, pulsating bass, custom modded synths and exotic fuzz pedals - but the stream is awash with scrabble piece poetry and Letraset lullabies leading to lush escapism, the free abandon that you’d associate with free jazz and the avant-garde. But, as determined and visionary as Weaver might be, Love In Constant Spectacle wasn’t executed without assistance. Here we find a long mooted unison with Jane’s first ever producer, John Parish (PJ Harvey, Aldous Harding), who has shared Weaver’s process in the surrounds of Rockfield Studios and Geoff Barrow’s Invada studio.

Love In Constant Spectacle is otherworldly, it is both intimate yet distant, a surrealist interpretation of the foundations that make us human – the stories and landscapes it paints are habitats of their own. A voyage into undisclosed pastures, it’s a heartfelt manifesto from an artist that continues to boundlessly evolve with each chapter in her career.

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Empty Country

2LP | 2023 | UK | Original (Tough Love)

31,99 €*

Tape | 2024 | US | Original (Daydream Library Series)

Release: 2023 / UK – Original

Genre: Rock & Indie

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As the front person of celebrated indie band Cymbals Eat Guitars, guitarist and singer Joseph D’Agostino spent over a decade setting autobiographical, emotionally vivid lyrics against a backdrop of soaring and compositionally ambitious rock. After four critically acclaimed LPs that solidified D’Agostino’s reputation as a gifted songwriter, he chose to break from his long-term band and debut a new project: Empty Country. On 2020’s self-titled debut, D’Agostino’s storytelling lens shifted away from personal narrative and toward fiction; psychopaths, apparitions and deplorables populated a bleak and uncanny parallel version of American dystopia. Empty Country’s sprawling and sonically adventurous arrangements—filled out by collaborating musicians including Rachel and Zoë Browne (Field Mouse), Kyle Gillbride (Swearin’), Zena Kay (Angel Olsen), and former CEG drummer Charlotte Anne Dole—ranged from luminous jangle-pop to scorching emo-punk to narcotized Americana. Though the pandemic curtailed planned touring, a seven-piece iteration of the band played one packed Brooklyn show in May 2022, supported by Charles Bissell (The Wrens) and Field Mouse; Empty Country also backed Bissell on several classics from The Meadowlands. “It was a wonderful return to live music for all of us,” says D’Agostino. “So many folks reached out to me and told me how Empty Country offered them comfort during those first several months of being stuck inside. I’m happy that it came out and connected with some people and that I was able to establish this universe I could continue to build on.”

Empty Country II, the project’s second full-length, is a thrilling expansion of that world. D’Agostino pushed himself to new places as a songwriter, crafting a collection of short stories set to music that grapple with the biggest questions now hanging over America—gun violence, the addiction epidemic, and generational hopelessness among them. In 2020, he’d moved from Philadelphia to small-town New England to be closer to family, and his new locale, coupled with the dread of lockdown, inspired him to return to the haunted world from the first LP. “It’s pretty jarring to leave a city—where you can safely assume you’re aligned with your neighbors on many political and social issues—for somewhere more rural and conservative,” says D’Agostino, noting the Trump flags and Blue Lives Matter hood wraps that dot his new dirt road residence. Across the new album’s nine tracks, D’Agostino introduces us to a bevy of characters: three generations of West Virginia clairvoyants, crushed by the weight of their secret knowledge; a group of drag queens and misfits in early ‘80s New York City; a pill mill doctor’s daughter who dabbles in necromancy; a convicted killer; a bullied kid injured and alone in the forest as night falls. Through the stories of these characters, Empty Country II delivers an engaging and deeply moving rumination on time, family, and the disintegration of America.

Despite the stoicism of its storytelling, Empty Country II cuts the darkness with beauty, humor, and an earnest belief in the transcendent power of rock music. It was recorded over two weeks at Fidelitorium, the renowned studio in Kernersville, NC, belonging to R.E.M. producer Mitch Easter. Legendary recording engineer John Agnello, whose previous collaborations with Cymbals Eat Guitars resulted in their 2014 high-water mark, Lose, brought his trademark clarity and nuance to the process, helping Empty Country II crackle with a vital energy that imbues these stories with genuine lifeforce. Dole returned on drums for the record, her virtuosic performances lending raw power and immediacy; her twin brother Patrick joined on bass, his decades of experience uplifting the songs with subtle melodicism and formidable technicality. The group's chemistry and deep personal history are palpable, allowing them to approach the record’s complex story with subtlety and dynamism. “Mitch has collected an astounding array of weird mics, amplifiers, and oddball orchestral instruments: organs, Buddhist temple bells, bar chimes, tubular bells,” enthuses D’Agostino about the studio. “FLA,” a gripping portrait of a queer tour boat pilot in the Florida Keys pining for their absent lover, was arranged from the ground so the group could incorporate Easter’s timpani. D’Agostino considers it a high point of his lengthy discography and lauds that song’s harmonica solo as “my favorite 30 seconds of music that I’ve ever been a part of.”

Empty Country II also features some of D’Agostino’s most danceable songs—like “David,” a tribute to D’Agostino’s late friend David Berman. Featuring a lyrical tapestry of Silver Jews references and surreally beautiful images, head-nodding Philly soul grooves collapse into cosmic freeform jazz-inspired sections, ornamented with inventive hand percussion, marimba flourishes, and toe-tapping piano chords. “Recite a poem as the day vibrates,” D’Agostino sings. “I finally wrote this song for you / But I don’t know who I’d show it to.” It’s a paraphrase of W.S. Merwin’s famed short poem “Elegy”, written after the passing of his own mentor, John Berryman. On “Bootsie,” a runaway girl from West Virginia explores the crumbling, glorious 1980s New York City of Paris is Burning, finding community in a scene of drag queens who offer her a new way of thinking about what makes America—and rock music—great. Based on his own mother’s experiences at the height of the Aids epidemic, the song has deep personal meaning to D’Agostino. “The men you thought were brave / are arrogant and depraved,” he sings against the damaged disco beats of the Dole siblings’ rhythm section. Inverting the chorus of the Talking Heads’ “Heaven,” the lyrics of “Bootsie” celebrate the underdogs and misfits: “Hell is the place where everything happens / The band’s playing all the songs ever written at once / Shape the chaos, make your little story / Baby, this life’s perfect purgatory.”

Though Empty Country II is a record about the forces that drive Americans apart, it’s also imbued with empathic love and an understanding of what binds people to family and country—in spite of the darknesses we encounter. The concept of a Great American Rock Album might scan as outdated in 2023, but with this sprawling and uncompromising epic, D’Agostino and Empty Country shatter ambivalence and confront the horrors with a community-minded sense of cautious optimism. “We may be staring into an abyss,” says D’Agostino. “But we’re all staring together.”

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Thurston Moore

Flow Critical Lucidity

Flicker Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Thurston Moore's forthcoming album is his ninth solo recordi...

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Death And Vanilla

LP | 2023 | UK | Original (Fire)

Good Bad Not Evil (Deluxe Edition) Black Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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Death and Vanilla return with ‘Flicker’, presenting their unique pop music that defies categorisation. Housed in a beautifully austere post-ironic de-constructed sleeve; ‘Flicker’ is a modern reflection on these difficult times. World crises notwithstanding, they return reborn, re-arranged and revitalised after assimilating dub reggae, the motorik spirals of Can, the modal meander of Philip Glass and The Cure’s dreamier pop sounds; plus the twice removed symphonic ambience of Spiritualized and Talking Heads under heavy manners from Brian Eno. By osmosis their period of transition since 2019’s much darker ‘Are You A Dreamer?’ has hatched new eclectic electronica anthems riddled with melody lines, and layered for lush love.

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Black Lips

2LP | 2022 | UK | Original (Fire)

LP | 2023 | US | Original (Mt. St. Mtn.)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Classic Double Black vinyl, Gatefold sleeve w/ spot gloss, liner notes + DL card. Bending scuzzy boundaries, ‘Good Bad Not Evil’ is a coming-of-age garage rock classic record. Full of hedonistic delinquent anthems, the fourth studio album from Atlanta punks Black Lips reaches it’s 15 year anniversary. This deluxe edition includes unearthed photos and new liner notes from Jared Swilley and King Khan. The second disc features B-sides and rarities including ‘Cruising’, ‘I Wanna Dance With You’ and ‘Leroy Faster’. ‘Good Bad Not Evil’ perfectly encapsulates the disillusionment of the mid-00s America, slammed between warehouse parties, DIY generator shows and scattered party pics, which was recorded in a little house in Atlanta that had been converted into a studio called the Living Room. Referencing Shangri-Las in the title, this is where their knack for garage gems met Motown; with bass heavy grooves (later remixed by Diplo), a certified country twang and unabashed 2 bravado. Instant hits like ‘Veni Vidi Vici’, ‘Cold Hands’, ‘Bad Kids’ and ‘O Katrina!’ immediately became Black Lips staples. This was a band caught in the eye of the storm, the touring continued, the parties didn’t stop, this was a band bending the scuzzy boundaries of their chosen genre. The record was hailed by the likes of Pitchfork, who proclaimed, “Black Lips are a go-to band for vintage lo-fi freaks, and their raucous live shows have helped them cross over outside of crusty dive bars. ‘Good Bad Not Evil’, however, is the record where naysayers, disinterested friends and acquaintances, people on the street, and anyone else within earshot has to sit up, shut up, and listen.” …and, shut up and listen they did. “A perfect tapestry of sordid pleasure.” NME // “The same rapturous energy as the Sonics and the 13th Floor Elevators.” The Guardian

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Seablite

Lemon Lights

LP | 2023 | US | Original (Meritorio)

Release: 2023 / US – Original

Genre: Rock & Indie

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Seablite is a four-piece pop band from San Francisco inspired by 80s/90s indie and shoegaze. Seablite was formed in 2016 when Lauren Matsui (vocals / guitar) and Galine Tumasyan (vocals / bass) bonded over a mutual appreciation of early 90s Britpop and UK underground music. The pair began writing songs and soon after Jen Mundy (ex-Wax Idols) joined on second guitar and Andy Pastalaniec (Chime School) would eventually join on drums. They have released an LP (2019’s Grass Stains and Novocaine) and 7" single (“Breadcrumbs” c/w “Ink Bleeds”) via Emotional Response Records and a 10" EP (High-Rise Mannequins —recorded and produced by Alicia Vanden Heuvel of the Aislers Set) in conjunction with Spain’s Meritorio Records. The band is among San Francisco’s current indie pop renaissance and have opened for the likes of Brian Jonestown Massacre, The Charlatans and Ladytron upon their recent Bay Area visits. Seablite has finished their sophomore album, Lemon Lights. Recorded over the summer of 2022, Lemon Lights contains 12 dreamy pop tracks showcasing the group’s continued growth and maturity and marks a strong progression from their debut album. After recording basic bed tracks with Robby Joseph, the band finished overdubs in their practice space and Lauren's apartment. The freedom of home recording allowed them to experiment, resulting in an organic and intuitive manifestation of the band's emotions and creativity - a sonic inkblot of unfiltered pop appreciation. One may hear Manchester undertones on "Hit the Wall" and “Melancholy Molly”, or the feminine noise-pop of Lush on "Pot of Boiling Water" but Seablite are not to be mistaken for anglophile copycats. Seablite incorporates the jangle of their San Francisco “Fog Pop” contemporaries on tracks like “Hold My Kite” and a relentless and driving guitar on “Blink Each Day”, while the wonderfully dark elements on “Monochrome Rainbow” and the wistful closer, “Orbiting My Sleep” give them a wide range of sounds and vibes.

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The Small Intestines

Hide In Time

Now For Example Black Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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In 2013 Tristan dreamt George Harrison and Tom Petty were on motorcycles circling one of those huge roundabouts in Canberra. Their long hair was blowing as they sang "You can't hide in time". The Small Intestines play spare room rock'n'roll with a penchant for three-piece harmonies. They formed in Melbourne, Australia in 2016 while Matt and Rob were taking some downtime from Chook Race and Tristan was on the tail-end of his solo project, Peach Happening. Hide In Time is their debut album. For fans of The Go-Betweens and The Bats and any genuine big-hearted knockabout indie jangle with sweet sing-along group vocals and simple pared-down arrangements.

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Thigh Master

LP | 2019 | US | Original (Goner)

18,99 €*

LP | 2024 | US | Original (Nudie)

Release: 2019 / US – Original

Genre: Rock & Indie

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Here it is! Brisbane (via Melbourne), Australia-based quartet Thigh Master are back with the long awaited second album Now For Example—the follow up to their 2016 debut Early Times. Following a string of sold-out singles as well as tours of U.S., Japan and Europe, the guitar-pop-guardians of the Brisbane underground deliver this latest, a twelve song hook-laden exertion, filled with imperious string bends and riffage framing witty tales of lethargic social observation, concocted by band leader Matthew Ford.

Now For Example sees the most compelling and virtuosic combination of Thigh Master members to date, with Innez Tulloch (guitar / keys), Dusty Anastassiou (drums) and Daniel Ford (bass) contributing heavily to its foundations and creating a bulk of their parts off-the-cuff during recording sessions, which took place in various houses between Melbourne and Brisbane. The intervals of ragged, jangly guitar riffs interspersed with waves of distorted sonic mischief recall the late ’80s / early ’90s Flying Nun sound of The Clean, Bats and 3Ds.

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Kailey Rocker

LP | 2024 | US | Original (Spiritual Pajamas)

Release: 2024 / US – Original

Genre: Rock & Indie

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Kailey Rocker’s debut self-titled solo album is delicate and dreamlike exploration in psychedelic folk, offering a gentle hand across junctures of maturity, love, and actualization. Like looking at classic story songs through a broken mirror, traditional threads of country sounds and melodies shine through the cozy haze of inspired production and accompaniment. Recorded at Business District Recording in Johnson City, NY with Hunter Davidson (Underground River, OLD Lady), Kailey Rocker is a unique collection of incantations with a sound that rears up from the dreamy haze to bite you when you least expect it. Evoking 60s era psych folk and channeling the spirit of the chanteuses of that time, Kailey Rocker has one hand gently cradling the earth with the acoustic guitar and fiddle melodies and one hand reaching towards the cosmos with the haunted, echoing whispers of synth, organ, and flute swirling throughout the layered production.

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The Tyde

Season 5

Ich Sehe Im Vorbeifahrenden Auto Den Unfall Mitvorbeifahren, In Zeitlupe Und Rueckwaerts

Release: 2024 / US – Original

Genre: Rock & Indie

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“In Season 5, the long-awaited fifth full-length by beach-pop project The Tyde, frontman Darren Rademaker unveils his vision of an ’80s-inspired Suave Nouveau, with a clutch of sweet, melancholic love songs evoking lush mustaches, mellow macho, the ghost of Jimmy Buffett, white sand beaches, flamingos swooping across a cerulean sky, speedboats cutting through the bay and pastel linen suits billowing in the breeze as the sun dips beneath the horizon.

“Spanish conquistador Juan Ponce de León ‘discovered’ Florida in 1513, naming the peninsula La Florida, the flowering land. In Season 5, Rademaker reflects on his own return to the flowering land, and the artistic diaspora that caused him to quit California in 2020 in search of a New World of his own. ‘I lived in Florida from the ages of ten to twenty-five, but never really got to explore it,’ he says. ‘When I came back, I decided to really embrace the whole Florida aesthetic. I moved into an art deco home in Sarasota with pink seashell lamps. I visited Key West, like seven times. I also quit smoking weed and cigarettes, and stopped saying shit like LOL and amazeballs. It felt different. It felt good.’

“The record features the talents of many good friends, including Dan Horne, Colby Buddelmeyer, Matt Correia (Allah-Las), Clay Finch (Mapache), Albert Hickman, Derek James (The Entrance Band), Alex Knost (Tomorrow’s Tulips) and Adam MacDougall (Circles Around The Sun / Black Crowes), with artist / musician Matt Fishbeck (Holy Shit) designing the deco-inspired album artwork.

“And as much as they are inspired by the past, these songs are keenly aware of an uncertain future—because there is no such thing as a time machine, and there is no going back. Ultimately, Season 5 asks the question—where do we go after the sun sets on our dreams? Where the fuck is the New New World? In Rademaker’s eyes, it no longer exists in any specific American geography—rather, all hope remains in the timeless, unending power of music, and its power to take us to the places we wish we could be. Even if they don’t exist anymore.” —Caroline Ryder

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Farce

12" | 2017 | DE | Original (Meta Matter)

9,99 €*

2LP | 2016 | US | Original (Carpark)

Release: 2017 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Brown/black marbled. Looks like new, probably unplayed. Comes with insert and MP3 download cars.

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Toro Y Moi

Live From Trona

19,99 €*

Atomic Ritual Neon Pink Vinyl Edition

Release: 2016 / US – Original

Genre: Rock & Indie

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Following extensive touring behind What For?, his fourth studio album as Toro Y Moi, acclaimed musician Chaz Bundick brought the band to the middle of the Mojave Desert in April 2016 to play a special concert. Live from Trona documents this experience, recorded live beneath the geological wonders known as the Trona Pinnacles, which formed thousands of years ago in what used to be a prehistoric lake.

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Nebula

LP | 2003 | EU | Reissue (Heavy Psych Sounds)

Venus Smiles Not In The House Of Tears

Release: 2003 / EU – Reissue

Genre: Rock & Indie

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Atomic Ritual is the Nebula 3rd full lenght released in 2003. Heavy Psych Sounds is proud to reissue this gem in brand new Colored Vinyl versions. “Stoner rock? Bonghit metal? Old school hard rock? Call it what ya want, but it is clear from the first 3 seconds of Nebula’s Atomic Ritual that these guys have been listening to a lot of Hawkwind! Droning, heavy, fuzzy and flat-out rockin’ as fuck, Nebula’s latest slab is more conceptual than their previous effort, but no less pulverizing. Produced by Master of Reality (and Queens of the Stone Age/Kyuss mentor) Chris Goss, Atomic Ritual is the bands most layered, bold work to date and finds them veering closer to the headfuck ethos of early Monster Magnet than the indie classic rock they ventured into on their Sub Pop effort. The title track and “Out Of Your Head” are just pure space rock, while “Carpe Diem,” “So It Goes” and “More” balance out the cosmic slop with some hooks and melody. None of this is gonna get the on the radio, but one gets the feeling they could care less. So be it. All in all, a pleasing way to melt your brain.” - Frank Meyer

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Samora Pinderhughes

LP | 2024 | EU | Original (Good)

Crowd Can Talk / Dressed In Trenches EP

Release: 2024 / EU – Original

Genre: Rock & Indie

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Forgive Yourself. Learn to live with yourself. Don't hurt yourself.This is the mantra of the new album Venus Smiles Not in theHouse of Tears from Samora Pinderhughes. Made over 8 yearswith loving detail by Pinderhughes and his longtime producerJack DeBoe, it is a deeply personal exploration & reflection ofmental health in the modern age. It tells a non-linear story abouta relationship that didn't last, and the lessons learned through it.How can love exist when grief is in the way? Musically it'sintentionally tough to pin down. Although Pinderhughes isJuilliard-trained, Venus is an open-genre exploration of musicmakingwith wide-ranging production and a cinematic landscapeof feeling and spirit. From quiet, contemplative piano pieces tohard-hitting and soulful full band jams, to expansive and fullthroatedchoir celebrations, Venus is a fitting accompaniment toa multitude of daily human experiences. It also features artistsfrom Pinderhughes's tight-knit NYC community, representing awave of new artists who thread the ethics of honesty &vulnerability into their work.Says Pinderhughes of the album, "Mental health isn't solitary; it'sabout how our feelings, fears, traumas, and conceptions of selfmeet the world around us. Like so many, I've struggled withdepression, anxiety, and isolation within a complicated matrix ofidentities. I wanted to make a project that would be brutally andlovingly honest about what it feels like to try to sift through thedebris of time. A project that really engages with what it means tolove, in the midst of a society that teaches us all the wronglessons. Our modern world wants us to get over things quicklyand easily. That's where shame enters the picture, because whenyou struggle with deep cyclical feelings, the process of engagingwith these elements in your life is never linear. It is always twosteps forward, one step back. Kindness and honesty are requiredin equal measure in this life. Hopefully through the prism of thesesongs,...

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Lifeguard

LP | 2023 | EU | Original (Matador)

20,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Peacock Pools Colored Vinyl Edition

Pink Mountaintops

LP | 2022 | UK | Original (ATO)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Between The Richness Violet Vinyl Edition

Fiddlehead

LP | 2021 | US | Reissue (Run For Cover)

Beheaded Opaque Red Vinyl Vinyl Edition

Release: 2021 / US – Reissue

Genre: Rock & Indie

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Fiddlehead wasn't supposed to make a second record. But, if we're being totally honest, they weren't supposed to make their first record either. Formed in what singer Pat Flynn describes as "a deeply, deeply, laughably depressing part of my life," Fiddlehead was born with modest intentions. Flynn and his then-roommate, guitarist Alex Dow, decided to work on some songs, and with Basement having just broken up, guitarist Alex Henery entered the fold. Drummer Shawn Costa and bassist Adam Gonsalves_who has since been replaced by Casey Nealon_linked up with them and, all together, they wrote what would become the Out Of The Bloom EP. Those five songs established what Fiddlehead would be, a band that merged elements of post-hardcore, post-punk, and classic '80s emo into something that felt distinctly theirs. After the release of their debut album Springtime & Blind, the band did some weekend-long tours, and saw that their music was hitting people harder than they ever expected. "Kids were singing along in a very desperate way and we realized it wasn't just resonating with us, it was resonating with these people in a really meaningful way," says Flynn. Springtime & Blind was a hit for many reasons, but chief among them was Flynn's open-hearted exploration of his father's passing, which saw him use his lyrics as a means of relating to and understanding his mother's grief. So when it came time for Fiddlehead to work on a second record, people weren't just curious what the songs would sound like, they were curious what they'd even be about. Between The Richness effectively picks up where Springtime & Blind left off, as Flynn dives headfirst into that same subject. But astute listeners will notice a major difference this time: Flynn is singing about himself. "These massive things happened in my life between the first record and this record. It just so happened that I ended up getting married, I had a child, and it was around the 10-year anniversary of my father's passing. So what if I want to write another record abo...

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Bedhead

LP | 1996 | US | Reissue (Numero Group)

Is A Woman Sun Yellow Vinyl Edition

Release: 1996 / US – Reissue

Genre: Rock & Indie

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Original 1996 album remastered and pressed on 180 gram virgin vinyl."Beheaded was such a quiet record out of necessity. I was living in a small apartment. Some of the songs I did are really quiet with no drums because I couldn't think of anything to do, we couldn't practice, and I didn't want to wake up the neighbors. It's a definite case of environment affecting the creative process." - Matt Kadane

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Lambchop

2LP | 2002 | EU | Reissue (City Slang)

32,99 €*