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“I had just got off the road and went right into the studio out in the desert at Rancho de La Luna. I was living in the house just behind at the time making sessions super convenient. I was set to record with my band the Bros in a couple weeks but I decided to go into the Rancho early and get some sounds. Tony and I ended up recording a bunch of songs that I was writing on the fly. A week later the Bros showed up and we recorded another batch of songs with the band playing live in the front room. After we wrapped I combined both my solo session and the Bros session and released in as one record called Saved By Magic on my label Duna records. That was 2005. Now I’m rereleasing this record on HPS and I’ve decided to separate the two sessions into their original bodies of work. My solo session and the Bros session. I mostly did this because I feel the Bros deserve to have something of their own as they were a magical band. I also just thought it would be cool. I call both records Saved By Magic Again.” New album cover by Maarten Donders. Remastered by John McBain !!

“I had just got off the road and went right into the studio out in the desert at Rancho de La Luna. I was living in the house just behind at the time making sessions super convenient. I was set to record with my band the Bros in a couple weeks but I decided to go into the Rancho early and get some sounds. Tony and I ended up recording a bunch of songs that I was writing on the fly. A week later the Bros showed up and we recorded another batch of songs with the band playing live in the front room. After we wrapped I combined both my solo session and the Bros session and released in as one record called Saved By Magic on my label Duna records. That was 2005. Now I’m rereleasing this record on HPS and I’ve decided to separate the two sessions into their original bodies of work. My solo session and the Bros session. I mostly did this because I feel the Bros deserve to have something of their own as they were a magical band. I also just thought it would be cool. I call both records Saved By Magic Again.” New album cover by Maarten Donders. Remastered by John McBain !!

Remastered Reissue of Brant Bjork's legendary album in brand new colored vinyl and artwork. “I had just got off the road and went right into the studio out in the desert at Rancho de La Luna. I was living in the house just behind at the time making sessions super convenient. I was set to record with my band the Bros in a couple weeks but I decided to go into the Rancho early and get some sounds. Tony and I ended up recording a bunch of songs that I was writing on the fly. A week later the Bros showed up and we recorded another batch of songs with the band playing live in the front room. After we wrapped I combined both my solo session and the Bros session and released in as one record called Saved By Magic on my label Duna records. That was 2005. Now I’m rereleasing this record on HPS and I’ve decided to separate the two sessions into their original bodies of work. My solo session and the Bros session. I mostly did this because I feel the Bros deserve to have something of their own as they were a magical band. I also just thought it would be cool. I call both records Saved By Magic Again.” New album cover by Maarten Donders. Remastered by John McBain !!

Remastered Reissue of Brant Bjork's legendary album in brand new colored vinyl and artwork. “I had just got off the road and went right into the studio out in the desert at Rancho de La Luna. I was living in the house just behind at the time making sessions super convenient. I was set to record with my band the Bros in a couple weeks but I decided to go into the Rancho early and get some sounds. Tony and I ended up recording a bunch of songs that I was writing on the fly. A week later the Bros showed up and we recorded another batch of songs with the band playing live in the front room. After we wrapped I combined both my solo session and the Bros session and released in as one record called Saved By Magic on my label Duna records. That was 2005. Now I’m rereleasing this record on HPS and I’ve decided to separate the two sessions into their original bodies of work. My solo session and the Bros session. I mostly did this because I feel the Bros deserve to have something of their own as they were a magical band. I also just thought it would be cool. I call both records Saved By Magic Again.” New album cover by Maarten Donders. Remastered by John McBain !!

"The first three are innocent in a way, because we didn't have an audience when we were making them," Oberst says. "But from Lifted on, I was definitely aware of an audience. Lifted was well-received right away, and then everything happened with Wide Awake and Digital Ash." Those two albums came out simultaneously. And their lead singles - "Take It Easy (Love Nothing)," from the austere, remote Digital Ash, and "Lua," from the warm, folky Wide Awake - debuted in the top two slots on the Billboard Hot 100. "First Day of My Life," also from Wide Awake, would later be voted the Number One love song of all time by NPR Music's reader's poll. Bright Eyes had officially broken through. It was a heady, exciting time, but also fraughtand tense, both because of the band's careening new fame, and because of the state of the world. When Bright Eyes made their Tonight Show debut in 2006, they chose to perform none of their shiny new hits, instead delivering a searing, harrowing rendition of their caustic anti-Bush anthem, "When The President Talks To God."

"The first three are innocent in a way, because we didn't have an audience when we were making them," Oberst says. "But from Lifted on, I was definitely aware of an audience. Lifted was well-received right away, and then everything happened with Wide Awake and Digital Ash." Those two albums came out simultaneously. And their lead singles - "Take It Easy (Love Nothing)," from the austere, remote Digital Ash, and "Lua," from the warm, folky Wide Awake - debuted in the top two slots on the Billboard Hot 100. "First Day of My Life," also from Wide Awake, would later be voted the Number One love song of all time by NPR Music's reader's poll. Bright Eyes had officially broken through. It was a heady, exciting time, but also fraughtand tense, both because of the band's careening new fame, and because of the state of the world. When Bright Eyes made their Tonight Show debut in 2006, they chose to perform none of their shiny new hits, instead delivering a searing, harrowing rendition of their caustic anti-Bush anthem, "When The President Talks To God."

/ gold mine gutted James Figurine remix...Achtung:offizielle Fehlpressung!entgegen der Tracklist auf dem Cover und den Labels gibts hier:
a: Gold mine gutted Album Version /
b: Easy lucky free Hot Chip Remix

The Shack story is one of music’s greatest legends. It incorporates hardship, bereavement and chaotic misadventure, but above all it tells the tale of beautiful music triumphing over trouble and tragedy.

‘Here’s Tom with The Weather’ boasts a majestic and fresh form. These are magical songs, psychedelic folk songs of the finest Head vintage. Sleepy-eyed, wistful and mystical, yet crafted with a cunning and acute dexterity beyond just about anybody you can think of.

The two profoundly Liverpudlian brothers Mick and John Head have made several brilliant albums together , but none as quickly as ‘Here’s Tom…’ which was completed in seven weeks at Brynderwen Studios in North Wales along with drummer Iain Templeton (rip) , bassist Guy Rigby and producer Jay Reynolds in 2003.

In the 80’s , the two brothers from the notorious Kensington estate in north Liverpool were singer and guitarist with The Pale Fountains , an effervescent pop group which imploded under the weight of two albums in 1986. The Heads returned in ‘88 as Shack and a debut album Zilch. In 1991 , Shack made ‘Waterpistol’ , an inspirational guitar jewel that would have proved just as influential as any British album in that era had the studio not burned down, taking the master tapes with it. Four more years passed , but by the time it was finally released on Marina it had developed ‘lost classic’ status.

The Heads battled on. They toured as their hero Arthur Lee (rip) of Love’s backing band. In ‘97 , they created

a new group called The Strands and recorded the delicate, dreamy masterpiece ‘The Magical World Of The Strands’ . They spent a long time making another classic ‘hms Fable’ , and then decided that next time they wouldn’t take quite as long recording. Enter ‘Here’s Tom With The Weather’.

Showcasing John’s slow , shy emergence as a songwriter to challenge his brother (on the sparkling, heartbreaking ‘Miles Apart’ and ‘Carousel’ , and the spun-out ‘Kilburn High Road’ ) , toasting Mick’s newest confirmation as the most unrecognised genius of his or any other generation (the ode to his bro, ‘Byrds Turn To Stone’ , the mariachi horns that break open the slow folk fog of ‘Meant To Be’ , the two lullaby bookends ..and on , and on) .

“The journey we’ve had together has been beautifully turbulent”, laughs John. “But there’s times when we glide and we’re gliding forward now”

Mick agrees. “Making this album has been frantic, chaos, carnage, intense : the normal way with us. But it doesn’t sound like that. That’s all that matters. The story is what it is. But so are the songs and so are the records. Because we’re good.”

Nobody could disagree with that.

The Shack story is one of music’s greatest legends. It incorporates hardship, bereavement and chaotic misadventure, but above all it tells the tale of beautiful music triumphing over trouble and tragedy.

‘Here’s Tom with The Weather’ boasts a majestic and fresh form. These are magical songs, psychedelic folk songs of the finest Head vintage. Sleepy-eyed, wistful and mystical, yet crafted with a cunning and acute dexterity beyond just about anybody you can think of.

The two profoundly Liverpudlian brothers Mick and John Head have made several brilliant albums together , but none as quickly as ‘Here’s Tom…’ which was completed in seven weeks at Brynderwen Studios in North Wales along with drummer Iain Templeton (rip) , bassist Guy Rigby and producer Jay Reynolds in 2003.

In the 80’s , the two brothers from the notorious Kensington estate in north Liverpool were singer and guitarist with The Pale Fountains , an effervescent pop group which imploded under the weight of two albums in 1986. The Heads returned in ‘88 as Shack and a debut album Zilch. In 1991 , Shack made ‘Waterpistol’ , an inspirational guitar jewel that would have proved just as influential as any British album in that era had the studio not burned down, taking the master tapes with it. Four more years passed , but by the time it was finally released on Marina it had developed ‘lost classic’ status.

The Heads battled on. They toured as their hero Arthur Lee (rip) of Love’s backing band. In ‘97 , they created

a new group called The Strands and recorded the delicate, dreamy masterpiece ‘The Magical World Of The Strands’ . They spent a long time making another classic ‘hms Fable’ , and then decided that next time they wouldn’t take quite as long recording. Enter ‘Here’s Tom With The Weather’.

Showcasing John’s slow , shy emergence as a songwriter to challenge his brother (on the sparkling, heartbreaking ‘Miles Apart’ and ‘Carousel’ , and the spun-out ‘Kilburn High Road’ ) , toasting Mick’s newest confirmation as the most unrecognised genius of his or any other generation (the ode to his bro, ‘Byrds Turn To Stone’ , the mariachi horns that break open the slow folk fog of ‘Meant To Be’ , the two lullaby bookends ..and on , and on) .

“The journey we’ve had together has been beautifully turbulent”, laughs John. “But there’s times when we glide and we’re gliding forward now”

Mick agrees. “Making this album has been frantic, chaos, carnage, intense : the normal way with us. But it doesn’t sound like that. That’s all that matters. The story is what it is. But so are the songs and so are the records. Because we’re good.”

Nobody could disagree with that.

No box. Disc 3 and 5 ONLY (Every Day And Every Night / Don't Be Frightened Of Turning The Page). Inner sleeves with stickers. Vinyl with a couple of light scuffs

The breakthrough 2003 album.Includes "Something Bigger, Something Brighter" and "This Is Our Emergency".Pretty Girls Make Graves formed in Seattle in 2001, fused together out of the still glowing embers of nearly a dozen important groups. Andrea Zollo and Derek Fudesco had played together in Death Wish Kids and Area 51 along with Dann Gallucci, with whom Derek formed Murder City Devils. Shortly before the Murder City Devils called it quits, he and Andrea started Pretty Girls Make Graves with J. Clark (who was in Kill Sadie and Sharks Keep Moving) and Nick Dewitt and Nathan Thelen (both in Bee Hive Vaults). Brilliantly produced by Phil Ek (ModestMouse, Built To Spill, Les Savy Fav), The New Romance magnifies Pretty Girls Make Graves" songcraft and technical prowess while letting some air into their songs and keeping things in crisp focus. Every song on The New Romance is an anthem, yet without traditional verses and choruses. Tension builds and shifts without conventional release, as moments of glassy beauty and rousing aggression trade sides.

Record Store Day 2020 Release.
Limitation: 1500 copies.

Double Purple Vinyl. Gatefold Sleeve. The sixth album by Bardo Pond, a critically revered space rock masterpiece, 2003's 'On The Ellipse' is reissued for the first time since 2003.

Bright Eyes' Christmas Album begins with a piano, flute, ambientnoise, and musical saw-driven version of "Away in a Manger,"helping weed out casual Christmas music enjoyers, but all tootempting for the most devout of Conor Oberst's disciples,who originally learned that the warmth of the holiday season istrumped only by its potential for melancholy back in 2002 withthe original Saddle Creek release. Oberst and a small army offriends at his house proceed to jamboree through Christmasclassics like "Have Yourself a Merry Little Christmas," "GodRest Ye Merry Gentlemen," and "Oh Little Town of Bethlehem,"Clear Red Vinyl.Holiday cheer, when delivered with Oberst's trademark tremble,sounds more like a lament than it does hymns of ecclesiasticaljoy. But the spirited listener will find that the fragile, homespun,and somewhat blinkered vibe that permeates the album setsitself apart from the bog-standard, less sonically humbleofferings...

CD comes in a soft case, instead of the original crystal case. All booklets included.

Lifted or The Story Is in the Soil, Keep Your Ear to the Ground Originally released 2002. "The first three are innocent in a way, because we didn't have an audience when we were making them," Oberst says. "But from Lifted on, I was definitely aware of an audience. Lifted was well-received right away, and then everything happened with Wide Awake and Digital Ash." Those two albums came out simultaneously. And their lead singles - "Take It Easy (Love Nothing)," from the austere, remote Digital Ash, and "Lua," from the warm, folky Wide Awake - debuted in the top two slots on the Billboard Hot 100. "First Day of My Life," also from Wide Awake, would later be voted the Number One love song of all time by NPR Music's reader's poll. Bright Eyes had officially broken through. It was a heady, exciting time, but also fraughtand tense, both because of the band's careening new fame, and because of the state of the world. When Bright Eyes made their Tonight Show debut in 2006, they chose to perform none of their shiny new hits, instead delivering a searing, harrowing rendition of their caustic anti-Bush anthem, "When The President Talks To God." These days, Oberst is still amusing himself by messing with the extremes Bright Eyes baked into this

2022 Dead Oceans' reissue of the third album by the Nebraska indie band Bright Eyes. Fevers and Mirrors was recorded in 1999 and released on May 29, 2000. The album begins with a recording of a little boy reading Mitchell Is Moving, a book by Marjorie Weinman Sharmat. On this album the band used new instruments such as the flute, piano, and accordion introduced into the song arrangements. After "An Attempt to Tip the Scales", there is a mock radio interview that features Todd Fink of The Faint doing an impression of Oberst while reading a script that Oberst wrote. In this interview, the fake Oberst presents a strange, contradictory explanation of his attitude towards his music.

2022 Dead Oceans' reissue of the second album by indie rock band Bright Eyes. Letting Off the Happiness was orginially released on November 2, 1998. It was the first release by Bright Eyes to feature and be produced by Mike Mogis, now a permanent member of the band. Guest musicians include members of Cursive, Tilly and the Wall, and Elephant 6 collective's Neutral Milk Hotel and of Montreal.

Dead Oceans' 2022 reissue of the debut album by Bright Eyes. A Collection of Songs Written and Recorded 1995-1997 was the first commercial release by Conor Oberst and features his vocals and guitar. The album saw Oberst beginning to experiment with drum machines, keyboards and other instruments. The sound of the album ranges from bleating vocals to acoustic guitar songs and techno-style synthesizer instrumentals.

Trailer Bride's 1996 self-titled record is a long-lost relic of the blooming Chapel Hill, North Carolina music scene of the '90s. Superchunk, Polvo, Archers of Loaf and other indie rock darlings were leading the town's indie rock movement while Southern Culture on the Skids were pushing the alt-country genre forward. Then comes Trailer Bride who combined both of those worlds with a gothic, lo-fi sound that centers around Melissa Swingle's atmospheric vocals and cryptic lyrics. Swingle started Trailer Bride following the demise of her band Pussy Teeth and would later go on to form the indie rock duo The Moaners with Laura King (Bat Fangs, Speed Stick), but the dark, southern sound that defines Trailer Bride's debut record provides a mystifying listening experience a quarter-century later. No Depression said it best in their 1997 review: "They're impossible to describe, but whatever you wanna call it, they sound really good." The album is available for the first time ever on vinyl for Record Store Day Black Friday 2022. This 25th anniversary edition is pressed on cloudy orange vinyl and remastered for vinyl. Limited to 1,500 copies worldwide.

180 gram vinyl

In 1993 Bardo Pond was fresh and still drying off out of their crawl out of Philadelphia's psych primordial ooze. A quartet in those early days, they assembled a demo cassette to use for booking and merch purposes titled cryptically as "No Hashish, No Change Money, No Saki Saki". This release largely remained a Discogs curio in the intervening years, never seeing a wide formal release in any capacity. Now, thirty years later, "No Hashish..." makes its first truly formal release in a mastered format and ready to daze their every hungry fans. Close to an hour of hazy, smoke-filled goodness spread over two LPs, this provides the proper soundtrack for a late night zone out accompanied by your chemicals of choice.

With OIS. Copy closer to NM

Svart Records presents the 40th anniversary reissue of Peilitalossa by Musta Paraati. The vinyl edition, limited to 500 copies, is wrapped in a replica of the original cover layout and contains a booklet with accompanying text and rare photos. The Svart Records store has an exclusive clear/purple/turquoise marble vinyl version, limited to 150 copies, that also comes with a repro of the original promo poster from 1983.

Peilitalossa is the most important classic gothic rock album to come out of Finland. Musta Paraati began in 1981 and were soon signed by Johanna Kustannus, who released the album, produced by Jimi Sumén and recorded by Risto Hemmi at Finnvox, in 1983. After Musta Paraati split up in 1984, Peilitalossa evolved into one of the most loved cult albums in Finland. It has been reissued on CD in 2001 and in an earlier vinyl edition by Svart in 2012.

Innovative East LA Chicano punk rockers THE Brat formed in l978 when lead guitarist Rudy Medina and his guitarist nephew Sidney met singer-songwriter Teresa Covarrubias. Together they began penning songs that addressed social inequalities while fusing hardcore sounds with reggae undercurrents and a hint of girl group pop. A gig at the Vex in l98O put them in the orbit of Los Illegals and The Plugz, whose frontman Tito Larriva produced their debut EP Attitudes, making it the first release on his own Fatima Recordz label. A killer set from start to finish, this fully authorized limited edition remastered reissue comes with rare bonus tracks and a printed inner sleeve. Essential!

Re-release of the second album of the Berlin outfit on the original OHR label. Produced by the famous photographer Didi Zill in 1971 at Hansa Studios.

Search Party was the brainchild of (then Reverend) Nicholas Freund. Having left Wisconsin to join a burgeoning West Coast religious scene, Freund made his way to San Francisco in 1968 to lay down this sole effort with some of his students. The result is a spooky trip that’s equal parts acid-soaked mind expansion and God. Laced with haunting vocals and dreamlike passages, sinister farfisa, blasts of fuzz guitar and downer lyrics, Montgomery Chapel is psychedelic music at its most evocative and thanks to its depth and sense of anxiety, most truly spiritual. The ominous nine-minute drifter 'So Many Things Have Got Me Down,' for example, tackles the difficulties of an unfulfilled married life, depression and spiritual apathy, all while riding a stripped down, grooving beat. If you can imagine a lo-fi United States of America/Jefferson Airplane hybrid, you have an idea of how cool this band sounds. Only 600 copies were pressed and issued on the custom Century label; they've become holy grails of collectors. Artists as disparate as Current 93's David Tibet and Sonic Boom have heaped praise on it. We're thrilled to give this lost classic a proper reissue. Audio restoration by Anders Peterson. Insert is packed with info thanks to Nick Freund, who was gracious enough to delve into his memory, scrapbook, and photo albums to help us flesh out the portrait of one of the most potent—and perhaps most unlikely—psychedelic groups to ever record an album.