Search "hello+cruel+world" 4029 Items

Teenage Shutdown The World Ain't Round, It's Square!

LP | EU (Crypt)

17,99 €*

Release: EU

Genre: Rock & Indie

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Genre: Rock & Indie

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Genre: Rock & Indie

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Before The World Beet You Down

Mr.Lewis & The Funeral 5

LP (MVD)

10,99 €* 19,99 € -45%

Genre: Rock & Indie

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Six String Drag

Top Of The World

LP (Second Motion)

15,59 €* 25,99 € -40%

Genre: Rock & Indie

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Rob Ickes & Trey Hensley

World Full Of Blues

LP (Compass)

Genre: Rock & Indie

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Mad Invasion

Edge Of The World

LP (Mad Invasion)

16,89 €* 25,99 € -35%

Genre: Rock & Indie

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1980-1986 Black Vinyl Edition

Discharge

LP | EU (Radiation Reissues)

Release: EU

Genre: Rock & Indie

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Formed in the northern industrial town of Stoke on Trent in 1977, Discharge changed punk with its distinctive brand of hardcore, making minimalist music with distorted guitar, drone-like bass, shouted anarchist themes and propulsive drumming, known as D-Beat. Originally issued in 1987, this killer compilation charts the best of their early years with Clay Records, from the full-on assault of Realities of War, passing the chart-topping Why?, to the shrieking sounds of Grave New World, which edged further into metal territory. Listen and be awed by the power and the glory of one of the most influencial punk and metal bands ever.

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Release: EU

Genre: Rock & Indie

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Over the past 20 years The Peawees from La Spezia, Italy became a household name in the European rock ‘n’ roll scene, with 5 albums and multiple 45’s under their belt, and having shared the stage with bands like The Sonics, The Dictators, Radio Birdman, The Damned, The Dwarves, and many others. Started, back in 1995, as a straight forward punk rock band, over the years the sound of The Peawees got richer and richer, influenced by garage rock, rhythm ‘n’ blues and more, but always recognizable as The Peawees within seconds, not in the last place thanks to their singer Hervé’s warm, soulful voice. In 2001 the band released their third album, ‘Dead End City’, which is considered a classic by fans all over the world. The album includes their ‘underground hit’ ‘Cause You Don’t Know Me’, which was covered half a dozen times by bands like Califorian punk rockers the Groovie Ghoulies and Swiss country band The Hero Brothers.

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Release: US

Genre: Rock & Indie

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In The Spirit World Now (Synth

Release: US – Original

Genre: Rock & Indie

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The third album of the Italian hardcore band known all over the world! The fury of thrash metal combined with punk attitude is the right combination to define this album: it will crush your skull like a ton of bricks whilst embarking on an assault to your eardrums! A true masterpiece of the 80s to own in your collection.

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Ceremony

LP (Relapse)

Genre: Rock & Indie

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This World Is Going To Ruin Yo

Vein.Fm

LP (Nuclear Blast)

34,99 €*

Genre: Rock & Indie

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Neil Young & Crazy Horse

World Record

2LP | EU (Warner)

47,99 €*

Release: EU

Genre: Rock & Indie

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LP | JP | Original (Fontana)

Pop's Around The World

5,99 €* 7,99 € -25%

Do The Backstroke / Mother's Earth

Release: JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Foxing on sleeve.

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Big Boss Man

7" (Spinout Nuggets)

2LP | Original (Real World)

Genre: Rock & Indie

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Hand-Numbered, Limited to 500. Big Boss Man have produced a hip-Hammond hybrid of 60's R'n'b, Latin, Soul, Bongo-Fuzz and Funk since 1998. As well as playing hundreds of concerts and festivals across the UK, Europe and even Russia, Big Boss Man's music may sound familiar to you, being regularly played on film and television, including Come Dine With Me, Strictly Come Dancing and I Used To Be Famous, and broadcast on BBC Radio, by presenters including Gideon Coe, Cerys Matthews and Craig Charles. Their track 'Party 7' was featured in the international Nike World Football '06 Campaign advert featuring Thierry Henry and Eric Cantana. The entire soundtrack to The Mighty Boosh's Bafta nominated short film "Sweet" was provided from tracks taken from the Big Boss Man's "Humanize" album. The band have performed live on national Spanish television and had tracks included on XFM London Radio and "Later" magazine compilation albums (100,000 plus copies). Big Boss Man's official remix of Modfather Paul Weller's single "The Bottle" went straight in to the UK Top 20, and fast became a collector's item. Know enough yet? Well you'll need to see them live too! Big Boss Man's explosive live shows are legendary. They've been blasting stages since their earlier days in The Loafers, Skooby and Espadrille, amongst a few others. Big Boss Man have released four studio albums, and six 7" singles, and have appeared on countless compilations. This twin-spin 7" single has two new dance floor fillers from Big Boss Man's most recent recordings, and are sure to pack out dance floors across the globe, and further.

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Spiro

Repeater

32,99 €*

Release: Original

Genre: Rock & Indie

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LP | Original (Jagjaguwar)

Oakley Hall

29,99 €*

Release: Original

Genre: Rock & Indie

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2LP | Original (Wharf Cat)

Wet Hair

The Floating World

Release: Original

Genre: Rock & Indie

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Jon Gaunt And Guerrilla Grass

7" | US | Original (Not On Label)

4,99 €*

Release: US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Ill Never Get Out Of This World Alive

Steve Earle

LP (New West)

28,99 €*

Genre: Rock & Indie

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Genre: Rock & Indie

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All These Worlds Are Yours

Holy

2LP (Pnk Slm)

30,99 €*

Genre: Rock & Indie

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Wooden Wand & The World War IV

Wooden Wand & The World War Iv

LP (Three Lobed)

Genre: Rock & Indie

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Around The World Yellow Vinyl Edition

Red Hot Chili Peppers

LP | EU | Original (Yellowvin)

Release: EU – Original

Genre: Rock & Indie

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La Sone Des Pluies Et Des Tombes

Xavier Grall

LP | FR | Original (Disques Velia)

64,99 €*

Bill Haley And His Comets

Release: FR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Cover with light wear

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Rock Around The Clock

LP | DE | Reissue (Midi)

7" | EU (Demons Run Amok Entertainment)

Release: DE – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Small light scuff on side 2.
Sticker on cover.

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Hatebreed

Picture Shape Vinyl

19,99 €*

The Green Uncle and the Black Hole Surfers

Release: EU

Genre: Rock & Indie

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DRA is happy to announce another Shape Vinyl in their upcoming Shape Vinyl Series. We´re excited to offer this adorable collectors items of Metal and Hardcore Kings Hatebreed! Honor Never Dies and Own Your World are taken from the album "The Divinity Of Purpose" an unapologetic, furious and fiercely catchy cluster of tracks that perfectly and pit-worthily marry metal with hardcore.

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In The Animal World

LP | EU | Original (Virkelighedsfjern)

Release: EU – Original

Genre: Rock & Indie

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Bill Monroe & His Blue Grass Boys

Bluegrass Instrumentals

LP | JP | Reissue (MCA Coral)

8,99 €*

Release: JP – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: G+, Cover: VG

The Original Hit Performances! All-Time Country And Western Hits Vol. 1

LP | DE | Original (Coral)

Release: DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Splinter Record Store Day 2024 Picture Disc Vinyl Edition

The Offspring

LP | Reissue (Round Hill Music)

35,99 €*

At Maida Vale Record Store Day 2024 Black Vinyl Edition

Release: Reissue

Genre: Rock & Indie

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Die cut picture disc version of the album Splinter

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Everything But The Girl

12" | EU | Original (Virgin Las)

23,39 €* 25,99 € -10%

Release: EU – Original

Genre: Rock & Indie

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Quantity: 2200
Release type: RSD Exclusive Release
Everything But The Girl’s ‘At Maida Vale EP’ is made up of four tracks recorded in April 2023 at the BBC’s famous Maida Vale Studios.All the recordings are versions of tracks on the band’s current album, ‘Fuse”, except Single which first appeared on their platinum 1996 album, Walking Wounded. The session was the only live performance that the band did around the release of their new album.

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Strawbs

Grave New World

LP | US | Original (A&M)

19,99 €*

Horror Vacui Purple Vinyl Edtion

Release: US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: G+

Promo.
Cover with punch hole, sticker, seam split and storage abrasions.
Record has some hairlines and a few superficial scratches.

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Horror Vacui

7" | EU (Agipunk)

10,99 €*

2LP | DE | Reissue (MCA Coral)

Release: EU

Genre: Rock & Indie

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Horror Vacui are back with a long awaited new release. Their unique blend of death rock and post punk needs no further introduction: with 4 records, countless releases and tours worldwide, the unstoppable 5 pieces painted the underground world in dark shadows during their decade of existence. A recent line up change (that now sees former guitar player Marzia on drums) and two brand new songs that will make you ask for more. A tasty prelude to the long awaited new full length due soon in 2024.

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Buddy Holly

Portrait In Music

6,99 €*

Release: DE – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | JP | Original (Concert Hall)

Los Bohemios Paraguayos

5,99 €*

Release: JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: G+, Cover: G+

Ocho Bolas

Al Servicio

LP | EU (Common People)

LP | EU | Original (Munster)

Release: EU

Genre: Rock & Indie

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Reissued for first time on vinyl the demo-tape "…Al Servicio" by the Chilean Punk/Oi! band Ocho Bolas! Since its formation in the late '80s, Ocho Bolas has been an emblem of the Punk scene in Valparaíso (Chile). The band was formed in 1988 and they gave their first concert that same year at the Mauri Theater (Valparaíso) when the Punk scene was still a resistance to the fierce Pinochet dictatorship. A year later in 1989 they recorded their first demo-tape "…Al Servicio" which contained 8 songs that were released on cassette by the band themselves (today it is almost impossible to find copies of that first edition). "…Al Servicio" is the closest thing in that corner of the world had to the spirit of the first Hardcore/Punk with direct lyrics and enormous honesty, without any pretension other than to shout about what bothered them and what was different a lot to what was done in Santiago at that same time, both in terms of lyrics and music. Ocho Bolas were much more aggressive and direct than other bands of the time. Already in 1991, they recorded their best-known 12” through the German label DIM Records. 1000 copies were pressed of the Mini-LP "Trabajo Duro" which also included a version of Cock Sparrer converted into “Yo Quiero a Mi País”. But that is another story… Deluxe edition with gatefold cover and insert including lyrics, cuts and old photos. For the EU version of the album 300 copies have been pressed on black vinyl and 100 on baby blue vinyl (this colour version includes an A2 poster as extra).

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Mysterio

16,99 €*

LP | JP | Original (Probe)

Release: EU – Original

Genre: Rock & Indie

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Charlie Mysterio's new album opens a new musical door for him compared to Los Caramelos, his main project over the years. This time he delivers an eponymous album bursting with anthem-like eternal melodies, songs that would reach the top of the pop charts in an ideal imagined world. He's a singer-songwriter with a fuzz pedal and a Roland Tr-606 as travel companions on this journey, which could be another one tomorrow and will probably change again on the stage. Includes CD.

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Three Dog Night

World Sounds Collection

7,99 €*

Release: JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Live In Dallas 1975 Black Vinyl Edition

Led Zeppelin

LP | EU (DBQP)

21,99 €*

Release: EU

Genre: Rock & Indie

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At three straight sold-out performances in Fort Worth (Monday night) and in Dallas (Tuesday and Wednesday nights) the world renowned 4-man rock band attracted 34,000 fans, which according to show promoters Concerts West, is an all-time gate record for an indoor rock show in this area.

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LP | DE | Reissue (MCA Coral)

Rock 'N Roll Revival

6,99 €*

Release: DE – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Wonderful World / The Best Of The 4-Skins Blood Red Transparent Vinyl Edition

4-Skins

LP | EU (Step One)

Westworld Crisis Colored Vinyl Edition

Release: EU

Genre: Rock & Indie, Reggae & Dancehall

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Blood red transparent vinyl/ Sleeve re-design and full band background info added. 2024 re-release of the one of the original and biggest and best selling UK Oi! bands of the early 80`s which still continues today! All of this amazing early 80`s Oi! band`s most popular early tracks are included... 200 copies transparent blood red on 160g vinyl, Semi-Translucent Microtene Poly Inner sleeves, Vinyl placed behind jacket in clear outer re-usable poly bags, Updated sleeve artwork and band history added. Great re-packaging!

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Uxb

LP | EU (Demons Run Amok Entertainment)

Release: EU

Genre: Rock & Indie

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UxB is a new band formed by the members and driving force behind the influential punk band US Bombs. After parting ways with original vocalist over conflicting political views in 2015, Kerry Martinez (Shattered Faith, Bad Luck Charms) Wade Walston (Suburbia, DI, Agent Orange) Chip Hanna (One Man Army, Weirdos, Tsol) have teamed up with legendary front man and show stealing performer Jesse Wagner (The Aggrolites). The result is extraordinary. With their timeless old school song writing, blistering guitars, and vocals, UxB’s debut album West World Crisis is destined to be a classic. The album’s overall theme is about the world’s current climate and technology’s influence. Songs from the album’s title track “West World Crisis” to “Only Life” are lyrics that remind all of us to step back while songs like “Dance live Dance” and “Cosmic Reaction (She’s so Real”) tell us to enjoy life while we can and find love in the simple things around us. Overall UxB is a coming together of amazing songwriters, superb musicians and excellent vocals that is sure to excite punk fans for years to come.

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Concrete Sox

No World Order

LP | EU (Sox Records)

Release: EU

Genre: Rock & Indie

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Release: Reissue

Genre: Rock & Indie

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2LP | Original (Nuclear Blast)

The Halo Effect

Days Of The Lost

41,99 €*

Release: Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Buddy & The Crickets Holly

The Chirping Crickets

LP | 1957 | Reissue (Waxtime In Color)

Release: 1957 / Reissue

Genre: Rock & Indie

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LP | 1959 | US | Original (World-Pacific)

Ravi Shankar

India's Master Musician

Ola Belle Reed, Alex Campbell , The New River Boys

Release: 1959 / US – Original

Genre: Organic Grooves, Rock & Indie, Classical Music

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Used Vinyl

Medium: VG, Cover: VG

Close to VG+

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I'll Be All Smiles Tonight/All The World Is Lonely Now

7" | 1962 | US | Original (New River)

Release: 1962 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: Generic

It Happened At The World's Fair Orange Vinyledition

Elvis Presley

LP | 1963 | EU | Reissue (Dol)

15,99 €*

Release: 1963 / EU – Reissue

Genre: Rock & Indie

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LP | 1963 | US | Original (Liberty)

Timi Yuro

Make The World Go Away

16,99 €*

Release: 1963 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1965 | US | Reissue (4 Men With Beards)

Holy Modal Rounders

LP | 1965 | US | Reissue (Antarctica Starts Here)

Release: 1965 / US – Reissue

Genre: Rock & Indie

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180 gram vinyl!

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Jackson C. Frank

27,99 €*

7" | 1966 | EU | Reissue (Wah Wah)

Release: 1965 / US – Reissue

Genre: Rock & Indie

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Jackson C. Frank’s eponymous album is the embodiment of folk legend. Issued in late 1965 on the UK Columbia label, it was for many years more famous for its producer (Paul Simon) and the musicians who would go on to cover its songs (Nick Drake, Bert Jansch, Sandy Denny) than for the hauntingly beautiful music contained inside.

Frank’s backstory certainly adds to the legacy: born in Buffalo, New York, he used the settlement from a childhood accident to sail to London where he quickly became a fixture of the bustling folk scene. Performing a mix of blues standards and originals, he met fellow ex-pat Paul Simon who would put up the money to record Frank’s only LP.

For such a sparsely recorded work, Jackson C. Frank covers a lot of ground. From the rugged, world-weary opener “Blues Run The Game” to the stunning melancholy of “Milk And Honey,” Frank’s nimble acoustic guitar and passionate howls are all that is needed to power such authentic songwriting. Captured in a single-day session, these ten tracks are stark, gritty and seemingly out-of-place with time. There may be no ‘60s folk record that is simultaneously as rare and influential as Jackson C. Frank’s self-titled debut.

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Brenner's Folk

Daurat Oest +3

12,99 €*

LP | 1966 | UK | Reissue (The state51 Conspiracy)

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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The most elusive Edigsa 7" gets its first ever vinyl reissue on Wah Wah. An unsung moody garage folk-rock act, Brenner's Folk where the embryonic Pic-Nic (of "Cállate niña" fame) and featured a very young Jordi 'Toti' Soler right after he had gone through Els Xerracs (who also had released an EP on Edigsa), drummer Jordi Barangé (also from Els Xerracs) and brothers Vytas and Haakon Brenner. The Brenner brothers were born in Germany but grew up in Venezuela, where their family had emigrated after the devastation of World War II. The Brenner family would return several years later to establish in Europe, first in Italy and later in Barcelona. The new band started to rehearse under the name of The Vytas Brenner Quartet, and their main influences came from american modern folk acts like Peter Paul and Mary or The Mamas & The Papas, a.o. Not long after they started rehearsing, a very young Jeanette joined them thus becoming Brenner's Folk. Edigsa approached them and offered a contract for the recording of their only EP, sung in catalan and issued in 1966. A showcase of their folk and folk rock influences, the Brenner's Folk 7" is a lo fi garagey jewel that has become an elusive piece due to the importance that its band members would gather in years to come. Toti Soler became the biggest master of guitar, he went to psychedelic and progressive / jazz rock with Om prior to trading in his electric for a Spanish guitar and pioneering instrumental flamenco jazz rock fussion sound on his early solo albums. He is still active nowadays, he is one the biggest Catalan geniuses of modern guitar. The Brenner brothers returned to Venezuela where Vytas became a big solo act, recording the sought after LPs "La Ofrenda de Vytas" and "Hermanos" with his brother Haakon on production duties. Vytas continued a solo carrer that would last until his premature death in 2004 at only 57 due to a heart attack. Jeanette, of course, went on to lead the successful Pic-Nic along with Toti Soler and later enjoyed a successful solo career in the 1970s and 1980s, plus a come back in the early 2000s.

The 4 original Catalan sung tunes will appeal to lovers of Catalan sixties aborigen sounds, Euro & Nederbiet or American teen moody folk rock garage a la Rising Storm, Dovers, Nightcrawlers, Tormentors and the likes.

A facsimile reproduction of this mega rare EP, originally released on Edigsa in 1966, coming with remastered sound and an insert with lyrics, photos and notes.

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Donovan

Sunshine Superman

The Wondrous World Of Sonny & Cher

Release: 1966 / UK – Reissue

Genre: Rock & Indie

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Donovan Philips Leitch is a Scottish singer-songwriter and guitarist who in the 1960s developed an eclectic and distinctive style that blended folk, jazz, pop, psychedelia, and world music. He emerged from the British folk scene and reached fame in the UK in early 1965 before replicating this in the US the following year, baring the fruits of the blossoming, successful, and eventually long collaboration with record producer Mickie Most.

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Sonny & Cher

LP | 1966 | RU (Audio Clarity)

7" | 1966 | JP | Original (Warner)

Release: 1966 / RU

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed. Tiny corner wear. 2020 reissue.

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Peter, Paul & Mary

Cruel War

Release: 1966 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1966 | US | Original (World Pacific)

Bob Lind

Photographs Of Feeling

Buck Owens And His Buckaroos

Release: 1966 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

seam wear. mono pressing

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Carnegie Hall Concert Vinyl Me, Please Edition

LP | 1966 | US | Reissue (Vinyl Me, Please)

33,99 €*

Indian War Whoop Deluxe Ediiton

Release: 1966 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
“In the first 75 years of Carnegie Hall being in operation, country music was an intermittent guest in the hallowed hall. In March 1966, however, a country band from Bakersfield, California, took to Carnegie Hall’s stages at the peak of their powers, as only the second country band to headline a show there, and ultimately released — outside of At Folsom Prison — the most important live country album ever. An album that proved many things between its two sides: that country music had an audience around the world already, and that the artist behind the album’s gamble on himself and his sound proved that you didn’t need to go to Nashville and sell out to sell big. With Carnegie Hall Concert, Buck Owens and His Buckaroos entered the pantheon of country music, becoming part of its very fiber, and altered the way it was considered in big cities and at record labels.”

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The Holy Modal Rounders

LP | 1967 | US | Reissue (Don Giovanni)

43,99 €*

LP | 1967 | US | Original (World Pacific)

Release: 1967 / US – Reissue

Genre: Rock & Indie

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"Some people think this record is unlistenable, while others consider this one of the key documents of the American music underground" - Byron Coley -55th Anniversary edition, one time pressing of 1500 foil numbered 2xLP copies -2 disc collection including original album remastered and Live in 1965 -Half-speed mastered vinyl cut by Miles Showell at Abbey Road Studios -Live in 1965 (Disc 2) remastered by Ryan Schwabe and available on vinyl for the first time -Comprehensive liner notes by Jesse Jarnow (Heads: A Biography of Psychedelic America) and Peter Stampfel The year 1967 proved to be a strong point of the ’60s generation culture and the ever growing New York underground music scene. Steve Weber and Peter Stampfel provided a blithe sendup of musical Americana as they mined this tradition, while introducing outrageous and zany virtuoso turns on acoustic guitar, banjo and violin. Their lyrics and vocals are uniquely their own. Their personalities were profoundly incompatible, like those of Gilbert and Sullivan.

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Ravi Shankar, Alla Rakha

Ravi Shankar In New York

8,99 €*

Release: 1967 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1968 | US | Reissue (Lion)

The Nihilist Spasm Band

No Record

28,99 €*

LP | 1968 | EU | Reissue (Wah Wah)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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One of very few indie label releases on Spin Magazine's list of 100 top counter-cultural music, ahead of legends like Mulatu Astatke, Brigitte Fontaine, Pärson Sound, Ornette Coleman, Sun Ra and His Solar Arkestra, Harry Partch, and Os Mutantes. Zowie! "In 1965, eight guys from London, Ontario, decided to start a free-improv group — 'free' to the point of building their own instruments, which they decided couldn't be set up to produce specific pitches... Their vocalist, schoolteacher Bill Exley, banged on a cooking pot and bellowed hilariously about stupidity and destruction and Canada. They didn't treat what they were doing as an advanced, visionary form of experimental music, but as a big, stupid, fun, ecstatic noise. By the '90s, noise artists finally recognized NSB as their ancestors — and, almost 50 years after they started, the surviving members of the Nihilist Spasm Band still play every Monday night while their children haunt loft spaces the world over." —Spin

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The Underdogs

Blues Band

24,99 €*

Nancy Sinatra & Lee Hazlewood

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Wah Wah is proud to release the first ever legit vinyl reissue from master tape of New Zealand's legendary Underdogs' first LP from 1968. Lovers of John Mayall and his Bluesbreakers (note the Eric Clapton tribute paid on the sleeve of this album) will love this album. The Underdogs formed in 1964 and shared the scene with other greats from the country like The La De Da's, The Action (NZ band, not to be confused with the UK mod godfathers) and The Pleazers. They spread the rhythm and blues word from their native Auckland through several 45s on the Zodiac label and went through a series of line-up changes prior to the release of their fabulous first long player. The Underdogs Blues Band LP was recorded by Murray Grindlay on vocals, Lou Rawnsley on guitars, Neil Edwards on bass and Tony Walton on drums, and shows the group’s appreciation for Mayall's combo - just like The Bluesbreakers' Crusade LP the Underdogs open their album with a cover of Albert King's "Oh, Pretty Woman," one of three "Bluesbreakers" songs covered on the LP. On this first long player the band storm into a world of guitar led rave-ups a la Yardbirds, organ blues grinders and even give a sight to what's to come next with some incipient heavier sounds a la Cream.

This is a 500 copies only reissue, housed in its original artwork in a vintage styled backflaps sleeve and insert

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Nancy & Lee Black Vinyl Edition

LP | 1968 | US | Reissue (Light In The Attic)

30,99 €*

Nancy Sinatra & Lee Hazlewood

Release: 1968 / US – Reissue

Genre: Rock & Indie

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First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive
Beautifully packaged and expanded gatefold LP featuring a 20-page booklet

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

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Nancy & Lee

Tape | 1968 | US | Reissue (Light In The Attic)

10,99 €*

LP | 1968 | EU | Reissue (Discos Monterey)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

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Los Shain's

Docena 3

24,99 €*

Nancy Sinatra & Lee Hazlewood

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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The following year, 1968, "Docena 3" would see the light of day, highlighting the LSD world on the cover, in which they added more accentuated lysergic moments, the use of the Indian zither, plus Jorge Pomar on rhythm, and other technical novelties such as reverse tape effects, including anti-war and love messages. The album brings together some captivating songs of their own, plus surprising covers with surrounding sound arrangements.

Shortly thereafter, the band would break up, but not before leaving us with another album to fulfill their contract, entitled "Instrumental's" (1968). The members would go on to separate careers with Pico's Los Nuevos Shain's, and Gerardo Manuel's The (St. Thomas) Pepper Smelter. They would reunite again in 2007, but it was not until this year 2021 that, thanks to Discos Monterey, these two late sixties Peruvian rock summits are once again available with excellent sound and respecting the original artwork.

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Nancy & Lee 8Track Edition

8Track | 1968 | US | Reissue (Light In The Attic)

23,99 €*

Flashes Black Vinyl Edition

Release: 1968 / US – Reissue

Genre: Rock & Indie

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This is an 8track-cartridge, not a music cassette

First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

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Ill Wind

LP | 1968 | EU | Reissue (Out-Sider Music)

23,99 €*

Beliebte Russische Lieder

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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“Flashes”, the sole album by Boston based band ILL Wind, was produced by Tom Wilson (Simon & Garfunkel, Mothers Of Invention, Velvet Underground…) and originally released on ABC Records. Terrific West Coast styled sound with male/female vocals, strong guitar interplay and inventive songwriting, featuring titles like “Dark World”, “People Of The Night”, “Hung Up Chick”… and wait till you hear their cover of “High Flying Bird”! *Hard cardboard sleeve + OBI *Includes insert with liner notes and photos

* Includes digital download card

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Karl-Heinz Hocke

LP | 1968 | DE | Original (Metronome)

11,99 €*

LP | 1968 | EU | Reissue (Wiseraven)

Release: 1968 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Cover close to VG+

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Tim Hollier

Message To A Harlequin

28,99 €*

LP | 1969 | EU | Reissue (Out-Sider)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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An acid-folk masterpiece finally revealed ! When two worlds collide here’s where the legacy of Tim Hollier begins, his first album was released on United Artists in 1968 and this long overdue re-issue is a definitive statement of the master genius. Guest on the opening night of a Beckenham folk club run by his friend David Bowie, Hollier recorded ‘Message To A Harlequin’ with the assistance of Donovan arranger John Cameron. Hollier was also a regular on London's folk club circuit for several years alongside the likes of Paul Simon, Al Stewart and Nick Drake. Here’s your chance to finally grab his visionary songwriting.

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Locksley Hall

21,99 €*

Heaven / Earth HHV Exclusive Green Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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In 1969, Locksley Hall, a psychedelic band from Washington, recorded a full album at Audio Recorders in Seattle produced by Sonics Engineer Kearney Barton and long time Northwest guitarist Ned Neltner (Mark Five, Gas Company…).
Never released at the time, this is a great example of West Coast styled psychedelia / acid-rock, featuring female vocals, prominent organ, hard guitar, excellent songs…

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The Free Design

LP | 1969 | EU | Reissue (Bonfire)

26,99 €*

Heaven / Earth Black Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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A vocal band that made it through, the Free Design have been more than an exception in the glittering world of the psychedelic circus. That was the Age of Aquarius in the end, but in the long run the 4-piece had an enormous impact on the younger generation. Released in 1969 “Heaven/earth” is a cornerstone on its own and 30 years later the band had a sort of epiphany, thanks to the spanning interest of artists such as Cornelius, Beck, Stereolab and crate digger master Madlib. By now the Free Design are considered in the same league of The Beach Boys and The Carpenters. Under the influence of the Hi-Lo’s and Peter, Paul and Mary, The Free Design rose through the folk scene of the Greenwich Village coffee houses, achieving national prominence with the enchanting ‘Kites Are Fun’. They would prove to be at least the artistic equals of such popular contemporaries as The Association, The Mamas and the Papas, The Fifth Dimension and Harper’s Bizarre, but without quite matching their commercial success. Rather than be dictated to and diluted by the majors, they chose to commit to the artistic freedom and potential to develop offered them by the producer Enoch Light through his independent set up Project 3 Total Sound.

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The Free Design

LP | 1969 | EU | Reissue (Bonfire)

Crosby Stills & Nash SuperVinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Crosby Stills & Nash

LP | 1969 | US | Reissue (Mobile Fidelity)

119,99 €*

Creedence Clearwater Revival

Release: 1969 / US – Reissue

Genre: Rock & Indie

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ULTIMATE-SOUNDING VERSION OF THE HARMONY-RICH LANDMARK: DELUXE AUDIOPHILE PRESSING LIMITED AND NUMBERED COPIES
1/4" / 15 IPS analogue master to DSD 256 to analogue console to lathe

The enduring charm, contemporary relevance, and harmonic convergence of Crosby, Stills & Nash's fabled self-titled debut owe not only to impeccably played songs and resonant lyrics, but to career-defining performances by music's first genuine supergroup. Crosby, Stills & Nash lingers as an example of the whole being greater than the sum of its parts. Factor in phenomenal studio production and acoustic-based architecture that served as guideposts for myriad albums that followed, and popular music would never be the same.

Limited and numbered, pressed on MoFi SuperVinyl at RTI, and mastered from the original master tapes, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP collector's edition enhances the incalculably influential work for the ages to come. Surpassing the sonics of any prior version, it peels away any limitations to provide a transparent, ultra-nuanced presentation of a record that birthed the Laurel Canyon movement and established a precedent for close harmony singing that has never been eclipsed. The organic presentation of the textures; expanse and depth of the soundstages; fullness of tones; natural extension of the acoustic guitar strings; realistic rise and decay of individual notes; seamless blending of the vocals – all those important sonic facets (and more) reach demonstration-grade levels.

The packaging features the same attention to detail. Housed in a deluxe box, the Crosby, Stills & Nash UD1S pressing features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendour of the recording and the reissue's premium quality. Aurally and visually, MoFi's UD1S copy exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art – and everything involved with the album, from the images to the finishes.

The backstory of how Crosby, Stills & Nash came to be nearly matches the import of its content. Already a renowned multi-instrumental virtuoso, Stephen Stills sought a fresh beginning after Buffalo Springfield splintered. Similarly, vocal powerhouse David Crosby arrived after leaving the Byrds and gaining a reputation for being difficult. Graham Nash drifted over after a frustrating stint in the Hollies. He met his new mates at a party. When the three sang together informally for the first time, their fate was sealed. To further tie their fortunes together, the singers used each of their surnames to identify the group to ensure the collective could not exist or continue on without all three members.

From the opening of the lead track, the multi-part "Suite: Judy Blue Eyes," written for Judy Collins, it's apparent the trio's dynamic cannot be replicated or substituted. Originally released in May 1969 on Atlantic, the eponymous debut cracked the Billboard Top 10 and spent almost two years on the charts. Such longevity can be credited to the distinctive traits each member lends to a record Rolling Stone cites as the 252nd Greatest Album of All Time. Stills trades in folk, country, and rock accents while handing a majority of the instrumental duties (organ, bass, and lead guitar included). Crosby paints with mood and atmosphere, as well as direct political commentary. Nash ties everything together with accessible pop melodies.

More than five decades later, the ensemble's mellifluous singing and homespun arrangements continue to soar. The evidence pervades Crosby, Stills & Nash, whose magnetism reflects in standards such as the breezy "Marrakesh Express," protesting "Long Time Gone," poignant "Helplessly Hoping," and poetic "Wooden Ships." No wonder the trio's chemistry – as well as the distinctive traits of each member's singing, interwoven guitar parts, and contrasting personalities – became a permanent part of an American culture dealing with conflicting themes of peace and war, love and violence, and change and status quo.

More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior
Mobile Fidelity Sound Lab's UltraDisc One-Step (UD1S) technique bypasses generational losses inherent to the traditional three-step plating process by removing two steps: the production of father and mother plates, which are created to yield numerous stampers from each lacquer that is cut. For UD1S plating, stampers (also called "converts") are made directly from the lacquers. Since each lacquer yields only one stamper, multiple lacquers need to be cut. Mobile Fidelity's UD1S process produces a final LP with the lowest-possible noise floor. The removal of two steps of the plating process also reveals musical details and dynamics that would otherwise be lost due to the standard multi-step process. With UD1S, every aspect of vinyl production is optimized to produce the best-sounding vinyl album available today.

MoFi SuperVinyl
Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.

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Willy And The Poor Boys

LP | 1969 | EU | Reissue (Fantasy)

LP | 1969 | EU | Reissue (Akarma)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Vinyl LP repressing of this 1969 album. WILLY & THE POOR BOYS, the fourth album by one of the world's all-time greatest rock bands, Creedence Clearwater Revival, remains a top-selling album in the CCR catalog with over 2 million copies sold to date. Reaching the top 50 in six countries upon it's release, the album stands as a landmark international success and one that cemented the band's legacy as a vanguard of American rock 'n' roll. Contains the ubiquitous chart-topping hit, 'Down On The Corner,' which rocketed into the top 10 in the Billboard Hot 100 in the U.S. and continues to be a mainstay on classic rock radio today. Additionally, the visceral 'Fortunate Son' is included here - an incendiary protest song that became inextricably linked to the Vietnam war, resulting in it's addition to the National Recording Registry by the Library of Congress in 2014 for being 'culturally, historically, or aesthetically significant'.

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Sacred Mushroom

25,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Sacred Mushroom -- led by future Pure Prairie League member Larry Goshorn (guitar/vocals) and featuring brother Danny Goshorn (vocals) -- were a short-lived rock/blues quintet based in Cincinnati, OH. Their efforts coalesce on this, the band's self-titled debut (and only) long-player. The album contains a blend of proficient originals as well as a pair of well-chosen cover tunes, such as the blues standard "Mean Old World" and the Kinks' "I'm Not Like Everybody Else." While their name conjures images of late-'60s psychedelic or acid rock, Sacred Mushroom's roots were decidedly more bluesy than trippy.

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LP | 1969 | DE | Original (Decca)

The World Of Blues Power

4,24 €* 4,99 € -15%

A World Of Peace Must Come Orange Vinyl Edition

Release: 1969 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with many scuffs and hairlines

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Stephen John Kalinich

LP | 1969 | US | Reissue (Light In The Attic)

12,99 €*

It's So Hard To Tell Who's Going To Love You The Best

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Limited Edition for Record Store Day 2014!

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Karen Dalton

LP | 1969 | EU | Reissue (Light In The Attic)

41,99 €*

LP | 1970 | CA | Reissue (Return To Analog)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Features new all-analog mastering by Kevin Gray at Cohearent Audio, direct from the original analog tapes - Pressed at RTI - Includes liner notes by Brian Barr - Featuring unseen photos by legendary photographer Joel Brodsky - LP housed in an expanded gatefold jacket

Description: “My favorite singer in the place was Karen Dalton. She had a voice like Billie Holiday’s and played the guitar like Jimmy Reed.” – Bob Dylan

Karen Dalton's 1969 Capitol debut is finally back in print! Light in the Attic is thrilled to present a brand new edition of this heart-wrenching & bluesy introduction to the intoxicating world of Dalton and her deep well of musical secrets.

World-weary and filled with the blues, Dalton’s unsurpassed interpretive depth and emotional range were like no other. Recorded for Capitol in 1969, It’s So Hard To Tell Who's Going To Love You The Best spans generations of classic American songwriting–covering classics by Lead Belly, Fred Neil, and Tim Hardin. While no longer with us in the physical, Karen’s growing musical presence is stronger than ever and worthy of re-examination by both the converted and the uninitiated alike. This new re-release serves as the definitive, all-analog version of Dalton’s stunning debut, featuring remastered audio from the original Capitol masters, the original 1969 artwork in an expanded gatefold jacket, unseen photos by album photographer Joel Brodsky, and an essay interviewing Karen’s friends and music collaborators, from album producer and bassist Harvey Brooks to musician Peter Stampfel of the Holy Modal Rounders.

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Dionysos

Le Grand Jeu

21,99 €*

LP | 1970 | EU | Reissue (Discos Monterey)

Release: 1970 / CA – Reissue

Genre: Rock & Indie

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Dionysos's first album '' Le Grand Jeu '' (1971) is one of the must-hear classics of Quebec rock. Sung in colloquial French, drifting somewhere between swampy blues-rock and the emerging prog aesthetic, with some flute passages and a liberal dose of Hammond organ, it is likely the heaviest record made until then in the entire French-speaking world.

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Gerardo Manuel & Humo

Apocallypsis

LP | 1970 | EU | Reissue (Dialogo)

Release: 1970 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Gerardo Manuel left behind his deepest beat days with The Dolton’s and the Shain’s, plus his garage psych stage with St Thomas Pepper Smelter. At the beginning of the seventies he was joined by a new band formed by other illustrious Peruvian musicians, called El Humo because, according to Ernesto Samamé (We All Together) they met to play unpretentiously, to test the new sound equipment of the Virrey label. The first of the albums was "Apocallipsis" (1970). It was followed in 1971 by the conceptual "Machu Picchu 2000" in which he used all his imagination to tell us about the resurgence of the Inca empire after the third world war that broke out at half past five on December 31, 1999. Songs of lysergic melodies, with Latin touches, give life to this album that looks for peace in the world. Unique and memorable albums, essential for any discography with the best of South American music from the sixties.

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Piero Umiliani

Africa

Royal York Crescent Record Store Day 2022 Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Piero Umiliani’s Africa was released in January 1972, a years-ahead record that includes the prog-tingedblack rhythm of “Africa To-Day”, the ‘fourth world’ inspiration coming from Jon Hassell’s “Green Dawn”, the‘exotic’ references in Martin Denny’s style (“Lonely Village”, “Echos”), the electronic new wave (hearing is believing!) of “Sortilège”, the folk music (“Rite”, “Folk-Tune”). An incredible album summarizes sounds and styles that will make the fortune of much more celebrated and popular musicians and artists.

Africa (1972) In 1972 Piero Umiliani was above all the man of a thousand soundtracks and the first Italian jazz experiments; from his later career we’ll soon learn that wasn’t enough for him, showing just a tiny part of a more complex picture. Closed within the walls of his Sound Work Shop Studio, the Maestro was weaving much more complicated and satisfying plots, incorporating dozens of influences from a life spent experimenting and discovering new sounds. Among the most fascinating ones, those who came from a continent like Africa, as much fabled as actually little known, but enchanting to the point that Umiliani dedicated to it the entire Africa - which is paired with its twin-record Continente Nero - and released it as M. Zalla, pseudonym used when it came to tidying up uncompromising and avant-garde music textures, as will later happen with masterpieces such as Suspense, Problemi D’Oggi or Mondo Inquieto. Always keep in mind when this album had been released, in January 1972, before approaching its content: here the prog-tinged black rhythm of Africa To-Day, the ‘fourth world’ inspiration coming from Jon Hassell’s Green Dawn, the ‘exotic’ references in Martin Denny’s style (Lonely Village, Echos), the electronic new wave (hearing is believing!) of Sortilège, the folk music (Rite, Folk-Tune). Many years in advance, in Africa Piero Umiliani summarizes sounds and styles that will make the fortune of much more celebrated and popular musicians and artists.

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Ian A. Anderson

LP | 1970 | EU | Reissue (Bonfire)

29,99 €*

12" | 1970 | EU (Trading Places)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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When we talk about british folk revival we should not forget a key figure as Ian A. Anderson, a songwriter on its own and a truly prime mover in the local scene. Currently editor of the ‘world music magazine’ fRoots, Ian A. Anderson first performed in his home town of Weston-super-Mare as a member of the Backwater Jook Band and came to prominence as a member of the Bristol based country blues scene of the mid to late 1960s, performing live and on record, both solo, with Al Jones and Elliott Jackson as the trio Anderson Jones Jackson, and as a duo with ‘globetrotter’ and long time friend Mike Cooper. After two EPs, he recorded his first album, Stereo Death Breakdown, as Ian Anderson’s Country Blues Band, which was released by Liberty/United Artists in 1969. In December 1969, with John Turner, he conceived the record label The Village Thing, for which he was also a producer. The label released two dozen albums by mostly between 1970 and 1974 including influential albums by Wizz Jones, Sun Also Rises, Pigsty Hill Light Orchestra, Steve Tilston, Dave Evans, Lackey & Sweeney, Chris Thompson, Dave Peabody and more, as well as three by Anderson himself. ‘Royal York Crescent’ is proper solo debut was licensed the 13th of Novemebr 1970 and is still considered as a forerunner of the acid folk movement . His lightly fingerpicking was backed by bongos – Ian Turner – and bass/piano – John Turner – providing a dynamic effort for his spectacular lyricism. This long lost classic is finally backing in print for your necessary uplifting entertainment.

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Titus Groan

Open The Door Homer

13,99 €*

Did You Give The World Some Love Today, Baby

Release: 1970 / EU

Genre: Rock & Indie

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Proto-prog act Titus Groan came together in London from disparate influences: drummer Jim Toomey, who later played in the Tourists, had a trad jazz background, and then played in a soul act with saxophonist/flutist/oboist Tony Priestland; bassist John Lee had played with jazz saxophonist Dick Morrissey, and guitarist/keyboardist Stuart Cowell was a blues fan, hence the diverse directions of their sole LP. Rare 12-inch ‘Open The Door Homer’ features their cover of the unreleased Bob Dylan song that was also tackled by Fairport Convention, originals ‘Woman Of The World’ and ‘Liverpool’ between blues rock, jazz rock and prog.

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Doris

LP | 1970 | UK | Reissue (Mr Bongo)

LP | 1970 | Reissue (Moosicus)

Release: 1970 / UK – Reissue

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

2014 reissue.

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Canned Heat

Future Blues

26,99 €*

Release: 1970 / Reissue

Genre: Rock & Indie

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Ladies Of The Canyon 180g 45RPM SuperVinyl Box Set

Joni Mitchell

2LP | 1970 | US | Reissue (Mobile Fidelity)

154,99 €*

LP | 1970 | EU (Trading Places)

Release: 1970 / US – Reissue

Genre: Rock & Indie

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SOURCED FROM THE ORIGINAL ANALOGUE MASTER TAPES
PRESSED AT RTI ON MOFI SUPERVINYL, AND STRICTLY LIMITED TO 5,000 NUMBERED COPIES
1/4” / 15 IPS / Dolby A analogue master to DSD 256 to analogue console to lathe

Ladies of the Canyon can be viewed as Joni Mitchell's coming-out party. Having recently moved to Lookout Mountain in Los Angeles' Laurel Canyon area — her house is depicted in a watercolour painting she made for the record's cover — the Canadian icon turned to her immediate surroundings for inspiration the while taking the pulse of national affairs, corporate enterprise, celebrity, and her relationship with Graham Nash. The 1970 album finds the singer-songwriter morphing into the groundbreaker who would shed folk music's constructs and wade into pop, jazz, soul, and poetry with a combination of depth, sophistication, self-examination, and acumen no one had ever heard.

Sourced from the original analogue master tapes, pressed on MoFi SuperVinyl at RTI on MoFi SuperVinyl, featuring new liner notes, and strictly limited to 5,000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP box set delivers Ladies of the Canyon with bracing intimacy, detail, balance, and depth. Marking the first time the LP has received audiophile treatment, it's one of six iconic Mitchell records Mobile Fidelity is reissuing on definitive-sounding vinyl and SACD sets.

Playing with organic warmth, superb clarity, and ample spaciousness, this collectible UD1S edition benefits from the inherent properties of SuperVinyl — a virtually non-existent noise floor, reference-calibre groove definition, and ultra-silent surfaces among them. Primarily recorded solo, with spare accompaniment on select tracks, Mitchell practically takes up residence in your listening room. Her voice, piano, and guitar image with spot-on precision and three-dimensionality; the music is focused, emotional, natural. Auxiliary instrumentation — cello, clarinet, baritone saxophone, Milt Holland's deft percussion — is seamless, cohesive, steady. Notes bloom and decay as they do on a live stage; relatedly, the soundstage extends far and wide, with carbon-black backgrounds adding to the uncanny realism.

The deluxe packaging of the Ladies of the Canyon UD1S set complements its distinguished status. Housed in a deluxe slipcase, both LPs come in special foil-stamped jackets with faithful-to-the-original graphics that illuminate the splendour of the recording. This UD1S reissue is made for listeners who prize sound quality and production, and who desire to engage themselves in everything involved with the album, including Michell's illustrative painting that serves as the cover art.

Deemed "powerful and brilliant" upon release by The New York Times, Ladies of the Canyon followed Mitchell's first Grammy-winning effort (Clouds) and marked the first of six consecutive masterworks she made en route to becoming the most celebrated singer-songwriter of both her generation, and, arguably, all time. It's the first record on which the then-26-year-old featured the piano, a creative decision of immeasurable significance; first to attain platinum status, which transformed Mitchell into more than a folk figure; first to see her taking more chances with her singing; and the last on which she comes across upbeat, largely unencumbered by the complex themes and personal ache that would occupy her for the foreseeable future.

Mitchell radiates confidence and courage, producing Ladies of the Canyon herself after realizing she didn't need the services of an outsider when she already knew what she wanted. She just required a competent and collaborative engineer, who she landed in Henry Lewy. Fittingly, on the record's affectionate title track, she celebrates community and a trio of women — all real, all from her Laurel Canyon neighborhood — who, individually, as a visual artist, free-spirited mother, and circus-raised imagineer, respectively, were all reflected in Mitchell herself. Akin to Trina, Annie, and Estrella, Mitchell also had an affinity for wearing beautiful clothes, hosting friends, baking sweets, and weaving "a pattern all her own."

That pattern most famously materializes on the album's closing trio of songs — their unconventional placement on the record likely another sly acknowledgement of Mitchell's disdain for commercialism, or at the very least, catering to its demands — each, then and now, a classic. Within months of releasing Ladies of the Canyon Mitchell would find herself at the centre of the singer-songwriter movement — and preparing songs for another album whose impact is still felt today.

More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior

Mobile Fidelity Sound Lab's UltraDisc One-Step (UD1S) technique bypasses generational losses inherent to the traditional three-step plating process by removing two steps: the production of father and mother plates, which are created to yield numerous stampers from each lacquer that is cut. For UD1S plating, stampers (also called "converts") are made directly from the lacquers. Since each lacquer yields only one stamper, multiple lacquers need to be cut. Mobile Fidelity's UD1S process produces a final LP with the lowest-possible noise floor. The removal of two steps of the plating process also reveals musical details and dynamics that would otherwise be lost due to the standard multi-step process. With UD1S, every aspect of vinyl production is optimized to produce the best-sounding vinyl album available today.

MoFi SuperVinyl

Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analogue lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.

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Tim Hollier

LP | 1971 | US | Reissue (Mobile Fidelity)

Release: 1970 / EU

Genre: Rock & Indie

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Future music publishing magnate and film financier Tim Hollier signed to United Artists as a singer-songwriter in 1968 and after debut Message To A Harlequin, Hollier signed to Fontana for this excellent and unjustly neglected self-titled sophomore set. The beautiful folk rock showcases his collaborations with American guitarist/vocalist Amory Kane and supporting percussionist Ned Balen, the understated lead of Chilean guitarist Hector Sepulveda adding shades of psychedelic rock. Somehow, Tim Hollier failed to achieve the success it deserved, the obscure gem a rarity that all prog and intelligent folk rock fans will adore. Get yours now!

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Carole King

Tapestry

60,99 €*

Release: 1971 / US – Reissue

Genre: Rock & Indie

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LP | 1971 | US | Reissue (4 Men With Beards)

David Wiffen

35,99 €*

Justin Heathcliff (Osamu Kitajima)

Release: 1971 / US – Reissue

Genre: Rock & Indie

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*Canadian singer/songwriter David Wiffen's 1971 self-titled album, originally released on Fantasy Records, is now reissued by 4 Men With Beards. The album is a showcase for David's rich baritone voice and his world weary, laid back songs. Standout tracks include the classic song "Driving Wheel" covered by Tom Rush, The Byrds, The Jayhawks, Roger McGuinn and The Cowboy Junkies among many others, plus the openly confessional "More Often Than Not" and "I've Got A Ticket." This is an underground folk/chamber pop classic reissued on 180-gram vinyl.

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Justin Heathcliff

LP | 1971 | EU | Reissue (Everland)

41,99 €*

2LP | 1971 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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It is time that this awesome piece of late 60s style beat and psychedelic rock music gets a proper reissue. This one will be appointed with an awesome leathery cover and comes in a strictly limited edition, available in prsale only.
What do we know about this record? It feels like Syd Barret, TBeatles, Twink, The Deviants, T-Rex, Tomorrow and The Small Faces got together for a boozy and smoky jam session out of which a handful of beautiful songs have emerged, ranging from straight, powerful beat tunes towards joyful flower pop anthems with a bubble gum edge with a layover at melancholic folksy singer / songwriter sounds. What most people do not know ist that the participating musicians are only partly British. This album is the brainchild of renowned Japanese world music / ethno jazz rock artist Osamu Kitajima, who later on went to fame under his own name with some extraordinary progressive albums in the later 70s. He spent a year in England around 1970 to 1971 and recorded this album under the monicker of „Justin Heathcliff“, to make the impression of a true British pop / psyche record with a distinctive late 60s feel perfect. It might not have been a commercial starship around the time it got released, but it stood the test of time and even nearly 50 years after it’s initial release this record still flatters our ears with songs of unearthly beauty on par with the above mentioned English legends. More pop than alternative music of 1968 „Justin Heathcliff“ is a great soul journey to a brighter and more colorful time. This is swinging London, not the apocalyptic hippie Utopia of Haight Asbury in late 1967, or the revolutionary street fights in Germany or France. This is music to comfort your mind and make you feel happy. It even goes back to 1966 when The Beatles did „Revolver“. For a 1971 release this is already a retro affair despite only going back to elements who were five years old at most. It does not matter anyway, this is a masterpiece and Osamu Kitajima is a master of colorful UK 60s pop.
For all fans of The Kinks, Tomorrow, Manfred Man in the late 60s, The Small Faces, Twink, The Beatles etc.

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T.Rex

Electric Warrior

73,99 €*

LP | 1971 | FR | Reissue (Sony Legacy)

Release: 1971 / US – Reissue

Genre: Rock & Indie

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T. Rex's Exotic Landmark Signals the Birth of Glam Rock, Features "Bang a Gong (Get It On)": Electric Warrior Swaggers with Libido, Flamboyance, Fantasy, Fun, Hooks, and Theatricality

Mastered on Mobile Fidelity's State-of-the-Art Mastering System: 180g 45RPM Vinyl 2LP Set Presents the 1971 Record's Reverb, Colors, Tones, and String Arrangements in Full-Tilt Glory

Bang a gong and get it on. At once sardonic, flamboyant, and trashy, T. Rex's uncommonly unique Electric Warrior catapulted leader Marc Bolan to stardom, triggered an ongoing fascination with glam rock, and launched a movement that soon involved David Bowie, Roxy Music, Mott the Hoople, and more. Yet none of those namesake artists ever released a record that out-glammed, out-innuendoed, out-thrusted, or out-camped Electric Warrior – named the 160th Greatest Album of All Time by Rolling Stone and included in the celebrated book 1001 Albums You Must Hear Before You Die.

Mastered on Mobile Fidelity's state-of-the-art mastering system, pressed on dead-quiet vinyl at RTI, and housed in a gatefold sleeve, the label's numbered-edition 180g 45RPM 2LP set gives the 1971 landmark the widescreen sound quality it has always deserved. Tony Visconti's warm, reverb-soaked production and Roy Thomas Baker's ace engineering remain two of the work's most famous and revered elements. Here, the production and music can be experienced in all its full-tilt glory, from the subtle albeit elegant classical touches to the instantly identifiable Les Paul guitar licks to Bolan's sensual, wispy, are-they-or-aren't-they-serious vocals.

As Sean Egan wrote in the liner notes of a long-out-of-print reissue: "The sound is recognizably rock, yet a previously unheard exotic variant, almost as if concocted by inhabitants of one of the Tolkien-esque worlds common in Bolan's lyrics. The strings are overt but discreet in shape and tone, injecting just the right amount of class." All these aspects and more come to life with a realism, vibrancy, detail, and textural palpability that surpass the presentation on any prior analog edition. If you can hear colors, this audiophile version of Electric Warrior will stimulate your inner synesthesia.

At the time of the album's creation, such cosmic-related phenomenon were well within Bolan's orbit. But the differences between Electric Warrior and the singer/guitarist's earlier works are as vast as those that divide high art and low-brow culture. Chief among them: Bolan's decision to channel his acoustic hippie-inspired visions into hyper-sexualized, metaphor-rich statements that benefit from amplified foundations. And still, part of the songs' charm relates to how they tread a fine line between rock and pop.

Save for the lashing out of "Rip Off," Electric Warrior retains a mellow core underlined by a gauzy tint, gossamer temperament, and crushed-velvet feel. The perception that he record contains blustery heaviness is furthered – and initiated – by the now-iconic album cover, which depicts a giant-sized Bolan standing in front of an equally giant amplifier stack, striking a rock-star pose and giving the impression everything within is designed to go to the proverbial 11 on the volume knob. Akin to a majority of the songs themselves, the visual functions as clever illusion, absurd humor, ostentatious simplicity, and playful pretense.

Bursting with excessive fun and unchecked libido, T. Rex's catchy boogies, shuffles, and vamps scoot by on a seemingly impossible blend of concise hooks, non-sequitur fantasies, and theatrical swagger. From the chart-topping "Bang a Gong (Get It On)" to the beautiful "Life's a Gas," the R&B-stoked hit "Jeepster" to the pout of "Motivator" and galactic soul of "Planet Queen," Bolan, percussionist Mickey Finn, and boards manipulator Visconti craft a rewardingly strange, parallel universe of sound, style, and sex that still has no equal.

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Carole King

Tapestry

29,99 €*

LP | 1971 | EU | Reissue (Discos Monterey)

Release: 1971 / FR – Reissue

Genre: Rock & Indie

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Originally releaed in 1971 the album is a milestone in modern Pop and Rock music and decorated with four Grammys.

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Gerardo Manuel & Humo

Machu Picchu 2000

CD | 1971 | US | Reissue (Now-Again Reserve Series)

Release: 1971 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Gerardo Manuel left behind his deepest beat days with The Dolton’s and the Shain’s, plus his garage psych stage with St Thomas Pepper Smelter. At the beginning of the seventies he was joined by a new band formed by other illustrious Peruvian musicians, called El Humo because, according to Ernesto Samamé (We All Together) they met to play unpretentiously, to test the new sound equipment of the Virrey label. The first of the albums was "Apocallipsis" (1970). A wild and acid work, with its own songs and fabulous covers. An explosion of crazy psychedelia , overflowing solo moments, and the vocals delivered by a very inspired Gerardo Manuel. Songs of lysergic melodies, with Latin touches, give life to this album that looks for peace in the world. Unique and memorable albums, essential for any discography with the best of South American music from the sixties.

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Mark Fry

Dreaming With Alice

19,99 €*