Search "hello+cruel+world" 4026 Items

LP | 1978 | JP | Original (RCA)

Livetime

LP | 1978 | EU | Reissue (Epic)

Release: 1978 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI, but with insert.

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AC/DC

Powerage

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Digitally remastered European vinyl LP pressing of this 1978 release from the Australian Hard Rockers, reissued to coincide with their 2008 studio release and world tour. Nine tracks.

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LP | 1978 | EU | Reissue (Real World Productions)

Peter Gabriel 2: Scratch

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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LP | 1978 | JP | Original (Elektra)

Carly Simon

Boys In The Trees

8,99 €*

LP | 1979 | EU | Reissue (Bonfire)

Release: 1978 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Copy is close to NM!

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Veronique Chalot

J'ai Vu Le Loup

22,99 €*

Junior's Got Brain Damage

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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Fully licensed, ltd to 500 copies, 180 gr. Comprised of a precious inlay card featuring an exclusive essai by Emma Tricca. “This is an album that takes you on a supernatural journey to the discovery of ancient sounds that move our souls in the deepest of manners”.

Veronique Chalot was born in Normandy in the north of France, but it was in Paris that she first became interested in traditional French folk music. In 1974 she landed in Rome where she soon earned a small, but dedicated following. In 1979 she recorded her first studio effort, J'ai vu le loup, for the Italian Materiali Sonori label. Over the past 30+ years she has given hundreds of concerts, presenting her repertoire of traditional French/Italian folk songs and building awareness of that fascinating patrimony of antique melodies and dance rhythms. She passed away unfortunately on the 3rd of July 2021

“First glance into Veronique's voice and you're under a spell she's unaware of casting. Like hearing the magical sound of Ulysses' sirens, you want to throw yourself into the deep blue waters of this record, its saucerful of secrets. Like finding the hidden doors into an ancient world of court jesters, magic flutes, troubadours, and love potions, her delivery, both on the instrument and the singing, is of a beauty impossible to comprehend. Pointless for me to dissect every song or try to draw the history of each and every poem or musical piece. This is an album that takes you on a supernatural journey to the discovery of ancient sounds that move our souls in the deepest of manners. All of this and more was how I felt back in the mid-90s, as a kid, when I first saw Veronique playing in a small club in Rome called Folkstudio. This record captures all the wondrous sensations I had seeing her perform; a life-changing experience. Bon voyage; she'll take you places. (Emma Tricca)”

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Ervin Berlin

7" | 1979 | US | Reissue (Total Punk Archives)

14,24 €* 14,99 € -5%

2LP | 1979 | US | Reissue (Feel It)

Release: 1979 / US – Reissue

Genre: Rock & Indie

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Pressed in an ultra limited number of 200 back in 1980. Ervin Berlin was the work of Ervin Shuemake (a late 20s acid rocker) and two young punks named Jeff and TOM THE Bomb. Ervin had cut his teeth playing guitar on the crazy Terry Brooks "strange" Translucent World LP back in 1973 and spent the remainder of the 70s in various acid, hard, and prog rock bands throughout Central Florida. He met the younger punk duo of Jeff and "The Bomb" at end of 79 beginning of 80 and decided to take a stab at the punk craze with his two new acquaintances. Soon the trio was at a country and western studio in Winter Haven recording the Ervin Berlin single between sessions for possible Bellamy Brothers tracks. The blending of Ervin's acid rock chops and Jeff and Tom's thuggish punk approach resulted in this KBD space punk stomper. Equal parts Blue Cheer, Debris, Sacramento's Ozzie, and late 70s Hawkind. The 7" was pressed, a few house parties were played, and all parties went separate ways. 42 years later we are kicking off Total Punk Archives with a reissue of this lost Orlando classic. 100% Total Punk!!

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The Toms

45,99 €*

LP | 1979 | FR | Original (REM)

Release: 1979 / US – Reissue

Genre: Rock & Indie

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"the Toms was originally released in 1979. The project of TOM Marolda, a New Jersey musician, he recorded the album in his home studio, playing all the instruments himself. In the years since its release, it's become a highly prized treasure amongst power pop fans around the world, at least those lucky enough to discover it. Beatlesque melodies abound on a record that sounds anything but lo-fi. Feel It Records is proud to re-release this long sought after gem with 12 bonus tracks that have never seen the light of day on vinyl before!"—John M. Borack, Author, Shake Some Action 2.0: An Updated Guide to the 200 Greatest Power Pop Albums.

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Chorale Mixte De Givors

89,99 €*

Release: 1979 / FR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Sleeve has light scuffs and wear around the edges.
LP has surface marks.

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LP | 1979 | JP | Original (RCA)

X-Static

Childhood And Memory (Pieces For Guitar)

Release: 1979 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing without OBI, but with insert. Vinyl close to VG+

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William Ackerman

LP | 1979 | US | Reissue (Windham Hill)

Release: 1979 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Barbara Ed Altri Carella Turquoise Colored Vinyl Edition

Enzo Carella

LP | 1979 | EU | Reissue (The Saifam Group)

33,99 €*

Release: 1979 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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LP | 1980 | US | Reissue (Return To Analog)

Perth County Conspiracy

23,99 €*

Tülay German & Francois Rabbath

Release: 1980 / US – Reissue

Genre: Rock & Indie

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Beastly sounds for a zombie nation as classic 80s gaming soundtrack Shadow of the Beast gets debut vinyl edition with a recording taken from the original platform game, and new artwork from acclaimed illustrator Keith Rankin.
Composed by David Whittaker for the 1989 Amiga platformer of the same name, Shadow of the Beast sees its first ever vinyl release courtesy of the UK's Lag Records, presented in also its first mastered edition as directly taken from the original game system.
A prolific VGM composer, Whittaker holds more gaming soundtracks to his name than any other, with titles such as Lazy Jones to his name, as (in)famously sampled for the 1999 club hit Zombie Nation.
Shadow of the Beast remains a prime example of his pioneering hands-on approach, programming music directly with instrumental samples of his own on a Korg M1 synthesizer. The tunes make for a singular combination of Spaghetti Western-style tension mixed with world beats. Tracks like The Plains play with harder rhythms like warped speed techno, while a hard-to-miss melancholy pervades the Underground suite.
The fiendishly difficult Shadow of the Beast itself was an interesting example of game design for its time, recorded at a frame rate to match arcade machines as opposed to monitors, and loaded with a 128 colour palette. Two sequels later followed in the 1990s, along with a 2016 remake for the Playstation console.
The soundtrack comes ready for a 2019 audience with mastering courtesy of Jerome Schmitt at the AirLab, and brand new artwork from acclaimed illustrator and musician Keith Rankin in collaboration with artist Ellen Thomas. Shadow of the Beast will also come on transparent purple vinyl, in standard LP format.

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LP | 1980 | EU | Reissue (Zehra)

20,89 €* 21,99 € -5%

The Plastic People Of The Universe

Release: 1980 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Remastered vinyl reissues of the two essential albums by Turkish folk/ jazz singer Tülay German, starting with the self-titled release (1980) and followed by "Hommage to Nazım Hikmet" (1982) in early 2022. Referring heavily on turkish poets and the tradition of aşıks (singer-poets and wandering bards) these two albums represent unique and modern interpretations of turkish folk songs unmatched
to this day. A matured artist with full conviction at the height of her powers! Back in the 60s Tülay German (*1935 in Istanbul, Turkey) shook the turkish music landscape with several 7" records. Most notably her first 7" record Burçak Tarlası (1964) is now considered
the cornerstone of what was to become the Anadolu Rock/ Pop movement and underlines her rebellious nature and sense of justice.
But due to increasing repression Tülay German and her lifelong partner and intellectual impetus Erdem Buri decided to leave Turkey a few years later. In fact, an impending prison sentence for Erdem Buri for translating Hegel’s Dialectic and Science of Logic led the couple to emigrate to France.

In France Tülay German signs a major contract with Philips resulting in many 7" releases sung in french under her french moniker Toulaϊ. In the long run Tülay German doesn’t feel quite comfortable with this major deal. And thus, despite the success and recognition she had gained, she decides to quit the contract with Philips! Later on she signs to independent world-music label Arion to pursue her actual artistic goals more in line with her origin and temperament. Back to her mother tongue, Tülay German records above mentioned albums for Arion under full artistic freedom, the only full-lenghths in her 20+ years career. Alongside with double-bass virtuoso and turkophil François Rabbath (*1931 in Aleppo, Syria) the albums consist of aşık traditionals and intonated poems mainly by Nazım Hikmet. Her passionate voice and the restrained arrangements of François Rabbath turn these centuries old melodies and poems into glowing manifestos for love and justice.

The fruitful collaboration of these artists-in-exile adds significantly to the rich heritage of turkish folk music. The self-titled debut, which was awarded with the prestigious Grand Prix du Disque of Académie Charles Cros in 1981, is now seeing a vinyl reissue after 40 years. Tülay German ended her musical career in 1987 and after the death of Erdem Buri in 1993 she retired from public life completely, leading a quiet life in Paris where she still lives to this day. In 2021 Tülay German was awarded with the Lifetime Achievement Award by the Istanbul Foundation for Culture and Arts, Turkey.

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Pasijove Hry Velikonocni / Passion Play

LP | 1980 | EU | Reissue (Guerilla)

50,99 €*

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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7" | 1980 | US | Reissue (Iron Lung)

The Steves

Making Time

LP | 1980 | JP | Original (Epic)

Release: 1980 / US – Reissue

Genre: Rock & Indie

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When The Steves' two extremely limited (maybe 100-200 of each?) EPs were released back in 1980 and '81 respectively, the squares around Harvard's newsroom were aghast at the audacity of this group. Having the stones to release such crudely-rhythmic, near mechanical and downright terse tunes in the day's often long winded prog rockin' ballad heavy radio reality that were too robotic to be “punk” and too unruly to be anything but was, to say the least, a bold move. Sure to cause an uproar in the halls, protests in the classroom and uninvited dancing in the streets! In the annals of New England's rock journalism, there is not a mountain of coverage on The Steves, certainly not as much as the Alan Parsons Project or Aerosmith, but the fact remains that they were a fully charged powder keg of raw energy and new musical direction that seemed to elude most of the world back then. Not to say they didn't get any light shone on them, they did get a fair amount of airplay on the college stations around Boston and even appeared on the cover of Boston Rock magazine. It is Iron Lung Records' distinct pleasure to offer the modern world a new chance to discover the ever vital and effervescent music of The Steves' initial EPs along with a third EP of songs never released on vinyl until now that were recorded at the time or shortly after the initial sessions. A true synth-punk/KBD treasure. Obscurity is for suckers. Let's get shakin'! 700 copies of each EP on black 70gr vinyl housed in a 12pt reverse board glue pocket sleeve with faithful reproductions of the original art. Originally produced by V. Ray, Darlene Wilson and The Steves. Remastered by John Golden in 2023. These reissues are dedicated to Steve Arey, a great drummer and the original steve.

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Dan Hill

If Dreams Had Wings

9,49 €* 9,99 € -5%

Release: 1980 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing with OBI and insert. . Vinyl close to NM. Cover with stains.

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Never For Ever 2018 Remaster Blade Bullett Vinyl Edition W/ Obi-Strip

LP | 1980 | EU | Reissue (Fish People)

49,99 €*

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Pressed on 180g, comes with Obi-Strip. Never For Ever is Kate's third studio album and was released in 1980.

Never For Ever was Kate's first no.1 album. It was also the first ever album by a British female solo artist to top the UK album chart, as well as being the first album by any female solo artist to enter the chart at no.1.

It has since been certified Gold by the British Phonographic Industry.

Kate co-produced the album with Jon Kelly. Fish People are proud and excited to announce new pressings of all 10 of Kate Bush's albums, featuring a special new edition for independent retailers.

"It’s very exciting to see people appreciating the physical presence of an album released on vinyl. It’s how it’s always been for me, especially when I was a teenager. The whole buzz of the record store was part of the experience. Buying an album was an event." Kate Bush.

The records are all pressed on 180g vinyl at the world-renowned Record Industry plant in the Netherlands. New lacquers were cut from the 2018 remasters by Bernie Grundman and overseen by mastering engineer James Guthrie.

Indie editions were all designed by Kate and feature new Fish People label designs, stunning Color Vinyl combinations and obi strips with pressing date. They are protected in resealable poly-bag liners with a 'Fish People Reissue' sticker, bottom right.

These are unlimited editions and will be in production constantly.

Street date for the first batch is set at 20 November.

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Never For Ever 2018 Remaster Black Vinyl Edition

LP | 1980 | EU | Reissue (Fish People)

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Pressed on 180g. Never For Ever is Kate's third studio album and was released in 1980.

Never For Ever was Kate's first no.1 album. It was also the first ever album by a British female solo artist to top the UK album chart, as well as being the first album by any female solo artist to enter the chart at no.1.

It has since been certified Gold by the British Phonographic Industry.

Kate co-produced the album with Jon Kelly. Fish People are proud and excited to announce new pressings of all 10 of Kate Bush's albums, featuring a special new edition for independent retailers.

"It’s very exciting to see people appreciating the physical presence of an album released on vinyl. It’s how it’s always been for me, especially when I was a teenager. The whole buzz of the record store was part of the experience. Buying an album was an event." Kate Bush.

The records are all pressed on 180g vinyl at the world-renowned Record Industry plant in the Netherlands. New lacquers were cut from the 2018 remasters by Bernie Grundman and overseen by mastering engineer James Guthrie.

Indie editions were all designed by Kate and feature new Fish People label designs, stunning Color Vinyl combinations and obi strips with pressing date. They are protected in resealable poly-bag liners with a 'Fish People Reissue' sticker, bottom right.

These are unlimited editions and will be in production constantly.

Street date for the first batch is set at 20 November.

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Never For Ever 2018 Remaster Ecopak Cd Edition

CD | 1980 | EU | Reissue (Fish People)

31,99 €*

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Never For Ever is Kate's third studio album and was released in 1980.

Never For Ever was Kate's first no.1 album. It was also the first ever album by a British female solo artist to top the UK album chart, as well as being the first album by any female solo artist to enter the chart at no.1.

It has since been certified Gold by the British Phonographic Industry.

Kate co-produced the album with Jon Kelly. Fish People are proud and excited to announce new pressings of all 10 of Kate Bush's albums, featuring a special new edition for independent retailers.

"It’s very exciting to see people appreciating the physical presence of an album released on vinyl. It’s how it’s always been for me, especially when I was a teenager. The whole buzz of the record store was part of the experience. Buying an album was an event." Kate Bush.

The records are all pressed on 180g vinyl at the world-renowned Record Industry plant in the Netherlands. New lacquers were cut from the 2018 remasters by Bernie Grundman and overseen by mastering engineer James Guthrie.

Indie editions were all designed by Kate and feature new Fish People label designs, stunning Color Vinyl combinations and obi strips with pressing date. They are protected in resealable poly-bag liners with a 'Fish People Reissue' sticker, bottom right.

These are unlimited editions and will be in production constantly.

Street date for the first batch is set at 20 November.

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LP | 1980 | JP | Reissue (Atlantic)

War Babies

34,99 €*

Gnonnas Pedro Et Ses Dadjes

Release: 1980 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI, but with insert.

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The Band Of Africa Vol. 2 - "I Feel Alright"

LP | 1980 | NG | Original (World Wide Music)

Release: 1980 / NG – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: G+

Original Nigerian pressing. There's a James Brown Cover on here! Cover has some discolourations and wear, close to VG.

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LP | 1980 | EU | Reissue (Real World Productions)

Peter Gabriel 3: Melt

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Joy To The World - Their Greatest Hits

Three Dog Night

LP | 1980 | US | Reissue (MCA)

4,99 €*

LP | 1981 | DE | Reissue (Bureau B)

Release: 1980 / US – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Minor writing on back cover.

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Sven Grünberg

Hingus

27,99 €*

2LP | 1981 | EU | Reissue (Spittle)

Release: 1981 / DE – Reissue

Genre: Rock & Indie

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Reissued on vinyl, this is a wonderful Berlin School influenced electronic album (originally from '81) with progressive and psychedelic undertones from an Estonian musician. The 23-minute title track invites us into a fascinating, futuristic world of sound, laced with Far Eastern tonality, embellished with a church organ, extremely rare synthesizers and extraordinary percussion effects. And the other two tracks are no less superb.

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Massacre

Killing Time

Million Dollar Quartet (Elvis Presley / Carl Perkins / Jerry Lee Lewis / Johnny Cash)

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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Released on a 3-sided double-LP

Following the breakup of Cambridge's avant-rock legends, Henry Cow, guitarist Fred Frith moved to NYC in 1979, and soon found himself deep in the heart of the city's robust post-punk and free-jazz scenes, performing with Bill Laswell and Fred Maher, from the group Material, as a power trio of sorts under the moniker of Massacre. The group quickly garnered a reputation around town, and around the world for that matter, as a heavy and heady band that experimented greatly with rhythm, time signatures, and tone. As Frith himself put it, "the group was a direct response to New York. It was a very aggressive group, kind of my reaction to the whole New York rock club scene."

Massacre released one album, Killing Time, before disbanding for nearly 20 years. Their first wave as a group crashed fast and furiously and this one album, recorded in part live in Paris, and in part at Brooklyn's OAO Studio, is a perfect encapsulation of early 80s NYC. In addition to the original album, first released on Celluloid in 1981, this deluxe 3 sided 2LP includes 8 bonus tracks recorded live between 80 and 81 and The Stone in San Francisco, and Inroads and CBGB's in NYC. Avant-jazz-post-punk-noise of the highest order from several legends and one of the most important projects Frith and Laswell were ever involved in, reissued by Spittle.

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Million Dollar Quartet (The Complete Session)

2LP | 1981 | EU | Reissue (Waxtime)

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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12" | 1981 | EU | Reissue (Rush Hour)

Colored Music

Heart Beat

15,99 €*

LP | 1981 | EU | Reissue (Goldencore)

Release: 1981 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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12inch release of highly sought after Colored Music edits by Tokyo's, Chee Chimizu (Organic Music). The two cuts originally featured on the the bands seminal self titled album (from 1981) that remained a cult DJ secret weapon, for many years, all over the world. This heavy EP includes an alternative version of 'Heartbeat' that featured on the Japan only "Individual Beauty" LP of 2018 (also compiled by Chimizu)

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Poker

Red Neck Roller

23,99 €*

LP | 1981 | US | Reissue (Slovenly)

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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Sometimes you wonder why a record remained unknown and only attracted attention regionally. With Poker you don‘t know where to start with all the arguments that should have made them conquer the rock world. Let‘s start with the musicians who founded this band in 1980. The name Kin Ping Meh appears twice, making Krautrock fans sit up and take notice. Guitarist Gagey Mrozeck and singer Michael Pozz belonged to this legendary band, while Peter Oehler (guitar) and Jürgen Astor (drums) came from the Geff Harrison Band. Not only related to the Mannheim area, Poker was an all-star group, especially since the names „Nine Days Wonder“ and „Twenty Sixty Six And Then“ have to be mentioned as well, so that the list of ex-bands is halfway complete.

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Eddie And The Subtitles

Skeletons In The Closet

23,99 €*

LP | 1981 | EU (Radiation Reissues)

Release: 1981 / US – Reissue

Genre: Rock & Indie

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It’s 1980 in Orange County, California, and Punk Rock has been scorching the ‘burbs for a few years. Eddie Joseph has been on the Southern California scene the entire time, plotting his poisonous rock’n’roll maneuvers since the mid 1960s when he began playing in garage bands. Eddie had been honing his skills on roots music and swinging teenbeat well in advance of his foray into a new, seedy, violent punk blitzkrieg. There’s a master plan at work here, and it involves select players depending on which direction Eddie needs to bleed out of his system. The recruitment of Mike Patton and Matt Simon of OC legends THE Middle Class get Eddie AND THE Subtitles rolling for a slew of shows with comrades Black Flag, Adolescents, Circle Jerks and every other degenerate crew in the radius. A DIY imprint called No Label Records is formed (with literally NO Labels on the vinyl!) and the first single “Fuck You Eddie!” is unleashed. Recorded in Fullerton by JON ST. James at his legendary Casbah studio (The Vandals, Social Distortion, Berlin), these sessions also yielded a handful of tracks that would appear on the exceedingly rare Skeletons In The Closet LP (No Label Records, 1981). “Zombie Drug Killers,” “No Virgins In Hollywood,” and “American Society” (the short fast loud version covered by L7) appear here as the opening trio on this newly re-sequenced reissue. Geza X is also on board to produce a handful of tracks with peripheral Subtitles including Nicky Beat (germs, Weirdos) among the sessions’ players. The results here are another manifestation of Eddie’s one true love. Even as a punk allegiant, songwriting, sound and style are the priority. The dusted and dark goth-pop of “Magic” and “Stream of Consciousness” are crucial to the plot, setting a unique tone that works in a sea of one-dimensional scene releases, taking full advantage of Geza’s synth-mimicking microtonal guitar techniques. A tribute to Dave Dacron, chief miscreant of Dangerhouse Records’ Rhino 39 is also set to tape as consolation to X, as Dacron’s 16 year old life was tragically cut short in an automobile accident in 1980. But the party rocks on with covers of “Louie Louie” (also appearing on the elusive Fuck You Eddie! single) and “We Gotta Get Out of This Place,” as a testament to Eddie’s obsession with the timeless now-sounds of his delinquent adolescence. Friends and fellow freaks JON Blair (of surf cats JON AND THE Nightriders) and Bobby Paine (later of rockabilly hepsters THE Paine Brothers) lend their own song-smithery for four more originals: “Boppin’ Little Bobcat, ”“Treat me Right,” “Gina” (covered in 1984 by Josie Cotton and again in ‘89 by Stray Cats) and “Your Head’s In The Right Place,” respectively. Skeletons In The Closet remains an unusual and rare artifact in the ashtray world of punk, DIY and outsider music, and Slovenly Recordings is blasted to present it to the world one more time.

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SIB

The Third World War

16,79 €* 20,99 € -20%

LP | 1981 | JP | Reissue (P-Vine)

Release: 1981 / EU

Genre: Rock & Indie

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First-ever Vinyl Reissue. Limited Edition OF 500 Copies ON Black Vinyl IN Gatefold Sleeve With Double-sided Insert AND Liner Notes BY Stefano Gilardino. Founded in the northern Italian port city of Ravenna in the summer of 1980, S.I.B. (Swelling Itching Brain) was comprised of former members of new wave covers band R.N.A. Transfert, singer Tracy Crazy a huge UK Subs fan. The band’s scorching live performances drew a loyal following, leading to an approach by L.M. Records, Ravenna’s foremost punk and new wave imprint, to cut Third World War, their sole LP. The band’s sound was a very personal one, with reggae, punk, hardcore and new wave all part of the mix—too varied for an audience strictly loyal to genre boundaries. Unjustly overlooked following the group’s demise, we are pleased to give Third World War the reissue it deserves some 40 years later.

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Totsuzen Danball

Can I?

34,99 €*

LP | 1981 | JP | Original (CBS/Sony)

Release: 1981 / JP – Reissue

Genre: Rock & Indie

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Formed around the undeniable talent of the Tsutaki brothers in 1977, the genre-defying music of Totsuzen Danball was introduced to the world in 1981 with the release of their first album, Can I? With a name translating to Suddenly Cardboard, the band’s trademark sense of humor is on full display. Whether it’s the sardonic anti-bossa of their cover of “A Girl From Ipanema”, or experimental tape manipulation on “ゆっくり立つ　ゆっくり座る” (lit. stand up slowly sit down slowly), you can’t help but be amazed at the band’s ability to communicate so much through their music. Can I? quickly became notorious overseas, with high praise from both Lol Coxhill and Fred Frith (ex. Henry Cow); who would later collaborate with the band! (Keep an eye out for reissues of those recordings!) Reissued on vinyl for the first time ever, this limited edition pressing comes with one of our obi-strips! Get Totsuzen Danball’s Can I? only from P-vine Records!

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Albert Hammond

Your World And My World

5,99 €*

LP | 1981 | US | Reissue (1972)

Release: 1981 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

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Second Layer

World Of Rubber

22,99 €*

LP | 1981 | UK | Original (RCA)

Release: 1981 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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Adrian Borland and Graham Bailey might be better known as members of legendary post-punk group The Sound, but the two were childhood friends and had been playing together even earlier in The Outsiders, and continued their deep musical rapport as a duo, creating these intense and engaging songs as Second Layer at the same time as their higher profile band output. Following the release of Courts Or Wars, combining their early material, 1972 reissues their only full length album, »World Of Rubber«.

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Carl Green And The Scene

The Thing Is

Release: 1981 / UK – Original

Genre: Rock & Indie, Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: VG

Renovations Remastered 2024 Record Store Day 2024 Edition

Mike Welch

LP | 1981 | UK | Reissue (Nunorthern Soul)

20,39 €* 23,99 € -15%

Release: 1981 / UK – Reissue

Genre: Rock & Indie, Pop

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A rare private pressing from 1981 gets a loving remaster from Simon Mills [bent] and a reissue on the NuNorthern Soul label who have been releasing and reissuing musical oddballs and goodness for 11 years. Ace compialtion compiler, Paul Hillery [bbe, ReWarm] has spent time interviewing Mike Welch about this project and will be included as extensive sleeve notes on the release. This is a very special Blue Eyed Soul album with heavy Country leanings or as Paul puts it ' A record made by a musician, having to work hard by day and then put it all on the line in the studio at the weekend. Reflective songwriting and tight musicianship are given the space to breathe and un-smothered by overproduction. Difficult to tag, harder to find, essential re-issue business.' Copies of this are very hard to come by and go for silly money on Discogs which is a shame as the world needs to hear this album. 1LP vinyl with heavy card insert.

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LP | 1981 | JP | Original (RCA)

Private Eyes

21,99 €*

LP | 1981 | US | Original (Windham Hill)

Release: 1981 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing. Few paper scuffs. Without OBI and insert.

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Alex De Grassi

Clockwork

Release: 1981 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Daryl Hall & John Oates = Daryl Hall & John Oates

Private Eyes = プライベート・アイズ

LP | 1981 | JP | Original (RCA)

LP | 1981 | JP | Original (CBS/Sony)

Release: 1981 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI!

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Albert Hammond

Your World And My World

LP | 1982 | UK | Reissue (Domino)

Release: 1981 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI!

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Robert Wyatt

Nothing Can Stop Us

LP | 1982 | EU (Radiation)

Release: 1982 / UK – Reissue

Genre: Rock & Indie

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Signing to Rough Trade in the early 80s, on the understanding from his former label Virgin that he wouldn’t release any LPs for a while, Wyatt released a series of singles of cover versions. The set was recorded with a straight, simple, beauty informed by the experience of geopolitics just as the term was being invented. "Arauco" drew on the street 'mass songs' of a Chile protesting at the imminent arrival of Pinochet. "Stalin Wasn’t Stallin'" was a playful resurrection of a barbershop quartet that sincerely, and unbelievably, aligned the USA with the Soviet Union. Most startling of all was Wyatt’s version of Chic's "At Last I Am Free." Breathless and hymnal it gave pause for thought for anyone who liked to use the words personal and political in the same sentence.

Ensuring the UK was represented in his survey of the New World Order, Wyatt paired a version of his old friend Ivor Cutler’s "Grass" alongside a collaboration with the Bengali group Dishari that encouraged Bengali workers to join a trade union. Whilst his beard and directly to the left stance suggested agitprop and protest, these tracks highlighted his incredible gift as an interpreter of popular modes.

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Adicts

Sound Of Music

18,99 €*

LP | 1982 | UK | Reissue (Shadow World Archive)

Release: 1982 / EU

Genre: Rock & Indie

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Originally released in November 1982, ‘Sound of Music’ was the second album from ‘Clockwork punks’ the Adicts. Preceded by the release of the three track “Chinese Takeaway” EP, which also featured “Too Young” and “You’ll Never Walk Alone” - both included here as bonus tracks along with their subsequent hits ‘Bad Boy’ and ‘Tokyo’ and an unreleased version of Ramones’ classic ‘I wanna be sedated’ - the album was widely praised in the music press of the day with ‘Sounds’ saying “thank Christ for The Adicts. In this often grey and depressing world they entertain us, uplift us and unify us”. Thirteen slices of punk/Oi! fun that made history, in a luxurious one-time Gatefold edition with poster, including liner notes by Mark Brennan and a total of 5 bonus tracks!

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Lining Time

Strike

19,19 €* 31,99 € -40%

Creatures Of The Night 40th Anniversary Edition Super Deluxe Box

Release: 1982 / UK – Reissue

Genre: Organic Grooves, Rock & Indie

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Here I AM is the first thing. A powerful incantation sung in full choral style at Dartington College of Arts in 1982 and captured on tape, now in 1s and 0s for all eternity. It’s a bold phrase, this assertion of existence, this permanent claiming of space in time; these three words we were made to sing in church, that we used to recite one after another at the beginning of class. Doing so might seem mundane, or easy, but it’s not. What’s easy is not. Not declaring one’s presence, not showing up at all. Claire Bushe, Cathy Frost, Lisa Halse, Cathy Josefowitz, and Mara de Wit showed up, took a side. They called themselves Lining Time. They were here. ANY Woman CAN SAY I’M A Witch, they said. Strike is the album Lining Time made. It plays out like a freedom spell, like liberatory healing magic. Reveling in the power of the voice, Lining Time sing. Not at us, but for us. As if by putting voice to the traumas inflicted by the patriarchy and capital, they could be made right. As if the whole world might join in and sing along, might join in and take action - might join in and strike.There’s nothing exclusive about the music Lining Time made. Like many of the best and weirdest records of the post-punk era, Strike wears its amateurism as a badge of honour, flies it like a flag to rally around. It is inclusive to the extreme. Which isn’t to say anyone could’ve made Strike. That’s the thing. The music preserved here is too weirdly spare and idiosyncratic - and wildly overconfident in the way that only the young and young at heart can be. Sometimes it’s almost protest folk, acappella or accompanied by a single acoustic guitar, as on ‘It’s Possible’. Sometimes schoolroom auxiliary percussion clunks out a cyclical, ritual rhythm, as on the title track. At no point does it feel less than singular. Still, this is music about and for universal sisterhood. It invites solidarity. Take up an instrument for the cause and sing your own song. Time Passes Time Passes Time Passes Time Recorded music often functions like a time capsule. It’s not rare that an album is “lost”. Rather, it’s rare that a work is heard widely at the time it was made. Often, it’s barely heard at all. It just exists somewhere, a cave painting or an ancient piece of graffiti, waiting to be stumbled upon for whatever reason. The reason, in Strike’s case, is a wonderful posthumous exhibition of Cathy Josefowitz’s artwork, The Thinking Body, a cooperative effort between Kunsthaus Langenthal, Centre Culturel Suisse, Paris, Macro Roma, Les Amis de Cathy Josefowitz, and Elise Lammer. It’s possible that some might be tempted to think of Lining Time as a sideshow curiosity to the main event, but that’d be foolish. Strike, nearly forty years old, is as alive and relevant as it was when it was recorded in the wake of the Reclaim the Night march. If anything, it’s shocking how potent and necessary its message remains today.

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Kiss

6CD | 1982 | US | Reissue (Universal)

357,99 €*

Release: 1982 / US – Reissue

Genre: Rock & Indie

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Minna Tanoshiku Shonen Knife

Shonen Knife

LP | 1982 | JP | Reissue (P-Vine)

34,99 €*

LP | 1982 | EU | Reissue (Apollon)

Release: 1982 / JP – Reissue

Genre: Rock & Indie

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Preorder shipping from 2025-01-31

After the release of their world debut Catch A Fire, Bob Marley & The Wailers would embark on a U.S. tour supporting the legendary Sly And The Family Stone. Yet after five dates, they were fired from the tour, supposedly for upstaging the main acts! Left with no money and nowhere to go, they performed one legendary show at San Francisco's The Matrix! These recordings, taken from a studio session before their legendary performance, find Bob Marley and The Wailers at their best. Featuring the classic lineup of Bob Marley (vo/gt.), Peter Tosh (vo/gt), Joe Higgs (per.), Earl Lindo (pf.), Family Man Barrett (b.), and Carlton Barrett (ds.), the Wailers are imbued with the kind of Rock and Roll energy that could only come from outshining Sly Stone! Even sweet rocksteady ballads such as “Stir It Up” take on the form of a rock and roll anthem in this session. Discovered and released on CD by P-vine in 2005, these mythical studio recordings are finally getting a long deserved analog release! The double LP on black vinyl comes complete with an obi-strip! Don’t miss this reggae gem from Bob Marley and The Wailers!

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De Press

Product

Product Red Vinyl Edition

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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A Product of the ‘80s “Product” (1982) was the sequel to “Block To Block”, the breakthrough album by DE Press (Andrej Nebb, Ola Snortheim and Jørn Christensen). Like its predecessor, “Product” was produced by John Leckie and De Press. Both albums are now being re-released by Apollon Records on vinyl and CD. What is it about these two records? They still sound like nothing else from the Norwegian music scene. Both albums were on par with anything from the wider world, and this in a time were international New Wave and Post Punk classics were being released on an almost weekly basis. They encapsulate the sound of an entire era and may mirror the contemporary zeitgeist of its time so brilliantly that we still see ourselves in them. If its predecessor was the party before the proverbial bomb goes off, their sophomore album was the sound of the seconds leading up to the explosion. It sounds exciting and full of vitality—and fascinatingly dangerous. Like a Polish-Norwegian Joy Division from the underground of some forsaken city. Just listen to the intensity of songs like “The Fatal Day”, “Passages”, “In A Crowded Room”, and the title cut.

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De Press

LP | 1982 | EU | Reissue (Apollon)

Oriental Beat - 40th Anniversary Re(Al)Mix Red Vinyl Edition

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Hanoi Rocks

LP | 1982 | EU | Reissue (Svart)

Oriental Beat - 40th Anniversary Re(Al)Mix Black Vinyl Edition

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Oriental Beat by Hanoi Rocks gets the redux treatment, officially mixed and revived from the original sessions, and released on March 17th on deluxe vinyl, CD and digital formats. The CD and vinyl come with the song lyrics, checked and approved by Michael Monroe.

Dubbed the “re(al) mix”, this 40th anniversary edition was mixed by Petri Majuri at E-Studios in Finland in collaboration with the band. Vocalist Michael Monroe calls this release “the longest and slowest album project ever,” stating that “40 years in the making, it's not just a remix, but the Real MIX supervised and approved by Hanoi Rocks”.

Recorded in London, UK in 1981, for 200 pounds a day, Oriental Beat was made during the height of the British punk + New Wave movement, when the band was hanging out with everyone from Phil Lynott to the Damned. Hanoi Rocks’ original drummer Gyp Casino says of Oriental Beat that: “Back in the days we gave heart, soul and a bit of pain to make this record something else” but the sound of the album, originally released in 1982, did not match their efforts at the time. Bassist Sami Yaffa called it “the worst sounding album of our career” and Michael Monroe said that “the producer of the album didn’t have a clue what the band was about and his mix of the album was horribly wrong”.

Oriental Beat’s original engineer Peter Wooliscroft, was not a rock producer, and according to Hanoi Rocks’ manager Richard Bishop he “tried to mix the album to sound like Spandau Ballet”. Released before the band could remix or rerecord it, as the label had run out of money, and the master tapes had gone missing, the band has always considered the original mix of Oriental Beat to be a “disaster”. With the tapes mysteriously showing up in the Universal vault recently, the band was finally able to mix and resequence the album the way they wanted it to sound.

Oriental Beat is a defining masterpiece made when Hanoi Rocks was about to explode onto the world scene and written at the absolute peak of lead guitarist Andy McCoy’s creativity as a songwriter. Rhythm guitarist Nasty Suicide says “only now, with stripping it down to the bare essentials and tweaking it to bring out what was really laid down it became our dream come true! This is what it's all about” as this definitive edition of Oriental Beat now fully displays the ultimate arrogance and attitude which defined the band. Monroe says: “now, 40 years after its original release in 1982, we finally got the album sounding as great as it deserves, with no overdubs or samples,” and McCoy adds that: “It's better now than ever. This is what it was meant to sound like. So enjoy it...Another shot of Hanoi Rocks”.

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Hanoi Rocks

LP | 1982 | EU | Reissue (Svart)

Plastic Surgery Disasters Purple Vinyl Edition

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Dead Kennedys

LP | 1982 | EU | Reissue (Audioplatter)

LP | 1982 | EU | Reissue (Supraphon)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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New edition of the second Dead Kennedys full-length album on stunning purple vinyl presented in a gatefold sleeve! The second Dead Kennedys album and the release that established the band as one of the World’s most controversial underground acts. Released in 1982, 'Plastic Surgery Disasters' cuts into the underbelly of American society exposing the hidden truths of corporate greed, state control and the lie of the American dream. Seen by many as the bands greatest work , 'Plastic Surgery Disasters' features the all-time Dead Kennedys greats like "Bleed For Me", "Riot", "I Am The Owl", "Moon Over Marin" and "Halloween"!

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Karel Gott

Bílé Vánoce

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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The Dreaming 2018 Remaster Smokey Vinyl Edition W/ Obi-Strip

LP | 1982 | EU | Reissue (Fish People)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Pressed on 180g, comes with Obi-Strip. The Dreaming is Kate's fourth studio album and was released in 1982.

Following Kate's production assistance on Lionheart, and her co-production of Never For Ever with Jon Kelly, The Dreaming was the first album Kate produced on her own.

The album peaked at no. 3 in the UK album chart and has been certified Silver by the British Phonographic Industry. Fish People are proud and excited to announce new pressings of all 10 of Kate Bush's albums, featuring a special new edition for independent retailers.

"It’s very exciting to see people appreciating the physical presence of an album released on vinyl. It’s how it’s always been for me, especially when I was a teenager. The whole buzz of the record store was part of the experience. Buying an album was an event." Kate Bush.

The records are all pressed on 180g vinyl at the world-renowned Record Industry plant in the Netherlands. New lacquers were cut from the 2018 remasters by Bernie Grundman and overseen by mastering engineer James Guthrie.

Indie editions were all designed by Kate and feature new Fish People label designs, stunning Color Vinyl combinations and obi strips with pressing date. They are protected in resealable poly-bag liners with a 'Fish People Reissue' sticker, bottom right.

These are unlimited editions and will be in production constantly.

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The Dreaming 2018 Remaster Black Vinyl Edition

LP | 1982 | EU | Reissue (Fish People)

45,99 €*

LP | 1982 | UK | Reissue (Les Disques Du Crepuscule)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Pressed on 180g. The Dreaming is Kate's fourth studio album and was released in 1982.

Following Kate's production assistance on Lionheart, and her co-production of Never For Ever with Jon Kelly, The Dreaming was the first album Kate produced on her own.

The album peaked at no. 3 in the UK album chart and has been certified Silver by the British Phonographic Industry. Fish People are proud and excited to announce new pressings of all 10 of Kate Bush's albums, featuring a special new edition for independent retailers.

"It’s very exciting to see people appreciating the physical presence of an album released on vinyl. It’s how it’s always been for me, especially when I was a teenager. The whole buzz of the record store was part of the experience. Buying an album was an event." Kate Bush.

The records are all pressed on 180g vinyl at the world-renowned Record Industry plant in the Netherlands. New lacquers were cut from the 2018 remasters by Bernie Grundman and overseen by mastering engineer James Guthrie.

Indie editions were all designed by Kate and feature new Fish People label designs, stunning Color Vinyl combinations and obi strips with pressing date. They are protected in resealable poly-bag liners with a 'Fish People Reissue' sticker, bottom right.

These are unlimited editions and will be in production constantly.

Street date for the first batch is set at 20 November.

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Marine

Same Beat

30,99 €*

LP | 1982 | JP | Reissue (CBS/Sony)

Release: 1982 / UK – Reissue

Genre: Rock & Indie

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Les Disques du Crepuscule presents a unique anthology by artful Brussels postpunk-funk band Marine, fondly remembered for their dazzling debut single ‘Life In Reverse’ in 1981, and now back with a clutch of brand new studio tracks.

The cover art is by Lddc art director Benoit Hennebert and based on the ‘Same Beat’ single sleeve from 1982. The vinyl edition s of TWI 143 is limited to 500 copies pressed on blue vinyl and includes a digital link. All tracks are newly remastered in 2023.

Formed in late 1980 around charismatic frontman Marc Desmare together with musicians from infamous punk band Mad Virgins, Marine made an early splash supporting Orange Juice and Josef K at the legendary Plan K venue, Postcard Records afterwards keeping tabs on the Sound of Young Brussels.

Snapped up instead by chic boutique label Les Disques du Crepuscule, Marine released their infectious debut single ‘Life In Reverse’ in April 1981, attracting rave reviews in the Belgian and UK press, reaching the giddy heights of #6 on the NME indie chart, and even being invited to record a radio session for John Peel - a world first for a Belgian band.

Soon favourable comparisons were being drawn with The Pop Group, A Certain Ratio, Defunkt, James White and Fire Engines, some pundits even sensing a new Haircut 100. ‘We’re not a fashion band,’ insisted Marc in UK rock weekly Sounds, ‘and it’s not really dance music. But all the same I’m glad people dance to it.’

Alas, artistic differences caused the fast-rising group to part ways in a London studio, when half the band quit to form pop-funk sophisticates Allez Allez. With new Marines on board, Marc and bassist Paul Delnoy went on to release two further singles (‘How to Keep Cool’ and ‘Same Beat’), gigged extensively around France and the Low Countries, and played a headline show at The Venue in London. ‘Fine, disciplined and gleeful rhythm workers,’ enthused Chris Bohn in NME. ‘A happy, contagiously clean aural equivalent to a Serge Clerc cartoon.’

Alas by the summer of 1982 Marine were all washed up, with Marc going on direct films and documentaries as Marco Laguna. Four decades later, finally heeding desperate pleas from Crepuscule that his sensational first band never cut an album, Marc has written and recorded another 6 remarkably authentic sounding Marine songs with help from like-minded friends in Brussels and Paris, once more drawing on a heady mix of supercool funkabilly, jazz and soundtrack influences.

‘It was an incredibly strange experience to revisit my past,’ says Marc, ‘but definitely fun. I’m glad, and I’m proud!

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John Joseph Hall

Power

12,99 €*

Release: 1982 / JP – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 1982 | JP | Original (RCA)

H₂O

Release: 1982 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi.

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Peter Gabriel 4: Security

LP | 1982 | EU | Reissue (Real World Productions)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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LP | 1983 | EU | Reissue (Be With)

Victor Cavini

Japan

LP | 1983 | EU | Reissue (Epic)

Release: 1983 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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The first Be With foray into the archives of revered German library institution Selected Sound is one of our favourites on the label - the super in-demand Japan from Victor Cavini, originally released in 1983. Rare and sought-after for many years now, this is one of those cult library LPs that never turn up. With Daibutsu the giant Buddha of Kamakura’s presence gracing the hefty front cover, this is a record bursting with dope samples for adventurous producers: it’s koto-funk madness! Victor Cavini was the library music pseudonym of prolific German composer and musician Gerhard Trede. He was known for exploring instruments and styles from around the world (he played over 50 different instruments himself) and Japan is his collection of 14 musical sketches painted with traditional Japanese wind and string instruments. These are the sounds of traditional Japanese folk music re-interpreted through Western ears, with the occassional contemporary twist.

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AC/DC

Flick Of The Switch

7" | 1983 | EU (Radiation Reissues)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Digitally remastered European vinyl LP pressing of this 1983 release from the Australian Hard Rockers, reissued to coincide with their 2008 studio release and world tour. Eight tracks.

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Vatican Commandos

Hit Squad For God

The Jet Set Junta Red Vinyl Edition

Release: 1983 / EU

Genre: Rock & Indie

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First vinyl reissue for Darien, Connecticut hardcore punk legends Vatican Commandos’ 1983 debut, featuring Richard Hall (A.K.A. world famous pop star Moby) on guitar. Originally out on the Pregnant Nun label and now impossibile to find. Holy grail alert!

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The Monochrome Set

7" | 1983 | EU | Reissue (Optic Nerve)

12,99 €*

It's Time To See Who's Who Orange Vinyl Edtion

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Includes postcard and poster. The Monochrome Set were something of the unsung heroes of the post-punk world; they fitted into absolutely no category whatsoever and their puckish take on spaghetti western soundtracks meets lounge jazz via the twisted lyrical imagery of vocalist Bid was as singular as it was unique. Comprising a couple of ex-Ants in Andy Warren and Lester Square, with singer / guitarist Bid and drummer JD Haney, their filmic, playful material found favour with many, including John Peel although they failed to match this with commercial success. The Jet Set Junta was originally released on Cherry Red in 1983 with its urgent, ringing guitars surrounding Bid’s lyrics telling of dodgy arms dealings and armoured limos as Lester Square’s Ennio Morriconetwang bends and reverbs as a counterpoint.

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Conflict

LP | 1983 | EU (Radiation Reissues)

21,99 €*

Wadada Magic Record Store Day 2024 Clear Turquoise Vinyl Edtion

Release: 1983 / EU

Genre: Rock & Indie

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Released in 1983 on London's Legendary Mortarhate label, Conflict's debut broke all rules in punk rock, setting new standards and storming independent charts, reaching and retaining position number 1 for several weeks. Formed in 1981 and led by vocalist Colin Jerwood, who would remain one of the group's few constants throughout its 30 years of existence, and fueled by hatred for the media, the military and the general status quo of late century Thatcher's England, Conflict has been a stainless model for three generation of peace punkers, activists and anarchists from all over the world.

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Suns Of Arqa

LP | 1983 | EU | Reissue (Lantern)

Boycott Stabb Complete Session White Vinyl Edition

Release: 1983 / EU – Reissue

Genre: Rock & Indie, Reggae & Dancehall

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Reissued for the very first time on vinyl "Wadada Magic", Suns Of Arqa's majestic second album. The wicked world of Michael Wadada is well represented here: an ever-changing kaleidoscope of tribal dub, early electronics , proto-wave and global beat. Special guests on vocals Prince Far I and Prince Hammer, while on bass the true genius of Lizard from Creation Rebel / Singer & Players.

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Government Issue

LP | 1983 | US | Reissue (Dischord)

7" | 1983 | US | Reissue (Chunklet)

Release: 1983 / US – Reissue

Genre: Rock & Indie

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“In November of 1982, I went into the studio with Government Issue to record what was to be their first full-length album. Up until that time, they had only released the Legless Bull 7-inch EP, and the tape they recorded early 1982 would take over a year and a half to be released as the Make An Effort 7-inch EP. The members of G.I. excelled at driving each other crazy and there was a lot of arguing, but still we had a great session at Inner Ear and we managed to track 20 songs in one day. From the beginning the band had been divided on what to record, and it was only after much debate that they decided to leave off the material they had recorded with the earlier line-ups and only put out 10 new songs. In early 1983 Dischord was strapped for cash, meaning that we could only work on one release at a time. Since all of our money was tied up with the manufacturing of Minor Threat’s Out of Step 12-inch EP, the G.I. record would have to wait. A new DC label, Fountain of Youth expressed an interest in releasing Boycott Stabb, so it was decided to do a ‘split-label’ record. In this case, Fountain of Youth put up the money and we let them use the Dischord Records name to help with context and distribution. It has since been reissued on a number of different labels and formats, but after coming across the master tapes and hearing the songs that had been left off, we thought it would be cool to release the complete session, and to fi nally release the record on Dischord proper. In going through the tapes, I discovered that most of the outtake songs were never mixed, so earlier this year I took the recordings back into the studio. Hearing the separated tracks amazed me. Such great playing and songs! With the technological advances in the recording world making multi-tracking and overdubbing so common, it’s easy to forget that studios could also be used as something more akin to a photo-booth, capturing what was happening at that very moment. Most of the early Dischord sessions were essentially ‘live’ recordings, so the bands had to be able to play, and because the budgets were minuscule, they had to get the songs down in short order. G.I. stepped up on both counts.”—Ian MacKaye, August 2010.

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DDT

Brave New World

Release: 1983 / US – Reissue

Genre: Rock & Indie

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No Atlanta punk record from the 1980s creates such a lather as the debut single by DDT (except maybe Neon Christ's single, but I digress). Self released in 1983, merely finding a copy would put you into serious debt. That is, until now. Audio was restored by Jason NeSmith at Chase Park from a spotless copy of the record given to Chunklet by Joe Perry who recorded the single at his Bombay Studios in Smyrna. Never before reissued until right now. Get in on the ground floor of Atlanta's punk scene from 40 years ago

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2LP | 1983 | EU | Reissue (Real World)

Plays Live

LP | 1983 | JP | Original (Windham Hill)

Release: 1983 / EU – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

2020 reissue.

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William Ackerman

Past Light

Release: 1983 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

2LP | 1983 | EU | Reissue (Real World)

Plays Live

19,99 €*

LP | 1983 | US | Original (Windham Hill)

Release: 1983 / EU – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

2020 reissue. Vinyl is very close to NM. Original inner sleeves. tiny wear.

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William Ackerman

Past Light

Release: 1983 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Greatest Hits Marbled Numbered Vinyl Edition

Air Supply

LP | 1983 | Reissue (Magic Of Vinyl)

Release: 1983 / Reissue

Genre: Rock & Indie

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I Wanna Be Somebody Record Store Day 2022 Picture Disc Vinyl Edition

W.A.S.P.

12" | 1984 | UK | Reissue (Madfish)

Yakusoku Wa Dekinai (I Can't Promise)

Release: 1984 / UK – Reissue

Genre: Rock & Indie

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Strictly limited. Originally released as a Picture Disc via Capitol in 1984, ‘I Wanna Be Somebody’ was the first single from heavy metal band W.A.S.P.’s self titled debut album. Ranking at #84 in VH1’s 100 Greatest Hard Rock Songs, this single is backed with the incendiary ‘Tormentor’ as on the original release. 2,000 only Limited Edition Picture Disc for Record Store Day 2022. The band will be embarking on a world tour in 2022 to celebrate the band’s 40th Anniversary.

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Che-Shizu

LP | 1984 | JP | Reissue (Alchemy)

36,99 €*

12" | 1984 | EU (Radiation Reissues)

Release: 1984 / JP – Reissue

Genre: Rock & Indie

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Formed in 1984 by bassist Takuya Nishimura and erhu player and singer Chie Mukai is Che-SHIZU. Their debut on the indie record label Zero records (also known for producing acts such as Shonen Knife, and Luna Park Ensemble) “Yakusoku wa Dekinai” (I Can’t Promise) drew attention for its uncompromising approach to simply making ‘songs’. With Tori Kudo (who’s recent analog release, Tangerine with Reiko Kudo, is making waves across the world) on guitar, ‘Yakusoku wa Dekinai’ is filled with songs that are simultaneously experimental and catchy. P-vine is proud to be reissuing this historic album for the first time ever on vinyl.

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Vatican Commandos

Point Me To The End

22,99 €*

Beyond The Gravestone Black Vinyl Edition

Release: 1984 / EU

Genre: Rock & Indie

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Formed in the wealthy coastal town of Darien Connecticut in the early 1980, hardcore punk band Vatican Commandos released their debut EP, Hit Squad For God, in 1983, followed swiftly by the Just A Frisbee EP. Recorded in the summer of 1984, shortly before their ultimate demise, the blistering EP Point Me To The End captures the band at their most competent, bolstered by high production values, with a one-off poem by beat-punk poet Earl broadening the boundaries; this edition is made complete by the inclusion of crucial bonus tracks ‘Your World Is Flat’ and ‘Morality,’ from the ultra-rare compilation Make It Work.

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Black Hole

2LP | 1984 | EU | Reissue (High Roller)

31,99 €*

Beyond The Gravestone Purple Vinyl Edition

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, reissue 2023, black vinyl, ltd 250, gatefold, 16 page booklet

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Black Hole

2LP | 1984 | EU | Reissue (High Roller)

LP | 1984 | JP | Original (Geffen)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, reissue 2023, transparent deep purple vinyl, ltd 250, gatefold, 16 page booklet

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Australian Crawl

Semantics

19,99 €*

Release: 1984 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Sniper White Vinyl Edtion

Masaki Matsubara

LP | 1984 | JP | Reissue (Pony Canyon)

Release: 1984 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

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Legendary Japanese guitarist Masaki Matsubara’s two solo albums will be reissued on Pure Virgin Vinyl by Canyon/agharta label, which is known worldwide for its “city Pop” works in recent years! Scheduled for release on August 3rd 2024! A City POP classic album “sniper” featuring vocals of popular AOR singer Jesse Barish, known as the composer of Marty Balin’s hit single “Hearts”, which was also a worldwide hit tune. “Painted Woman” includes the popular song “Silly Crush”, features Eric Tagg of Lee Ritenour band on vocal, which has been played 2.5 million times on Spotify (as of March 2024) and is enjoyed by listeners worldwide, including in L.A. and Jakarta, Bangkok, Santiago, Seoul, etc. These are two masterpieces that the world has been eager to see reissued. For inquiries about products, please contact local record stores.

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12" | 1984 | JP | Original (RCA)

Out Of Touch

16,99 €*

Too Tough To Die Vinyl Me, Please Edition

Release: 1984 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing with OBI!

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Ramones

LP | 1984 | US | Reissue (Vinyl Me, Please)

35,99 €*

LP | 1985 | US | Reissue (Yep Roc)

Release: 1984 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-12-13

The Ramones’ Too Tough To Die is often positioned as a return to form for the band, but today, forty years since its release, their eighth studio album seems worthy of a far more radical categorization. In the musical landscape of the mid-1980s, the album was incoherent — not in a pejorative sense, but in how it reflected the paradoxes of its time. Made without a steady compass, the album’s incongruity became its center, and it holds. As Joey Ramone said in a 1988 interview: “Around ’84, the world was changing drastically with Iran and Gadaffi and all this stuff. Things were getting scary. So, our songs started changing.”

Echoing the surrounding instability, the Ramones created an album so layered, complex, and challenging that it can still be hard to pin down, even after four decades to ponder its songs. Too Tough To Die’s legacy lives in its chameleon-like textures, moods, and vocal styles — from the lofty to the sneering, from the cynical to the sentimental. Too Tough to Die was a reminder that it was the Ramones who initially inspired and influenced the Sex Pistols, not the other way around. If the word could be claimed by anyone, punk belonged to them.

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Nick Lowe

The Rose of England

LP | 1985 | EU | Reissue (Morning Trip)

Release: 1985 / US – Reissue

Genre: Rock & Indie

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Teaming up again with his Cowboy Outfit, Nick Lowes The Rose of England remains a highly engaging and often overlooked album. The title track tells a World War I-era tale that was sturdy enough to be covered by Brit-folkies The Oyster Band, and features a trademark Lowe hook. Nick took a huge swing at the charts, recording his version (previously recorded by Dave Edmunds, and played live by Rockpile) of his classic I Knew the Bride with pal Huey Lewis producing and his band the News providing the track. Fame and fortune may not have followed, but a solid batch of songs including covers of pals John Hiatt (She Dont Love Nobody) and Elvis Costello (Indoor Fireworks) rubbed shoulders with Nicks originals as well as Nicks most-covered cover (Moon Mullicans 7 Nights to Rock).

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Carl Erdman

Bizzarrophytes

19,99 €*

LP | 1985 | EU | Reissue (Naya Beat)

Release: 1985 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Carl Erdmann’s Bizzarrophytes was recorded in Roswell, New Mexico, during the final years of the 70’s. A desert-fried haze of buzzing sitar raga, shimmering guitar soli, and lonesome instrumental psych. Erdmann had been galvanized several years prior by witnessing an intimate performance by Ravi Shankar at Austin’s University of Texas. Erdmann spent the next several years with a sitar in the back of his pickup truck - teaching himself the instrument between stints working on an oil field as a geologist.

After settling in Roswell, Erdmann procured a Tascam 4-track reel to reel tape machine and began to experiment with recording. He played most of the instruments himself, and followed a fresh muse each day. One day his recordings would mine the same instrumental guitar territory as Leo Kottke and John Renbourn, like on Bizzarrophytes’ opening track, Majesty. The next day Erdmann might multi-track some bass and drums and end up landing in the same hazy psych-folk territory as Relatively Clean Rivers, as evidenced on album standouts Turritella Flats, and Portugal. And then, perhaps his Ravi Shankar influence would shine through, and he’d deliver a stirring sitar raga like Dhun. Erdmann explored all of these sounds without ever considering releasing them into the world. He was simply experimenting with his equipment and his instruments, and flexing his muscles with whatever kind of inspiration happened to strike. It wasn’t until 1980 that a friend convinced Carl to assemble some of these recordings into an album and self-release it.

Bizarrophytes was released in a miniscule private press run, financed and distributed by Erdmann himself. Most copies didn’t make it out of the southwest. And it has remained woefully hard to find until now. The disparate sounds of Erdmann’s experimentation hang together as a beautifully cohesive tapestry of home-brewed psychedelic folk. A menagerie of eclectic instrumental experimentation, baked in the desert sun, and captured to tape. Morning Trip Records is proud to present Bizzarrophytes.

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Pinky Ann Rihal

Tere Liye (Hindi Disco)

Land Of Mystery Bicolor Vinyl Edition

Release: 1985 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Cult South Asian New Wave! Naya Beat is proud to announce its second release, Tere Liye, the highly sought after and impossible to find New Wave album by the unsung pioneers of the British Asian music scene, Pinky Ann Rihal. Remastered for vinyl by multi Grammy-nominated Frank Merritt at The Carvery and available for the first time since its limited 1985 release, the album is as fresh and relevant today as it was 37 years ago. South Asian New Wave. Four words that you will rarely see together. Pinky Ann Rihal were the brainchild of two London-based Punjabi immigrants and progressive rock musicians – Harry Rihal and Jati Sodhi – at a time in the U.K. when progressive rock musicians were almost exclusively white and Punjabi musicians were almost exclusively making Bhangra. Encouraged by their friend and disco pioneer Biddu (yes, that Biddu!), they cut ‘Tere Liye’ – a one-off Hindi-language New Wave album with producer John Hamilton and vocalists Pinky Rihal (married to Harry) and Anne Barrett (married to John). It is an album that exemplifies the cultural collaboration and musical synthesis of the time. Complementing the rich, cosmic and layered synths and drum programming of Hamilton and the distorted guitars of Rihal and Sodhi are the Hindi lyrics of vocalists Pinky and Anne. The result is an amazing one-of-a-kind South Asian New Wave album. Nothing like it has come out before or since. Stymied on its original release by bungled distribution, poor marketing and plenty of bad luck, this incredible album seemed destined to be lost to history. With Asian electronic music in the U.K. seeing a rebirth and capturing imaginations around the world,‘Tere Liye’ can finally take its rightful place as one of the pioneering albums of the Asian underground. This is Naya Beat’s second release in a series of reissues, reworks and remixes, and compilations dedicated to uncovering electronic and dance music from the overlooked ‘80s and ‘90s South Asian music scene. Their first release Naya Beat Volume 1: South Asian Dance and Electronic Music 1983-1992 was named by the Vinyl Factory as the Number 1 reissue of 2021

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Black Hole

LP | 1985 | EU | Reissue (High Roller)

23,79 €* 27,99 € -15%

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Hounds Of Love 2018 Remaster Raspberry Beret Vinyl Edition W/ Obi-Strip

LP | 1985 | EU | Reissue (Fish People)

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Pressed on 180g. Comes with Obi-Strip. Hounds Of Love was Kate's fifth studio album, and her second no. 1.

Featuring "Running Up That Hill (A Deal with God)", it has since been certified Double Platinum in the UK by the British Phonographic Industry. Fish People are proud and excited to announce new pressings of all 10 of Kate Bush's albums, featuring a special new edition for independent retailers.

"It’s very exciting to see people appreciating the physical presence of an album released on vinyl. It’s how it’s always been for me, especially when I was a teenager. The whole buzz of the record store was part of the experience. Buying an album was an event." Kate Bush.

The records are all pressed on 180g vinyl at the world-renowned Record Industry plant in the Netherlands. New lacquers were cut from the 2018 remasters by Bernie Grundman and overseen by mastering engineer James Guthrie.

Indie editions were all designed by Kate and feature new Fish People label designs, stunning Color Vinyl combinations and obi strips with pressing date. They are protected in resealable poly-bag liners with a 'Fish People Reissue' sticker, bottom right.

These are unlimited editions and will be in production constantly.

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Hounds Of Love 2018 Remaster Ecopak Cd Edition

Tape | 1985 | EU | Reissue (Fish People)

7" | 1985 | GDR | Original (AMIGA)

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Hounds Of Love was Kate's fifth studio album, and her second no. 1.

Featuring "Running Up That Hill (A Deal with God)", it has since been certified Double Platinum in the UK by the British Phonographic Industry. Fish People are proud and excited to announce new pressings of all 10 of Kate Bush's albums, featuring a special new edition for independent retailers.

"It’s very exciting to see people appreciating the physical presence of an album released on vinyl. It’s how it’s always been for me, especially when I was a teenager. The whole buzz of the record store was part of the experience. Buying an album was an event." Kate Bush.

The records are all pressed on 180g vinyl at the world-renowned Record Industry plant in the Netherlands. New lacquers were cut from the 2018 remasters by Bernie Grundman and overseen by mastering engineer James Guthrie.

Indie editions were all designed by Kate and feature new Fish People label designs, stunning Color Vinyl combinations and obi strips with pressing date. They are protected in resealable poly-bag liners with a 'Fish People Reissue' sticker, bottom right.

These are unlimited editions and will be in production constantly.

Street date for the first batch is set at 20 November.

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Karel Hulinsky

3,99 €*

Release: 1985 / GDR – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Some Things Are Better Left Unsaid

12" | 1985 | US | Original (RCA)

4,99 €*

LP | 1985 | JP | Original (Warner)

Release: 1985 / US – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: Generic

Promo copy.

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Christopher Cross

Every Turn Of The World

Daryl Hall & John Oates With David Ruffin & Eddie Kendricks

Release: 1985 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI!

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Live At The Apollo

LP | 1985 | JP | Original (RCA)

6,99 €*

Darol Anger / Barbara Higbie Quintet With Mike Marshall , Todd Phillips And Andy Narell

Release: 1985 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

OBI is missing!

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Live At Montreux

LP | 1985 | JP | Original (Windham Hill)

4,99 €*

Release: 1985 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1986 | EU | Reissue (Epic)

AC/DC

Who Made Who

Should The World Fail To Fall Apart Blue Vinyl Edition

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Digitally remastered European vinyl LP pressing of this 1986 release from the Australian Hard Rockers, reissued to coincide with their 2008 studio release and world tour. Nine tracks

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Peter Murphy

LP | 1986 | UK | Reissue (Beggars Banquet)

Release: 1986 / UK – Reissue

Genre: Rock & Indie

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LP | 1986 | US | Reissue (Black Editions)

Hallelujahs

Eat Meat, Swear An Oath

Queen Of Siam Black Vinyl Edition

Release: 1986 / US – Reissue

Genre: Rock & Indie

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A dreamlike dispatch from mid-80s Japan, the first and only Hallelujahs album is an entrancing and gentle work of psychedelic pop brilliance. In a series of informal studio sessions between 1985 and 1986, Shinji Shibayama (Nagisa Ni Te) gathered a group of friends, emerging luminaries from the burgeoning Kansai underground rock scene including Naoki Zushi (Hijokaidan, Spiral Stairs / 螺旋階段), Ken Ichi "Idiot" Takayama (Idiot O'Clock), and Chie Mukai (Ché-SHIZU ) to form what would become known as Hallelujahs. The result was a music of deep feeling and wonderment created through simple song craft and imbued with a sort of guileless magic. Their sole album presented a set of unvarnished songs, filled with vulnerable, intimate moments, caught on reel to reel, most often in single takes never to be repeated. The album was self-released in 1986 in a micro-edition of 300 copies. It was the first record by Shibayama's now revered ORG Records which would go on to introduce the world to the likes of Maher Shalal Hash Baz , Reiko Kudo as well as his own group, Nagisa Ni Te. With affinities to the sounds of the Rough Trade and Flying Nun labels, the Paisley Underground and Galaxie 500, the Hallelujahs' Eat Meat, Swear an Oath is an utterly unique masterpiece that remains a touchstone for generations of like spirited artists in Japan and around the world. Black Editions is proud to present this all-time classic in a deluxe vinyl edition, remastered from the original tapes and presented in a heavy tip-on jacket with textured paper, mounted high quality print, foil stamped finishes and spot colors. Pressed to high quality vinyl at RTI.

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Holy Moses

LP | 1986 | EU | Reissue (High Roller)

Queen Of Siam Mixed Vinyl Edition

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, reissue 2023, black vinyl, ltd 200, insert, poster, mastered for vinyl by Patrick W. Engel at Temple of Disharmony

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Holy Moses

LP | 1986 | EU | Reissue (High Roller)

World Grand Prix "Pride One"

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, reissue 2023, oxblood/ yellow mixed vinyl, ltd 300, insert, poster, mastered for vinyl by Patrick W. Engel at Temple of Disharmony

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V.A.

LP | 1986 | JP | Original (Victor)

17,24 €* 22,99 € -25%

Kaleidoscope World (Expanded Edition) Blue Vinyl Edition

Release: 1986 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Includes OBI.

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The Chills

2LP | 1986 | UK | Reissue (Fire)