Search "garage" 1001 Items

Release: EU – Original

Genre: Rock & Indie

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Genre: Rock & Indie

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Genre: Rock & Indie

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The Advertisers Ep1 / Live In Nyc

Release: EU

Genre: Rock & Indie

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Over the past 20 years The Peawees from La Spezia, Italy became a household name in the European rock ‘n’ roll scene, with 5 albums and multiple 45’s under their belt, and having shared the stage with bands like The Sonics, The Dictators, Radio Birdman, The Damned, The Dwarves, and many others. Started, back in 1995, as a straight forward punk rock band, over the years the sound of The Peawees got richer and richer, influenced by garage rock, rhythm ‘n’ blues and more, but always recognizable as The Peawees within seconds, not in the last place thanks to their singer Hervé’s warm, soulful voice. In 2001 the band released their third album, ‘Dead End City’, which is considered a classic by fans all over the world. The album includes their ‘underground hit’ ‘Cause You Don’t Know Me’, which was covered half a dozen times by bands like Califorian punk rockers the Groovie Ghoulies and Swiss country band The Hero Brothers.

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The Advertisers

Tape | US | Original (Tapeheadcity)

10,99 €*

Release: US – Original

Genre: Rock & Indie

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Fierce female fronted Garage-Blues Rock n Roll from NYC. Includes EP1 & Live in NYC (sound is amazing!). 8 total songs. Expect to play this on repeat for months. [Grey shell w/ red ink. [150 pressed]

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Genre: Rock & Indie

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American Lesion (Reissue)

Greg Graffin

LP (Anti)

Genre: Rock & Indie

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Genre: Rock & Indie

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Quest For Blood Record Store Day 2024 Blood Burst Vinyl Edition

Hooverii

LP | WW | Original (The Reverberation Appreciation Society)

28,04 €* 32,99 € -15%

Release: WW – Original

Genre: Rock & Indie

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LP | DE | Original (Mercury)

George Walker & Company

Holly Holy

6,99 €*

Release: DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

RJ & The Riots Black Vinyl Edition

RJ & The Riots

LP | 1964 | EU | Reissue (Guerssen)

20,79 €* 25,99 € -20%

RJ & The Riots White Vinyl Edition

Release: 1964 / EU – Reissue

Genre: Rock & Indie

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Cool Rock&roll, Surf, Beat AND Garage-rock From Philippines IN THE 60s!! Led by teen guitar wizard Ramon “rj” Jacinto, RJ & THE Riots was one of the first rock&roll /beat bands from the Philippines and certainly the first to release original rock n’ roll songs with lyrics in their own country. This is the first ever reissue of their second album, originally released in 1964 and now impossible to find (four stars rating in Hans Pokora’s 1001 Record Collector Dreams book). Including original songs like the monster instrumental “Fuzzed”, the garage sounding “Advertising Man”, “Girl Nice”, the surf rock of “Trip To Manila” and more plus a few rad covers (Beach Boys, Buddy Holly…). The album was recorded at the home studio built by whizz kid Ramón Jacinto, who also operated his own record label (RJ Productions), magazine (Teenstone) and radio station (from his parent’s backyard!) RJ and the Riots started as a high school band of classmates composed of Ramon “rj” Jacinto (lead guitar), Alan Austria (bass guitar), Jimmy Colayco (rhythm guitar) and Bernie Evangelista (drums) with ages ranging from 15-17 years old. They were one of the first bands with electric instruments in the Philippines and this album marked the transition from instrumental rock to vocals. Today, RJ is a well-known businessman (founder of a TV and radio network), Pinoy rock&roll icon and continues his musical journey performing rock n’ roll hits of the 50’s – 80’s at his own Bistro “rj” music lounge, where the top of Philippine society, movers and shakers, go to dance and sing to RJ’s rock n’ roll classics. *Remastered sound and color insert with liner notes & rare photos. *Download card with the album plus one bonus track from a rare 45 Riyl: Ventures, Beach Boys, Buddy Holly, Stones, JAN & Dean, BeatLES…

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RJ & The Riots

LP | 1964 | EU | Reissue (Guerssen)

28,99 €*

I Want My Woman White Vinyl Edition

Release: 1964 / EU – Reissue

Genre: Rock & Indie

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White Vinyl Limited TO 110 Hand-numbered Copies

Cool Rock&roll, Surf, Beat AND Garage-rock From Philippines IN THE 60s!! Led by teen guitar wizard Ramon “rj” Jacinto, RJ & THE Riots was one of the first rock&roll /beat bands from the Philippines and certainly the first to release original rock n’ roll songs with lyrics in their own country. This is the first ever reissue of their second album, originally released in 1964 and now impossible to find (four stars rating in Hans Pokora’s 1001 Record Collector Dreams book). Including original songs like the monster instrumental “Fuzzed”, the garage sounding “Advertising Man”, “Girl Nice”, the surf rock of “Trip To Manila” and more plus a few rad covers (Beach Boys, Buddy Holly…). The album was recorded at the home studio built by whizz kid Ramón Jacinto, who also operated his own record label (RJ Productions), magazine (Teenstone) and radio station (from his parent’s backyard!) RJ and the Riots started as a high school band of classmates composed of Ramon “rj” Jacinto (lead guitar), Alan Austria (bass guitar), Jimmy Colayco (rhythm guitar) and Bernie Evangelista (drums) with ages ranging from 15-17 years old. They were one of the first bands with electric instruments in the Philippines and this album marked the transition from instrumental rock to vocals. Today, RJ is a well-known businessman (founder of a TV and radio network), Pinoy rock&roll icon and continues his musical journey performing rock n’ roll hits of the 50’s – 80’s at his own Bistro “rj” music lounge, where the top of Philippine society, movers and shakers, go to dance and sing to RJ’s rock n’ roll classics. *Remastered sound and color insert with liner notes & rare photos. *Download card with the album plus one bonus track from a rare 45 Riyl: Ventures, Beach Boys, Buddy Holly, Stones, JAN & Dean, BeatLES…

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The Emperors

LP | 1965 | US | Reissue (Beatrocket)

7" | 1966 | EU | Reissue (Wah Wah)

Release: 1965 / US – Reissue

Genre: Rock & Indie

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Blisterin’ bleach blonde garage punk from Long Beach’s Emperors!

Previously limited to a handful of singles, this full length LP includes all of their material, including 4 unissued tracks! From the maniacal laughter on “Laughin’ Linda” to their foot-tappin’ cover of the Zombies’ “You Make Me Feel So Good” it’s easy to see why this group of teens were hailed as Long Beach’s favorite group.

Susan Gilmore, an Emperor fan, recollects, “The highlight of the dances were when they played. While attendance was pretty good for other bands, the Emperors packed the place every time. The buzz would start during the week at school. ‘The Emperors are playing this weekend. Are you going to go?’”

The wild teenage sound of the original Emperors is still the greatest. “It's just a lifetime experience,” concluded Randall. “In a way, I felt that we were ahead of our time. The way we played and the way we presented everything on stage, nobody was shy. It was a wonderful experience.”

A new version of the band rebranded as simply Emperor, led by Steve Watts and Randy Budihas, would record for RCA, then Private Stock during the ‘70s. After a 20-year break, The Emperors reformed in 2002 and are still performing and entertaining fans today.

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Brenner's Folk

Daurat Oest +3

12,99 €*

2LP | 1966 | UK | Reissue (Crescendo)

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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The most elusive Edigsa 7" gets its first ever vinyl reissue on Wah Wah. An unsung moody garage folk-rock act, Brenner's Folk where the embryonic Pic-Nic (of "Cállate niña" fame) and featured a very young Jordi 'Toti' Soler right after he had gone through Els Xerracs (who also had released an EP on Edigsa), drummer Jordi Barangé (also from Els Xerracs) and brothers Vytas and Haakon Brenner. The Brenner brothers were born in Germany but grew up in Venezuela, where their family had emigrated after the devastation of World War II. The Brenner family would return several years later to establish in Europe, first in Italy and later in Barcelona. The new band started to rehearse under the name of The Vytas Brenner Quartet, and their main influences came from american modern folk acts like Peter Paul and Mary or The Mamas & The Papas, a.o. Not long after they started rehearsing, a very young Jeanette joined them thus becoming Brenner's Folk. Edigsa approached them and offered a contract for the recording of their only EP, sung in catalan and issued in 1966. A showcase of their folk and folk rock influences, the Brenner's Folk 7" is a lo fi garagey jewel that has become an elusive piece due to the importance that its band members would gather in years to come. Toti Soler became the biggest master of guitar, he went to psychedelic and progressive / jazz rock with Om prior to trading in his electric for a Spanish guitar and pioneering instrumental flamenco jazz rock fussion sound on his early solo albums. He is still active nowadays, he is one the biggest Catalan geniuses of modern guitar. The Brenner brothers returned to Venezuela where Vytas became a big solo act, recording the sought after LPs "La Ofrenda de Vytas" and "Hermanos" with his brother Haakon on production duties. Vytas continued a solo carrer that would last until his premature death in 2004 at only 57 due to a heart attack. Jeanette, of course, went on to lead the successful Pic-Nic along with Toti Soler and later enjoyed a successful solo career in the 1970s and 1980s, plus a come back in the early 2000s.

The 4 original Catalan sung tunes will appeal to lovers of Catalan sixties aborigen sounds, Euro & Nederbiet or American teen moody folk rock garage a la Rising Storm, Dovers, Nightcrawlers, Tormentors and the likes.

A facsimile reproduction of this mega rare EP, originally released on Edigsa in 1966, coming with remastered sound and an insert with lyrics, photos and notes.

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The Seeds

The Seeds Deluxe Edition

2LP | 1966 | UK | Reissue (GNP Crescendo)

Release: 1966 / UK – Reissue

Genre: Rock & Indie

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Legendary US garage band best known for their evergreen classics ‘Pushin’ Too Hard’ and ‘Can’t Seem To Make You Mine’ that detonated in the US charts in late 1966 and early 1967. Whilst ‘Pushin’ Too Hard’ was their only top 40 hit, this song has been discovered by every new generation that hear it from punk rockers of the 70s to those who are glued to their mobile phones today.

Their debut LP “The Seeds” released in 1966 contains both these tracks and is rightly feted as a garage classic. It is an essential album. As our very own Alec Palao stated, “Like the first Ramones long-player, it is one of rock’s great debuts; an album where, in spite of some obvious influences, a signature sign was sharply defined.”

Ace are delighted to serve up the deluxe edition of “The Seeds” that was lovingly curated by Palao and released by GNP Crescendo some years back. Not only do you get “The Seeds” with 12 pulsating tracks but also a bonus LP of alternate versions and a couple of unheard tracks like ‘The Other Place’ and ‘Out Of The Question’. The extended version of ‘Evil Hoodoo’ is a stone cold treat.

Both albums are housed in a gatefold sleeve with an 8-page full colour booklet with Palao’s brilliant liner notes and sensational photos and memorabilia.

There is no ‘Excuse Excuse’ not to pick up or stock this one.

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The Seeds

A Web Of Sound

37,99 €*

El Juego De Desaparecer / Chica Tiéntame

Release: 1966 / UK – Reissue

Genre: Rock & Indie

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The Seeds’ second album released in 1966 is a pop-art garage rock classic. ‘Mr Farmer’ was to become a Billboard Hot 100 single in 1967 and the second side of the album features the 14-minute epic ‘Up In Her Room’. This deluxe gatefold edition features the original stereo mix along with an 8-page insert. “Web Of Sound” deluxe comes with a second LP stuffed with mono versions, outtakes and more.

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Los Syn

7" | 1966 | EU | Reissue (Madmua)

20,89 €* 21,99 € -5%

7" | 1967 | EU | Reissue (Altercat)

Release: 1966 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Los Syn were born in 1966 in Chile, formed by four young lads from the US whose parents were working in Santiago at the time, and they released this sole 45 before all going back to the US next year. The record is practically nowhere to be found, and such an amazing example of teen garage folk-punk the way we all lose our head for.

Limited reissue of 500 copies, with an insert with liners by Gary Pilgram (bass player), and two postcards with unseen photos!

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The Paragons

Abba / Better Man Than I

12,99 €*

Western Union Gold Record Store Day 2022 Vinyl Edition

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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"Let me hear you say YEAH!!!". We’re proud to bring you the first official reissue of this essential 60s garage classic, after several bootlegs hitting the market in recent times and its appearance in countless compilations in the last 20 years. Done in cooperation with surviving band members Pat Walters and Danny Huntley, the single receives the usual deluxe treatment at Altercat and comes housed in a brand new picture sleeve, with a 12-page booklet with the band’s story written by Mike Stax (Ugly Things magazine) and previously unseen pictures. Sound mastered by Tim Warren (Crypt Records / Back From The Grave). We aim to get these to you Asap so they are available for the Christmas period. Read on below

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Five Americans

LP | 1967 | US | Reissue (Sundazed)

The Fallen Angels Purple Vinyl Edition

Release: 1967 / US – Reissue

Genre: Rock & Indie

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Limited to 1200 copies. While overshadowed by its euphonic earworm, this is a remarkably deep and diverse album. With saccharin-saturated jangly pop that verges on bubblegum ('If I Could'), infectious Vox organ propelled grooves ('Sound Of Love'), fuzz-driven garage ('Reality') and the splendid and inventive sonic atlas 'Big Cities'! Come for the single, stay for the album! All analog, pressed on Abnak gold vinyl!

1. Western Union 2. Gimme Some Lovin’ 3. Husbands & Wives 4. If I Could 5. Sympathy 6. Big Cities 7. Sound Of Love 8. I Put A Spell On You 9. Tell Ann I Love Her 10. Reality 11. Now That It’s Over 12. See-Saw-Man

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The Fallen Angels

LP | 1967 | US | Reissue (Jackpot)

LP | 1967 | EU | Reissue (Discos Monterey)

Release: 1967 / US – Reissue

Genre: Rock & Indie

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Pioneers of psychedelic rock, Jackpot Records is thrilled to offer the first-ever vinyl reissue of The Fallen Angels’ debut album! An unsung classic of ’60s psychedelia, The Fallen Angels, originally released in 1967, showcases the frenetic energy and melodic mélange of early garage and psych rock. Hailing from the Washington, D.C. area, The Fallen Angels masterfully blended driving guitar solos, groovy basslines, and playful distortion, with lead vocalist Jack Bryant’s bluesy and charismatic vocals. Standout tracks like “Introspective Looking Glass”, “Room At The Top”, and “No Way Out” are replete with punchy horn sections, raucous drums, and just enough reverb-stricken sitar for that true late-’60s flavor. Pressed on limited edition color vinyl at RTI and mastered by Kevin Gray from the original tapes

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Los Shain's

Segundo Volumen

7" | 1967 | EU | Reissue (Guerssen)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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After consecutive reissues of Peruvian garage and psychedelic rock from the sixties and seventies, Discos Monterey couldn't miss the chance to resurface two of the most emblematic records of the period: "Segundo Volumen" (1967) and "Docena 3" (1968) by Los Shain's, the "conjunto de conjuntos" (the band among bands), as they were called back then. Those fifteen-year-olds started in mid-1964 and would go on to make an impressive musical career that would make history with just four records for the Iempsa label.

They recorded their first LP "El Ritmo De Los Shain's" (1966), halfway between instro rock and garage. Its main architects - Enrique "Pico" Ego Aguirre, on guitar, and Gerardo Manuel Rojas, on lead vocals - introduced psychedelia in their second work called "Volumen 2" (1967). They were accompanied by Beto Tataje on second guitar, Juan Carlos Barreda on bass, and Carlos Manuel Barreda on drums. The album contains, for the most part, their own songs, standing out their luminous melodies and a certain beat they themselves considered to be a product of the "enfermedad" (sickness), immersed as they were in "la onda", the groove of the era. An impressive album that also stood out for its sound and for the pioneering presence of the "fuzz tone" among other effects such as the tape echo or a harmonic distorter that were revolutionary in their day and that today still have an impact due to their enormous power.

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William Penn Fyve

Swami / Blow My Mind

14,99 €*

The Jelly´Bean Bandits Yellow Vinyl Edition

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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First ever band-sanctioned reissue of this legendary ‘Pebbles’ garage-psych 45 from 1967. William Penn Fyve aka William Penn & His Pals were a regular presence on the early Bay Area scene, opening for the likes of Jefferson Airplane, Paul Revere & the Raiders and Them. Their line–up included lead singer / organist Gregg Rolie, later of Santana / Journey. In 1966 they recorded their lone single, "Swami" / “Blow My Mind”, for the Thunderbird label. The A-side (written by guitar player Mike Shapiro and famous for being included on “Pebbles-The Acid Gallery”) is early acid-punk with fuzzed-out raga guitars and hilarious lyrics about a guru. The flipside is an energetic garage-punk number with swirling Vox organ and a fuzz rave up á la Yardbirds.

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The Jellybean Bandits

LP | 1967 | US | Reissue (Sundazed)

23,99 €* 31,99 € -25%

The Superfine Dandelion Blue Vinyl Edition

Release: 1967 / US – Reissue

Genre: Rock & Indie

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This freakbeat jelly belly delight showcases the Bandits’ vaudeville humor, garage rock & catchy psychedelic pop! Considered a cult classic, this mixed bag of candy-coated fuzz is sure to satisfy your sweet tooth! Our favored stereo mix, pressed on yellow vinyl! Newburgh, New York psych-punks the Jelly Bean Bandits formed in 1966. Originally known as “The Mirror,” the band regularly packed area nightspots like the local Trade Winds, Poughkeepsie's Buccaneer Nightclub, and Burlington, Vermont's Red Dog. In due time, they recorded a three-song demo reel that resulted in a three-album recording contract with Mainstream Records – however, unknown to Mainstream, these three songs represented the sum total of the Jelly Bean Bandits' repertoire, forcing the band to write enough additional material to flesh out a full-length LP in the course of a week. Amazingly, their eponymous 1967 debut is excellent, a freakbeat cult classic distinguished by emotive guitar and some innovative production techniques – all the more impressive, the album was recorded in a single 12-hour stretch. Mainstream hated the end result, however, and dropped the Jelly Bean Bandits just as they were commencing work on the follow-up – only one song was completed before the sessions were aborted, leaving just one ‘60s studio album from these confectionary con-artists. – Jason Ankeny

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The Superfine Dandelion

LP | 1967 | US | Reissue (Sundazed)

Fire Horses / Silence On The Shore

Release: 1967 / US – Reissue

Genre: Rock & Indie

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Flower power psych pop that’ll blow you away! Exploring the jangly folk and garage sounds of the late ‘60s, the Superfine Dandelion picks a wide variety of colorful folk, country and jug band influences and puts a psychedelic tint on their all-original compositions. Our favored stereo mix, pressed on blue vinyl! Formed in 1967, this Phoenix, AZ band would only last for a year before parting ways, leaving behind just one album – a fate many Mainstream artists ultimately faced, no matter how quality their style and sound was. The Superfine Dandelion features Mike McFadden (formerly of the garage rockin’ Mile Ends) and Rick Anderson (founding member of the Tubes) showcasing the sound of the Summer of Love – kaleidoscopic, sunny & groovy! “While the cheeriest cuts have the sunny folk-pop/rock feel of, say, some of the L.A. folk-rock issued by the Dunhill label (‘Don't Try to Call Me’ recalls P.F. Sloan) or the Monkees, their self-titled LP had a good deal of sub-Jefferson Airplane folk-psych-rock, with plenty of minor chords, harmonies, and wistful lyrics. Then ‘Janie's Tomb’ and ‘It's Raining’ have a jokey jug band vibe, like a cross between the Charlatans and the Lovin' Spoonful.” – Richie Unterberger (AllMusic)

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Les Marquis

7" | 1967 | EU | Reissue (You Are The Cosmos)

11,04 €* 12,99 € -15%

LP | 1968 | EU | Reissue (Lion / Groovie)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Les Marquis were an Austrian band active in the 1967-1971 period. Their debut single - Fire Horses - released in 1969, is one of the best Garage/Folk-Rock European gems of the late sixties. Limited edition of 400 copies.

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Yays & Nays

LP | 1968 | EU | Reissue (Cosmic Rock)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Limited to 500 copies. Monster rare USA private pressing from 1968, rated with 6 stars in the Hans Pokora 3001 Record Collector's Dreams book. The Yays & Nays were a groovy, hip group (says so on the original LP jacket!) comprised of three guys and three girls. Theirs is a truly unique sounding album, full of creative songwriting and vocal arrangements and a style that defies categorization. There's garage folk-rock-the opening track 'Gotta Keep Traveling' is really astounding!, tracks with vocals in a kind of 'Kicking Against the Pricks"-era Nick Cave-channelling-Tony-Joe-White-meets-Johnny Cash vein, a little country flair, and some cuts of an ''Incredible Strange Music'' type. Weird and wonderful, in it's own peculiar way. Reissued for the first time, in collaboration with band members, and with original artwork.

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Orphan Egg

22,49 €* 24,99 € -10%

Walkin' Up Con Los Walkers 53rd Anniversary Edition

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Orphan Egg were a short lived group who were formed in 1967 in San Jose California. Their sole self-titled album was released in 1968 on the small independent company Carole Records. Essentially a garage-psych album – in the tradition of future iconic compilation like Nuggets or Pebbles – Orphan Egg was recorded by a bunch of students at Saratoga High School in Saratoga. Occasionally they won the Vox Battle of the Bands, a nationwide competition. They also appeared on the soundtrack of the classic bike-movie ‘Cycle Savages’ with 3 tracks.

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Los Walkers

LP | 1968 | US | Reissue (Noseso)

34,99 €*

Release: 1968 / US – Reissue

Genre: Rock & Indie, Pop

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After 53 years of oblivion, Walkin Up con Los Walkers, the fundamental work of Argentinian garage-psych is being reissued again in Argentina from the original mono master tape. An iconic LP from “the other” youngster music—the one that was known as “beat music"—it was originally released in 1969 and has never been reissued in its original format until now. The band had previously released two LPs and several 45s which contained an exquisite selection of covers, from The Rolling Stones material to songs by Astor Piazzola, but with Walkin’ Up they entered history as excellent songwriters and conceptual artists. With a great use of studio production, unseen before in Argentina, they laid down a wide range of psychedelic sounds and structures that decades later are be considered as the Buenos Aires version of Los Shakers’ La Conferencia Secreta del Toto’s Bar—both albums under a huge influence from The Beatles’ Sgt. Pepper’s. Limited edition of 300 copies on 180-gram vinyl with the careful restoration and printing of the original artwork. Includes a printed postcard and a lavish 4-page booklet with photos and liner notes by journalist Víctor Tapia.

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LP | 1968 | EU | Reissue (BMG Rights Management)

Wonderwall Music

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Wonderwall Music Record Store Day 2024 Vinyl Edition

LP | 1968 | Reissue (Dark Horse)

35,99 €*

LP | 1969 | US | Reissue (Metromedia)

Release: 1968 / Reissue

Genre: Rock & Indie

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Dark Horse Records and Record Store Day are excited to announce a multi-year partnership to release limited Zoetrope picture disc pressings of George Harrison’s entire studio album catalog. The first two titles in the RSD exclusive series — Wonderwall Music and Electronic Sound — will be available on Record Store Day in April 2024. Limited to 8,000 units globally and exclusive to Record Store Day, each unit is individually numbered in silver foil and includes an insert reproducing the original artwork. Released in November 1968, George Harrison’s Wonderwall Music was the first solo album released by a member of The Beatles and the first LP to be released by Apple Records. The soundtrack music for director Joe Massot’s debut feature-length film, Wonderwall, the predominantly instrumental album is an intricate, vibrant tapestry of Western rock music and compositions in an Indian classical style.

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Sugar Creek

Please Tell A Friend

19,99 €*

Release: 1969 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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LP | 1969 | EU | Reissue (BMG Rights Management)

Electronic Sound

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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2x7" | 1969 | EU | Reissue (Madmua)

Los Cirros

26,59 €* 37,99 € -30%

Release: 1969 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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LOS Cirros are one of the most obscure Spanish rock bands from the late 60s. Coming out of a tiny village in one of the smallest provinces of the country sure helped them being fully ignored, but how cool those guys proved to be when discovered in compilations such as “Viñedos” or “Pentecostés Vibrations”!!! They released two seven inches (1969 and 1970), both very very rare and featuring pretty cool songs in a blend of garage, light psychedelia and pop. Now, these two 45s are reissued (marketed together, not to be sold separately!), including an unreleased bonus track and with the usual attention to detail of the Madmua label, with the addition of an insert and two postcards. Limited to 500 copies.

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Electronic Sound Record Store Day 2024 Vinyl Edition

12" | 1969 | Reissue (Dark Horse)

26,99 €* 35,99 € -25%

LP | 1969 | EU (Endless Happiness)

Release: 1969 / Reissue

Genre: Rock & Indie

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Dark Horse Records and Record Store Day are excited to announce a multi-year partnership to release limited Zoetrope picture disc pressings of George Harrison’s entire studio album catalog. The first two titles in the RSD exclusive series — Wonderwall Music and Electronic Sound — will be available on Record Store Day in April 2024. Limited to 8,000 units globally and exclusive to Record Store Day, each unit is individually numbered in silver foil and includes an insert reproducing theoriginal artwork. As a direct result of The Beatles’ keen curiosity about experimental music and other avant-garde artistic expression, Apple Records launched its short-lived Zapple subsidiary in February 1969 as a forum for unfettered sonic exploration, or, as announced at the time, “more freaky sounds.” George’s Electronic Sound and John Lennon and Yoko Ono’s Unfinished Music No. 2: Life with the Lions, both released in May 1969, were Zapple’s only releases before it was closed down. Electronic Sound’s cover art, painted by George, depicts his Moog IIIp synthesizer (which was later used on four tracks by The Beatles on their album Abbey Road) with the four modules from which the sound was synthesized. Each side of the Electronic Sound LP featured one exploratory long-form work.

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The Cyrkle

Neon

23,99 €*

Kaleidoscope Black Vinyl Edition

Release: 1969 / EU

Genre: Rock & Indie

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Cykle produced one album's worth of solid garage rock, and it certainly proves that the band was an enthusiastic bunch of musicians. Much closer to late 60’s garage (proto) punk than psychedelia, the album was released in 1969.

They were best known for their 1966 song "Red Rubber Ball" (written by Paul Simon) which went to #2 on the Billboard Hot 100 chart. The band was discovered and managed by Brian Epstein and given the unique spelling of their name by John Lennon. The group was formed by guitarists and lead singers Don Dannemann and Tom Dawes (bass guitar), who met while studying at Lafayette College in Easton, Pennsylvania. The other members were Earl Pickens on keyboards and Marty Fried on drums.

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Kaleidoscope

LP | 1969 | EU | Reissue (Guerssen)

29,99 €*

LP | 1970 | EU | Reissue (Discos Monterey)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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One of the rarest psychedelic garage albums ever, the Kaleidoscope album was recorded in the Dominican Republic by this Boricuan/Dominican band but released only in Mexico in 1969 as a tiny pressing, housed in a fantastic psychedelic sleeve designed by Bodo Molitor.

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Gerardo Manuel & Humo

Apocallypsis

Mona The Carnivorous Circus

Release: 1970 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Gerardo Manuel left behind his deepest beat days with The Dolton’s and the Shain’s, plus his garage psych stage with St Thomas Pepper Smelter. At the beginning of the seventies he was joined by a new band formed by other illustrious Peruvian musicians, called El Humo because, according to Ernesto Samamé (We All Together) they met to play unpretentiously, to test the new sound equipment of the Virrey label. The first of the albums was "Apocallipsis" (1970). It was followed in 1971 by the conceptual "Machu Picchu 2000" in which he used all his imagination to tell us about the resurgence of the Inca empire after the third world war that broke out at half past five on December 31, 1999. Songs of lysergic melodies, with Latin touches, give life to this album that looks for peace in the world. Unique and memorable albums, essential for any discography with the best of South American music from the sixties.

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Mick Farren

LP | 1970 | EU (Trading Places)

21,99 €*

Heavy Equipment Black Vinyl Edition

Release: 1970 / EU

Genre: Rock & Indie

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The adventurous singer, guitarist and music journalist Mick Farren launched his solo career after being sacked by his fellow Deviants, the protopunk band he fronted from 1967-69. Suffering from depression and other mental health issues, Farren teamed up with an all-star cast, including members of Quartermass and ex-Tyrannosauros Rex honcho Steve Peregrin Took for debut opus Mona The Carnivorous Circus, mixing hard rock, spoken word, spaced-out interludes, radio cut-ups and garage rock, rendering a work as compelling as it is hard to classify. Strange, delightful and a favourite of Julian Cope, this is an aural journey to savour.

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Euclid

LP | 1970 | UK | Reissue (Bgp / Flying Dutchman Amsterdam)

December's Children Pink Vinyl Edition

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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This super rare hard rock album from Euclid is one of the true surprises on the Flying Dutchman label, coming out on its Amsterdam subsidiary in 1970. Despite a press release that stated “Everyone who has seen Gary Leavitt and Euclid has been knocked out,” the album stayed firmly in the record racks upon release and now sells for upward of £300.

The four-piece group hailed from Haverill, Massachusetts although only bassist Harold Perino came from there. Lead guitarist, Ralph Mazzota and brothers Gary and Jay Leavitt came from Maine. The driving force behind the band was Gary Leavitt, who penned most of their material, played guitar and was described as “leader” on the sleeve. All four had a pedigree in garage and psychedelic bands and those roots as well as a deep love of Jimi Hendrix, Eric Clapton and Jimmy Page shine through in this early take on hard rock.

The album - produced by Bobby Herne and mixed by Les Paul Jr - is blisteringly loud. Hence the title! Witness the three-part opening track ‘Curtains Of Night’ as well as Leavitt-penned material like ‘Bye Bye Baby’, ‘97 Days’ and ‘She’s Gone’. Crucially, the entire album is lifted by the tight interplay between the players, most notably the rhythm section on tracks like ‘Lazy Livin’’. There are also well-chosen cover versions of 'It's All Over Now', made famous by the Rolling Stones, and a wonderful take of the Spencer Davis Group’s 'Gimme Some Lovin'’.

As it has never been officially reissued on vinyl, since 1970, “Heavy Equipment” has been much bootlegged over the years. So, remastered from the original tapes this album is a must-have for rock fans everywhere.

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December's Children

LP | 1970 | US | Reissue (Sundazed)

LP | 1970 | EU | Reissue (Cosmic Rock)

Release: 1970 / US – Reissue

Genre: Rock & Indie

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Bluesy rust-belt psych from Ohio's December's Children! Bouncing between male and female vocalists, tight harmonies, country flavor and rock 'n' roll style, their sound fit the transition between pop and heavy rock in the late '60s. Pressed on pink vinyl!

This country-blues psych album was originally released near the end of 1970, and though it was their sole album, December's Children are a good example of how music was changing between the end of the '60s and beginning of the '70s. Accented by psychedelic keys & organ (especially in "Trilogy"), it's been described as Texas garage rock, with funky, hook driven guitar - particularly in "Sweet Talkin' Woman" and "Last Monday Night."

Opting for a more straight forward rock 'n' roll sound, the band never considered themselves psychedelic (though that was being pushed at the time), and though they weren't as heavy as Blue Cheer, their country-blues sound is nearly a precursor to later albums by Savoy Brown and Blodwyn Pig.

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V.A.

Simla Beat '70

LP | 1971 | EU | Reissue (Out-Sider)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Sensational reissue for the first volume of iconic compilation Simla Beat 70. A psych garage manifesto, the record consisted of groups who appeared at the All-India Simla Beat ‘battle of the bands’ contest held in two years (1970 and '71) in Bombay. The annual event and the records were sponsored by The Imperial Tobacco Company. Bands from all around India would compete for first prize. The album - indeed - was not recorded live on the stage but in a primitive makeshift studio using very little overdubbing or sound reinforcement. The sound is generally influenced by the proto-garage western movement of the mid sixties and later became a massive cult for all the 70s rock fans.

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Daybreak

20,99 €*

LP | 1971 | EU | Reissue (Discos Monterey)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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First ever vinyl reissue of this elusive US private pressing from 1971, originally released on the legendary RPC custom label.
Intense & crude garage-psych with echoing vocals, loud distorted guitar, fuzz bass and organ. Three killer band originals plus some insane cover versions (Steppenwolf, Neil Young…) with a basement sound not unlike Mystic Siva!

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Gerardo Manuel & Humo

Machu Picchu 2000

LP | 1972 | EU | Reissue (Guerssen)

Release: 1971 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Gerardo Manuel left behind his deepest beat days with The Dolton’s and the Shain’s, plus his garage psych stage with St Thomas Pepper Smelter. At the beginning of the seventies he was joined by a new band formed by other illustrious Peruvian musicians, called El Humo because, according to Ernesto Samamé (We All Together) they met to play unpretentiously, to test the new sound equipment of the Virrey label. The first of the albums was "Apocallipsis" (1970). A wild and acid work, with its own songs and fabulous covers. An explosion of crazy psychedelia , overflowing solo moments, and the vocals delivered by a very inspired Gerardo Manuel. Songs of lysergic melodies, with Latin touches, give life to this album that looks for peace in the world. Unique and memorable albums, essential for any discography with the best of South American music from the sixties.

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Necronomicon

Tips Zum Selbstmord

Grown In U.S.A. Purple Vinyl Edtion

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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50th Anniversary official reissue of this Holy Grail Kraut album from 1972. Real underground heavy-prog / psychedelic hard-rock with raw, in-your-face production, German lyrics, insane acid-fuzz guitar, garage organ and dark, proto-doom atmosphere…the real deal! Named after the famous Lovecraft book, Necronomicon formed in the German town of Aachen in 1970, first influenced by bands like Black Sabbath, Deep Purple, Pink Floyd, Hendrix… In 1972 they entered a small studio in the Dutch border and recorded in just five days a concept album named Tips zum Selbstmord. The title roughly translates as “Tips on how to commit suicide” but the message the band wanted to give had nothing to do with taking your own life but instead with how mankind was facing self destruction, destroying its own planet by pollution, wars, exploitation and overpopulation. 500 copies of the album were privately pressed by the band, housed in a lavish, cross shaped multi fold-out cover. It was a graphical translation of what they wanted to express musically. Original copies are impossible to find, making it one of the most desirable and sought after Kraut / German albums ever. Here’s a long overdue new vinyl reissue. *Limited to 1000 hand-numbered / signed copies *Faithful reproduction of the original multi-fold-out cross shaped cover *Sourced from the original master tapes *Insert with detailed liner notes and photos Riyl: Black Sabbath, Amon Duul, Gila, Paternoster, Hawkwind, GÄA, German OAK, Pink Floyd, Hendrix…

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Homer

LP | 1972 | EU | Reissue (Guerssen)

Grown In U.S.A. Black Vinyl Edition

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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With their roots traced in two legendary 60s garage bands, The Outcasts and The Stoics, Homer were without doubt one the best psychedelic / hard-rock outfits coming out from Texas. “Grown in U.S.A” was their only album, released as a private pressing in 1970. Rural psychedelic rock with early prog hints fueled by stunning lead / dual guitar, melodic vocals and occasional mellotron.

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Homer

LP | 1972 | EU | Reissue (Guerssen)

27,99 €*

Laid Back 200g Vinyl Edition

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Gregg Allman

LP | 1973 | US | Reissue (Acoustic Sounds)

46,99 €*

LP | 1973 | TR | Reissue (Universal Music Taxim Edition)

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Gregg Allman's 1973 solo debut also became his biggest hit, a No. 13 LP featuring his Top 20 classic "Midnight Rider". Analogue Productions now brings forth a sparkling reissue of this classic disc, mastered from the original analog tapes by Ryan Smith at Sterling Sound. And presented as a 200-gram sonic superstar plated and pressed at our own Quality Record Pressings!
»By the end of 1973, the Allman Brothers Band seemed to have it all nailed down«, writes reviewer Rickey Wright. They'd proven their mettle with a fine synthesis of blues, jazz, folk, and country influences; expanded upon it with the definitive Fillmore East set; and moved forward after the separate losses of guitarist Duane Allman and bassist Berry Oakley. The group's myriad strengths, in fact, might've been the reason that one of their most obvious gifts — Gregg Allman's pained, growling voice — was sometimes overlooked.
"Laid Back", Greg Allman's first solo disc, seems in part an effort to gain a little more recognition. It worked, particularly given the strong radio response to its opening track, a loping remake of "Midnight Rider". Likewise, much of the album's remainder finds Allman tweaking the band's blues ("Queen Of Hearts") and country sides (a cover of Jackson Browne's "These Days"); horns and gospelish backing vocals add to the personal, often mournful feel. "Laid Back" is an often convincing version of the man's music.

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Cem Karaca & Mogollar

Ankara 1973

LP | 1973 | EU | Reissue (Cosmic Rock)

Release: 1973 / TR – Reissue

Genre: Rock & Indie

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2021 Reissue, recorded in 1973. studio live session, 180g black vinyl in gatefold cover with 6 posters describing each track.

What a fantastic recording from a man and his band which is a real gem, haunting your soul in the first seconds (especially first track of B side “Alageyik Destani”). Cem Karaca is one of the leading vocal man and songwriter of Anatolian Rock scene, Mogollar (founded in 1967) is the first band which is the inventor of Anatolian Rock in Turkish rock music history. It offers amazing musical taste inspired by the traditional folk heritage of Turkiye. Strictly recommended.

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Zerfas

Pronounced 'Leh-'nerd 'Skin-'nerd

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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This is probably one of the US private press scene's greatest treasures. The sole album published by this American five-piece was released in 1973 in a ridiculously small run and soon was elected as a contemporary cult. The band from Indianapolis consisted of brothers David Zerfas and Herman Zerfas, and was originally formed in 1969. While they released just a single self-titled album, they continued to play gigs until 1983. All the material is self-penned which comes as a surprise as the tracks are uniformly strong, with lots of keyboards, sound effects, and some outstanding harmonies. An excellent mix of proto-garage, psych and even prog with a strong effort on studio wizardly. A rare gem all in all !

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Lynyrd Skynyrd

LP | 1973 | EU | Reissue (Universal)

28,99 €*

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Limited 180gm audiophile vinyl LP repressing of this classic album by the Southern rock legends. Though the Southern rock genre existed before and after Lynyrd Skynyrd, no other band personified the lifestyle quite like this motley crew. Released in 1973 Pronounced Leh-Nerd Skin-Nerd was Lynyrd Skynyrd's first album. There are few records that sound this raw and uncompromising, especially records by debut bands. The genius of Skynyrd is that they un-self-consciously blended album-oriented hard rock, blues, country, and garage rock, turning it all into a distinctive sound that sounds familiar but thoroughly unique. Includes 'I Ain't The One', 'Simple Man' and the legendary 'Free Bird'.

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Living In The Material World

LP | 1973 | JP | Original (Apple)

LP | 1974 | EU | Reissue (Svart)

Release: 1973 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

No obi.

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Virtanen

Hal-00

21,99 €*

The Social World" Of Rodger Wilhoit" Green Vinyl Edition

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Svart Mondo presents a limited edition of 500 copies on black vinyl. Highly influential debut album of raunchy and energetic psychedelic early garage punk by Finnish legend Virtanen, originally released on the infamous Love Records label in 1974 and now presented as a first ever vinyl reissue. With a reputation of having wild stage shows, Virtanen’s Hal-00 was touted as the first Finnish punk rock album not only for the raw music but also for the band’s scruffy, outsider image. If Virtanen’s music needs classification, it is a brand of early garage rock, with proto-punk influences, inspired by Bowie, The Who, T-Rex and The Kinks. Ahead of their time in sound and style, Virtanen’s showmanship was unseen for a rock group at the time in Finland, and Hal-00 is nothing short of a timeless classic. Revitalised for a new era, with photo and lyric booklet with extensive liner notes.

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Rodger Wilhoit

LP | 1974 | US | Reissue (Sweet Mental Revenge)

29,99 €*

Release: 1974 / US – Reissue

Genre: Rock & Indie

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Emerges Black Vinyl Edition

Stone Harbour

LP | 1974 | EU | Reissue (Out-Sider Music)

23,99 €*

Tilt ( Immagini Per Un Orecchio) Blue Vinyl Edition

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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The absolute king of lo-fi basement psychedelia, originally released as a private pressing in 1974 by this duo from Ohio. From dreamy melancholic tracks to insane fuzzed-out heavy psych ones.

“Two multi-instrumentalists creating a melancholic dreamlike state with songs fading in and out of the speakers, cavemen drums, primitive electronics and murky fuzz lurking in the background. The best tracks go into places no other albums reach” Patrick Lundborg (Acid Archives). " ‘Emerges’ as in slowly from the primordial sludge of the universe. 'Emerges' like a slow, slouching spectre hauling itself out of the swamps. But then what's a boy to do?

It's 1974, you're young and have a head full of Hawkwind and Roky and the Elevators, old brutalist blues in the Hound Dog Taylor / Fred McDowell backwoods whisky-fucked mode, freakfolk and LSD; you're stuck in Hicksville, USA - that's Youngstown, Ohio to you lot; the music scene sucks; glam's dead or dying slowly; punk a good year of so from even starting to get itself born. Town's too damn small to even muster up a band in. It's just and your buddy and that's it, man.

So you grows your hair and wear satin, wander wide-eyed and tripping across small town railway tracks and hang loose at the weekend in your basement. You gather a bunch if cheapo instruments on the never-never and you start cutting low-fi bedroom demos. Slowly, slowly Stone Harbour emerge.

Stone Harbour were Ric Ballas - electric, acoustic and slide guitars; organ; piano; synthesizers; bass guitar percussion and voice - and Dave McCarty - lead vocals, drums and percussion... and out of nowhere and nothing, at entirely the wrong time, they cut an LP that will blow your head clean off. This is a trip into the true dark heart of psychedelia.

The music? What can I tell you? ‘You'll be a star’ shimmers and aches in the midnight; cymbals wash over you, Dave McCarty's vocals emerge from some subterranean cave and the keyboards flicker, flicker, flash across the periphery of the song; ‘Rock & Roll Puzzle’ is dark, twisted fried garage punk blues brutality in the same mould as 'White Faces' or 'Cold Night for Alligators', pre-empting The Gories and Pussy Galore by a good ten years!!

"Who invented rock & roll? And who invented soul? Was it you or was it me?" Indeed. Songs fade in and out; finger-picking blurs into screaming squeiching synths; guitars melt in the mid-summer heat. ‘Grains of Sand’ frazzles like The Stooges through a fucked-up amp and filtered through a transistor radio with the valves burning out.

‘Thanitos’ is the freak-out ending of ‘Julia’s Dream’ lost in suburban downtown US of A with the taillights cutting on the freeway... whilst ‘Summer Magic is Gone’ is the most haunted, haunting song I've heard in many a long strange moon. Shimmers like stars in the 2am fug and haze and bleeds lost and lonely and bruised into the heat-warped dawn. You're still awake though the brain don't work like it used to. Blurred and bleary and exhilarated and stoned the very core of the soul. Best record I've heard all year." Hugh Dellar (Shindig!)

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Arti & Mestieri

LP | 1974 | EU | Reissue (Cracki)

46,99 €*

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Apaslar, Kardaslar, Mogollar Picture Disc Vinyl Edition

Cem Karaca

LP | 1974 | EU | Reissue (Pharaway)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Sophisticated & passionate, with flamboyant taste in sunglasses, Cem Karaca once led Istanbul’s music fans through a period of violent political turmoil. Karaca reworked traditional folk lyrics with molten electric bass lines that played up both a poet’s broiling righteousness and also his listeners’ common ground with their elders in Turkey’s history. This is the second album from Karaca, released in 1974, reissued for the first time in Picture Disc with remastered sound. It leads the listener through Karaca’s own musical history, skipping across various collaborations and bands up to his then-current project Dervisan. Can throbbing Anatolian guitars take on the assassins of the Grey Wolves? Imagine a hairy pied piper with R Kelly’s flair for drama, wailing into a microphone over an electric baglama, and you’re ready to enter the bohemian world of Papa Cem.

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LP | 1974 | EU | Reissue (BMG Rights Management)

Dark Horse

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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7" | 1974 | US | Original (GRC)

Moe Bandy

Honky Tonk Amnesia

3,99 €*

Release: 1974 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: Generic

Living In The Material World 50th Anniversary Edition

LP | 1974 | Reissue (BMG Rights Management)

Release: 1974 / Reissue

Genre: Rock & Indie

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Living In The Material World 50th Anniversary

2LP | 1974 | Reissue (BMG Rights Management)

51,99 €*

Release: 1974 / Reissue

Genre: Rock & Indie

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Apaslar, Kardaslar, Mogollar

Cem Karaca

LP | 1974 | EU | Reissue (Pharaway)

11,99 €*

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: G+, Cover: Generic

Picture Disc Vinyl Edition
Record is slightly warped but still enjoyable.

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LP | 1975 | EU | Reissue (BMG Rights Management)

Extra Texture

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Extra Texture (Read All About It)

LP | 1975 | JP | Original (Apple)

33,99 €*

LP | 1975 | DE | Original (Warner)

Release: 1975 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl is close to NM. OBI is missing. With insert. Original inner sleeve.

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George Baker Selection

Paloma Blanca

5,99 €*

Release: 1975 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Nr. 1 Black Vinyl Edition

Grave

LP | 1975 | EU | Reissue (Sommor)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Ultimate Kraut basement hard-rock garage monster, originally released as a small private pressing edition of 100 copies in 1975. Originally from Brinkum (near Bremen), Grave was formed in a basement in 1975. Using a primitive tape recorder and just two mics, six tracks were recorded live at a makeshift studio located at the Brinkum Jugendhaus (Youth Center) in summer 1975, resulting in the Grave Nr. 1 album. Grave’s music is raw, sincere, melancholic and unadulterated.

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LP | 1976 | EU | Reissue (BMG Rights Management)

Thirty Three & 1/3

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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LP | 1976 | EU | Reissue (BMG Rights Management)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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LP | 1976 | US | Reissue (Now-Again)

Paul Ngozi

The Ghetto

28,99 €*

Chisholm In My Bosom Crystal Clear Vinyl Edition

Release: 1976 / US – Reissue

Genre: Rock & Indie

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Celebrated Zambian guitarist and bandleader Paul Ngozi’s concept album about the stuggles of those living in Africa’s 1970s townships Includes Oversized 8 Page Booklet That Details Paul Ngozi and The Ngozi Family’s Arc, Including Rare Photographs, Discography And Annotation The third entry in an era-defining reissue series on Now-Again centered around this Zamrock legend and his band - previous entries include Day Of Judgement and 45,000 Volts "Zambia’s Zamrock movement that exploded in the 1970s...provided young musicians access to European and American music, and created a unique sound. At its root, Zamrock melded fuzz-toned psychedelia, chugging garage rock and roiling funk with a broad mix of African cadences and beats...enlivening a scene that included bands like Musi-O-Tunya, Amanaz and the Ngozi Family” - Zamrock was a bona-fide rock scene: on the African continent, only Nigeria can claim one so comprehensive, and Nigeria’s was largely catalyzed and funded by subsidiaries of the European major labels. Zamrock was as independent as the newly-named country, formerly known as Northern Rhodesia. Zamrock is starting in its completeness, especially for a scene that emerged, unfurled and disappeared so quickly. From Musi-O-Tunyaís fusion of Fela’s Afro-beat, Hendrix’s rock, South African jazz and traditional Zambian melodies and rhythms to Salty Dog’s acid folk/rock, Zambia’s rock scene contained all of rock’s subgenres. Zamrock was much more than an imitation of American and European rock music: it quickly became a uniquely Zambian movement, befitting of its name. Witch, Paul Ngozi and Amanaz sound nothing like other rock music from the African continent - or elsewhere.

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Arthur Brown

LP | 1977 | EU | Reissue (Cargo)

19,99 €*

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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George Thorogood & The Destroyers

Move It On Over

LP | 1978 | UK | Reissue (Demon)

9,34 €* 10,99 € -15%

Volume 3: My Heart (My Soul Is A Wasteland) Black Vinyl Edition

Release: 1978 / UK – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

1986 reissue. Vinyl is close to NM

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Sanullim

LP | 1978 | EU | Reissue (Guerssen)

LP | 1979 | DE | Original (Line)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Third album, originally released in 1978, by legendary Korean psychedelic band Sanullim. From heavy-fuzz psychedelic garage to slow burners, including the monster sidelong track “You Are Already Me”, the title track (which sounds like a Korean Blue Cheer) and more! *Original artwork in hard cardboard sleeve *Sourced from the original masters *Insert with liner notes and rare photos / memorabilia “This time, whilst the fuzz guitar and strangely basic bass and drum patterns are more familiar, it’s the frequently gruff, howling vocals that are the most noticeably different element of the sound” – Hugh Dellar (Shindig!)

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Kenny & The Kasuals

Garage Kings

3,74 €* 14,99 € -75%

Release: 1979 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

LP | 1979 | JP | Original (Beserkley)

Greg Kihn Band

With The Naked Eye

6,99 €*

Release: 1979 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1979 | US | Original (Columbia)

Gregg Sutton

Soft As A Sidewalk

4,99 €*

LP | 1979 | DE | Original (Polydor)

Release: 1979 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

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Georg Danzer

Notausgang

7,99 €*

Release: 1979 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Country Joe And The Fish / Peter Krug / Country Joe McDonald & Grootna

Collectors Items: The First Three EPs

LP | 1980 | DE | Original (Rag Baby)

14,99 €*

Made In Eile Remastered Deluxe Black Vinyl Edition

Release: 1980 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl close to NM and cover to VG+

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Nichts

LP | 1981 | EU | Reissue (Cargo)

18,99 €*

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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LP | 1981 | US | Reissue (Slovenly)

Eddie And The Subtitles

Skeletons In The Closet

23,99 €*

Release: 1981 / US – Reissue

Genre: Rock & Indie

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It’s 1980 in Orange County, California, and Punk Rock has been scorching the ‘burbs for a few years. Eddie Joseph has been on the Southern California scene the entire time, plotting his poisonous rock’n’roll maneuvers since the mid 1960s when he began playing in garage bands. Eddie had been honing his skills on roots music and swinging teenbeat well in advance of his foray into a new, seedy, violent punk blitzkrieg. There’s a master plan at work here, and it involves select players depending on which direction Eddie needs to bleed out of his system. The recruitment of Mike Patton and Matt Simon of OC legends THE Middle Class get Eddie AND THE Subtitles rolling for a slew of shows with comrades Black Flag, Adolescents, Circle Jerks and every other degenerate crew in the radius. A DIY imprint called No Label Records is formed (with literally NO Labels on the vinyl!) and the first single “Fuck You Eddie!” is unleashed. Recorded in Fullerton by JON ST. James at his legendary Casbah studio (The Vandals, Social Distortion, Berlin), these sessions also yielded a handful of tracks that would appear on the exceedingly rare Skeletons In The Closet LP (No Label Records, 1981). “Zombie Drug Killers,” “No Virgins In Hollywood,” and “American Society” (the short fast loud version covered by L7) appear here as the opening trio on this newly re-sequenced reissue. Geza X is also on board to produce a handful of tracks with peripheral Subtitles including Nicky Beat (germs, Weirdos) among the sessions’ players. The results here are another manifestation of Eddie’s one true love. Even as a punk allegiant, songwriting, sound and style are the priority. The dusted and dark goth-pop of “Magic” and “Stream of Consciousness” are crucial to the plot, setting a unique tone that works in a sea of one-dimensional scene releases, taking full advantage of Geza’s synth-mimicking microtonal guitar techniques. A tribute to Dave Dacron, chief miscreant of Dangerhouse Records’ Rhino 39 is also set to tape as consolation to X, as Dacron’s 16 year old life was tragically cut short in an automobile accident in 1980. But the party rocks on with covers of “Louie Louie” (also appearing on the elusive Fuck You Eddie! single) and “We Gotta Get Out of This Place,” as a testament to Eddie’s obsession with the timeless now-sounds of his delinquent adolescence. Friends and fellow freaks JON Blair (of surf cats JON AND THE Nightriders) and Bobby Paine (later of rockabilly hepsters THE Paine Brothers) lend their own song-smithery for four more originals: “Boppin’ Little Bobcat, ”“Treat me Right,” “Gina” (covered in 1984 by Josie Cotton and again in ‘89 by Stray Cats) and “Your Head’s In The Right Place,” respectively. Skeletons In The Closet remains an unusual and rare artifact in the ashtray world of punk, DIY and outsider music, and Slovenly Recordings is blasted to present it to the world one more time.

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LP | 1981 | JP | Original (Epic)

Release: 1981 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing with OBI and insert

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LP | 1981 | JP | Original (Epic)

20,99 €*

Release: 1981 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Cover without OBI has slight wear. With insert. Original Japanese pressing.

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LP | 1981 | EU | Reissue (BMG Rights Management)

Somewhere In England

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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LP | 1981 | DE | Reissue (Cargo)

Nichts

Made In Eile

Release: 1981 / DE – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Neon orange vinyl seems unplayed. Record Store Day edition Limited edition 2021 reissue. Still in shrink but opened. Original inner sleeve

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LP | 1981 | JP | Original (Epic)

LP | 1981 | CA | Original (Chrysalis)

Release: 1981 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi.

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Greg Lake

8,99 €*

Release: 1981 / CA – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Record is close to NM.

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LP | 1981 | EU | Original (Epic)

7,99 €*

Release: 1981 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Medium: VG, Cover: VG

How Could Hell Be Any Worse? 40th Anniversary White Vinyl Edition

Bad Religion

LP | 1982 | EU | Reissue (Eptaph)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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With this album a fuse was lit, leading to an explosion that spawned a new religion: Bad Religion. How Could Hell Be Any Worse?, their second record and first LP is nothing short of genius. Shattered-glass guitar riffs, fast, furious drums, and a 16 year old Greg Graffin"s voice for the ages. The coalescence of lyrical intellect and savage music make for a sound seldom (if ever) heard before. The impact of this record still resonates to this day. Classic tracks like "Fuck Armageddon...This Is Hell," "American Dream," and "The Voice Of God Is Government" are as crucial and socially lucid as the day they were created in a southern California garage. When the greatest punk records of all-time are discussed, How Could Hell Be Any Worse? is sure to be mentioned. Reissued on clear & black marble vinyl to celebrate the 40th anniversary!

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LP | 1982 | EU | Reissue (BMG Rights Management)

Gone Troppo

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Recital Vol. 2 / Enregistrement Public A Sogetsu-Hall

Juliette Greco

LP | 1982 | JP | Original (Philips)

LP | 1982 | US | Original (Epic)

Release: 1982 / JP – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. Promo copy. With OBI and insert.

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Paul Carrack

Suburban Voodoo

5,99 €*

Release: 1982 / US – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1982 | US | Reissue (CTI)

George Benson

White Rabbit

11,99 €*

Release: 1982 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Thewisermiserdemelza Orange Vinyl Edition

The Prisoners

LP | 1983 | UK | Reissue (Big Beat)