Search "re:st" 2895 Items

Rides Again Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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All the tracks on this Rides Again album are unreleased studio material recorded after the 1st album came out in 2005. At that time the band members had some troubles during recording, so after the recording sessions they broke up. These tracks were sleeping in the vault for more then fifteen years. The music is a mixture of psychedelic groove, rock, funk, and doom metal. For fans of Cactus, Grand Funk Railroad, Mountain, Sir Load Baltimore, Captain Beyond, Meaters, Graham Central Station and Funkadelic. On the album you can find four original songs plus two cover tracks: "Earthquake" from Graham Central Station and "Stay Away" from Meters.

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Sonic Flower

LP | 2021 | EU | Reissue (Heavy Psych Sounds)

22,99 €*

Almost Nothing Is Nearly Enough Colored Vinyl Edition

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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All the tracks on this Rides Again album are unreleased studio material recorded after 1st album came out in 2005. At that time the band members had some troubles during recording, so after the recording sessions they broke up. These tracks were sleeping in the vault for more then fifteen years. The music is a mixture of psychedelic groove, rock, funk, and doom metal. For fans of Cactus, Grand Funk Railroad, Mountain, Sir Load Baltimore, Captain Beyond, Meaters, Graham Central Station and Funkadelic. On the album you can find four original songs plus two cover tracks: "Earthquake" from Graham Central Station and "Stay Away" from Meters.

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Sonic Boom

LP | 2021 | US | Original (Carpark)

36,99 €*

LP | 2009 | US | Reissue (Dead Broke)

Release: 2021 / US – Original

Genre: Rock & Indie

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To Sonic Boom’s Pete Kember, re-imagining the past can lead to ways forward on life’s natural, interconnected path. In April of 2020, he released his first album in over 20 years called All Things Being Equal, a lush and psychedelic record full of interwoven synthesizers and droning vocal melodies, concerned with the state of humanity and the natural world. An entire year later, Kember has re-imagined his last release and created an album of self-remixed tracks called Almost Nothing Is Nearly Enough, inspired by the spirit of late 70s, early 80s records by artists like Kraftwerk, Blondie and Eddy Grant. His new album is hypnotic and moody, holding onto the existential framework of the original, but exposes a fresh, beating realm of possibility.

In his last album, All Things Being Equal, Kember told regenerative stories backwards and forwards as he explored dichotomies zen and fearsome, reverential of his analog toolkit and protective of the plants and trees that support our lives. His work is always complex, both in its instrumentation built using modular synthesizers, and with his attempts to observe the many variables that exist in the universe that are intrinsically connected. Kember takes his existential and musical curiosity even further in Almost Nothing Is Nearly Enough, explaining “how we interact now is especially critical.” Written while the world endures many environmental and human crises, the album is both a balm and a reminder to nurture our own relationships, both natural and personal.

Almost Nothing Is Nearly Enough includes remixes of six tracks from All Things Being Equaland two tracks previously released exclusively in Japan. The album opens just like the original, with “Just Imagine”in its remixed form. The modular synthesizer at its foundation sounds familiar, but as the song progresses it branches out into various veins of sparkling embellishments and deep humming to truly expand the world that the song attempts to envision. On the albums’title track “Almost Nothing Is Nearly Enough,” Kember’s instrumentation mirrors the interactions he wishes to inspire; synthesizers responding and building on one another, a conversation of sorts that the human world currently seems to avoid.

Almost Nothing Is Nearly Enough sets itself up to be a grooving, night-time record, while carrying on Sonic Boom’s sense of urgency to assess our relationship with the world. As Sonic Boom revisits his last album, he exposes the arteries and bones of his past work and shares its raw, exciting potential. The result is a re-textured and re-colored new set of songs, emphasizing Sonic Boom’s ability to make a sonically expansive album feel distinctly impactful for anyone who listens closely.

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Sonic Avenues

Son Of Drib Against The Wind

Release: 2009 / US – Reissue

Genre: Rock & Indie

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Deluxe edition, limited to 400 copies, remastered reissue of their 1st full length that's been out of circulation since 2009. Includes 2 previously unreleased bonus tracks, available only with the LP. Members of several Canadian punk/garage acts such as The Steve Adamyk Band & more.

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Son Of Dribble

LP | 2023 | US | Original (Minimum Table Stacks)

Everybody Knows Something Good

Release: 2023 / US – Original

Genre: Rock & Indie

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On only their second full-length album, Son of Dribble make the case for Immediate induction into the Columbus, OH Rock & Roll Hall of Fame. Not any easy feat when you’re following acts like Cheater Slicks, Great Plains, New Bomb Turks, Thomas Jefferson Slave Apartments, Times New Viking, etc. etc. Like their Columbus forefathers, SoD effortlessly take the guts of classic American garage rock and rearrange ‘em inside the body of the darker side of UK post-punk. No one would call The Birthday Party a “blues band”, but it’s there. Beat Happening wasn’t a ‘60s girl group, but that’s there too. It’s all there in SoD. The skeleton holding everything together is SoD’s ability to take all of those moods and create sounds completely unique and their own. The same knack for pure rock’n’roll melody the Strokes were figuring out in 2001 is the same sorta thing you’ll hear from SoD, but with more of a penchant for warped pop weirdness. Recorded mid-pandemic in 2021 by the band and engineer Zac Szymusiak at “Heartbroke Rij” (an abandoned house with no electricity or running water that the band converted into a practice space/studio), “Son of Drib Against the Wind” sees the trio of vocalist Andy Clager, guitarist Darren Latanick and drummer Vicky Mahnke art-garage-rocking through 12 tracks in just under 44 minutes. After welcoming second guitarist Mike Nosan into the band permanently, Son of Dribble begins 2023 with a string of live shows and plans to record new material as a four-piece. Son of Dribble continues the proud tradition of Columbus artists pushing the boundaries of what a “garage rock band” can accomplish. Minimum Table Stacks is proud to present “Son of Drib Against the Wind” on vinyl for the first time since its digital release in 2022.

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Someday Jacob

LP | 2017 | EU | Original (Haldern Pop)

Downfall Red Vinyl Edition

Release: 2017 / EU – Original

Genre: Rock & Indie

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On their last record, Someday Jacob let a golden Californian sun rise on north Germany’s flatlands. „It Might Take A While“ (2015) carried in it the DNA of US-American folk rock and interweaved several decades of pop music in a loving way. Melodies everywhere! They all came together to songs of great beauty.

Working for a song: That’s what the quartet formed around singer, songwriter and guitarist Joern Schlueter is all about. Not about quick key stimulus, not above self-staging – and surely not about making music to be better than somebody else. With Someday Jacob, music isn’t a competition, but a conversation: Everybody knows something good.

The new and third record, titled “Everybody Knows Something Good”, Someday Jacob go to town. Whereas the songs of the last record evoked images of forests and valleys, here the tone becomes more direct – this record is rather a house than a field. “These new songs seem to quite immediate and open.”, says Schlueter, “there is a clarity that sort of surprised ourselves. We felt like, maybe it’s time we show ourselves a bit more. To me songwriting is a journey that leads to the inside and the outside at the same time – the more you get in touch with yourself, the more your music is able to speak to others. We were looking for a sound that communicates that.”

Just like the last time, they found their man in Nashville, TN: Grammy®-winning Ryan Hewitt (Red Hot Chilli Peppers, Johnny Cash, Avett Brothers, Angus & Julia Stone) mixed the record which was mastered again by Richard Dodd (Tom Petty, George Harrison). “It’s just amazing what Ryan did to the songs – the sheer quality of his work brings the musicto a totally new level. It was great to feel somebody understands what you’re doing and adds his magic to it.”

Someday Jacob are:
Jörn Schlüter (Voc, Git)
Uli Kringler (Git, Voc)
Martin Denzin (Drums, Voc)
Manuel Steinhoff (Bass, Voc)

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Solitude Aeturnus

LP | 1996 | UK | Reissue (Back On Black)

32,99 €*

Through The Darkest Hour White Vinyl Edition

Release: 1996 / UK – Reissue

Genre: Rock & Indie

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Coloured vinyl reissue of 'Downfall', the classic fourth album from legendary US doom metal gods Solitude Aeturnus.Solitude Aeturnus was founded in 1987 in Dallas, Texas, by guitarist John Perez. Being influenced by power metal bands (Metallica, Jag Panzer, Metal Church, Fates Warning), as well as the early crop of doom metal bands (Candlemass, St. Vitus, Trouble, Pentagram), Solitude Aeturnus allowed further inspirations from genres such as psychedelic and 70’s hard rock. All this melted into a style that would soon make the band a metal phenomenon.Their history has been pretty much infallible, and 'Downfall' is no exception, consisting of a wide range of some of their fastest material, and some of their most emotional. 'Downfall' is one of the bands most riff centric albums. With the approach focussing on their more melodic, catchy side 'Downfall' is still a Solitude Aeturnus album, and everything that makes this band is still here in droves, just presented slightly differently. Lowes vocal approach is as godly as ever, just with less huge wailing and more aggression. For fans of: Candlemass, Sanctuary, Crimson Glory, Black Sabbath, Witchcraft SIDE A:1. Phantoms 5:572. Only This (And Nothing More) 5:253. Midnight Dreams 6:064. Together And Wither 5:36Total side length – 23:04SIDE B:5. Elysium 3:086. Deathwish 2:157. These Are The Nameless 5:248. Chapel Of Burning 4:249. Concern 6:16Total side length – 21:27

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Solitude Aeternus

2LP | 1994 | UK | Reissue (Back On Black)

2LP | 2023 | EU | Original (Tonefloat)

Release: 1994 / UK – Reissue

Genre: Rock & Indie

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Solitude Aeturnus was founded in 1987 in Dallas, Texas, by guitarist John Perez. Being influenced by power metal bands (Metallica, Jag Panzer, Metal Church, Fates Warning), as well as the early crop of doom metal bands (Candlemass, St. Vitus, Trouble, Pentagram), Solitude Aeturnus allowed further inspirations from genres such as psychedelic and 70’s hard rock. All this melted into a style that would soon make the band a metal phenomenon.

'Through The Darkest Hour' Recorded in March ‘94 in England at Rhythm Studios, showed a simpler and heavier direction, proving to be the band’s best achievement yet, mainly because of an excellent production and top notch composing.

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Soft Machine

Other Doors

38,99 €*

LP | 2024 | US | Original (Stones Throw)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Five years after the release of their last studio album, legendary UK musical institution, Soft Machine, return with a brand new CD/LP, Other Doors. Boasting new material and two numbers drawn from their extensive historical repertoire, Other Doors finds the band on their usual fiery form.

Featuring John Etheridge (guitars), Theo Travis, (saxes, flutes, Fender Rhodes piano, electronics), Fred Thelonious Baker (Fretless bass), John Marshall (drums), Other Doors also features two guest appearances from long-serving bassist Roy Babbington, who retired from the band in 2021.

Other Doors was recorded at Temple Music Studios, a facility owned by the late Jon Hiseman during July and August 2022. It’s a location of which the band is particularly fond, explains John Etheridge. “Working at Jon Hiseman’s studio was special, especially with Ru Lemer who is a brilliant engineer. He’s fantastically quick and that’s very good as we record mainly live in the studio. It’s come out really well and I think it sounds great.”

That ability to work quickly on takes as an ensemble has resulted in a fresh-sounding series of top-flight performances whose typically knotty and sometimes complex themes frequently give way to explosively discursive improvisations. As Theo Travis observes, “The interesting thing about recording free improvisations is you're not playing to a plan or a grid or a blueprint, so you don’t know what's coming, and you don't know what's coming until it's gone. At which moment you're thinking about the next thing.”

The album is brimming with that fast-moving creativity including the title track, whose outline was initially composed by John Etheridge in the Lake District during 2021’s lockdown. Crooked Usages’ ’ slow-weaving machinations and the prowling inquisitiveness pursued during Fell to Earth are similarly imbued with a dextrous yet melodic bite that defines much of the band’s approach. Within this framework, John Etheridge’s supple interrogations across the fretboard’s range coupled with Theo Travis' tightly focused sax and flute alongside his impressionistic keyboard washes encompass a musical language that can be as cerebral as it is emotionally direct.

The Visitor at the Window, The Stars Apart, and the elegiac Back in Season unfurl into more reflective states of being, variously contrasted by mediative percussion, flute, solo guitar, or swarms of electronica and echoing clusters of electric piano. All coalesce to build into the beguiling atmospherics which forms a vital layer within the Soft Machine sound world. It’s been a kind of tradition with the group to include new arrangements of older Soft Machine numbers from the band’s illustrious back catalogue. These have included numbers as varied as Chloe and the Pirates, Kings and Queens, Out-Bloody-Rageous, etc.

On Other Doors they’ve revisited the very first album, originally released in 1968, to include Kevin Ayers ‘Joy Of A Toy. Fred Baker, makes his studio debut with Soft Machine. A well-known figure on the Canterbury Scene not only is he the perfect choice for the group but he’s also is a long-term fan of the repertoire.“The way I look at it is that this is all great music which we’re continuing to preserve and keep alive as we play it but also we’re adding to it all the time,” he explains. The idea for revisiting the number was Theo Travis’ he says and has been part of the band’s live setlist for a while. “I’ve added some extra harmonies and other things to it, so it’s got my stamp as well as going back right down to Kevin Ayers's original. It somehow fitted in with all of the new material as well as the older tracks we do. It’s amazing the amount of young people coming along to gigs who are liking the wide range of music we play.” The album also contains Penny Hitch, a track originally heard on 1973’s Soft Machine Seven. This features the first of two appearances of Roy Babbington who provides the bass lines underpinning Karl Jenkins’ composition while Fred plays the sinuous lead melody on his fretless bass. The pair also worked together as a duo on Now! Is The Time, a number originally based on a theme Babbington brought into the sessions, with Fred and Roy both adding and expanding the scope of the piece.

If the album ushers in a new member in the shape of Fred Baker, it also acts as a fond farewell to drummer John Marshall, who joined Soft Machine midway through the recording of 1972’s Fifth. At the age of 81 Marshall has decided to retire making Other Doors his final studio album with the group. “I’ve known John since 1975 when I first joined Soft Machine and of course, we’ve worked through the years together intermittently ever since. His drumming always meant a lot to me,” says Etheridge. “We worked over three days in the studio and John played great. It sounds terrific.” Indeed, Marshall is on whip-cracking form throughout the album bringing his trademark musicality and decisive presence. With Other Doors, he brings his distinguished career to a rousing conclusion.

Intense, celebratory, and consistently impressive. Other Doors is the sound of a group determined to press forwards with an integrity and sense of purpose that’s quintessentially and definitively Soft Machine.

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Sofie Royer

Young-Girl Forever

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2021 | UK | Original (Leaf)

Snapped Ankles

Forest Of Your Problems

Release: 2021 / UK – Original

Genre: Rock & Indie

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LP | 2023 | US | Original (Anyway)

Smug Brothers

In The Book Of Bad Ideas

19,99 €*

LP | 2010 | US | Reissue (Asian Man)

Release: 2023 / US – Original

Genre: Rock & Indie

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Since forming in 2004, Ohio rock band Smug Brothers have enjoyed a relaxed, almost nonchalant, approach to writing and recording, with most albums being minor Big Bangs - instant and electric. New LP In the Book of Bad Ideas, on the other hand, was a struggle against entropy - the disorder caused by plagues and departing personnel.

Singer, guitarist, and songwriter Kyle Melton wrote the majority of the tunes in "bunker fashion" during the miserable pandemic summer of 2020, then slowly started recording them with bassist Kyle Sowash, lead guitarist Scott Tribble, and drummer/Smug Brothers co-pilot Don Thrasher in 2021. That November, his contributions partially completed, Tribble decamped the band due to a new job and new demands. The exit was amicable, yet left the group in a lead guitar lurch. Melton had little choice but to enter the ring and play solos on some songs.

"That was both fun and frustrating," Melton admits. "Other than a handful of tracks over 15 years, I've not really done much lead playing with Smug Brothers. When Scott left, I was initially like 'Great. What now?' It took me a few weeks to psyche myself up to just go for it."

Finally, belatedly, both In the Book of Bad Ideas and its sister EP Emerald Lemonade were finished in the spring of 2022. And against the odds, the two-year slog produced pleasantly surprising results. On In the Book of Bad Ideas, the band's typical, semi-60s sound - boasting biting leads and breakneck jangles - is now fully integrated with synthesizers and crafted with a cool gloss, anachronistically creating the first Smug Brothers album of the early 80s. While all songs pop with Pac-Man vibrancy, tracks such as "Helium Drag" and "Enceladus Lexicon" could be lost classics by The Cars.

As Melton reveals, "I'm not sure it was a conscious move, honestly. We've been expanding our sonic palette significantly since [2017 LP] Disco Maroon; Scott had a lot to do with that push, especially with his keyboards. I just kept running with those moves. I was thinking more in terms of a 'slicker' sound on the tracks, adding more polish and really trying to get a better overall production."

Clearly the perseverance paid off. But album highlight "What Starts Out as Fun" begs an obvious question. "Yes, it's all still fun," Melton says with a laugh. "It's just more work now. We're really pushing ourselves, exploring new approaches. We are already working on new material, so we will just keep going forward and make it up as we go. Hopefully, In the Book of Bad Ideas gets a favorable reception that can give us a good headwind into the future."

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Smoking Popes

It's Been A Long Day

The Rat That Gnawed The Rope

Release: 2010 / US – Reissue

Genre: Rock & Indie

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It's Been A Long Day collects the bands earliest material. A collection of songs recorded between 1991-1998 previously released on compilations & vinyl 7"s with the exception of "Long Day" which was never released. There's really nothing else to say. If you know the band, then you're stoked. If you don't know this band, then you aren't stoked. It's simple. The vinyl has been out of print for over 5 years.

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Smokers

LP | 2024 | US | Original (Mouth Magazine)

28,49 €* 29,99 € -5%

Open For Business Gold Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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After several years of relentless travel up and down the West Coast circuit, Oakland’s Smokers has finally completed their blistering 15 song debut album The Rat That Gnawed the Rope. Inspired by favorite bands like The Stranglers, Minutemen, and early Replacements, Andy Asp (Nuisance, The Pattern), Cyrus Comisky (Black Fork, Drunk Horse), Jim Nastic (Talk is Poison, Year Future) and Omen Starr (St. James Infirmary) met up with lead engineer Phil Becker (Pins of Light) at San Francisco’s historic El Studio to put together the songs that became The Rat. The sessions progressed swiftly, and sonically define the band’s tough but thoughtful compositions. Highlight tracks include the driving ‘The Irish Tenor,’ ‘East of Oakland,’ and the reflective Covid-era song ‘The Strand.’ Fans of garage rock, East Bay punk, pub rock, and vintage street rock will find something here in this succinct, powerful collection. Smokers have played with The Avengers, Jawbreaker, Samiam, Subhumans, Murder City Devils and countless others.

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Smoke Bellow

LP | 2021 | EU | Original (Trouble In Mind)

21,99 €*

Midnight To Six: The London Sessions

Release: 2021 / EU – Original

Genre: Rock & Indie

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Transcontinental, Experimental Duo Smoke Bellow Have Been At It Since 2012, Relocating From Australia To Baltimore, Md & Back Again And Then Back Again (Now Firmly Settled In Baltimore). The Duo Released The "Blooming/Middling" Lp In 2014, Followed By "Isolation 3000" In 2018 (Both On Baltimore Label Ehse Records) After A Line-Up Shuffle, They Eventually Recruited One Of Their Favorite Drummers And Dear Friend, Emmanuel Nicolaidis (Thank You, Oh Hang). Which Found The Duo Refining Of Their Sound Into A Dizzyingly Attractive Mixture Of Kosmiche Serenity, Minimalist Composition, Test-Card Psychedelia, And Highlife Guitar. With "Open For Business" The Three Members Set Out To Create A Set Of Songs More Immediate And Bare Than Previous Outings. The Album Title Itself Is A Cheeky Reference To Maryland Governor Larry Hogan's Less Than Inspired Motto "We're Open For Business". Half Of The Songs Were Written In A Room Together And The Second Half Via Email (For Obvious Reasons). At The Time They Were Listening To A Lot Of Post Punk And Were Struck With The Partnership Of Drums And Bass As Propulsive Instruments. The Trio Started Writing Songs Around That Idea - With The Rhythm As A Brace To Hang Their Decorations.Sonically, Smoke Bellow Are Inspired By Disparate Sources. The Heyday Of Compass Point Studios' Famed Rhythm Section Of Sly And Robbie Sustained Them For Months. Others Included Good Old Vu, Esg, Guitar Hero Zani Diabate, The Raincoats (Especially Their Under-Appreciated Second Album, Odyshape), The Frenetic Sound Collisions Of The Flying Lizards, The Ever Warm Blanket Of Yo La Tengo, The Evolving Repetition Of Stereolab, The Understated Genius Of Asa Osborne, As Well As Philip Glass And Steve Reich. The David Byrne/ Robert Wilson "Knee Plays" Reminded Them Of The Joy Of The Spoken Word Set To Music. Lyrically,Best & Mchugh Drew From Life In Baltimore, From Isolation (Again), Memories Of Life In Melbourne, Their Friends And Each Other. "We Wanted To Talk About Resilience And Resistance." Says Best. Record...

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Small Hours

LP | 2022 | EU | Original (Detour)

28,99 €*

Serpente Yellow Black Splattered Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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This is the story of the “lost” album. Shortly after The Small Hours had three tracks included on the Mods May Day '79 album, we went back into the recording studio to record an album of our own. Most of the songs were recorded in one take in London. At least one was recorded as a jam session while waiting for the sound engineer to adjust his settings. This gave the album the raw energy and drive of a live performance. We had everything: great songs, strong band dynamics and a large and enthusiastic live following. The only ingredient missing at the time was a record contract. So the tapes were mothballed and life moved on… until some 43 years later Carol Isaacs found a copy of the tape in the back of a cupboard. Carol sent it to Dizzy Detour, who in turn passed it to his genius sound engineer, James Perret. With 21st century technology, James was able to do a total remix of the sound adding double/ triple tracking, delay and echo. The result is an astonishing “virtual reality” of what the band would have sounded like live. As Neil Thompson would say, we had "Ingredient X”. A meld of the individual members of the band into a complete sound. The sound that was held together by a great drummer, the late Iain Shedden. As the saying goes," All things come to those who wait”. Thanks to Carol, Dizzy and James Perret, the wait is over.

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Slowtorch

LP | 2014 | EU | Reissue (Electric Valley)

26,39 €* 32,99 € -20%

Serpente Black Vinyl Edition

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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Never one to follow trends, Slowtorch delivered a no-frills, no-bullshit blend of ‘70s rock, metal and blues with their first album, “SERPENTE,” self-released in 2014. For the first time on vinyl at the tenth anniversary of the first release. “Adorned with fuzzy jewels of rock’s past, so if you’re a fan of Dio, Ozzy, Clutch, Kyuss and those damn Dirty Desert Sessions, this release will definitely be right up your street.

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Slowtorch

LP | 2014 | EU | Reissue (Electric Valley)

20,79 €* 25,99 € -20%

LP | 2021 | Original (Sony)

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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Slowly Slowly

St Leonards

51,99 €*

Release: 2021 / Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Anti)

Slow Pulp

Yard Clear Vinyl Edition

Moveys Neon Green Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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On Yard, Wisconsin-bred, Chicago-based four-piece Slow Pulp nestles comfortably into pockets of nuance, impressions, contradictions-sonics and lyrics finessed together to bottle the specific tension of a feeling you"ve never quite been able to find the right words for. In that regard, listening to Slow Pulp can feel like being in a room with someone who"s known you so long that they can read your every micro-expression and pinpoint exactly how you"re feeling before you can. Perhaps this spawns from the band"s own shared history and chemistry; in various ways, the four of them grew up-are still growing up-together. The dreamy songs of the Midwest (United States) indie rock outfit draw on moody shoegaze, hooky grunge, and intimate lo-fi fare. The band made their full-length debut with Moveys in 2020. After the downcast 2021 7" Deleted Scenes, they put the focus on hooky grunge pop for singles like 2021"s "In Too Deep" and 2023"s "Cramps". After their label debut single the band toured throughout Europe and the UK earlier this year as main support for Death Cab For Cutie. The new album "Yard" is their second full-length album and first for Anti-.

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Slow Pulp

LP | 2020 | EU | Original (Winspear)

Moveys Black Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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Slow Pulp's remarkable full-length debut Moveys is a testament to hard-fought personal growth. In the process of making their new record, the Chicago-based indie rock band powered through health challenges, personal upheaval, and a pandemic, all while learning how to be better songwriters and friends. Full of blistering energy and emotional catharsis, this compelling 10-track collection highlights the band's resourcefulness and resilience to come together even when they were states away. As the band was in the midst of finishing the album, Massey's parents got in a severe car accident forcing her to pause recording and return home to Madison and take care of them. A week later, the Covid-19 pandemic hit. "I wasn't able to come back to Chicago for a while. How were we going to finish this apart from each other?" thought Massey. With Stoehr leading engineering, mixing, and production duties, the band managed to continue recording in an isolated, post-COVID world. "Thankfully most instrumentals were already written. Alex and Henry and I were all able to do that separately from a studio space that we rent in Chicago," says Mathews. As Massey's father Michael recovered from his injuries, the two worked on completing her vocal takes from his home studio, sending them to Stoehr for mixing. "Finishing this record was such a cool thing to know that we were able to do it," says Stoehr. Their made-up word "moveys" is multi-faceted for Slow Pulp. It is an invitation to dance. It is a wink at the cross-country nature of the album's songwriting process, while the bandmates were literally on the move touring, sheltering in place, and going through major life changes. But, mostly, it's an inside joke. Listening to these warm, dynamic and welcoming songs, it's easy to feel like you're a part of it too.

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Slow Pulp

LP | 2020 | EU | Original (Winspear)

Release: 2020 / EU – Original

Genre: Rock & Indie

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The End, So Far Ultra Clear Vinyl Edition

2LP | 2022 | EU | Original (Roadrunner)

47,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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The End, So Far Neon Yellow Vinyl Edition

2LP | 2022 | EU | Original (Roadrunner)

47,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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CD | 2022 | EU | Original (Roadrunner)

The End, So Far

Release: 2022 / EU – Original

Genre: Rock & Indie

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Slipknot Opaque Green Vinyl Edition

7" | 1989 | US | Reissue (Revelation)

13,99 €*

LP | 2023 | US | Original (Sentient Ruin Laboratories)

Release: 1989 / US – Reissue

Genre: Rock & Indie

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Not to be confused with the Nu Metal band of the same name, this Slipknot was from Revelation Records' original home base in New Haven, CT. Originally released in 1989, this is the first time this EP has been re-pressed since 2013. For fans of Corrosion Of Conformity, The Accused, and Septic Death. New pressing now available on green vinyl.

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Sleepwalker

Skopofoboexoskelett

The Center Won't Hold Vinyl Me, Please Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Where does reality end and where does it begin? And who, or what, decides this? Multinational experimental black metal enigma 夢遊病者 re-propose this question to us via their masterful fourth album Skopofoboexoskelett, an enigmatic and playfully formulaic quandary of deconstructed visionary counter-music reminding us a simple concept: that reality is dictated by perception, and as such, by manipulating perception (via the arts), any reality is not only possible but also valid. And as is always the tradition with 夢遊病者, music is the alchemical key via which questions are raised and answers are found in the labyrinth of history, culture, lore and world traditions. In the case of Skopofoboexoskelett, an exploration of the notions of self-reflection, intuition, phobia, luck, and failure in the context of the evil eye, its historical, cultural, physical and metaphysical meanings, as well as its psychological effects, carefully unraveled and revealed. Within this paradigm Skopofoboexoskelett takes 夢遊病者's vision, agenda, and intents, further than ever before, with musical boundaries shattered, definitions pulverized, genres, styles and aesthetics ridiculed into a masterful sensorial manipulation which draws the listener into the deceptive and subversive absurdity that is their own perception being stimulated in unprecedented ways. Drawing their own line and dictating the guidelines of music's end as we know it, Sleepwalker use their unique sonic idealizations made of lysergic black metal excoriations, kraut, psych, noise rock, world music, improvised deconstructionism and schizoid free jazz to transcend conscience and reason, devastate the senses (particularly the auditory one) and open the mind unto a new plane of perception of which the only logic is illogicality, as only true and unquestionable experimental arts dictate and demand.

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Sleater-Kinney

LP | 2019 | US | Original (Vinyl Me, Please)

7" | 2005 | US | Reissue (Sub Pop)

Release: 2019 / US – Original

Genre: Rock & Indie

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Why you'll love it...
There's a lot of assumptions about what three women, when they get to a certain age, what they sound like, you know?” Carrie Brownstein says. “The sound of this record is a sound that I'm pretty sure no women our age have made before.” After over 25 years of making music together, Sleater-Kinney find new ways to keep doing what their music’s always done with reckless finesse: challenge and disrupt. Reflective of a time when our system’s flaws bubble to the surface more with each passing day, Sleater-Kinney’s ninth studio album The Center Won’t Hold eagerly busts open the surface and exposes the cracks, with a lyrical brilliance and sonic language that effortlessly morphs between brazen, chilling fervor and soft, urgent despair. Boasting Annie Clark’s (St. Vincent) first full-length production credit, it shocks, unapologetically taking up space in far more ways than one, and most unexpectedly, it gleams.

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Sleater-Kinney

Jumpers

10,99 €*

Release: 2005 / US – Reissue

Genre: Rock & Indie

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LP | 1997 | US | Reissue (Sub Pop)

Sleater-Kinney

Dig Me Out

LP | 2024 | Original (Nltm)

Release: 1997 / US – Reissue

Genre: Rock & Indie

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Sleater-Kinney was an acclaimed, American rock band that formed in Olympia, Washington in 1994. The band’s core lineup consisted of Corin Tucker (vocals and guitar), Carrie Brownstein (guitar and vocals), and Janet Weiss (drums). Sleater-Kinney were known for their feminist, left-leaning politics, and were an integral part of the riot grrrl and indie rock scenes in the Pacific Northwest.

Dig Me Out is the third studio album by Sleater-Kinney, originally released on April 8, 1997 by Kill Rock Stars. The album was produced by John Goodmanson and recorded from December 1996 to January 1997 at John and Stu’s Place in Seattle, Washington. Dig Me Out marked the debut of Janet Weiss, who became the band’s longest-serving and last drummer. Dig Me Out made several publications’ best album lists. The album appeared at #4 in The Village Voice’s “Pazz & Jop” critics’ poll for 1997. In 2001, Spin placed it at #19 on its list of “50 Most Essential Punk Records”. In 2003, the album was ranked #272 on Rolling Stone’s list of “The 500 Greatest Albums of All Time.” In 2005, the album was ranked #24 in Spin’s “100 Greatest Albums, 1985–2005”. In 2012, Spin also ranked it at #74 on their “125 Best Albums of the Past 25 Years”. In 2008, the song “Dig Me Out” was ranked #44 in Rolling Stone’s “100 Greatest Guitar Songs of All Time”.

“Now [delivers] the punch their words describe…If [Sleater-Kinney] wanna be our Simone de Beauvoir, Dig Me Out proves they’re up to it.” [9/10] - Ann Powers, SPIN

The album has been freshly remastered by Greg Calbi for this release.

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Slaughterhouse

39,99 €*

LP | 2024 | Original (Nltm)

Release: 2024 / Original

Genre: Rock & Indie

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Slaughter House remained one of Metal Blade's lesser known thrash bands, despite their massive success in their home state and around the East Coast tri-state area. The band's two albums have been out-of-print and hard-to-find for decades. Now in 2024 NoLifeTilMetal Records and Metal Blade Records are re-releasing both albums, completely remastered. This exceptional new reissue was remastered for this release by Rob Colwell @ Bombworks Sound (Flotsam & Jetsam, Nevermore, Accuser, Sacred Reich) and also features new layouts and designs, with expanded booklets that were done by Scott Waters of NLTM Graphics and Design.

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Slaughterhouse

Face Reality

39,99 €*

10" | 2024 | US | Original (Sumerian)

Release: 2024 / Original

Genre: Rock & Indie

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Slaughter To Prevail

Chapters Of Misery

Motorcycle.Lpg Ocean Blue Mix Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Limited transparent yellow and gold colored vinyl LP pressing. This is a re-issue of the 'Chapters Of Misery' EP from Slaughter to Prevail, originally released in 2015. This limited run features a previously unreleased bonus track and exclusive artwork done by Par Olofsson (The Faceless - Planetary Duality).

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Slaughter Beach, Dog

LP | 2022 | EU | Original (Lame-O)

Words Come Back Bone White Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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We're delighted to bring Slaughter Beach, Dog's cult classic "Motorcycle.LPG" back in print after a brief time spent OOP. This release bridged Jake Ewald from the first Slaughter Beach, Dog LP, the scrappy, noodly "Welcome" to fan favorite "Birdie." The .LPG version of this release (initially released as Motorcycle.JPG on a small-run 7") includes SBD tracks "Your Cat," "104 Degrees," "Building The Ark," as well as a cover of The Superweaks' (Lame-O Records) "Glowing." The B-Side of the .LPG includes a 12 minute live version of 104 Degrees that is available exclusively on vinyl. The vinyl art has beautiful spot-gloss on the photo of Jake's hands and the Ocean in Australia, taken by yours truly from a cocktail bar. We sat and talked about Patti Smith. Not to spoil all the goodies here, but the vinyl insert serves as postcards you can use to send friends and enemies mail. - Lame-O Records

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Skullcrusher / The Hated

7" | 2024 | US | Original (Numero Group)

12,99 €*

Words Come Back Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Never said it'd be like this, right? Skullcrusher's 21st century rendering of The Hated's 1985 early emo blueprint "Words Come Back" reinvents the song as subtle, ambientfolk music. The flip features two versions of the original, including Dan Littleton's home demo, cut in a maddening double groove, and housed in an elegant black and silver sleeve,with embossed braille lettering for the visually impaired. "This is my way of making a punk song," Skullcrusher'sHelen Ballentine said, "ignoring structure and letting everything just pour out_though quite a bit quieter."

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Skullcrusher / The Hated

7" | 2024 | US | Original (Numero Group)

11,99 €*

LP | 2023 | US | Original (In The Red)

Release: 2024 / US – Original

Genre: Rock & Indie

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Skull Practitioners

Negative Stars

This System Has No Heart Red Marbled Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Hard-hitting new collection succeeds the trio’s rampaging 2019 In The Red Debut EP Death Buy! Proving once again that “power trio” isn’t just a descriptive handle from the distant past but a louder-than-God 21st-Century reality, the devastating New York band Skull Practioners' bow Negative Stars, their first full-length album for In The Red Records. The eight-track collection is the second release for Los Angeles-based trio—guitarist Jason Victor, bassist Kenneth Levine, and drummer Alex BAKER—who collectively produced the record, with TED Young engineering (and Baker handling engineering on vocal sessions). Brooklyn Vegan said, “If you dig early ’80s L.A. dusty punk like Gun Club, X and Flesh Eaters, or the many works of Jon Spencer, you will want to check out these four ripping, ripped-up tracks.” Rock And Roll Globe described the music as “Gun Club fugues played by anxious Amphetamine Reptile Records ghosts deciding they’d prefer to continue to walk the earth.” Negative Stars is the culmination of years of work in New York’s clubs and studios.

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Skrot

LP | 2022 | EU | Original (Burning Anger)

This System Has No Heart Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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1st press

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Skrot

LP | 2022 | EU | Original (Burning Anger)

16,99 €*

Roots Rock Riot Orange Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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1st press

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Skindred

LP | 2021 | EU | Original (Hassle Hindsight)

2LP | 2024 | UK | Original (Emotional Rescue)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Crafted in a boxing club, recorded in America and laying the groundwork for everything that followed it, Roots Rock Riot is an important piece of Skindred's history - a piece that this re-release celebrates.The first record of their discography to feature what would become the permanent line-up of Benji, Arya, bassist Daniel Pugsley and guitarist Mikey Demus, it started its life as that difficult second album. What it became completely transcends that, bookending a difficult period of the band's existence and boldly kicking down the door to the future of their illustrious career.Available on vinyl for the first time as well as CD, the re-release of Roots Rock Riot features rare cuts and previously unheard music. As well as the complete tracklist of the original, the vinyl version of the record comes with an additional 7" containing two exclusive tracks: the aforementioned `It's A Crime' and `Struggle', which was never released. The CD release also contains both those tracks and an acoustic version of `Destroy The Dance Floor'.

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Skinbat Scramble

The Psychedelic Pirates

B-Side Ourselves Black Friday Record Store Day 2023 Yellow & Black Marble Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-15

Emotional Rescue dives back into one of its specialties, the formative years of Post Punk and Dub influenced music, presenting the, to date, unheralded Skinbat Scramble. The rarity of the unknown, the discovery of rich, lost music, it is a delight to release a compilation of the band's previously unreleased recordings. A snapshot of time, a journey that covers several decades of friendship but is concentrated here on the fertile 80's scene.

Forged around the friendship of Mark Eason and Fergus Crockford, but with ever changing line-ups, flowing in and out during misspent youths, self-taught playing, falling in and out of bands, travelling that well-worn journey from Home Counties boredom to the excitement of a rough edged London, taking in as music as possible, from Motown on to the The Velvet Underground, The Rolling Stones, Bowie, Pink Floyd, Gong and Fripp & Eno, before Dr Feelgood, Eddie & The Hotrods and a dose of John Peel led to discovering Dub and Punk and witnessing that short-lived burst of creativity at the Roxy Club, Marquee or Vortex and exploring back to early Rock'n'Roll, Rockabilly and old Surf'n'Soul, alongside the likes of Wire and Suicide.

As the Post-Punk sounds mixed simultaneously with Two-Tone, local Art College gave way to university and the early struggles of finding a way in the late 70s / early 80s of Thatcher's Britain. Music was central, Skinbat Scramble finally appearing, morphing from numerous teen bands, early studio excursions of tape loops and effects leading to the first recording sessions in 1981.

The slower tempos, introspection, open structures, and shimmering experimentation of Post Punk were pivotal. John Foxx's early Ultravox, Siouxsies' "Lord's Prayer" period and The Electric Chairs seminal "So Many Ways", influenced to a freer future. PIL, ACR, Section 25 and Pink Military let imaginations briefly roam.

'Far out and weird', those first recordings made at Leeds Uni's Fine Arts Dept utilized Revoxes, Tandberg, MiniMoog and even a borrowed drummer. This was followed up with completed sessions at Elephant Studios in London, forming the basis of this compilation.

The tight scattergun rhythms on opener Submit, in both Vocal and short Dub mix, bely an unreleased band. Taught and crisp, it's like a song you've heard propelling open-minded, leftfield dancefloors for years.

The writing, musicianship and studio mastery displayed on North By Northwest and Skiddadle should not be music unreleased for almost 40 years. In North Dub and closer, Pixie Boot Dub their understanding of the opportunities of dub Reggae are clearly apparent, ethereal music wormholes for late night smokers.

However, it is in Basement Voltaire that the band step out time. Recorded in 1986 this is a 9-minute proto-techno wonder that mixes all their psychedelic meets punk youth in a crescendo of crashing claps and rolling toms that is of a time and so far ahead of its time.

And that was that, after 6 gigs, including a couple at the infamous St Martins, to an audience total you can fit on one hand, the band's first incantation closed and the master tapes were stored for several decades, waiting for "The Psychedelic Pirates" to finally surface.

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Skid Row

LP | 1992 | CA | Reissue (BMG)

LP | 2015 | US | Original (Holy Mountain)

Release: 1992 / CA – Reissue

Genre: Rock & Indie

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Quantity: 2500
Release type: RSD Exclusive Release

Limited Edition reissue of Skid ROW’s 1992 covers EP A Out of print for 30 years, B-side Ourselves hit #58 on the Billboard Top 200 and is certified Gold. On Yellow & Black Marble Vinyl. Features Skid Row’s classic line up covering “Psycho Therapy”(The Ramones), “C’mon and Love Me” (kiss), “Delivering The Goods” (Judas Priest), “What You’re Doing” (rush) & “Little Wing” (Jimi Hendrix).

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Six Organs Of Admittance

Dust & Chimes

19,99 €*

This World Below Crystal Clear Vinyl Edition

Release: 2015 / US – Original

Genre: Rock & Indie

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2nd album, 1st time on vinyl! Complex, morosely beautiful guitar playing, originally released in 1999. Includes download

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Sirkus

LP | 2020 | EU | Original (Nasoni)

12,59 €* 17,99 € -30%

Live From Austin, Tx Crystal Pink Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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,,What are they doing in heaven today? - I don't know but it's my business to stay here and sing about it.''
We neither know what they're doing in heaven, nor do we want to know that in the very religious way that Reverend Washington Phillips does.
So the question arises why we – as band SIRKUS – recorded four Christian gospel songs. Even though all six of us were raised in a more Christian way, we don't consider ourselves religious. On the other hand, we've often worked with deeply religious or spiritual music like gospel or blues over the years.
We are fascinated by their transcendental aspects and by how they portray moment of personal empowerment in times of struggle. Whether in the here and now, materially or metaphysically.
These issues have always been present for us when playing songs such as they are released here on the 12'' Maxi Single. Musically, the tension between our roots in blues and gospel and our previous development towards Krautrock, Afro-Psychedelica and Electronica is reflected in this record.

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Sir Douglas Quintet

2LP | 2023 | US | Original (New West)

LP | 2023 | UK | Original (Tin Angel)

Release: 2023 / US – Original

Genre: Rock & Indie

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The first color pressing of this title. We’re talkin’ Tex-mex Rock ‘N’ Roll! In this show from January 21, 1981, Doug Sahm (aka Sir Doug) reunites with original band members Augie Meyers and Johnny Perez, along with the legendary Alvin Crow on guitar and Speedy Sparks on bass for a no-holds-barred, rip-snortin’ Texas rock ‘n’ roll revival. Back in the day, the SIR Douglas Quintet was Texas’s answer to the British Invasion. With the arrival of the Beatles, Sir Doug & Co. saw their chance to break out the rough, Chicano-influenced rock they had been playing in the joints around San Antonio. They donned English-looking suits and hit the charts with “She’s About A Mover” in 1965. Nobody was quite sure where they came from, but they rode the English-pop wave to fame. There’s something contagious about Augie’s cheesy, pumping Vox organ chords and Sir Doug’s chang-a-chang rhythm guitar over Johnny’s Mexican drumming style, drenched in psychedelia, that stood out from everything else at the time. And it still does today. You may not be able to sit down through “She’s About A Mover” or “Mendocino,” but that’s OK. Doug is no longer with us, but you can be sure that somewhere he’s still kickin’ out the jams. - Terry Lickona (Producer Austin City Limits®)

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Sing Leaf

Remote Motel

LP | 2024 | US | Original (Record Record Label)

Release: 2023 / UK – Original

Genre: Rock & Indie

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“Out here it's like all these towns around here were once gold towns. So when the goldrush hit, they were booming way back in the day in the 1800s. Everyone was here, they're all there's mines everywhere. They dug them up and then, as soon as the mines went dry, everybody left. So that’s when the towns died off. So because of that when you go driving you encounter old buildings, banks and stuff that have just been empty for like 150 years. Lots of open graveyards, big empty mines and things like that. So the weight of the 19th century kind of hangs over everything here". All Songs Written, Produced, Recorded & Mixed by David Como

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Sinclaire

Attention

LP | 2024 | US | Original (Ghost Mountain)

Release: 2024 / US – Original

Genre: Rock & Indie

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Attention, Sinclaire’s sole full-length album was originally released in 2000. The album saw the band evolve their style from brooding post-hardcore group to a more pop-friendly sound indebted to Rick Springfield and the burgeoning Midwestern emo sound of The Get Up Kids and The Promise Ring.

Guitarist and lyricist Ian Murray would go on to state, "We wanted a record that could reflect that side of ourselves without losing what we loved from our earlier music. The first song, The Secret Weapon, was specifically about this shift. It was a declaration that we were not going to be as angsty, as self-serious, as… well, emo. I wrote a choppy rock riff that wouldn’t feel out of place on a Loverboy album, and we went from there."

The band decided to do their own playful take on boy bands of the era through the lens of post-hardcore melodic rock. In fact, the original title of this album, Attention Teenage Girls, was inspired by the way boy bands at the time tried so desperately to appeal to a young female audience.

For this re-release, the band has tweaked the album name. When removed from the specific context of that time, the group don’t think the satire of the original album title really lands anymore. They didn't want the original album title to feel exclusionary or otherwise be a barrier to someone discovering this for the first time without all that context from the year 2000. The songs hold up even if the satire didn’t.

The album was originally recorded the album over a week in the spring of 2000 with Ian Blurton at Chemical Sound in Toronto. The album was remixed and remastered from the original tapes by Jon Drew.

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Silverware

One True Light

LP | 2012 | US | Reissue (Drag City)

Release: 2024 / US – Original

Genre: Rock & Indie

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I used a lot of comparisons to Judee Sill when writing about Ainsley Wagoner last month. When this site premiered a track from One True Light, the new album from Wagoner's Silverware, I wanted readers to know that this was something rare. Ainsley Wagoner has a voice as clear and pure as you're likely to find in indie rock these days. Comparisons to very early Sarah McLachlan wouldn't be out of order; check out 'Longer', one of the more elegantly plaintive numbers on One True Light. And that voice is housed within robust arrangements elsewhere, like on the opening title cut, where things gradually build to a dramatic swell. The lovely 'Gloria' is a highlight here for me, as is 'Goodbye', the achingly beautiful piano-centered closer. There are a lot of singer-songwriters these days. That's a point I've made in multiple posts here. What's not common is to find one of those whose voice matches the material at hand, and whose material is so finely crafted to the voice behind the words. Ainsley Wagoner is offering something special here on One True Light. And for readers here, I urge you to check this one out."—A Pessimist Is Never Disappointed

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Silver Jews

Early Times

LP | 2019 | EU | Original (Rykodisc)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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Flow on, silver juice, flow on...into the vein-streams of the nu generation via 90s classics like American Water and Starlite Walker and thence to the new century. They say time has no meaning, but we know otherwise. The pages of history condense eons and epochs into the stuff of mere chapters - sometimes as little as paragraphs - but how many lifetimes have we lived since the salad days and nightz of the original Silver Jews, when they walked the back-alleys of the earth just a scant couple decades ago? Since we"re asking pseudo-rhetorical questions, who knows how many fans of the arena-rock Silver Jews (circa Tanglewood Numbers and Lookout Mountain, Lookout Sea) even know of the humble-yet-powerful origins of the band captured in the hiss-laden boombox mics of 1990-91?Just a few guys in a room, that what makes these recordings: muppet baby versions of the David Berman, Stephen Malkmus and Bobby Nastanovich that we know today. There wasn"t much going on back then, though we"d hardly call it nothing. Still, these young post-collegiates were footloose and fancy-free, to say the least - working dayjobs with all the impermanence that implies - and not just working for the weekend, but trying to live the weekend every day of the week! Tough guys at a party; quick studies, quicker still with the wit. Legends of their own minds...prophets even. If only six-packs worked the way they did back then, then we might get together with them and see the light they saw on those endless nights-into-dawns. The stupid little laws they broke. The archaic little drugs they took. All these things that might not hardly mean anything anymore added up to make these songs, to make these moments in a room, captured so incredibly imperfectly! The air is still locked inside them; the space in the room has depth and definition, defying all laws of audio science. Now these moments feel like they"ll last for centuries, growing stranger all through time.The songs lodged here are the tracks from the original 7" EP "Dime Map of the R...

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Sigur Ros

Variations In Darkness

LP | 2019 | EU | Original (Rykodisc)

Release: 2019 / EU – Original

Genre: Rock & Indie

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A score of high Nordic drama drawing on unreleased Sigur Rós material and multi-tracks from the band’s catalogue. Premiered at Norđur Og Niđur Festival, to soundtrack performances from the Iceland-ic Dance Company. Arranged by Valdimar Johansson, choreographed by Erna Ómarsdóttir. Originally released on Record Store Day, Variations on Darkness returns with new artwork, reversed in colour and printed in special ink. Variations on Darkness will be re-released on August 9.

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Sigur Ros

22° Lunar Halo

Growing Up Is Mess Orange Vinyl Edition

Release: 2019 / EU – Original

Genre: Rock & Indie

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Music from throughout Sigur Rós’s career, twisted, bent, broken, and finally added to in the band’s Rey-kjavík studio, to create a new perspective for a dance piece of the same title initiated and created by Taiwanese choreographer CHENG Tsung-Lung. Musical director Kjartan Holm. Originally released on Record Store Day, 22° Lunar Halo returns with new artwork, reversed in colour and printed in special ink. 22° Lunar Halo will be re-released on August 9.

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Sidewalk Surfers

LP | 2021 | EU | Original (Barhill)

You're Only Young Once ...

Release: 2021 / EU – Original

Genre: Rock & Indie

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After Their Second Album "Dinner For Sinners" (2018), The New Album Of The Saarbrücken Skatepunk Quintet Is Now In The Starting Blocks: "Growing Up Is A Mess". This Is Both A Tribute And A Farewell To Their Own Past - A Coming-Of-Age Record That Takes A Closer Look At Growing Up And At Socially Critical Topics. Cleverly And Blatantly, "New World" And "An Apology" Negotiate Current Political Issues Such As The Climate Crisis And The Consequences Of Capitalism, While "21" Describes The Feeling Of Growing Up In The Digitalized 21st Century.

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Side By Side

LP | 1997 | US | Reissue (Revelation)

Child Of The Sea Black Vinyl Edition

Release: 1997 / US – Reissue

Genre: Rock & Indie

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In its most basic form, hardcore is the focal point of the energy, recklessness, and frustration of youth. No band from New York embodied this raw emotion so much as Side BY Side, vocalizing their disenfranchisement like none who came before them and none who have come since. Though short lived, the desperation and immediate impact of Side BY Side was deeply felt. Coming across not as a preaching, we’re-better-than-you band, and with the gruff realness that many felt was absent in some of their peers, Side BY Side tore through the boundaries that were growing in the punk and hardcore scene. They stand today as one of the lasting images of the birth of a new sound, a new scene—taking the sound of early NY punk and hardcore bands like Urban Waste and fusing it with a positive message not unlike 7 Seconds, but with the anger and intensity of Minor Threat. You’re Only Young Once... is a documentation of nearly all the captured studio output of this infamous band, including their highly sought after 7” EP plus three compilation tracks. You’re Only Young Once... is newly remastered and packaged for the first time as an LP with original artwork—including a full-color, fold-out poster with a reproduction of the original, paste-up lyric sheet insert and a large color version of the back cover photo of this decades out-of-print EP. Playing a mere 12 shows, their legacy is as strong as their “youth-crew” brethren like Youth OF Today, Bold, and Judge. A moment in time preserved by these recordings, the energy and aggression still sounds as urgent as the day it was recorded.

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Sid Bradley

LP | 2021 | EU | Original (Guerssen)

21,99 €*

We're All Gonna F***Ing Die White Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Lost & found studio recordings (1971-79) by US singer-songwriter SID Bradley including some of the sought-after 45 sides released with his band Erik in the early ‘70s plus fabulous previously unreleased tracks. This is serious stuff, folks!! Pro-sounding sound, ranging from fuzzed-out psychedelic hard-rock to psych-pop and proto-power pop. Master tape sound and insert with liner notes by Sid Bradley and Paul Osborne (Shindig!). A phenomenal and versatile songwriter (he has written hundreds of songs) Sid Bradley started to play in garage bands like The Cavaliers in the 60s and by the early 70s he was part of Erik, a group responsible for a couple of self-produced 45s, “Child Of The Sea” / “Nothing Is Easy” and “Sometime In Your Life” / “Rebel Woman”. These 45s were usually used for promo purposes and it was typical of Sid to load a few record boxes into his car and travel hundreds of miles, visiting all the radio stations, trying to pitch his music to the DJs. This one-man marketing operation actually worked fine, as Sid’s music was played in radio stations across the eastern US, Canada, England, and even Germany. And some of his songs were reviewed in Billboard, Record World or Rolling Stone. You may be familiar with the hard-psych sounding “Child Of The Sea” as it has been included on several psych comps and it was also part of the “Lodge 49” soundtrack. The flip, “Nothing Is Easy” wouldn’t sound out of place on any Rubbles volume. “Rebel Woman” is now considered a proto-metal cult classic and it was recently included on the “Brown Acid” series. After the demise of Erik, Sid continued recording his songs using different musicians. Most of these tracks remained unreleased until a few years ago, when Sid, encouraged by the interest on his old Erik 45s, decided to remaster them and put them available on several Digital only albums that caught the attention of mags like Shindig! We’re now very glad to present a selection of those tracks, collected for the first time on a vinyl LP. Includes insert with liner notes and photos and download card.

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Sick Joy

LP | 2022 | EU | Original (So)

27,29 €* 38,99 € -30%

Release: 2022 / EU – Original

Genre: Rock & Indie

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Snake Behind The Sun Black Vinyl Edition

Shy, Low

LP | 2021 | EU | Original (Pelagic)

Feral Rats Have Become Our Only Pets

Release: 2021 / EU – Original

Genre: Rock & Indie

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Shy, Low Are True Masters Of The Exquisite Craft Of Stark Contrasts And Broad Dynamics, From Delicate Crescendos To The Grandiose Power Of The Riff_ A Craft That Lies At The Heart Of Every Outstanding Instrumental Rock Record. The Richmond, Virginia Based Four-Piece Has Made An Absolutely Incredible And Epic Album Brimming With Creativity, Groove, Heaviness And Truly Outstanding Songwriting- A Record That Is Intricate And Mature, Yet Gloriously Anthemic At The Same Time.The Fantastic Cinematic And (Surprisingly, So) Entirely Self-Produced First Music Video For The Track ,Helioentropy", Premiered At Roadburn Redux This Year, Was Only A Tastemaker For The 5th Studio Album And Pelagic Debut, Snake Behind The Sun.Recorded, Mixed And Produced At Vudu Studios In Long Island, Ny By Mike Watts (The Dillinger Escape Plan, Glassjaw, Hopesfall, Tides Of Man), The Album Pulls From Elements From Previous Eras Of The Band, But Also Pushes Into New Territory. The Result Is A Slicker, More Modern, Layered And 3-Dimensional Sound.,The Recipe For Achieving That Began With A Lot Of Pre-Production On Our End", Comments Guitarist Zak Bryant. ,We Demoed The Entire Record At Home Prior To Entering The Studio, Re- Working Some Songs Several Times Before Calling Them Done. From There, It Was Mike (Watts). After Hearing His Work With Bands Like O'brother, Lume, Glassjaw, And Others, We Grew Very Fond Of The Drum Sounds He Got, And His Ear For Overall Mix Balance And Production."The Other Important Ingredient Was Drummer Dylan Partridge, Who At The Time Of Recording Was A Commissioned Drummer And Is Now A Fix Band Member- And The Phenomenal Drum Room At Vudu Studios. These Two Elements Were Crucial In Creating The Overall Vibe And Atmosphere For The Record. ,Hunkering Down In The Studio For 3 Weeks To Track The Record Was Extremely Beneficial And Something None Of Us Had Done In The Past - It Gave Us The Ability To Really Fine Tune The Songs Alongside A Producer, And The Ability To Experiment With Various Gear N...

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Shrinkwrap Killers

LP | 2020 | US | Original (Iron Lung)

18,99 €*

Sixteen Purple Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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On the 'Stolen Electronics...' single we met our shrinkwrapped malefactor mid spree, filled with ire and intent. Since then, there has been a rash of strange occurrences and even some time travel that may or may not have resulted in our current pandemic situation. Like, we're not saying he single-handedly caused the world to turn upside down and stay inside but we're not NOT saying that either. Lucky for all of us, he came up on some fresh gear and wrote a few more downer garage punk space tunes to keep the gray matter from becoming completely egg smooth." Edition of 350 on black vinyl housed in a 24pt jackets with lyric sheet (essential!) and download card included.

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Shook Ones

LP | 2005 | US | Reissue (Revelation)

Rejected Fish Black Vinyl Edition

Release: 2005 / US – Reissue

Genre: Rock & Indie

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Sixteen is a record of youth, ambition, and reflection. Titled after the number of questions asked in the lyrics, and written/recorded as the members faced impending graduation from school, Sixteen is an album about where we’ve been and where we’re going. Musically, there’s no question and no shame in the influences from all things Yemin, but that appreciation for the past is filtered through courage for the future and the band’s own approach to what was once known as pop-punk, establishing their own homage to melody and ambition. That recognition of the past as an affect of the future is prevalent in the lyrics as singer Scott Freeman considers how the person he’s been, the person he is, and the person he wants to be all fit into a world that isn’t always receptive to straying from the beaten path. If you’ve ever been in that time of your life where you are equally terrified of the future taking over your past and excited to see what that looks like, this is the soundtrack to that time. It can be owned on vinyl once

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Shitkid

LP | 2023 | EU | Original (PNKSLM)

12" | 2024 | UK | Original (Riot Season)

Release: 2023 / EU – Original

Genre: Rock & Indie

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As part of PNKSLM’s 10 year anniversary series of special releases/represses - we're over the moon to finally present ShitKid - "Rejected Fish"! This is the previously unheard, studio version of the now legendary debut album "Fish".

ShitKid originally recorded "Fish" at MFG Studios here in Stockholm, with myself Luke Reilly on production duties. The week before it got sent of to the vinyl pressing plant though, Åsa had a bit of a panic that it "sounded too good for ShitKid" - and she ended up re-recording all the songs herself on garageband (mostly in her car) - and this super lo-fi take was the version that ended up getting released.

Obviously at the time ourselves, plus our PR and radio partners were a little shocked, but as always, Åsa made the right move (in ShitKid we trust) and the album went on to be the best selling PNKSLM vinyl, streamed millions, won awards, and made fans out of the likes of Iggy Pop and Billie Joe Armstrong. And almost the best part was how divisive the lo-fi recordings made the record - Fish received both the best and worst reviews we've ever had on the label!

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Shit And Shine

Rum And Coke

LP | 2023 | EU | Original (Katalog)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Shit And Shine return to Riot Season where it all began with their debut 'You're Lucky To Have Friends Like Us' (2004) for their 20th anniversary.

Rum And Coke, is only available as a limited edition white vinyl LP (300 copies worldwide) with download code and hype sticker. The album also features vocals from Callum Howe (The Shits) and it’s Shit And Shine at their filthy/noisy best

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Sheebaba

Bruit_re

Release: 2023 / EU – Original

Genre: Rock & Indie

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Rides Yet Again Yellow Vinyl Edition

Shawn Lee

LP | 2022 | EU | Original (Legere)

23,39 €* 25,99 € -10%

Release: 2022 / EU – Original

Genre: Rock & Indie

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Sharon Van Etten & The Attachment Theory Black Vinyl Edition

LP | 2025 | US | Original (Jagjaguwar)

Release: 2025 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2025-02-07

From the off, Sharon Van Etten & The Attachment Theory issonically different from Van Etten's previous work. Writing andrecording in total collaboration with her band for the first time,Van Etten finds the freedom that comes by letting go. The resultof that liberation is an exhilarating new dimension of sound andsongwriting. The themes are timeless, classic Sharon - life andliving, love and being loved - but the sounds are new, whollyrealized and sharp as glass.Reflecting on this new artistic frame of mind, Van Etten muses,"Sometimes it's exciting, sometimes it's scary, sometimes you feelstuck. It's like every day feels a little different - just being at peacewith whatever you're feeling and whoever you are and how yourelate to people in that moment. If I can just keep a sense ofopenness while knowing that my feelings change every day, thatis all I can do right now. That and try to be the best person I can bewhile letting other people be who they are and not taking itpersonally and just being. I'm not there, but I'm trying to be thereevery day."Sharon Van Etten & The Attachment Theory is a quantum leap inthat direction.- Lol Tolhurst

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Sharon Van Etten & The Attachment Theory Amber Galaxy Vinyl Edition + Laptop Sticker

LP | 2025 | US | Original (Jagjaguwar)

Release: 2025 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2025-02-07

Awareness Edition: Amber Galaxy Vinyl + Laptop Sticker.From the off, Sharon Van Etten & The Attachment Theory issonically different from Van Etten's previous work. Writing andrecording in total collaboration with her band for the first time,Van Etten finds the freedom that comes by letting go. The resultof that liberation is an exhilarating new dimension of sound andsongwriting. The themes are timeless, classic Sharon - life andliving, love and being loved - but the sounds are new, whollyrealized and sharp as glass.Reflecting on this new artistic frame of mind, Van Etten muses,"Sometimes it's exciting, sometimes it's scary, sometimes you feelstuck. It's like every day feels a little different - just being at peacewith whatever you're feeling and whoever you are and how yourelate to people in that moment. If I can just keep a sense ofopenness while knowing that my feelings change every day, thatis all I can do right now. That and try to be the best person I can bewhile letting other people be who they are and not taking itpersonally and just being. I'm not there, but I'm trying to be thereevery day."Sharon Van Etten & The Attachment Theory is a quantum leap inthat direction.- Lol Tolhurst

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Sharon Van Etten & The Attachment Theory Amber Galaxy Vinyl Edition

LP | 2025 | US | Original (Jagjaguwar)

Release: 2025 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2025-02-07

Awareness Edition: Amber Galaxy Vinyl.From the off, Sharon Van Etten & The Attachment Theory issonically different from Van Etten's previous work. Writing andrecording in total collaboration with her band for the first time,Van Etten finds the freedom that comes by letting go. The resultof that liberation is an exhilarating new dimension of sound andsongwriting. The themes are timeless, classic Sharon - life andliving, love and being loved - but the sounds are new, whollyrealized and sharp as glass.Reflecting on this new artistic frame of mind, Van Etten muses,"Sometimes it's exciting, sometimes it's scary, sometimes you feelstuck. It's like every day feels a little different - just being at peacewith whatever you're feeling and whoever you are and how yourelate to people in that moment. If I can just keep a sense ofopenness while knowing that my feelings change every day, thatis all I can do right now. That and try to be the best person I can bewhile letting other people be who they are and not taking itpersonally and just being. I'm not there, but I'm trying to be thereevery day."Sharon Van Etten & The Attachment Theory is a quantum leap inthat direction.- Lol Tolhurst

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2LP | 2021 | US | Original (Ba Da Bing!)

Epic Ten

The King Of Sudanese Jazz

Release: 2021 / US – Original

Genre: Rock & Indie

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“epic represents a crossroads for me as an artist. Going from intern to artist at Ba Da Bing, from solo folk singer to playing with a band for the first time and beginning to play shows on tour where people showed up. I am in awe of the artists who wanted to participate in celebrating my anniversary and reissue, from young inspiring musicians, to artists who took me under their wing, who I met on tour, and to artists I’ve looked up to since I was a teenager. Each one of these artists continue to influence my writing and provide a sense of camaraderie during this new era of sharing music.” –Sharon Van Etten Sharon Van Etten’s career since the release of her second album, 2010’s epic, is well-known; critically lauded albums, films, and television shows have continually displayed her expanding artistry. Upon its release, epic laid a romantic melancholy over the gravel and dirt of heartbreak without one honest thought or feeling spared. Her songs covered betrayal, obsession, egotism, and all the other emotions disliked in others and recognize in oneself. Van Etten’s grounded and clenched vocals conveyed a sense of hope—the notion that beauty can arise from the worst of circumstances. To celebrate the 10th anniversary of this special album’s release, and to acknowledge the convergence of Van Etten’s present and past work, she asked fellow artists she admired to participate in an expanded reissue, where each artist would cover one different song from epic in their own style. Some are musicians Van Etten herself admired in her early days (Fiona Apple, Lucinda Williams, and Aaron Dessner and Justin Vernon of Big Red Machine), some are peers (Courtney Barnett, Idles), and others are part of a younger generation of innovators (Shamir, St. Panther). What they all share is embodied by epic—a musician frankly communicating the power of music. The resulting epic Ten is a double album featuring the original plus the new album of epic covers and reimagined artwork.

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Sharhabil Ahmed

LP | 2020 | EU | Original (Habibi Funk)

The Sun Still Seems To Move Coke Bottle Clear Vinyl Edition

Release: 2020 / EU – Original

Genre: Organic Grooves, Rock & Indie

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We're super happy to announce our 13th release by Sharhabil Ahmed, the actual King of Sudanese Jazz (he actually won that title in a competition in the early 1970s). Sonically it sounds very different from what Jazz is understood to sound like outside of Sudan. It’s an incredible unique mix of rock’n’roll, funk, surf, traditional sudanese music and influences from Congolese sounds. Original copies of Sharhabil recordings are often hard to find, so we’re happy they will now be widely available. “Argos Farfish” which was featured on our last comp amassed close to 400.000 plays already.

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Shannen Moser

LP | 2022 | US | Original (Lame-O)

LP | 2024 | US | Original (Palilalia)

Release: 2022 / US – Original

Genre: Rock & Indie

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Shannen Moser wants to have a conversation: with their pastselves, their present self, their undesignated, unfurling future selves; with the trees that adorn their old street, and the door they used to call home; with the shadows of lovers-turned-to-friends and the overwhelming cacophony of abrupt change. They're drawing a map but the port of call is cloudy and indistinct. It's while traveling along these nebulous contours that their latest album The Sun Still Seems To Move forms a kind of physicality, of outstretched giving hands, that offers a guide through the fog. Here, Moser examines the disorientating, challenging task of trying to hold onto ourselves - and everything else - all at once. But this isn't a fatalistic journey of melancholy or apprehension. Instead, Moser celebrates the small steps and the unwavering perseverance that makes it all worthwhile. Moser's previous albums Oh, My Heart (2017) and I'll Sing (2018) were praised for their careful, intimate arrangements that showcased their sharp, interpersonal narration and timeless lush vocals. On The Sun Still Seems To Move, their first release in four years, Moser takes the arresting simplicity of their past LPs to form a malleable foundation, and combines it with orchestral swells and poignantly-rich harmonies. The Sun Still Seems to Move is an album of reckoning with death and trauma, with all the shapes that love can take and all the people we've been and will become. It's a record of regret and relief, unlocking every facet of feeling with an unabashed yet tender vigor. It's watching the clouds bend to a new shape and still staying outside. It's cry-laughing on the phone to an old friend, and trying to trust yourself again. By leaning into-and being at the whim-of this kind of vulnerability, Moser is able to navigate the spaces between the losses to produce a truly honest and lustral work. "Holding space for all of these feelings is confusing, but I think that's what makes the world turn," they explain. "It's love and grief existing in tande...

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Shane Parish

Repertoire

10" | 2024 | UK | Original (Weltschmerzen)

Release: 2024 / US – Original

Genre: Rock & Indie

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"Imagine: It’s sometime in the back half of the 19th century, America. You’re sitting in the parlor of your mansion, or in the only room of your shack; things are dusty and smell like sweat and hair, no matter how wealthy you may be. You don’t own a phonograph, and you don’t know who Tony Hawk is, but you have an inkling of how good the word 'shred' is going to feel when it enters the local slang. Suddenly, a tall, elegant figure with beautifully maintained fingernails emerges from some corner of the room, carrying a guitar. He says in a soft voice, 'I have a transmission for you, from the coming few centuries. Would you like to hear it? I figured you wouldn’t have a dongle, so I brought my guitar.'

You may be apprehensive, but you shouldn’t be. Shane happens to be an internationally renowned virtuoso of the guitar. Specifically, he’s the kind of virtuoso who is as deep on style as he is on technique. His technical prowess is almost maddeningly complete; aiming paradoxically for the yards-long target called “breadth” he’s somehow hit all of it, 500 arrows piercing every pore of the landscape. He has that much technique not for the sake of guitar worship but to best bring the music forth clearly and in his own hand, like a pearl formed in a specific sea. I know this because I’ve sat next to him in multiple countries and American states and seen him deliver transmissions of that extreme honesty, with that extreme capability.

Like Derek Bailey’s 'Ballads,' this record brings you into the room and the breath of a true musician whose mastery does not overshadow his appreciation of the music that inspired it. The title, 'Repertoire,' underscores the beautiful songs he chose to perform, all standards of 20th century musical excellence. The in-time persistence of his blues-walked 'Lonely Woman.' The grand registral descent he performs on 'Pithecanthropus Erectus,' like a rare document of the trip down from Everest. Dig how 'Better Get Hit in Your Soul,' emphasizes the folk blues water coursing through Mingus’s Ellingtonia, how Aphex Twin’s 'Avril 14' and the Minutemen’s 'Cohesion' sound so much older than Cage’s 'Totem Ancestors.' 'Repertoire' puts forth the idea that time is arrangement: time and arrangement are each only as successful as they are faithful to their origins and expansive in their style.

Again, lest you fear the alien smoothness some associate with the concept 'virtuoso,' remember here we’re dealing with a time- traveler. His virtuosity is home grown, born of human work rather than some abstract or divine touch; the aim is not to go beyond the realm of human technical possibility but to expand it in the direction of human, meaning, timely. This guy can play anything, and for you, for this record, which sounds intimate and as present as a transmission from a time-traveler, he chooses to."—Wendy Eisenberg

Member of the Bill Orcutt Quartet and Tzadik Recording Artist

Solo guitar arrangements of various jazz /avant garde/electronic/etc. tunes.

Edition of 500 copies.

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Shallov

Coexist, Refrain

LP | 2021 | US | Original (Unrock)

Release: 2024 / UK – Original

Genre: Rock & Indie

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The Slovak band Shallov releases their new track "Refrain" on the experimental label Weltschmerzen just one year after the release of "Coexist". Two tracks that both span more than 10 minutes in length, work together as one coherent audiovisual art piece and are out as an EP on 10" vinyl. Music videos do not only visually supplement both tracks but they are equally autonomous art pieces.

The visual feature of the music pieces is highlighted by the vinyl's cover painted by Slovak artist Michal Fízik. The previous back cover carries a photograph which served as an inspiration for the painting while the current back has been created via AI reinterpretation.

The musical component of Refrain is based on a repetition building into a hypnotic trance, gradually disintegrating so it eventually ends in a monumental climax. It contrasts the band's previous work as well as the track Coexist which uses rather neverending rhythmic variations, and a changeable vibe and atmosphere.

The concept of the visuals in Coexist is a result of a collective fusion between the theatre director Adam Dragun, Viktor Ori and dozens of other participating non-actors. The video depicts individualistic egoist actions shaping a contradicting and incomprehensible totality of the world which ultimately seems to be alienated to everybody.

Refrain is an introspective journey leading to the dissolution of the individualistic experience of human existence. The video's concept, direction and production was conducted by the visual artist and performer Jak Užovič who also tends to inter-media art and object installations.

As Shallov and Jak Užovič explain the track's conceptual background: "The idea of owning one's own body and mind is an unnatural way of looking at ourselves imposed by the dominant paradigm. It's a blind ideology - the view of a body as a machine or a commodity is incomplete and represents a materialistic utopia which is being systematically internalized. We're not a community that acts right or wrong, our intentions are determined by an ideology which pretends not to exist - our relations are relations of masters and slaves, of domination and exploitation. We are a society bound by these features and even though we refuse to admit it, the world presented to us is only a legend we're striving to keep alive at all costs, while believing that there is no alternative. Our quality doesn't stem magically from the inside, on the contrary, it's determined by the conditions within which we interpret it through collectively shared fictions. We don't get to know our consciousness through ourselves, but we recognize it through others as they create and form us."

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Shalabi Effect

Freinds Of The Prophet 6

That Within Blood Iii - Tempered Red Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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"Follow up to their 2012 "Feign To Delight, Gaiety Of Gods" on Beirut's Annihaya Records, the long history of the band continues. An eclectic multi-instrumentalists delight from Will Eizlini, Anthony von Seck, Alexandre St-Onge and Sam Shalabi. Features the centerpiece "Det. Nussbaum's Worst Case" with the formidable Manuela Giron's vocal-performance, telling a wonderful weird story of true life. . El burro sabe mas que tu...Nadietequiere.. A grown band on the peak of their power on a roundtrip through their extensive musical world, adding analog electronica, echoing guitars, notes from oriental landscapes, Mariachi adaptions and grand piano. Robotic player piano homunculus of Bach - If he was build by Bedouins in Upper Egypt ..and ketamine, cannabis and mushrooms. A Middle-Eastern Frankenstein. Limited edition one time pressing of 300 copies" (label info)

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Shai Hulud

LP | 2003 | US | Reissue (Revelation)

A Proufund Hatred Of Man Blue Vinyl Edition

Release: 2003 / US – Reissue

Genre: Rock & Indie

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Considered by many to be “true” metal-core, Shai Hulud has been one of the most influential bands within the genre since their inception in 1995. After multiple full-lengths, EPs, collected works and various member changes, Shai Hulud is still touring the world with legions of fans supporting them. That Within Blood Ill-Tempered is a testament of heart, passion, and sincerity. Musically, Shai Hulud has maintained the sound they initially re-invented— an angered and melodic, multi-layered blend of beauty and aggression. A Profound Hatred Of Man demonstrated a technical hardcore style that influenced the entire metalcore scene and broke through lyrical theme barriers. Hearts Once Nourished With Hope And Compassion displays some of the most honest and darkest thoughts of Shai Hulud’s career. From the opening guitar chord of “Solely Concentrating On The Negative Aspects Of Life,” it only gets uglier and more real with each track.

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Shai Hulud

LP | 2006 | US | Reissue (Revelation)

LP | 2023 | US | Original (Sentient Ruin Laboratories)

Release: 2006 / US – Reissue

Genre: Rock & Indie

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Shadows

Out For Blood

LP | 2024 | UK | Original (Stolen Body)

Release: 2023 / US – Original

Genre: Rock & Indie

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After the pure magic and fire of the Into the Nightmare precursor demo tape, we're thrilled to bring you its full-scale successor and evolution: the unrivaled debut album by Chilean heavy metal cult Shadows. Packing in 30 minutes of legendary songwriting and visionary revivalism Out for Blood take us back to a time, somewhere in the early '80s, when acts like Mercyful Fate, Satan, Death SS, Judas Priest, and Alice Cooper were laying the unforgettable foundations of what would soon become a generational, industry-changing phenomenon: the defining of heavy metal as we know it. A raging and undying fire of searing leads, thundering drums, spooky operatic vocals, ripping guitars, unforgettable hooks and outrageous transgression. With no hesitation or limits to its deathless imagination, Shadows has conceived a classic metal crucible of unparalleled wizardry and dominance, using familiar concepts borrowed from dark b-movies, old comic strips, occultism and esotericism to take the listener down a dark, left-hand path of cinematic storytelling, thrilling fantasy, dark impulses and transgressive paranoia. The ten tracks of Out for Blood display a breadth of tricks and expertise rarely seen at such an accomplished level in contemporary Nwothm and classic metal acts, and this should come as no surprise knowing that Shadows mastermind and main songwriter John Shades (a pseudonym of Cristian Silva of Apostasy fame), has been shaping the pillars of true and untamed underground South American heavy metal for at least three decades. Using a mist of dark, keyboard-laden atmospheres, vorticose melodies and a dominating, dual attack of criss-crossing, blazing razor-sharp solos, Shades and his co-conspirators have unfolded a half-hour of absolute, boundless imagination, covering almost fifty years of heavy metal evolution and transformation, and delving deep into the primordial fabric of the genre's most defining traits, those of technical extremism, frantic intensity, and adrenaline-pumping darkness. A full-frontal assault on the senses where the limitless imagination of epic storytelling and of rare musicianship have converged in creating the ultimate homage, heirloom and celebration to the undying, sacred and eternal flame of heavy metal.

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Shadow Show

Fantasy Now

Here's Tom With The Weather Oxblood Color Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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Hailing from Detroit, Shadow Show is an uncompromising power trio that combines elements of 60’s garage-psychedelia into a 21st century modern pop-art incarnation. Sleek and spellbinding, the music sweeps you up into frenetic grooves and dazzling harmonies. Their music pushes the boundaries of what can be, yet remains deeply rooted in the raw, untouchable Detroit sound. Three years ago, Shadow Show released their debut album, “Silhouettes,” in the US (Burger Records) and UK (Stolen Body Records). Since then, they have dedicated themselves to writing, arranging, and producing their epic masterpiece, “Fantasy Now!”, while occasionally taking breaks for full length US, UK, and EU tours, as well as obtaining support dates with bands like Automatic, Death Valley Girls, The Nude Party, and the 5.6.7.8’s, to name a few. “Fantasy Now”’ is a huge step forward from their debut LP, reaching a more ambitious Sgt. Peppery psychedelic vision that includes swirling pop melodies, fuzz guitar hooks, flutes, tympani, backwards surprise twists, and a magical medieval acapella interlude. Shindig Magazine says Shadow Show "transport the listener down a spiral into the mind's eye.” Allmusic praises their "kaleidoscopic explosion of tremolo guitars and mod pop vocal harmonies.” The band has recently completed a USA tour, and full USA and European dates are being booked for Spring 2024. Shadow Show’s transcendental triumph, “Fantasy Now!” was written, recorded, and produced by Shadow Show in Detroit, MI, with the exception of “Aunt Maizy,” recorded live in London, UK. Mastered by Warren Defever (Third Man Records, His Name Is Alive).

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Shack

LP | 2003 | UK | Reissue (Shack Songs)

Here's Tom With The Weather Black Vinyl Edition

Release: 2003 / UK – Reissue

Genre: Rock & Indie

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The Shack story is one of music’s greatest legends. It incorporates hardship, bereavement and chaotic misadventure, but above all it tells the tale of beautiful music triumphing over trouble and tragedy.

‘Here’s Tom with The Weather’ boasts a majestic and fresh form. These are magical songs, psychedelic folk songs of the finest Head vintage. Sleepy-eyed, wistful and mystical, yet crafted with a cunning and acute dexterity beyond just about anybody you can think of.

The two profoundly Liverpudlian brothers Mick and John Head have made several brilliant albums together , but none as quickly as ‘Here’s Tom…’ which was completed in seven weeks at Brynderwen Studios in North Wales along with drummer Iain Templeton (rip) , bassist Guy Rigby and producer Jay Reynolds in 2003.

In the 80’s , the two brothers from the notorious Kensington estate in north Liverpool were singer and guitarist with The Pale Fountains , an effervescent pop group which imploded under the weight of two albums in 1986. The Heads returned in ‘88 as Shack and a debut album Zilch. In 1991 , Shack made ‘Waterpistol’ , an inspirational guitar jewel that would have proved just as influential as any British album in that era had the studio not burned down, taking the master tapes with it. Four more years passed , but by the time it was finally released on Marina it had developed ‘lost classic’ status.

The Heads battled on. They toured as their hero Arthur Lee (rip) of Love’s backing band. In ‘97 , they created

a new group called The Strands and recorded the delicate, dreamy masterpiece ‘The Magical World Of The Strands’ . They spent a long time making another classic ‘hms Fable’ , and then decided that next time they wouldn’t take quite as long recording. Enter ‘Here’s Tom With The Weather’.

Showcasing John’s slow , shy emergence as a songwriter to challenge his brother (on the sparkling, heartbreaking ‘Miles Apart’ and ‘Carousel’ , and the spun-out ‘Kilburn High Road’ ) , toasting Mick’s newest confirmation as the most unrecognised genius of his or any other generation (the ode to his bro, ‘Byrds Turn To Stone’ , the mariachi horns that break open the slow folk fog of ‘Meant To Be’ , the two lullaby bookends ..and on , and on) .

“The journey we’ve had together has been beautifully turbulent”, laughs John. “But there’s times when we glide and we’re gliding forward now”

Mick agrees. “Making this album has been frantic, chaos, carnage, intense : the normal way with us. But it doesn’t sound like that. That’s all that matters. The story is what it is. But so are the songs and so are the records. Because we’re good.”

Nobody could disagree with that.

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Shack

LP | 2003 | UK | Reissue (Shack Songs)

27,89 €* 30,99 € -10%

LP | 2024 | EU | Original (I Hate)

Release: 2003 / UK – Reissue

Genre: Rock & Indie

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Sextrash

Funeral Serenade

7" | 2014 | EU | Original (Crucificados Pelo Sistema)

Release: 2024 / EU – Original

Genre: Rock & Indie

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We are honoured to bring you the first official LP re-release of the 2nd album by the South American Deathrash pioneers SEXTRASH! Originally released in 1992. Among the most influential Brazilian artists, together with SARCOFAGO, HOLOCAUSTO, VULCANO and DORSAL ATLANTICA. Side A1.Intro / Funeral Serenade2.Dead Man Visions3.Bizarre4.Wind AssassinSide B5.Prohibited Angel6.Make Sex Not War7.Torment of a Suicide 8.Your Future

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Sex Dwarf / Warthreat

Split

6,99 €*

Sergio Messina & The Four Twenties

Release: 2014 / EU – Original

Genre: Rock & Indie

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1st press

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Sensual Musicology

LP | 2022 | UK | Original (Hell Yeah)

19,99 €*

LP | 2022 | UK | Original (Apollon)

Release: 2022 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Legendary Italian musician Sergio Messina serves up his 13 track Sensual Musicology on Hell Yeah this March. It comes a couple of years after he first released on the label's Buena Onda compilation and takes in everything from demented waltz to grown-up jazz, groovy beach music to heart-aching melancholia with artwork by virtuoso Italian AD DeeMo. Now based in Lombardy, Sergio was there at the birth of pirate radio in the mid-seventies and eventually produced Radio art for national broadcaster Rai. At the same time, his DJ career took off and he helped establish Hip hop in Rome before taking his own live show to the stage with a mix of PCs, samplers and tape recorders as early as 1989. Frank Zappa declared himself a fan and in the years since Sergio has done everything from radio art to producing Neapolitan reggae and hip hop band 99 Posse, producing his own solo albums and writing for monthly music magazine Rumore.

On top of this, he has both written books about and delivered lectures on the digital porno revolution, as well as teaching History of Pop Culture at the Istituto Europeo di Design in Milan. All this makes him a truly original creative thinking who has long been immersed in many niche facets of popular culture. Sensual Musicology took several years and four different locations to happen. Its release has been delayed by the pandemic, during which Sergio lost many friends and relatives close to him. As a result, the album is dedicated to all of them. It is a record that addresses many topics from economic migration to jazz piano, 60s blues motifs to corruption, pollution and racism via Michael Jackson covers, odes to West Coast guitar albums and spaced-out pieces of electronica. Opening with the beautifully delicate Mingus melodies of 'Goodbye Porkpie Hat' the album roams through the bluesy Italo-American-Jamaican groove of 'Amara,' slow melancholy of 'Sometimes Remember' with classy vocals from chanteuse Valeria Rossi and 'The Way You Make Me Feel', an acoustic rebuild of Michael Jackson's hit song. Then comes the serenade that is 'Just Because You're Dead,' and ‘Sono Stufa di Tutto’ which is based around a protest speech recorded from the radio in the 1980s. Jon Hassell Beach Bar' is a musical hybridisation for dancing pleasure. The second half of the album takes in 'Ouana Di lambo' which is the Four Twenties taking you to a cocktail bar in the tropics, 'Benjamino Placido' which is a melody for a man who inspired Sergio to start writing his columns, and 'Nowhere Special' which is a tribute to West Coast guitar albums. Closer ‘Switchblade Bolero' has a Zappaesque theme. Sensual Musicology is a rich and diverse musical world that is as thought-provoking and deep as it is emotionally rewarding.

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Separate Bed

39,99 €*

4LP | 2024 | UK | Original (The state51 Conspiracy)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Separate Bed’s self-titled debut album features several collabs with electro-acoustica artist Mari Kvien Brunvoll. The album is produced by Robert Jønnum (Kings Of Convenience, St. Thomas). Bosse Litsheim is a permanent member of the critically acclaimed band Ai Phoenix. For a number of years he has toured and worked in studios with artists such as St Thomas and Hotel Hotel. Separate Bed is Bosse's first solo project, where he has worked on songs in collaboration with Tarjei Thomassen and Robert Jønnum (Kings Of Convenience, St. Thomas).

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Senyawa

Vajranala

45,99 €*

LP | 2020 | UK | Original (Pleasuresonic Recordings)

Release: 2024 / UK – Original

Genre: Rock & Indie

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In tandem with the recorded album Senyawa undertook the creation of the Vajranala Monument, a 21st-century artefact standing 3.5 metres tall and 2.8 metres wide with a thickness of 2.4 metres, made up of 4100 pieces of carved red brick, surrounded by 26 carved andesite stones. The monument possesses a feature that can emit fire and is built with the hope of becoming a knowledge artefact for humans in the future.

Vajranala sees the Indonesian experimental duo of vocalist Rully Shabara and multi-instrumentalist Wukir Suryadi explore how, over centuries, the natural world has shaped our society, the knowledge systems from which power derives, and why that still resonates today. It’s an exercise in understanding the root of the power (knowledge) discussed in their 2021 release Alkisah. When it comes to ‘power’, says Senyawa vocalist Rully Shabara, “people will normally think of someone political, but I don’t think that’s the case. The origin of power goes deeper than that.” It’s the shamans, he says, who were the first possessors of power: “If you’re in a village, if you’re considered to have the knowledge to connect people with the realm of the gods, then you will have power before the leader. It’s very fundamental to explore this.”

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Semisonic

You're Not Alone

15,99 €*

Release: 2020 / UK – Original

Genre: Rock & Indie

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Subliminal Plastic Motives

Self

LP | 1995 | US | Reissue (Fat Possum)

LP | 2024 | US | Original (Pirates Press)

Release: 1995 / US – Reissue

Genre: Rock & Indie

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"Self's debut album is an impressive home-brewed amalgamation of crunchy post-grunge guitars, unusual samples, and cotton candy pop vocals. Imagine Nirvana's chord progressions overlaid with Jellyfish-type vocal harmonies, all processed through Beck's idiosyncratic, sample-based production aesthetic, and you've got an idea of what you're in for ... an overlooked album."-AllMusic.

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Seized Up

Modify The Sacred

Seitsemäs Maailma Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Featuring an impressive pedigree including members of Bl’ast!, Good Riddance, THE Distillers, and Fast Asleep, the band picks up right where they left off on their 2020, debut LP, Brace Yourself, with a ten-song barrage of relentless, uncompromising rage, touching on topics such as religion, self-medication, and survival in a—literally and figuratively—sick society. In between playing shows with legendary acts like Quicksand, Fear, R.K.L., and Propagandhi, the band got back together with Paul Miner at Buzzbomb Studios to lay down the follow-up to their explosive debut. All in all, it is a continuation of the band’s fast and hard approach in every way, and if anything, the band is more dialed-in and focused than ever. The songs on the record come from extremely personal and often dark places for singer and lyricist Clifford Dinsmore, such as the first single, “Hanging In The Balance.” He explains, “In the time period I was fighting cancer, I was shacked up, feeling like a prisoner in my own house. Living in a semi-purgatory state, I felt like I was looking at the world from an outside view.” Of the bleak, punishing “Omen Of Despair,” guitarist Danny B simply says, “Musically and lyrically, this is where we feel Seized UP is right now.” The band also re-recorded “Forum Of Decay,” from their 2021 7”, wishing for it to be featured on the album with the laser tightness the band is now playing with after five years as a unit.

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Seitsemäs Maailma

LP | 1983 | EU | Reissue (Svart)

Krossa Valdspatriarkatet White Vinyl Edition

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Svart Records set to re-release the debut and only album by the Finnish rock band Seitsemäs maailma.

Originally released in 1983 and produced by Pekka Aarnio (Agit-Prop), the album’s lyrics were mostly based on the poems of Leo Voss. The band was formed by the members of Se (Eeva Koivusalo – bass, P.A. Ulmanen – keys, Yari – guitar, vocals) with Liisa Tavi (vocals), Charlie (Lama) (guitar, vocals), Sidi Vainio (Briard) (drums) and Kari Hipponen (guitar).

The self titled album by Seitsemäs maailma will be released on April 28th. Available on a Svart exclusive yellow vinyl limited to 100 copies and black vinyl limited to 200 copies. Both versions include a 8-page insert.

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Seitan

LP | 2021 | EU | Original (Burning Anger)

21,99 €*

D-Beat Hippie Lovers White Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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1st press

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Seitan

LP | 2021 | EU | Original (Burning Anger)

16,49 €* 21,99 € -25%

LP | 2022 | UK | Original (Fuzz Club)

Release: 2021 / EU – Original

Genre: Rock & Indie

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1st press

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Sei Still

Fuzz Club Session

28,99 €*

Retrofit Orange Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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Right off the back of their second album 'El Refugio' which was released in November 2021 via Fuzz Club Records, Mexican post-punk/krautrock group Sei Still are back with a 'Fuzz Club Session' LP that's due out January 21st 2022. Having upped sticks from Mexico City to Berlin, Sei Still's Fuzz Club Session was recorded live at Berlin's Monoton Studio back in October 2020 and is comprised of five tracks from the newly-released 'El Refugio' LP: 'Esperando' (later titled 'Saldados Caidos' on 'El Refugio'), 'Hombre Animal', 'Las Puertas De La Noche', 'Me Persigue' and 'Se Asoma el Sol' (later 'Solsticio'). 'El Refugio' and the session LP set to be released in support capture a new era for Sei Still. The expansive Krautrock jams heard on their 2020 self-titled debut have evolved into a dark, motorik post-punk sound that owes far more to 70s punk, goth-rock and Spanish New Wave than any kosmische travellers. The session is released on 180g black or white vinyl with a printed inner sleeve and is accompanied by a series of videos recorded during the session.

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Section 25

LP | 2023 | UK | Original (Factory Benelux)

28,99 €*

Shine Baby Blue Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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Factory Benelux presents a limited (500 copies only) orange vinyl edition of Retrofit, the seventh studio album from post-punk trailblazers Section 25, originally released in 2010. First time on vinyl.

Recorded before the untimely death of founder member Lawrence Cassidy in February 2010, Retrofit saw cult Factory Records group Section 25 revisit key tracks from their 1980s back catalogue, remade and remodelled for the 21 st century using an appropriate mix of new and old technology.

‘Gathered here is a selection of Section 25 faves, re-recorded and re-thought. The idea is born from their invigorating live set – compelling use of technology to lift them (almost) free from the familiar shards of 80s underground. Shockingly, this newattack works. All this tightening appears to have tugged the band into a sense of Now, gloriously at odds with the contemporary norm’ (The Quietus)

‘Audacious and innovative’ (Record Collector)

‘Section 25 might just be the best band in the world. Since 1980 they’ve been forging music that is as beautiful as it is challenging, from the monochrome psychedelia of their first album through Zen guitarscapes, electronic epiphanies, the arguable invention of Acid House, and on to an unexpected rebirth in 2006. Even within the narrative of such an unusual band, Retrofit is an odd confection: not a best-of or remix album, but a retrospective in which tracks are remodelled as gleaming technosculptures with the most human of hearts.’ (Glasgow Herald)

Now released on vinyl for the very first time, FBN 140 is limited to just 500 copies pressed on orange vinyl. The digital copy contains 5 bonus tracks, including a blistering re-boot of Looking From A Hilltop by Stephen Morris of Joy Division/New Order.

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Sean Nicholas Savage

LP | 2022 | US | Original (Arbutus)

LP | 2023 | US | Original (Mt. St. Mtn.)

Release: 2022 / US – Original

Genre: Rock & Indie

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Canadian cult songwriter Sean Nicholas Savage is renowned for his bitter sweet ballads, and beautifully raw live performances, his singing delicate and brave, full of energy and space. Each new record is an adventure in sensitivity and nuance.Shine is a record about recapturing the will to live after a period of sadness and stagnancy, and the return to positivity and hope wrapped up in music that adds a sense of rhythmic guitar-based folk intimacy to Savage's hallmark ebullient avant-pop. Savage says he was leaning into his "Tatsuro Yamashita and Elliott Smith fandom" for Shine, a mix that immediately comes through vividly on opener "Feel Like A Child," which was the first song he wrote for the record. The pandemic had taken both an emotional and artistic toll on Savage, sapping his ability to be creative. It was after a long stay spent alone on the island Crete, sitting and staring at the sea that he felt a spark coming back to him. He sang "a long joyful memo" into his phone as he fell asleep one night, transcribing the words upon return to his home in Berlin and putting them to music.This reaffirmation of love and healing is at the heart of all the songs that make up Shine, not only thematically but sonically as well. Shine was recorded in Los Angeles with Savage's longtime friend Mac DeMarco, who produced the record. "With [2020's] Life is Crazy, I was delving into the overwhelming emotional experience of life and with Shine, I just wanted to dive in and be more healing," he says. The difference is apparent in Savage's vocals, which have a raw and intuitive feel to them. Instrumentally, Shine differentiates itself from Savage's past records through the use of the guitar as the primary instrument. While these are not straight-ahead folk songs, they do borrow from that genre's sense of closeness. On the title track, Savage sings of a place at the end of the world where one can find the seed of an entirely new universe within the gleaming eye of a seagull, and how that can expand one's sense of existence within something greater - "Every night we're still alive/ The moon sighs over you and I," he sings.

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Seablite

Lemon Lights

LP | 1992 | EU | Reissue (1972)

Release: 2023 / US – Original

Genre: Rock & Indie

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Seablite is a four-piece pop band from San Francisco inspired by 80s/90s indie and shoegaze. Seablite was formed in 2016 when Lauren Matsui (vocals / guitar) and Galine Tumasyan (vocals / bass) bonded over a mutual appreciation of early 90s Britpop and UK underground music. The pair began writing songs and soon after Jen Mundy (ex-Wax Idols) joined on second guitar and Andy Pastalaniec (Chime School) would eventually join on drums. They have released an LP (2019’s Grass Stains and Novocaine) and 7" single (“Breadcrumbs” c/w “Ink Bleeds”) via Emotional Response Records and a 10" EP (High-Rise Mannequins —recorded and produced by Alicia Vanden Heuvel of the Aislers Set) in conjunction with Spain’s Meritorio Records. The band is among San Francisco’s current indie pop renaissance and have opened for the likes of Brian Jonestown Massacre, The Charlatans and Ladytron upon their recent Bay Area visits. Seablite has finished their sophomore album, Lemon Lights. Recorded over the summer of 2022, Lemon Lights contains 12 dreamy pop tracks showcasing the group’s continued growth and maturity and marks a strong progression from their debut album. After recording basic bed tracks with Robby Joseph, the band finished overdubs in their practice space and Lauren's apartment. The freedom of home recording allowed them to experiment, resulting in an organic and intuitive manifestation of the band's emotions and creativity - a sonic inkblot of unfiltered pop appreciation. One may hear Manchester undertones on "Hit the Wall" and “Melancholy Molly”, or the feminine noise-pop of Lush on "Pot of Boiling Water" but Seablite are not to be mistaken for anglophile copycats. Seablite incorporates the jangle of their San Francisco “Fog Pop” contemporaries on tracks like “Hold My Kite” and a relentless and driving guitar on “Blink Each Day”, while the wonderfully dark elements on “Monochrome Rainbow” and the wistful closer, “Orbiting My Sleep” give them a wide range of sounds and vibes.

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Sea Urchins

Stardust

40,99 €*

Moonlight Butterfly Opaque Tan Vinyl Edition

Release: 1992 / EU – Reissue

Genre: Rock & Indie

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Cutting their teeth as teens in a West Bromwich bedroom, The Sea Urchins were nothing like the heavy metal that seemed to fill every bar in the UK Black Country. Fringe haircuts, perfect trousers, suede jackets and infectious tambourines gave plenty of hints as to their youthful ambition, but nothing could fully prepare you for just how utterly spellbinding these songs would be. Compiling their fanzine-only flexi material with the full complement of singles for Sarah Records, Stardust runs chronologically from late 1986 to the middle of 1989, beginning with the singles split for Clare Wadd’s Kvatch and Matt Haynes’ Sha La La, before hitting the first of what would be an even hundred releases from the new label Wadd and Haynes would form - Sarah. The song that launched a legendary label and defined a sound, a scene, a place and time; “Pristine Christine” still rings out as immediate and magical today as it did on first listen. What a glorious jangly rush racing around the corners of pop’s history! The band would reach such heights time and again over the course of this three year burst. The melancholy swinging folk of “Everglade” and it’s wonderfully yearning vocal; the organ-fueled british invasion garage rock sing-a-long of “Solace”; the playful psych pop of “A Morning Odyssey”; the acoustic sweep of “Wild Grass Pictures”; the perfectly named “Summershine” leaving you with a ramshackle smile out on the dancefloor. All of it is just so filled with delicate humanity, yet somehow absolutely perfect. As Bob Stanley said about the shimmering ballad “Please Rain Fall” while bestowing it with NME Single Of The Week (an honr also bestowed upon “Pristine Christine”), “think of some variations on the word marvelous and you’re most of the way there.” In their time, they might have seemed wildly out of step, but it’s not crazy to say that things could have been very different for the likes of Radiohead, The La’s, and Oasis without The Sea Urchins.

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Sea And Cake, The

LP | 2011 | US | Reissue (Thrill Jockey)

LP | 2023 | UK | Original (Upset The Rhythm)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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In January 2011 Sam Prekop, Archer Prewitt, John McEntire, and Eric Claridge reconvened at Chicago"s Soma Electronic Music Studios to record their latest release The Moonlight Butterfly. This thirty three minute mini-album finds the band deliverying much more long form and cinematic pieces. The new songs lean upon the band"s more experimental tendencies, taking time to stretch the forms and in someways the new material relates to the way the band re-interpretes some of their songs live. With the band making a shorter than usual record they were allowed to take more chances and ended up with a release that leans a bit more towards the instrumental. Rather than having the vocals be the sole focal point the shifts in emphasis to other instruments facilitated a more open approach. The song "Weekend" from Car Alarm was kind of an unwitting blueprint for some of the new material. Especially the new song "Inn Keeping" where a synthesizer pattern became the armature for the song, a constant to play with and against. "Inn Keeping" is also quite a breakthrough for the band, sounding unlike anything they have done before and breaking the 10 minute mark.

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Screensaver

Decent Shapes

LP | 2019 | US | Original (Don Giovanni)

Release: 2023 / UK – Original

Genre: Rock & Indie

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This October Melbourne/Naarm synth-punk five-piece screensaver return with ‘Decent Shapes’, their second album. ‘Decent Shapes’ is loaded with bubbling tension, a low grade but growing fever, a rising rage. The frustration is so tangible you can taste it. Detachment and dissociation become survivalist coping mechanisms. Thematically, screensaver's latest offering finds them exploring existence on an ever-growing trash heap where we’re desperate for the new, the nice and the shiny. A world where materialism reigns supreme and corporate niceties litter the public dialogue but behind closed doors the sentiment is warlike, total domination is the only answer to the bottom line. All of which is underpinned by the band's sonic sense of urgency and a commitment to creating a sound that taps into the mood and spirit of post-punk whilst also allowing space for new wave elements and electronic experiments to shine through.

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Screaming Females

Singles Too